#definitely out of my element trying to set up stuff to look nice and professional

[coffeecakecatt]

[writing-gifts]

both sides of the viewfinder chp. 1

adult film star!bruno x afab!reader  (they are also gn)

this is 18+ content

summary:  Bruno's interested in you and you're interested in him. It's only a matter of time.

chapter 1 || chapter 2 || chapter 3 || chapter 4

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A/N: okay so this is gonna be 3 chapters. the last chapter’s smut, but there’s pretty suggestive stuff happening in the 2nd chapter

i did research for this and wanted to try to make it more on the realistic side but there's always the chance that i messed up somewhere, so if you wanna point it out go ahead. it'll be good to know for the future!

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This wasn't your first time filming for sex work but you felt a little out of your element. The studio that recently hired you was much bigger than what you were used to and considering that you were mainly doing freelance work before, this made everything feel much more professional and serious. Their work had to be highly produced.

"--We aren’t super strict about that, but you should definitely tell me before you go anywhere."

Right now, you were being given a quick tour by one of the people you'd be working with--the Director of Photography. Jocelyn was pretty much your manager and would be giving you most of the orders.

You continue to follow behind her as she continues to show you around. But you couldn't help eyeing the high quality lights and cameras you pass as she talked though. The equipment must have been worth a lot.

Once she has finished showing you around, she leads you back to the set filled with the crew that you passed earlier.

You listen closely as she goes over the details of the film.

"This will be the room where the main scene will take place. Today we will have you operating one of the stationary cameras, but since you’ve done stuff like this before I decided to let you do it without someone breathing down your neck. Just follow my orders."

You like the woman already. "Thank you."

"The shoot will start in--" she checks her watch, "--about an hour. Today is just filming for you but you know you’ll be doubling up as a runner when necessary. We might also have you help with other tasks while you work here too."

You nod to show you understand.

She smiles, "If you have any questions don't be afraid to ask me or any of your co-workers. Try to avoid asking the director though…."

-------

You adjust the headphones on your head as you stand in front of the camera you'd be in charge of today.

Working it should be simple enough since you didn't have to actually move. You just needed to make sure it stayed in focus so they had more options when it came to angles.

About 10 minutes later, the two actors starring today show up dressed in fairly nice clothes that they wouldn't be wearing for too long. One of them seemed quite friendly with everyone. He must be pretty popular you think.

Before you can recede to your thoughts, you recognize him.

Is that Bruno Bucciarati?

You quickly confirm that it is and turn your body away from him and towards the camera, as if doing that would hide you. You weren't necessarily a stan but you did follow him on social media. And perhaps you did subscribe to his OnlyFans. And there's a good chance you paid money for some of his work.

It wasn't your fault that he was one of the few male stars you found attractive!

You shake your head. This was work. Don't get starstruck.

Luckily, it doesn't take you long to get distracted with the camera. You rarely get to operate such expensive equipment like this so you find yourself looking at all it had to offer.

While you neglect socializing with the people you would be working with from now on, someone comes up to you.

"You look so focused."

Your eyes widen from the sudden voice and you pull down your headphones as you look to the side. "Oh sorry--" When you see who it is the rest of your statement dies in your throat.

However, Bruno isn't deterred by your abrupt stop. "You must be the new camera person."

You stare a second too long before nodding.

He holds out a hand and you have to calm your shaking one before reaching out and grabbing his. His hand was really warm.

“Nice to meet you, my name's Bruno Bucciarati."

"I'm ____. I've actually seen some of your work before! You really are as handsome as in the videos."

Even though you're straight-faced, you were regretting what you just said. It was a simple compliment but what if it was too much? His looks did astound you though, there was no denying it. And you really didn't understand how he managed to pull off that haircut.

You smile to ease the tension within yourself and Bruno returns it. Whether it was genuine or out of politeness you didn't know, but it helps you relax.

"Thank you," he says.

“Okay everyone get in your damn places! We’ll be starting soon!”

Your brows raise at the director’s choice of words.

Bruno turns back to you. "Well, let's do our best to get through this."

You nod and watch him walk towards the bed where his co-star is waiting, and the director immediately starts going over what he wants the two of them to do once he’s there.

You decide to do a quick second check on your camera to make sure everything is still working properly before waiting patiently for the director to start.

------

Between some cuts and breaks, filming’s done about 6 hours later. You’d been informed about the typical work time so you weren't surprised. The porn from this studio was highly produced, with a few “amateur” looking works thrown in, so it was the norm. But this was the longest you had worked on one film. So depending on how particular the director was, you would need to be prepared to do at least several hours of filming when behind the camera.

You rub your eyes. It's only 4 pm but you're yearning for your bed. You could only imagine how tired the actors were.

Right after you turn off the camera, Jocelyn calls you over.

"You did well today and looks like you don't need any serious training. Good job!" she praises.

You guessed you passed the new hire "test". That gave you a bit of an energy boost and you can't help the smile on your face.

While you remove the camera from its tripod, you begin to retreat to your mind. And of course, your mind wanders to a certain actor.

Bruno was good at what he did. Really good. And the other actor seemed to genuinely enjoy working with him too. For a second, you wonder what it's like.

You glance up and accidentally make eye contact with a now fully clothed Bruno. The man walks towards you and even though you had watched him just have sex for multiple hours, you feel nervous.

“What’s up?” you ask when he's close enough.

"Nothing. I like to check up on newcomers, but you must have worked in this field for a while since they usually tend to have some hang ups."

"Uh yea. I've been doing stuff like this for awhile. Good work today by the way."

"Same with you. It was long but things went as smoothly as they could."

You nod in agreement and finish folding up the tripod. “They did, but honestly that one position you were in looked super uncomfortable! Is your back okay?”

The man laughs. “I'll be fine. That was pretty tame to be fair.”

“Wow, you must be super fit or flexible then...” You notice your coworkers walking off with equipment and decide its best to end the conversation so you can follow them. "Oh, I need to put away this stuff. Thanks for checking up on me though!"

Bruno smiles at you and you scurry off with the camera and the tripod.

-----

You'd been here a week so far. Each day varied with things to do and you never really knew what you'd exactly be working on until you got to the studio.

For today you had a list of various tasks but the first one was conducting a pre-shoot interview with the actors for the porn being shot in an hour.

You look through the viewfinder at the two men sitting on the couch. You were already recording but the interview hadn't started just yet.

“It’s been awhile since I've done an interview so bear with me...” you mumble while going over the questions in your head.

“No pressure ____,” Bruno says.

The man doesn't seem bothered but Prosciutto, on the other hand, isn’t as laid back.

“You should at least have a list of questions prepared,” the blonde says.

"Yep right here!" You pull out a piece of paper from your pocket. From the list you could tell this collaboration had been long requested by their fans.

“I did my best to remember it but just in case…” You place the paper on a surface out of view.

You readjust the camera on your shoulder before speaking again. “Okay, let's start with names you say.”

You focus the camera on Bruno. You wish you had a tripod, but they were insistent on having you walk around with the damn thing to make it feel more “personal”.

"I’m Bruno Bucciarati."

You then turn the camera to focus on Prosciutto.

"I’m Prosciutto."

“So I know this is the first time you both are working together. How are we feeling?”

Bruno smiles. “I'm feeling pretty good and ready to work. How about you, Prosciutto?”

“Pretty much how I do before any shoot.”

“And what's that?” you ask.

Prosciutto crosses his arms. “Mostly relaxed but looking forward to it of course.”

"That's good. I know it'll be tiring filming and from how highly requested this seems to be, the director's going to want this to be perfect. But I'm hoping you guys still have fun."

"I'm sure we will, but I still don't know why so many people wanted us to work together," Prosciutto says.

Bruno nods. "Agreed. I feel like we’ve rarely interacted until now."

"Well people like seeing attractive people together. And I've actually seen fancams of you two interacting on Twitter. It's pretty entertaining!"

“You search those up?” Bruno asks.

“No, they just show up on my timeline sometimes.”

“...So you're a fan of Bruno then?” You weren't sure why but you sense a bit of judgement coming from Prosciutto.

"A little, but let's move on." You take a peek at the paper. "So who’s receiving and who’s catching?"

You raise a brow at how the question’s phrased.

Bruno looks at Prosciutto. “Don't you think we should let the film speak for itself.”

The blonde hums in agreement. “If they need to know so badly, they can skip ahead.”

“True. I think either way would be fun to watch though,” you say.

“Definitely. You should let me know what you think later.” Bruno says.

You don't mean to smile but it's already happening. "Sure."

“You're real unprofessional flirting with the camera person in the middle of an interview,” Prosciutto chides.

“It's just some banter. Are you jealous?”

Prosciutto tsks at Bruno's statement.

You shake your head deciding not to acknowledge those comments. The editor would have to cut out that bit. The two seemed to get along well enough for work but you had a feeling they would get on each other's nerves if they stayed together too long.

“Okay so this is definitely a good question to ask next. What do you guys like about each other? Either personality or physical wise."

Prosciutto glances at Bruno before speaking. “I can admit that the man has a nice….physique.”

You grin. "You sound like I'm putting a gun to your head."

The man fixes you with a very unamused look but you continue on smiling.

"What about you Bruno?" you ask.

“Well he has an attractive face and body, of course. His stubbornness is enjoyable at times too.”

“Stubbornness?”

Prosciutto seems to have the same question as you because he looks at Bruno for his explanation.

“Yes it's a good trait to have in certain situations.” Bruno returns the blonde’s stare. “It'll also make seeing him unravel much more interesting.”

The two of them are now looking at each other very intently and you feel like you should leave the room. But you need to finish the interview.

“Nice...so this is the last question. Is there anything specific you two are looking forward to?”

Fortunately, the two of them can still hear you and respond.

Bruno hums, “I suppose it's been awhile since I've given a blowjob, so there's that.”

"...And I'm looking forward to receiving one."

You let out a chuckle, “Okay, Prosciutto I see what you're about.” You quickly skim the list of interview questions. "Well looks like that's it! You guys ready to go?”

They both give you their positive answers.

“Then let's get you guys ready for the shoot."

Bruno smiles while Prosciutto's face stays neutral.

After that statement you stop recording.

“Okay, nice job guys!” You look at the clock on the wall. “That went pretty fast. So you can go ahead and head to the set.”

Prosciutto nods and exits the room but Bruno stays behind.

“Are you going to be helping film for the shoot?” he asks.

You gently place the camera down on the table where you left the paper.

“No, I have to go out and buy some things for something being filmed later this week. And then I have to go do some other stuff around the studio…” You laugh, “They really have me running around!”

Bruno looks slightly concerned. “You’d prefer to stay behind the camera the whole time right?”

“Yep but that's okay. I already knew what I was getting into, and I get paid better pretty well for it.” You look back up at the clock. “I’ll definitely be back for the interview after filming though so I should see you then.”

Bruno nods. "Okay, good luck with your errands."

----

By the end of the day, you're exhausted. Your list of tasks wasn't hard, you just ended up moving a lot more than you planned. You even almost forgot to take your break in your hustle.

When you return to your apartment, you eat something and take a quick shower before dressing up for bed. And once you're snuggled up in your covers, you decide to check your Twitter to see if anything interesting has happened.

While scrolling through the random posts retweeted throughout the day, you happen upon a pretty suggestive picture of Bruno in lingerie. He posted it not too long ago.

Nice.

You click on his icon to check his page to see if there’s anything else new, and under his username notice the words follows you.

Your eyes widen and you double check and refresh to make sure you're not seeing things. You go into your notifications and see that he followed you a couple hours ago. You really weren't sure what to do. It would be weird if you messaged him, right?

You take a deep breath and decide to take the chance. Bruno probably got hundreds of messages so it shouldn't be a big deal.

hi, i saw that you followed me. just making sure you didn't make a mistake lol

Before you can overthink it you send the message. After that you go back to his page and like and retweet the lingerie photo, but you still need a distraction so you wouldn't obsess over a possible reply. When you're thinking of getting out of bed, a message from Bruno pops up.

You quickly open it to see the full message.

No mistakes here. I searched you up and saw that you already followed me so I wanted to follow back.

It's not the first time you've been followed by pornstars or coworkers you worked with, but it was honestly still rare. And something about it being Bruno made your heart beat faster. You momentarily think about everything you retweeted in the last hour, before sending a message back.

oh okay, thx! i'll try not to bother you too much, you probably get a lot of messages

A few seconds pass before you get another reply.

Not necessarily. I have DMs off for people I don't follow. I love my fans but they can get...rowdy. Either way, you can message me whenever you want.

Wow, what would you even talk about with Bruno outside of work related things...

oh, that makes sense. well i guess i’ll take you up on the offer ^^

You see the three dots going for a while before another message appears.

I saw you retweeted my picture.

Your heart skips a beat.

oh god, now i feel embarrassed all of a sudden!

No don’t be. I'm glad you like it.

You smile to yourself.

yea, you look really good in lingerie ...you look good in anything tbh or without anything lmao

You feel like you're about to say something really embarrassing if this conversation continues and quickly type up another message before he can respond.

i’m really tired so i’m going to get ready for bed

The three dots disappear for a moment before showing up again.

Shame, I would have liked talking more. But I understand, you looked really exhausted during the post interview.

yea i was but it’s no biggie and we can message later ❤

Okay then, sleep well ____.

good night 😴

You close out of the app after that and honestly, that went way better than you were expecting.

[ddarker-dreams]

That last ask got me thinking! How would the bucci gang react to meeting SR reader's family? Not all of them but like a visiting grandparent(who is likely very unaware their precious grandchild is working with the mob to pay off awful debts-which reader would like to keep that way), but like who's falling all over themselves to impress said relative, who would be subtly trying to get their blessing to date reader, what shenanigans would reader the gang go to keep this person in the dark??

ohhh what an interesting situation!!! some of them would definitely handle it better than others...

Here’s the general concept! Reader’s grandparents are coming to pay their granddaughter a visit in Naples, under the impression she’s been studying there the past few years. Reader has asked some of the members of her team to further validate her story. I imagine everyone as trying to actively court Reader to some extent during this. :’)))

Bruno Bucciarati; 

Bruno is a revered member of the community. Any of the troublesome details of his Passione involvements would be lost in translation, so you figured he’s a safe bet. He’s also the member who is most familiar with your situation. While he speaks under the pretense of being professional, he would love to have that connection with your family for... any future possibilities. Marriage possibilities. 

He spots you in a mild state of panic, and boasting the compassionate heart he has, is led to ask if you want to talk to him about it. When you explain that some of your foreign family is coming to visit, he can immediately read between the lines. You need to play this part perfectly. He’ll offer to accompany you on one of his less busier days, willing to do whatever it is that’d help. 

The language barrier doesn’t matter too much! Bruno is still a gentlemen. Opening doors for them, pulling out their chairs, offering to pay for any of your meals... he’s very kind. Your grandparents are going to be quite fond of him by the end of your day together. All according to his plan. 

Unfortunately for you, Bruno is going to be offering lots of praise that he fully expects you to translate. It’s a bit embarrassing how genuine he’s being. Speaking about how hard a worker you are, how nothing gets in your way, stuff like that. Your face is on fire as you translate the heartfelt compliments. You end up toning them down a bit for your sake. 

“[First] is one of the most reliable people I know. You should take pride in having helped bring up someone like her. I promise I’ll continue to look after her, you have nothing to worry about.” 

“Ahh... Bucciarati, do I really need to tell them that...?” 

Giorno Giovanna;

He speaks some English! Giorno did well in his classes at school, so he can understand the basics. Having a knowledge of multiple languages in his position is also a benefit, so he never fully stopped studying it. Though he’d prefer not to mess up any of the pronunciation in front of you. He’ll be practicing in secret as not to embarrass himself, and definitely thinks this is a great opportunity to get closer to you. It’s a shame he can’t take full advantage of it, but he’s going to try to. 

Giorno hasn’t really had any positive family interactions, but he’s still good with people. Unfortunately, in his new position, he’s extremely busy. He still tries to make time for you when he can, but won’t be able to hang out with the three of you as much as he’d like to. He does find the time to come to the airport with you, under the pretense that a lot of shady business goes on there. He wouldn’t want your family being scammed. Don’t ask how he knows about this...

The entire car ride to their hotel will be filled with pleasant conversation. Giorno is a natural at reading the room, and backs your story up to perfection. Any potential discrepancies are covered up with ease. He came in for a clean save at least once or twice when you made a mistake, and you couldn’t thank him enough after.

Giorno isn’t going to want to pry into your personal life, but would be highly amused over any stories they tell him. Even though it’s only a forty minute drive, he enjoyed his time a lot more than he expected to, learning some new things about you in the process. You’re a bit frazzled over the person who is technically your boss (even if he’s not big on formalities...) knowing about your embarrassing childhood stories. He finds it endearing. :’)

He’s gonna bring it up afterwards during a casual discussion, sporting a little devious smile. 

“So, [First], do you want to tell me about that time you got stuck in a swing set again? It seems quite unlike you.” 

“God... I can’t believe they told you that. I was hoping you wouldn’t understand it well.”  

Guido Mista;

Oh no.

You’re going to have to explain to him that a few changes will need to occur if he is to meet your grandparents. For one, he needs to take a shower. Two, he needs something that at least covers his midriff. If there conditions are met, you’ll allow it. He is not missing out on this opportunity to win you over, so he’s surprisingly amiable to these conditions, ready to do his best to make a good impression. You’ve never see him so agreeable.

You do have to keep reminding him of the story that you’re sticking to. Mista makes a few mistakes here and there, but manages to laugh it off. Since you’re going to be translating a majority of his sentences it’s not a big deal. That doesn’t mean he won’t at least try to say a few words in English... results varying. 

The most difficult part is trying to ignore the Pistols, who are swarming around in excitement. They keep speaking to your grandparents like they can hear them. Asking for embarrassing stories, to know about your past partners, or for any cute childhood photos of you. Mista struggles to keep a composed look when all this is happening.  

“Say, [First]. Your grandparents... they aren’t Stand users, are they?”

“No, Mista. My grandparents aren’t Stand users.” 

To be honest, you weren’t too sure if Mista tagging along for some sightseeing would be the best idea. It goes a lot better than you expected. Some of his comments that you translate actually get your grandparents laughing! What a miracle, he’s gonna be grinning ear to ear. Mista is just a lovable guy. 

He is going to 100% try and sneak in a question about your relationship status when you’re not paying attention. Mista has to make sure you’re still on the market. B) 

Pannacotta Fugo; 

He’s actually your go to for this situation. It couldn’t be a better setup. Fugo is intelligent, can speak English the most fluently out of everyone in your team, and would be a big help for sightseeing. As soon as he heard about your grandparents visiting, he knew it was only a matter of time until you came to him for help. At first, he was intent on politely turning you down, but god... how can he? You’re too cute, looking at him like that, saying you need his help. Fuck, he’s so whipped for you lmao. 

Fugo is the most anxious about it. What if your grandparents don’t like him? What if he accidentally says something offensive? Or even worse, what if he blows your cover, and you hate him forever? He’s gonna being shutting himself in his room, refreshing his English nonstop. You have to admire his dedication. 

When the time finally comes, it goes a lot smoother than he anticipated. There’s no humiliating himself in front of you like he feared. Fugo is a bit stiff at first, but with your help, begins to ease up. He’s an amazing tour guide! Fugo knows the best places to go, what times they’ll be busy, the historical and cultural significance of every place, etc. When he starts talking about trivia you can tell he’s in his element. 

It’s going so well. That is, until your grandma says you have such a nice boyfriend. Fugo’s entire face goes beet red. If only. 

“A-ah, Mrs. [Last], we’re not dating, actually.” 

“We aren’t, but... you’re right. Fugo is amazing, isn’t he? There’s nothing he can’t do. I appreciate him a lot.” 

On that day, Pannacotta Fugo’s soul ascended. He legitimately cannot stop thinking about this. For you, his crush of many years, to compliment him so genuinely? Fugo.exe has stopped responding .

Narancia Ghirga;

He kinda invites himself along? Narancia is giving himself a bunch of pep talks, thinking of all the things he can say. His train of thought is that if he speaks English well, it’ll impress you! There’s nothing he wants more in this world than for you to think he’s cool and reliable. The problem is that most of his knowledge of English is only from music. So he’s more familiar with vulgarities than anything else. 

You’re understandably hesitant to allow Narancia to tag along. Then he makes the solid point to you that Aerosmith’s radar would come in handy, detecting any potential threats. Narancia is going to be sporting the brightest smile when you concede and say he can come with you, practically vibrating with excitement. He promises that you won’t regret picking him. 

The place he picks to go is a local pizzeria. In his opinion, the pizza you’ve spoken of back home is an insult to humanity. Naples style is the only way to go. He insists on letting your grandparents try “real” pizza, as opposed to whatever your country has. 

Narancia reminiscences about a lot of your past stories together. Nothing that has incriminating undertones, just casual stuff from your years of knowing one another. You’re almost surprised by how he’s remembered all of this. He can’t help it, any time spent with you has been forever imprinted into his mind. 

“So, there was this one time we spent hours looking for [First]’s lost wallet. Come to find out that she just left it in the glove department after we spent the entire evening searching for it. And then--” 

“Narancia, do you have to bring that up? It’s so embarrassing...” 

Leone Abbacchio; 

You’re going to have to pull out some incredible arguments to get him to come along with you. He’s going to say no before you even get the chance to ask, already sensing what it is you’re going to say. So be ready to break out some Ace Attorney level stuff or it’s no dice. He’s already offering special treatment by even letting you try to convince him, anyone else would’ve been shooed away. He has a big soft spot for you :’)...

The most you’ll get him to agree to is one dinner. That’s it. Abbacchio has a lot of baggage with him, and doesn’t think highly of himself. To be honest he’s wondering why you’re even relying on him here. It’s strange, since he appreciates the trust you must have for him, but also doesn’t think it’s deserved. 

He cleans up well. Abbacchio is going to take this occasion very seriously. For most of the dinner he listens to you speaking, rarely offering input unless he finds it necessary. When he does speak he’s more polite than you’ve ever heard him though. You almost wondered if it was Abbacchio who was speaking, and not some imposter. So he is capable of having manners when he wants to... 

