#decisions are going to have to be made and i'm going to have to figure out how to properly dry teeny baby basil plants for storage & eating

[pedroscurls]

just the tip (one-shot)

summary: you're ready to take the next step with logan, but you're still a bit nervous. pairing: old man!logan x fem!reader content warnings: explicit smut (18+, mdni), inexperienced reader, missionary, fingering, unprotected p in v sex, creampie, logan can't control himself, implied age gap (but no mention of age), no use of y/n. word count: 3k a/n: ok, this is yet another one-shot of complete old man logan filth. it never really is just the tip, is it? 🤭 i'm just so obsessed with logan and can't figure out which version of him i want to write on most days lol. honestly, idk where this idea originated from, but here we are... i just have a fantasy of old man logan showing me the ropes ya know... anyway, hope you enjoy! 🙂‍↕️

Logan doesn’t know what he did in this life to ever deserve you. Someone so sweet, so patient, so kind, so pure. He doesn’t even know why someone like you would ever be interested in someone like him. He knows he’s no longer in his prime – his hair now a gray shade, beard overgrown with more gray than brown, crow’s feet at the corners of his eyes, wrinkles around his face. 

And you… You’re obviously much younger than him – everyone is much younger than him – but your innocence and your purity makes you seem so much younger than you really are, despite being very mature for your age. You smile so sweetly at him, gaze at him with such kind eyes that he doesn’t ever feel deserving of you. 

But you had approached him first. All shy and unlike the rest of the girls in your group the night that you both met. You seemed so out of place, like maybe you had just been dragged along for the night because you were quiet, reserved, even when you had three drinks and one shot of tequila already. 

The rest of your group was loud, outfits way too revealing that everyone had eyes on them. They craved and yearned for the attention, but you were fine with being in the background. This wasn’t usually how you spent most Friday nights, but your friends had convinced you and you owed one of them a favor. 

You weren’t the prettiest in the group and you certainly never got the attention of anyone else when you were with them, but you didn’t mind. Your friends never made you feel less than you were, always the ones to reassure you and give you the confidence that you lacked. 

And that night was no different. They had given you the confidence to approach Logan who was keen on spending just a couple of hours drinking his problems and nightmares away. Alone. 

But when you sat next to him and flashed him that sweet smile paired with those kind eyes, Logan knew he wouldn’t have the strength to turn away from you. He tried to act like he wasn’t interested, tried to act like talking to you was an inconvenience, but it never deterred you. Instead, you remained seated next to him all throughout the night even well past the time the bar was closing. 

“Your friends left you,” Logan told you. 

“That usually is the plan,” you admitted. 

His head tilted. “The plan is to go home with a stranger? Sounds dangerous if you ask me, bub.”

“I don’t usually do this.” 

“Do what?” 

“Go home with a stranger.” 

“Ain’t going home with me,” Logan whispered. “I don’t do this either. Too old for this, actually.”

Logan didn’t miss the way your face fell at his words. All night, he kept asking himself why did you pick him? What was so special about him that you decided to spend the rest of your night talking to him? 

“If I did invite you back to my apartment, would you say yes?” You asked quietly, your kind eyes now filled with hope. 

“Don’t think that’s a good idea, sweetheart.” 

Sweetheart. 

You didn’t push him, wanted to respect his decision and his boundaries. So instead, you grabbed a napkin off the bar counter and a sharpie before writing your name and phone number. “Call me?”

“Sure,” Logan lied, staring down at the napkin. 

Once outside the bar, you pulled out your phone. “Well, I better call a Lyft now. It was really great talking with you, Logan.” 

“Let me take you home at least,” he muttered. 

“Oh, you don’t have to.” 

“I’m a driver,” he chuckled lowly. “If you called a Lyft, there’s a high chance that it’d be me who takes you home anyway.” 

“Okay,” you smiled up at him and Logan felt his heart race even faster at the sight. 

And since then, you and Logan had developed a friendship that soon turned physical. Heavy make out sessions and lingering touches, but you hadn’t taken that extra step, hadn’t gone the full distance. 

–

“I think I’m ready,” you tell him, hands resting on his shoulders as you sit on his lap. 

“For?” Logan asks, head tilting as his strong hands rest on your upper thighs. 

“To have sex with you.” 

Logan clears his throat, can feel his manhood stir beneath his pants. He stares into your eyes, tries to search for any uncertainty but you look determined. You look like you’ve made up your mind. 

