#deutsche rapper

[startyourownstorynow]

„Stimmen leise, Bäume schwarz. Ich Sitz mal wieder auf kalten Bänken im Park. Wodka Eistee, volles Glas. Doch Drogen machen ohne dich keinen Spaß.“

- skuth (Oktober)

[on-my-way-to-wonderland]

doch bin ich bei dir

ist alles anders, alles inklusive mir

[13potheadsociety12]

Alles Gute kommt Drogen.

- Herzog

[mynameizace]

I just feel alive again when I'm with her

[62davut62]

[rap-zitate-1997]

„Die Uhr will mir erzählen, dass es draußen schon Tag ist

Doch ich lasse mir von Accessoires nicht erzählen, was der Plan ist“

~Schmyt, Rin

[bubblegumflavor]

I know this is entirely off topic, but I just heard a team perform this song at The Voice Rap Stage and I just had to go back to this moment because I was there, pretty front stage and the video won't even reflect the atmosphere the slightest, but I wasn't a Sido fan before and I went to that awards show for Tokio Hotel, but when this happened, it was magic. The entire hall was magic, Sido's presence just captivated me and though I am not crazy into Deutsch Rap as a whole, I became a fan ever since. I was so happy that this summer, he came to the festival right around my corner and for me and my anxiety it was so amazing :'3 The concert was so great, I got the tickets for my birthday and he is such a crazy good artist, but it all started here, 2010 in Oberhausen, when I accidentally fell in love with Sido. :'3

[wmlz]

[bossaura]

Farid Bang - Dein Weg (2014)

[motherofplatypus]

Bisan Owda is a journalist in Gaza that keeps updating about the barbaric genocide actions that israel committed with weapons supplied mainly by US, all the while living through that genocide itself.

Over 30k+ has been killed, and over 15k+ of those are children and babies.

The celebs and artists who wanted to rescind Bisan's nomination are as follow:

Ari Ingel, Executive Director, Creative Community for Peace

David Renzer, Former Chairman/CEO Universal Music Publishing Group, CCFP Chairman & Co-Founder

Steve Schnur, Worldwide Executive & Music President, Electronic Arts, CCFP Co-Founder

Rakefet Abergel, Actor/Director, Cyclamen Films

Orly Adelson, Former President of ITV Studios, America

Marty Adelstein, CEO, Tomorrow Studios

Anne-Marie Asner, Co-Founder, Animation Israel

Jeff Astrof, TV Producer/Showrunner, Other Shoe Productions

Michael Auerbach, Partner, Jackoway Austen Tyerman Wertheimer Mandelbaum Morris Bernstein Trattner Auerbach Hynick Jaime LeVine Sample & Klein

Dean Bahat, Attorney, Ziffren Brittenham

Andrea Ballas, VP Comms, CBS

Jackie Barrie, A&R Manager, Nvak Collective

Richard Baskind, Partner & Head of Music, Simons Muirhead & Burton

Aton Ben-Horin, Executive VP of Global A&R, Atlantic Records Group

Steven Bensusan, President, Blue Note Entertainment Group

Adam Berkowitz, Founder and President, Lenore Entertainment Group

Sharon Bialy, Casting Director, Bialy/Thomas & Associates

Josh Binder, Co-Founder and Partner, Rothenberg Mohr & Binder, LLP

Neil Blair, Founding Partner, The Blair Partnership

Selma Blair, Actress, Author, Advocate, Sainted Productions

Rebecca Blumberg, SVP Ad Sales, Paramount

Evan Bogart, Songwriter & CEO, Seeker Music

Benjamin Budde, CEO, Budde Group GmbH

Bruce Burger, Producer, RebbeSoul

David Byrnes, Attorney, Ziffren Brittenham

Civia Caroline, Social Impact Consultant, CLiC Impact

Pamela Charbit, Director of A&R, Warner Music Group

Emmanuelle Chriqui, Actor, Yellow Ray Entertainment

Leanne Coronel, Talent Manager, The Coronel Group

Raye Cosbert, Managing Director, Metropolis Musi

Paul Craig, Ceo, Nostromo Management

Doug Davis, NATAS Member, 2x Emmy winner, The Davis Firm

Rebecca De Mornay, Actor

Jamie Denbo, Co-Executive Producer, Grey’s Anatomy, ABC/Disney

Josh Deutsch, Chairman/CEO, Premier Music Group

Avi Diamond, Director, Film/TV Sync, Warner Music Canada

Craig Dorfman, President and Owner, Frontline MGMT

Rachel Douglas, Manager, Range Media Partners

David Draiman, Frontman, Disturbed

Jeremy Drysdale, Screenwriter, bigbamboo

Craig Emanuel, Ryan Murphy Productions

Hannah Epstein, Agent, CAA

Rami “Kosha dillz” Even-Esh, Rapper/Comic/Actor

Lindsay Fabes, Actor

Ron Fair, Record Producer & CEO, Faircraft Inc.