He’ll also pay for the dinner, much to your surprise. Will insist on it even. Abbacchio tells you to let them order whatever desserts/wine they want. He’s pulling all the stops to make a good impression. 

“Abba, you really didn’t have to do all that. Please at least let me reimburse some of it.” 

“Would you stop bringing it up already...? They’re your family, so it’s only natural I’d take care of them.” 

Trish Una; 

As the only non Passione member on this list, Trish is an excellent choice! Her singing career is really starting to take off. Your family will find her to be impressive. You’ll have to think of a story for how the two of you are familiar with one another. You can’t very well say you used to be her bodyguard protecting her from assassins lmao.  

Since she needs to travel a lot to different venues for her career, Trish’s English is steadily improving. She’ll normally text you for help if anything is particularly challenging. The biggest challenge would be aligning your schedules together, at the same time they’re visiting. Trish has a way of making time for you. 

One of the things Trish loves to do is give gifts from her travels. So she’ll show up with some little souvenirs for them. It’s a very heartfelt gesture that they appreciate, and she even gives you a gift or two. The queen of good impressions. 

Throughout the years, Trish has managed to gather a sizeable collection of selfies from when you’ve spent time together. At some of her albums release parties, trips to the beach, the times you’ve travelled together. She’s going to have a lot of fun going through her hundreds of photos of you and showing them. 

“Trish, you almost need a SD card for all of these. Just how many pictures of us do you have?”

“Oh, this is just the beginning, [First]. I have a whole other album of when we went to Milan last spring.” 

[saltedpeppermintmocha]

how sweet it is (to be loved by you) - todoroki x reader [chapter 2/8]

Summary:

You are the head baker and owner of a struggling bakery. When pro hero Creati comes in for a wedding cake, of course you accept.

As a business owner, you are excited about the boom in profits resulting from the publicity of working a hero wedding.

As a baker, you are ecstatic to work on an extravagant cake - your most ambitious one to date.

As a woman, you are terrified as you begin to grow feelings for the one person you REALLY cant: the groom.

NOTES: NO infidelity, NO cheating, NO divorce!

Chapter One

MATURE : MINORS DO NOT INTERACT // 18+

Four Months Before the Wedding

“Hello.”

His voice is deep and his words soft-spoken. He politely kicks his winter boots against the mat at the front door and takes another step into the bakery. The movement causes flakes of snow to detach from his hair and flutter to the ground around him. It’s almost magical, like a scene from a fairytale. Wow. You can’t help but stare.

The man is tall -more so than you’d thought from the rare interview you’ve seen of him- and impeccably well dressed. His expensive-looking navy coat is long and chic, somehow managing to fit both his smaller waist and powerful shoulders. It’s probably tailored. You idly think of your coat hanging in the back: an item you’ve had for about five years now that definitely looks its age. What wouldn’t you give to be one of these rich people that for some reason seem to be visiting your bakery recently.

That thought brings you back to reality. Right. Pro hero Shouto is in your bakery.

Why is he in your bakery?

It slowly dawns on you. Rich people. The wedding. “Oh, you must be here for the cake.”

“I am.” He nods, looking around the little front area. You feel a little self-conscious, hoping that everything he sees is up to his standards. “Forgive me, were you about to close?”

“No no!” You wave your hands as he turns to look at you. “It’s okay! This actually works better, we can discuss everything without being interrupted.” Walking over to the door, you flip the sign over to ‘closed’ and gesture towards the seating area. “Please take a seat. I’ll go grab my stuff and be right back.”

Turning on your heel, you head for the back room without another look back at the hero. Instead of going straight for your wedding binder and notebooks, you lean against the nearest wall and place your head in your hands.

Oh my god. Shouto Todoroki is the groom.

Somehow, this wedding is an even bigger deal than you thought. Obviously, any hero wedding became an important event, but you had thought (hoped, even) that maybe Creati was marrying a civilian or a lesser-ranked hero. The wedding would still be a big deal, but you were confident in your ability to handle it. Shouto Todoroki, a beloved hero in the top 15, is definitely not what you were expecting. This wedding is bound to be huge in a way that you definitely had not prepared for.

The hero profession is a solitary one. Pro heroes rarely date, and if they do it is a very secretive affair. It is extremely dangerous to date a hero and those brave enough to try become an instant target for villains. This target only gets bigger the higher the hero’s rank is, and most top heroes don’t even try.

Thinking about it, you can’t really think of any of the top 10 heroes other than Creati (apparently) who are in a relationship. Sure, there were rumors about the number six hero Deku and the number twenty-four hero Uravity, and Endeavor must have had someone if he has kids but-

Oh.

Oh no.

Oh no no no.

Todoroki is, well, a Todoroki . He is Endeavor’s son. The terrifying number one hero will probably be at this wedding. The number one hero will probably eat your cake. And if it’s both Todoroki and Yaoyorozu’s wedding, you can bet that a bunch of other big-name heroes will be there as well. Your vision swims as pressure pushes on your shoulders. How can you even begin to deliver a cake up to this caliber? You might be good, but you’re just one person.

You’re going to need to block off more days.

After what is probably a suspiciously long pause, you manage to calm yourself down enough to push off the wall to grab your binder and notebook. You pause before heading out to the front area, taking a deep breath to steel yourself before walking out.

Todoroki has found a small table near the window. He has partially turned away from you, face resting on his palm as he looks out to the snowy street. He has taken off his scarf and coat, both draped carefully over the back of his chair. How does he manage to look so elegant while doing something so normal?

You pinch your thigh. Stop it. You can’t think this way about him. You have to be professional. He is a client. He is a married man .

“Sorry for the wait!” You call out, heading over. He turns to look at you as you sit across from him, placing the binder and notebook on the table. You take this opportunity to introduce yourself properly. Up close, you find him even more handsome than before. Those dual-toned eyes are calm and watchful, and his sharp features have a symmetry to them that would not look out-of-place on a Vogue Japan photoshoot.

“Nice to meet you.” Todoroki gives a polite smile, shaking your hand when offered. It’s quite cold. “I believe Momo has already spoken to you about the general idea.”

“Yup!” You nod, taking the moment to open your notebook. “Unless things have changed, we’re still going for a five-tier cake.” Glancing up, you wait for him to nod before continuing. “What design are we thinking of?”

You look down, ready to write quick notes on whatever design has been chosen. This is the part you’ve been both excited for and dreading the most. Normally, you are extremely excited to get a design and to work to bring that design to life. You live for the expression you see on the client's face at their first look at the finished product. This time though...you’re nervous.

The design that is chosen will either make or break your next few months. If the design is easy and normal, you will be able to complete it on time with confidence. If the design is unusual and complicated, you honestly don’t know what you are going to do. This cake has to be perfect down to the smallest details, and you have to balance your time between the cake and running the store. Maybe you can hire another baker on a contract for help. Hmm.

After a few moments of no response, you look up. “I don’t know.” That normally blank face seems unsure. His mouth pulled into a small frown.

“You...don’t know.” You blink. That’s a bit weird. “Okay...I just thought that you would have a bit more input.” He is the groom, after all. You didn’t think Yaoyorozu was the kind of woman to insist that only she had input in these matters. Wait. Was that rude to say? You decide to push past it for now. “No matter, as long as we can get the full contract done for today I’ll be happy. I’ll need the design elements as soon as possible though if we want them to be completed on time. Some parts will probably need a lot of planning. Do we know the flavour or flavours yet?”

“No.”

You suck in a breath through your teeth. Calm, be calm. “ Okay. I’d like to set up a taste test of the top requested flavours, so that you can get an idea of how the cake will actually taste and make the final decisions. I’ll need to do that as soon as possible.”

“I understand.” He nods, a bit stiffly.

“Do you...have a date in mind?”

He gives you a surprised look, two-toned eyes flickering over you. “...for the wedding?”

You sit up straight. “No!” What the hell? Did he think you were propositioning the groom to his own wedding? “You obviously have a date for the wedding. For the taste test!”

“Oh.” He replies simply, not seeming to understand the absolute absurdity of his own question. “No, I will likely not be involved with that. I only came today as a favour.” A favour?

Todoroki takes note of your confused expression and explains. “They got held up by the villain attack.” Oh, that makes sense. Yaoyorozu must have gone to help the others. The U.A students tend to appear whenever possible to help each other out. You think it’s sweet that they have such a strong bond after graduation. You don’t really talk to anybody you went to school with anymore.

His explanation does give your meeting a bit more context. If Yaoyorozu is ‘in charge’ of the cake, and Todoroki did not expect to even be meeting you, you can’t really get too annoyed at him that he doesn’t have the answers. At least he showed up and didn’t leave you wondering if you’d been stood up by the heroes. In the end, you decide to table the question about the cake tasting date, but underline it in your notebook. You’ll need that, soon.

The rest of the meeting goes smoothly. The two of you go over the contract in as much detail as possible. While it is extremely unorthodox for you to leave blank spaces in your contracts, you are sort of forced to do so in the areas of flavors and design. In the end, the hero couple is paying over double the amount you would normally charge for the cake. You can’t imagine any crazy design or flavour going over that cost. Neither hero seems like the crazy type of client. You’ll be fine. Hopefully. If you’re wrong then...well...you’re kind of screwed. The publicity has to be worth it.

After only about an hour of discussion (you really don’t have too much to go over, with Todoroki knowing nothing about the design or flavours), the meeting is over. You close your notebook, stand up and offer a hand to shake to end the meeting. Todoroki stands, shaking your hand with his cooler one. He assures you that somebody will reach out to you soon about the needed elements. You hope you’re right.

“I am sorry that I kept you after hours.” He says as he gracefully slides on his coat, glancing outside. “I hope you don’t have too far to walk.”

You shake your head. “Don’t worry, I actually live upstairs.” Something flickers in his face that you can’t catch.

Then he nods. “I see.” He wraps his scarf around his head, somehow managing to look both cute and attractive. He heads towards the door, the bell chiming as he opens it. “Goodbye then.”

“Goodbye!” You smile and wave. “Be safe out there!”

You watch as he leaves, completely still until you can no longer see the red and white hair out the window. Letting out a deep breath, you sink back down into the chair.

Well, that sure was something.

----

You’re not sure exactly what prompted the suddenly quick response after so long of nothing, but some of the information you need comes the very next day.

It’s early morning. The store has just opened, you can hear the slight bustle of your loyal morning folk as they come to get their breakfast. Your morning worker -a young man named Tanaka who is almost scarily jolly in the morning- welcomes everyone with his juxtaposition of a voice: booming yet somehow soft.

You have been down at the bakery for hours now, getting the first round of bread, pastries, and other necessary items complete before opening. It’s a lot of work, but you can’t complain. At least you still have work. You have just finished a batch of your personal favourite, rosemary goat cheese croissants when your phone rings in your pocket.

Pulling your phone out of your pocket (the thing has been covered in flour before, it’ll be fine), you check the contact name.

[ Contact: C Manager ]

Your eyes widen, and you instantly accept the call. With one careful eye on your ovens, you walk over to a nearby wall and lean against it. “Hello?”

"Good morning.” The soft voice of Yaoyorozu chimes in on the other end. You straighten a bit, surprised to hear the hero directly. “My apologies for Shouto the other day. I understand he wasn’t too much help to you.”

“No no, it’s okay!” You gesture with your hands, realizing afterward that she obviously doesn’t see it. “He was really kind, and we still got some work done.”

“I see.” She hums thoughtfully on the other end of the phone. “Well, he did mention that you were getting stressed about certain elements of the cake. Is that correct?” Oh no. You hope she doesn’t think you’re being rude.

But she doesn’t sound annoyed or frustrated at you. If you had to guess, her tone sounded more amused than anything. You bite your lip before answering. “Ah, well...I don’t want to pressure anyone. I just need to get started on certain things or it won't be done in time.”

“Yes, I understand.” She responds. “I figure I can give you some of the design ideas now if that works?”

Oh, hell yes! “That would be wonderful!” You can’t help but smile. Finally. “Do you want to meet somewhere?”

“Unfortunately, no. I’m caught up in this-” She pauses as a loud sound comes through the phone. “ thing at the moment. Will you be amenable to me giving you the details over the phone?”

“Oh, yea! That’s okay.” You push off the wall and rush towards the office area, grabbing the newly named ‘Y&S Wedding’ binder with your flour-covered hands. It’s fine. You anchor the phone between your shoulder and your face and grab a pen with your other hand, opening the notebook to the ‘design’ page. “Okay, what do you got?”

The cake turns out to be pretty normal as far as wedding cakes go, which you are extremely thankful for considering everything. It is a five-tier cake, classic white with cascading pink flowers and green stems/leaves. That is...definitely doable. You can ace this. Thank god. Relief hits you hard in the chest as you write it down.

“Is there anything extra that either party would like to be added?” You ask, your tone dipping into complete professionalism as your mind has a mini-party at the relatively easy design. You doodle a happy face beside your notes.

“No, that is alright,” Yaoyorozu replies. “It was a struggle already to talk him down from some of the crazy cake designs he had in mind to something more...appropriate.” A pause. “Not that any of the ideas were bad per se, but I don’t think the wedding is the place for a giant All Might statue cake.”

Your mind-party screeches to a halt. What?!

“He...wanted an All Might cake?” You ask in disbelief. That doesn’t sound like Todoroki at all. Maybe it was a way to ��get back’ at Endeavor? There have been plenty of rumors over the years about that relationship, but they team up enough now that most have been pushed to the side.

“Yes, well, he adores the man.” She says it with a fondness that seems almost inappropriate considering your current state.

You think of the calm prince-like man from the day before. Could he really be that big of a fanboy of a hero like All Might? It just doesn’t compute. They were so different. You really can’t picture it. Still, it’s not like you really know Todoroki. Maybe he has some secret obsession or something.

Somehow, you feel like you’ve gained some insider knowledge. The press would pay a good amount for something like this. Not that you ever would go to them, ew. Actually, would they even believe you if you did? It was so absurd.

You realize that you have disappeared into your own thoughts. A big no-no when on the phone with a client. You pull yourself back. “Thank you for the design! I will get to work right away. Do we have any idea when we can do a cake tasting? That is the last big milestone here.”

“I’m sorry.” She responds, sounding truly apologetic. “It’s...difficult between all of our busy schedules. I promise I will work to get something set up.”

Well, honestly that is all you can really ask for. You thank her for the information and her time. The two of you say your goodbyes, and hang up. For a moment you stare down at your notebook in surprise. This is not how you expected things to go. It’s early, and you have a lot to do today. You already can tell you will be partially distracted, your brain trying to figure out the specifics of the design.

You smile. In the end, finally, you have something you can work with.

------

1 Week Later

Ten minutes before closing (of course) , the bell above the door chimes. You can’t see who has walked in, your back to the door as you wipe down a table. You take a brief moment to close your eyes and breathe before turning around.

“Good evening!” Your customer service voice is normally on point -the stuff of legends really- but this time it becomes higher-pitched at the end.

Shouto Todoroki stands in your doorway. Again.

After the last meeting, you truly didn’t expect to see the man again until his wedding (maybe not even then). He didn’t seem to have any input in the cake decisions, nor did he seem to care about not having any input.

“Oh, hello again.” You smile, fighting to keep your voice steady as you shove the cloth in your apron pocket.

“Hello.” His mouth ticks up in a soft smile.

“Were we supposed to have a meeting today?” You ask, pulling your phone out of your pocket to look at the date. No, you don’t think there was a meeting scheduled. You see Todoroki shake his head in your peripheral vision. The hero politely kicks his shoes on the mat and takes a few more steps into the store. Heterochromatic eyes look around for a moment before catching on to something to your right.

“Then what can I do for you today?” You ask politely, following his line of vision to your display case. “Here for a snack?”

Those eyes look straight back at you. “I want to order another cake for the wedding.”

What?! Your heart plummets. Another cake?! This late?! When you’re already having trouble getting the specifics on the first one?!

Todoroki seems to notice your panicked expression, hands going up in a calming gesture. “Not a large cake, but one of those small specialized ones.”

Your panicked thoughts pause. Wait. “Do you mean… a groom's cake?” Please be a groom's cake. You can make a groom's cake.

He nods. “It’s a surprise.” A surprise? For Yaoyorozu?

“Uh, sure. I can do that.” You reply. “Hold on a sec.” Instead of going for your physical notebook in the back, you decide to simply bring up the note app on your phone. It’s not as professional, but it works in a pinch. “Is there a theme?”

“All Might.”

You blink slowly, mouth opening in surprise. All Might?!

The conversation with Yaoyorozu comes to the forefront of your mind. Is he...really just an All Might fanboy? That seems so wrong, somehow. You narrow your eyes at his blank expression, considering him.

“...you must really like him, huh?” You whisper.

Todoroki tilts his head a bit to the side, eyes narrowing in confusion. “He is a very good teacher.”

...is that enough to get an entire cake based off of the man?!

A long moment passes where you both stare at each other, neither seemingly sure of what to say. Eventually, as the professional you have to break the tension. “Well, okay. I can definitely do that. Groom's cakes tend to be relatively small and fun. What elements are you looking for?”

“I will leave that up to you.”

“Uh, are you sure?” That is a lot of power he is just handing you, especially when he seems to care so much about the retired number one hero.

“You are very highly recommended by the Uraraka’s.”  Do the Uraraka’s know everybody?! “I don’t really...have an eye for design either way, and as the wedding gets closer I feel like I may become too busy.”

“That makes sense.” You mumble, writing down on your notebook app. Weddings are normally difficult things to plan, and you can’t imagine the amount of stuff necessary for a large hero one. If he wants you to design the smaller cake, you can do that. Your mind is already pulling together a few ideas. Similar to the large cake, you’ll need to make this one amazing. “What budget are you thinking?”

“Is 50,000¥ enough?”

Startled, you look up. 50,000¥ was a lot for a groom's cake. You want to tell him so but said groom is no longer in your line of vision. Glancing over to your right, you find the hero looking into your display case. He seems to care very little about the amount he just mentioned (ugh, rich people) so you simply say. “Um, yeah...that’s enough.”

You walk closer to the man, wondering why he seems so interested in the unsold pastries. “You are about to close, but there are so many left.” He looks up as you get closer. “How much longer will they last?”

Stopping to stand about a foot away from the man, you also look into the display and frown. “Oh...yeah, they are probably going to be thrown out, sadly.”

“Why?” At his soft voice, you glance over at the hero. Your eyes lock with two-toned ones.

“I try to sell the leftovers at half-off the next day, but they still barely sell.” You shrug. “I try to give as much as possible to the local shelters, but it isn’t always possible.” Looking outside at the hail coming down, you know you won't make it there today.

“Do you always make too much?”

“No.” You sigh, looking back at the sad, unbought pastries. “We used to be much busier, a year or so ago, but that chain bakery opened down the street and took a lot of my customers with it. Sometimes I still find myself baking as if it’s as busy as it was a year ago, just on habit really.”

There’s a long silence. Then, “I’ll buy them.”

Your eyes widen as your head swings towards the hero. “What, all of them?!”

“Yes.” He nods.

“No no no you don’t have to do that.” You find yourself saying, hands waving uselessly in front of you. “I wasn’t trying to pressure you or anything, it’s okay. You don’t have to-”

Todoroki shakes his head. “No, I want to.”

He looks straight at you, eyes telling you that he won’t back down from this. And well, you’re really not sure why you are refusing him. Maybe it’s the worry that he thinks of you like a charity. “Are you sure?”

“Yes.”

The next five or so minutes are spent with you packing up every last dessert and pastry into bags. Todoroki will need to use both arms to carry them, but the man doesn’t seem concerned. You are about to put the last rosemary goat cheese croissant away when he interrupts. “Wait, can you leave that one out?”

“Oh, sure.” You reply, placing it on a napkin as you close the paper bags on the counter with a piece of tape.

Todoroki reaches forward, his hand grabbing the croissant with one hand and bringing it to his mouth. One bite, and small parts of the flaky pastry flutter to the ground. You don’t mind, it makes you happy that the croissant lasts the entire day. Also, his wide-eyed expression is adorable.

He chews a bit more and swallows. “It’s good.”

“Thank you.” You smile. “You don’t have to say that, you know. I won't be offended or anything.” Okay, a bit of a lie. You adore those croissants.

“I’m not lying.” He insists, two-toned eyes staring straight at you. “It’s really good.”

His eyes are a bit more intense than normal. You look away, your cheeks warming a bit at the complimentary words. Shit, no. Married man. Nope. Not going there, even for a second. “Well, thank you.” You even your voice and continue packing the bags, keeping your eyes away from the man.

Once done, you carefully slide the bags across the counter towards him. “Here you go. Do you need help taking them anywhere?” Your professional voice is back.

Todoroki gives you a weird look, taking the bags in his hands. The croissant he was eating is mysteriously gone, although you notice a small crumb on his cheek. You look away. “No, I will be okay.” His deep voice echoes a bit in the small room.

After a brief moment, he walks towards the doorway. “Thank you for coming!” You call out, not moving from behind the counter. It’s safer here. “I’ll get started on the groom's cake right away! If I see you again, I’ll run my ideas by you.”

“I’ll come again.” Todoroki looks back with a small nod. “I hope you have a good night.”

The hero leaves as quickly as he appeared, disappearing out of sight only moments after he exits the bakery. If you had a chair behind you, you would sink down into it. As it is, you rest your hands against the counter in exhaustion.

These heroes were taking a lot out of you. Damn.

-------

2 Weeks Later

You stare up at the imposing building ahead of you, dread pooling in your stomach. The building itself was a hotel, tall and beautiful in architecture. That doesn’t matter too much though, you’re not exactly here for the hotel. No, you are here for the fancy-as-hell restaurant at the top: Eragawa.

Even the elevator to the restaurant is fancy. Luckily you are alone in it, so you are able to stare and judge your reflection in the mirrored walls without anyone seeing you. You frown, using your free hand to try and pat some of the flour off your shirt and organize your hair a bit. It doesn’t work, you already look extremely out of place.

It’s not like you wanted to be here at this fancy restaurant in your work slacks and shirt covered in various ingredients. The day had started normally, with you planning to spend your free time getting caught up on overdue paperwork. However, a text early in the morning ruined that plan.

