#detroit deluxe pilled

[star-ts-farts]

DAAYMN MICHEAL AR AR AR AR AR

5th picture draw is based off this text post https://www.tumblr.com/brianimusprime/733012816867540992/behold-my-first-post-on-tumblr

(EDIT: I FUCKING WROTE WHAT CHUCK IS WRONG ?!??! HOW i was looking at the post as i was drawing it, im gonna implode)

[gioelline]

[Intro: Sir Mix-a-Lot]

My anaconda don't, my anaconda don't

My anaconda don't want none unless you got buns, hun

[Verse 1: Nicki Minaj]

Boy toy named Troy used to live in Detroit

Bi-big dope dealer money, he was gettin' some coins

Was in shootouts with the law, but he live in a palace

Bo-bought me Alexander McQueen, he was keeping me stylish

Now that's real, real, real

Gun in my purse, bitch, I came dressed to kill

Who wanna go first? I had them pushing daffodils

I'm high as hell, I only took a half a pill

I'm on some dumb shit, by the way, what he say?

He can tell I ain't missing no meals

Come through and fuck him in my automobile

Let him eat it with his grills and he tellin' me to chill

And he telling me it's real, that he love my sex appeal

Say he don't like 'em boney, he want something he can grab

So I pulled up in the Jag, and I hit him with the jab like

Dun-d-d-dun-dun-d-d-dun-dun

[Pre-Chorus: Sir Mix-a-Lot]

My anaconda don't, my anaconda don't

My anaconda don't want none unless you got buns, hun

[Chorus: Nicki Minaj]

Oh my gosh, look at her butt

Oh my gosh, look at her butt (I-ohhaha)

Oh my gosh, look at her butt

(Look at her butt)

Look at, look at, look at

Look at her butt

[Verse 2: Nicki Minaj]

Thi-this dude named Michael used to ride motorcycles

Di-dick bigger than a tower, I ain't talking about Eiffel's

Real country-ass nigga, let me play with his rifle

Pussy put his ass to sleep, now he calling me NyQuil

Now that bang, bang, bang

I let him hit it 'cause he slang cocaine

He toss my salad like his name Romaine

And when we done, I make him buy me Balmain

I'm on some dumb shit, by the way, what he say?

He can tell I ain't missing no meals

Come through and fuck him in my automobile

Let him eat it with his grills, and he telling me to chill

And he telling me it's real, that he love my sex appeal

He say he don't like 'em boney, he want something he can grab

So I pulled up in the Jag, Mayweather with the jab like

Dun-d-d-dun-dun-d-d-dun-dun...

[Pre-Chorus: Sir Mix-a-Lot]

My anaconda don't, my anaconda don't

My anaconda don't want none unless you got buns, hun

[Chorus: Nicki Minaj]

Oh my gosh, look at her butt

Oh my gosh, look at her butt (I-ohhaha)

Oh my gosh, look at her butt

(Look at her butt)

Look at, look at, look at

Look at her butt

[Breakdown: Sir Mix-a-Lot]

Little in the middle but she got much back

Little in the middle but she got much back

Little in the middle but she got much back

(Oh my God, look at my butt)

[Pre-Chorus: Sir Mix-a-Lot]

My anaconda don't, my anaconda don't

My anaconda don't want none unless you got buns, hun

(Do-don't) My anaconda don't (Don't)

(Do-don't) want none unless you got buns, hun

[Outro: Nicki Minaj]

Yeah, he love this fat ass, hahahahahahahaha!

Yeah! This one is for my bitches with a fat ass in the fucking club

I said, where my fat ass big bitches in the club?

Fuck those skinny bitches

Fuck those skinny bitches in the club

I wanna see all the big fat-ass bitches in the muthafuckin' club

Fuck you if you skinny, bitches, what?! Kyuh

Hahahaha RRRRRR (Kyuh)

Yeah, I got a big fat ass (Ass, ass, ass, ass) (Kyuh!)

Come on!

