#decoding black characters

[pascaloverx]

Moonlight

Summary: You and Edward Cullen used to have a romantic relationship. But fate seemed not to believe in the possibility of a vampire and a potential she-wolf being together. Years after your separation, you return to Forks. Edward is committed to Bella Swan, and Jacob Black has his own pack. What happens when, upon your return, you begin to transform into a she-wolf and both Edward and Jacob seem eager to revisit the past with you?

Author's Note: The characters in this fanfic do not belong to me but to Stephenie Meyer and the Twilight universe. The story blends events that happened in the Twilight saga movies with invented ones. Enjoy reading. This story will contain inappropriate language, a possible love triangle, scenes of violence, and romance.

AO3 LINK TWO

ONE

The same nightmare every night, recurring in your mind as if it were an impossible memory to forget. A large part of the Quileute tribe killed by the hands of the one you will someday love. Not that your love story with Edward Cullen was worth anything. After all, he is a vampire. You are a descendant of a lineage of shapeshifters who transform into wolves. What could go right in this story? You've been driving for about two hours to reach Forks. It's been a month since you started having nightmares involving the tribe to which you belong and your ex-boyfriend. So, you decided to return to Forks to see your friends and those who are like family to you and, if possible, stay as far away as possible from Edward Cullen.

"If you had picked up your phone, Sam, you'd know I'm almost there. But since you didn't, just know I'm entering Forks now. I'll head to La Push as soon as possible." You say, leaving a message on Sam's voicemail. He knew you'd be arriving soon but didn't know exactly when. In fact, it was his idea for you to return to Forks. As your nightmares have become more frequent, you're so sleepy that you can barely tell how you're still managing to drive.

And then, like flashbacks in your mind, your moments with Edward and the pack you were part of come to the surface. You remember how you met Edward amidst a fight between the Quileutes and the Cullen vampires. One of them had accidentally crossed the border that separated the vampires from the wolves. It was chaos. Your father, who was alive at the time, was very angry and considered killing a Cullen to show that invading Quileute territory was a bad idea. Luckily, Jacob's father was more sensible. Edward read your mind for the first time that day. He knew you were curious about what the Cullens were doing crossing the border that separated the two enemies. So later, at the border, he found you and explained. Jasper had been hunting an unknown vampire who had hurt Alice and ended up crossing over. That was the first time you wondered if a vampire was okay, and when Edward noticed your slight concern for Jasper, he believed you were different. Amidst your moment of recollection, you lose concentration. But you only realize this when your car hits someone hard. You're dazed by the impact, but as soon as you look ahead, you feel a certain relief. Edward is right in front of you, staring at you with a curious look as if he doesn't quite understand that it's really you.

"What are you doing, Cullen?" you ask in an enraged tone. Of course you're angry. He's a vampire, unscathed after the collision with your car, while your car and you have suffered some impact. I mean, you can feel blood trickling near your right eye, but the damage to your car is definitely more significant.

"It's going to sound strange. Alice had a vision that saw me doing this as soon as you arrived here. I'm not saying I did it on purpose. In fact, I am hunting. But you really are here." Edward speaks as if he still doesn't quite understand that you're actually in front of him. You take a deep breath, trying to resist the urge to kill him for what happened to your car. In reality, you're unsure whether you should get out of the car or not. You're bleeding, and that could be a challenge for Edward.

"I'm not going to attack you, don't worry. I thought you knew I would never do something like that to you. I mean…" Edward says, and you automatically get out of the car, walking toward him. Something about the proximity between you leaves both of you speechless. You always hated when Cullen listened to your thoughts, and he knows that. The courtesy of having your private thoughts respected seemed to be valid only during your relationship.

"You mean you wouldn't attack anyone unless it was absolutely necessary. I know, I know you, Edward. What surprises me is the fact that you don't seem to know me. You know I hate when you… never mind. Maybe you only respected me while we were together. Now we're strangers to each other." You say, realizing how different he seems, even though he hasn't aged a day since the last time you saw him.

"I'm still the same, Y/N. The same guy you walked away from years ago." Edward speaks softly but with a certain sadness in his words. You look at him, unsure of how to respond. Yes, you ended your brief relationship out of fear of what your father would do to him if he found out.

"Look, I didn't intend to bring the past back. I think it's better if you go your way and I go mine." You say, turning to leave and drive your somewhat damaged car. But Edward appears in front of you before you can open the door.

"Carlisle can take care of that for you. I know he'd be glad to see you again." Edward says, stepping a little closer to you. You stare at him, this time not understanding what he wants. It's obvious he's talking about the injury on your head, but you don't understand why he seems so reluctant to distance himself.

"And I should go to your father figure and ask him to help me based on what? The fact that you and I were together years ago? The fact that my tribe has no idea what happened between us? Maybe I should go ask him how he feels about seeing you about to marry a human. What do you think, Edward?" Your tone is absurdly ironic but realistic. Just the fact that you're here now with Edward could jeopardize everything. If Sam or Jacob see you here with him talking about your past relationship, it could cause a mess. Not to mention that Cullen is now committed.

"I caused this in you. Maybe you should go to Carlisle for the same reason anyone in this town would. You've had an accident, Y/N, you need to take care of this." Edward says, gently touching the area where you got hurt. You let out a soft groan of pain and then pull away.

"How do you suggest I deal with the complications that going to Carlisle would bring me?" You ask, almost grumbling. Edward smiles slightly, as if he even misses these conversations you used to have when you were together.

"Do you remember the farthest spot from here where we used to meet when we were dating? Meet Carlisle there when you can. Unfortunately, Jacob is already on his way here, and I think it's better if I'm not here when he arrives." Edward speaks, and before you can say anything in response, he's already gone.

"Your cowardice is remarkable!" You shout, hoping he hears you. As you turn around, Black is behind you. He's clearly sweaty, must have come running in his human form.

"What happened to you, Y/N?" Jacob Black asks, quickly approaching you. He must be worried because you're injured and apparently talking to yourself in the middle of the road.

"I had an accident. I hit an animal, actually. It was quite a mess. How did you know I was here?" You ask curiously as Jacob gets closer to you, analyzing and sniffing you. You wonder if you smell bad, but then remember that Edward was here just a little while ago.

"Since when did you learn to lie to me? I thought we were honest with each other." Jacob says, looking into your eyes, and you feel guilty for lying to him.

"You want to have a relationship argument here? Then it was better not to have come at all. If you could excuse me." You say, walking past Jacob and heading towards your car, but he gently grabs your hand before you can open the car door.

"I missed you," Jacob says as he gently strokes your hand. You look at him and then walk towards him, embracing him.

"I missed you too, more than you can imagine. How about you drive what's left of my car to La Push, so we can have a better conversation?" You say, hugging him tighter, as if you didn't want to let go. It's strange, but seeing him safe made you feel better. After dreaming so many times about Jacob's death, it's good to see him like this.

"I'll drive your old tin can here. You can sit comfortably in the passenger seat. And don't worry, I'm sure there will be some bandages for you there." He says, kissing your cheek and opening the passenger door for you. You get into the car and watch him enter the car and take the wheel. He starts driving, and you slowly begin to close your eyes, hoping that now that you're in Forks, your nightmares won't come true.

[riacte]

Unconventional format / mixed media / meta / epistolary fic ideas:

Script format but the characters slowly break fourth wall until they grow self aware and scream to leave but the script confines them.

Mock up notes of an author's fic outline only for a "fan favourite" / "author's darling" character to gain sentience and influence the story. The character changes the outline to suit their own agenda, and their changes are marked with a different colour whereas black text means it's the author's will. Maybe another character using another colour gains sentience. The different colours fight for dominance. Mom says it's my turn with the keyboard hey what the fuck man excuse me I'm literally trying to save my family can you guys let go and let me write your character arcs in peace OH FUCK OFF

Recipe fic. The story is told via those unnecessarily long backstories on a recipe blog in which you learn about someone's grandma or a breakup or literally anything. Bonus points if the actual recipe deals with worldbuilding (what ingredients are available? What utensils are used? How to serve this meal? Woohoo Dungeon Meshi) or in-cheek recipes (eg. "Recipe for making up with your estranged mother - Step 1: Mix patience, nostalgia, and filial piety and let it marinate for ten years. Step 2: Throw that shit into the trash because you're better than that")

Travel fic. A character is lost and trying to find their way somewhere. GPS directions, googling "x place to x place", tickets and dates, train station maps, leaflets. It gets weirder and weirder. You never get closer to your destination. You're walking around in circles. It's always 10 meters away. Where are you going and where have you been?

Receipts. Try to infer what a character is doing judging from the weird things they buy together. Also yipppee inflation tracker. On the other side, maybe it can be about a cashier/ shop owner getting to know their customers and what they order.

Written from the pov of an non-native English speaker, all the English words are italicized whereas their native tongue are the only words not italicized. Inspired by Kupu rere kē by Alice Te Punga Somerville. This is because I got salty about people from Ao3 Reddit saying they won't read a fic in all italics.

Murder mystery / "Among Us" style impersonation fic strictly using the chatfic format. Characters and readers will have to figure out which character has been killed and replaced from the way they text and use emojis. This is also because I got salty about Ao3 Reddit being a wee bit pretentious about emoji usage in fics. Maybe emojis can be important plot devices! Some people prefer to sign off messages with a heart emoji of their signature colour, so won't it be weird if they use another coloured heart? How about someone using lapslock suddenly using proper capitalisation and full stops? Can you tell if someone's phone has been stolen? What if someone's mother is pretending to text like their child? Why is someone suddenly only using UwU speak? Is it a bit, or have they been replaced?

Innocuous second person POV until the last line where it's suddenly revealed to be first person POV all along and the "I" has been stalking and narrating "you".

Other fun bits / Easter eggs / secrets to hide:

Decoding within the text itself. Maybe we get given instructions to find a word in x chapter on page y on the nth line. And when we as readers collect all the words, they form a sentence that spells out an important fact which the characters are oblivious to. Or maybe the in-universe characters find a book with the same title as the irl fic with a bookmark in it, and if you go to where the bookmark is stuck irl, you'll find the murderer plainly stated. The rest of the fic is about the readers having hard confirmation of who the murderer is while characters don't know.

A phrase is subtly repeated throughout the text of the fic and is spelled out with the letter that begins a sentence. It gives off the effect that the narrator is screaming and crying into the void (to the readers in the fourth wall) while trying to avoid detection. Bonus points if the same word is repeated for pages and pages to the point the lack of sentence variation feels weird and clunky.

Morse code!! I love morse code! Using onomatopoeia to convey the dots and dashes! The sound of rain pattering on the tin rooftop— drop, drop, drop. A low whistle of a train rumbling in the distance. He slowly sharpens his knife, creating a shiiing sound. A lengthy, high pitched squeal from his kettle. A dog barks. A sharp knock. His heart thumps. Dot dot dot, dash dash dash, dot dot dot. SOS. Maybe a character's death scene spells out the name of their mysterious murderer. Maybe a character is reminiscing their deceased loved one and the scene spells out what the deceased person would've wanted to tell them— "LIVE ON" or "I LOVE YOU" or something.

[tarnishedtwill]

Nevarran Culture

Nevarran Surnames – It is remarked briefly in a codex that most Nevarran surnames are three syllables. This seems to be true with the majority we are exposed to in game: Pentaghast, Van Markham, Hezenkoss, Volkarin, Anaxas & Tanhausen to name a few examples. However we do see an exception with the Blackthorne’s and Forsythia families. Blackthorne’s notably adopted their surname from the land that was gifted to them, and Forsythia which [has four syllables] doesn’t seem to have any information alluding to them not being originally from Nevarra. 

Nevarran Features – From looking at a handful of known Nevarran characters [Emmrich, Cassandra, Myrna, & Tessa] It seems that generally speaking, most Nevarrans tend to have dark hair, often black, as well as brown to green eyes. [Hazel seems quite recurring.]  This of course is not always the case, but it seems to be quite prevalent. Likewise it seems that olive complexions seem to be quite common in the region.