[ Contact: C Manager ]

C Manager: Creati will meet you at Eragawa today at 7:30 p.m for the taste test.

Truthfully, you were starting to get a bit annoyed. The manager never asked your opinion, or even if you were free at the time they wanted you to be. They would always just make plans without you. You understood that Creati must have a really busy schedule right now, but damn . Still, it’s not like you could refuse. You had been waiting for this for a while now.

You: Okay. Thank you!

So, you had spent the rest of the day busier than ever. In between baking and managerial duties, you had to make a variety of cakes and icings in different flavours. Since you didn’t have any idea of where to start, you picked the most common flavours for her to try. It was... a lot to do on your own, and not for the first time did you wish you had some sort of assistant.

By the time you had everything ready to go, you had just enough time to make it to the restaurant. Knowing how impossible it had been trying to get this cake tasting appointment in the first place, you didn’t want to risk anything by being late. You had no time to shower or even change out of your work clothes. You simply grabbed the container of cakes, threw on your old coat, and ran out the door.

Now, though, you wonder if maybe it would have been better to be a bit late. The elevator door opens on the top floor, revealing a modern-looking restaurant in dark colours. You clutch at the handle of the container and look around. Wow. Nobody here looks like they would be caught dead in anything not a designer brand.

The hostess looks you over with a critical eye as you approach, but smiles and welcomes you nonetheless. “Good evening! Welcome to Eragawa, how can I help you today?”

“Um, hello.” You smile awkwardly back. Even the hostess is dressed nicer than you, damnit. “I’m with the Yaoyorozu group?”

The hostess blinks slowly at you. “Of course. Please wait here for a moment.” She turns to disappear into the back, another host taking up her post. You shuffle to the side of the waiting area and look around. The restaurant just screams ‘posh’ with its white tablecloth and candles and napkins folded into roses. You’d bet those glasses are made from actual crystal too. Damn.

The elevator door opens again as a group of well-dressed men and women walk in. You lean into the wall, trying to make yourself invisible to the other customers. It doesn’t work, and a woman in a fancy dress looks down her nose at you as she passes. The host takes them immediately to their table. Figures.

Eventually, the hostess you were talking to returns. “Please come this way.” You notice her smile is a bit larger this time as she leads you through the dining room. Quite a few patrons give you odd looks as you walk by, clearly not used to someone covered in powder walking through the area.

The hostess leads you past the dining room to a hallway in the back. You have just enough time to wonder if you are being taken out back like some sort of mafia movie before she stops at a door. She turns and opens it, bowing low as she gestures for you to go inside.  

You walk through, eyes wide. Somehow, the private room is even more extravagant than the dining room. It’s dark and modern, like the rest of the restaurant, with giant windows overlooking the city. A beautiful crystal chandelier hangs from the tall ceiling. In the middle, two people sit at a round table. They look up as you enter.

Yaoyorozu’s eyes widen as she takes you in. You offer her a sheepish smile, before glancing at the other person. He looks at you with a carefully blank face, but you know he must be thinking something by the way those heterochromatic eyes flicker up and down over you.

Both of them are dressed beautifully. Yaoyorozu is in a gorgeous maroon dress and Todoroki in a light-blue button-down shirt and dark pants. They look properly dressed for this occasion.

Somehow, you feel even more embarrassed. Your cheeks warm a bit as you take a step into the room. “Um, hello.” You attempt a smile. “Sorry if I’m late, I just closed the bakery. Hello again, Yaoyorozu, Todoroki”

“Were you unable to get someone else to close the shop?” Yaoyorozu asks. If someone else were asking, you’d assume it was some sort of dig. Instead, she honestly just sounds concerned.

“I would if I could.” You reply, placing the cake carrier on the table. “Unfortunately, it’s just me.”

The two of them share a look that you can’t decipher. You just hope that you haven’t somehow embarrassed them. “Anyways,” You begin, trying to lighten the mood. “I come bearing the best gift of all, free cake!” Not much of a reaction there. Maybe a free cake to a rich person isn’t as great. Hm. “I’m actually glad that both of you could make it, this way we know for sure that the cake is up to your standards.”

Yaoyorozu looks at the carrier on the table. “Should we wait until after dinner?”

“Ah, I actually have food at home.” You lie, wringing your hands in your lap. There was no way you are staying here. It is too awkward. “If you like, I could leave it with you and head out? I won’t be able to stay though.”

“I see.” Todoroki replies, sharing another look with Yaoyorozu. “Then, shall we begin?”

The cake tasting goes...weirdly. While you have brought a wide variety of selection, the two come to a decision within the first three cakes. Their final decision doesn’t even come from one of your options but is rather a mix of a few they haven't tried yet. In the end, they decide on a vanilla cake with both a strawberry and matcha layer in the middle. They decide on it quickly, too.

“Do you want to try the samples I have?” You point to your cake options with strawberry and matcha. It’s a smart move. For all they know, you suck at these flavours.

However, Yaoyorozu simply shakes her head. “You are recommended by the Uraraka’s.” Her mouth ticks up as she looks over at Todoroki. “Plus, Shouto brought your desserts to the agency a few weeks ago. They were a resounding hit. I am confident in your abilities to pull this off.”

You turn to Todoroki, eyes wide. “You did?!”

He nods. Your mind blanks for a second at the implications. A bunch of heroes eating, and liking your desserts. That is really cool. Still, there is a very different matter at hand. “B-but those are pastries and desserts, not cakes.” You try to get them to see sense. The cakes are right in front of them, why are they messing about?

“It will be okay.” Yaoyorozu nods. “And, well, to be honest I do have another meeting I need to attend.”

Wait, what?

Didn’t they want to have dinner? Why is she leaving? You blink in confusion as the woman stands up. She looks over to Todoroki first, smiling, before turning to you.

“Good night you two.” She says kindly as she turns, walking out of the room with only the clicking of her heels audible. The door closes softly behind her. You stare at it for a moment, mind a whirlwind of confusion and disbelief.

“What just happened?” You turn back to look at Todoroki. The man is also wide-eyed, staring at the door.  “Uh, are you okay?”

That seems to shake him out of it. Heterochromatic eyes shift to you. “Yes.” He nods. “We should also leave.” The hero stands up, grabbing his coat from the back of his chair. It’s the same long navy one you admired the first time you met him.

“Um, okay?” You reply, confused. Oh god, you hope you haven’t done something to somehow ruin their entire night. Dread curls in your stomach as you pack the cakes back up into the carrier

Todoroki leads the way back to the elevator. Yaoyorozu is no longer in sight, probably long gone by now. The staff seems as confused as you feel as you leave, sending odd looks to each other. Your stomach tightens a bit more.

It’s only when you reach the elevator that something clicks in your head. You were dining with two heroes, who both suddenly started acting weird. Really, there is only one explanation you can think of: there’s a villain nearby.

Your heart pounds heavily as you enter the elevator, clutching the carrier tighter in your hands. If there is a villain nearby, why didn’t the heroes evacuate the restaurant? Maybe it’s not safe. Maybe they have to wait for more heroes or a hero with the right quirk?

Despite having lived in Musutafu for most of your life, you’ve never been too close to a villain attack. You have always counted yourself lucky in that way, but maybe your luck is running out. You glance over to Todoroki at your side. The hero doesn’t look any particular way, that blank mask still on his face.

The two of you exit the elevator and head out of the hotel lobby. There is a distinct lack of heroes or police outside, which surprises you. Yaoyorozu must have called for someone, right?

Todoroki leads you across the street to the nearby sidewalk. “What do you need me to do?” You whisper as you finally come to a stop. “Do you want me to call the police?”

“The police?” He looks down at you, tilting his head slightly in confusion. Then his eyes narrow. “Is something wrong?”

Is something... not wrong? You look back up at the hotel, where everything seems completely normal. There is no screaming, no fighting, nothing.  Oh.

As the panic subsides, another layer of embarrassment begins to creep in. Were you really freaking out over nothing??

“I-uh, thought that since we booked it out of there so fast, something had to be wrong.” You look away and try to explain, face warming. “Maybe like a villain or...something.”

“Ah.” He replies. “No, nothing like that.”

“Then...why did we leave?” You risk a glance back up. Todoroki is still looking down at you, expression once again soft.

“You were uncomfortable.” He replies simply.

You can’t even deny it. “So we left?”

“So we left.”

Well, damn. That’s sweet. “But...what about your dinner?”

He pauses, looking around. “Where do you want to go?"

“Uh, I have food-”

“Don't lie.” He interrupts, looking back at you. “You spent your whole day working and baking these cakes. You didn’t even have the time to change before coming here. There is no way you had time to make food.” That’s the most you’ve heard him say at once. Huh. And well, he’s right.

“I could have leftovers?” You attempt, knowing that you’ve been beaten. Your shoulders slump a bit as you consider arguing more. Who are you to be eating with a hero anyways? But...you are tired and hungry. All fight drains from your exhausted bones as you look up at him. You think about potential places as you look around. Honestly, you haven’t been to this part of town much (other than a few fancy dinner nights with your ex, but you don’t want to think about that). Todoroki waits patiently as you think.

“Well...I know one place.” You finally say. “But I’m not really sure if it’s your style.”

“It’s okay.” He shrugs. “I’m sure it's good if you like it.” Oh god. Why does he say those things? You hide your flushed face by walking away. The hero falls into step beside you, seemingly content to let you lead the way.

Walking with Todoroki at night is an ethereal experience. You know it will be a part of your dreams for years to come. Both of you are quiet, taking in the scenery as you walk. It’s cold through your thin jacket, and you shiver a bit at first. It’s a bit weird, but after a few moments, the temperature seems to rise. You put it down to scientific anomalies.

“There it is.” You point out a small stall half-hidden on the street. The two of you make your way over to the small. You keep one eye on the hero, ready to abort at the smallest sign of hesitation from the man. This is definitely not his usual scene.

When you are almost there, the man pauses. You turn, looking up to his face. “Todoroki?” The hero looks surprised, eyes wide and staring at the name of the stall.

“It’s perfect.” He responds, before starting to walk again. His pace is faster than normal, and you have to actually speed up to keep beside him.

As you finally make your way up to the soba stand, you call out. “Hey Haru!”

Haru -a middle-aged man with a bald head- looks up, smiling big when he sees you.  “Hey! I haven’t seen ya sorry face ‘round here in a while. How’ve ya been? Come ‘ere to chat with this old man?” His eyes then catch on Todoroki. “Ah, I see.” His smile ticks up into a smirk.

Your own eyes widen. “No! It’s not what you think, Haru. We’re just here to eat.”

Haru doesn’t look like he believes you but lets it go. “Havin’ the usual then?” You nod. He turns to Todoroki. “And fer you?”

“Do you have cold soba?” The hero asks, taking a seat on the stool next to you.

“Hah! Do I have cold soba?” Haru replies sarcastically. “‘Course I do!”

“Haru makes the best soba on this side of the city.” You say, looking up at Todoroki. The hero looks down at you, and his expression makes you pause. His face is soft and kind, eyes glittering with delight. He smiles.

Your stomach flutters. You push it away and smile back.

[onlydylanobrien]

Coup De Main Magazine Interview: Dylan O'Brien on 'Love and Monsters'.

Dylan O'Brien really, really, really loves dogs. Fondly referring to his adorable co-star as "completely the star" of his new Oscar-nominated film, 'Love and Monsters, O'Brien's face lights up like a Christmas tree when reminiscing about the two Australian Kelpies, Hero and Dodge, who together portray his onscreen best friend, Boy (a.k.a. the best dog in the world).

At the heart of 'Love and Monsters' is this dynamic duo, with O'Brien as Joel Dawson, who in a post-apocalyptic world overrun by giant monsters decides to set off on a dangerous journey to reconnect with his high school sweetheart (played by Jessica Henwick), seven years after the Monsterpocalypse forced all of humanity into hiding underground.

An endearing tale of a wide-eyed boy and his loyal dog, we caught up with Dylan O'Brien to discuss 'Love and Monsters' which was filmed in Queensland, Australia...

COUP DE MAIN: Congrats on the Best Visual Effects Oscars nomination for 'Love and Monsters'! You're in the film, so for the purposes of this interview, I think you can own that.

DYLAN O'BRIEN: Thank you! Oh absolutely, I am nominated. I've been telling everybody: I'm an Oscar nominated actor now.

CDM: You did it!

DYLAN: Thanks! <laughs> It really is amazing.

CDM: It's funny that you filmed this movie back in March to May of 2019, but the whole situation of Joel finding himself separated from Aimee probably feels very familiar to anyone who started a relationship pre-pandemic that doesn't live with their partner.

DYLAN: Yeah, it's really weird. It's really weird how what we ended up going through when this movie was due to come out, how much it related to these themes that we're exploring in this movie. It's a very crazy coincidence.

CDM: Also, the sort of aversion to venturing out again into the outside world, that feels very relatable.

DYLAN: I know. Like when he first comes out of that hatch, he's breathing in the fresh air like it's strange. It's really strange.

CDM: I also thought of the current mask-wearing situation when Clyde says: "You can always tell in their eyes, just look at their eyes." People have had to do a lot of eye-reading this past year?

DYLAN: Right?! Oh, wow wow wow. I hadn't thought about that one.

CDM: One of my favourite things you've ever done is the 'Life Of A Hollywood Actor' video. What do you think the 2021 version of 'Life Of A Hollywood Actor' would look like?

DYLAN: <laughs> Thank you so much, first of all.

CDM: I rewatched it yesterday in preparation for this interview.

DYLAN: No way, thanks! That's really cool. Yeah, I love that character. I want to do something with him. What would the 2021 version be? I think he would definitely be taking the Oscar nom for himself, very seriously - like, the visual effects Oscar nom he would apply as being his, basically, and I think he'd try to bring that up and try to really ride that to get some work. He thinks this is gonna be a big career thing for him, and then he somehow fucks it up by being too overzealous.

CDM: Joel clings on to his memories of Aimee for seven years, replaying them in his mind so he can continue to relive them. Why is it that it's in human nature to mentally retreat into the past for comfort? And to look for a home in other people instead of building a solid home within ourselves?

DYLAN: That's really interesting... I feel like that's something instinctive, especially if you're going through a hard time or especially if something's shifted in your world negatively. I think there's uncertainty about the future and I always find in those situations a common link to wanting to find comfort in the past. I've gone through things, like times like that in my own life, and I've always found that when I've gone through a time like that, there's this level of uncertainty. I think it's human instinct and sort of this instinct to protect ourselves in a way. We're a wild species, aren't we? We're very emotional creatures. I think that's part of what makes humans so special. And instincts like that, to preserve and protect our heart and mind, and to hold on to things like that. And the way we're attached to memories like that and nostalgia. There's a reason these things are a part of our fabric. We're very emotional creatures.

CDM: Do you think that love or fear is a stronger emotion?

DYLAN: Whoah, that's pretty wild. I would say love - only because I feel like it has this sustainable power to endure over time. Whereas fears can be fleeting, and even if it comes quick, it's gone. But then also... yeah, I don't know. <laughs> We're getting deep. Real deep!

CDM: Is love an action or a feeling?

DYLAN: WHOAH. <cracks up>

CDM: I'm putting you on the spot, sorry.

DYLAN: No, no, I'm good! I love it! They're very interesting questions. I'm cracking up at you choosing me to answer these. Fuck. I mean, I think it's a feeling. I believe that, at least. I'm trying to think of ways it could be an action, obviously, but that's not love. I feel like if it's an action, it's something else. There are actions that come from love, but the love, it's a feeling. That's what I believe.

CDM: I always think about how in the TV show, 'Fleabag', The Priest says, "Being a romantic takes a hell of a lot of hope. I think what they mean is, when you find somebody that you love, it feels like hope," which I feel like Joel would also relate to.

DYLAN: Yeah! I love 'Fleabag'.

CDM: It's so good.

DYLAN: It's SO good.

CDM: Clyde says to Joel: "Good instincts are earned by making mistakes." Do you agree or disagree with Clyde's life lesson?

DYLAN: Yeah, I think there's a lot of truth to that, for sure. I think that mistakes absolutely help us grow, in many ways, in terms of instincts and stuff. Yeah, I think that's a wise and sensible perspective to have, especially in an apocalyptic wasteland.

CDM: Do you have any cooking specialities like Joel's talent for minestrone?

DYLAN: Yeah, I've got some go-to's. They're all my mom's, like the things that are nostalgic for me that I grew up with that my mom cooks, like her chicken soup. It's the first thing I do if I go on a job or somewhere where I'm going to be for a little while, just to feel like I'm at home, the first thing I'll do is I'll make a soup and then I'll have it in the fridge for the first week that I'm there. I'll make my mom's chicken soup and it's a really nice comforting sort of a feeling. And chicken cutlets. Two very chicken-y things!

CDM: There's a line I love from the TV show, 'The Good Place', in which one of the characters says: "Sometimes, when you're feeling helpless, the secret is to help someone else. Get out of your own head." I was reminded of it in the scene where Joel is forced to take action against a monster to help save not himself, but his dog. Excluding the life or death element, have you ever felt similarly that it's been easier to help someone else first in order to help yourself?

DYLAN: Yeah, sometimes to a fault. I think that that's something that's been a bit of a learning curve for me, interestingly enough, pretty recently as well in the last year or two, to sort of realise that I need to try to help myself sometimes a little more. I think I have an instinct to help the people that I love and want to be there for them, or even a stranger sometimes, over myself, which can definitely be an interesting quality, but yeah, I think that's helping yourself. Taking care of yourself is extremely important and I think that we all sort of go through our own path of learning the importance of that, and ultimately, too, if you want to be helping others and helping your loved ones, you actually need to be taking care of yourself, first and foremost. Everyone comes to their own kind of realisation over it. It takes time. It takes your 20s, sometimes more.

CDM: Do you miss your dog co-stars Hero and Dodge?

DYLAN: Yes! Yes!! I do. Yeah, I really, really do. And Zelie [Bullen] as well. Their mom and trainer.

CDM: Do you have a dog yourself?

DYLAN: I've got little dogs, yeah. I've got little babies. You?

CDM: I don't sadly, but it's my life goal to adopt a dog one day.

DYLAN: You should. Do you want one? You should get one!

CDM: I'm gonna just tell everyone: Dylan O'Brien told me to get a dog, so I'm getting a dog now.

DYLAN: <laughs> I'm just part of this major life decision for you, forever now.

CDM: Social media can be such a vanity project, but I love that you only have Twitter, and use it mostly just for helping give a platform to important human right issues and sharing your love for Taylor Swift and Harry Styles. What are your favourite Taylor Swift and Harry Styles songs?

DYLAN: Oh my goodness. Like ever? For Harry, from Harry's last album, 'Watermelon Sugar', obviously. I think my my favourite one of his though is... What's it called? I can hear it in my head. They sing it on 'American Idol' all the time.Falling'! That's a huge one for me. T Swift, I mean, it's amazing - give any of the rest of us like six months in quarantine and we look back on it and we're like, 'Shit, I should have done more,' but give Taylor six months in quarantine and she writes fifty hit songs. It's incredible. Off 'Folklore', I think 'Mirrorball' doesn't get enough credit. I'm a big 'Mirrorball' fan. I love 'My Tears Ricochet', and 'Mad Woman', 'Epiphany', 'The 1'.

CDM: Basically the whole album.

DYLAN: Yeah, I really liked that one. There's so many more, but those are my highlights.

CDM: You used to be in a band, Slow Kids At Play, right? Would you ever want to get back into music professionally again?

DYLAN: I still play all the time, and I still play with friends who play as well. Even those guys. They're all still my good friends. We actually had a reunion show in 2019 and it was really cool. We jammed in our friend's garage for our hometown friends. Music will always be a part of my life. I always try to not let it be one of those things that you lose in life. I think that's important to do. If it's not your primary thing, it's sometimes easy to. Often years pile up and then you're like, 'Oh, man, I haven't done this thing that I love in so long, like, I should build that into my routine.' So yeah, I'll always play drums and always jam with friends and play. And yeah, it'd be cool to be in a band again. Maybe someday. Or even just to play a show again, like even just to sit in for someone would be awesome.

CDM: Then maybe you can come to New Zealand on tour.

DYLAN: On tour?! I don't think I'd get to that level, but I like that you have aspirations for me.

CDM: Why is it important to you to use your platform for good?

DYLAN: I think that's influenced by the time that we're in. Also coinciding with a time that I went through in my life and just sort of getting older. And for me, it just feels right in terms of the things that I want to use it for, or try to support, or bring to life, or amplify, or bring a light to, and I guess it's influenced by my own learning and growing and trying to be more involved in this stuff and educate myself on it. It sort of just mirrors that a little bit, and I do think it's important.

CDM: Thank you for your time today. And thanks for telling me to get a dog.

DYLAN: Go do it! Send me a pic when you get them. It was such a pleasure talking to you, thanks so much.

[fiddlepickdouglas]

To The Wick - Bobby’s Birthday

Disclaimer: I’m not usually a fic writer, I tend to stick to original stuff, but I just felt like I had to write this for Bobby today. I definitely wrote this in one go and did no proofreading, so I’m very sorry for that.

Summary: 2.3k wd. Bobby celebrates with Rose and Ray while still dealing with survivors guilt. Lots of fire imagery and comparisons.

WARNINGS: deals with death, symptoms similar to anxiety or PTSD, funeral mentions, survivor’s guilt

Staring at the flame, he fought every impulse to snuff it out with his fingers. For a moment, he contemplated on its gentle flickering, not unlike himself at this time. Every moment of its existence a fight against very strong currents, against all but one element surrounding it. All it knew was heat and the need to grow outward, but not being able to without the permission of exterior forces.

The words to the Beatles’ birthday song drummed on his ears, but his mind was in the back of the cavern where the music could only echo at a distance. Shaking his head and pulling his mind out of the depths of the cave, Bobby let a small smile loose for Rose and Ray and blew out the candle on the cupcake before him.

His friends cheered and they all bit into their own homemade cupcakes. Rose had been perfecting her recipe, and so far these were the best.

“You’re going to open a bakery,” Bobby told her through a mouthful. “And I’m going to be your most faithful customer.”