Hey

Hey

Hey

[stereostevie]

The Rap Grammy Nominations Are Weird As Hell | Nov 25, 2020 11:12 AM BY TOM BREIHAN

The very first time that the Grammy Awards recognized rap music, it was an utter fiasco — a clear case of an aging pop-music establishment failing to understand this vital new youth music that had sprung up and rewritten the rules. For the 1989 awards show, the Grammys added one rap category, Best Rap Performance. DJ Jazzy Jeff & The Fresh Prince won it for “Parents Just Don’t Understand,” beating out LL Cool J and Salt-N-Pepa and Kool Moe Dee and JJ Fad. The show didn’t deign to recognize Public Enemy, N.W.A, EPMD, Slick Rick, Big Daddy Kane, Eric B. & Rakim, or Ice-T, all of whom had released classic albums within the voting window. The award wasn’t televised, and most of the nominees, Jazzy Jeff and the Fresh Prince included, skipped the show, attending a “Boycott The Grammys” party instead.

Since that night, the history of rap at the Grammys has been a series of baffling, embarrassing decisions. It’s Steely Dan winning Album Of The Year over The Marshall Mathers LP. It’s Gretchen Wilson winning Best New Artist over Kanye West. “It’s weird and it sucks that I robbed you.” It’s also a history of rappers getting angry over the Grammys: “I never let a statue tell me how nice I am,” “You think I give a damn about a Grammy?” In 2019, Drake showed up to accept Best Rap Song. In his acceptance speech, he talked about how the Grammy voters weren’t necessarily the right people to define rap success. The broadcast cut him off mid-speech. Earlier this year, Kanye West, a man who once cared more about Grammy Awards than anyone else not named Neil Portnow, tweeted a video of himself pissing on one of his Grammys. (The Grammys still nominated West this year, for Best Contemporary Christian Music Album.)

Yesterday, the Grammys nominated Freddie Gibbs and the Alchemist’s Alfredo in the Best Rap Album category. That’s great! Freddie Gibbs is a great underground rap success story, a guy who bet on himself and kept doing great work in his own lane even after multiple major-label situations fell apart. Gibbs has never made a hit song in his life, and he’s gotten himself into a position where he doesn’t need to make hit songs — where he can just follow his instincts and keep his own style intact. Alfredo isn’t my favorite rap record of the year. (Even in the field of Alchemist-produced 2020 rap albums, I’d give the slight edge to Boldy James’ The Price Of Tea In China.) But the nomination for Alfredo is still a very cool surprise, the kind of thing that I would’ve never expected to see from the Grammy nominating committee.

And yet Gibbs’ nomination doesn’t exactly announce a new golden age of Grammy rap consideration, a time when Recording Academy voters are finally figuring out how to approach the genre. Instead, his nomination points toward something else: An institutional recognition of middlebrow, middle-aged, respectable rap music.

All of this year’s Best Rap Album nominees are Black men between the ages of 35 and 47. The oldest nominee is Nas, who is now on his fifth Best Rap Album nomination and who has never won the award. (The Best Rap Album Grammy didn’t exist in 1994, when Nas released Illmatic, but there’s no way in hell that Nas would’ve won it anyway. The Academy would’ve given the award to Coolio’s It Takes A Thief or something.) The youngest nominee is D Smoke, a former high school Spanish teacher who is also the brother of the TDE R&B singer SiR. D Smoke made his way into Grammy contention after winning the first season of Rhythm + Flow, the Netflix rap-competition show. (Two of the three judges from Rhythm + Flow, Cardi B and Chance The Rapper, have won Best Rap Album themselves. T.I., the other judge, has been nominated three times and never won.)

D Smoke isn’t exactly a revered or popular rapper, and I have’t seen anyone calling his perfectly-OK album Black Habits a masterpiece, though the man has certainly done better than anyone could’ve expected from a rap reality-show winner. But D Smoke raps exactly like a diet version of Kendrick Lamar, so his nomination works as a clear indication that the Grammy voters really, really wish they had a Kendrick album to nominate. D Smoke is also up for Best New Artist, alongside fellow rappers Chika, Megan Thee Stallion, and (I guess) Doja Cat. Presumably, Megan’s Good News would also be nominated if it had come out early enough to be eligible. Meanwhile, Chika hasn’t released an album, and Doja Cat is nominated in the pop categories, not the rap ones.

