#dialogue rhythm

[penstricken]

Top Tips for Writing Beautiful Dialogue

Read my top tips for writing dialogue in my new blog post here 👇 #amwriting #writing #fiction #writer

Dialogue is a critical part of any novel. Apart from the fact it makes up a monumental chunk of your overall word count, it can be a powerful tool for creating suspense, driving the plot and fleshing out your characters. Get it right, and you’re halfway towards writing a killer novel. Get it wrong, and you’re done for. If you really want to see a master of dialogue at work, you should read Hills…

[daisywords]

my new writing/editing hack (I'm sure everyone else figured this out years ago) is switching out my "for a moment" and other useless beat markers with just some description of the setting/other characters present. Retaining the right rhythm while throwing in some more sensory detail (something I can be a little sparse with). Anyway I'm a genius for this

[mochiiniko]

gotta love finding new ways to hate on cole /j (ramble thing about act 4 under the cut since ive been thinking about it lately)

im just extremely confused as to why cole just?? left??? or was about to leave middlesea, at least. i find it weird since he was so hellbent on visiting nicole in 2-X

but then he just. leaves

and nicole is the reason why he comes back so why didnt he just

not leave the hospital 💀

then theres also the whole thing with a big chunk of the post 1-XN dialogue being cut after act 5, and while nicoles line being cut out made me sad at first it makes sense because i wouldnt want to talk to cole too sorry </3

i dont think he even told her he was planning to leave which is. cole. girl what were you thinking 😭

edit: looked through the wiki again for more dialogue and yea i forgot about this

and the 2-X clear text makes me even more confused i HATE this man (/lh hes still one of my favorite characters unfortunately)

[natjennie]

play it by ear dropout.tv is sosos so important to me when I'm high. that shit is genuine magic. how are they doing that.

[herosplatling-replica]

if you ask me Ian has a complicated thing going on with his gender but is so busy working on the rhythm defibrillator that he can't really unpack all of that yet. happy miku day

[northwest-by-a-train]

One of my most deeply-held beliefs on culture is that somewhere out there there is a 27yo with a crinkled non-binary flag in the corner of their room, more mugs and dirty plates in their sink than bricks in the tower of Babel, less than 70 of god's own dollars in their bank account to finish the month and five dying plants on the windowsill, crusty stuff in the corner of their eyes, who has crafted a world of aching beauty Tolkien and Homer could only ever dream of, a vision that honours all that is noble and raw in the heart of Man, a vindication of existence and a balm to suffering, all for the benefit of a half-dozen harem pants wearers on a server named "Bingus' Grotto"

[amethystsoda]

💖 💫 Muse Dash 💫 💖

[no-longer-human33]

Rhythm Thiefers... I have both a Japanese and English copy of Rhythm Thief... would anyone be interested if I transcribed all the dialogue from both versions...

[theotherpacman]

ah yes it's my favorite song "HEY LAPIS ARE YOU OKAAAAYYYYY" "yeah" "ARE YOU SURE?" "yeah" ".. IM LEAVIN BUT ILL BE BACK" "okay" "DO YOU NEED ANYTHING?" "no" "....... WHAT SEASON IS THAT" "three"

[junkmailmusubi]

[mariocki]

The Brothers Rico (1957)

"Okay, okay, so nobody's blaming you! Let's just say something happened way back, huh? So maybe I am gonna die. But, Eddie, you've got even bigger troubles. You're gonna live."

[nightmun]

Here’s a quick little sketch I did a while ago of more Cole harassing people, this one based on dialogue from the janitor in game

Here’s the dialogue it’s based on if you’re curious:

[non-plutonian-druid]

heres a treat for the three of you that follow me for voltron. remember that gravity falls au from a million years ago? probably not but here you are anyway!!

[ID: A six panel comic, drawn in a loose sketchy style that could resemble the Gravity Falls style if it were finished. The backgrounds are traced from shots of the gift shop of the Mystery Shack.

Panel 1: Lance leans over the register and hooks an arm around Pidge to see what book she's reading. Pidge looks disgruntled. Lance says, "Oh, Mothman? Are you into that cryptid hunting stuff?"

Panel 2: Lance squashes Pidge a bit so that he can make a frame with both his hands. Pidge protests "HEY". Lance continues, "Have you thought about investigating Keith?"

Panel 3: Through Lance's hand frame, we see Keith, who is stocking shelves and not paying attention. Lance says, "I swear that guy's not human."

Panel 4: The same image as before, except now Keith is looking at Lance and flipping him the bird. Lance says, "I mean, just look at that mull-" but is cut off when Shiro says "Lance."

Panel 5: Shiro, who is also stocking shelves, looks very tired. He has a box of gnome statues tucked under his missing arm, and is holding one of the statues in his other arm. He says, "Just. Why."

Panel 6: Lance lifts his arms and smiles, saying, "Sorry Shiro!" He is still leaned most of the way across the register, but Pidge has escaped his grasp. She is frowning at him and holding her book protectively to her chest. End ID.]

[doomed-era]

thinking about it i absolutely like zelda fics that lean harder into the darker aspects of zelda and have a more serious tone but if i was playing say a zelda fangame i'd be incredibly picky about its tone and dialogue. it's part of the reason i've never played a fangame i just don't think people pay a lot of attention to how zelda dialogue is constructed and just how simplistic/silly it is so they wouldn't be able to recreate it

[random-kido]

Off-rhythm

sounders has a set schedule for himself and star not coming over to gossip to him is setting him off course

bonus

He isn’t the only one being thrown off

[omegaphilosophia]

The Philosophy of Jazz

The philosophy of jazz is a rich and complex topic that encompasses the cultural, social, and musical dimensions of jazz as an art form. Jazz is not only a genre of music but also a way of thinking and being, reflecting values such as spontaneity, creativity, individuality, and community. The philosophy of jazz explores these themes, often connecting them to broader philosophical questions about identity, freedom, expression, and the nature of art.