“Sweetheart,” he sighs. “You know I’m fine with what we’ve been doing. I don’t want to push you or make you feel like you need to do this for me. We’ll go at your pace.”

“I trust you,” you admit quietly. “I’m not… experienced like other women my age should be, but–”

“Inexperienced or not, I don’t care about that.” Logan lifts you off his lap and sets you on the couch instead, his hands immediately moving to cover the center of his pants. “We don’t have to–”

“I want this, Logan. I want you. All of you.” You bite your lower lip and move to settle on your knees on the couch, staring up at him. “I’m not a virgin, but I haven’t been with many men before.” 

Logan’s eyes narrow at you. “Oh, that so?” He isn’t sure why he feels jealous at your words, imagining other men who've had you in their bed. He’s had a taste of you, knows exactly what to do to get you to come and you’ve done the same to him. And yet, he hasn’t had you in a way these other men have. 

You nod at him, so innocent and pure written on your features. He can sense your nervousness, but he can also smell your arousal. It hits his senses all at once and his gaze darkens. “I just don’t want to disappoint you.” 

“Oh, sweetheart,” Logan smirks. “I’ve seen the way you suck my cock,” he growls. “You ain’t gonna disappoint me.” 

You feel the heat rise in your cheeks, feel the wetness begin to settle between your legs, dampening your panties at his words. You loved when he would talk dirty to you; it only excited you even more. “Y– You like that, huh?” 

Logan nods and stands up from the couch, lifting you into his arms without issue. “Of course,” he whispers, taking you to his bedroom as he walks into the room with you in his arms. “I love the fact that you like doing it too.” 

You nod in agreement. “I do love it.” 

Logan grins and sets you on his bed, watching as you prop yourself on your hands with your lower lip pulled between your teeth. And he wants so badly to respond and tell you that he loves you, but he doesn’t. Everyone that he’s ever loved was taken from him, so he doesn’t say anything. 

“I know, you’re like a crazed animal.” Logan chuckles. 

You pout up in his direction and gently reach out to tug on the waistband of his pants, pulling him to stand between your legs as your free hand moves to massage his crotch. 

“See what I mean?” He groans, hardening even further with every graze of your hand. Logan gently takes your hand from him and shakes his head, lifting you further up the bed as he climbs atop of you. “You sure about this?” 

You nod and move your hands to rest on his chest, feeling the muscle flex beneath your fingertips. “Yes,” you say almost breathlessly. “I’m just a bit nervous.” 

Logan’s gaze softens and he looks down at you. You had broken through his hard exterior, had nestled your way into his heart, and even Charles had taken notice. You make him feel young again, like not all of the world’s responsibilities are weighing heavy on his shoulders. With you, he feels free, at peace. You manage to quiet all of the voices in his head, but he’d never tell you that. 

“We’ll go at your pace,” he whispers, moving his hand down your side. 

“I’m just nervous I won’t be able to take all of you,” you admit. 

Logan chuckles and leans back on his knees to gently tug down your shorts and panties. He tosses it carelessly to the side and instantly, he smells your arousal hit his senses. He looks down at your lower half, sex glistening with your wetness. “It’ll fit,” he says lowly, hands moving up your legs. “We’ll make sure it does.” 

“Maybe just start with the tip?” you ask, grabbing the ends of your oversized t-shirt above your head. You lie back down, hair splaying on his pillows as your body is now fully exposed and on full display for him.

Logan nods, pulling off his white tank-top over his head. He stands up momentarily to push down his pants, his manhood now standing at attention and leaking at the tip. He reaches down and strokes himself once, twice, before he settles himself between your legs. 

“Gonna get you ready for me first,” Logan whispers, his large hand splaying over your abdomen as it slides down towards where you need him the most. He hovers above you, lips resting just near your ear as he slowly slides his middle finger past your folds. It slides in with ease, your slickness allowing for easy entry. Logan gently nips on your earlobe, grunting in your ear as you let out a quiet whimper at the intrusion. 

“Logan,” you moan quietly, moving a hand to rest on his large bicep, gripping it tightly. This isn’t the first time Logan’s fingered you, but the anticipation of what’s to come has you clenching around his digit unintentionally. 