[Death Watch] Beetles –The imagery of beetles can be found amidst Nevarran motifs. Fitting in amongst the geometric shapes well. Perhaps thats where the fascination first rose. Hard in Hightown mentions the use of encrusted wings being used decoratively by the Nevarrans. Boxes of Beetles can be found in the Black Emporium [DAII] with the following Codex [Crate of Live Death Watch Beetles] The Death Watch Beetle is thought to fortell death, and thusly has become prized. Sometimes families go as far as keeping one caged in their homes as good luck. Insect symbols are also used throughout the Grand Necropolis, necromancers state they, “Honor the work of the humblest creatures in our funerary rites.”  While this may be true looking at longstanding traditions in Nevarra including oftentimes vegetarianism, the codex goes on to provide a more clear idea on beetles. It states that Nevarran found a kind of beetle that consumes flesh of the dead [i.e. a carrion beetle] This leaves behind only the skeleton, insects like this are probably valuable in the grand necropolis to expedite decay processes and keep things ‘cleanly’. Emmrich notes [codex: ‘on beetles’] that the Watchers have bred ‘fascinating variations’ of the beetles, I find it so interesting that they rely on nature for this process instead of using magic as part of ritual. It’s unclear if these are specifically the death watch beetles mentioned in Hard in Hightown, but it is interesting to see the beetle motif surface in so many ways within Nevarran culture. [I also personally find several of the Mourn Watch insignias to look like stylized beetles.]

Hexagons– Alright, so I would adore anyone who may have additional insight, but now with the nearly completely decoded Nevarran script I feel comfortable to make this assertion, but the Hexagon has some type of cultural significance to Nevarran culture, it features not only in things like architecture and clothing [even the chains on Emmrich's outfit are hexagonal links] but also things like, every mourn watch symbol I have run across fits into a hexagonal outer silhouette not to mention the script of the Nevarran language’s alphabet fits neatly into a hex-base as well. I am trying to dig for design notes on this, but I don’t have access to the artbook. If anyone knows more I’d love the insight.

Cuisine – With the evidence provided by a menu in Rivain, referring to ordering a dish meatless as Nevarran, and several dialogue and text mentions of Emmrich not eating meat [though cheese seems fine]. It can be assumed its pretty common practice in Nevarra to be vegetarian. This makes sense if you look at their cultural reverence for dead and the importance of the body in their burial rites, probably paints eating the bodies of creatures in a different light. To us what is simply meat, is probably seen as mild desicration. Emmrich even goes as far to state: each Watcher must decide what they wll and won't take a life for. Though it is probably common for Nevarrans to think this way and partake in vegitarian based diets, I also would argue this could be in part class based as well. We know that Emmrich grew up in a poor family, and his father was a butcher. A butcher in Nevarra. This implies that despite the pervasiveness of things like no meat options being referred to as 'Nevarran', and there being cultural significance to how they percieve meat and death, people in Nevarra are still in fact eating meat with enough demand that a butcher was a feasable occupation. This also could imply perhaps meat is seen as a lower-class consumable, and being able to sustain a vegitarian diet with more diverse ingredients a privilege. Known dishes include: Blood Orange Salad, Flatbread [similar to a pita], and Hazlenut Torte. Nevarrans also take great pride in aesthetic presentation and plating of food, often displaying it quite beautifully and with care.

Grave Mist– With the appearance of a churning cloud within a bottle, Grave Mist is magically infused vapors. It is captured near tombs where spirits dwell, and has some type of intoxicating nature to it. We don’t know if its more along the lines of inebriation or hallucination, but Emmrich notes that while he personally doesn’t partake, he hears it’s effects are quite invigorating.

Duchess's Games- Held at the Anaxas estate in the Summertime, in which scholars from Cumberland test their wit against those of the Free Marches in debates. [often times over philosophy and rhetoric], usually taking place over tea with the Duchess Ravria Anaxas. 

Hunt Balls- Nevarran high society awakens each Winter, while other areas of Thedas brace for the cold. Winter is historically speaking one of the best times to conduct dragon hunts, as the cold weather causes them to be sluggish and stick closer to their hordes. As a society that celebrates the hunt of these magnificent beasts ‘Hunt Balls’ gained prominence quite early in their history. A chance for these nobles and ‘heroes’ to show off their mighty kills. Traditionally the great halls would be decorated with rather gruesome displays of the slain dragon, perhaps is heart or head the focal point. Now, with the scarcity of dragons to hunt, the balls have become more of a cultural metaphor. A display of passion amidst the cold winter, symbolizing the thrill of the chase, couples dress in armor and flowing red cloth and dance with fervor and passion to symbolize the hunt.

Additional note on Winter in Nevarra, the Minanter river is known to completely freeze over. It is a common site to see people skating along its surface, with vendors set up along the banks selling hot spiced teas, and roasted nuts.

Wintersend – A wide spread Andrastian holiday, originally called “Urthalis” [named after the draconic Old God of beauty Urthemiel], and since has been transformed in to a celebration of the Maker. It signifies for most throughout Thedas, the end of Winter and beginning of Spring. In Nevarra it begins a series of contexts and tournaments primarily focused on archery and tests of arms. Also note, Emmrich’s mom apparently made a Hazlenut Torte every Windersend.

Nevarran Statues/ Ancestral Pageants – While the finest statues and displays of pageantry happen in the Castrum Draconis, it is said that Nevarran statues honoring it’s heroes and ancestors extend out from the city, to the streets of even the meanest villages and even in to the gilded streets of Cumberland. Each autumn, residents of Nevarra city hold lavish pageants to honor these ancestors. Families are known to drape statues in colorful cloths often in their house colors, and lanterns are lit along the streets to illuminate them. Actors [paid in copper coins, which is specifically noted and an odd detail] are hired to recreate and perform stories and exploits of the heroes. The nobility are often known to compete over the best displays, notably the Pentaghasts and Van Markhams. It is to be noted that the Mortalitasi of the Grand Necropolis are also known to perform autumn rites at this time, ‘according to rumor’, it’s unknown if theirs are open to the public. I unfortunately have not run across a name for this festival/pageant.

Nevarran Spirit Philosophy- This is one of the main reasons that the Nevarran people choose to entomb and mummify their dead versus cremation, which is the more common form of ritual throughout Thedas. The idea is that once dead, a persons soul passes into the fade. This causes a spirit to then be displaced into the world, if mummified remains are nearby this gives the spirit a safe place to reside without risk of corrupting/turning. It’s a concept of balance, some scholars argue wether or not death is a 1:1 transaction across the fade. Emmrich states [codex: The Great Passage] that spirits have difficulty grasping the concept of quantities let alone numbers. Also that, no one knows a way to effectively tally both spirits in the fade, and people in the world, to ever entirel prove or disprove this theory. Nevertheless this is the concept at the heart of most Mortalitasi ideology, it is woven into the very folklore of Nevarra. The higher dead may be a melding of a spirit with the memories of the soul who came before– or even able to retain their souls.

Grave Dowry- It’s mentioned when asked why Emmrich wears so much gold that it is considered a custom called grave dowry. This is reinforced by the fact that if Mourn Watch Rook selects gold as their favourite color (conditional), the dialogue continues as Emmrich asks them if they have started their collection of grave gold yet. To which Rook responds they ‘have to decide which pieces are good enough for eternity’. If Rook is not a watcher and chooses gold, Emmrich replies by saying, ‘The Watchers wear grave gold in acknowledgement of our own deaths.’ [This implies that gold and opulence worn by members of the Mortalitasi is ritual. Its seen as something with foresight to have in death. This is very much so akin to grave good practices seen throughout the ancient world: think Mycenae, Egypt, or even Bulgaria <see Varna Necropolis>] Another codex [Aurum Profundis] mentions a passage from Prelate Vestalus Pentaghast remarking, “Gold is the eternal metal, and the sun beneath our vaults. It was first worked by our ancestors in tribute to the dead, and only Nevarra appriciates it’s sacred nner nature. Silver will tarnish, copper corrode and iron rust. Gold endures as our dead endure, and will ever adorn the inhabitants of the Necropolis.” I find that this quote perfectly captures the ideology and watcher sensibilities towards gold and the concept of dowry. It however is unclear if this is an ideology throughout Nevarra or just a tithe within the Mortalitasi.

This is my first post of several. I have been taking close notes deep diving Nevarra, the Mortalitasi, and the Grand Necropolis. I will be organizing them on my page under the tag Nevarran lore, If missed any key details or got anything wrong please by all means let me know, I want to make this as good as possible and would be happy to correct. Both for a resource for fic writers but also knowledge for my fellow lore nerds. More will be posted soon as feel sections become complete or mostly complete.

Update Edits:

Added information about Hexagons & the Nevarran Language.

Removed a section of lore on Recruitment as I found the citation to be unbacked and probably fanon.

Insight on why Butchers would be in Nevarra.

[meowordeath]

A/N: I love Identity V!! especially Eli Clark!! I attempt to make it as gender ambiguous as possible, besides one having the word boob just replace it with pec! i didn’t know a gender neutral term for boob, sorry! :3 btw I'm not sure if someone else has already done this!

Characters | Eli Clark , Ganji Gupta , Naib Subedar and the lovely lady Patricia Dorval

Content warning : fluff , reader with boobs but no specific pronoun, not too inappropriate, jack the ripper And Breaking wheel if those count?

Identity V characters reacting to their s/o clothes getting ripped! :3

Eli Clark

Before the match started Eli got to view your new costume. It looked very ninja like, the clothes were very skin tight. You two chatted while preparing for the match “Remember, just called out and I'll send brooke to your aid, okay?” He whispered to you laying his gloved hand atop yours. “I know, don't worry if I need you I’ll shout”

You smile before pecking him on the cheek. Brooke hoots happily, as Eli gives you one more loving look, before everyone's sight fades.

For first few minutes of the match you had been decoding. Feeling more relaxed as Luca shouted the hunter was on him, making him first kite. Your cipher was a little over half way done, as Luca started kiting toward you. At first you assumed he was just kiting in the area so you didn't bother to get off the cipher.

Your heartbeat started to get more prominent, but you were still very lax, thinking Luca and whoever the hunter was were just getting closer, when a shout rang out through the map. “Beware! Hunter has changed target!” You lifted your head abruptly from your cipher, accidentally messing up a calibration in the process making you shield your face from the explosion.

Soon after you messed it up you felt blades run from your back to your side. You cry out in pain bumping into the cipher as you sprint away, unfortunately the cipher snagged one of the slashes he had made in your shirt. A dark chuckle sounded behind you as you ran.

“This chase is already way more exciting than chasing that decoder,” Jack said licking the blood from his blades. You ran vaulting windows, throwing pallets for distance, you even led him back to Luca. Luca had a flustered look watching you pass him.

Eli knew you were currently kiting and trusted that you’d call out for help, so he didn't want to waste his spectate. “Help me!” Your shout rang out through the map. Eli was quick to send brooke to your aid. Looking through brooke's eyes he was shocked at the condition of your current costume. His face turned a little red.

Jack had only meant to slash your back, but since you messed up the calibration his slash went down your side, slicing open your shirt. It would've been fine with thin slashes, if your crash into the cipher hadn't caused your shirt to snag. It tore and your right boob was pretty much exposed.

You were trying to hold onto some dignity pulling the shreddings of your shirt over to cover it, but vaulting and pulling down pallets. You needed both your hands. Jack definitely had a great view of you each time you pulled down pallets. Eli was quick to find the teams other assist, William, and asking for his help to get The Ripper off you.

William was quick to assist. He stunned Jack allowing you to escape and hide, forcing him switch targets. Eli set brooke to find you, so he could help.

When he did find you, you were crouched behind a pallet, making a pathetic attempt to save your shirt. Eli crouched in front of you, not looking at your chest, instead checking over the wound. “It’s gonna be okay s/o, you can have my trench coat” His voice was slightly flustered, as he shed his coat.

He was left in his white long-sleeve button-up and black tie. You couldn't be more thankful for him wearing his recluse costume. “Thank you, Eli. God, this is pretty embarrassing!” Both your guy's faces have a faint blush, as you button up his trench coat finally covering your exposed flesh.

Eli's nervousness faded as he smiled. Lifting his hand to cup your cheek. “Don't worry, if they say anything, I'll have brooke rose peck out their eyes” he jokes, brooke hoots in agreement.

Ganji gupta

You and Tracy are both hanging out in the manors workshop. She was originally tinkering until you came in, wanting to show off your new costume to her. It had this futuristic theme, and Tracy was quick abandoned her invention to mess with the small gadgets they stuck to you as accessories.

On the front-side of your shorts, you had some sort of tablet with buttons and fun looking controls. It was attached to some belt that had other gadgets, they were all locked to the belt, which was attached to the shorts. Tracy was crouched down messing with them all.

“How mad do you think Miss Nightingale would be if I started taking this stuff apart?” Tracy said with a small grin. You look down and it seems she had already took her screwdriver to a few things. “Well, I guess we will find out” She laughed at your words.