“But I get to do all the taste-testing, right amor?” Ray teased, earning a hand messing up his hair from Rose.

“Mi abuela didn’t pass this down and I didn’t tweak it so you could eat it for free all the time,” she said in a sassy tone, kissing his cheek.

Ray raised his eyebrows. “Noted,” he replied with a smirk.

Bobby finished his cupcake, entertained by the two lovebirds.

“So,” Rose started saying. “Now it’s time to open gifts!” She leaned away from her seat and grabbed an object from the counter a few feet away, then handed it to Bobby.

Tearing apart the purple wrapping and blue ribbon, he looked down at the small stack of CDs. Meditation Sunrise, The 7th Chakra, and Celtic Wind sat in his hands like rectangular dumbbells, each weighing heavier on his heart than he cared to admit. Suddenly, Ray was draping something over his head, and as he looked down he found himself wearing a necklace of prayer beads.

“You guys!” he chuckled, trying to sound genuine. It was his birthday, he was supposed to enjoy all of this. The gifts were actually great, too. “Thanks, this is awesome. You’ll both have to join me in a session, you know.”

“We were thinking we could do it with you today, if you wanted to,” Rose told him.

Bobby sat back in surprise.

“O-okay,” he stammered. He caught the look in her eyes that was hoping this wasn’t too much, to which he gave her a small smile of assurance. It was impossible to blame them for anything he felt today, especially when she and Ray were putting in so much effort to make it full of the joy and happiness it was meant for. It didn’t mean he hadn’t subconsciously stuck his hand in his pocket to where he kept a lighter. Just to feel that it was there, of course.

“Is it okay if we do it later tonight?” he asked. “I just have a quick meeting with my producer and a couple other things afterward to do. And I can pick up some incense while I’m out.”

“Great plan!” Ray exclaimed. He didn’t elaborate, but Bobby could guess that all the eye contact with Rose meant something he needed no part in. He got up from the table and grabbed another cupcake for the road.

“Say we meet back at, like, eight or nine?” he asked, grabbing his leather jacket and keys.

Rose looked up from being halfway embraced with Ray, barely paying attention. “Sounds perfect!”

********

“So, after talking with Jedd we decided we wanna cut out the second repeat of the chorus in Long Weekend. It makes it easier to put into radio time.”

Bobby stared at Callum, his producer, in disbelief.

“But we can just do a radio edit, then, why cut it off the album track?”

Callum blinked condescendingly.

“You think you’re just going to get radio edits out like that before you have an album out, kid?”

“Have you listened to it?” Bobby challenged. “That album is gonna shoot through the charts and I know you know that.”

“Tch,” Callum acted like he’d been shot by a Nerf gun. “That’s a bold statement from a guy who didn’t write these songs.”

A fireball seemed to form inside his chest, and Bobby wished he could open his mouth and shoot it toward the man. He clenched his teeth.

“You signed the deal, you recorded these songs, and you are getting this opportunity from us. We - need I say this - are professionals. Trust me, I’ve dealt with music written by dead people before. You’ll thank me in a few years.”

He was trembling to keep the fireball from burning down the entire room, and clenched his fists. Focusing on a stupid paisley design on the carpet, he avoided eye contact with Callum. There was no way he was letting Luke’s songs go any different than what they had played together for so many years. He had read the contract well enough, hadn’t he? It was hard enough not crediting the rest of them, but it was honor Luke with letting his music connect to people or honor Luke by letting him keep his songs to the few who heard them from the source. Not to mention Alex and Reggie being equal parts in that equation.

“Fine,” he forced out. “Make the cut. See how it does. I’ll bet you that when I make a remaster in twenty years with greater freedoms because I’m a respected artist, fans will ask why you cut it to begin with. I’ve got better people to see than you right now.”

He only saw Callum shaking his head out of the corner of his eye as he pushed through the door of the studio, flipping the bird behind him. It would’ve been nice to simply say over my dead body, but he was already bulldozing over his three best friends and it wasn’t fair.

It wasn’t fair that he could walk along the street, get into his car, and drive off in a huff. Not fair that he could go to the abandoned grocery store parking lot and yell until his lungs were sore. It was absolutely inadequate that he remained on this earth, soul inside his body, light in his eyes, breath and blood and bones and all. He screamed in that parking lot until he was dizzy.

Bobby laid in his seat, exhausted, until twilight approached, and then started the engine again. The route was so well-known now that he knew exactly when the lights turned so he never had to make a stop. He came to the right stop and parked on the shoulder, looking wistfully out the window.

So far, he hadn’t managed to set foot on the grounds again after the funerals had passed. Still, he came and made sure his line of sight at the closest angle to get a proper look at them. They were all in a row, even though only two stood vertically. Reggie’s parents had cremated him and only gotten a stone plaque that acted as a placeholder while they kept his urn with them at home. It was nice of them to at least contribute to keep the three together.

Today still wasn’t the day he was going to venture closer to them. Bobby wasn’t going to handle it well after the conversation he’d just left. He pulled the lighter out of his pocket and flicked it off and on. It hadn’t really been a habit he had before, but there was something weirdly comforting about it. For something that couldn’t think, it really understood him. He didn’t want to use it on anything, he just wanted to watch it exist before disappearing. The fire was them. But he could control it.

Taking in a deep breath, he went to get some incense.

********

Mats were spread in the backyard with tiki torches and a camping lantern in the center, more paper lanterns hanging from the tree above. Bobby had gotten a nice incense burner a few weeks back and was excited to put it on display. Ray was in his swim shorts, already seated with his legs crossed and repeatedly going “oommmm” and breaking it with giggles when Rose swatted at him playfully.

“We’re not doing that kind, tontoroso,” she teased.

“Pero me quiero - ah!” Ray cried as she accidentally thumped him with the boombox she’d been carrying out.

“Oh, lo siento mi amor, me desculpes!” she cried, setting it down to address the minor bump now forming on his head.

Bobby sat patiently as they babbled for a moment ensuring that Ray wasn’t harmed too much, smirking a little. He didn’t really mind being the third wheel on his own birthday - it helped take away from some of the guilt.

“Okay!” Rose said finally, standing and adjusting the bottom of her tank top. “I think we should try the Meditation Sunrise, so it will guide us through every motion and we don’t have to think.”

“Agreed,” Bobby nodded, with Ray doing the same. “The less thinking the better.”

Rose pressed play on the first track as all three of them sat in their assumed meditative positions with their eyes shut. Calm, synthesized music floated out of the speakers of the boombox, with light chimes twinkling here and there.

“Welcome to Meditation Sunrise. This first exercise is to help you free yourself from resentments and embrace forgiveness. Listen to my words. Focus on my voice and soon you will be free of anything that stirs up anger. This can be anger toward another person, anger toward a higher being, or even anger toward yourself…”

Bobby felt his heartbeat increasing and strained to keep his eyes closed. He tried to sit up straighter so that he could breathe in even deeper. He could hear Ray and Rose exhaling, sounding so calm and relaxed, and let out his own breath hoping it came out the same way.

“Forgive faults. Resentment comes from Latin, meaning ‘to feel again’. We all have these feelings, and they all visit us from time to time. Sometimes we hold onto things in the past that have caused harm. These things were painful. Letting these feelings continually visit us repeats that pain. In this exercise we are here to let it go…”

Taking a careful peek through his eyelashes, Bobby checked to see what Rose and Ray looked like. They sat close together, holding hands with the remaining ones shaped in circles. Rose had her head tilted back, so free and open to the sky, so light from the weight that wasn’t sitting on her chest. The flames from the tiki torches flickered and Bobby squeezed his eyes shut so he wouldn’t focus on them instead.

“Now we are going to envision that we have a shovel in our hands. We’re going to dig. Get that shovel deep into the rich soil and lift it up. Set the soil to the side. Smell the fresh, upturned earth. If you want to, you can kneel down and take some into your hands. Let the soft, rich earth be cool to the touch. Let it calm you.

“Imagine you are digging in a garden and planting a seed. It’s a seed of happiness. It’s small right now, but will grow as we continue through our meditation. We just need to go a little deeper into the ground…”

Bobby’s mind was transported back to the cemetery he’d visited earlier. It travelled all the way to the funerals - open ground, lowering cheap wooden boxes. His hand filled with a small amount of dirt.

“Stop,” he muttered, eyes remaining closed. Rose and Ray were still entranced.

“Stop, stop, turn it off, I can’t -” He felt his breathing get uneven, and Rose was already in front of him, cradling his face and wiping away tears that he didn’t realize had escaped. He jerked away from her touch. Ray rushed to stop the playback on the CD.

All he felt was heat rising everywhere. In his veins, all over his skin, the fireball growing like a small sun in his chest, and apparently tears could be hot, too. There was too much rage building up inside. Bobby let out a frustrated cry and kicked over the incense burner, the camping lantern doing down with it. Turning, he almost hit a paper lantern and he whacked it off the tree as he headed back inside the house.

Rose caught up to him and frantically tried to block his path.

“Bobby, I sincerely apologize, I did not know it was going to be like that,” she placated. He paused as she stood before him, pleading. “If you need me to, I can get you a different present, I just wanted to do this because you had seemed interested and thought we would have a fun night together - Bobby, I am so sorry!”

Looking back at her, he sighed heavily and placed a hand on her shoulder.

“You don’t need to get me anything else,” he told her solemnly.

Ray had joined them and put an arm around each of them. A twinge of reminder came to Bobby as he recalled Luke doing the same thing for him. But coming from Ray, it still had the warmth and love connected to it that he needed. He looked between the two of them.

“That was a bust,” he said. They all chuckled a little, albeit with heavy hearts. “But having you guys still made it a good birthday.”

His friends both muttered an “aw” and they came together in a group hug. Bobby sighed as they both squeezed him so tightly before breaking away.

“So what do we wanna do, then?” he asked.

“We could watch Wayne’s World,” Ray suggested.

“Baby,” Rose objected, giving him a look.

“What?” he lifted his hands defensively. “I could make a dip, we could grab some tortilla chips, you know I love dips.”

“But Bob -”

“No, I like that idea,” Bobby interrupted. “Ray makes some good dip, I’ll give him that. I think we can hold off on the meditation for now. Wayne’s World it is.”

[bewitching-elizabeth-olsen]

Press: Streaming, With Only a Little Trepidation

“I’ve never had more fun on a job before,” says the WandaVision lead who spoke with the Ted Lasso star about their shows, the Scarlett Johansson lawsuit, and what happens to the theatrical moviegoing experience now.

In Reunited, Awards Insider hosts a conversation between two Emmy nominees who have collaborated on a previous project. Here, we speak with WandaVision star Elizabeth Olsen and Ted Lasso co-creator and star Jason Sudeikis, who previously starred in the 2017 film Kodachrome.

VANITY FAIR: Elizabeth Olsen and Jason Sudeikis met for the first time just before filming their 2017 indie Kodachrome, but they already had at least one thing in common: a “big old crush” on Ed Harris, as Olsen describes it. “He did not disappoint at all,” adds Sudeikis. “He stuck up for us. He cared about us. He cared about the movie.”

A guide to Hollywood’s biggest races

Now, the two have much more in common, as first-time Emmy nominees. Olsen is nominated for lead actress for her work as Wanda Maximoff in WandaVision, a Disney+ limited series that explores grief and loss, through a superhero story wrapped in a parody of TV sitcoms. Sudeikis earned four Emmy nominations for Apple TV+’s darling Ted Lasso, which he cocreated, cowrote, and stars in as Ted, a cheery American football coach who attempts to coach an English Premier League soccer team.

In early August, Olsen and Sudeikis reunited over Zoom to chat with Vanity Fair about transitioning these characters to TV, their views on the new streaming empires, and what they think of the lawsuit Scarlett Johansson recently brought against Disney regarding the strategy to stream Black Widow simultaneously with its theatrical release.

Vanity Fair: It’s been quite a few years since you shot Kodachrome. What do you remember about where you were on your trajectories at that time?

Elizabeth Olsen: Of life? It was when I was at a down trajectory.

Jason Sudeikis: Personally or professionally? I feel like from the outside, it only seems like you operate in one direction [motions upward].

Olsen: From a personal standpoint. So, I was excited to get to do a small movie, an intimate job that had some levity. And that was really nice. And I have a big old crush on Ed Harris and I still do.

Sudeikis: Yeah. To know that the director was like, “hey, we’re thinking about Jason Sudeikis for this role” and then Ed Harris stayed on, It was like, “all right, pleasant surprise. Pleasant surprise.”

Your current projects, WandaVision and Ted Lasso, may seem very different but do have one thing in common: they both feature characters that originated elsewhere. Wanda is obviously from the Marvel films and Jason you played Ted Lasso in commercials. Why did you feel these characters would work on a TV series?

Olsen: I got really comfortable in the Marvel movies, taking up my piece of the story and my piece of, how does my little arc work in this much larger arc with 30 other characters? And so the idea of all the focus being on me and Paul [Bettany] totally freaked me out. And that it was on television felt weird because these characters are superheroes and maybe they should be seen on big screens and not televisions. But the entire DNA of the show was meant for television. It was written for television. The arc has to be told through television. And from an actor’s point of view, it was something I’d never done. I’ve never done sitcom acting, let alone go through the decades with it.

And I’ve never had more fun on a job before. We got to go to work and just feel like an idiot all the time. And all of us, we’d be like hamming, hamming, hamming, and use each other as these barometers of “are we doing this too much? Is this now just a parody? Is this a joke? At what point are we supposed to dial it back?” And at one point I did, I think, a quadruple take, and that was the first time the director asked me to pull it back and just do a double take. So it was pretty incredible to get to expand on the character and this world, but do it from a totally different perspective. I’m so grateful for that job.

Sudeikis: Have you hosted SNL yet?

Olsen: God no!

Sudeikis: No? Well, I’m not going to agent you and be like, “if they ask, would you ever want to?” But, look, I know you’re funny. It was really fun to watch you do multi-cam sitcom acting. And then the genre thing, it made me be like, “oh, she would crush on SNL”. You’re always going to internalize stuff because you’re, in my opinion, very, very talented and very, very smart. So then even when you externalize things, like a quadruple take, it would be joyful to watch even in the attempt. Watching the show, it didn’t seem at all like an aberration or like you were putting it on. It felt well conceived and well thought out. And it almost made me wonder if the creator was aware of that or was it all just an act of faith on their part.

Olsen: It was a total act of faith. What they did is they took comedy actors who are really funny and gave them the more dramatic stuff. Because they thought that would balance out when we failed. And we’re like, “You guys are very smart for doing this.”

Sudeikis: Now, are you putting that on them or was that articulated to you day one?

Olsen: We talked about it. We were so open about it. We’re like, “this is very clever that you guys put some of the funniest actors in MCU in these dramatic parts.” But SNL, I watch it every Saturday when it’s live. I’m obsessed with SNL and that’s why I would never! It’s like the ocean. I respect the ocean so much and that’s why I don’t need to go in it.

Sudeikis: I don’t know. I think we’ll see. This is going to be like Charles Foster Kane’s declaration of principles. “I would never host SNL.” And then, “And your host, Elizabeth Olsen.”

Olsen: So tell me about Lasso: small to big.

Sudeikis: Me and my buddies, Joe [Kelly] and Brendan [Hunt], did those commercials in 2013, 2014, and we then sat down to talk about it in 2015. And it was kind of like, “okay, is it another set of commercials? Is it a movie?” I knew what the character was and we all grew up with great sports films, by Ron Shelton and Rudy and Hoosiers and things like that. But then also liked Nora Ephron, you know? We wanted to make something that had a little bit of romance. And romance may not be sexual, it’s also a platonic version of romance. And the story just sort of spooled out of us in a way that garnered a pilot episode and then a well-beat-out outline for a season. Because we were kind of modeling it after the British Office where it’d be like six episodes, six episodes, and then maybe an hour and a half special, like a movie type thing. Not wanting to take up too much space and not knowing how long it would go. And so it only could be a TV show, was the way it felt.

And so then it went away for a while because that was in 2015. And then lo and behold, it comes back around when I met Bill Lawrence for this other project. That one didn’t work out, but he was like, “Do you have anything?” I said, “Well, we have this.” And I remember having a whole bunch of stuff in this office, more work than I think he realized. He’s like, “Oh yeah, this is definitely, this is a whole thing. Okay. Wow. You guys have really thought this through.”

Olsen: Did you have a [writers] room or did you already write most of it?

Sudeikis: No, we definitely had a room. It was like I knew the chords, I knew the structure of things. We had a great room of 11 people for the first season. With hiring people, we just had good fortune. I didn’t know it was interesting at the time, but asking people during the interview process who their mentors were, who were the people that encouraged them, who made you think you could do this for a living—you can learn a lot about a person by listening to them talk about their mentors, their heroes.

Olsen: With the jokes, I feel like they’re so quick, but they’re so specific to people who watch sports and who knows sports. Well, not all of them, but a lot of the jokes are. Do you have a list of ones that you want to get in there or are these coming up in the room? Because it gets me as a big sports person.

Sudeikis: It really depends on it. There’s some ideas that I’d had for years and years that are just from old notebooks that I used to carry around when I worked on SNL before you would type things into a phone. And storylines and themes and characters that have just been ruminating in my head based on other ideas for either movies or sketches that didn’t make it. And then a big part of the room is that we have this collective consciousness that isn’t all sports.

And then with specific soccer jokes, we do try to include jokes that we call “two percenters” that only football fans would like. Just as our little tip of the cap because we wouldn’t be here without that group of people digging our shit back in the commercial days.

Your shows were on Disney+ and Apple TV+. Did you have any concerns about them being on streaming services, which were relatively new at the time, and finding an audience?

Sudeikis: It’d probably be more so if it was like Goodyear TV+, if it was some brand that didn’t already rule the world of entertainment and technology.

Olsen: I did a version of that with Facebook. And I didn’t like that experience. I loved my show [Sorry for Your Loss] and I loved everyone that I worked with. But the Facebook relationship was frustrating because of the lack of television experience and how the platform is organized. When we went to season two, we had a meeting that our show called for Facebook to have with us, so that we can give them our notes about their platform and why we think it’s really hard to find our show on their platform and how it’s congested. So I was anxious going into Disney+. But I knew it was Disney. And I think I was more anxious with the Marvel characters being on television than I was about the Disney+ element.

Sudeikis: Golly, I didn’t even consider that. And you’re absolutely right, because Facebook would be closer to Apple. Truth is we didn’t have a choice. We pitched it to a bunch of different places. They were the only ones that would open the door and say, “yeah, come in out of the rain, you can hang out in here. You can do your little show in here.” And so, the trepidation was alleviated by the fact that there was nowhere else open to us.

Olsen: Facebook and Apple I feel like aren’t that similar.

Sudeikis: No, but they hadn’t created content before.

Olsen: Well, Facebook now is [scaling back] scripted content.

Speaking of streaming, both of you have starred in big theatrical movies. Are either of you worried about the theatrical experience, in the way that COVID has changed how movies are being released at this point? We saw how that’s playing out with Scarlett Johansson’s recent lawsuit.

Olsen: I’m worried about a bunch of things. Not worried on Scarlett’s behalf. But I’m worried about small movies getting the opportunity to be seen in theaters. That was already a thing pre-COVID. I like going to the movies and I don’t necessarily want to see only an Oscar contender or a blockbuster. I would like to see art films and art house theaters. And so I do worry about that, and people having to keep these theaters alive. And I don’t know how financially that works for these theaters. I do hope that there’s some sort of solution that the larger companies are coming together to keep, at least in L.A. this is going to happen. But I do think it’s going to be how it kind of used to be when studios owned theaters. And I have a feeling that we might go back to that being the only way to keep them alive with such expensive real estate. But when it comes to actors and their earnings, I mean, that’s just, that’s just all contracts. So it’s either in the contract or it’s not. What about you? Are you worried about Scarlett?

Sudeikis: Of course. How could I not? She’s married to my comedy brother [SNL’s Colin Jost].

Olsen: I think she’s so tough and literally when I read that I was like, “good for you Scarlett.”

Sudeikis: Well, I mean, it is appropriately bad-ass and on brand. I think it’s also married to yes, the COVID of it all and success of the streaming sites. But also just technology. I mean this thing [points at his TV] is as good as any movie theater, and all that stuff is getting cheaper and cheaper. If you’re a family of five and you’re going out there and it’s a whole thing. And yet the communal experience, towards Lizzie’s point is, is one that you can’t replicate in home. You can’t replicate through social media. I think both of our shows have succeeded greatly on their own merit, but it’s certainly written further through people’s love of them socially. Which would have happened back in the day around a water cooler. And while that’s nice, it’s still not the same as sitting next to everybody and getting scared at the same time or cheering at the same time and laughing at the same time.

I do think though, if we just use anecdotally, Kodachrome as an example, more people probably have seen it because it got on Netflix than they would have in the theater. And the more that happens, the better. So it’s like there is that reach that as long as those streaming sites are still paying to make those little movies, they have the opportunity to be seen. And so it is this balance. I just hope that with that still comes creative autonomy, and we don’t lose sight of that.

What about the experience of making these shows will you take on to your next project and the one after that?

Olsen: Well, I definitely had a shake-up to use my full body as an actor. I had to create a character and voices. And just all the technical stuff that I have loved doing my whole life was just shook up a bit. And so I’m now really excited to do more of that and to feel a bit freer in building characters. And so that has really informed the next thing I’m working on now and preparing for. It’s just kind of put me back in my actory body in a really good way.

And hosting SNL.

Olsen: Of course, now I’ll host SNL because stage fright has nothing to do with that. I can do a monologue in front of people and make them laugh.

Sudeikis: Not a prerequisite. Having worked there for 10 years, not a prerequisite. Well, the tacky answer is it’d be tough not being the boss again. And I’m fucking flabbergasted that people have picked up so much what we set down for them. You know what I mean? From colleagues on the writing and acting side to just regular folks back home, people I’ve never even met. It’s thrilling. I have to try to make sense of that for myself. And I think a lot of it has to do with it being something so personal. And so that might be the thing to lean into.