“Already so wet f’me,” he whispers into your ear, slowly adding another digit into your depths. Logan ruts against the mattress, trying to find his own relief as he slowly begins to pump his fingers in and out of you. 

You turn your head and bury your face against the crook of his neck, teeth grazing against his skin. “Logan,” you whimper, gasping quietly as you feel another digit enter you. 

“That’s three already, sweetheart,” Logan growls as he thrusts his fingers in and out of you. When he feels your teeth gently bite down on his neck, he groans, thrusting his three digits inside of you as he begins to curl his fingers within your depths. “Come f’me, honey.”

“Logan, I–” you shut your eyes tightly and arch your back, your breasts pushing against his chest. Your walls tighten even further around his digits, your hips rolling upwards as you ride out your high. 

Logan smirks and pulls back slowly, looking down at you as your chest heaves up and down. He pulls his fingers from you and looks down at it, his digits glistening with your arousal. He brings it to his lips and sucks your arousal from his fingers, eyes staring into your own once your eyes open. “Ready?” 

You nod, biting your lower lip in anticipation. “Just the tip, okay?”

“Sure, sweetheart.” Logan says, leaning back on his knees as he reaches down to grasp onto the base of his manhood. He leans in closer, running his tip along the length of your sex, applying pressure to your bundle of nerves.

You look down between your legs and bite your lower lip. The sight of him holding onto the base of his length as he rubs his tip up and down the length of your sex, until his tip catches against your opening. “Logan…” you whimper, reaching out for him but he just uses his free hand to grab a hold of your wrists, pinning them above your head. 

Slowly, Logan pushes his tip into you, feeling your tight walls immediately surround him. He groans and then pulls back, running his tip once more along you. Logan’s grip around your wrists tighten, pressing them further into the mattress as he pushes his tip – and only his tip – inside of your depths. Logan looks down and slowly pushes further into you, hearing you quietly gasp as a few more inches past his tip enter you.

“Logan, wait, baby–” 

Logan growls and then suddenly slams all the way into you in one stroke. The warmth of your walls surround him, so tight and so wet as his lower half presses firmly against yours. “Fuck,” he groans, his now free hand coming up to rest on your cheek. 

You feel your toes curl at the intrusion – nothing Logan did would have ever prepared you for the size of him. You can feel every inch and vein of his length inside of you, throbbing and stretching you. It’s so much, all at once, that when he pulls back only to thrust back in all the way, it causes your eyes to flutter. 

“I said–” you moan. “Start with the tip…”

“Couldn’t help myself,” he groans, leaning down to kiss the tip of your nose. “You feel so good around me, sweetheart.” Logan feels your legs wrap around his waist, your ankles locking together at his lower back. 

You nod in agreement, tears stinging your eyes. Logan’s so deep and it’s unlike anything you’ve ever felt before. You keep your eyes open and trained on him. He hadn’t removed his glasses, now staring at you from the top of his glasses. You try to wiggle your hands free, but Logan’s grip just tightens even further. 

“Logan, oh god,” you moan, his slow thrusts now picking up speed. He pulls out to his tip and then slams back into you, his tip kissing your cervix with each thrust. His hand moves from your cheek to grip your hip, fingertips digging into the meat of your flesh. 

He knows that he probably won’t last any longer, the feeling of your tight walls gripping him, the way he’s easily sliding in and out of your depths due to how wet you are for him. It’s in moments like this where he doesn’t know why you still stick around, why you still continue to choose him. Logan releases your hands and grips your hips in both hands, pulling back to look down at you. Logan continues to thrust into you, the sound of his skin slapping against yours echo off the walls of his room. 

Your hands immediately move to grip his sheets and he can feel your walls begin to tremble once more, can feel you begin to tighten around his length. Logan groans, eyes moving along your frame, his gaze lingering at the sight of your breasts bouncing with each sharp thrust he delivers. He knows his grip around your hips will leave marks and the thought of you walking around, going about your day with marks of him suddenly makes him feel territorial, suddenly has this desire to make everyone know that you’re his. 

“Logan, I’m gonna–” 

“Yeah, baby,” he groans. “I know, come f’me.” 

And just on cue, your legs tighten even further around his waist as your walls tighten around his length. He can feel you shaking, can feel just a rush of wetness. “Logan!” 