Everything was going fine you were standing as you watch Tracy dismantle each piece of futuristic tech on the belt. Ganji knocked before entering the workshop. He sighed looking at Tracy crouched next to you. “How much longer are you gonna keep my s/o, Reznik?”

Ganji was told this was only gonna be a quick visit to show off the costume. Yet He’d been left waiting out there for at least 20 minutes. “Calm down ‘Gupta’ your s/o came here to show off their costume to me not you!” Tracy taunted, while saying his name is a mocking tone. Ganji scoffed, setting his cricket bat down at the door.

“Who do you think they showed it to first, Reznik.” Ganji sounded like he was subtly bragging, at being the first person to see you in the new costume. Tracy rolled her eyes. “Darn, the screen to this thing just doesn't want to come off!” She said trying to get the screen off, to get the wiring.

Ganji started to walk toward them reaching to pull Tracy off his s/o. “Okay Reznik, I’ve had my fair share of sharing my s/o.” Before He could reach Tracy she had fell back as her force caused your shorts to rip.

Tracy honestly didn't see anything with how fast Ganji was to cover you, He scowled down at Tracy. “I'm sorry...?” She said with a sheepish smile. “Find my s/o something to cover up with Reznik” He said firmly. She was quick to bolt out of the room. “Right! I'll be right back!”

She didn't look back in fear of seeing Ganji's harsh gaze. You could help but rest you forehead against his back laughing. “What are you laughing at? You’re currently in your underwear, if you hadn’t noticed.” He said turning toward you with a slight frown.

“I can’t help but laugh at the silliness of this situation my love. I never expected Tracy to rip my shorts, all so she could get the tablet!” You found this situation pretty funny. Ganjis frown turned into a small smile with your amusement.

“Glad you find this amusing. Though I’d rather be the only one to see my lover without pants on.” His words made your face slightly red. “Okay, perv.” His gaped slightly. “… I’ll remember that the next time your clothes rip. I won’t cover you.”

You smile squeezing his cheeks. “Yes you will, because you love me!” He sighed as you squeezed his face passive-aggressively. “… Yes I will.”

Naib Subedar

You know your lover hates Murro with an burning passion. Mostly because he hates boars, but you thought Murro’s boar was kinda cute.

Unfortunately Murro stayed very far away from you, making it so you barely saw his boar outside of matches.

It was a very nice day at the manor, survivor matches going smoothly, not that you had any matches to participate in today, Naib had about one or tw. With him on the team you didn’t doubt they would win.

In the manor there is an outdoor area, and due to you not having any matches today you want to go walk around in the sun for a bit.

On your way out you were wearing loose fitting loungewear. Not being in a match you didn’t want to put effort into putting on one of your usually costumes.

The sun felt good especially after being inside for most the day, you would take what you can get before Naib decides to ‘lowkey’ glue himself to your side. The outdoor part of the manor was pretty big enough to have a small forest, with a gate surrounding the whole area of course.

In the distance near trees you saw a tail and decided to investigate. Upon getting closer you realized its nust Murro's boar.

“Oh, I wonder why you’re out here by yourself. Is Murro around?” You said crouching down in front of the boar. It kind of just stared at you chewing on grass.

“Right, you’re an animal you can’t talk…” You felt a little awkward as the boar stared you down. “Well… I’m gonna go back that way…?” You stand dusting yourself off. As you stand the boar approaches you. You got back down wanting to pet it.

It did let you pet it for a moment, you got to even rub its stomach. It was fun, until you decided to go back inside and it grabbed ahold of the back of your shirt.

You and the boar had a short staring match. “Hmm, as much as I would love to spend more time with you Murro’s boar i’m sure my boyfriend is done with his match.” You said trying to tug the shirt from its mouth.

The boar refused turning it into a game of tug-a-war. “Let. go!” You huffed out fighting against the animal, you could hear the fabric starting to tear from you two pulling on it.

With one last tug you fell backwards, grunting in pain. It had a good chunk of fabric in its mouth as its trophy. You heard hurried footsteps. looking up you saw Murro. “I’m sorry! I didn't realize my boar had wandered away, forgive me!” He reached out to help you.

Unfortunately Naib had just arrived at the scene to see Murro’s boar with some of your shirt in its mouth, and Murro himself standing over you. In a moment a blade whizzed past, slicing Murro’s cheek causing him to fall on his butt in fear.

Looking behind you, he could see a very angry Naib hauling ass toward you all. In fear he quickly abandoned you. Hopping on his boar he left, running in the opposite direction.

Naib almost ran past you to chase Murro if you hadn’t gotten up quickly to grab the back of his shirt. “Wait, don’t chase after him!” You struggled to hold on to the man.

“I’ll gut him and that boar. How dare he sica damn animal on you.” His voice wasn't a shout but he was definitely furious. He was very strong actually draggjng you as he tried to pursue Murro.

You pull on his ponytail dragging his head back. “Hold your horses, who said anything about him siccing his boar on me?!” You let go of his hair as he stopped for a moment. “What do you mean, his boar was standing over you with some of your clothes in it mouth. How could that not be an attack on you?” He finally turned toward you head tilted slightly in confusion.

Sighing, you lightly pat Naib's cheek. “I wouldn't say it was an attack, I was originally playing with the boar. It only was trying to stop me from walking away, and Murro said he ran over after noticing it was gone.”

Naib’s eyebrows were still furrowed, eyes slightly closed, as of he was trying to see if you were lying for the sake of Murro. “Fine, I won't chase after him, for now.”

You grin pinching your lovers cheek. “Good! Now lets go inside you smell like shit” You say looping your elbow with his to lead him back to the manor. He rolled his eyes. “Whatever dear.”

Patricia Dorval

“Breaking wheel...! That son... sons? Of a bitch!” You say irritated, cursing his name to the sky quietly. He had been chasing you for most of the match before you lovely, kind, sweetheart patricia, took kite.

Inside your head you gushed about your girlfriend as you were trying to remove his spikes from not only your clothing but from your skin, as it had penetrated through the cloth into you.

Pulling them out was a huge pain, It hurt like hell. If only someone could help. You couldn't reach the ones in your back. Your mind drifted to Patricia as you pondered how her kite was going.

“You need help?” A raspy voice spoke out from behind you causing to yell and jump. Quickly turning around your faced wth the sneaky bastard who turned out to be Kreacher.

“Damn it Kreacher, you don't just sneak up on people like that!” You shout at the man hand over your heart. Other one raised as if you were going to hit him.

He back away from your shouts ready to coward out, and run away from your aggression. “Wait! Yes, I need help...” You say embarrassed about having to ask Kreacher of all people, to help you.

He was a little hesitant to come toward you, he had a sketical look toward you as you were just shouting but he did anyways. “Stay still and Ill get them removed” He said hand already painfully pulling one lodged in your back.

You try to hold in your pained shouts, refusing to show that this bothered you in front of Kreacher. They were pretty thin the spikes, but very sharp with tiny barbs that makes sense them hard to get from your skin.

Kreacher doesn't exactly have the gentlest hands while removing these from both your clothes and skin. You couldn't tell if he was trying to hurt you or help you.

“You could slow down damn it! Stop removing them fast you asshole, It hurts!” You hiss pulling away as he pulled another one carelessly out.

“Maybe if you could actually dodge breaking wheel..” You heard him mutter under his breath. “What did you just say!?” You say ticked off. “Nothing!!” He quickly says pulling one out to distract you.

He was pulling out the last one when both your hearts started to beat slightly, though it was barely anything to make you fret, polun didn't even know where you two were.

Coward freaking Pierson on the other hand grabbed ahold of the last spike dragging it down your back as he pulled away, bolting.

The specific spike he pulled was at the top so it tore all the way down, making the shirt go forward almost exposing if you hadn’t held it up with your hands. You grind your teeth slightly, turning to curse out to Kreacher.

As you turned your eyes met Patricia's, who had wacked Kreacher down with her ape skull, making his head bleed as he dizzily sat on the ground.

“Sorry I wasn't here sooner s/o, but at least I crushed this roach.” She said walking past him to you. She pecked you on the cheek getting her lipstick on your face, before looking at your back which was now exposed.

You had some blood drops rolling down from the sprike removals. She cut some more of your shirt so that she could tie a not in the back so it wouldn't fall off.

“I would take Kreachers jacket and give it to you, but I'd rather none of his filthy items touch you” She said as she gently caressed your back, careful of the small wounds.

You blushed at her caring gesture. “I should've warn a different costume one with a jacket, that's my bad.” She put her arms around your neck. “Well, I for one really like this costume, too bad it gonna be temporarily out of commission”

She makes it so hard for you not to swoon when shes this sweet. Kreacher groans reminding you two he was there.

Patricia unhooks her arms from around your neck. “Let's leave that thing and go decode the last cipher. Polun will find and kill it” She says loud enough for him to hear.

She grabs your hand pulling you away toward a cipher, while you follow her happily. Patricia was right about Kreacher as he was found & killed after Ganji led the hunter to him. At least the 3 of them escaped!

PLEASE I REALLY TRIED HARD TO MAKE THEM ALL SIMILAR LENGTH!! Hope you like this :3

[iidilio]

Day 14: “You said you don't like monsters, kitten... but what will you do when you find out I'm one?”

— You’re stubborn—maybe too stubborn to back down and walk away from the dangerous man standing in front of you.

[ 🌸 ] i think this is my fav

characters: Sylus

warnings: none

More? Here

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..

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The alley was narrow and damp, with the distant glow of the streetlights filtering through the slightly cracked concrete walls. Rain fell relentlessly, drumming against the rooftops and forming little streams that ran between the cobblestones.

You were standing there, arms crossed and wearing a defiant expression, while Sylus leaned his back against the wall, watching you with that unreadable gaze you’d tried so many times to decode.

The question he’d asked echoed in your mind… you thought your feelings for him were obvious.

Without warning, he moved.

One step, then another—and in the blink of an eye, his body was far too close, his warmth seeping through the wet fabric of your clothes. His hands found their way to your waist, and before you could react, your back gently hit the rough wall of the alley.

His breath ghosted across your skin a heartbeat before his mouth claimed yours—demanding and certain, yet unhurried. It wasn’t a rushed kiss; it was one that made it clear he always got what he wanted, that he wasn’t used to being challenged the way you challenged him.

When he finally pulled away, his forehead rested against yours, his breath brushing your lips as he murmured, in that low, velvety voice that slipped over your skin like a dangerous secret:

“You said you don’t like monsters, kitten… but what will you do when you find out I am one?”

The question hung between you, heavy as the storm-charged air.

Anyone in their right mind would’ve turned around and walked away. Anyone would’ve lowered their gaze, would’ve recognized the danger in Sylus’s crooked smile, in the way the rain slid along the sharp line of his jaw, in the weight of his name within Zone N109.

But you weren’t just anyone.

“I already know” you replied without hesitation.

Sylus raised an eyebrow, almost amused.

“Do you?” His tone was light, but his eyes… oh, his eyes. There was no mockery in them, only the edge of something darker, something deeper.

“I do.” You stepped forward, closing the space between you. Despite the danger, despite logic, despite everything he was and everything he stood for, you didn’t move with fear. “I know what you are, Sylus. I know what you do. I know what everyone says about you.”

His tongue ran along his bottom lip—a small tic that betrayed his calm exterior. Luke and Kieran would’ve already stepped back by now; his men didn’t speak to him like that, didn’t challenge him like that. But you… you were always different.

“So?” he murmured, tilting his head. His voice was so calm, one might’ve thought he was talking about the weather—not about the shadow of death that followed his every step. “You’re not running? Not shaking? Not afraid?

You smiled, and in that moment, Sylus knew he was doomed.

“You don’t scare me.” Your fingers rose ever so slightly, brushing the fabric of his black leather jacket, almost feeling the phantom warmth of his body beneath the soaked material. “Do you know why?”

“Enlighten me, kitten” he murmured, with that almost-soft, indulgent tone he used only with you.

You leaned in just a little, enough for him to feel your warm breath against his rain-chilled skin.

“Because a monster wouldn’t stand in the rain just to make sure I get home safe.”

Sylus exhaled—a low, nearly inaudible sound. His jaw tensed for a moment before a resigned sigh slipped past his lips. Then, without a word, the back of his fingers brushed your cheek—barely a touch, barely a ghost of a caress.

“You’re a stubborn woman” he murmured, with something like amusement, though his voice carried a heavier weight.

“I know.”

“You get yourself into trouble.”

“I know that too.”

Sylus clicked his tongue, and without another word, he unfastened his coat, slipping it off and wrapping it around you before you could protest—shielding you from the biting night wind.

