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How to choose the right coaching institute for 11th and 12th?
For students who wish to succeed academically, picking the correct coaching institute for Std. 11th and Std. 12th grades might be a significant choice. Making the best pick can be difficult due to a number of choices in coaching institutes. You can choose the coaching institute that is best suited as per your needs by keeping few things in mind, though. In this blog, we'll look at some advice for choosing the best coaching institute for 11th and 12th commerce grade students as well as why Nagpur students may want to consider CAPS Institute for 11th 12th commerce coaching in Nagpur.
Reputation and Performance
When choosing a commerce coaching institute, its reputation and past performance record should be taken into consideration. Look for institutes with a history of graduating successful students. Get a sense of their teaching style and success rate by visiting their website and reading testimonials from past students of the coaching institute. Our students receive outstanding outcomes at CAPS Nagpur, which has a solid reputation.
Proficiency of Faculty
When choosing a coaching institute, the calibre of the teachers should also be taken into account. Look for institutes with competent and experienced professors who are experts in the fields you want to study. We have highly skilled and knowledgeable faculties at DGS CAPS Nagpur that are committed to assisting students in achieving their academic objectives and are passionate about their work.
Teaching Techniques
How well you learn can be greatly influenced by a coaching institute's teaching style. Look for educational institutes that combine lectures with group discussions and one-to-one tutoring. To meet the diverse learning requirements of our students, faculties of DGS CAPS uses easy to understand teaching strategy.
Curriculum and Course Content
A coaching institute's course offerings and curriculum should be taken into account as well. Look for educational institutions that provide a thorough curriculum that covers all the subjects you need to understand. The 11th and 12th grade curriculum at DGS CAPS is well-organized and covers all the crucial material.
Existence of Resources
Resources like study material, regular class tests and test series, and question-and-answer sessions can all be quite important to your learning process. In order to help you study for exams, look for institutes that offer comprehensive study material and practice exams. In order to help students succeed, CAPS institute offers them top-notch study material and frequent doubt clearing sessions for conceptual clarity.
Accessibility and Place
Another significant thing to take into account is the coaching institute's accessibility and location. Look for institutes with handy locations and easy access. We at CAPS Nagpur are situated at convenient location in Nagpur and anyone can reach to our premises from anywhere in the city.
Value for the money and affordability
When choosing a coaching institute, price and value for money should be taken into consideration. Look for institutes with reasonable rates and good value. Through our thorough training style and individualised approach, CAPS Nagpur offers students good value for their money.
Flexible Time Schedules
Consideration should be given to the scheduling flexibility, especially for students who have other obligations like extracurricular activities or part-time work. In order to fit your schedule, look for institutes that have flexible class timings. We provide flexible class schedule at D. G. Sharma’s CAPS Nagpur which are convenient for every student.
Technology-enhanced Education
Learning that is supported by technology is now more crucial than ever, especially with the introduction of online education. In order to improve the learning experience, look for institutes that use technology-enhanced learning. In order to give students a thorough educational experience, CAPS Institute combines technology-enhanced learning with conventional teaching techniques.
Support Services for Students
Student support services like mentoring, counselling, and career counselling can be extremely important to a student's overall growth. To assist you in navigating the difficulties of both your personal and academic lives, look for institutes that offer student support services. To assist our students in achieving their objectives, CAPS Nagpur provides student support services like counselling and career guidance.
For students who wish to achieve academic success, choosing the best coaching institute for 11th and 12th commerce grades might be a crucial choice. Students can pick the best coaching institute as per their needs by considering aspects such as reputation, experience faculty, teaching methodology, course content and curriculum, availability of resources, location and accessibility, cost and value for money. For students in Nagpur searching for a coaching centre that provides individualised attention, top-notch instruction, and exceptional value for the money, CAPS Nagpur – best 11th 12th commerce institute in Nagpur can be a great option. We are dedicated to assisting our students in achieving their academic objectives and thriving in life via the use of our qualified teachers, thorough curriculum, and individualized approach.