He groans. He’d never get tired of hearing his name escape your lips at the height of pleasure. Logan’s hips stutter, feeling a tightness build in the pit of his stomach as he chases his own release. He releases your hips to rest his hands on the mattress near your head, slamming his hips into yours – once, twice, three times before he releases inside of you, his seed filling you. He should have asked first, should have thought about using a condom, but when he pulls out of you and watches his seed trickle out of you, the guilt disappears immediately. 

You stare up at him and then follow his gaze down between your legs, watching his spend come out of you and drop down onto his mattress, staining his sheets. “You’ll have to wash these now,” you tease, your voice almost breathless. 

“Worth it,” he whispers, leaning down and gently pecking your lips. 

“Was that– Was I okay?” you ask quietly, your hands slowly moving to his hair. 

“Oh, sweetheart,” Logan says softly. “We’re gonna be doing more of that.”

 An excitement flickers in your eyes and you grin, leaning up on your elbows to gently capture his lips with your own. “And just so we’re clear… I don’t mind that you came inside.” 

Logan pulls back and looks down at you. “Yeah?” 

“Yeah,” you nod. “I like knowing that I can still feel you.” 

Logan smirks and he can feel himself slowly begin to get hard again. His regenerative powers aren’t all that quick anymore, so he’s surprised that his manhood is stirring awake, yearning for you yet again. 

“Next time we do this,” you begin quietly. “Can I ride you?” 

Logan groans as he moves his hips, his tip slowly brushing against you. He slowly lies on his back and reaches down to stroke himself, eyes running across your frame. “Come on, then.” 

“Wait,” you bite your lower lip. “You’re– How?” 

“You make it easy,” he winks, reaching out to gently tap your hip. “Take what you need, sweetheart.”

You move to straddle his hips and Logan looks down to see his release trickle out of you, dripping onto the hair at his base. He stares up at you, feeling you slide down his length and he watches you tilt your head back, a moan escaping your lips. Logan bites his lower lip, hands moving to your hips as he gazes up at you. Logan knows that you’re way out of his league, that you deserve to be with someone closer to your age, but fuck – he’s going to keep you for as long as you allow. 

Because Logan knows that he’s so deep in his feelings for you that he won’t ever choose to let you go. 

And now, as you’re slowly rocking your hips, he’s going to keep this image in his mind until the day he dies. 

His girl. His.

[go-learn-esperanto]

Hey what do the new ao3 rules mean? Like what changed? I know this stuff is probably pretty simple to understand but I have a hard time wrapping my head around legal stuff and I figured it's better to ask

I'll try giving an easy summary of the new Ao3 TOS for you:

All the types of fics that were allowed before are still allowed. No changes there, only rewording.

Restructuring of TOS. Basically they divided it into 3 parts so it's easier for the users to look up something they want to check on. There was also a part that was moved to somewhere else. The information is still there just not on the TOS, because the committee believed it didn't belong in the TOS.

They tried to make the language easier to understand.

They made the Abuse Policy more generalised aka now the AO3 Policy & Abuse committee can more freely decide how to deal with TOS violations.

The "underage" tag is named "underage sex" now so it can be clearer.

They clarified that it's prohibited to use any Ao3 content for commercial use, and they specified scrapping for later commercial use aka "Fuck You AI Scrapping".

I'm obsessed with the fact that they state in the changes that now that they don't warn people that there may be works on Ao3 with bad spelling and grammar, and that on the FAQ they now include a question saying something saying "there's not grammatical or spelling standards". They really said "You are legally allowed to write horrendously, without shame. We won't tell on you." LOL

All other small changes are to do with very minutes changes on how the Board of directors Vote or that single cases of Ao3 TOS abuse are now not voted on by all the PAC volunteers because it's impractical with the amount of users and cases they get. Now they have a line of work and ban decisions are required to go through multiple people.

The reality is that not much has changed and most of the new TOS is only rewording and clarifications. Internal changes in the way Ao3 operates are really just so things can be done more efficiently considering the millions of users Ao3 has.

They also specify that they haven't added specific bans on having fics made with AI/having AI help on the website however that if a fic is found to be too similar to another work, writing wise, than can be a plagerism or copywrite violation.

Here's the official post detailing all the changes in TOS

[rinawantstosleep]

"I don't like your stupid, white hair." 

"And I don't like your boring, brown hair, buddy."

"W-well... well, I don't like your ugly, doo-doo face!"

"Your mama does." 