Instead, then, we’re looking at five guys hovering around the age of 40, all of whom are respected technicians with boom-bap inclinations. Jay Electronica, who’s nominated for A Written Testimony and who should probably be considered the front-runner, is technically a New Orleans native, but nobody thinks of him as a Southern rapper. (Jay-Z is all over A Written Testimony, to the point where anointing Jay Electronica feels a bit like throwing awards love to Jay-Z in a year with no Jay-Z album.) All the albums up for Best Rap Album are, at the very least, solid. A couple of them, Alfredo and A Written Testimony, are very good. But this is still a remarkably stodgy list — one that shows that the whole middle-aged respectability fetish that’s long plagued the Grammys is now embedded in its rap voting wing.

Freddie Gibbs and Nas and Jay Electronica and D Smoke and Royce Da 5’9″ are all gifted rappers who have done great work. Most of them could justifiably be considered legends. But none of them really show the world where rap music is, let alone where it’s going. By recognizing those albums, the Grammys have pointedly elected not to recognize something like Lil Baby’s My Turn, which is probably 2020’s most popular album in any genre and which is also a fine example of the 808-heavy depressive melodic-goo rap music that currently dominates the genre’s mainstream.

Other hugely popular, artistically important albums are also absent: Lil Uzi Vert’s Eternal Atake, Roddy Rich’s Please Excuse Me For Being Antisocial, Polo G’s The Goat, Gunna’s Wunna, Rod Wave’s Pray 4 Love. Instead, the rap albums getting nominated are the 2020 equivalents of the Steely Dan album that famously beat Eminem. That’s not an indictment of the nominated albums. It’s an indictment of the stuff the Recording Academy values. It’s also a cautionary look of how things might look if the Recording Academy ever gets its way, if rap comes to rely on accepted ossified skill-sets instead of its current state of constant, furious stylistic evolution.

As someone who’s around the same age as this year’s Best Rap Album nominees, I’m not all that amped to see emotionally troubled, pill-gobbling 20-year-olds dominating rap music. But those kids are crucially moving the genre past whatever old men like me might want it to be. Fortunately, there’s at least one Grammy category that has done a pretty good job capturing where things are right now, and that’s Best Rap Song. The list of nominations there — Lil Baby’s “The Bigger Picture,” Roddy Ricch’s “The Box,” Drake’s “Laugh Now, Cry Later,” DaBaby’s “Rockstar,” and Megan Thee Stallion’s “Savage” — isn’t necessarily perfect, but it’s a fairly accurate representation of the kind of rap that moves people right now. I don’t know why the division between the Best Rap Album and Best Rap Song nominees is so stark. Maybe it’s a signal that the album is increasingly irrelevant. Maybe it reflects two different voting bodies. Either way, it’s striking.

Look, the Grammys are weird. They are always going to be weird. Fiona Apple’s Fetch The Bolt Cutters should’ve been the biggest lay-up in the world, but it isn’t up for Album Of The Year. Instead, the Academy’s voters went for Coldplay and Jacob Collier and a deluxe edition of a Black Pumas album that didn’t even come out in the eligibility period. “Rockstar” and “Savage” are both up for Record Of The Year, but Post Malone’s Hollywood’s Bleeding is the only album that’s even rap-adjacent that’s nominated for Album Of The Year this year. I thought for sure that Lil Baby’s My Turn would be the token rap album that would inevitably lose to Taylor Swift. Instead, we didn’t even get one of those, and My Turn got snubbed even in its own category. Nothing makes sense.

But this year’s Best Rap Albums nominations still show a weird alignment between Grammy Voters and a certain streak of real-hip-hop rap conservatism. Watch out for that. Nothing good, except maybe a Freddie Gibbs Grammy win, will come out of that.