“Only this time” he murmured, as if trying to convince himself.

But both of you knew it was a lie.

[magewritesstories]

[ ᴍʏ ʜᴇʀᴏ ᴀᴄᴀᴅᴇᴍɪᴀ ] ᴄᴏᴏʟ ɢɪʀʟ

summary; some bnha characters dating a cool black-cat girl (bc i'm listening to the Ghost album by diljit dosanjh rn and thats the vibes it gives off) included characters --- izuku midoriya, katsuki bakugou, denki kaminari tw; none, it's literally just fluff note; if you want these headcanons with diff mha characters i'd write them! also i'm not a black-cat person at all so sorry if its not super accurate. word count; 909 words

IZUKU MIDORIYA;

He's so surprised first of all, like this poor baby is so in love with you but the fact that you love him back?! He's absolutely over the moon.

You might be surprised when I say this but not a lot of people are surprised at the fact that the two of you are dating—because of course the adorable dork who can never shut up pulled the chill, calm popular girl.

You're the first person to decode his mumble language, and just nod along like it's completely normal

speaking of his rambles, you just happily listen and let him rant until he realizes he's ranting and then he stops and looks at you so calmly smiling and listening and he almost passes out because he's overwhelmed by feels.

"I think that Kamui Woods would probably be the best match for her, you know considering the fact that he could use laquered prison to—" Izuku cut himself off when he realized he'd been ranting on about what hero vs hero matches would be cool to see and who would win.

You're sitting in front of him, the ends of your lips quirked up slightly as you swirl your favourite drink and look at him. "Something wrong, sweetie?" You ask, tilting your head slightly to the right as you rest it in your palm.

"I–I'm sorry," He quickly apologized, freckled cheeks tinting red as he felt your gaze stay on him, "I–I've been ranting, and–and you must be bored... I'm sorry."

"I didn't say that," You reply calmly, "I like listening to your rants—they're cute, and not to mention informative."

His already big green eyes widen even more. "R–really? I mean are you sure?"

You let out a soft chuckle and nod. "Mhm, now, will you tell me about how Kamui Woods would beat Mt. Lady?" You ask, giving him another soft smile.

Izuku visibly brightens as he happily continues his rant.

KATSUKI BAKUGOU;

How? Just how?

That's the first thing people think, because why would someone as cool and calm as you date someone as hotheaded as him?

Everyone around you is so confused (Denki literally brain-fries himself trying to understand.)

But then they see the way you stare down Bakugou without even flinching and manage to calm him down and all of a sudden it just clicks.

It's not really a rare occurrence—Katsuki's shouting his head off about some algebra equation Denki doesn't understand.

"What is so hard to understand, you damn dunderhead?!" The explosive blond shouts, practically jumping over the table towards Denki.

You're sitting in the library with the rest of the BakuSquad and have already been warned twice to keep it down.

"Katsuki, calm down," You say, looking up from your own homework.

He turns to you with an annoyed expression. "I'll calm down when this idiot stops being so damn stupid."

You match the glare he's giving you. "We're going to get kicked out," You reply, placing a hand on his arm to pull him back, "I'm sure Denki will understand whatever you're trying to explain to him if you just chill out."

Bakugou glares at you for a whole minute before huffing and falling down in his seat.

Everyone at the table stares at the two of you in disbelief. Katsuki just glares at them, as if he's daring them to say anything about what just transpired.

"So, Denki," You continue, turning towards your blond friend as if nothing out of the ordinary happened, "What is it you didn't understand?"

KAMINARI DENKI;

He's your polar opposite, and that's what makes it work

Kaminari is known for his cheesy pick-up lines and dumb flirting tactics, so when he tries one on you he does not expect it to work at all

but then it does??!!? (his brain malfunctions ngl)

Oh boy, he's drowning you with cheesy cards, pick-up lines, etc just to hear that cute little giggle again (he prides himself on the fact that he's the only one that can get you to giggle)

The bell signalling the second break rang ten minutes ago, but you're still sitting at your desk.

"Hey, Y/N," Denki's voice sounds even louder than usual in the empty classroom, "Watcha doin'?"

You don't reply, simply pulling up your geography textbook to show him the cover.

"Oh, we're covering the greenhouse effect right?" He questions, pulling up a chair to sit in front of you.

He leans his head on his palm, blonde hair falling in his eyes as he stares at you full of admiration.

"You know it's all your fault right?" He says, with a small smirk on his face.

You know your boyfriend well enough to know he's up to some stupid shit, but you decide to bite anyway. "What's all my fault, babe?"

"Global warming, it's your fault," He smiles like he didn't just accuse you of something like warming up the entire earth, "Because you're so hot."

You blink twice and then shake your head in disbelief. "You can do better than that," You reply simply, turning back to your notes.

Denki sees this as encouragement. "Oh yeah?" He asks in his most flirty voice, placing a hand under your chin, "Well, I must be a snowflake, because I've fallen for you."

Now, granted, this pickup line is even worse than the first one but it's just stupid enough to elicit a giggle out of you.

"You're an idiot."

"Yeah, but I'm your idiot."

[inkykeiji]

character: ryomen sukuna warnings: 18+ minors do not interact, rough sex, daddy kink, true form sukuna, size kink/size difference, oral fixation, lil bit of mindbreak, implied fem!reader, toxic relationship, dacryphilia, blood words: 1.2k

Sometimes, when Sukuna fucks you real good, past the point of coherency, when your words have turned to liquid, all garbled with drool as they ooze from the corners of your mouth to stain his sheets, and your bones have melted and your muscles gone to mush, body perfectly pliant (just the way he likes it), and the only concept your fucked-stupid brain can comprehend is his name and his title, he’ll give your empty, slack little mouth one of his wrists to gnaw on.

The grabby hands are cute, and they let him know that your cognition has been eroded by immense pleasure, intense pain, and that you need something to ground you. 

It’s pathetically precious, honestly, how unbelievably needy you become when he fucks you past the point of lucid thought and intelligible speech, desperate for something to occupy that pretty little mouth of yours, to serve as a point of reference, a heavy and sure weight that keeps you tethered to this world.

“Daddy, Daddy, Daddy,” 

Oh, he knows, baby, he knows. 

You prefer his wrist to his hand, claiming it rests better between your teeth, but he doesn’t mind either way—it’s easy to shove one of his free forearms in your gaping mouth, obedient and open, wide and waiting. His flesh muffles those pretty little huffs of cracked breath and the mosaic of whines and whimpers and mewls he’s continuously fucking from your chest, smothering them to little more than damp exhales slicking his skin.

It’s barely a hitch in his movements at all, to wedge one of his large wrists between your eager teeth, two hands curled tightly around your hips as they hold you in place, pinning you to the mattress, another hand splayed wide next to your head, supporting most of his weight. 

You alternate between sucking and biting, wholly dependent on how hard his hips are snapping, and he loves to feel those little stuttered sobs flutter against his flesh, exhaled in juddered hiccups. 

And, God, it’s so fucking pretty—he isn’t sure he’s seen a prettier sight in his millennium of years, he wasn’t sure something could even be this goddamn pretty—glittering streams of salt streaking your cheeks, their flow steady and constant as warm tears pool around the seal of your lips, soaking into his skin; your mouth stretched wide around his arm, teeth grinding over that prominent bone in his wrist, scraping over the bump in rhythmic motions, back and forth with each strong piston of his hips; saliva trickling from your bottom lip in heavy, viscous cords to smear across your chin in a thick coat and drip off your jaw, stringy and sticky, substance already gone cold by the time it drizzles over your collarbone. 

That thick black band encircling his wrist looks so gorgeous lacquered with your spit, gleaming in the dim light as he pounds into you. 

He’ll rotate it in your mouth a little, so you drench his entire wrist, coating him in one of your many essences. he loves the smell of you on him, his favourite scent to wear, makes his cock twitch with each whiff of it as your drool steadily soaks into his wrist, steeping his tissues and saturating his blood, dousing his wrist until his skin has gone puckered from the wetness. 

Other times you won’t ask for it, because you physically can’t ask for it, tongue gone sluggish and stupid from intense pain.

During instances such as these, it’s up to him to read you, to decode and decipher the beat of your sobs and the melody of your whines, to care for you properly like all good Daddies do, like all good Daddies are supposed to, eager to nurture his most prized possession, to give her want he knows she needs most.

It’s easy to tell, even when your face is buried in his bed, webby smears of saliva streaking his dark sheets as you sob into the mattress—ugly chest-wracking things that leave your ribs heaving and your entire body quivering, fingers curled so tightly in his silk pillow that they’re frozen stiff, aching joints creaking as he uses one of his four hands to uncurl one, then uncurl the other, fingertips pressing tenderly into your knuckles and massaging the numbness from them, the gentleness a stark contrast to the brutal snapping of his hips. 

His remaining two hands stay curled around your hips, keeping them hoisted high and held still as he rams into you. A flash of heat spreads throughout your spine as his body blankets yours, his broad chest pressed flush to your sticky, sweat-glazed back, his lips moving along the shell of your ear.

“Does it hurt, baby?”

“Uh—Uh-huh,” you wail out, head nodding in sloppy motions, turning your head so his lips brush your cheek. 

“You need Daddy to pacify you? Huh?” 

“Yes, Daddy, please, Daddy, yes, Daddy!” you’re crying, mouth already wide open and waiting, tears leaking past the corners to stain your tongue with salt. 

“Oh, my poor little princess,” he’s cooing as he wedges a thick wrist between your parted teeth, your jaw immediately flexing around it. “Needs Daddy to give her something to gnaw on while he fucks her,” he tuts his tongue, as if it’s such a shame, as if he genuinely pities you, but you can hear the notes of sadistic glee infusing his voice. “How utterly pathetic.”

The insult is spit in your ear, fading to a growl at the end, a singular sharp huff of air against the curve of your cheek. 

And then his hips are pounding again, fucking into you rough and ruthless, the hands on your hips an anchor keeping you from being jostled up the bed as your front teeth involuntarily dig into his flesh. 

“Is that better, sweetheart?”

An affirmative hum vibrates up his arm, your head nodding in quick little motions, glassy eyes desperately trying to glance up at him as weighted lids struggle to stay open.

But that just isn’t good enough. 

A large hand tangles in the hair at the back of your skull and yanks, your teeth latching onto his wrist tighter, the sudden motion forcing them to scrape against his flesh, a pleasured hiss slipping through the gaps of his teeth. 

“Fucking answer me when I ask you a question.” 

Yes! you yelp around the wrist crammed in your mouth, instant and instinctual. Yes, yes, yes! 

“Good,” he snarls in your ear before shoving your head back into the mattress, front teeth gouging into his arm in the process. 

And it’s real sweet, the way such a simple, primal action—a body part shoved between your lips, little tongue curling around the bones of his wrist, sucking it harder, further, deeper—can provide such an immense amount of comfort; sobs calming to sniffles, limbs gone languid and limp, whole form malleable between his large palms.

But he loves it just as much as you do. Because despite the fact that it muddles your pretty sounds, it also leaves the cutest little bracelet of indents around his thick wrist, something he wishes he could wear forever, something that fades much too quickly for his liking. 

There’s nothing better than when you break the skin, little pools of blood filling the notches of your teeth until they overflow, drops of crimson streaming down his forearm and along the lines of his palm, because those ones scab, which means they last a little longer, look a little brighter, leave a lingering reminder. 

One day, he hopes you’ll scar him with all your gnawing, carve something permanent into his skin just as he’s done to you countless times before, stamp him with your unique signature and claim him as yours, eternally. 

