#deeper looks
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identifying-cat-phenotypes · 4 months ago
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Are the aristocats coats possible? Could an all white cat (f) have a solid black (m), an orange (m) and a solid white(f) kittens?
(thanks and sorry english isn't my first or second language)
You could do a lot with them, that's for sure! Here are what the Aristocats family looks like, for those that don't know/can't remember.
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Ignore O'Malley. This isn't about him.
It's possible, very possible actually, ESPECIALLY with the fact that we don't know the sire. That is a lot of creative freedom I can work with. I'll go into depth on each kitten's genetics below the cut :)
I want to have fun with this. If you know a bit about cat genetics, you'll quickly see how convoluted I make these answers because genetics are fun. Silly kitties with their silly genes and I will have FUN damnit!
Duchess's white is epistatic over everything. That means, we can really go crazy with what is under there. Eumelanin colors, red, tabby, solid, inhibitor, it can be whatever.
Therefor, I'm calling her a (technical) cryptic tortie. Below are the expressions I've decided to give her.
O/o, -/- W/w, l/l
I'll keep her black locus blank, as that will be affected by the sire. I'll be doing them last, so it'll be done last too.
Now, if you look at Berlioz, you'll notice something. He has a lighter gray stomach! That means I have to give him inhibitor at some point. You can also see this on Toulouse! However, since he is red, I'm passing it off as tabby. No inhibitor for him.
Marie is easy, so I'll just do her right now. The only note I have is that the sire HAS to be L/l in order for Marie to stay longhaired.
l/l, W/w
Onto the other kittens!
To stay as close to canon, Berlioz must have:
Black self (B/-)
Inhibitor (I/-) <- capital i
No white (w/w)
To stay as close to canon, Toulouse must have:
Red tabby (O/Y)
No white (w/w)
This means that we know EXACTLY what the sire has to have. It has to not have white, and have inhibitor. It's quite simple! However, I like to have fun.
Simple Genetics:
Duchess: l/l, O/o, B/B, W/w, i/i longhaired white (black self tortie) Unnamed Sire: L/l, o/Y, B/B, w/w, I/i shorthaired Marie: l/l, O/o, B/B, W/w, I/i longhaired white (black smoke tortoiseshell) Berlioz: L/l, o/Y, B/B, w/w, I/i shirthaired black smoke Toulouse: L/l, O/Y, B/B, w/w, i/i shorthaired red false-tabby
Now, you may be saying, "Robin, what possibly could be next? You've done all their genetics!" This is true! I just did it, however, I like to have a LOT of fun here. Fictional cats (cough. Warriors. cough) are my puppets, and I make them dance to my own rhythm.
Lets have fun with epistatic traits. Lets make these cats as far away from canon (but still technically recognizable) as possible. The world is MY oyster.
Duchess is now a longhaired cinnamon (b1/b1) self (a/a) cryptic tortie. Color-pointed (cs/c) with full white. The sire is now a shorthaired (L/l) black-silver (B/b1, I/i) tabby (A/a) with high tabby-breakage (spotted tabby).
So... onto:
Mod Robin's Funplex Cat-Genetics Note: I'm having fun. This is not accurate to real life probabilities.
Duchess: l/l, o/o, b1/b1, a/a, cs/c, W/w, i/i longhaired white (cinnamon colorpoint, carrying albinism) Unnamed Sire: L/l, o/Y, B/b1, A/a, C/c, w/w, I/i shorthaired black-silver spotted tabby (carrying albinism) Marie: l/l, o/o, B/b1, A/a, c/c, W/w, I/i longhaired albino white (black-silver spotted tabby) Berlioz: L/l, o/Y, B/b1, a/a, cs/c, w/w, I/i shorthaired smoke sealpoint (carrying albinism) Toulouse: L/l, o/Y, b1/b1, A/a, C/cs, w/w, i/i shorthaired cinnamon spotted tabby (carrying pointing)
yay! kitties :) !!!! <3333
i wrote this at 3pm and a dream okay. please tell me about any mistakes, and dont get mad at me for probability. I WILL have fun in my kitty echochamber and I WILL like it :)
signed, mod robin
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egophiliac · 1 month ago
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my neverending quest to draw one single Idia that I don't immediately hate
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thetoyboxs · 5 months ago
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As the oldest of four I say I'm qualified enough to say, close enough!
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festivating · 2 months ago
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obsessed with elphaba who is strong and brave enough to stand against a decades old evil regime completely by herself but she runs away when a girl calls her beautiful.
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hinamie · 5 months ago
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shhhh
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poorly-drawn-mdzs · 1 year ago
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The musical episode.
[First] Prev <–-> Next
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wyrmapalooza · 1 year ago
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Finally finished this :D !!!!
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clanborn · 1 year ago
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like water through my claws
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mizartz · 2 years ago
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guarding the flock
(please consider: ghost king danny but the crown is a wolf collar)
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kj-beastboy · 2 months ago
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Paperhatober Day 18: Space🪐
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fishareglorious · 3 months ago
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kakania numero uno reverse 1999 character on the fact she makes a dig on the sex life of the guy she was dueling with at the moment. while also somewhat kinda maybe implying she fucked his wife
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identifying-cat-phenotypes · 4 months ago
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Hi! What's the difference between calico and tortoiseshell with high-white, or are they the same colour? Google isn't being very helpful :(
Sorry for the delay in answering this ask, anon!
Calico is a term used to describe when a cat is ~60% white, when you could see a cat and go "this is a white cat with mottled patches" instead of "this is a mottled cat with white". Due to the fact it's a personal disambiguation, a lot of difference sources say different things. It's personal, and depends on a lot in a cat.
Another disambiguation used is how "mottled" the patches are, but that is caused by white patterning. The less space that the patches have to grow onto in the embryonic stage, as white grows first, and the base (and red) fills the area left with as much as they can, causing larger and thicker patches to form.
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The image on the left is a tortoiseshell, while the image on the right is a calico, in my eyes. They are caused by the same gene being active in XX cats (XOXo). In the two images, its very easy to tell the difference.
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Now, here is a tortoiseshell with white compared to the same cat. Arguably, the cat on the left is a calico, just as the right image could be argued it's a tortoiseshell with white.
It's an entirely personal disambiguation.
Image Credits:
Tortoiseshell - By Lucashawranke - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=64793283
Calico - The Spruce / Jordan Holcomb - https://www.thesprucepets.com/calico-cats-profile-554694
Tortie with white - /u/porkhead on Reddit - https://www.reddit.com/r/torties/comments/15jewgd/how_much_white_can_a_tortie_have_before_being_a/
signed, mod robin!
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mychapel-004 · 1 year ago
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FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!
i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.
i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.
in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.
this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable
it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.
then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.
he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.
finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.
it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.
in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.
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oodlesodoodles · 15 days ago
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jicklet · 2 years ago
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Ember and Wade in Elemental (2023)
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gunsatthaphan · 2 months ago
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don't mess with the smol assassin 😈
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