#11th 12th coaching in nagpur#11th 12th commerce coaching in nagpur#11th 12th commerce classes in nagpur#11th 12th commerce coaching#12th commerce coaching in nagpur#12th commerce classes in nagpur#caps nagpur#dgs c aps
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A picture of my own 110 camera. The Pentax Auto 110. I have only ever shot with the 24mm f2.8, but would love to try out my 50mm and 18mm lens. The lenses also work on my Ricoh GXR with a 3D printed adapter. The flange distance of the Pentax Auto 110 is short than that of the Ricoh GXR, so the lenses are fixed slightly behind the M mount of the A12 module. 😳 It's still such a treat that the three lenses I have for the Pentax Auto 110 also cover APS-C sized sensors. ✨ If I ever stop shooting 110 film the lenses won't go to waste. 😄
The photo itself was shot with the Sigma 35mm f1.4 DG HSM Art lens and a Pentax K-1 II. ✨
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#artificial intelligence#automation#machine learning#business#digital marketing#professional services#marketing#web development#web design#social media#tech#technology
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Annunciato il nuovo Sigma 28-45mm F1.8 DG DN | Art: il primo zoom F1.8 per full-frame
Sigma ha appena annunciato un nuovo obiettivo della serie Art che farà sicuramente parlare di sé. Si tratta del primo zoom per full-frame con apertura F1.8 costante, qualcosa che richiama alla mentre l’apprezzato 18-35mm F1.8 per APS-C. Il nuovo Sigma 28-45mm F1.8 DG DN | Art si pone l’obiettivo di sostituire nella borsa del fotografo 3 lenti fisse, ovvero il 28, il 35 e il 45 (come sostituto…
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Peter Forsgård: Panasonic 10-25mm F1.7 - [FASTEST Wide-Angle Zoom] – video – Commentary
Peter Forsgård: Panasonic 10-25mm F1.7 – [FASTEST Wide-Angle Zoom] – video – Commentary
Panasonic 10-25mm F1.7 is the fastest Wide-Angle Zoom for MFT bodies…. Panasonic 10-25mm f1.7 lens was introduced in Photokina 2018. It was not until May 2019 when it was officially launched. It [is] the fastest wide-angle zoom for MFT.
Correction: This unique lens is better described as the fastest wide-to-standard zoom lens.
Pana…
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#4K#APS-C/Super 35#DCI 4K#hybrid cameras#hybrid lenses#Leica#lens adapters#Lumix#M4/3#M43#M43/Super 16#MFT#Micro Four Thirds#Micro Four Thirds lenses#Micro Four Thirds mount#Olympus#Panasonic#Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 Aspheric#Sigma#Sigma 18-35mm f/1.8 DC HSM Art zoom lens#Super 16/M43#Super 35/APS-C
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Thuật ngữ có ký tự “A” đầu A (Art) A-DEP Mode (Auto Depth of Field) A/M (Automatic/Manual Mode) Abberation – Sai lệch, méo mó AE (Automatic Exposure) – Phơi sáng tự động AE-L (Automatic Exposure Lock) – Khóa phơi sáng AEB (Auto Exposure Bracketing) – Úp sọt điểm phơi sáng AF (Auto Focus) – Lấy nét tự động AF assist – Hỗ trợ lấy nét AF BKT (Auto Focus Bracketing) – Úp sọt điểm lấy nét AF-I (Auto Focus Internal) AF-S (Auto Focus Silent) AFD (Auto-Focus Drive) AI (Auto Indexing) AI Focus – Chế độ trung gian giữa lấy nét một lần và liên tục AI Servo focus – Lấy nét liên tục AI-S (Auto Indexing Shutter) Ambient Light – Ánh sáng tự nhiên; Ánh sáng môi trường Angle – Góc, góc ảnh Angle Of View – Góc ảnh Aperture – Khẩu độ mở; Lỗ điều tiết ánh sáng trong ống kính. Aperture Blade – Lá khẩu độ Aperture Priority – Chế độ chụp Ưu tiên khẩu độ mở APO (APOchromatic lens elements) APS (Advanced Photography System) – Chuẩn APS APS-C (APS Crop) – APS cúp nhỏ AS (Aspherical) ASP (ASPherical lens elements) ASP (Aspherical) Aspherical Lens- Thấu kính phẳng AT-X (Advanced Technology eXtra) Auto – Tự động. Auto Focus – Chế độ, chức năng căn nét tự động Auto WB (Auto White balance) – Cân bằng trắng tự động Av (Aperture value) – Chế độ ưu tiên khẩu, trên máy Nikon ký hiệu là A = Aperture Av (Aperture value) – Giá trị khẩu độ mở Thuật ngữ có ký tự “B” đầu B Mode (Bulb) – Chế độ Bulk Background – Nền, hậu cảnh BackLighting – Ngược sáng. Chụp ngược sáng Balance – Cân bằng Balanced Fill Flash – Một chế độ đèn chớp tự động TTL Ball Head Barrel Distortion – Méo hình lồi. Méo hình thùng Battery grip BKT (Bracketing) – Úp sọt Body – Thân, thân máy ảnh Bokeh – Bô kê, hiện tượng nhòa mờ hình ảnh ở các khu vực ngoài vùng căn nét chính. Bounce Lighting – Ánh sáng phản quang Bracketing – Chụp chênh sáng; chụp nhiều ảnh liền nhau và chênh sáng với nhau, chụp gói ảnh chênh sáng Buffer – Bộ nhớ đệm Built -In – Gắn liền, có sẵn. Built-in flash – Đèn flash gắn sẵn Bulb – Chế độ “bóng đèn”. Đôi khi viết tắt là B Burst shots, Continuous shots – Chụp liên tục thuật ngữ có ký tự “C” đầu C.Fn (Custom function) – Chức năng tự chọn CA (Chromatic Aberration) – Hiện tượng viền tím Camera Shake – Rung máy. Rung tay máy. Candid (Candid Photography) – Lén, trộm. Chụp lén. Ảnh chụp lén CCD sensor (charge-coupled device) – Cảm biến CCD Center-Weighted, Average Metering – Đo sáng trung bình ưu tiên vùng trung tâm Chromatic Aberration – Quang sai Clear Settings – Xoá bỏ mọi thiết đặt Close-Up – Cận cảnh. Chụp gần. Cloudy – Trời nhiều mây CMOS sensor (Complementary Metal Oxide Semiconductor) – Cảm biến CMOS Color Temperature – Nhiệt độ màu Command Mode – Chế độ điều khiển Compensation – Bù trừ, bổ sung Composition – Sáng tạo; Bố cục Continuous (Servo) – Chế độ căn nét liên tục Continuous focusing – Lấy nét liên tục, Nikon ký hiệu bằng chữ C Contrast – Tương phản, độ tương phản CONV (CONVerter usable) CPU (Central Processing Unit) CRC (Close Range Correction) Cropped Sensor – Cảm biến cỡ nhỏ Cropping – Cúp hình Custom WB – Cân bằng trắng tự chọn thuật ngữ có ký tự “D” đầu D (AF-D) D (Digitally optimized coatings) Darkroom – Phòng tối Data – Dữ liệu Daylight – Ánh sáng ban ngày DC (Defocus) DC (Digital Crop) Depth Of Field (DOF) – Chiều sâu ảnh trường DF (Dual Focus) DG (Digital Grade) Diaphragm – Màng mỏng, tấm mỏng. Lá khẩu độ Diffuse – Tản sáng Dispersion – Tán xạ Distortion – Bóp méo, bị méo DL (Deluxe) DO (Diffactive Optic) Dodging – Làm sáng lên Drive mode – Số lần chụp DSLR (Digital Single Lens Reflex) – Máy ảnh số ống kính đơn dùng gương phản chiếu DX (Digital eXpanded) DX (Digital eXtended) DX – Khổ cúp nhỏ. Ký hiệu của Nikon.