Olsen: It’s interesting you say that because immediately three days after wrapping, I had to go into a film where we’re not in WandaVision land, obviously. I mean, they kind of are a muscle, these Marvel movies. Instead of going back to that routine of it, I tried to do what you’re saying. I was like, “okay, so what can I play with that I haven’t gotten to that’ll at least satisfy something inside me that I want to play with right now?”

Sudeikis: I don’t know when I’ll get to do that again, when I’ll do that next. Because yeah, it’s Lasso—

Olsen: Lasso forever.

Sudeikis: At least for a little bit longer.

Olsen: Is it what you said, three seasons and then a special?

Sudeikis: I mean, the special would have been the third season with the initial thing. Now you sound like you’re my agent or manager.

Olsen: Oh good, that’s what I came here for. That’s what I wanted to do.

Sudeikis: Who sent you? I know the end of this story. I mean, the fact that we have a third season could fucking blow it all and ruin what would people like so much of the first season. We might be in the middle of doing it now in the second season. I don’t know. We’re just doing it the same way we did it last time. So we’ll see. But yeah, that’s a big old, long winded question mark.

Olsen: Or an ellipsis.

Press: Streaming, With Only a Little Trepidation was originally published on Elizabeth Olsen Source • Your source for everything Elizabeth Olsen

[shazzeaslightnovels]

[Manga] Hamefura: Zettai Zetsumei! Hametsu Sunzen-hen

Mangaka: Nishi

Original Creator: Satoru Yamaguchi

Original Character Design: Nami Hidaka

Label: ZERO-SUM Comics

Release Date: 25 May 2020

I don’t usually cover manga on this blog but I decided a while ago to make an exception for manga spin-offs. The premise of this series is “what if Katarina regained her memories during the story of the game, instead of years before it began?” It starts out with Katarina bullying Maria and throwing her home-made muffins on the ground and stepping on them before tripping, bumping her head and regaining memories of her previous life and, unlike the original, these memories return when she is only a year away from the end of the game which means she has a year to turn things around and avoid her doom.

Unlike the original light novel, most of this volume focuses on Katarina setting things right with the people that she’s wronged, especially with regards to her bullying of Maria and Keith, and attempting to avoid her doom. The plans she comes up with to do this (i.e. getting into farming to increase her magic, for example) are mostly the same as the original but there are a few twists added. Keith isn’t in this volume much but seeing Katarina attempt to make it up to Maria is incredibly rewarding and leads to my favourite gag in this manga: Katarina saving Maria from other bullies while “disguising” herself wearing a simple cloth over her face because she’s worried that Maria would get scared if she interacted with her directly. It’s good stuff and really charming.

While Nicol and Sophia do not make their debut in this volume, the rest of the gang is still here, though their personalities are quite different due to not having encountered Katarina as a child. Mary is probably the most different as, while she is still affectionate towards Katarina as a friend, she’s not really in love with her like she is in the light novels. There are some new characters to enjoy here as well, most importantly Shiena, a girl who aided Katarina in bullying Maria because she was jealous of her magic and she’s a pretty interesting and likeable character so far and I enjoy her relationship with Katarina.

Like in the original, Katarina has conferences inside her head to decide what to do about her upcoming doom and she still has a big appetite and will eat food off the ground but we get to know more about the villainess Katarina before she regained her memories than we do in the original and, while she definitely had her many flaws, Ann and Shiena still seemed to like her a lot and I like that the manga still keeps those little elements from the original while adding some new stuff to satisfy pre-existing fans.

I think this is Nishi’s professional debut, given that I can’t find anything else from them on BookWalker, and their art is really nice and I enjoyed the visual gags so I look forward to seeing more from them.

Overall, this was a good start to the spin-off and, while I wouldn’t call it a must-read, I would recommend most fans of the original to give a try because it is enjoyable so far. If you haven’t read the original, you definitely don’t need to have to enjoy this spin-off so give it a go if you’re interested in it. I’ll be getting the next volume.

[princesstadashi]

A Post for Newbie Ren Faire Goers!

So, provided this god awful virus doesn’t shut them all down, it’s about ren faire season, at least for me and probably for some other people! And today at work I had this flashback to when I first started regularly going to faire, and man, was I confused about a lot of things--and I realized that maybe this would be a good time for me to make a post for others who are getting ready to visit their first Ren faire, or who are familiar with Ren faires but might still have questions and want to learn more. If you’re ready, let’s dive into this!

What the heck is a mug strap? It may sound random, and you may have never even heard of a mug strap, but this is actually one of the first questions I had about ren faires because it was something so many people were asking me if I had, so let me explain: It is a piece of leather that has two loops (at least one of which can come open), one loop to go around your belt and the other one (for sure the one that comes open) which can go around the handle of a mug or other drinking vessel for ease of carrying it! Which brings me to my second question:

Why are there so many shops selling wooden mugs (and other similar items?) This is because it is very, very important to stay hydrated at faire, especially when the weather is warm outside! A mug is an easy way to hold your drink of choice, and the mug strap mentioned above means you don’t have to carry it in your hands once you’re finished drinking! At least my local Ren faire has drink stations with water and gatorade for season pass holders, and even if yours doesn’t there are always water fountains! Do you need a mug to attend a Ren faire? Definitely not! But they’re pretty darn useful if you plan to go regularly instead of constantly buying bottled drinks, plus they look pretty cool!

What is “the cast”? The people hired by the Ren faire to play characters, you’ll usually see them walking around in the streets (or “lanes”) and performing in shows and events!

What the heck is “garb”? To put it in very simplified terms, it’s the old-timey clothes or “costumes” that you’ll see people wearing :)

(More below the cut!)

Is garb or any sort of costume necessary? No, absolutely not! Plenty of people go in regular clothes! But it is fun to get dressed up :) And you don’t have to have a full costume straight off--that stuff is expensive, so it’s okay if you need to build it up over time if you want to do that--all that matters is that you’re having fun and getting into the spirit of things! Back to not dressing up: Again, it is totally fine if you want to wear regular street clothes, and a lot of the cast will probably have fun asking about your “outlandish outfit” and any modern devices that you have with you! HOWEVER. I hate that I have to say this, but I do: if you don’t choose to wear garb, don’t be a dick to the people who are wearing it. Usually everyone is very chill, and of course some of the cast members will be wearing costumes that are meant to be very showy. But especially with regards to fellow guests: don’t treat them as part of the “spectacle” or like they’re animals in a zoo: basically just don’t stare, don’t treat them like they’re weird for dressing up no matter their age, and remember that they’re just people wanting to have a good time like you, they just want to look totally badass doing it!

So is it not okay to talk to people about their costumes or to ask them for pictures? Please, as long as you’re being polite, feel free to ask--many people like me feel like the reward of all the work we put into our garb is compliments and people asking for pictures! But use common courtesy: if someone seems uncomfortable with you talking to them, just leave them be. And always ask before taking a picture! You might see some photographers taking candid shots, but most of those people are professionals and have gotten permission to be doing that. General rule of thumb is just treat people like you would want to be treated!

I see a lot of people being very flirty/touchy feely/etc. with each other, am I allowed to do that? So here’s the thing about Ren Faires: especially the cast, we tend to all be very open with each other and let loose a bit in a safe space. And a lot of stuff like that that you’ll be seeing is between people who already know each other and are comfortable with each other, even if we might not be acting like that if we’re in character. Now does that mean no flirting is allowed? Totally not! But just like in any other social setting, use common sense: see if the other person is comfortable with it, and if not respect that and back off. Simple as that. Also please keep especially in mind with the cast that this is a paying job for them so while they have a lot more freedom than a regular customer service job, it is still in a way customer service, so they can’t be super rude to you if you’re making them uncomfortable. But also keep in mind that there is security and no one is afraid to call security on you if you’re being inappropriate with anyone, and they will escort you out.

Is that sword (or other weapon) really sharp? At least in my experience, no--for safety reasons, most weapons are blunted--they’re still heavy so they can absolutely do damage as a bludgeon, but everyone tries to avoid more injuries than necessary. 

Can I hold that sword (or insert any other cool looking prop)? ASK. Dear God, ASK before you touch anything that someone else is carrying! I don’t mean to freak you out, but most of this stuff is VERY expensive and quite possibly damageable, no matter how sturdy it looks! Also if you start fucking around and injure someone else? There could be liability on the owner of the thing you were fucking around with. Some people will be chill about letting you handle their props, but if not, just be polite and thank them for their answer and move on! I’ve seen too many things be damaged/lost that were irreplaceable because people didn’t use common courtesy so I feel very strongly about this!

Do I have to use old fashioned speech? No, but it’s fun! And there are some pretty fun terms that are used to replace modern terms that don’t have a equivalent in the Renaissance! A few of my favorites: “The Book of Faces” = Facebook; “Please God 13″ = PG 13 (usually used to let you know if the content of a show will be slightly more mature); “Master or the Cards”/”Lady Visa”/”New World Express” = various names for common credit and debit cards!

Speaking of credit cards! There are a lot of vendors who take credit cards, but not all of them do, and sometimes reception can be REALLY spotty out in the faire grounds, so I’d say bringing about $40 per person (if you’re planning to eat lunch and dinner there) in cash is always a safe bet. Some faire grounds will have an ATM, but the line can get pretty long, and who really wants to pay ATM fees? Also tipping is how a lot of performers get to keep performing their craft! So having a couple ones to put in the basket at the end of a show if you choose to see a show is always a nice idea!

What about drinking alcohol, is that a thing? Yes, most Ren faires won’t let you bring your own, but most of the faires I’ve been to have plenty for sale! Just another general rule of courtesy: please do not treat this like a frat party, and try to avoid getting completely wasted and being a dick. Believe me. There’s a difference between being buzzed and having a good time and that. I have seen it too many times to count. It isn’t funny. There are usually children around you, and this is a public space. We all see you, and we’re all silently judging you. Please know your limits and drink responsibly!

I’ve worn cosplay before, is that okay to wear to Ren Faires? Cosplay is totally encouraged, especially if it works with the time period and/or it’s a character that is a time traveler! Hell, most of my “garb” is made up of cosplay! But please keep in mind: this is not a convention. There will be very, VERY limited places to sit. There will be very limited cover from the elements. You will most likely be walking on dirt roads with rocks and, if it has rained at all, you may be walking in several inches of mud. And the walk back to the car in the parking lot is a LOT longer than you think. So only wear something that you will be comfortable wearing for eight+ hours without being able to sit down for long/without having to remove parts of, and also something that can stand to get dirty and being out in the elements! (I have seen SO MANY floor length satin dresses that get dragged in the mud and it makes me physically cringe thinking about trying to get those mud stains out!) ALSO. COMFY SHOES. DEAR GOD. Invest in inserts if you can, just wear the comfiest fucking shoes you can find, your feet will thank you later!

Last of all: Don’t be afraid to ask question, and don’t be afraid to join in! Ask the cast and shop owners what the most fun things to do are if you aren’t sure what to do--sometimes they can point you in the way of really fun experiences that you wouldn’t even know about otherwise! If the Ren faire offers maps, definitely worth the investment, they’ll help you keep track of where you are (believe me, it’s super easy to get turned around!) as well as telling you where/when fun events and shows will be! Combining the two: one of my favorite parts of my local faire is Pub Sing, which is listed on the map but I might not have gone to without friends bringing me the first time and I LOVE it now. It’s basically a bunch of us sitting on wooden benches while one of the cast members leads singing of pub songs, and audience participation of new verses to the songs, lymericks, and toasts are fully welcome, and there’s even a big circle dance anyone can participate in and it’s always a great time, I try to never miss a single pub sing if I can help it!

So--yes, this probably got way too long, but hopefully this helps answer any questions that anyone might have had! Please feel free to comment if you have any other questions!

[thebandcampdiaries]

Fish In a Birdcage introducing a brand new studio release: Waterfall

December 2020 - Fish In a Birdcage is an artist with a focus on creating beautiful and personal indie-folk songs with a broader creative twist. Recently, the act released a brand new studio album named "Waterfall," which feels like a great calling card for the artist and his work.

The sound quality is pristine, and the record has a beautiful production: bright and crisp, highlighting the varied melodic textures of each song. This album has a really cool aesthetic concept, with each song billed as a “Rule,” not necessarily following the number order based on the playlist, but rather creating a continuity with the artist’s previous releases. Rule #1 is featured on the artist’s 2014 debut, beginning a serious that would go on to reach #22, the last song on this album.

 The title track itself combines anthemic drums with melodic vocals and intricate guitar patterns, in the vein of artists like Ben Howard. There is even room for a more old-school feel: the song "Fiddler's Heart" has a cool folk vibe with a playful and witty sound. "Four Aces" is a song with a very theatrical feel to it: I could almost picture Tom Waits coming in and crashing the party with his howling vocals! On the other hand, this track remains melodic, with a beautiful approach to storytelling.

"Movies" is a playful song with a more alternative touch and a really fantastic arrangement. I enjoy the way the vocals lock in with the harmonies, and the guitars create a nice rhythm counterpoint with the drums and bass. Instead of everything being traditionally assembled, it seems like every instrument has its own space, and they overlap beautifully on "common ground."

"Two Sides" has a more old-fashioned feel, with a bluesy flavor and an amazingly relatable arrangement with stunning vocals by Kristina Helene taking the lead.

The track "Lion" is another fantastic example of the artist's incredible creativity and ability to swiftly combine genres and ideas. This song is catchy and immediate, combining elements of alt-pop with folk and a bluesy touch.

"Amigo" is another blues-influenced country, with a bit of a funk influence. The vocals really make me think of Anthony Kiedis during the golden age of Red Hot Chili Peppers (especially One Hot Minute / Mother Milk era). "Blessed by a Curse" is perhaps one of the most melancholic sounds on this release, and I really enjoy how the song starts small and understated, letting some of the ethereal background sounds creep in and become more prominent as the arrangement goes along.

"Momento Mori" is a beautiful song with a very creative feel and a really unexpected twist. The intro is mellow and slow-paced, but the track turns into a syncopated jam, with so much groove and rhythm. The vocal performance is incredibly distinctive, providing a completely different vibe and giving the album a kaleidoscopic twist since every track has something new to offer.

The final song is an intimate ballad titled "If Trees Could Talk." This is one of the most heart-wrenching songs on the album, and it really makes me think of artists like Damien Rice, as well as earlier stuff from Ed Sheeran and John Mayer. This song is a winning example of how "less is more" when you do it with your heart first. The song's arrangement is mostly built on guitar and vocals, although some additional colors, such as a nice string section, chime in, later on, adding more depth to this particular release.

Overall. This album is a very beautiful artistic achievement, and it is incredibly well-produced. The sound of the instruments is very natural and engaging, as Fish in a Birdcage managed to create a warmer sound that's far from the overproduced indie-folk releases that you see around these days. Instead of obvious pitch corrections and digital samples on everything, we're faced with a more organic sound, which makes it so much easier to experience a positive one-on-one connection with this music. As a listener, I always find myself gravitating towards the songs that are a bit more spontaneous and heartfelt in this genre, rather than the ones that hide the artist's humanity behind a thick veil of studio production trickery. While the mixing, recording, and mastering are extremely professional on this album, there is also a lot of room for those "beautiful accident," those natural sounds like the hands moving on the guitar strings or a singer breathing in before a line, that you can only capture if you stay true to the sound of the music being performed, instead of trying to bury it.

The album features ten songs. This fact in itself is quite an amazing achievement. If you stop for a moment and take a look at what most artists are doing, you'll find that singles and short EPs are everywhere. The industry is pushing a trend of releasing smaller bursts of music at a more frequent rate in order to continually provide content for the audience. While this might be a good way to keep your presence on platforms with fresh music more frequently, it might not be ideal if you want to give your audience something more. I personally love a more immersive listening experience, so I am always thankful to see artists like Fish In A Birdcage still working on full-length albums.

This release comes highly recommended, especially if you are a fan of artists such as Elliott Smith, as well as Damien Rice, Jack Johnson, Bright Eyes, Beirut, or Death Cab For Cutie, only to mention a few.

Find out more about Fish In a Birdcage and listen to "Waterfall," which is currently available on your favorite digital streaming platforms.

http://www.fishinabirdcage.com/

https://open.spotify.com/album/4RX7OLRicCMQ4ORUJTQVTm?si=-o44rIMZTyCtz0cC6RMPFg

We also featured one of the songs on our Indie Gems playlist, along other amazing international artists to discover!

https://open.spotify.com/playlist/3vCtmkPDbpE9pj5DfJnycU?si=sBxnZjkgTuGpL90BUVUiZw

We also had the opportunity to ask the artist a few questions: keep reading for more!

I love how you manage to render your tracks so personal and organic. Does the melody come first, or do you focus on the beat the most?

Answer: It really depends on if I'm writing lyrics or if i'm creating an instrumental melody. If I'm making lyrics I will create the Cello/Mandocello riff/rhythm first, something that I find really captivating, and then try to find the emotion within that riff to draw the lyrics from. If its instrumental most of the time I'll sing melodies into the air without chords and then find the chords that accompany the melody later on 🙂. The beat comes later when I have a producer on my side. I try to just focus on the cello/mandocello mixed with vocals, then find musicians of the instruments I want to hear within that track, then give them complete freedom to create whatever they want. Most of the time it turns out better than I could have ever imagined. 

Do you perform live? If so, do you feel more comfortable on a stage or within the walls of the recording studio?

Answer: Oh definitely more comfortable on a stage, or even more comfortable in a house concert type setting. It's definitely a lot more stripped down live because most of the time it's just me, my cello, my loop pedal and vocals. Getting used to playing to a click track without singing when I first got into a studio was the hardest part of recording, to get that solid chord structure with rhythms laid out so we could build the song around that.

If you could only pick one song to make a “first impression” on a new listener, which song would you pick and why?

Answer: This is a really tough question, because over the years I've loved asking people "what track is your favorite" and the range of answers is great. So many people have different favorites and that tells me I'm onto something. A lot of the older generation has told me they really like "Rule #7 - Angel Tango, and Rule #12 - Through the Tides" when the younger generation really digs the quirky vibes of some of the newer tracks like "Rule #15 - Four Aces"

My favorite changes over time. But I think the one that holds the most meaning for me is "Rule #3 - Paperwork", although it's an older song, it really goes back to my roots of when I really fell in love with songwriting and music.

What does it take to be “innovative” in music? 

Answer: I think it comes down to pushing your own limits constantly. I'm constantly trying to improve my cello playing in as many different genres as I can possibly dive into. I think you are a combination of every person you've sat in a room with and had a conversation with, and that includes speaking through instruments. I wouldn't be creating the music that I do without playing with all of the bands that I've played with over the years. I've heard so many incredible musicians blow my mind and those influences have rubbed off on me. 

Any upcoming release or tour your way?

Answer: I have album number 4 in the works, it will most likely be an instrumental album, just cello with multiple layers. That's what I'm working on these days. And the discography of fish in a birdcage is basically chapters of my life as I make my way through this musical journey. It won't be recorded for a while although. Because recording is not cheap. 

And because of COVID-19, it's just hitting the practice shed and busking until things become somewhat normal again. 

Anywhere online where curious fans can listen to your music and find out more about you?

Answer: fishinabirdcage.com is probably the best place to find that, and I'm pretty active on Instagram @fishinabirdcage so any updates will tend to pop up on there. 🙂 Thanks for the interview! This was a lot of fun!

[timeagainreviews]

A Very Special Doctor Who

The title of last night's episode "Can You Hear Me?" was a bit of a misnomer, or rather, a misdirect. In the tradition of Doctor Who names, I expected it to have more to do with the function of a creature. Something like "Don't blink!" or "You've got two shadows." Instead, it acts more as a reference to representation. Can you hear my calls for help? Can you see the signs of poor mental health? In many ways, tonight's episode was merely a vessel to deliver a message than the story itself. But was that to its detriment? Let’s get into it, shall we?

The episode opens on Aleppo, Syria in 1380. An interesting choice considering the history of the Crusaders. But they never once touch on the subject, they instead lean toward a simple monster invasion. It's not exactly certain why Aleppo was even necessary other than the fact that it looks really cool on-screen. It never really plays into the storyline other than being another location for the story to take place. I am guessing that writer Charlene James has some sort of personal history with the location. Perhaps she studied it and wanted to incorporate it into Doctor Who someday. Considering this is her first Doctor Who, that seems likely.

Tahira, a young Syrian girl is running from the authorities. Evidently, she's some sort of adventurous klepto like Winona Ryder. She leaves the safety of the centre of the city to steal things for the thrill of it. If you don't remember this, don't fret, it has little to no bearing on the greater story other than informing us that she's a bit bored and looking for adventure. Her friend Maryam scolds her and they speak of monsters, in which Maryam does not believe. Later that night, we're visited by these monsters who take everyone but Tahira. It doesn't make a whole lot of sense, but it's still early on. My biggest bit of excitement came from the fact that the hand we see over Maryam's face was not the Slitheen. Having seen them in the trailer last week, that's who I was expecting them to be. You have to admit, their hands were very similar!

The Doctor drops all of her companions off so they can go touch base with their home lives. Yaz sees her sister, who seems a bit worried about her. Ryan reconnects with his mate Tibo. And Graham plays cards with the boys from the bus depot. I was happy to see the continuity of Gabriel returning as Graham's mate. That was a nice touch. Over the course of their revisiting their friends, we learn that things have been a bit off. People have been having nightmares. Tibo seems to have locked himself away in his flat and complains that at night he's visited by a bald man with tattoos on his head. Luckily, his mate Ryan has been travelling with the Doctor, which means that instead of being laughed at, he's taken seriously. On top of that, the trio of companions are also given visions of the tattooed man. Except for Graham who sees a woman with Storm from X-Men vibes trapped between two planets. That night, Tibo is once again visited by the dream man, whose fingers detach and enter his ear. I don't know why all five fingers detached as he only needed one. Ryan witnesses this just as the dream man and Tibo disappear.