FURIOUS FIVE

1. Roc Marciano – “Downtown 81” It’s not on streaming services yet, but Roc Marciano’s new album Mt. Marci is out in the world now, and it is marvelous. (I can’t tell you whether the digital download is worth the $40 that Marci is charging on his website. Make your own financial decisions.) Right now, the only song out for general consumption is one of the few that Marci didn’t produce himself. (It’s a Jake One beat.) But otherwise, “Downtown 81” is exactly the sort of laid-back, intricately worded deadpan splendor that you can expect to hear on the LP, whenever it goes wide. So maybe that’s worth the price of a full tank of gas.

2. Meek Mill – “GTA” (Feat. 42 Dugg)

Meek Mill released his Quarantine Pack EP on Friday, and the track currently getting the big push is the downbeat Lil Durk collab “Pain Away.” But the real thrill here is in hearing Meek and 42 Dugg getting bracingly urgent over a Detroit-ass bassline.

3. Chief Keef & Mike Will Made-It – “Status” Sosa and Mike Will have evidently chosen to name their new song after this column. Gentlemen, I see this tribute, and I appreciate it. I love you too.

4. Willie The Kid & V Don – “Mother Of Pearls” (Feat. Eto) This is pretty.

5. Statik Selektah – “Play Around” (Feat. Conway The Machine, 2 Chainz, Killer Mike, Allan Kingdom, & Haile Supreme)

Once upon a time, maybe 13 years ago, I was apparently such a recognizable and influential part of the New York rap press that Statik Selektah noticed me at an MOP show, introduced himself, and tried to get me to listen to his mix CD. All these years later, Statik is a globally acknowledged boom-bap specialist with enough juice to put three of the world’s greatest middle-aged rappers on a track together. I’m proud of Statik. I bet he gets nominated for a Grammy someday.

[thestrangedino]

Hi my name's Shellby and I'm a piece of trash for a lot of fandoms

Here are some of those fandoms

》Thomas Sanders (Sanders Sides mostly, but I love everything he does equally)

》Percy Jackson / Heroes of Olympus / Trials of Apollo ☆

》Harry Potter

》Supernatural ☆

》Hamilton

》Dear Evan Hansen ☆

》Heathers

》Be More Chill ☆

》The Lightning Theif Musical

》Dan & Phil (aka the Phandom)

》Steven Universe ☆

》The Skeleton Clique (Twenty Øne Piløts) ☆

》Aphmau (MyStreet/Phoenix Drop High, etc.)

》Marvel ☆

》Attack on Titan

》Detroit: Become Human ☆

》My Hero Academia/Boku no Hero

》Voltron: Legendary Defender ☆

》Star VS The Forces of Evil

》Gravity Falls 

》Markiplier ☆

》Jacksepticeye ☆

》The Umbrella Academy ☆

(Favorite/Most Interested Fandoms- ☆)

Here are all the Bands/Music Groups I like.

》Twenty Øne Piløts ♡

•Favorite Song(s): Friend, Please, Taxi Cab - Self-titled Album ; Trees, Truce - Vessel ; Lane Boy, The Judge - Blurryface ; Neon Gravestones, Leave The City, Legend - Trench

》Panic! At The Disco

•Favorite Song(s): The Ballad of Mona Lisa, Trade Mistakes - Vices & Virtues

》Set It Off

•Favorite Song(s): Wolf In Sheep's Clothing, Why Worry - Duality ; Nightmare, I'll Sleep When I'm Dead - Cinematics

》Fall Out Boy

•Favorite Song(s): The Phoenix, Young Volcanoes - Save Rock And Roll

》Imagine Dragons ♡

•Favorite Song(s): Nothing Left To Say, Bleeding Out, Amsterdam - Night Visions (Deluxe)

》Boyinaband / Dave

•Favorite Song(s): Don't Stay In School

》Breaking Benjamin ♡

•Favorite Song(s): Failure, Angels Fall, Ashes of Eden - Dark before Dawn ; Dance With The Devil - Phobia

》Get Scared

•Favorite Song(s): Don't You Dare Forget The Sun, Start To Fall - Built For Blame, Laced With Shame

》NF ♡

•Favorite Song(s): Mansion, Notepad - Mansion ; Intro III, Outcast, If You Want Love, Green Lights - Perception