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Sigma 24mm f/1.4 DG HSM Art Lens for Canon EF
Sigma 24mm f/1.4 DG HSM Art Lens for Canon EF
Large aperture wide angle lens From the manufacturer 24mm F1.4 DG HSM | A SIGMA Art Goes Wide The Sigma 24 millimeter 1.4 DG HSM Art is a state of the art wide-angle prime lens designed for Full Frame cameras but will work with APS-C sensors as well. Using over 50 years of lens making experience, particularly the knowledge gained from the 35 millimeter 1.4 Art and the 50 millimeter 1.4 Art, the…
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Canon EOS 5D Mark IV 30.4 MP Digital SLR Camera (Black) with Canon 24-105mm is II USM Lens and Sigma 35mm F/1.4 DG HSM Art Lens
Canon EOS 5D Mark IV 30.4 MP Digital SLR Camera (Black) with Canon 24-105mm is II USM Lens and Sigma 35mm F/1.4 DG HSM Art Lens
Price: (as of – Details) From the manufacturer 35mm F1.4 DG HSM | A Our True Flagship The Sigma 35mm 1.4 DG HSM is a state of the art lens designed for full frame cameras but can also be used with APS-C sensors as well. The first addition to the Art category in Sigma’s Global Vision, the 35mm 1.4 DG HSM includes new features based around a unique lens concept and design. The 35mm is a staple…
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DPReview TV: Laowa Nanomorph review (35mm T2.4 & 50mm T2.4)
DPReview TV: Laowa Nanomorph review (35mm T2.4 & 50mm T2.4)
Laowa are known for making interesting optics, and we were very intrigued when they announced a set of extremely compact anamorphic lenses that can cover APS-C/Super35 sensors. We’ve spent some time with the 35mm T2.4 and 50mm T2.4, and you can find out our opinions in this episode! Subscribe to our YouTube channel to get new episodes of DPReview TV every week. The Sigma 20mm F1.4 DG DN Art has…
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(撮影小旅行)旧根岸競馬場一等馬見所+根岸森林公園
- Leica CL, Sigma 35mm F2 DG DN | Contemporary
以前行った旧根岸競馬場一頭馬見所と、その隣の根岸森林公園に撮影に行く。レンズはSigmaのIシリーズ35mm一本。APS-Cなのでフルサイズ換算52.5mmの標準画角。使いやすい。
- Leica CL, Sigma 35mm F2 DG DN | Contemporary
鳥が気持ちよさそうに飛んでいる。
- Leica CL, Sigma 35mm F2 DG DN | Contemporary
犬の散歩をしている人が多い。絵になる。
- Leica CL, Sigma 35mm F2 DG DN | Contemporary
ふと見ると朝日に照らされる街頭のシルエットが綺麗。
- Leica CL, Sigma 35mm F2 DG DN | Contemporary
空が綺麗なので、いろんなものを逆光で撮る。
- Leica CL, Sigma 35mm F2 DG DN | Contemporary
隣の根岸森林公園へ。「空」を撮る。
- Leica CL, Sigma 35mm F2 DG DN | Contemporary
梅林を発見。2月といえば梅。
- Leica CL, Sigma 35mm F2 DG DN | Contemporary
林が美しい。
- Leica CL, Sigma 35mm F2 DG DN | Contemporary
少し歩くと煙突が人工の額縁に。
- Leica CL, Sigma 35mm F2 DG DN | Contemporary
煙突と空。
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Где же объективы Sigma с байонетом X?
омпания Sigma 9 февраля объявила о выпуске нового объектива 20mm F2 DG DN | Contemporary для камер Sony с байонетом E и системы L-mount. Мы ожидали, что одновременно с ним будут представлены и три APS-C объектива Contemporary для Fujifilm X: 16mm f/1.4 DC DN, 30mm f/1.4 DC DN и 56mm f/1.4 DC DN, но этого не произошло. Так будет при анонсирована оптика для байонета X, и если - да, то когда?... Читать дальше »
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The explosion of new mirrorless lenses leaves DSLRs in the dust
This week’s spate of new commercials for mirrorless camera lenses from Sigma, Tamron, and 7Artisans. This shows that the camera world is recovering from the pandemic downturn – accelerating the growing gap between mirrors and DSLRs.
Within days we saw exciting new lenses from Sigma, Tamron, and 7Artisans for all major mirrorless tripods. And now Canon has joined the battle (unofficially at least) with some new patents held by Canon News for some modest f/1.4s. Which promises the number for its RF mount has revealed.