The Doctor is also visited by this bald dream man which gives her something to do while dealing with the boredom of being away from her mates. The Doctor's own mental health has been a subject of discussion lately and it's apparent here as well. As she follows the intruder back to ancient Aleppo, she doesn't bat an eye at the fact that it appears to be ransacked. She's in her element. This is her bread and butter! The Doctor finds Tahira who alerts her to the presence of the monsters, as one is still present, hanging from the ceiling in a very creepy fashion. The make haste and give chase back to the safety of the TARDIS, but not before the Doctor finds a sample of the beast's fur. Strangely, the sonic picks up nothing. That's twice now in series twelve that the Doctor's sonic picks up no readings.

The Doctor picks up her companions where they've followed the source of Graham's vision back to a spaceship looking a lot like a Borg cube. The interior was like when you see a night club in the daytime. It's a bit weird. Also, there seems to be a network of fingers. Within this ship, they discover the bald man who calls himself Zellin. Apparently, he's some sort of Godlike immortal. For the classic Who fans, this was a treat as they name-dropped not one, but three different immortal species- the Guardians, the Eternals, and the Toymaker. I was especially excited over the Eternals, as "Enlightenment," is my favourite Fifth Doctor story.

The Doctor and her friends help release the woman from between the two planets, who turns out to be an immortal named Rakaya. It turns out to be a trick, as Zellin is unable to break her out of the prison himself. Through an unusually helpful bit of exposition, Rakaya recounts their story to the Doctor in a beautiful sequence of animation. I really loved the art direction of this scene as it was something you don't often see in Doctor Who. It was a nice way of illustrating what could easily have been something boring. Kudos to the production team for trying something new.

According to Rakaya, her and Zellin were both like gods, born into the universe and bored by their immortality. In order to entertain themselves, they pitted two planets against one another. But after a while, both species on each planet grew wise as to the nature of these gods and rebelled. They built a prison between their planets and trapped Rakaya there as punishment. I suppose they were done with their planets and decided they didn't need them anymore. I mean, after all, planets are a dime a dozen, right? The whole explanation is a bit hand-wavy, as is usual with god-like beings. The mythology trumps common sense. Zellin then set about using Rakaya's technology to free her while keeping her sane by feeding her nightmares he sourced from humans with his little flying fingers.

Having locked the Doctor and her companions up, they set about causing mayhem on their new favourite planet- Earth. Naturally, this being Doctor Who, they land in England. Meanwhile, the Doctor and her companions are kept as prisoners aboard Rakaya's ship, locked up and having dreams harvested from their minds. Ryan dreams of the Earth's destruction and sees the Dregs from Orphan 55 again. He sees Tibo as an old man. Just one more person he's failed. Graham dreams his cancer is back, complete with a vision of his lost love Grace. Yaz's vision is a bit more abstract as we see her sitting on the side of a stretch of country road while a policewoman looks on from a distance. And the Doctor's dream was a further glimpse into who I believe is probably the Timeless Child. Though we get about as much elucidation on that concept as we have in previous episodes. The only difference here is that we see the same shot for a few more seconds. Nothing new or surprising there. Clearly, that's series finale stuff.

What comes next is an absolute load of rubbish. The Doctor awakens from her dream, just because. After bumping her hip against her sonic, it flies up out of her pocket absolutely defying the laws of physics. For a second there, I wondered if she wasn't hanging upside down as that's the only explanation I could come up with for how the sonic was able to magically fly directly into her hands. While it doesn't ruin the episode, it was easily the worst moment. They don't even try and make it look believable. I'm not even sure they could have made it look believable. Had she dropped it, and then kicked it up into her hands, I could have maybe believed it. There's suspension of disbelief, and then there's just being stupid. In fairness, I'd be lying if I said this was anything new for Doctor Who. Who can forget Tom Baker's Fourth Doctor screaming at such a high pitch that it breaks a pane of glass to make an escape? That being said, it was still very bad.

Having escaped, the Doctor locks Rakaya and Zellin back into the planet prison. However, now they're joined by one of the beasties from Syria, which happen to be from Tahira's nightmares, hence why they never attacked her. The Doctor returns the ship's captive Syrians and Tibo. At this point, the episode still has a good ten or fifteen minutes left, but the threat has been completely neutralised. Or has it? Well, as it turns out, Zellin and Rakaya were not the biggest baddies this week. Instead, that illustrious title goes to none other than mental health issues! That's right, it's an awareness episode! This is why the entire story was so hand-wavy- it's just an excuse to talk about mental health!

I wouldn't say it was exactly shoehorned in, but it definitely was not subtle. Ryan talks Tibo into getting professional help for his issues. This one made the least sense to me because they gave literally zero indication that Tibo needed group therapy. Sure, he was locking his place like Fort Knox and becoming a recluse, but he was quite literally being visited by an all-powerful ancient evil. You get rid of the ancient evil and suddenly, his biggest problems are gone. Instead, it's inferred that Ryan just knows his friend well enough to say "Hey buddy, you need some help." Which is fine I guess, but they in no way illustrated this throughout the episode. Even Tibo's standoffishness toward Ryan could be explained by the fact that Ryan had not been returning his texts. And considering that by the end of the episode, he now knows Ryan has been travelling with the Doctor, even that issue is resolved.

Graham's own fears make far more sense as cancer was a very real part of his life. Of course, he's afraid of his cancer recurring. I did really love the conversation he has with the Doctor as she offers very little comfort. Watching the Doctor awkwardly meander away was funny, but also somewhat confusing. I found it a bit weird that the Doctor listened to Graham talk about cancer without mentioning that she probably has the cure to cancer in gum form or something. She doesn't need to say anything comforting when she can say- "Sure Graham, let's just go to Medicalus 9, the hospital planet! You'll never worry about cancer ever again!" If the Doctor can't cure cancer, then it's like Amy Pond said- "...what is the point of you?"

Yaz's story is easily the most welcome, as it offers up some much-needed backstory with her. We learn that Yaz had a hard time with bullies in school. After deciding to run away, he sister Sonya sends the police to find her. This is why Yaz's nightmare shows her on the side of a country road with a policewoman in the distance. Yaz's fear is that she will get to a point where she is unable to cope and needs to run away. Perhaps an even deeper fear is that her travels with the Doctor are one more form of running away. We learn why Yaz may have been inspired to become a policewoman herself, as the interaction between these two is a positive one. The policewoman makes a bet with her that in three years if things aren't better, she'll pay her £50, but if they are, Yaz owes her 50p. Remembering this bet, Yaz returns to give the woman her 50p, which you'll note was not a Brexit commemorative coin. Thank Zellin.

And that was it, really. There wasn't a lot of meat to this episode. The baddies were dealt with quickly, and the plot resolved before things were even over. Was I mad about this? Not hardly. In fact, I applaud the show for taking the time to talk about mental health. It was clearly the driving force behind the episode and I don't mind at all. Using the concept of bad dreams to represent bad thoughts made a lot of sense in context with the show. Even if the story was devised as a means to deliver a message, it was still a pretty entertaining story. I've always had a soft spot for the immortal baddies of Doctor Who, so adding two more in was a treat. I had even begun wondering if Zellin wasn't the black guardian pretty early on, so clearly they had done a good job paying homage.

The BBC even took the time to drop a hotline at the end of the story, which I thought was a nice touch. It's no lie that due to the current political and social climate of the world these days, mental health is at an all-time low. A friend of mine who is in school for counselling messaged me after the episode, ecstatic that they were addressing these issues, and I have to agree. Doctor Who spans a rather large audience, and it's good to see them trying to take that responsibility seriously. Where I've questioned the show's capacity to address bigger issues, it seems as though they've found a bit of a sweet spot with series twelve, give or take. Keep the messages broad and incorporate them into the story. If "Can You Hear Me?" caused even one person to reach out for help last night, then it's done its job well.

[mautadite]

april book round up

20 books this month, which i didn’t see coming. i had more free time than expected, even with working from home and *makes vague hand gestures*. i still have a scribd membership so almost all these books came from there. also i’m putting some thought into reviewing on netgalley, so a couple from there as well.

american fairy tale - adriana herrera ⭐️⭐️⭐️ contemporary m/m romance in herrera’s dreamers series that follows immigrants and children of immigrants. this second book was fun, a kind of fairy tale romance as the title suggests. a rich guy/poor guy situation which isn’t usually my cup of tea, and the domineering, throw-money-at-every-situation personality of the rich guy got on my nerves, and i wasn’t totally sold on the way the conflict was resolved? but i enjoyed it. herrera’s books just have this down to earth vibe that i love.

unfit to print - k.j. charles ⭐️⭐️⭐️⭐️ historical m/m romance. vikram, a young lawyer doing a lot of pro-bono work in the indian community in london, lost touch with his childhood friend gil years and years ago, is pretty sure he’s dead. so imagine his surprise when he comes across him in an unlikely occupation in an unlikely place. this was a charming, touching novella, really interesting historically, with a lot of cool titbits about porn in the 19th century. very sweet romance-wise.

american love story - adriana herrera ⭐️⭐️⭐️⭐️ another dreamers novel, this one about a black professor and political activist and a white ADA who had a fling a while back and are now living in the same town. and same apartment building. lol. it did get into real world politics, which i know some people don’t like, but i honestly thought it well done? there were some great bits in this, good insight, one really harrowing moment, and just really great chemistry and character moments.

wanted, a gentleman - k.j. charles ⭐️⭐️⭐️⭐️⭐️ more historical m/m romance from k.j. charles, which i always like, but this one i REALLY liked. which surprised me, because it’s a novella, and with novellas you never spend enough time with characters to really know them and their story and get attached? but that’s exactly what happened here. a well-to-do ex-slave and a poor gazette owner team up to untangle a young love affair. i seriously loved this, the characters are so good together. T__T

far from the world we know - harper bliss ⭐️⭐️ contemporary f/f romance about a young widow with a traumatic past who moves to a tiny new town to take care of her ailing aunt, and slowly falls into a relationship with the owner of the local newspaper. the premise was good, but this honestly felt like every single harper bliss book i’ve ever read, except it had nothing to recommend it. ask me why these characters even like each other. i can’t answer! 

the hound of justice - claire o'dell ⭐️⭐️ the second book in a series that re-imagines the sherlock holmes universe, except as near-future scifi set during a civil war, and both holmes and watson are black lesbians. i LOVED the first book (with a few caveats) and i’ve been looking forward to this one for so long... but it was disappointing. in terms of the writing, in terms of the direction the characters took, in terms of the plot... i have to wonder if i read the first one with rose-tinted glasses. :/ won’t be continuing this series.

the vintner's luck - elizabeth knox ⭐️⭐️⭐️⭐️⭐️ *CLUTCHES MY CHEST WITH BOTH HANDS* in my goodreads review i said i didn’t know how to talk about this novel, and i still don’t. but i ADORED IT. so completely. in early 19th century france, the young son of a winegrower climbs a hill on his father’s property, and there, meets an angel. this is the story of them falling in love, but also about family and friendship, love and death. it’s written SO beautifully, and i’ll be thinking about it for a long time.

the family fang - kevin wilson ⭐️⭐️⭐️⭐️ OOOF. i went into this knowing that several friends loved it so i knew i probably was gonna too and i DID. it’s about two siblings whose parents have been obsessed (since before the birth of their children, and until the present day where they’re both grown) with the idea of creating perfect art, and how the kids survive that. i actually didn’t enjoy reading many parts of this, but only because it was so well written, if that makes sense? like, it took me right in there with some of the shitty emotions and just made me feel. OOOF.

mrs. martin's incomparable adventure - courtney milan ⭐️⭐️⭐️⭐️ a VERY sweet and charming historical f/f romance between a wealthy 74-yo widow and the cute young 69 (nice) yo landlady who comes to ask for her help. and then they have an adventure! i read it at a great time, because i was beginning to feel really bummed out about how people are trivialising and discounting the lives of older people in this crisis, and there was a really great message of like... life not being over until you SAY it’s over, living like you have 20 more years left. i loved it a lot.

his convenient husband - robin covington ⭐️⭐️ m/m contemporary fake marriage story, about a russian ballet dancer and the widowed american football player he marries to get citizenship. and then they fall in love for realsies. i love fake marriage as a trope, it can be so cute but this was very meh. if a book is gonna handle racism/homophobia in such a shallow way... i’d honestly prefer if the book just pretended those things don’t exist lol. :/ it’s also very very rushed and not well plotted at all. alas.

once ghosted, twice shy - alyssa cole ⭐️⭐️⭐️⭐️ alyssa cole is like my good luck charm, because starting here, i read a bunch of lesbian romance novels that i really liked. this one is part of a series about reluctant royals, and follows the dapper assistant to a prince as she falls for a girl who seemingly ghosts her, and then meets her again months later. it’s a novella, and sort of relies on the fact that you would have met one of the characters in a previous book (which i did read). but i really really liked it, thought it was super cute, and the mcs had great chemistry. it was almost insta-love, which i really don’t like... but i still like this book so much. also best cover?? BEST COVER. 

who'd have thought - g. benson ⭐️⭐️⭐️⭐️ now THIS is fake marriage done right!!! f/f contemporary romance about a struggling nurse who comes across an ad offering a chunk of money in exchange for one year of marriage... and the person on the offering end turns out to be the cold, stuck-up but brilliant doctor at the hospital where she works. this was the perfect slow burn, with great character writing, really good set-up, very believable arc as they slowly fall in love. it got me so emotional at times. definitely gonna make sure i read more from this author.

three reasons to say yes - jaime clevenger ⭐️⭐️⭐️⭐️ f/f contemporary about two women who strike up a romance while on vacation in hawaii; one an overworked professional, one a doctor-mom of twin girls. another winner for me. just an extremely cute, very genuine butch/femme romance. it’s funny because i definitely nitpicked on a lot of things in this book, but i only remember the parts of if that made me so fond.

we set the dark on fire - tehlor kay meija ⭐️⭐️⭐️⭐️ f/f YA fantasy in a world deeply divided by class. in the upper echelons of society, girls are trained either to become one of the two wives of upper class men; the primera and the segunda. the story follows a girl who has faked her social class becoming the primera of a very powerful man, getting involved with revolutionaries, and developing a surprising relationship with her husband’s segunda. really interesting world-building, some lovely writing, a really heart-felt core. i had my nitpicks with the plot but i still super enjoyed it, really want to read the second part.

a tale of two mommies  - vanita oelschlager ⭐️⭐️⭐️⭐️ netgalley book. a cute children’s story about a kid with two moms. <3

crier's war - nina varela ⭐️⭐️⭐️⭐️ more f/f fantasy YA, this one with the added benefit of being about something that i ADORE reading about in fiction: artificial life. in this fantasy world, automae were created, perfected, became aware of their place in society, fought a war for their autonomy... and won. the story opens up 50 years later, in a society ruled by robots, where humans are subjugated. it follows the current robot ruler’s created daughter and a young human rebel whose one goal is to kill said daughter. i loved this SO much, the enemies to lovers trope was peeeerfect. i wish the writing was tighter, and some plot elements could have used cleaning up, but i enjoyed this so much. the ROMANCE especially was... gah! <3 the second book comes out soon, but i want it like, now.

second dad summer - benjamin klas ⭐️⭐️⭐️⭐️ another netgalley book. a fun and charming primary/middle school story about a kid spending the summer with his father, and his father’s new boyfriend, who he doesn’t quite get along with. over the summer he makes new friends, nurtures some plants, learns some lessons. i thought this was well-written, touching, and does a pretty good job of telling kids about queer stuff. 

tempting fate - sloane kennedy ⭐️⭐️ contemporary m/m novella (short story honestly) about two ranch hands realising their feelings for one another. it was fine, i read it because i was in the mood for a quick HEA and i got that, but it was also kinda flat and there were several kinda irksome things about it. i reeeeeally don’t like overly possessive characters, lol.

all the reasons i need - jaime clevenger ⭐️⭐️⭐️⭐️ more contemporary f/f romance, this one about long time friends who have been in love for ages, slowly coming to a place where they can finally admit their feelings and try to embark upon a relationship. again, while on vacation! this was a lot more sombre than the previous clevenger book, as it deals with past abuse and eating disorders. but i also found the writing to be better in general, and the relationship between the two women was just... so great. the writing definitely isn’t pulitzer prize-winning or anything, but there are so few good butch/femme books out there, i ate this up, and will def. be reading more from this author.

interpreter of maladies - jhumpa lahiri ⭐️⭐️⭐️⭐️ speaking of pulitzer prize-winning authors... i’ve had this author and this book specifically at the back of my mind since secondary school; one of my literature teachers really loved it and would bring it up all the time. i really enjoyed it! it’s a collection of stories about the indian diaspora in america, as well as life on the subcontinent. i really like her writing (very simple, very precise, but very evocative) and there were a few really striking stories.

and that’s it for april. look at me, actually writing this entry on time, lol. for may i’m just gonna... keep reading whatever catches my eye on scribd i guess. i remember vaguely saying that by this time of the year i would have moved on to reading the books on my physical bookshelf that i haven’t gotten to yet but... i go where the wind takes me etc. currently reading silver moon, about women who turn into werewolves once they hit menopause? absolutely metal.

[elejah-verse]

Love In New Orleans/4

Fanfiction

an AU TVD/TO story

Part 4

Elijah Mikaelson x Elena Gilbert

Klaroline

Kennett

a/n: thank you so much for reading. xoxo

As the title said - it’s about love that three friends Elena, Caroline and Bonnie, who are native to New Orleans find, each falling for a Mikaelson.

***

The next morning Elena’s apartment

On a conference call with Bonnie and Caroline, Elena shared this-

“So, he walked out with me and - I am going crazy here- but it was like- this one moment- he looked at me - and it felt like- no, I am just imagining thing”

“It felt like he is into you? Like he wanted to kiss you?  What?”- Caroline said.

“Like- yeah- he was  into me.”

“And- what happened then?”- Bonnie asked.

“Nothing. Elijah said good night in his usual nice manner and anyway, Aiden, the  Chauffeur came, and I left.”

“Ok. Is he like I-really-care-about-you  nice or just nice nice because he is like that with everyone? How is he with - his other assistants- that Camille?- Caroline asked.

Elena thought for a second and then said-“Oh, it’s the same. He is the same nice with her, too. Everyone, really.”

‘Sorry, Elena, but I think that you are imagining things “- Bonnie said.

“You are right. I got to stop before I embarrass myself.”- Elena concluded-“ok, I got to go now.”

“I have scheduled the dress rehearsal. Moved it to 6 pm tonight, so you can be there”- Caroline said to Elena-“I hope he doesn’t put a load of work on you. You are one of my bridesmaids and you have to be there.”

“I will try.”- Elena said.

“Oh, and Klaus and I set the date. It’s the 23rd December.”

“OMG, but that’s like a month away. Did you tell him about the baby?”- Elena asked.

“No, that will be the Christmas present. And the date, that’s the free spot they got at  the Pharmacy Museum Courtyard. And I had to pull strings for that one, too. The bridal shower is in the Degas House. I will give you the whole itinary when I see you tonight.”- Caroline said.

They now all hang up and Elena went to read different proposals she had to present later to Elijah.

💝

As Caroline finished her conversation with Elena, she saw that she had a missed call from Klaus. She returned his call and as he answered, he had this to say-

“They have finally  found out who my biological mother was. I have a name.”- Klaus said happily.

“OMG, really? Who is it?”

“Her name was Esther Evans.”- Klaus said-“but they still have to check things out. She gave birth to me in England, but then they have to check marriages etc.”

“That is so great. You might be meeting her soon. How about your father? Did they find him?”

“Not yet. But if we find her, she will be able to tell me.”- Klaus said.

“So happy for you”- Caroline said-“would you - maybe change your name then?”

“No. Because my adoptive parents were great people and I am proud to have their name.”- Klaus said.

“Yes. And I will be proud to have it, too.”- Caroline said-“Love you so much.”

“Love you, too.”- Klaus said-“What do you have today?”

“I am choosing the dress today.”- Caroline replied-“for you it’s easy - just your uniform.”

“You are beautiful, no matter what you wear.”- Klaus said sweetly.

“Did I say that I love you?”

“You did, but it is nice to hear it.”- Klaus said.

After exchanging more love, they hang up.

💗

Later in the day

And what about Kol and Bonnie?

Well,..as Kol took Sven to pre-school, he went to the same bookstore where Bonnie held her reading, to get some more books for his son, but also some for him.

Entering the horror section, he smiled a little seeing  Bonnie there.

As he approached her, he said-

“Hi. Never took you for horror/gothic lover”- Kol said as he saw her holding some books she had chosen.

“Hi.”- Bonnie said -“I like the grooly stuff, too”- Bonnie said-“not just fairy tales.”

“Well, I am here for the grooly, creepy and bloody stuff, too. I must have been a vampire or something in my past life.”

“I think I was a witch.”- Bonnie said jokingly-“well, I have always dressed as one for Halloween.”

“A good or a wicked witch?”- Kol asked chuckling a bit.

“I think a good one, like Glinda.”- Bonnie replied-“I guess you would be a Dracula type?”

“I was notorious as a kid, so- definitely a bad boy. At least that’s what my sisters say.”

“A bad boy, ha?”- Bonnie said chuckling.

“They can write books about the mischievous things I’ve done, driving my parents crazy.”

“It’s hard for me to imagine this. I mean, seeing you with your little kid and the way you are with him.”

“Well, love changes things.”- Kol said with a streak of sadness in his voice.

“It so does.”- Bonnie said and trying to lighten things up asked"so- I recommend The House of Furies. Really spooky. “

"All right.”- Kol said-“and if I can’t sleep at night because of the book, can I call you to keep me company?”

He smiled cheekily at her.

“You can.”- Bonnie said.

💕

In the Mayor’s office

Elijah was on the phone to Freya -

“Yes, last night was really great and I agree  that we should do this more often. Yes, count me in for Christmas Eve dinner. Ok- don’t worry about it. It was short notice. Talk to you soon. Ok. Bye”

As he hang up, he called Elena in the office. She got in and he said-

“I have a huge favour to ask.”

“Yes, Mr. Mayor?”- Elena said.

“Freya cannot accompany me to the Charity Ball tomorrow night. It is not in your job description, and I really feel bad to spring this on you, but would you accompany me to the Ball?”

“Yes, I would.”- Elena said not thinking twice.

“That is - thank you.” -Elijah said extremely greatful.