Key Themes in the Philosophy of Jazz:

Improvisation:

Spontaneity and Creativity: Improvisation is central to jazz, emphasizing the importance of spontaneous creation and the ability to express oneself in the moment. This process challenges traditional notions of composition and performance, highlighting the dynamic interplay between structure and freedom.

Philosophical Reflection: Improvisation in jazz can be seen as a metaphor for life itself, where individuals must navigate unpredictability, make decisions on the fly, and adapt to changing circumstances. It reflects a philosophy that values flexibility, responsiveness, and the capacity to create meaning in real-time.

Freedom and Expression:

Artistic Freedom: Jazz has often been associated with the idea of freedom, both musically and socially. Musicians are encouraged to express their unique voices, experimenting with form, harmony, and rhythm. This freedom of expression is a core philosophical value of jazz.

Social and Political Dimensions: Jazz has historically been a voice for marginalized communities, particularly African Americans. It has been a medium for expressing resistance, resilience, and the struggle for civil rights. The philosophy of jazz, therefore, often intersects with discussions of freedom, equality, and social justice.

Individuality and Community:

Balancing the Individual and the Collective: Jazz is both a highly individualistic and a deeply communal art form. While it celebrates the unique contributions of individual musicians, it also depends on the interaction and collaboration within the ensemble. This balance reflects a philosophy that values both personal expression and collective harmony.

Dialogical Nature: The interplay between musicians in a jazz ensemble can be seen as a form of dialogue, where each musician responds to and builds upon the others' contributions. This dialogical aspect of jazz fosters a sense of community and mutual respect, where each voice is heard and valued.

Innovation and Tradition:

Respect for Tradition: Jazz has a deep respect for its roots and traditions, drawing on blues, gospel, and earlier jazz forms. Musicians often pay homage to past masters while exploring new directions, creating a dialogue between the old and the new.

Philosophy of Progress: At the same time, jazz is characterized by its constant innovation and evolution. The philosophy of jazz embraces change, experimentation, and the breaking of boundaries, reflecting a commitment to progress and the exploration of new possibilities.

The Blues Aesthetic:

Emotional Depth and Authenticity: The blues is foundational to jazz, bringing with it a philosophy that values emotional honesty, resilience, and the ability to find beauty in adversity. The blues aesthetic in jazz emphasizes the expression of deep, often painful emotions, and the transformation of those emotions into something meaningful and uplifting.

Existential Reflection: The blues, and by extension jazz, often grapples with existential themes such as suffering, loss, and the search for meaning. This reflects a philosophy that acknowledges the complexities of the human condition and the power of music to address and transcend those complexities.

Time and Rhythm:

Philosophy of Time: Jazz’s approach to time and rhythm, with its syncopation, swing, and complex rhythmic patterns, reflects a unique philosophy of time. Jazz often plays with the conventional understanding of time, stretching, compressing, and manipulating it in ways that challenge the listener's expectations.

Temporal Experience: This manipulation of time in jazz can be seen as a reflection on the fluidity of time itself, offering insights into how we experience and perceive time. It highlights the possibility of multiple temporalities coexisting, resonating with broader philosophical discussions about the nature of time.

Cultural Identity and Global Influence:

Jazz as a Cultural Expression: Jazz is deeply rooted in the African American experience, and its philosophy often engages with issues of cultural identity, heritage, and the diaspora. Jazz reflects the blending of African, European, and American musical traditions, creating a unique cultural expression that speaks to issues of identity and belonging.

Global Impact: Jazz has become a global phenomenon, influencing and being influenced by musical traditions around the world. The philosophy of jazz includes an appreciation of this cross-cultural exchange, recognizing the music's ability to transcend cultural boundaries and create a shared human experience.

Ethics and Aesthetics:

Moral Dimensions: The philosophy of jazz also includes ethical considerations, particularly regarding authenticity, integrity, and respect for the music and its practitioners. Issues such as cultural appropriation, commercialization, and the role of the artist in society are relevant to philosophical discussions about jazz.

Aesthetic Values: Jazz challenges traditional aesthetic values by embracing dissonance, irregularity, and complexity. It often defies conventional notions of beauty, proposing instead an aesthetic that values the raw, the real, and the unexpected.

Jazz and Existentialism:

Existential Themes: Jazz, particularly in its emphasis on freedom, individuality, and the search for meaning, shares affinities with existentialist philosophy. Both jazz and existentialism explore the human condition, the experience of alienation, and the quest for authenticity in an uncertain world.

Living Authentically: Just as existentialism advocates for living authentically in the face of an absurd or indifferent universe, jazz musicians often strive to find and express their authentic selves through their music, creating meaning through their art.

Jazz as a Way of Life:

Philosophy in Practice: For many musicians and fans, jazz is more than just a genre of music—it is a way of life, embodying a particular attitude toward life that values creativity, spontaneity, and the pursuit of excellence. This philosophy encourages living in the moment, embracing uncertainty, and finding joy in the process of creation.

The philosophy of jazz is multifaceted, touching on themes of freedom, individuality, community, creativity, and cultural identity. It reflects a way of thinking and being that is deeply intertwined with the music itself, offering insights into both the human experience and the nature of artistic expression. Jazz philosophy encourages an open, responsive, and innovative approach to life, celebrating the beauty of improvisation, the richness of diversity, and the power of music to connect, challenge, and inspire.