[lemondoddle]

what happens when you type into the computer (BOOK OF BILL SPOILERS)

HELLO THE WEBSITE HAS UPDATED and different things happen when you type things into the computer on the screen. if a character/word isnt relevant the computer gives a red X. so far i've found:

stanley: takes you to an ebay search for brass knuckles, entering his name repeatedly will take you to various grunkle-related eBay searches until you get to bill's wheel of shame with much more to click

mabel: adds stickers to the set. you can keep hitting enter until the the room has been "fully mabelized"

ford/sixer: a case file on ford's extra digits

soos: a long set of notes about how soos is doing running the mystery shack

dipper: a note presumably from bill to dipper "informing" him that he can decode messages by staring into the sun. if you enter his name multiple times bill urges you to keep looking with words of encouragement as each note becomes progressively blurry and splotched with black until the entire notecard turns black

bill: this youtube video (and no it's not a rickroll)

gideon: an audio recording plays of gideon humming/scatting to the tune of "we'll meet again", ending with a whispered message of "i love you, mabel"

wendy: a note pranking you with the the 👌 emoji

mcgucket/fiddleford: the cotton eye joe music video

pacifica: a warning note about the book of bill mabel made her write

robbie: chat messages between him and thompson as they prepare to summon bill (as mentioned in tbob) with an image of their encounter

tad strange: the computer plays clips of bread being sliced set to jazzy instrumentals. this enables the glowing red button on the computer to turn green to switch the bread videos on and off at will

blendin: a message appears on the screen reading "time agent lost and presumed incompetent"

weirdmagedon: a newspaper page from the gravity fall's gossiper utilising the "nevermind-all-that-" act and stating "nothing happened" that day

axolotl: text onscreen appears: "you ask alotl questions"

T.J. eckleburg: text onscreen appears: "never mention that name again"

cipher: links to a wikipedia page about triangles

blanchin: pulls up a youtube tutorial on how to blanche vegetables

triangle: one half of a parenthesis appears on the computer ")", will also pop up with "tri harder"

dippy fresh: links to this image

mystery shack: links to a google search for confusion hill

gravity falls: text appears onscreen reading "never heard of it"

portal: text appears onscreen reading "portal.exe has been deleted. i bet you could build one"

theraprism: a notice sign appears- "in case of (coded words) do not use elevators" with a graphic of a person and a cthulu like monster on stairs

blind eye: an eye chart utilising the same string of letters- "WKHBOOVHH" that gets smaller each line, paired with blocks of color- the cursor turns into a "zoom in" tool that actually just makes the page blurrier with each click

creepypasta/horror: an entry on the urban legend "the always garden"- a liminal space/backrooms style restaurant anomaly

alex hirsch: links to a google search for flannels

toby determined: links to a google search for restraining order

dorito/chip: a dorito slowly enlarges on the computer screen and then becomes a jumpscare of a toothy bill, who periodically screams for a bit before the video finishes

love/boyfriend/romance: pulls up the parody romance novel, clicking starts an audio recording of the book

death: text appears onscreen: "life's goth cousin"

book of bill: text appears onscreen: "hide it under shirt during pledge of allegiance"

life: text appears onscreen: "life: 72% complete. now loading: death"

baby/lalala: an ultrasound of a baby bill in a womb and a message congratulating you

pines: text appears onscreen: "a good family tree"

weird: a video of weird al yankovich appears on the screen, he's confused and shouts for bill to get him out of there

waddles: links to a pig adoption website

mickey/disney: text appears onscreen: "rat.gif censored for your protection"

ducktective: text appears onscreen reading "ducktective stars in 'love, quacktually', coming to 'oi, it's the cockney channel innit?' this fall"

mason: a note from dipper about ford teaching him anagrams, plus a coded message with that technique

tyrone/clone: a picture of the janky dipper clone with a message that he's yours now

matpat/game theory: a video of matpat and a conspiracy board, he turns to say "hello internet, you're on... you're own... good luck" as he holds the book of bill

skeleton: text appears onscreen: "the one with the sword! he found you!"

scary: pulls up a parody goosebumps book "spookemups", clicking on it starts an audio recording of neil cicierega reading a section

divorce: pulls up a logo for "o'sadley's'"

music: enables you to click the dial, clicking the dial plays loud static

math: bill recounting an encounter he had with plato

conspiracy: a video of charlie day in a tin foil hat rambling about the website's previous state, holding the book of bill

okay that's enough from me, there's SO MUCH MORE that I just can't keep up with!! Happy searching!

[teddypickrwritings]

A Rare Moment of Weakness - Identity V x Reader

A/N: Some character lore is just so sad and depressing that I start tearing up…I just want to hug them. I’ll most likely do this with more characters in the future!

cw: PTSD

Mercenary

It was obvious just by looking at him that Naib Subedar was hardened by war. That was just the norm for anyone who served in the military. Naib was not one to talk about his experiences, though. Nobody questioned him, they just let him do what he wanted.

One day, while you were in a match with him, you saw his stoic mask crumble. You had managed to escape from the hunter with minor injuries and were hoping that you would cross paths with someone that could heal you. You had stumbled onto Naib’s cipher just as he missed a calibration and it shocked him—literally. The look of terror that flashed on his face gutted you pretty badly. It didn’t take a genius to realize that the sudden loud noise reminded him of bombs and such.

He wasn’t embarrassed that you saw him mess up. He didn’t shrug you off when you instinctively gave him a hug. In fact…he really appreciated it. A lot. Naib held you for a little longer than necessary, only letting go when he realized you were injured and immediately started to heal you.

“I’ll decode with you…or I can do it for you, if you’d like,” you offered once he was done.

Naib nodded slowly, a hint of a smile on his lips. “Thank you, (Y/N),” he mumbled.

Wu Chang

A sudden rainstorm had interrupted your walk and completely soaked you to the bone. Had you stayed outside longer, and if Xie had not come to your rescue, you would have certainly gotten sick. He had immediately left to find you the second the rain had turned heavy. You had begun to protest when he scooped you up in his arms, but quickly silenced yourself when you noticed just how worried he looked.

“(Y/N), I am so sorry. We shouldn’t have left you alone out there,” Xie said once you had changed into dry clothes. He had managed to calm down for the most part, but his voice was still laced with anxiety. “We didn’t know it would rain. I’ll never forgive myself if you get sick…”

“I’m okay!” you reassured with a tired smile. You reached over and gently squeezed his hand. “Thank you for getting me out of there before it got too bad.”

Xie gave a weak smile of his own, but his eyes still looked pained. He paused, seemingly listening to something. Then he nodded and his form changed to represent Fan. The Black Guard checked your vitals, and after confirming that they were normal, held your hands tightly. “He wanted to be able to save a loved one this time,” he explained. And that was all you needed to hear for you to understand.

Hermit

“Alva, do you ever feel frustrated?” you asked tentatively, watching the inventor writing notes in one of his many journals. His quill came to a slow stop as he pondered your question.

“It is natural for one to feel frustration,” Alva said vaguely. He turned in his chair to look at you with an unreadable expression. “Why do you ask?”

“I was just curious…you always seem so composed. I admire it,” you admitted.

Alva allowed a small smile on his face. “Nobody is ever what they seem, (Y/N). Keep that in mind,” he said, beckoning you over with a little wave of his hand. You stood up and went to him, surprised when he enveloped you in a hug. “I am sorry that I do not show emotions very often. I am…still getting used to the feeling by having someone I can trust.”

You could’ve sworn you felt him tremble a bit when he said that. But the moment was over too soon and he released you. “You have a match, yes? You shouldn’t be late,” he said and gave you a little push towards the door. You left with a smile on your face; Alva trusted you. That was all you could think about.

[qin-qin16]

I present to you PEACH (my son)! An anomalous variation of Geno Sans. He is an alternative Geno who ended up with some body parts corrupted after staying in the Void for a while, until, due to an error in his code, he managed to escape before becoming another Error Sans.

[INFO DUMP + CLOSE UPS!]

He doesn’t have a complete lore yet, but here’s a draft: 

Peach was found by Ink after attempting to change a genocide timeline in another universe. After receiving refuge from the artist (and some explanations about multiverses), Peach decides to follow Ink to explore other universes since his own had been lost forever. 

Peach became a member of the Star Sanses due to his skills in decoding universes and cataloging them — acting as an organizer, archiving details and timelines of known universes, such as their creation dates, destruction, statuses, possible timelines, etc. 

Wanting to distance himself from the identity of “Geno,” Peach ended up with the name after Ink created his eyepatch (not realizing it was in the shape of a heart). “This color looks good on you!” Ink said with a smile, “#F09483!” After a confused expression from Peach, the artist explained that this color was called peach. 

Peach's fingers are black due to his initial transformation into Error, which granted him the ability to manipulate the code of universes and explore the statuses of other beings in more detail. 

[PERSONALITY] 

Peach is a quieter skeleton, speaking only when necessary or when with close friends. He rarely smiles and is usually seen staring at others with wide eye. He is lazy and prefers to stay away from battlefields. His voice is calm and velvety, but often expressed with anger when near Ink (and that thick-headedness of his). Despite being critical, Peach cares about his friends and wants the best for them. 

He sometimes acts like a needy cat, giving affectionate headbutts to his friends — his love language can be described as physical touch and quality time. Dream has already stated that Peach is charming, even if unintentionally, as he tends to be sincere when he wants to please someone. Like Ink, Peach is sincere and seems to take some things literally - rarely understanding sarcasm.

[CURIOSITIES] 

Even though he is the youngest among the Star Sanses, he acts the most like an old man; 

Within the group, Swap/Blue is the closest to him; 

When not on missions, Peach visits the Omega Timeline to spend time with CORE!Frisk and Color Sans; 

Speaking of Color, he and Peach became very good friends when Ink left Peach in the Omega Timeline for the first time; 

Peach finds Cross, Paper Crane, and Plum/Lust as “good to look at”;

He is oblivious to his own charm; 

He thinks Killer is like a domesticated fox; 

Killer is the only “bad sans” that Peach has met in person; 

Knowing portuguese, he somewhat understands Ink's french and can speak comfortably with Dream, as he knows spanish; 

Characters I was inspired by for his creation: Sabito (Demon Slayer), Aki (Chainsaw Man), and Uraume (Jujutsu Kaisen).

[sapphiresaphics]

So we need to have a discussion about analyzing media.

Maybe it would help to start with a few basics first:

TEXT

A text refers to any media or content that can be analyzed or studied with the goal of trying to understand how meaning is conveyed and what messages are being communicated.

So for example: a movie is a text. And everything within that movie is part OF the text. If a character says something in the movie, what they’re saying can be analyzed as one of the ways the movie is conveying its message, its text, to the audience. Background details, set decoration, editing, transitions, voice over, acting, music, sound effects… every aspect of the movie can be interpreted as the TEXT of the film.

Deleted scenes, cast interviews, director’s commentary, outside reviews or reports, storyboards, behind the scenes production, social media posts, original pitches or concepts… these are NOT texts. Or rather, they’re not texts of the movie being analyzed because they exist outside of the movie. When you’re analyzing a piece of media you need to be wary of whats part of the film and what is not.

So for example: Being angry at an actor for something snarky they said in an interview should not be considered when analyzing the text of a movie that actor is in. Because whatever they say outside the film has no bearing on what is IN the film that we are analyzing.

THEMES

A theme is the central, dominant, or unifying idea in a text. Themes are the overarching idea that connects different parts of the content, providing a sense of coherence and purpose. Themes go beyond surface-level plot or content; they explore deeper issues, human experiences, or social concerns.

So for example: Toy Story 2’s plot is that Woody gets kidnapped by a collector and the other toys need to rescue him. But the THEMES that are being explored through Woody’s story are fears about growing old, eventually losing someone you love, wrestling with the idea of the inevitability of death after a life well lived versus the possibility of stagnating unloved immortality.

A media text can have many themes throughout, but generally speaking there are usually only a small handful of core central themes being explored in a text.

LENS

A lens is a way of looking at a particular text from a different perspective.

So for example: A movie like Gone With the Wind that emphasizes American Southern values and traditions takes on a different meaning when you view it through a lens of black suffering. A movie like The Matrix takes on a different meaning when looked through a queer perspective.

LITERACY

Literacy in media analysis is the ability to decode the symbols, messages, and meaning presented in a text.

Every piece of media uses some degree of symbolism to convey its message. It could be through the use of interesting camera angles, character wardrobes, color theory, music, repeated actions, etcetera. Your job in analyzing any work of media is to see what the text presents and try to decode the meaning behind why these decisions were made.

So for example: In The Great Gatsby there is a green light glowing in the distance across the waters that Gatsby is always looking at. Physically in the space of the story the light is an actual green light that is attached to a dock on the waters. However, metaphorically the color green is traditionally associated with money. Therefore the green light could symbolizes the wealth that Gatsby believes will enable him to win his love, Daisy, back. The fact that it is always out of reach is the text telling us that this belief Gatsby has is unobtainable.

Color theory is a great example of this too. In the show Severance the mega corporation that controls everything has a color palette of blues and greens. The town that the main character Mark exists in is owned by the company, as is his home, and most of the people he interacts with are related to the company in some way so the whole show has a very oppressive blue and bleak color palette that surrounds him. However red symbolizes truth and honesty and defiance against the oppression, so you should pay attention to where, when, and how red starts getting introduced into the story.

SAMPLE MEDIA ANALYSIS

Now that we’ve got a couple terms defined, let’s do a simple test analysis of Arcane. Many people have suggested that Arcane is a form of copaganda. So let’s use our media analysis skills to see if this is true or not.