“It is fine. It will be a great opportunity to talk to Councillor Guererra if you don’t mind about the Sewage system proposal. I also  have some suggestions about some points.”

“Yes, you could talk to her, because she and I always disagree and she lost the election to me  and somehow I get the feeling that she doesn’t like me much.”

“You were so much more convincing at the debate”- Elena said-“even though she had some good points and I will use them. It’s all for the city anyway.”

“True.”- Elijah said-“it’s all for the City.”

“You really love it?”

“I grew up here, even though I wasn’t born here.”- Elijah said-“it’s an amazing place, absolutely unique.”

“Yeah, it really is unique”- Elena agreed.

And with that they commenced discussing the matter at hand.

That evening as she met her friends in the bridal shop, she told them about the invitation to the Ball.

“I have nothing to wear. I mean - for a Ball”- Elena explained.

Caroline was now in her element. Playing the Fairy Godmother the minute she heard about the invitation.

“Louise”- she said to the shop assistant-“can uou get a few Ball dresses bring over from your other shop?”

“Of course, we can”- the shop assistant replied.

“Weren’t we supposed to help you pick your wedding dress?”- Elena asked.

“Yes, but this is more urgent. The Ball is tomorrow and you need a dress like now!”- Caroline said.

“I agree.”- Bonnie said.

“I don’t need anything too special”- Elena said.

“And why not?”- Caroline said-“You might meet someone special.”

“I think she has already done that.”- Bonnie said referring to Elijah.

“Well, true. And make him go all hot for you.”- Caroline said.

“What are you talking about?”- Elena acted innocently.

“Seriously, Elena. I know you are in this professional limbo kind  a thing with him- but - he is - tall, dark and handsome!”

“Nothing can happen!”- Elena said huffing-“I just want a simple Ball gown.”

“Oh, come on, Elena. Live a little.”- Caroline said.

“This is not High School”- Elena said.

“I second that.”- Bonnie said and added with a little smirk- “I met Kol today.”

“Now, you are telling us!”- Caroline said excited to hear more. Elena was all ears as well.

“He invited me to go out for a drink, and I said yes.”

“OMG!”- Caroline exclaimed-“There is a development. Where did you meet?”

Bonnie now told them about all of her and Kol’s chance meeting at the bookstore.

“This is like stuff from the movies”- Caroline said-“both of you are into the Mikaelson brothers!”

“It spooky, right?”- Bonnie said as it had  just sunk in that it was so.

“Maybe you will have a double wedding.”- Caroline now said.

“Aren’t you a bit ahead of yourself?!”- Bonnie said-“he had just asked me for a drink. That’s all.”

“You never know. Look at Klaus and me. We met at a Ball, just about the same time last year, and now I am picking a wedding dress out.”- Caroline said happily.

“Talking about dresses.”- Elena now saw the shop assistant rolling in some gowns from their other shop.

The women now went on trying out the gowns and having some girly fun.

🎄❤💕🌛

The next day

Elena was getting ready for the Ball, putting on the gown with a little help of her friend Caroline.

As Elena finally was ready, Caroline and her took a selfie sending it to Bonnie.

“You look amazing.”- Caroline said as Elena took one more look at the mirror and had to agree with her friend.

Not long after, the Aidan, the Chauffeur came to the door telling Elena that he was sent to pick her up.

Elena took her clutch bag and the shawl and as the women were now down in front of the building, she thanked Caroline for all her help.

“Knock him out”- Caroline said in a low voice to Elena.

“This is not a date.”- Elena reminded her friend.

“Technically not.”- Caroline said-“have fun and forget about everything else for one evening.”

Elena rolled her eyes at her friend putting a little smile on and then  went to the car, where Aiden was already held the door open for her. She slipped in the car and off she went like Cinderella to her Ball.

As she got in the car, her phone rang and it was Elijah.

“Good evening, Ms. Gilbert.”- Elijah said-“I was just wondering if you aere on your way?”

“Yes.  I am on the way.”- Elena said.

“I apologize, but something has come up and I b am running  late. I had to return to the office.”

“What happened?”

“There was some security breech, involving Camille’s uncle. It is nothing serious, but, I needed to go back to clarify things.”- Elijah explained-“I will explain everything in detail when I see you in a little while.”

“All right, Mr. Mayor.”- Elena said and they both hung up.

Being Elijah’s, more or less, right hand, Elena was approached by one of the President of the NOLA Council, Vincent Griffith, as she got out of the car.

“The Mayor will be a little late.”- Elena explained as they saw her arrive and Elijah was no show.

“We had hoped that he will be here by now. We thought he will give a little speech.”- Josephine LaRue, the hostess of the Ball now came up to Elena.

Elena, the born diplomat, insured the brisk hostess that she should not worry and that Elijah would be there as he had promised.

And so it was, not long after, Elijah arrived. Elena was already busy talking to Councillor Guerrera, industrious as she was.

Josephine was more than happy seeing the Mayor arrive and took him hostage immediately.

As he finished with her, he went to find Elena, who was talking to Vincent. As he got to the corner where she they stood, he stopped for a second, his heart left breathless by the vision of her in the gown. If his heart wasn’t lost to her already, now it definitely would do so. She was jaw-dropping beautiful and his heart    jumped up as he now got to them.

“I am really sorry that it all went the way it did today.”- he said.

“Is everything resolved?”- Elena asked.

“Yes.”- Elijah replied-“and now I have to leave you again, as the hostess wants me to officially open the Ball.”

Elena uttered- all right and he went to do his duty.

“It gives me great pleasure to extend to you all a very warm welcome on behalf of the LaRue family, who has been the host of the Christmas Charity Ball for more than a century. As it has always been the tradition, the evening will start as always with a century old waltz, so I invite you to find yourself a partner and meet us in the Ball room.”

As he finished his little chat with other members of the LaRue family, he went to find Elena.

“May I have this dance?”- he said in the old fashion putting the hand out to her.

Elena nodded slightly. And for a moment there she thought that maybe this was not such a good idea, but Elijah had already put his hand out to the dance formation, and slid his hand around her waist placing it lightly on her back. His touch made her heart rate quicken. And they swayed over the dance floor with the rest of the couples.  Elena felt like she was in a dream. The warmth between them grew more powerful by the second, and she was now feeling her heart would run out of her chest.

She was partly glad when the dance finished, and partly she wished it continued forever.

Gentlemanly, Elijah thanked for the dance and as they moved away from the Ball room, as he had to see an official, Elena had scheduled for him the other day. She took the opportunity to get out in the garden.

“Cool it.”- she muttered to herself, taking a deep breath.

She looked up at the moon smiling down at her.

“I can’t do this anymore”- she thought gazing up to the shiny round satellite - “Please, help me get over this. This can’t be. We work together. What is happening to me?”

And she stood like that for a little while trying to work out her emotions.

“Ms Gilbert?”- she heard Elijah’s voice call out and she sharply turned to face him.

Here you are!? Aren’t you cold?“- Elijah said.

"No”- Elena replied shortly-“I needed some fresh air. Too many people in there.”

“Yes, it is quite crowded inside.”- Elijah agreed and added-“ if you wish we can leave. There is nothing we need to do here anymore.”

“All right- yeah.” - Elena said, a tiny smile curling up on her face.

“I will give Aiden a call.”-  Elijah took his phone out and dialled the Chauffeur’s number.

As Elijah finished with Aiden, Elena said that she had left her shawl inside.

“I will get it for you.”- he said and Elena said that she would meet him at the car.

Elijah nodded a little in agreement and went inside.

Half an hour later they were in front of Elena’s apartment building and the gentleman he was, Elijah walked her to the door.

“This me. Thank you for taking me home.”- Elena said gesturing to the door, taking the key out of her bag.

“This is a least I could have done. Thank you for - like always- the great work you- do.”- Elijah said somewhat clumsily looking at her charmingly.

Elena nodded feeling all the butterflies in her stomach fly high - and like moonstruck, both lost themselves in gasping looks before their lips met. He kissed her and the world fell away. It was slow and soft at first, then deepening it lovingly.

His hand rested below her ear, his thumb caressing her cheek as their breaths mingled breaking up, looking at one another still feeling the swirls of emotions dancing up inside of them.

❤❤💕

[future-critical-blog]

How Pacing Fucked Steven Universe

Note: this is anonymous because I know what will happen!

Steven Universe is without a doubt one of the best shows I've ever seen. It's certainly the best cartoon series I've ever watched. The first four series, and a large amount of the fifth, are truly wonderful.

So, I'm going to be entitled and complain about the last little bit that didn't work for me. I got all those hundreds of episodes, and I’m just going to take a moment to really honk about the stuff I don't like.

Because we live in an age where Nazis are back, feminists think trans woman are the biggest threat they face and the world is burning - at this point, a bit of a moan about Steven Universe/Future will get lost I think.

Bear in mind: this comes from a place of love. I care about Steven and the characters because they took me on an amazing journey that really had an emotional impact on me. Then they tripped me right at the end, and now they're fuck-twaddling around taking up space in my brain that should be used for thinking about how great the show is.

This is about how the inability to wrap Steven Universe properly sucks and undermines all the amazing work the creators put into it. Now, that work hasn't gone anywhere: I can, and will, re-watch the series to reminisce about it. About what could have happened. Nobody has taken that away from me.

But still, there's nothing worse than a story that buggers up the ending. Worse yet, that ending is still going in Steven Universe: Future.

So what's the problem? Let's start.

Pacing, pathos and atmosphere

Things used to be teased, hinted and slowly revealed. Steven Universe used to a slow-burn that really built things up with the even-hand of a masterful storyteller.  Remember that long shot at the end of 'On the Road', after the characters leave? We see just the empty, sinister kindergarten whilst a discordant note builds in the background before... bang, credits. It builds atmosphere and tension.

What happened to that? Slowly building a feeling, weaving a narrative, and taking us on an emotional journey? We got a very rushed pay-off to all this with Series 5. The crew thought the show wouldn't be renewed, so they made the executive decision to wrap it all up.

·       Everyone’s fixed now. Pearl, Garnet, Amethyst, Steven.

·       Diamonds are friendly now. Blue got sad, Yellow got angry and White got… put in her place by a comeback?

·       The bubbled gems/corrupted monsters are all fixed.

·       The Off-Colours and Lars just got home.  No further adventures, they just got home.

Bits got missed out. Things got rushed. Homeworld, the Diamonds and five series of build-up got dealt with in the space of 40 minutes. For comparison, just Series 1 alone was 8 hours long.

Yeah, the network created that situation. You're cancelled! They seemed to say. No you're not! HA! They continued.  But it still sucks, narratively, and the creators are now compounding that problem by trying to go back and add in the bits they missed.

Worse, there's no pacing now because there’s no more overall story.  No atmosphere. Fundamentally, post Change Your Mind, everything is done. The series was wrapped up.  All we have left now is some loose-ends and Steven being moody.

It came back mostly just to tie up random ends. But more of something isn't always good: Series 1-4 and about half of Series 5 are amazing. We shouldn't clap and applaud we get more just because it's more for its own sake, we should cheer things for being good in their own right.

I don't just want more meep morp, I want the morp to have something to say and to mean something. Victory laps and adding unnecessary lore is pointless: characters and emotion are what drive stories.

This isn't about 'filler' episodes as such, nor is it about breaks and hiatuses. It's about spreading the story arc (and the individual elements within that arc) correctly over the allotted time. A story that takes 700 pages to set up, only to be resolved in 3 pages feels badly unbalanced - I'm looking at you, Stephen King. And that's exactly the problem Steven Universe has. The set-up is incredible, and the payoff is badly disappointing. That's pacing.

Being the Underdog

This was covered nicely, if ironically in hindsight, with the episode ‘Historical Friction’.  The play about olde-time mayor William Dewey was utterly uninteresting until Pearl rewrote the play’s script to make him an underdog.  This is part of pacing. It's dull to watch a winner win constantly. The characters need to be in situations where they're facing actual threats, otherwise we're just watching a series of foregone conclusions unfold.

What would Lord of the Rings look like if the Hobbits just marched from The Shire to Orodruin, with no setbacks or problems, and then just lobbed the One Ring into the fire? What's the point of the story? It'd be like a grand-scale version of watching someone go out for groceries.  Nobody wants to watch that, not really: you can go to the supermarket and see it if you’re that interested!

This couples with suspension of disbelief. Usually, the good guys win. We know they're going to win. We need to be able to suspend our disbelief, and that's something that the pacing and storytelling need to enable. We need to be able to get caught in the story, even though we know everything will probably work out by the end.

When you get it just right, even the creators don’t know for sure everything will be alright.  Remember when Picard was assimilated by The Borg?  Even the writers weren’t 100% sure how it would play out, because Patrick Stewart was playing hardball with the studio at the time over his contract.  There was a chance this could have been the end of his character.

But Steven isn't an underdog anymore. He's a bossy, self-important grump with a martyr complex. He wins all the time, not least of all because of the pacing problems. By this point:

·       Steven has healing powers that can literally bring people back to life

·       He has all the powers of a Diamond

·       He has the backing of the three other diamonds

·       He now has an army of friends who will fight at his side

So where is the story to tell? Consider, in Steven Universe: The Movie, Greg's arm gets hurt by the injector. There's no danger, no worry. We know Steven has healing powers. So why bother showing it? It's about as relevant or interesting as watching Greg brush his hair.

There’s no danger.  There’s no suspension of disbelief because the hero is now so super-powered.

This is even worse when coupled with the uneven pacing: when something takes so long to be painstakingly set up, only to be knocked down in a heartbeat, then why get invested in it?  The 21st Century reboot of Doctor Who falls into this trap a lot: multipart episodes about a Dalek (or whatever) invasion… but luckily their Evil Machine has a ‘reverse’ switch that fixes everything. Dust hands, job done. All that build-up utterly squandered on an almost supernaturally fast resolution.

You Need a Story to Tell

The first five series have a definite story. It gets rushed, badly, come series 5 but there is still a story. That is done now: there's no grand, overarching tale now. We're very much into 'oh, what if...' territory.

What's the problem with that? Things get missed, because they don't need to fit into a cohesive whole. They just happen because they're cool.

Consider The Movie:

·       Spinel goes from a cuddly, professional buddy to a would-be mass-murderer

·       Spinel knows where to find a stupidly powerful injector

·       She knows how to work it

·       It is tuned to work to her 'trumpet' sound

·       It is shaped like her gemstone

·       She knows specifically where Earth is

·       She knows how to fly a massive injector, with no obvious engines, to Earth

·       This all happens in an afternoon

And the explanation we're given, after the event in a Q&A session? It's because Spinel and Pink Diamond were close. That is supposed to explain the entirety of those bullet points. It rankles me because it's not truthful. Those questions aren't answered by that, they're answered by 'because we thought it would be cool'. It's an unsatisfying explanation, but it's true and they’ve tried to handwave it into something else.

It's also what happens when you run out of proper story. Sure, you can still come up with little adventures but there's no big narrative anymore. There is no large picture for everything to fit into.

That’s dangerous territory. Not only does it lead to weird scenarios, but it also starts generating new lore at a maddening amount. The fans don't help this, it seems to me that some people purely watch Steven Universe to demand moar fusions, moar songs and moar lore.  Even when that’s all they get, it’s not enough.

It's like demanding more swimming pools in your home because you're bored with foundations.  Sooner or later the whole structure falls down because swimming pools can’t hold a house up.  Neither can lore hold a story up: stories are about characters.

Similarly, the concept of 'fusion' relies on characters otherwise it's nothing more than the character dumps we used to get in toy-driven franchises back in the 80s. Songs have to have an emotional resonance otherwise they're just empty pop.

Remember the X-Files? How they got into a rut just generating series after series with no pay-off, but lots more wrinkles to an already convoluted story? Then it got to the end and... you can't end it. It's too sprawling, too stupid and too contradictory. That's where lore without a story takes you. Lore has to serve a vision, not the other way around.

Filler

Not filler the way it's come to mean to SU fans. I like the 'boardie' episodes - they're full of interesting characters and ground Steven's world in something resembling ours. No, I mean filler in terms of stories that don't mean anything: the characters don't learn anything, the world isn't made any more interesting. Things just happen in a self-contained bubble with no payoff or consequence.

In itself, that's fine. Some episodes are like that. If that were the only aspect to 'filler' episodes in SU, then who cares? The problem is the pacing. After glacial teasing, hinting and laying down groundwork... things get wrapped up so fast it'll make your head spin.

·       The cluster? We talked it into staying bubbled.

·       The Diamonds? They're fine now.

·       Bismuth? Steven chatted to her.

·       Lapis? She's sort-of fine, but not really.

·       Spinel? Sent to live on a farm.

These are all things that took many, many lines of dialogue and building to create and were knocked down in the space of a couple of sentences.

This is where the 'filler' comes in. Instead of another story about Onion being weird, why not devote it to tying up the plot in a way that feels paced properly? Instead of answering questions about Watermelon Stevens, why not draw-out a little more the actual conclusion to a big story point?

Why do I think Onion and Watermelon Stevens should be singled out for Calvary? Simple: they have no explanation and don't matter. They don't matter to the day-to-day lives of the characters or the world. They serve no narrative purpose. They don't advance other characters' arcs. They don't ground the world they inhabit. They turn up, do 'stuff' in a little bubble and then go back into the toybox until the next Onion episode.

As a side note, I would lay a lot of money that Onion will never get any sort of pay-off. He doesn't age. He's deeply bizarre. He's apparently a wanted criminal. He's terrifying. And I don't think for an instant he will ever get a reason for being any of those things: he'll just carry on as a quirky in-joke and take up episode space because apparently that is a story-telling priority now.

Songs

Songs are sung when something is too important for the characters to just say it. The song needs an emotional resonance, to show what a character feels effectively. Contrast 'That Distant Shore' to 'Independent Together': one is about a deep longing and sadness for a home the character has never had. The other is a soft-rock ballad about how great stuff is when you can be your own self but also be with other people... or something.

See the resonance that the former has, and that the latter lacks? Whether you like Lapis or Steg, or the songs, is irrelevant to the story and the characters. One song has something to say, the other is there for the sake of giving fanservice. Independent Together isn't something so important to say that the characters feel they need to sing it.

This really kicks off around the middle of Series 5. Previously, songs were a special event. Now, they're commonplace. Even in Mr. Greg, a fully musical episode back in Series 3, the songs have so much emotion. Plus, Mr. Greg is an experiment: 11 minutes, mostly held together by 6 solid songs:

·       Don't Cost Nothing: how much Greg and Steven just love one another.

·       Empire City: how excited they are to go on a trip together

·       Mr. Greg: Pearl almost lets her guard down, then realises and shuts down.

·       It's Over Isn't It? : A heartbroken character sings for a life they never had.

·       Both of You: A child shows the two adults they have something special in common.

·       Don't Cost Nothing: reprised as a coda.

I won't pretend that all those songs have a huge emotional impact, but they do all serve part of the story arc. You can see it there: the status quo, the trigger, the choice, the quest, the showdown, the resolution and the new status quo. Couple that with the fact that at least 4 of those songs (counting Don't Cost Nothing and its reprise) do have a very real emotional punch, you've got a great episode.

All in 11 minutes.

That's the level of truly amazing, genius storytelling we're working with. Now contrast that to the 1hr 20m of Steven Universe The Movie:

·       The Tale of Steven: A prelude to a re-cap song

·       Once Upon a Time: a re-cap song

·       Let Us Adore You: The Diamonds are emotionally disturbed and co-dependent! How adorable!

·       Happily Ever After: The status quo. Also another bloody re-cap.

·       Other Friends: The trigger! Not huge emotional resonance, but up-beat and plot-relevant.

·       system/BOOT.PearlFinal(3): The quest.

·       Who We Are: NICE. This one has emotional impact and says something important.

·       Isn't It Love?: A Garnet re-cap. So at this point we're recapping what we re-capped when we recapped the re-cap. Lost yet?

·       No Matter What: Again, NICE. Emotional relevance and says something about Amethyst and Steven.

·       Disobedient: Kate Micucci hadn't been given anything to do yet?

·       Independent Together: Aimee Mann brought a friend! Can he have a job and some dollarydoos?

·       Drift Away: CHARACTER. PUNCH. PATHOS. It's here, folks. They can do it!

and so on.

See the pattern? For every one song that brings what we saw in Mr. Greg, there are at least four that are there just because. Because we thought it'd be cool. Because we needed more tunes to fill the runtime. Mr. Greg achieved more in 11 minutes than Steven Universe: The Movie achieved in over 80 minutes.

What's the reason? The Movie doesn't really have a story to tell. It's a victory lap. It's not bad: it's fine. Bits of it are simply excellent. But this is what happens when you stop having a big, cohesive narrative arc that you're trying to bring together.

Characters

Characters grow and evolve. Specifically, they have arcs. Just like the plot as a whole, and just like the subplots that compose it.  Generally, the stages are:

·       A status quo (Luke on Tattoine)

·       A trigger (his Aunt and Uncle die)

·       A critical choice (he leaves to become a Jedi)

·       A quest (the adventure)

·       A climax (the fight at the Death Star)

·       A turnaround (the Death Star is destroyed!)

·       A new status quo (the Rebels are ready to take on the next challenge)

SU gave most of its characters arcs broadly representative of this. The problem is, once those arcs were done the characters got put back in their boxes. They were 'fixed' and that was it. Amethyst's arc probably worked best: it spread over most of the first five series and felt like a real progression. Hence her fusion with Steven (Smokey Quartz) felt 'earnt'.

Pearl doesn't really grow or evolve much at all until Series 5. Ditto Garnet. Lapis is basically the same throughout the show: she broods, runs away and then comes back because of Steven's coaxing.

So, it’s back to my main drumbeat: its pacing is badly off. Some things take their good time and evolve naturally, others are wrapped up quickly and cast aside. Examples:

·       Peridot worked to become friends with the CG. She had a character arc that took half a series.

·       The Diamonds: it mostly turned on a sixpence in the 2nd half of Change Your Mind. Off-screen they then became annoying relatives, rather than murderous galactic tyrants.

Why does this matter? Well, most of the characters are now 'done'. Pearl is no longer co-dependent. Ruby and Sapphire know they're together (as Garnet) for love. Amethyst no longer hates herself. Peridot is a sweet (albeit socially clumsy) sidekick. Lapis is... well, the same as she's always been but seems happier with it now?