Sharon Farber, Composer, Score by Score Music

Danny Federman, Owner, Maccabi Tel Aviv Basketball Club

Eric Feig, Attorney and TV Academy Member, Feig/Finkel

Patti Felker, Attorney, Felker Toczek Suddleson McGinnis Ryan LLP

Ken Fermaglich, Partner, United Talent Agency

Ross “Remedy” Filler, Artist

Shalom Fisch, President, MediaKidz Research & Consulting

David Fishof, CEO, RRFC Films, LLC

Siri Garber, Publicist, Platform

David Gardner, President, Artists First

Barbara Garshman, CEO, Garshman Productions LLC

Gary Gersh

Gary Ginsberg, Senior VP, SoftBank Group Corp.

Brian Ralston, Composer/Producer, Studio 74 Music, LLC

David Glick, Founder & CEO, Edge Group

Zusha Goldin, Celebrity Photographer, Zusha Goldin

Michael Goldwasser, President, Easy Star Records

Andrew Gould, President, Music Publishing

Scott Greenberg, Partner, LBI

Steven Greenberg, Founder and President, S-Curve Records

Daniel Grindlinger, Writer

Ronnie Harris, Partner, Harris & Trotter

Michael Hirschhorn, Manager, Streaming and Sales, Atlantic Records

Linda Edell Howard, Attorney, Novick Law

Rich Ingram, Artist/Creator

Neil Jacobson, Former President, Geffen Records, Founder & CEO of Hallwood Media

Michael Kaplan, Writer/Producer

Sam Katz, Music Manager, Homebase MGMT, LLC

Zach Katz, CEO & Co-Founder, Fixated

Ketura Kestin, Film Producer, Serendipity Productions

Amanda Kogan, Manager, Aaron Kogan Management

Keetgi Kogan Steinberg, Writer/Producer/Showrunner

Jason Kozel, Creative Executive, Range Media Partners

Rick Krim, CEO, Krim Music + Media

Evan Lamberg, President, North America, Universal Music Publishing Group

Sherry Lansing, Former CEO, Paramount Pictures

Colin Lester OBE, Founder/Chairman, JEM Music Group

Sean Liebowitz, Agent

Koura Linda, Founder & CEO, Space Dream Productions

Marci Liroff, Intimacy Coordinator/Casting Director

Cory Litwin, Managing Partner, Range Media Partners

David Lonner, CEO, The David Lonner Company

Ben Maddahi, President, Unrestricted Publishing & Mgmt

Gabriel Mann, Composer

Deborah Marcus, Executive, CAA Foundation

Susan Markheim, Full Stop Mgt., The Azoff Company

Amanda Markowitz, Actor/Producer, SAG/AFTRA & PGA

Orly Marley, President, Tuff Gong Worldwide

Devra Maza, Screenwriter

Debra Messing, Actor/Producer

Hilary Michael, Agent and Partner, WME

Beth Milstein, Writer

Jennifer Morrow, Actor, CAA

Patrick Moss, Writer, Moroccan Boychik

Robert Munic, Writer/Showrunner, Pull The Pin Productions, Inc.