The two could go bickering like this for hours on end if you let them. What may seem to be a mutually digressive arrangement is actually an oddly adorable bonding in disguise. Satoru and your son put on a front of being annoyed at the other's presence, but you've never seen them apart for longer than a few minutes at a time. They've grown on each other; much like how moss grows on a statue that's been lingering out in the open. An indispensable cycle of life that's truly inevitable. 

"No, she doesn't! She doesn't! She likes... sof- sofis... sofistogated guys."

"You mean sophisticated?"

"Shut up!" 

You'd been terrified that your little one wouldn't have a father-figure to rely on anymore after you divorced your husband. However, it was something you had to do for his sake. The child deserved to live in an environment that wasn't always reeking of alcohol, where he wasn't subjected to the constant, drunk yelling of a pathetic excuse of a father who couldn't get his shit together and lazed around at home all day while you did all the work. If that meant that you'd have to raise him on his own, then so be it. At least he'd be raised properly. Signing those papers was, by far, the easiest decision you'd ever made. 

"I'm not shutting up because a kid in clothes too big for him is telling me to."

"You... you're the one always wearing tight clothes around the house to impress my mama."

"No, that's because I'm ripped. Gotta show off what I've got. And your mama loves that." 

"Oh, yeah? That means you show off your... your - um... ugly, doo-doo face!"

Would you regard it a miracle that Satoru just so happened to stumble into your life around that very time? Well, relatively. Meeting him wasn't something you'd planned, nor anticipated. The kind stranger who offered to pay for your order at a café a year ago has somehow, thanks to quite a romantic sequence of events, turned into your boyfriend; a rock to lean on for when you need the support. And, also, someone that your little one can look up to (with the fun, bonus benefit of the pair getting into silly, childish quarrels nine times out of ten). What is Satoru if not a three-hundred-and-thirty-six-month-old toddler, too? Puts your five-year-old to utter shame with the way he acts. 

"Enough. Baby, we've been over this before. Behave."

"But, mama, he's being a meanie!" "But, babe, he's acting all pretentious." 

The responses come simultaneously: one is high pitched and whiny, and the other is your son. Sometimes, you have to pause and ask yourself how you haven't gone insane yet. It's the love that keeps you from falling apart. How could you ever harbor any other feeling for these two, except for wanting to cherish them? You just... need to work on a pet name that doesn't apply to the both of them at once.  

"I don't want to hear it. Sweetie, finish your lunch. And, Satoru?" 

"Yes, honey-who-loves-me-and-my-'ugly, doo-doo'-face?" He's smirking, snickering, while saying this, the sly bastard. When will the pair ever relent on trying to one-up the other? 

"Why have you got one of my hair ties on your wris- never mind. Don't forget to change the sheets in our room. I'd do it myself if not for the meeting I need to get to in an hour." 

"Yes, ma'am." 

Cue a tiny gasp. 

"But, mama..." The voice of your little one breaks the peaceful silence at the dining table once again. His legs start kicking back and forth - a sign that he's growing restless - from the chair they're dangling off of. He's got a protest already forming up in that head of his. "Toru said he'd take me to the skate park today. And he promised to get ice cream after."

Toru, huh? That's new. You can't help the smile that paints itself on your lips. The two have been getting along pretty well, it seems, contrary to all the bickering they do. That's always nice to know. It's amusing to see the dynamic they've built. One second, they're riling each other up to no end, the next, they've already formed a secret alliance to go out and have fun together. How cute. "Is that so?"

"Mhm! So that means we need to leave riiight after I finish my lunch. Don't get mad, okay?" 

It's the small things like these that warm your heart. Some sacrifices can be made if it's in regards to this adorable (step, even though you haven't married Satoru yet)father-son moment. The sheets are insignificant right now. "Awwh. Of course I won't get mad, baby. It's good for you to want to spend more time with Satoru. Isn't he a fun guy?"

"... maybe." 

. . . 

"Just make sure he's safe out there. Helmet and gear on at all times, no big ramps. And don't let him eat too much sugar. He'll get hyper. Once the rush dies down, he'll get cranky -"

Satoru's arm wraps around your waist before you can finish your sentence, pulling you overwhelmingly close to his frame. Instinctively, your arms move to wrap around his neck, just the way Satoru likes it. Oh, how he wants to just throw everything else out the window and drag you to the nearest room with a lock in place.