》Pentatonix

•Favorite Song(s): Hallelujah (Cover) - A Pentatonix Christmas ; Can't Sleep Love - Pentatonix (Deluxe Version)

》Simple Plan

•Favorite Song(s): Perfect - No Pads, No Helmets...Just Balls ; Welcome To My Life - Still Not Getting Any

》Three Days Grace ♡

•Favorite Song(s): Pain, Never Too Late - One-X

》Thirty Seconds to Mars

•Favorite Song(s): Hurricane - This Is War

》Troye Sivan

•Favorite Song(s): THE QUIET - Blue Neighbourhood (Deluxe)

》Evanescence

•Favorite Song(s): Hello, Going Under - Fallen

》Dodie Clark

•Favorite Song(s): Absolutely Smitten - Intertwined - EP

》Halsey

•Favorite Song(s): Colors - BADLANDS

》He Is We

•Favorite Song(s): Kiss It Better, Blame It On The Rain - My Forever

》Linkin Park

•Favorite Song(s): CASTLE OF GLASS - LIVING THINGS

》Marina & The Diamonds

•Favorite Song(s): Are You Satistied?, I Am Not A Robot - The Family Jewels

》Paramore

•Favorite Song(s): The Only Exception, Ignorance - brand new eyes

》Skillet ♡

•Favorite Song(s): Hero, Awake and Alive - Awake ; Sick Of It, Not Gonna Die - Rise (Deluxe) ; Feel Invincible, Stars, The Resistance - Unleashed

》Superchick

•Favorite Song(s): We Live, Beauty From Pain - Beauty From Pain 1.1 ; Hero - Red Pill Mix - Regeneration

(Favorite bands- ♡)

That is all. Thank you for your time.

Shellby♡♡

[onestowatch]

Chase Atlantic Tackles Mental Health Issues With “STUCKINMYBRAIN”

Continuing to build anticipation for their forthcoming album PHASES, as well their Ones To Watch and The Noise presented headlining tour, alternative-pop trio Chase Atlantic has dropped yet another infectious new single. 

“STUCKINMYBRAIN,” Chase Atlantic’s follow up to their euphoric lead single “Her,” is an honest and sincere take on mental health. With references to depression, suicide, and escapism found at the end of a pill bottle, the sophomore taste of PHASES arrives as a lucid reminder that it is okay to not always be okay. The end result is a swirling mixture of emotional vulnerability and enveloping sonics. 

Mitchel Cave spoke on “STUCKINMYBRAIN,” 

“‘STUCKINMYBRAIN’ is an undeniably raw confession on mental health and how prevalent mental health issues are in modern day society. The song discusses the horrifying reality of barely being able to get out of your own bed and leave the house, let alone engage in a simple conversation. To be imprisoned by such a crippling disorder like that, it can make you feel as though you’re literally stuck in your own brain.”

Check out Chase Atlantic’s powerful and relatable new single below:

Be sure to catch Chase Atlantic playing “STUCKINMYBRAIN” and previously never heard before tracks from PHASES this summer. 

6/14 – Philadelphia, PA @ Theatre of Living Arts / SELLING FAST 6/15 – Pittsburgh, PA @ Rex Theater / SELLING FAST 6/17 – Cincinnati, OH @ Bogarts 6/18 – Nashville, TN @ Exit / In / SELLING FAST 6/19 – Charlotte, NC @ The Underground / SELLING FAST 6/21 – Atlanta, GA @ Buckhead Theatre / SELLING FAST 6/22 – Ft. Lauderdale, FL @ Culture Room / SELLING FAST 6/24 – Dallas, TX @ House of Blues / SELLING FAST 6/25 – Austin, TX @- Scoot Inn 6/27 – Phoenix, AZ @ Crescent Ballroom / SELLING FAST 6/28 – Los Angeles, CA @ Regent Theater / SELLING FAST 6/29 – Sacramento, CA @ Ace of Spades 7/01 – San Francisco, CA @ August Hall 7/02 – Portland, OR @ Crystal Ballroom 7/03 – Seattle, WA @ Neptune Theatre 7/05 – Salt Lake City, UT @ The Depot 7/06 – Denver, CO @ Summit Music Hall 7/08 – Tulsa, OK @ Cain’s Ballroom 7/09 – Lawrence, KS @ The Granada 7/11 – Omaha, NE @ The Waiting Room 7/13 – Minneapolis, MN @ Varsity Theater 7/15 – Chicago, IL @ House of Blues / SELLING FAST 7/16 – Indianapolis, IN @ Deluxe at Old National Centre 7/18 – Columbus, OH @ Newport Music Hall 7/19 – Detroit, MI @ St. Andrews Hall 7/20 – Toronto, ON @ The Opera House / SELLING FAST 7/22 – Boston, MA @ Paradise Rock Club / SELLING FAST 7/23 – New York, NY @ Webster Hall / SELLING FAST 7/25 – Silver Spring, MD @ The Fillmore