First let’s define our terms. What IS “copaganda?” Here’s a definition from google: “Copaganda refers to the strategic use of propaganda to promote a positive image of law enforcement, often minimizing or ignoring instances of police misconduct or brutality.”

Now that we have that definition, let’s start asking some questions.

Does Arcane present a positive image of law enforcement?

Does Arcane minimize or ignore instances of police misconduct or brutality?

The first question is pretty easy to answer. No. Arcane does not often present positive images of law enforcement. We are shown in the text of Arcane that Enforcers are often stupid, corrupt, power hungry, violent, and crass. A huge part of season 1 involves the sheriff of the Enforcers actively taking bribes and doing the bidding of a drug dealing mob boss. The few good Enforcers are often depicted as naive and unrealistically optimistic. Characters often mock this trait. And the brutality of the Enforcers is so bad that when Piltover begs Zaun to help them fight in a war Zaun refuses to help them and walks away.

If you’re looking to present Arcane as being pro-cop, these are not things that would normally be depicted in pro-cop propaganda text.

The second question is a little trickier. Sometimes the police brutality is minimized. Or if not minimized it isn’t explored as deeply as other things in the text. That’s not to say it doesn’t exist. Police brutality is omnipresent in Arcane. Nearly every episode has some example of police brutality on display. But the text of Arcane isn’t really interested in exploring police brutality beyond the fact that it exists in this world. We rarely see any consequences to the Enforcers for their use of police brutality.

However it should be noted that just because the Enforcers aren’t punished, that doesn’t mean that the text of Arcane is absolving them of their crimes. Quite the contrary. Arcane uses the police brutality to emphasize how much pressure everyone in Zaun is under and it very clearly frames these moments as WRONG. The way characters respond to the brutality, the way it’s framed, the way it’s not glorified… these all paint the text of Arcane as disagreeing with the brutality. The text understands that it’s wrong and it’s presenting a message to the audience.

So if the text of Arcane doesn’t agree that police brutality is good and presents its cops are bad, but the show still ends with little to no action taken against reforming this policing body… what is the message Arcane is sending about the system?

To me Arcane is saying that because this system wasn’t reformed and the police brutality was so omnipresent, that means that the police brutality isn’t going to change anytime soon. That’s not a good thing. You should be upset that happened because everything in the text has told you that this system is bad. So the message Arcane is sending isn’t that police brutality and the Enforcers are good and necessary, it’s saying that this whole story of conflict between the two cities WILL happen again if nothing is done to change things.

If we look at Arcane through a liberal lens we don’t see this as an endorsement of maintaining the status quo, but rather the condemnation of it. You should be MAD that the status quo doesn’t change because everything in the text of Arcane is telling you this system is BAD. It is not a happy ending, but it’s also not one that believes the cops deserve to be in power or that they should be oppressing Zaun.

So with all that in mind, let’s finally answer the question we started with: “is Arcane copaganda?”

The answer is “no, it is not.” It doesn’t follow the definition we laid out, and it actively criticizes and denounces the actions of the Enforcers. And even though technically speaking Piltover remains victorious in the end, the show does not present this as a good thing.

Arcane is not copaganda.

CONCLUSIONS

THIS is how you’re supposed to analyze media.

Words mean things. We have definitions for those words. You should be able to look at a text, understand what it’s saying, decode the messages and themes presented in the text, and be willing and able to look at a text through different lenses to gain a better understanding of the work itself. More importantly you should be able to grasp that not everything in a text is purely literal. The vent leading out of Al’s room in Toy Story 2 isn’t just a vent, it’s a metaphor for Woody’s feelings of uncertainty. The green light isn’t just a physical light, it’s a metaphor for greed and wealth. When an Enforcer jokes about beating up inmates and characters respond with horror, that is not the text of Arcane endorsing police brutality.

[pascaloverx]

Moonlight

Summary: You and Edward Cullen used to have a romantic relationship. But fate seemed not to believe in the possibility of a vampire and a potential she-wolf being together. Years after your separation, you return to Forks. Edward is committed to Bella Swan, and Jacob Black has his own pack. What happens when, upon your return, you begin to transform into a she-wolf and both Edward and Jacob seem eager to revisit the past with you?

Author's Note: The characters in this fanfic do not belong to me but to Stephenie Meyer and the Twilight universe. The story blends events that happened in the Twilight saga movies with invented ones. If you're enjoying the fanfic, please interact. This story will contain inappropriate language, a possible love triangle, scenes of violence, and romance. This is the possible ending. If there are no further interactions or if no more chapters are desired, consider this the conclusion. I hope you enjoy it.

ELEVEN THIRTEEN

TWELVE (FINAL)

Surprisingly, your pack agreed to attend your wedding with Edward. Most of them seem intent on going to ensure your safety in case anything goes wrong, but nearly all are curious to witness your union with a vampire. You pace nervously through Jacob's house, waiting for him and Mr. Black to get ready. Leah left with Bella to find an outfit for her, as going all the way to her house would take too long.

"Jacob, you're taking longer than I normally do to get ready. Are you trying to outshine the groom?" you call out from the living room, your tone laced with mock exasperation.

"Don’t make me laugh, Y/N. I’m already better than your groom without even trying," Jacob responds, stepping into view as he finishes adjusting his shirt.

You can't help but laugh at how clumsy he looks, fumbling with his tie and jacket. "Come here, you idiot. Let me help," you say, moving closer to fix his tie and smooth out the creases in his suit. Jacob stands still, watching you with a smirk as you fuss over his appearance. "What would I do without you?" he teases, his tone light but warm.

"Probably die without me. Fortunately for you, I'll be around for a very long time," you say with a smirk, though you suddenly feel a wave of dizziness wash over you. Jacob quickly steadies you, his hands firm yet gentle as his expression shifts to one of concern. "Are you sure you're feeling alright?" he asks, brushing a thumb against your cheek in a rare display of tenderness.

"I'm fine," you reply, forcing a smile. "I think it's just nerves. Marrying a vampire isn't exactly low-stress, you know," you add, trying to steer the conversation away from your discomfort. The truth, however, gnaws at you. Something feels off. Not just nerves—something deeper, something unfamiliar. But for now, you push it aside, unwilling to alarm Jacob or admit even to yourself that it might be more than pre-wedding jitters.

"There’s no need to worry. Everything will work out, and if it doesn’t, I’ll take you far away from Forks myself. Your safety is my priority," Jacob says, pulling you into a warm embrace. His unwavering support tugs at your emotions, and for a fleeting moment, you feel tears welling up.

"You’re my family, Black," you whisper, your voice thick with sentiment. "And you’re mine," he replies, tightening his hold on you.

Clearing your throat, you step back and try to lighten the mood. "We need to leave soon. I still need to get ready, and Alice has already sent me about ten thousand texts. Apparently, she’s got the perfect dress for me, and even Rosalie is helping." Jacob rolls his eyes dramatically. "Just so we’re clear, you’re the only family I’ve got. The Cullens aren’t included in that deal."

You laugh, playfully smacking his arm. "Fine, fine, but you’ll have to behave at the wedding." Your laughter is interrupted as Bella walks in, wearing one of Leah’s dresses. Her hair is done, her makeup simple but elegant, and the transformation is enough to render Jacob momentarily speechless.

"Wow, Bella. You look... amazing," he says, his voice softer than usual. Bella blushes slightly under his gaze, giving a shy smile. You can’t help but feel a little amused watching the dynamic unfold, but time is pressing. "Alright, let’s go before Alice starts threatening to come here herself," you say, ushering everyone toward the door.

"Leah asked me to let you know she'll be a bit late because Seth disappeared to find something blue for you to wear. She had to go after him," Bella says, her gaze lingering on you and Jacob with a thoughtful expression.

"I think we should get going; Seth and Leah can catch up," Jacob says, and you agree. You need to head to the Cullens' house to get ready for the ceremony.

"I feel like you're forgetting someone, Black. Your father isn’t even finished getting ready yet," you say, raising your voice just enough for Mr. Black to hear. Moments later, he appears in the living room, seated in his wheelchair, dressed in formal attire.

"Tell him, Y/N, that he should remember his father instead of trying to rush out," Billy Black says, gently tapping the wheel of his chair against Jacob's leg. Jacob quickly apologizes for overlooking his father.

"Dear, I’m certain that if your parents were here, they’d be proud of how far you’ve come," Billy says, holding your hand, and you feel a lump rise in your throat, almost bringing you to tears.

"Well, Dad, I’m not so sure they’d be all that proud, considering she’s about to marry a vampire," Jacob says, shattering the emotional moment. Bella smacks him on the back of the head and snaps, "Shut up, Jake."

"I think we should head out already; Alice has sent me another thousand messages asking when I’ll arrive," you say, holding your phone. Shortly after, most of your pack begins making their way to the wedding near the Cullen house. Leah texts to let you know she still hasn’t found Seth but will make it to the ceremony soon.

You arrive quickly, and before you know it, Alice and Jasper whisk you away to a room in the Cullen house where you’ll be getting ready for the wedding. In no time, you’ve showered and are dressed in a stunning wedding gown while Alice applies your makeup and Rosalie works on your hair.

"I don’t see the need for all this fuss, but I do appreciate your help," you say, trying to stay still as Alice finishes your makeup.

"I’m only doing this because my family asked me to. Honestly, I think you should just back out," Rosalie says as she ties up the final touches of your hairstyle.

"Rosalie, give it a rest!" Alice snaps, shooting her a slightly irritated look. "The rest of our family is eager to welcome you as part of this wonderfully dysfunctional family," Alice says, pulling you into a side hug, careful not to ruin your makeup.

"It's all right, Alice; Rosalie’s comments only make me feel like we’re truly family. After all, no family always agrees with everything you do," you say, noticing that you’re finally ready to get married. Honestly, you look like a princess.

"Edward is a lucky man," Rosalie says abruptly before leaving the room.

"I think she’ll warm up to you eventually," Alice remarks as the two of you watch Rosalie step out.

"I hope so," you reply, standing up from the chair as Alice picks up the veil to place over you.

"Let’s go. Edward must be anxious," Alice says as she carefully sets the veil and accompanies you to where the ceremony will take place.

Everyone is there, seated on wooden benches, the aesthetic simple yet beautiful. Everything feels improvised yet sophisticated. Jacob offers you his arm to walk you to Edward, as if he is officially giving his blessing for your union. Edward’s face lights up with a radiant smile as you walk toward him, passing by the wedding guests seated along the aisle.

"You look beautiful," he says as soon as you reach him, placing a soft kiss on your cheek. You feel the urge to cry from sheer emotion as everyone settles in, preparing for the start of the ceremony.

"We are all gathered here to celebrate the union of two beings destined for hatred, who, amidst rancor and discord, found love. Not merely love that was rushed or fleeting, but a love that Edward and Y/N chose to nurture and allow to mature, waiting until they knew it would only enrich their lives," Carlisle says, his voice calm and steady. You and Edward can't take your eyes off each other.

"Edward Cullen, do you take Y/N to be your wife?" Carlisle asks. "I do," Edward replies, his smile unwavering as he finds your hands and holds them gently.

"Y/N, do you take Edward to be your husband?" Carlisle asks, his tone as warm as ever. "I do," you respond, leaning in to kiss Edward as a wave of pure joy washes over you.

But just as your lips meet, Leah bursts onto the scene. Her dress is torn and bloodied, her face a mask of rage. "You damned Cullen, what did you do to Seth?" she screams, her voice echoing through the space. Before you can react, Leah throws Edward with immense force, sending him flying across the clearing. Chaos erupts as gasps and shouts fill the air.

"Leah, calm yourself," you say, moving toward her with some difficulty due to the weight of your wedding dress. "Do you want to start a war here?" you murmur, gripping her tightly to stop her from advancing toward any other Cullen.

The Cullens are visibly on edge. Jasper has already disappeared to check on Edward, who was thrown far across the clearing. Rosalie stands defensively, her expression a mix of anger and wariness.

"They—those damned vampires—started this war, Y/N!" Leah growls, struggling against your hold, her gaze locked on Rosalie.

"What are you talking about?" Jacob interjects, stepping in to help you restrain Leah as she begins to calm, though her breathing remains ragged with fury.

"Seth was attacked. By a vampire," Leah snaps, her voice laced with rage. "Sam took him to the hospital, but the worst part? He muttered 'Cullen' before he lost consciousness." The accusation hangs in the air like a dark cloud. A stunned silence falls over the crowd, broken only by the sound of Rosalie’s sharp inhale and Esme’s quiet gasp.