There is no doubt that the effects of the pandemic on supply chains and production have slowed the rapid development of new mirrorless lenses for Canon and Nikon. Nikon was forced to formally deny that its Z-mount lenses had been impacted by the delay in May of last year. But this week has shown that innovative mirrorless lenses, even if some are called “development messages”, are in the works. What about DSLRs? The latest news is just the opposite. Sony has officially ceased selling its A-mount DSLRs in the United States. While Canon EF-mount and Nikon F-mount DSLR lenses are experiencing a series of disruptions.
On the other hand, Sony’s cameraless camera is the undisputed winner this week. The Tamron 35-150mm f/2-2/8 for E-Mount is a very attractive new option for all those who need a highly flexible focus area combined with a bright maximum aperture in a relatively small case.
The announcement of the Sigma 150-600mm 1: 5-6.3 DG DN OS Sports (below) is equally exciting for owners of Sony, Panasonic or Leica cameras. Based on the lenses of older and equivalent Sigma DSLR cameras. This lens offers a very large magnification range for the relatively low price of $1,499 / £1,199. While it will not be available as soon as Tamron’s latest announcement, pre-orders have already begun. But it’s not just full-frame SLRs that get all the bang for the buck this week. Lenses for Sony, Fujifilm, Canon and Nikon APS-C cameras, as well as Micro Four Thirds housings from Olympus and Panasonic. These are all available from China-based company 7Artisans.
And in perhaps the most symbolic fuse change, the Nikon Zfc – which is actually the mirror arm of the Nikon FM2 SLR. Thanks to the TArtisan f.50 mm lens. Their first third-party Z-mount lens in a matching retro/1.2, 35mm f/1.4 and 17mm f/1.4 style offering. The only real question with all this news is how quickly it can be produced to meet demand.
Glass Ruler
The arrival of a wide variety of mirrorless lenses this week doesn’t deny that DSLR cameras are still ahead of the curve with the sheer number of lenses available. But the quality and innovation of the new mirror lenses are truly impressive. And it also make 2021 a possible turning point in camera history.
This week we tested two great new macro options for Nikon and Canon mirrorless cameras. The Nikon Nikkor Z MC 105mm f/2.8 VR S and the Canon 100mm f/2.8L Macro IS USM (spoiler, gets five stars). And while there are still gaps in the camera giant’s mirrorless composition. Most of them are filled or will be finished by the end of the year.
In addition, almost every new first-hand mirrorless lens offers a significant leap in quality compared to equivalent DSLRs. This is understandable because the mirror designs of lenses are more complex. Which allows them to take edge-to-edge sharpness to a new level and control lens distortion at large apertures.
All of this is, of course, just a continuation of the 2020 trend, which CIPA says is the first year of more SLR shipments. And that certainly doesn’t mean DSLRs are bad cameras or not worth considering right now. In terms of value, they’re hard to beat given the market forces used for DSLRs and lenses.
But the recent craze for the Nikon Z9 and Canon EOS R3 at the Olympics – where two full-frame SLRs seem to compete as fiercely as athletes. And a spate of new lens announcements this week suggest that mirrorless is now the only game in the world. World City is for the new camera. And by the end of 2021, they may have ruined the chance to see a new DSLR.
Read Also: Apples new security feature to keep your kids safe online
Published in Lahore Herald #lahoreherald #breakingnews #breaking
#7artisans#7artisans lenses#new mirrorless lenses#sigma#sigma lenses#tamron#tamron lenses#Latest#Tech
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Góc nhìn của máy ảnh (Phần 2)
Góc nhìn và trường nhìn phụ thuộc vào độ dài tiêu cự và kích thước cảm biến. Một vấn đề xuất hiện tại góc nhìn rộng nhất của ống kính là ảnh sẽ bị méo. Để khắc phục tình trạng này, chúng ta có thể dùng phần mềm chuyên chỉnh sửa ảnh (Đọc thêm bài viết “Méo hình và cách khắc phục”). Hiểu được bản chất và vai trò của góc nhìn, chúng ta có thể vận dụng vào việc lựa chọn ống kính cho từng trường hợp chụp ảnh.