Lisa Nupoff, Manager, iminmusic management

Scott Packman, Founder and Managing Member, SSP Partners LLC

Mark Pinkus, President, Rhino Records

Jonah Platt, Actor/Producer

Wendy Plaut, SVP Music & Celebrity Talent, Paramount Global

Jessica Poter, Writer, Gustavo Anibal Productions

Golan Ramraz, Writer/Producer, EGX Film Factory

Bruce Resnikof

Frederic Richter, Producer, Writer & Researcher

Wendy Robbins, Executive Producer, Creators Inc

Dan Rosen, President, Warner Music Australasia

Rick Rosen, Co-Founder, Endeavor, WME

Aaron Rosenberg, Partner, Myman Greenspan Fox Rosenberg Mobasser Younger & Light

Gregg Rossen, Screenwriter

Michael Rotenberg, CEO, 3 Arts Entertainment

Joshua Rothstein, CEO/Founder, Ice Cream For Dinner

Haim Saban, Chairman and CEO, Saban Capital Group

Glenn Sanders, Writer/Director/Creative Director, Masonry Creative

Ayelet Schiffman, SVP Head of Promotions, Island Records

Paul Schindler, Senior Partner, Greenberg Traurig LLC

Jordan Schur, CEO and Chairman, Mimran Schur Pictures and Suretone Entertainment

Adam Schwartz, Writer

Sam Schwartz, Partner, Gorfaine/Schwartz Agency

Jay Schweid, Founder/CEO, ephelants/Village

Adam Segal, President, The 2050 Group

Ben Silverman, Chairman and Co-CEO, Propagate Content

Ralph Simon, Chairman & Chief Executive Officer, Mobilium Global Limited

Tamar Simon, Owner/CEO, Mean Streets Management

Martin Singer, Attorney, Lavely and Singer

Halle Stanford, President of Television, The Jim Henson Company

Mimi Steinberg, Writer/Producer

Jonathan Steinsapir, Partner, Kinsella Holley Iser Kump Steinsapir

Gary Stiffelman, Founder, GSS Law

Traci Symanski, CEO, Co-Star Entertainment

Aaron Symonds, Film Composer

Fernando Szew, President, Fox Entertainment

Tal Tavin, Actor

Adam Taylor, President, APM Music

Michael Testa, Casting Director, Michael Testa Casting

Fred Toczek, Partner, Felker Toczek Suddleson Abramson McGinnis Ryan LLP

Eric Tuchman, Writer/Producer, MGM-TV

Noa Vinshtok, Streaming, Range Media Partners

Joshua Washington, International Recording Artist, JoDavi Music LLC

Avi Weider, Filmmaker, Loop Filmworks

Jon Weinbach, President, Skydance Sports

Nola Weinstein, Tech Executive

Ilana Wernick, Writer/Producer, Fox

Modi Wiczyk, Co-Founder, MRC

Evan Winiker, Managing Partner, Range Music

Seth Yanklewitz, Casting Director, Yanklewitz Pollack Casting

Sharon Tal Yguado, Founder & CEO, Astrid Entertainment

Ky Zaretsky, Manager, Range Media Partners

David Zedeck, Global Co-Head of Music

[Sources: here, here, and here]

[olgalenski]

Tatort Wien - Deine Mutter

glaube ihm gehts nich so gut

der fescheste rapper wiens. fesch is so n geiles wort ^^

als ob er grad beim autofahren sein handy rausgeholt hat ey

immerhin hat sie ihn drauf hingewiesen I guess

und ja die telefonieren alle ständig beim autofahren aber like telefonieren und instagram sind schon 2 verschiedene dinge

sie is seine mutter? iwie hätt ich das nicht gedacht aber good to know

okeee das mordbrett is nice. keine wand sondern einfach ne tischplatte gefällt mir

ich hab ganz kurz erwartet dass er daggeen rennt

gdsdsdfh was ein traum ich liebe alles daran

wenn er irgendwann später in der folge randomly den namen dieser pferderasse raushaut, liebe ich ihn

okay ende der szene nehm ich auch

ergibt wahrscheinlich auch mehr sinn so oft wird der wohl nicht zu sehen sein

oh was für nice untertitel. schreiben was er gesagt in der sprache die er gesürochen hat genau so will ich das.

und dann netterweise nochmal in klammern auf deutsch. ich habe ab jetzt für immer diese ansprüche an die untertitel

bibi sagt to be fair und ernstl spricht aus was ich denke. ich liebe es sehr

sag ihr halt wo du warst

tauscht sie einfach die ws auch immer sie da essen aus. ich liebe es sehr.

ich sag mal so, ich hab am anfang kurz gedacht vllt wars die mutter immerhin heißt die folge deine mutter. und dann hab ich direkt wieder nicht daran gedacht

ich bin fasziniert davon, dass sie hochschwnager noch mit absatzschuhen durch die gegend läuft. und rennen kann

liebe es wenn stabile seitenlage ordentlich durchgeführt wird.

okay wahrscheinlich wars nicht die mutter aber irgendwie hat sie damit zu tun

und den bashir haben sie nicht gesehen? als er direkt neben dem offenen tor stand? alright

ah na dann

is ficken echt rapper-sprache? ich hab das ne zeitlang gesagt weil ich so war nöö fuck is englisch ich rede deutsch... es kam aber grad sehr überraschend von moritz

ach leute ey

[startyourownstorynow]

„immer wenn ich denk‘ es ist vorbei, kommt es vor das ich dir schreib‘, denn ich bin nicht gern allein und wir drehen uns im Kreis. Wenn ich denk es ist vorbei, stehst du vor der Tür und weinst, du bist auch nicht gern allein und wir drehen uns im Kreis. Komm wir drehen uns im Kreis.“