"I understand that you want to avenge your brother, but think for a moment. If you attack any of them, you'll start a war, you don't know if you can win. Please remember that your brother needs you," you say, locking eyes with Leah. The tension around you is palpable, as if everyone is on the verge of striking.

"Are you taking their side, Y/N?" Leah growls, nearly baring her teeth as she steps toward you. "Leah, she's just trying to keep you alive," Jacob interjects, positioning himself protectively between the two of you. The three of you stand together, almost like a united front.

"I will stand by you, Leah; we are a pack," you say firmly, your voice unwavering. "But think this through. I don’t want anyone getting hurt. There's a human here."

Leah narrows her eyes, her rage simmering but tempered by your words. "Fine. I’ll leave, but this is far from over. And you—" she points at you with conviction, "I hope you truly stand by me, Y/N." With that, she turns and stalks away.

"Jacob, take the pack out of here. I’ll follow you shortly," you say to Black, the weariness in your tone unmistakable. Jacob hesitates for a moment but, realizing this isn’t the time for arguments, nods and begins ushering the others away.

When you turn back, the Cullens are all standing still, watching you in silence—everyone except Emmett, who is nowhere to be seen. Bella is speaking quietly to Edward, whose expression is a mixture of worry and frustration.

"Tell me you don’t believe I hurt Seth," Edward finally says, his golden eyes fixed on you as he steps forward, the world around you seemingly forgotten in his determined stride.

"What I believe is irrelevant," you reply, your tone steady yet firm. "A wolf was attacked by a vampire, and your family’s name is involved. Until Seth can clarify what happened, we can’t take any risks." You barely finish your sentence before Edward’s hands gently cradle your face, as though he’s searching your expression for any trace of doubt or mistrust.

Edward moves toward you and presses a kiss to your lips, soft and sudden; yet, for some inexplicable reason, you push him away, almost as though defending yourself from a threat that does not exist.

“Sorry, I…” you begin, searching for the right words, but he raises a hand, signaling that no justification is needed.

“You’ll choose them over me, as you did before,” Edward murmurs. It’s not a question, but a statement—one laced with disappointment.

“That’s not the point here,” you protest, adjusting yourself and reaching for him, but he steps back, putting space between you.

“I want you to leave,” Edward says firmly, his decision clear. You don’t fully understand him, but you don’t think anything you say now could undo the damage done.

"There's no need to say it twice," you respond to Edward, a certain anger lacing your voice. It feels like the end of your relationship, but it is far more significant than that. The end of love.

"Edward, Y/N, I believe you are both acting in the heat of the moment. Surely, by tomorrow..." Carlisle attempts to mediate, but you can only glare at Edward, fury burning in your eyes. He was the one who sent you away, after all.

"There will be no tomorrow, Carlisle. Thank your family for their hospitality, but from this moment on, we are all enemies," you declare as you turn to leave. What had become an almost definitive goodbye—or so you thought.

Edward's disappointed gaze lingered with you throughout the year you spent away from Forks. You had to flee what had started to feel like home for a reason far greater than Seth being attacked. During that year of absence, you maintained no contact with any of the Cullens, while both the wolves and vampires found themselves in their most chaotic period. Until Seth could awaken, the Quileutes and Cullens struck a fragile agreement to avoid each other. From what you heard, Leah despised the arrangement. But as far as you know, it worked. Once you left, you heard nothing more of Edward or his family.

"Look who’s awake, " Jacob says, rocking Jace in his arms as the baby sucks on his tiny fingers. Your son, Jace, only a few months old—a hybrid of vampire and wolf—is the very reason you had to flee Forks and never returned to see his father.

"Your uncle disturbed your sleep, my son. Such a mean uncle," you say, swatting Jacob's arm lightly before taking Jace from him and holding your baby close. Jace smiles, amused by the interaction. You glance at Jacob, noticing his expression has turned serious, as though he’s hiding something."Spit it out!" you demand, cradling your son.

"I got a message from Sam. Apparently, Seth woke up, and he wants to talk to you," Jacob says, his voice tinged with nervousness, knowing the weight of what it would mean to show up in Forks now—especially with Jace. You had moved to a small house in Brazil, all in an effort to stay far away from anyone.

"This will put Jace's safety at risk, but if Seth needs me to go there to put an end to all this animosity, then that’s what we’ll do," you say to Jacob as the two of you watch baby Jace babble nonsensical sounds.

"To the rest of the world, Jace will be our son, and we’ll leave Forks just as quickly as we arrive. Agreed?" you confirm with Jacob. He gently takes Jace’s tiny hand in his own and replies, "Agreed."

END OR NO...?

[loquaciousquark]

Cazador's Ritual Runes, Translated

Inner: AMPLIFY + HIM + FLOW + EMPOWR [sic] Middle: WE OFFER THE FORCE OF LIFE Outer: WE GATHER HERE TO INVOKE THE POWER OF BLOD [sic]

Mephistopheles can't spell for beans.

(Detailed analysis & conjecture regarding this text, the Rite of Profane Ascension, & Astarion's translated scars under the cut.)

The second ring was the easiest, as the characters are very similar to Latin letters and clearly read out "WE OFFER THE FORCE OF LIFE." Characters were now known for C, E, F, H, I, L, O, R, T, and W. It wasn't clear yet if there were cases.

I was struggling with the first ring, though after decoding the second, I could get a likely "_M_LIF_ + _IM + _LOW + EM_OWR". Guessing the character for P, Y, and A based on context gave me "AMPLIFY + _IM + _LOW + EMPOWR", but I had doubts over the first characters for words two and three. I suspected they would be HIM and FLOW, but the H and F characters didn't match the H from the second ring's "THE" or the F from "AMPLIFY". Also, "empower" was misspelled, which made me pause.

Abandoning those for a moment, the third ring mapped well onto "WE _ATHER HERE TO I__O_E THE _OWER OF _LO_". Ruling out known letters which were not present, I could guess "WE GATHER HERE TO I__O_E THE POWER OF _LO_", but again the P from "POWER" was not the same as the P from "AMPLIFY" in the inner ring. However, it was very, very similar, and nothing else fit, so I committed, now suspecting there were capital versions of some letters included in the text.

At this point I went digging for resources. I found a copy of an Infernal alphabet on the Forgotten Realms wiki, and while it looks like the typeface Larian used is a bespoke creation for the game rather than a 1:1 copy of this alphabet, the letters for lowercase G, N, K, B, and D were nearly identical. Y (from AMPLIFY) also matched perfectly, confirming that earlier guess. This gave a clear "WE GATHER HERE TO INVOKE THE POWER OF BLOD."

This resulted in: AMPLIFY + _IM + _LOW + EMPOWR WE OFFER THE FORCE OF LIFE WE GATHER HERE TO INVOKE THE POWER OF BLOD

Looking at the wiki for capital letters, the only ones I could find which might reasonably fit the _IM missing character (assuming the Larian alphabet was based off this wiki typography) were A, B, H, O, T, V, and Y. Of those choices, only AIM, HIM, TIM, and VIM were words, and as cheesy as Cazador is, I couldn't imagine him saying AMPLIFY TIM FLOW EMPOWR. Given the alternatives, HIM was the only choice which made sense.

I went through the same process for _LOW, but this character seems unmatchable to me. By far it looks the most like the E from the Infernal alphabet, with maybe a capital Y being a distant second. However, ELOW and YLOW are certainly not words, and absent all other comparatives, the character in question does resemble a fancy F. Barring other languages, FLOW with a capital or unique F fits best.

AMPLIFY + HIM + FLOW + EMPOWR WE OFFER THE FORCE OF LIFE WE GATHER HERE TO INVOKE THE POWER OF BLOD

I did double-check the texts available in Cazador's mansion just to make sure this hadn't been translated elsewhere (after I'd done all the work, of course), and the only written text of relevance is from the Black Mass scroll you find near Vellioth's skull. It reads:

The Rite of Profane Ascension Oh, piteous dead! Oh, ravenous dead! Immortality is your gift, but darkness is your prison and hunger its gaoler. The Rite of Profane Ascension will release you. Walk in the sun. Suffer not from hunger. Grow your power beyond anything you imagined. A pact has been made with the Lord of Hellfire. Deliver unto him seven thousand souls, each bearing an Infernal mark, and you shall be free of your chains. You shall know true power. Deliver the souls. Speak the words. Ecce dominus, Has animas offero in sacrificio, Nunc volo potestatem quam pollicitus es mihi.

The Latin translates (as best I can tell with my incredibly weak Latin) to:

Behold [the] Lord, I offer these souls in sacrifice, I want the power thou hast promised me.

Which is interesting, but not clearly mapped to the Infernal above. Then I started wondering what relationship Astarion's scars have with all this, but thankfully, someone else has done the work here!

Astarion's scars have been transcribed and translated in a wonderfully detailed Reddit post by northpaw_s in 2020, but the salient points are that they appear to be in a mishmash of mangled Latin and Romance languages ("Infernal") and read:

Hoyc inferiu non iurare per igneu Naec virba loquor Eoai mundo muoat

Which appears to roughly translate to:

This soul swears no oath by fire Nor words does he speak In the realm of death

This makes sense if it's a fragment of a contract. I suspect the other spawn's scars are all identical to Astarion's for game mechanics/development reasons, but it'd be wild if they did have minor differences to complete the rest of the phrases! I know the scars don't show on their backs they way they do on Astarion's outside of the moment of the ritual, but it really does make me wonder if there's a complete text of the poem in some writer's documentation somewhere.

Anyway, what did you do with your Thursday night?

[gallifreyinstituteforlearning]

I know we have the circular Gallifreyan language, but do we have any pinyin like examples of Gallifreyan words? Also what language is primarily spoken by the populous since there’s several different types of Gallifreyan

What Gallifreyan words do we know?

We don't have very many. The problem is that Gallifreyan languages were never really designed for easy translation because, subtextually, many Gallifreyan words are impossible for humans to pronounce.

Gallifreyan languages are also layered, poetic, and sometimes have magical subtext that will literally rewrite your DNA. But! We do have a few written examples of Gallifreyan words like pinyin – aka, they give us Earth-based phonetic clues:

Arkytior – rose (Old High)

D'Arvit – a curse word, unspecified (likely Modern Low)

Gallifrey – they that walk in shadows (probably Ancient)

Gjara'vont – of darkest thought

Karn – winter (Old High)

Meyopapa – master

Mi'en Kalarash – blue fire (possibly Old High, could be metaphorically or ironically named)

Osuda – Fate (Ancient or Old)

Swowana – possibly snow

Tegorak – black mountain

Toclafane – a catch-all for bogeymen

Which Gallifreyan language is actually spoken?

The quick answer is Modern High Gallifreyan.

However, Gallifreyans don't just have one language—they have an entire linguistic caste system. Here's the basic family tree (Ancient, Neo, Sollifreyan are all theoretical):

📜 Old Gallifreyan

Old Low – Rooted in Ancient Gallifreyan phonics, it's the 'default' old Gallifreyan for general ye olde Gallifreyan chit-chat, packed with lots of swear words and probably lots of words for farming. ⤷Modern use: Unlikely anyone speaks it. Being Low, it's the language of the lower classes, so therefore, it is of no interest to Gallifreyan academics. 

Old High – Rooted in Ancient Gallifreyan phonics but far more complex, it's a language for the developing scientists and aristocracy of Gallifrey. It's attached to the Dark Times, so it holds coded powers. It is used in grimoires. If conjugated wrong, it could blow up a small moon. There are 10,000,000 letters in its alphabet and a lot of them look quite Greek. ⤷Modern use: Gallifreyan language experts at the top of their game probably know a fair amount. It's on the Time Academy syllabus as one of the more difficult subjects.

💬 Modern Gallifreyan

Modern Low – Related heavily to Old Low Gallifreyan, this would have developed alongside Modern High as the language of the lower classes, retaining its swear words and slang forms that the upper classes despise. It has however moved on to accommodate more mathematical principles and Time-related language and has 1,000,000 characters. ⤷Modern use: None of the elite in the Capitol would be interested in this, however, it's likely members of the lower classes living in the lowtown or as outsiders will know this language and use it fairly often.

Modern High – AKA the familiar 'circular Gallifreyan' (although it's been written in other forms, too). An incredibly secure language that's difficult for non-speakers to decode, and even the TARDIS has problems translating it for other species, which is why companions never see the TARDIS monitor in their native language. Posh, polite and functional, it's the one seen most regularly. ⤷Modern use: Spoken as the 'default' language of the Capitol in pre and during Time War Gallifrey.

