#delany

[thirdity]

“The Unspeakable” is an area, a topic, a trope impossible to speak of outside (it is at once evil and extralinguistic) that range, equally difficult to describe, to define: “The Everyday.” (It is at once banal and representationally difficult.) Both are terribly localized. Both are wholly and socially bounded. The division between everyday and unspeakable, difficult and extralinguistic, banal and evil may just be the prototype for all social division.

Samuel R. Delany, "On the Unspeakable"

[therightrighthand]

Just one of those missions. y'know?

Traitor Squad << Start I << Previous I Next >>

[nerds-yearbook]

Daredevil 167#, cover date November 1980, introduced Nick Manolis, Mauler (Aaron Soames), Sylvia, Cordco Inc, Edwin Cord, Sammy, Arlo, Garfield, Earl, Chet, Delany, Mobile Armored Utility Laser Emitter, and Vibra-Mace. They were created by David Michelinie and Frank Miller. ("... The Mauler", "Dark Secrets", Daredevil #167, Marvel Comic Event)

[karebeast]

Delany! [Gift]

Wanted to draw Wolfwrathknight's sona for fun <3

Delany belongs to @wolf-wrathknight / @wolfwrathknight

[thecleverness]

“Science fiction is not 'about the future.' Science fiction is in dialogue with the present... a significant distortion of the present that sets up a rich and complex dialogue with the reader's here and now.” - Samuel R. Delany, Starboard Wine, 1984

[etirabys]

This reminds me of the most fantastic book liveblogs I've ever read (by ozy thingofthings). It's Times Square Red Times Square Blue by Afrofuturist scifi author Samuel Delany.

(full but paywalled review by that liveblogger here, although the visible portion of the text should give you an idea of what a weird and fantastic book this is)

A lot of it is about The Venus Theater, which showed adult films until a push to close all the porn theaters also shut it down in 1970. It was pretty normal to jerk off in the theater and cruise for (mostly m/m?) sex – both of the sex worker and non sex worker variety (although the line was very blurry). It was normal to e.g. jerk off your neighbor.

Delany was a college professor at Amherst the time he was a Venus regular. He had social and sexual relationships with a large number of people he met at the Venus Theater, including homeless people – he kept up correspondence with many of them, including at least one who went to prison. When establishments like the Venus shut down, one reason he didn't like this was that he thought it was unhealthy for society to get rid of spaces with high levels of inter-class contact.

Delany draws a distinction contact and networking. The Venus was contact, and more formal "people of various backgrounds who are interested in X, come mingle" events are networking. And if you get rid of interclass contact spaces, interclass networking spaces have to 'take up the slack' of facilitating connections, and they... can't do it. Example about parenting from the linked blog post:

In a city, contact requires certain specific characteristics to thrive. You need socioeconomically diverse spaces with mixed commercial and residential uses, and which provide basic services like restaurants, public bathrooms, and small shops. Without that setup, you don’t get contact. (...) [If you're at a park close to your house and] there aren’t any public bathrooms, it’s a jerk move to not let a mom at the park your kids are playing at use the bathroom in your house, but you don’t want to just let any rando into your house. So you’re reluctant to talk to moms you don’t know. (Real thing!)

And here's Delany on the value of public spaces that facilitate sexual contact:

Similarly, if every sexual encounter involves bringing someone back to your house, the general sexual activity in a city becomes anxiety-filled, class-bound, and choosy. This is precisely why public rest rooms, peep shows, sex movies, bars with grope rooms, and parks with enough greenery are necessary for a relaxed and friendly sexual atmosphere in a democratic metropolis

After reading the above Delany quote I sat back in my chair, grinning wildly at the ceiling. You may not like it but this is what the optimal take looks like

The US is deeply segregated not only along racial lines, but along class lines as well: from housing to schools to healthcare, many of our major institutions are designed to allow rich people to keep poor people as far away from them as possible.