How do you tell more stories when your characters are already done? When the veg is cooked, you can't put it back on the hob because you've decided you want dinner prep to take longer.

SU keeps wrapping things up, believing they're 'done', then getting more time and needing to draw it out. This means either dawdling around with characters not going anywhere (which feels like either a smug victory lap or just something for its own sake) or actively unpicking their development.

Scrubs, in my view, is the poster child for the latter option: the show's cancelled, quick wrap up JD; Elliot; Dr. Cox; Carla; Turk etc! Oh no, we got another series! Undo the happily-ever-after so we can do more stuff!

That's why the pacing, particularly around characters and where they're going, matters.

Fusion

Fusion is the absolute biggest muddle of a metaphor. Is it friendship? Understanding? Sex? All? None? In any case, it used to be meaningful. Fusion meant something, even if that something would vary depending on the characters and the circumstance.

It took special effort to do: characters had to synchronise themselves through dance, to bring their thoughts together to fuse.

Now? It happens at the drop of a hat. No synching, no dancing. Fanwank it away any way you like: the characters are all 'fixed' now, they all trust each other, whatever. Fusion now doesn't mean anything because it takes no effort: pop here's Sunstone, pop here's Smokey, pop here's Opal. The fusions have just become like alter-egos that take no more effort than a quick-change in a phone booth.

And then there's Steg. Yeah, I get it: he represents the familial love between father and son. But why is he so built? Why does he look like some sort of sex-god? I'm a long way from a prude - it's just weird is all. A 16 year old boy + his middle aged father + the memory of the mother/wife shouldn't create a weird Adonis! But let me set that aside: the true problem with Steg is we had no build-up. Greg and Steven didn't talk about it, Steven just suggests fusing (through whispered dialogue we don't hear) and then it just happens.

Steg also isn't saved by being an interesting exploration of either Steven or Greg. He's fanservice. Fans wanted more fusions and more 'what if so-and-so fused!!' so they got it. He has 0 character. Just like Sunstone has no character beyond being an 'after school special'. Rainbow Quartz 2.0 has no character, aside from being chipper and cockney.

Contrast that to Smokey Quartz. Smokey is a delightful, self-deprecating scamp. She has a definite personality and stood up to a full interview with Sardonyx.  Smokey has enough of a character that it would be possible for her to act out-of-character.  What would out-of-character look like for Rainbow or Sunstone?  Provided it was cartoon-English and early 90s cartoon dialogue (respectively) it could be anything.

What happened? Fusions used to be characters, they used to have personalities that couldn't be written down on a postage stamp in luggage marker.

The answer is the story ran-out. The characters are all fixed now - so there's no emotional or narrative drive for their relationships. Hence the concept of fusion is now just serving fans who want to see 'what if' combinations of characters.

Too Many Endings

I’ve touched on this already, but here it is again.

The problem with wrapping up a show is you put all the pieces away as well as you can, and implicitly make work for yourself if it is not the end. You've just set up a load of strawmen you need to kick over if you decide you've got more story to tell.

That's what happened here. Change Your Mind ended it. Except it didn't, so we went back and unpicked what we could. Even though everyone is basically fixed now and the characters have no real growth or underdog-fight. Then The Movie ended it. Except it didn't, so we went back and unpicked what we could. Even though everyone is still basically fixed.

Will Future be the end?  Probably not.

That's why Steven is now a moody little jackass with a hero complex - we needed some conflict to drive what little plot there is, which exists only as a vehicle for tying up loose plot threads (Jasper!) we left out because of how rushed the first ending was.

It's a bit like when you misspell something, then you go back over it with your biro. But now it looks unclear. So you go over it a few more times to make sure it's clear. But now it looks like someone took a biro and leaked half the ink onto the page. The very act of trying to tidy it has made it less clear.

A Special Note About Garnet

This isn't about pacing, but whilst I'm on the moan I'll leave this here.

I feel wicked for this. Garnet is a brilliant character. I love Estelle: she brings Garnet so well to life. Any LGBT representation in a cartoon is rare and amazing, and we need more. But Garnet also sucks.

Why?

She's a metaphor. She's a metaphor for being gay and together in love. She is a symbol of a same-sex relationship.  On a side-note: yes Gems don't have gender technically, but let’s not be wilful here: they have female-coded designs and the subtext is so obvious as to barely be subtext.

It's nearly 2020. We're now 20 years into the 21st Century. 2001 A Space Odyssey was set 20 years ago.  First contact between Zephram Cochrane and the Vulcans is now only 43 years away.  And we can still only talk about gay (or, God forbid, bi or transgender) characters in children’s' media through metaphor. I cannot emphasise enough how utterly shitty that is, and how glacial progress has been.

Now, that isn't SU's fault. However, what is SU fault is their clever (and I mean that genuinely) ploy to sneak a same-sex couple into the show means that we don't see them as a same-sex couple 95% of the time. They're hidden. Ruby and Sapphire's love and relationship literally lives under a disguise called Garnet.

And that sucks. It makes sense as a plan. It's great we have Garnet. Garnet is still amazing. But she also sucks, because she acts as invisibility for the lesbian couple she represents.  Yeah, that’s some tough mental gymnastics to work that cognitive dissonance but I managed it.

My God, I Get It: You're a Cat Person

This is also nothing to do with pacing, it's just a creator conceit that bugs me. I freely admit it's also piddly and petty.

So: I'm not a cat person. And no, it's not because I haven't met your adorable little Tiddles or whatever. I don't hate cats, it’s just that most of the cats I've ever met are simply ghastly little shits. Their owners, through some mental blind spot; ancient Egyptian curse or brain parasite have become convinced that these hairball-gobbing, furniture-shredding, wildlife-destroying little cunts are angels. Somehow they've convinced themselves everything they do is adorable.

No amount of murdered birds or small mammals change their minds.

I've met, officially, two nice cats in my life and I treasure their memories. The rest can go to hell.

Why does this matter to SU? Cat Steven. Lion. Peridot and Amethyst doing little kitty-mouths when they're being cute. My God, crew, you love cats. I got the memo.

Why does that work me up? Well, do you know what I'd like instead? If a tiny amount of that 'cats are brilliant!' energy went into a proper wrap for Pumpkin. Created by Jessie Zuke and obviously a puppy metaphor... what happened to her? The crew don't care, because they won't tell us. If they cared even a jot it would have a story around it. Instead, we got some half-arsed bullshit from Joe Johnston about 'pumpkins don't last forever' and... scene. That's it.

But Cat Steven, OMG, yes we have to make sure to include him. Whenever we're at the Beach House. Especially if Garnet is there. Because... lesbians all love cats? Or something? Just... CATS. MOAR CATS.

Couldn't you show a little more respect for a character, albeit a not particularly important one, rather than worrying about how much airtime the various cats all get?

In Conclusion

It bears restating, this is mostly ire directed at Series 5 onwards. The other series are all still there, and I can watch them to reminisce. I can still enjoy some truly wonderful episodes of just about the best cartoon I've ever seen. This show is incredible... but the endings kinda suck. And that's down, mostly, to pacing. And how it kinda fucked Steven Universe.

[sansanficrec]

Q&A  with ladytp

Grab a glass of wine and get to know @ladytp!

How long have you been writing fanfiction?

I actually went back to the folder of my first posted fanfic, and it was almost 6.5 years ago, September 2012… That was my first ever creative work I wrote as well, as I started quite late – being already adult, established professional and all that. So never too late to start, one doesn’t have to have grown up writing!

Did you write before that?

No I didn't - unless scientific publications are counted as 'creative' writing (well, to be honest, sometimes there was an element of creativity when trying to make one's data make sense, LOL!)

How long ago did you join Tumblr?

To be precise (as I like to be!) I joined March 1st 2013 – so almost six years ago… But it took me four months to make my first post (an awesome music video about ASOIAF and GoT), being initially a ‘lurker’ to observe and learn. I migrated there from Livejournal when things started to quiet down there – like a moth I was drawn to bright lights, moving images, and more of my fandom content!

What is the meaning behind your username?

My username is from the Livejournal times as well, as when I joined it, I didn’t grasp the significance of one’s url or username and just picked the first one that came to mind when filling in the details: “lady” and my initials. D’oh! Luckily I have been able to successfully have the same name in other platforms as well, which is great – it is easier than have many different names. I am also glad that it is not fandom specific, as my interests are many and varied…

What was your first fandom? First pairing?

Definitively ASOIAF – that was my introduction to the whole cultural phenomenon of ‘fandom’, devouring fics and joining communities (yeah, I am so far behind of everyone else – I used to have a life, LOL!). Sansan was my first ship, but I also had a brief period when I was very interested in Daenerys and Jorah (this was before I saw the show). Even though the show had a big negative impact on Sansan experience for me (not due to Rory, I hasten to add – but the storylines), it has still stayed my OTP in a sense that I feel most comfortable about writing them and their dynamic still fascinates me above anything else.

How/when did you first notice (or start to ship) Sansan?

My story is very typical; first reading their interactions after the Hand’s Tourney, then the scene of the Battle of the Blackwater – and I was hooked. Googling and finding fics, Livejournal communities and all the metas…no getting back from there! I mean; it is so blatantly obvious that I wonder who can read the books and NOT get the vibes??

Is there a SanSan fic you’re particularly proud of?  Chapter? Paragraph?  Plot?

Hmmm…’Which one of your children you love the best?’, in other words – always a difficult question! I guess I am still the proudest of “The Triangle”  It was one of my early fics, it was a long-fic, and it was about the subject I had been fascinated with for years and years; the complicated Arthurian relationship between 3 people who loved each other for different reasons (Arthur, Guinevere and Lancelot in the original, Sandor, Sansa and Jaime in the fic). Chapter-wise I am very happy with the last chapter of the “Kiss of the Blade”, as hard as it may be for some due to the character death implied. It has melancholy but also beauty, I thought when I wrote it. Plot-wise I am excited and happy about my current WIP “This Time, We’ll Do Better”, as although it has some common trope elements, I think they have somewhat cool applications and it is nice to write something more plot-orientated for a change!

Any comments you’ve received that stick out, even now?

I have to admit that again, “The Triangle” inspired some absolutely wonderful comments, probably because of its unusual premise. Towards the end, and especially with people who had read it in one go long after it had been completed, there were some wonderful convos going back and forth. I especially enjoyed the ones where people either told that they had had some reservations starting it, but then ended up really enjoying the fic, or the ones where they might have had some queries and doubts and questions, leading to a mutually fruitful and eye-opening discussions on both sides. Those conversations really blew my mind!

Do you use a beta?

I have had the privilege of working with two wonderful betas, of which I am eternally grateful. The first one was wildskysheri / wildsky, whom I “met” via Livejournal, and who betaed for me for “The Triangle”, “A Chance Encounter” and “A Premediated Reunion”.  She taught me – a non-native English speaker/writer – so much about writing and what to pay attention to and what to look out for. I owe her so much! After our ways parted amicably as she moved on to other things, I was without beta for a long time, not really actively looking for one, but when my path crossed with the lovely @hardlyfatal, I have once again had the pleasure of getting my words scrutinised by someone knowledgeable, making them better on “This Time, We’ll Do Better”. I honestly can’t speak highly enough for a beta who can make any writer and fic so much better!

Are there tropes/styles/genres you struggle with?  Any that are almost too easy?

I do struggle a bit writing babies and children, and hence haven’t written much about them… I don’t generally care for modern AUs either and would struggle to write a full story in a modern times – although who knows, maybe in a right setting, replicating the high stakes situation of the canon, it could work. Haven’t tried so can’t say for sure! Very fluffy genre is also something I don’t feel particularly comfortable with, nor anything where the characters are very young. And porn without plot is neither a genre I relish. The most comfortable genres for me are the slow-burns, where mature people interact with each other in a mature way (whatever that means…). First realisations of feelings, hesitancy, and all that. I also do like plot-driven stories that have a start, middle and ending. I am all open for fake marriage, bed-sharing, ‘there was only one room at the inn’ kind of genres – any kind of ‘forced’ situations where the characters are obliged to spend time together!

When you start a fic, do you know where it will end?  Or do you figure it out along the way?

There have been fics along both scenarios – some were started at the spur of the moment, with only vague ideas of where and how far they would go (”The Prophecy” comes to mind, which I started as a random holiday scribbling – and repeatedly apologised and updated my chapter number as it grew and grew and grew…). And there were the ones where even at the end I couldn’t decide what the ending should be, so I wrote two (for example “Past Was Such A Long Time Ago“). But for most I would have some idea about the ending at the start, and for some I would gain it somewhere early along the way. So yeah, it varies!

Do you have any rituals/conditions for ‘getting in the mood’ to write?

I mostly write over the weekends when I have more time, after getting up and having breakfast, reading my emails and checking on Tumblr and doing all the routine stuff one does – and then I open my doc and start writing… With my internet radio blasting on the background on some jazz or lounge or classic channel. I find it hard to write during the weeks after getting back from work and being distracted by mundane home things and TV and such.

Have you ever had writer’s block?  Any tips for overcoming it?

I did have a period well over a year ago when I felt I had ‘lost my mojo’. It was largely to do with the way the Game of Thrones show had progressed and changed the characters so much that I couldn’t recognise them anymore, and my initial inspiration of writing about them consequently suffered. Especially as the show canon started to take over the original book canon so strongly in many platforms, including fics. The way I got over it was to distance myself from the show and partly, unfortunately, also from the fandom (so largely focused on show). I had a nice break, didn’t read many fics, focused on books and generally took a step back. Then I challenged myself to write a new type of story, a plot-focused ‘action & adventure’ story instead of romance focused only. That inspired me to write again, and I have been riding on that inspirational wave ever since with my latest long-fic WIP!

Aspirations of publishing one day?

No, not really. It is a tough world out there, especially as writing has become more reachable to many people who previously might not have even considered it (yay, fanfic and other forms of creative writing and platforms encouraging it!), and publishing world is awash with submissions and self-published stories alike. Although I don’t know for sure, I suspect that wanting to become published would take much more effort and determination and will than what I have for now, as for me this is a lovely hobby, nothing more.

What are your other hobbies?

My absolutely biggest hobbies are food and wine. I have loved cooking, eating and learning about food and wine for most of my life and it’s really important for me. Cooking meals ‘from the scratch’ from their base ingredient is what I love, as well as learning to master new techniques, new cuisines and difficult recipes. When I travel, food is one of the main drivers for that too, and holidays are largely built around restaurants, regions, cuisines and wineries. Holidaying in wine regions and wine tasting is the favourite kind of holiday! Yet I also love everyday cooking – the beauty of this as a hobby is that I get to do it every day and can challenge myself, be inspired by it and practice it all the time!

As for other hobbies…not really… I follow the transformative artform that is WWE, especially Dean Ambrose, and love visiting historical sites and reading about history, but that can hardly be called an active hobby… I also make some photo and video edits for fun, but lately my writing has taken much of the time I used to dedicate to that. Yet I feel that what I have is enough – I have no desires for an active life with lots of different hobbies and activities.

Any tips for writers looking to post their first (or second, or twentieth) fic?

I hope this doesn’t sound too harsh, but it would be really cool if even those who write only for ‘shits and giggles’ would do some basic formatting and language checks… Things like how to indicate dialogue, spacing between paragraphs and when to apply them, and of course, basic grammar. There are nowadays so many websites advising about those things, as well as free tools (for example Grammarly), that they are accessible to every person with access to sites posting their stuff – and a simple Google search is your best friend. I recommend this because ignoring those things may easily drown even the most amazing story in these times of fic over-abundance.

Other than that, write the stories you would like to read yourself, and the scenarios you would like to see in the canon. Study the writing style of the writers whose stories you admire and see if you could pick up a trick or two from them (but not plagiarizing, naturally). And if you can, get a beta – it is not absolutely necessary, but would give you a second opinion and advice from a trusted person. Oh, and give yourself a break between writing and final editing – ideally have a buffer of chapters in a draft phase before starting to post, so whenever you write something new, you can afford to let it rest for a while before getting back to it with fresh eyes. And have fun!

Anything you’d like to say to writers in general?

Don’t get hung up on statistics or comparisons. Think why you are writing – is it because everyone does it and you feel you should too, or because you truly enjoy it, or because of the stories themselves, or because you have an internal urge to do it, or it is part of your social networking activities… all are valid reasons, but once you define what they are for you, the easier it is to focus on it and the satisfaction it gives to you.

Anything you’d like to say to readers in general?

If you like a fic, don’t be shy about commenting, as it truly means so much to the writers… Even simplest comment is gratefully received. If you feel like wanting to pass on constructive criticism, first ensure the writer welcomes it, then formulate it in the politest possible way with positivism thrown in as well (and of course, make sure it is actually constructive). Marvel the choices and abundance of fic availability and acknowledge what a joy it is to live in this time and age when all that is possible. Enjoy!

Anything you’d like to say to the SanSan fandom in general?

Do not give up hope – Game of Thrones is over soon and we can get back to canon content, hopefully soon with The Winds of Winter. Whatever the further story of Sandor and Sansa is there, we know how important it has been already and nothing can take that away!

Read LadyTP’s SanSan here!

Read LadyTP’s full library here!

[manyshipsinoneithink]

Bechloe meet in a café au?

It’s kinda short, but also kinda cute! Enjoy :D

Beca woke up fairly early one morning. After checking the time a couple of times to make sure she wasn’t dreaming and it was really 08:23 am, she groaned. She had planned on sleeping in and then doing her mixes all day. That’s what you were supposed to do on a day off work. But apparently, her body was still used to waking up early. Deciding she had nothing better to do and falling back asleep was a no can do, she cleaned up a little bit, put on some black shorts, a wine red sports shirt, wine red Vans and her black and red snapback. Pushing her sunglasses up her nose which she had grabbed from her perfect line of sunglasses, she grabbed her laptop and headphones and made her way to her favorite coffee shop. She’s been there so often she was sure she was the reason the place was still running. It never got too busy and the people working there knew to leave her alone once she was in full work mode.

Once she arrived at the place, she opened the door, hearing the familiar jingle of the wind pipes, signalling that she entered the cafe. Benji was working today and he greeted the brunette with a smile. “Hey Beca. Latte Macchiato with extra milk?”

“Yeah. You know me.” Beca replied, taking off her sunglasses and hanging them up on her shirt. She scanned the cafe, taking in the rather busy space. She did spot a free booth though, and as soon as her coffee was ready, she paid for it before heading to the booth. She built up her stuff and put on her headphones, taking a sip of her Latte. She hummed before opening the file she was currently working on.

After a while - it might have been an hour later, Beca couldn’t tell - she noticed someone slipping into her booth. She didn’t pay attention however, trying to work out the element the song was missing. But the person didn’t seem to get the message, seeing as they lightly tapped on the brunette’s hand that was laid out on the table. “What?” The brunette asked rather harshly, pulling down her headphones.

“I’m terribly sorry to disturb you.” A redheaded girl apologized. “But you’re kind of hogging the sugar over there, and I wanted to ask if I could have it.”

Beca’s face softened a little, feeling a bit guilty for being rude to this rather pretty girl. “Sure, sorry. When I’m working I tend to forget the world around me.” She pushed the can of sugar towards the other girl. “Here you go. Do you need anything else? I don’t want to be disturbed.”

“No, that’s it. Thank you. Sorry again for bursting your bubble.” The girl chuckled softly as she poured some sugar into her coffee.

Beca nodded, pulling her headphones back on. She continued working on the song, feeling like she was getting somewhere. But when she hit another bump, she frowned, taking her head in her hand. She sighed, looking at the computer screen, when suddenly a note entered her vision.

Whatcha working on?

The brunette glanced at the girl opposite to her who shot her a smile. Frustrated, she pulled her headphones back down. “A song. I’m trying to mash three songs together to make it one, but it’s a lot harder than having only two.”

“Hmmm. That sounds cool.” The girl replied. “The mashing songs together. Not your problem.” She giggled. “Do you do this professionally?”

“No. I produce songs. But this has always been my hobby since it challenges me in all the right areas.” Beca shrugged. Why was she opening up to this complete stranger?

“Cool. Well, I’m a veterinarian. I help animals in need to get better.” The redhead opened up.

“Nice. Maybe I’ll bring by my cat sometime.” The brunette chuckled.

“Yeah, you should!” The girl smiled. “I think formalities are due. Hi, I’m Chloe.”

“Hey Chloe. I’m Beca.” Beca replied, taking the redhead’s outstretched hand to shake it with a laugh.

“You look really cute when you’re absorbed in your work.” Chloe noted with a smirk, bringing her cup up to her face to take a sip.

“Were you watching me instead of…” The brunette looked around the table to figure out what the other girl was doing. “… Reading “To Kill A Mockingbird”?”

“Chances are I might say yes.” The redhead shrugged, setting her cup down. “You’re just too pretty. You just pulled my eyes off the page and to you.”

Beca was taken aback. This really gorgeous girl was openly flirting with her, and she liked every second of it. “You seem to go after what you want, huh?” She asked, a smirk in place.

“Well, if I don’t lock it down, someone else will.” Chloe shrugged. “Assuming you’re single and up for a spontaneous coffee date?” She added with a hopeful tone.

“No, sorry, I sadly have ten girlfriends and a boytoy. I really can’t have another one or else they’ll all break up with me and leave an ominous note on my doorstep.” The brunette sighed, which made the other girl laugh.

“Okay. Let me get us some coffee. How do you like yours?”

Beca chuckled. “Just tell Benji I want a refill.”

“You’re here that often?” Chloe asked, her brows rising drastically.

“Hey, don’t judge me. Once you find your place, you stay.” The brunette shrugged. “But in case you want to know, I like a Latte Macchiato with extra milk.”

“Cool. I drink Cappuccino with extra sugar. Sometimes more than extra.” The redhead winked before heading off to the counter.

Beca looked after her, eyeing the sway of her hips when she walked. This was definitely not what she had expected to happen today, but then again, the best things happen unexpectedly. She let out a content sigh before saving her work and shutting down her laptop. She was really excited on getting to know Chloe better.