Trong trường hợp này, bạn sẽ cần phải nắm bắt được phạm vi lớn của cảnh để chuyển tải đến người xem một không gian rộng lớn. Do đó, bạn phải cần một ống kính có góc nhìn rộng với tiêu cự ngắn. Một ống kính góc rộng với độ dài tiêu cự nhỏ hơn 25mm trên APS-C là một lựa chọn được khuyến khích. Ống kính có thể dùng cho mục đích chụp phong cảnh, kiến trúc, cảnh quang đường phố có thể kể đến: Canon EF 16-35MM F/2.8L II USM, Nikkor 12-24MM F/4 G IF-ED, Sony 10-18mm f/4 OSS, Sigma AF 8-16mm f/4.5-5.6 DC HSM…
Đây là thể loại nhiếp ảnh rất linh động và phức tạp vì người chụp luôn luôn phải di chuyển nhanh chóng theo đối tượng. Bạn cần một ống kính với tiêu cự thay đổi, cho phép linh hoạt hơn so với khi bạn đang chụp chân dung trong một studio, nơi bạn có thời gian để thay đổi ống kính. Nếu chỉ thích sử dụng ống kính prime và có điều kiện, bạn có thể mang theo hai thân máy với ống kính tiêu cự khác nhau trên mỗi camera. Một ống kính gắn vào máy ảnh sẽ cho tiêu cự 23mm và máy kia sẽ có tiêu cự từ 80mm đến 200mm. Danh sách các ống kính phù hợp để chụp ảnh sự kiện, đường phố là: Canon EF-S 18-135mm f/3.5-5.6 IS, Nikkor AF-S DX 18-105mm f/3.5-5.6G ED VR, Leica Elmarit-M 28 mm f / 2.8 ASPH …
Bạn thường cần phải tập trung sự chú ý của người xem vào nơi hành động cụ thể đang diễn ra. Nó tạo ra nhận thức rằng bạn đang ở gần các hành động trong khi thực tế, bạn có thể chụp từ một khoảng cách xa so với chủ thể. Một ống kính 70-200mm hoặc 70-300mm là lý tưởng trong tình huống này. Tránh xa các ống kính siêu zoom như các ống kính 18mm-200mm. Trong khi bạn có thể tránh việc phải thay đổi ống kính, ảnh của bạn sẽ bị nhiễu và bạn sẽ hy sinh chất lượng quá nhiều cho sự tiện lợi. Để chụp ảnh hành động, thể thao trong nhà nên dung các ống kính: Canon EF 70-200mm f/2.8L IS II USM, Sony FE 70-200mm f/4.0 G OSS, Nikkor AF-S 70-200mm 1:2.8G ED VR II…
Các môn thể thao như bóng đá, ô tô đua,…đòi hỏi ống kính có chiều dài tiêu cự lớn. Các khoảnh khắc như tàu lượn trên không, cú sút phạt thủng lưới hay xe máy ôm cua, với những ống kính thích hợp bạn có thể bắt dính nó một cách dễ dàng. Tùy vào ngân sách, bạn có thể mua một ống kính có chiều dài tiêu cự từ 100mm đến 600mm hoặc ống kính 70mm - 300mm zoom để chụp linh hoạt hơn. Các ống kính dùng để chụp ảnh thám hiểm, thể thao ngoài trời là Tamron 150-600mm f/5-6.3, Nikkor AF-S 600mm f/4E FL ED VR, Sony 70-300mm F/4.5-5.6 G SSM, Olympus 70-300mm f/4-5.6 Zuiko ED…
Tất cả các loại ống kính macro có sẵn với độ dài tiêu cự khác nhau đều hữu ích tùy thuộc vào đối tượng bạn định chụp. Nhưng khi chụp hình các loại côn trùng nhỏ như bướm, ong, ruồi… bạn nên sử dụng ống kính có độ dài tiêu cự 60mm vì nó đảm bảo rằng đối tượng sẽ không phát hiện ra bạn và bay ra khỏi khung hình. Danh sách các ống kính phù hợp với chụp ảnh macro/sản phẩm bao gồm: Nikkor AF-S 60mm f/2.8G ED, Canon EF-S 60mm f/2.8 Macro USM, Sigma 105mm f/2.8 EX DG OS HSM, Laowa STF 105mm F2.0, Tamron SP 90mm f/2.8 Di VC USD…
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