"You -" A quick peck to your lips, followed by a nibble on your bottom lip. "- worry -" Another peck. "- too -" Another. "- much." Then, an unexpected bite on the shell of your right ear. "I'd never allow myself to let that little demon get hurt; or hyper."

Large hands wander across the curve of your back, resting firm on your butt. Satoru doesn't want to expose your son to the way he's squeezing your plush flesh with his long digits, so he shifts to have your back pressed against the wall. A perfect opportunity to kiss you - which the man can't help but seize. What else is a smitten boyfriend to do while waiting for your son to get ready and come down from his room upstairs? Lips against lips until one of you pulls away for air. "He's safe with me, okay?" 

"Okay." 

"Atta girl. Now, you go that meeting of yours. And, tonight, after we both get back- oww."

"Groooss! Don't kiss my mama, or you'll make her ugly! Like youuu!"

"Baby, no. Don't kick Satoru's ankles-"

"I'm saving you, mama."

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

[thatbitchery]

Personal finance is tied mostly to your systems as a person. You could make 6 figures a year and still be broke and in debt or you could make 20k a year and be on your way to financial freedom.I have finally achieved financial freedom, and no I do not make super much, depending on who you compare me to. Mostly it's my financial and personal habits that keep me going.

I do not consider fancy a marker of a good life, as a matter of fact I do not understand it. What do you mean a MEAL costs 1000 its never that serious please. I don't consider Givenchy to be any more elevated than what my tailor can make me for 100$. Fancy is not important to me so when I was building my one year emergency fund I did not consider fancy part of the budget. I do not try to purchase status.

And I can not stress this enough- taking risks with my money. Buying a vending machine is one of the best decisions I made this year. Buying a business, as risky as that was, turned out to be great. I have lost money, too. Like a lot. I bought stocks in a startup that crashed and lost a pretty little buck. I dipped into the VR business not too long ago and that tanked. It is not about making the right decisions- with money that is almost never possible. Its about taking risks.

My end goal is not a career its the money. Meaning? I have worked jobs odd and unclassy and not so fun. I have packaged fish at some point- hated it. I have worked as a cashier once. As the personal assistant to some pig that was always trying to get their hand up my skirt. I have done real estate. Currently doing event (wedding) Planning for my girl. I did forex, once. I have been paid to go as someone's date to some event. I am not picky with my jobs because the job is not the end goal, the money is. The goal is to retire by 30 and I will do whatever it takes to get up there. It's the getting paid part that matters the most to me.

Learning to leverage my skills and the situation plus to recognize the opportunities when they show up. My girl's last organizer canceled last minute and I offered to take it if she tops the fee up because I love her but not THAT much. In the process I have met so many people in this place and making connections in a new country will never be a bad idea. I have zero to none skills in event planning but all i hear is compliments (Pinterest the things I'd do for you) and I can add event planning to the options my future self has for careers especially given the profile of this one. A lady at church was divorced and man left her with a mortgage and a financial crisis (your daily reminder marrying rich isn't all that) and i drew up a contract to cover her mortgage and kid's education in exchange of a piece of her estate plus slowly easing my way into becoming her financial go to person and asset manager. A bargain, seriously, and I've passed it through enough lawyers to know my fancy little mortgage note will make me very very happy in a few years. Leveraging my mentorship skills to work my way into society because the way to anyone's heart is their children. Its free on paper but is it really? These are the next CEOs and I'm building my space this early. Leveraging my relationships for more relationships. Opportunities are not given they are created. 

THIS. ESPECIALLY THIS - having a value system. Knowing what is important to me and what isn't. Being a part of high society is NOT important to me so why would i buy a gala ticket the same price as my rent? Buying brands to keep up a rich girl aesthetic? Winters in Gstaad although I despise snow? Being part of high society isn't something I value at all so I don't play social games I'll just go home. Yes I'll maintain my relationships but everyone that is everyone knows it is not a race I fancy (Which, weirdly enough, has made it very easy for me to navigate it). Like I said, fancy things are not important to me so apart from an Aston Martin I don't care about the price I care about the quality. I will be at a thrift store I really don't mind. My peace is very important to me so I'll pick the fancy overpriced library fees over other libraries and I will pay a ridiculous amount in rent for an apartment in the peaceful part of town and I will splurge on a fancy cafe because I know the price range itself buys me peace. Ramit Sethi (In his book I Will Teach You To Be Rich) gives this as the core point of getting wealthy, knowing your value system. What is important to you? What isn't? If you're not for something you're for everything. 