- Nie und Nimmer (Kreis)

[randomvarious]

Falco - "Der Kommissar" 1981 Synthpop / Neue Deutsche Welle / Pop-Rap / New Wave

I think something that's lost on a lot of people when it comes to hip hop music is, really, just how quickly it managed to spread after scoring its first ever hit in 1979, with The Sugarhill Gang's "Rapper's Delight"—which was also, remarkably, just the second song that the genre had ever released up until that point. There seems to be a general presumption that the music largely remained within the confines of the New York-metropolitan area, but as I'm about to show you, that notion is actually pretty false.

See, what I think most Americans have never really come to realize is just how deeply seismic of an event the release of "Rapper's Delight" was on a global scale. It was a modest hit in its home country, reaching #36 on the Billboard Hot 100, and it did prove to a lot of New Yorkers who frequented the hip hop parties that this hobby of rhyming rhythmically and extemporaneously over extended disco-type breaks could actually be successfully metabolized into dollars, which people originally had their doubts about. But where "Rapper's Delight" actually performed much better commercially was in Europe: it went to #5 in Austria; #3 in the UK and West Germany; #2 in Belgium, France, Norway, Sweden, and Switzerland; and #1 in the Netherlands and Spain.

And for Europeans who were hearing that song in 1979 and 1980, with all its pervasiveness, the fact that it sounded pretty much unlike *anything* that they'd ever heard before, and that rapping was also easily replicable, there was no doubt that "Rapper's Delight" was going to then end up inspiring a whole lot of different musicians to try their hand at something like it too.

So, while we largely tend to think of some of hip hop's earliest records as being made solely by New Yorkers (actually, the Sugarhill Gang were impostrous nobodies from New Jersey), that's actually pretty shortsighted, because some European acts were quick to start incorporating it into their own music too.

And such was the case with Austrian pop sensation Falco, who released his country's first known hip hop record in 1981, with "Der Kommissar," which also served as his breakout single, managing to not just top the charts in German-speaking countries like Austria and West Germany, but the ones in Spain and Italy too. Now, "Der Kommissar" is certainly not hip hop as we've come to know it; there's no DJ or record scratching, or a sampled or re-created beat; and first and foremost, it's a Neue Deutsche Welle (German new wave) tune. But there is clearly a lot of rapping on this record, and there's little doubt that the sudden Euro-popularity of "Rapper's Delight" is what initially sparked that fuse. I mean, this is before Grandmaster Flash & the Furious Five even released "The Message" in 1982, mind you—another very early hip hop cornerstone. That's how early we're talking here. So, pretty fascinating when put into that context, no?

Now, maybe if you're an American, you're far more familiar with the 1982 Anglicized cover of this song by UK band After the Fire instead, as the video for it received heavy rotation on MTV, which then led to significant radio airplay, and then eventually a peak at #5 on the Hot 100. But Falco's German-language version is the one that came first.

And while Falco's only really rippled in the US, managing to reach just #74 on the Cash Box chart and #10 on the Billboard dance chart, the success of After the Fire's version appears to be what actually helped propel it into a very minor US hit in the first place. And that's just sort of funny, right? Like, the only reason that your record's even selling a little bit in such a huge market as the US' is because some other band who covered your song in English the following year is getting almost all of the limelight for it? That's a fun dynamic, huh? But Falco would still end up making *serious* inroads in the US a few years later anyway, with his terrific chart-topper, "Rock Me Amadeus," which also happened to have a bunch of rapping in it too.

So, ultimately there were two videos that were shot for Falco's "Der Kommissar" and this is the one that was released in the US. It's a very low-budget affair, in which Falco performs in front of a screen that shows footage of police cars traveling with their blue lights on, as he continuously makes like he's running away from them. And the song's about a couple who are on the run from the law—the titular 'kommissar'—so this very literal depiction certainly fits.

And actually, there were a lot more records from outside the US that both incorporated hip hop and also predate the release of "Der Kommissar" too. I came across this very enlightening list recently on RateYourMusic that shows what the earliest known hip hop release is for a bunch of different countries, and a lot of them happen to be from way earlier than you've probably ever thought! 🤯

Evidently, hip hop's been a global phenomenon for a bit longer than many people seem to realize 👀.

More fun videos here.

[13potheadsociety12]

um lucio101 zu zitieren:„ich könnt den ganzen tag kiffen“

[mynameizace]

[62davut62]