[themusicenthusiast]

Maroon 5 Announce 2018 Red Pill Blues Tour, First Leg Kicking Off in May 2018; Coming to Dallas’ American Airlines Center on June 9th

Three-time GRAMMY® Award-winning multiplatinum band Maroon 5 have announced the first details of their upcoming 2018 world tour produced by Live Nation, which is happening in conjunction with the release of their highly anticipated new studio album, Red Pill Blues. The first leg of the band’s Red Pill Blues world tour will kick off on May 30, 2018 at the Tacoma Dome in Tacoma, WA.Tickets for the multi-city tour are set to go on sale starting next Saturday, November 4that 10:00am local time on Ticketmaster.com. American Express® Card Members can purchase tickets before the general public beginning Monday, October 30th at 12:00pm local time through Friday, November 3 at 10:00pm local time. U.S. and Canadian residents who purchase tickets online between October 30th and November 10th will be able to redeem (1) physical or digital copy of Maroon 5’s new album “Red Pill Blues” out Friday, Nov. 3th, 2017. All albums must be redeemed by February, 3 2018 at 11:59pm PST.

Maroon 5’s 6th studio album, Red Pill Blues, is set to debut on November 3, 2017 (222/ Interscope). Executive produced by J.Kash and Adam Levine, and featuring special guest appearances by SZA, Julia Michaels, A$AP Rocky and LunchMoney Lewis, the album will include both a 10-track standard edition, as well as deluxe version (fans can pre-order the album HERE). The band is set to kick off the release week for their new album with a series of television appearances on The Tonight Show Starring Jimmy Fallon (11/1), TODAY (11/2) and The Ellen DeGeneres Show (11/7). Tour Dates: 2018 May 30--Tacoma, WA--Tacoma Dome June 1--Oakland, CA--Oracle Arena 2--Sacramento, CA--Golden 1 Center 4--Los Angeles, CA--The Forum 7--Phoenix, AZ--Talking Stick Resort Arena 9--Dallas, TX--American Airlines Center 10--Houston, TX--Toyota Center 12--San Antonio, TX--AT&T Center 14--New Orleans, LA--Smoothie King Center 16--Tampa, FL--Amalie Arena 17--Ft. Lauderdale, FL--BB&T Center September 7--Salt Lake City, UT--Vivint Smart Home Arena 9--Denver, CO--Pepsi Center 11--Kansas City, MO--Sprint Center 13--St Louis, MO--ScottTrade Center 14--Chicago, IL--United Center 16--Milwaukee, WI--Wisconsin Entertainment and Sports Center 18--St. Paul, MN--Xcel Energy Center 20--Indianapolis, IN--Bankers Life Fieldhouse 22--Louisville, KY--KFC Yum! Center 23--Nashville, TN--Bridgestone Arena 25--Columbus, OH--Nationwide Arena 27--Toronto, ON--Air Canada Centre 29--Pittsburgh, PA--PPG Paints Arena 30--Detroit, MI--Little Caesars Arena October 2--Washington, DC--Capital One Arena 4--Charlotte, NC--Spectrum Center 6--Newark, NJ--Prudential Center 7--Boston, MA--TD Garden 10--Hartford, CT--XL Center 12--Philadelphia, PA--Wells Fargo Center 14--New York, NY--Madison Square Garden 15--New York, NY--Madison Square Garden