🏫 So ...

We don't have much, but a few phonetic words exist. We also know that the most commonly spoken language is Modern High Gallifreyan—especially in the Capitol—although one day I'll tell you about the rest.

Related:

💬|🗣️👽Can humans/non-Gallifreyans learn to speak Gallifreyan?: How possible it would be to see a human speaking Gallifreyan.

💬|🗣️🤬Do Time Lords have their own curse words?: Taking you through all the bad words/phrases of Gallifrey.

💬|🗣️✍️How do Time Lords write coordinates?: How coordinates get written and work in TARDISes.

Hope that helped! 😃

Any orange text is educated guesswork or theoretical. More content ... →📫Got a question? | 📚Complete list of Q+A and factoids →📢Announcements |🩻Biology |🗨️Language |🕰️Throwbacks |🤓Facts → Features:⭐Guest Posts | 🍜Chomp Chomp with Myishu →🫀Gallifreyan Anatomy and Physiology Guide (pending) →⚕️Gallifreyan Emergency Medicine Guides →📝Source list (WIP) →📜Masterpost If you're finding your happy place in this part of the internet, feel free to buy a coffee to help keep our exhausted human conscious. She works full-time in medicine and is so very tired 😴

[everythingunderthesky]

Which Witch? 

This moment in "Donnie vs. Witch Town" has repeatedly caught my notice, and I’ve now recovered enough to break it down! 

First off, here’s the list verbatim:

Visitors  Suzy Bannion Heather Donahue Nancy Downs Minnie Castevet Katia Vajda Miss Anjelica Ernst Samantha Stephens April O’Neil

Unfamiliar names plus cursive plus a lack of high-quality stills meant decoding this took a little longer than expected.

I have attempted to minimize spoilers for the mentioned horror movies when possible, but in pursuing two contradictory goals, I have accomplished both imperfectly. C'est la vie!

Please note: I am by no means a film buff, so feel free to add any relevant context! 

Oh, the Horror . . . [films]!

"Suzy Bannion" would be a reference to the 1977 film Suspiria in which Suzy, a ballet student, finds herself investigating a supernatural coven of witches.

"Heather Donahue" is a homage to the 1999 "found footage" movie The Blair Witch Project*, wherein three student filmmakers investigate a legend of a witch in the woods.

"Nancy Downs", from the 1996 R-rated film The Craft, is one of a trio of students rumored to be dabbling in witchcraft.

"Minnie Castevet", on the other hand, hails from the dark 1968 film Rosemary’s Baby (based on the book by Ira Levin), wherein Minnie’s character is suspected of being a member of a coven. 

"Katia Vajda", originates from the 1960 film Black Sunday, (loosely based on Nikolai Gogol’s short story "Viy"). Katia was accused of being a vampiric witch and executed by her brother—but that isn’t the end of her story.

"Miss Anjelica Ernst" simultaneously references Roald Dahl’s 1973 novel The Witches and its 1990 film adaptation of the same name. One member of the notorious child-hating coven is the Grand High Witch, Eva Ernst, who was portrayed by Anjelica Huston on the big screen.

"Samantha Stephens" lives the life of a "good witch" in the 1964 television series Bewitched.

Special Bonus!

"Abigail the Good", founder of Witch Town, may be an allusion to the character "Abigail Pershing" from the 2015 television show Good Witch. 

I’ll go ahead and credit my dad as my research assistant; he described these references as "deep cuts".

And really, what higher praise is there? 

*For more about Heather Donahue, the producer and writer of the sitcom The High Country, check out this article by GQ's Scott Meslow, The Blair Witch Project's Heather Donahue Is Alive and Well!

[animalsalvationassociation]

The Spectator . . .

The Spectator as he was dutifully named, is an illustrious character amongst the community. Not only does he appear to have his claws in every syndicate, main stream gang, and every Black Market trade in the world, but he also seems to know a little too much about how things function within the A.S.A.'s inner workings.

Now the people, or civilians, don't know this. The UN and the A.S.A. have worked very hard to make sure that his name doesn't mingle within the main stream media. For good measure too as that would expose him as an international threat, and that's the opposite of what anyone wants.

He is the main villain of this story.

What do we know?

He hides in plain sight, whoever this man is, he's very good at blending in. Getting in and out of government facilities without anyone noticing. Traveling all across the world without a single blinking an eye, that is until it's too late and his work has already been finished.

Although, his work in the real world isn't as prominent as his work in the virtual world. Whether he himself is a tech genius or someone on in his control, they know the ins and out of any system that's ever existed within modern technology. You know the expression, "I know this like the back of my hand?" well you could say he lives by that saying.

Now no one has seen his face, but they have heard his voice. A very enhanced and frankly hard to decode version that is. The Spectator has shown on more than one occasion that he's easily capable of taking hold of whatever situation comes his way. And even more capable of making it harder for everyone else to do their jobs. Especially the Octonauts.

Why do I bring them up? Well more recently, although we know he loves to toy with the other branches of the A.S.A. (cough cough, Safari Solutions, cough cough), the Octonauts have far advanced their efforts in helping the environment than the others.

They've created massive machines fit to do the simplest of tasks in the shortest amount of time. Not only have they created these machines, these "gups", but they have also advanced to building an entire artificial reef that, if we're being honest, could rival a city.

Adding to that they have now created their own program (The Octo-Agents), connecting people all around the world to help in the event of natural disasters, injured/sick Wilds, or any claimed "emergency" that deems itself worthy of their attention.

[ Wilds - Creatures who are "less evolved" than the modern image, or have chosen to live outside of the bounds of modern societies. ]

Now that might be a problem for a man who's seems so keen on keeping up a certain image, preferring the upper hand. A man who likes his figurines to be arranged in a certain order on his shelf. A man who doesn't care for people who undo what he's already sought out to create . . .

A man who . . . doesn't mind getting his hands dirty.

Affiliations:

We know he has his claws in the pool, but we don't know how far they reach. His influence has only been affecting the world for over a decade while others only recently have begun to show signs of loyalty.

The most prominent organizations would be . . .

The Black Ice Clan, run and directed by a man named Black Tack. A ever looming organization that's taken hold of the Northern Hemisphere, specifically within the Atlantic Ocean. Their methods are chilling to say the least. No one knows exactly how they've kept control for so long, but that's not to say anyone is eager to dethrone them either. [ Danger Level: 10 ]

The Jersey Gang, a rather up and coming group that has more recently taken hold of the lower swells of Zootopia, although their origins lie in Latin America and Japan. Not as prominent or notable as others who had their time in the sun, but they've proven useful in recent events. They are directed by a man by the name of Capone Redsurge. [ Danger Level: 8 ]

That just leaves. . .

The Order of the Light . . .

Somehow this organization is even more illusive than its competitors. No one is sure what it is or who runs it. But one thing is for sure, it may very well be the most dangerous group in the world.

[ Danger Level: 11 ]

Others:

It's not always clear which allies the Spectator chooses, and it's even harder to know if they even know him at all. In the past there have been claims, some gangs even worship his name although they've never actually come into contact with him. But there are some notable names that the A.S.A. likes to keep an eye on . . .

Professor Julias Copper . . . Investor & Chairman of the A.S.A.

Status: Supervised

Old Colleague of Professor Kelp, Known to be less reliable on the A.S.A.'s behalf.

[ Danger Level: 5 ]

Mr. King . . . Organizer, Promoter, & the Main Investor of the Rimba Grand Prix (RGP)

Status: Supervised

Currently under supervision by the IBD or International Bureau of Defense — Being Investigated for the death of Mr. Riq Harimau

[ Danger Level: 5 ]

Roxy Raider . . . International Thief

Status: Missing

Currently under the charge of Larceny, Embezzlement, Extortion, and a slew of other fraudulent activities.

(Previous) Partnership with the Crimson Paw — Status: No longer speaking . . .

Enemy of C.L.A.D.E.

[ Danger Level: 8 ]

The Crimson Paw . . . International Thief

Status: Reformed

(No longer in league with The Spectator)

Legal Name: Diane Foxington — Govenor of Los Angeles, California

Affiliated with the up and coming, " Bad Guys " — Relationship Unclear

[ Danger Level: 8 ]

Dr. Octavius Brine . . . Geneticist, Experimental Scientist, International Menace

Status: In Hiding

Legal Name: David the Octopus (Dave)

Enemies with North Wind

[ Danger Level: 9 ]

Dawn Bellwether . . . Former Mayor of Zootopia & Cause of the Nightcrawler Outbreak

Status: Imprisoned

"Prey" Activist . . . Being Charged for Attempted Murder and the Transportation/Mistreatment of Nightcrawler Toxins

[ Danger Le͉͎̱̗͖͙̼͍ͪͪ̽̑͊́͢v̷̩̣̗̩͇̦̠͈̥̻̗̣͚̺̎͂̀́̏̀̕e̒ͦ̇̈҉͙͓̳ͩ̃͛̊̒̄͞҉̖͚̪͙l̤̯̞͖ͦ̈ͬ̀: ̹̗͉̹̣̦̤̤̦͗̾̀̐5̙͙̙̘͕͉̹ͩ͂̽ͧͨ ]

⋘ 𝙎𝙮𝙨𝙩𝙚𝙢 𝙋𝙧𝙤𝙘𝙚𝙨𝙨𝙞𝙣𝙜 ⋙

⋘ 𝑳𝒐𝒂𝒅𝒊𝒏𝒈 𝑫𝒂𝒕𝒂 ⋙

⚠ 𝑬𝒓𝒓𝒐𝒓 ⚠

⋘ ↻ 𝑹𝒆𝒇𝒓𝒆𝒔𝒉 ↻ ⋙

⋘ 𝙎𝙮𝙨𝙩𝙚𝙢 𝙋𝙧𝙤𝙘𝙚𝙨𝙨𝙞𝙣𝙜 ⋙

⋘ 𝑳𝒐𝒂𝒅𝒊𝒏𝒈 𝑫𝒂𝒕𝒂 ⋙

Jasper & Garnétte . . . Heads of the Opaline Emporium & Parlor

Status: Unknown

Two brothers with a deep understanding of the higher markets.

Heirs to the Johar Family, a cabal rooted heavily in both São Paulo, Brazil & Mumbai, India.

Wanted for First Degree Murder, Arson, and Larceny — Known to deal in Black Market Trades in high end gemstones.

No Further Information Available

[ Danger Level: 10 ]

p0nd_5k473r . . . Master Hacker & Dark Web Specialist

Status: Unknown

Tech Specialist — Cause Unknown

Legal Name: Stacy Rana Phrynee

[ Danger Level: 8 ]

Smokes . . . Leader of the Backyard Bruisers

Status: Unknown

High Ranking Gangster

No Further Information Available

Legal Name: Mateo Crudele

[ Danger Level: 9 ]

The Mad Hatter Trio . . . Master Thieves, Hackers,

Status: Unknown

Legal Names: Sean McCauley, Casey Hackney, Mallory Hughes

Sean (Hatter) — Methods Unclear, Known as the leader of the group.

Casey (March Hare) — Loose Cannon, Dangerous to work with, Unpredictable, Weapons

Mallory (Dormouse) — Careful & Precise, Calculated Assailant, Hacker

No Further Information Available

[ Danger Lev̷̩̣̗̩͇̦̠͈̥̻̗̣͚̺̎͂̀́̏̀̕e̒ͦ̇̈҉͙͓̳ͩ̃͛̊̒̄͞҉̖͚̪͙l̤̯̞͖ͦ̈ͬ̀: ̱̘̦̏̄ͧ͂͆͘͞1͕͇̱̙͈̂̾̿̈͒ͅ0̧̢̱̯̺͓̜̳̗̗ͨ͐̔͆]

⋘ 𝙎𝙮𝙨𝙩𝙚𝙢 𝙋𝙧𝙤𝙘𝙚𝙨𝙨𝙞𝙣𝙜 ⋙

⋘ 𝑳𝒐𝒂𝒅𝒊𝒏𝒈 𝑫𝒂𝒕𝒂 ⋙

. . .

Hello.

Y.N.

:)

⋘ 𝙎𝙮𝙨𝙩𝙚𝙢 𝙋𝙧𝙤𝙘𝙚𝙨𝙨𝙞𝙣𝙜 ⋙ ⚠ 𝑬𝒓𝒓𝒐𝒓 ⚠ ⋘ 𝑺𝒊𝒈𝒏𝒂𝒍 𝑳𝒐𝒔𝒕 ⋙

[ See " The Villains of the A.S.A. " for Reference ]

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