Where do rich and poor people interact with one another? If I'm reading this study right, it's restaurants. Which restaurants? They find that some of the most cross-class locations in the country are cheap full-service restaurants: "Olive Garden, Applebee’s, Chili’s and IHOP."

The more I think about this finding the more it makes sense. Places like Olive Garden are some of the only locations in US society which are simultaneously "nice" enough to draw in high-income diners and cheap enough to attract low-income diners. Rich people go to, say, Outback Steakhouse because they see it as a cheap and easy meal that's better than fast food, poor people go because it's one of the closest things to a nice steakhouse you can eat at without dropping $100+ per person.

Other cross-class locations: churches, libraries, credit unions, alcohol stores, the DMV. Locations which worsen class segregation: golf courses and country clubs, bars, museums.

[rodgerdelany]

Headed to the historic Granbury Square tomorrow night!!

[ccycles]

There’s a very interesting concept that I get from Delany’s erotic works it’s a kind of radical acceptance in these marginalized communities he describes. There’s also a kind of equalizing of classes through unusual sexual intercourse. It’s all incredibly interesting and I need to read even more about it

[saltintheseaa]

delany’s 60 ish page analysis of the dispossessed pointing out every single problem i have w the novel and also many more. it’s great.

[cipheramnesia]

Thinking about a science fiction novel, a smuggling ship a little bit like in Firefly, except every single person on the ship is secretly an agent who is using the ship as cover for various sabotage and information brokering. All of them are pretending to be from different factions, but are doing terrible jobs about it because they're behaving like propaganda about the enemy, but the only person who can call bullshit has to pretend they're fooled to keep their cover. So every spy/double agent knows there is another double agent, but thinks the rest of the crew is legit. Unfortunately they all spend so much time paranoid about keeping under cover and trying to manipulate the next planet they go to, that they never end up successfully smugglijg any actual cargo.

For awhile it looks like the ship captain is some kind of mega-quintuple agent, but it turns out they're the only person who legitimately isn't a spy. They figured out it was more profitable to collect bribes from thirty different governments than to try and run a clandestine smuggling operation.

[stoneoferech]

Dana Delany

[therightrighthand]

Call out to all bot enjoyers, are you doing your part? If not? Why not? And if you do, here's now! Become a Cyber Operative today!

Traitor Squad << Start I << Previous I Next >>

-- Find my Discord and other sites: linktr.ee/The_red_right_hand Do not use, repost or claim (rp) my art/character  Art © The-Red-Right-Hand

[emliyarmstrong]

Robin x Katherine Desperate Housewives (2004 - 2012)

[carloskaplan]

Mary Delany (1700-1788): Composicións botánicas

[kingeggroll]

[rodgerdelany]

My original goal for composing Angels Gathering from Susie's lyrics was to create a song that she could play on piano. I knew that meant charting it. But, I did not quite understand how hard that would be.

I am proud to share that earlier this week we published the sheet music for Angels Gathering making it available on Sheet Music Direct, Sheet Music Plus, Music Notes...

For the technically curious, it took thirteen hours to chart Angels Gathering before editing by Susie. The MIDI and the audio were recorded together with the piano track. My thought was, "This will be easy... Buy an app, import the MIDi and life is good..." Well, it did not go quite that smooth. The piano did not directly convert to a single time signature and I only recorded MIDI for the accompaniment - left and right hands. There was no melody. In order to create a piano version, I had to write-out the melody by hand. I spent a hour or so running from the piano at one side of my office back to the computer on the other side. Like everything else, I did this the hard way - one dotted quarter note at a time.

Once complete, we decided to create an easy piano version for publishing which led to more editing and complications relating to software idiosyncrasies.

Despite writing quite a few songs, Angels Gathering is the first song that I charted since college. Let's just say that was a long time ago. It's a challenging process. But, I found it to be highly rewarding adding a sense of legitimacy to the songwriting process.