Minimizing responsibilities. I don't have kids and I don't intend to. I don't stupidly commit to things without thinking real real hard about them. I didn't buy things that require me to keep up with paperwork, I don't take on things I need to track. My greatest responsibility in life is my three cats. 

[alexanderwales]

@queenlua

(this is sort of a tangent so feel free to ignore me ENTIRELY but: who exactly is the audience for litRPG stuff? my first time hearing of it was at a sf/f writer's workshop, and when it was described to me i was like "wouldn't these people simply read webfiction" but then i was informed of The Sales Numbers Around LitRPG People I Had Never Heard Of and was like What The Hell, but i was clearly the only Extremely Online person in the room so figured i wouldn't get any further context from present company lol)

For some reason I thought I had answered this, and maybe I did somewhere and can't find it, so sorry if this is a restatement of something you've already read, but ...

There are a few fundamental fantasies being fulfilled by the modern litRPG.

First, there's the power fantasy, the idea that you can have control and be agenty and make decisions. I don't think there's anything wrong with power fantasy per se, and I expect that the desire for power fantasy will grow when people feel more and more powerless. litRPG does not offer anything much different from e.g. superhero stories, at least as far as power fantasy goes.

Second, there's the progression. This is part of the power fantasy, the getting stronger over time angle, powering up, getting better. litRPG promises that, it's in the nature of the RPG elements, and fundamental to the appeal. This is something that e.g. superhero stories usually don't have. (There is a whole genre, progression fantasy, that focuses on this, and litRPGs are usually a subset of that depending on who you ask.)

Third, the litRPG offers legibility. It is clear what the powers are, what they do, what choices are to be made. Everything is clearly laid out and easy to conceptualize, at least most of the time. And because this is the case, it's good as a platform for the imagination, especially for analytical readers. It's something for people to daydream about, argue over, etc. Legibility is super important, IMO, or at least the appearance of legibility, the illusion that the author has a Concrete Plan with Hard Numbers. Armchair psychoanalysis is that a desire for this relates to a lack of legibility (and by proxy "fairness") in real life.

Fourth, the litRPG naturally speaks the language of videogames, and a lot of the readers are super into videogames, so there's some element of "thing that I like" in there which I don't think can actually add to any analysis, but also some of the things that people like about video games are power fantasy, progression, and legibility, so ...

There's also a lot of overlap between webfic and litRPG. I don't know that I'd say it's the most popular form of webfic right now, but ... probably it is? The overall market is young men for both. [Edit: I should probably clarify that I don't know what the hell goes on over at Wattpad. AO3 is also webfic, but that's fanfic, and female dominated last I checked. I'm talking more RoyalRoad, SB/SV, QQ, etc. I am not a market expert, terms and conditions may apply.]

Here are some other reasons I've heard from people when I've asked:

it's hard to screw up, so you're guaranteed a quality baseline

the writing is often simple popcorn that's easy to digest

the writing is often bad in a way that makes it less predictable

there's often no romance or introspection

the numbers are going up, and I like that consistent dopamine drip feed

the characters are simple

the main character is just like me

I think some of these are just wild to think about, and others are not really about the genre, just the kinds of people who write within it and the stories that make up the bulk of what people are reading.

LitRPG where the protagonist's game system is very clearly from a game with a 20-minute day-night cycle, and whose gamification of hunger, thirst, and sleep just wreaks havoc on his personal and professional life.

Just kidding, litRPG protagonists don't have personal or professional lives.

[limeade-l3sbian]

Im sure you have noticed many radfems talk of how men will use their spouse/partner as basically a second mother, having her do all the chores, the emotional labour, the organisation, etc. And I agree with this take.

But can we talk about how a lot of women, especially trad adjacent ones, also see their male partner as almost a parental figure. The amount of times i’ve seen women use different versions of “I just want a man that can think for me” is too many to count at this point. And it’s common. It’s seen in so much romance media, where the man takes control of everything, all the big decisions. It’s become a whole trope in heterosexual romance books and stories, of a rich man with control issues who sweeps some woman off her feet and makes it so she basically just disappears in his embrace.

This is gonna sound super harsh, but please know it isn’t meant as a critique of them as much as something i’ve noticed. I really do believe a lot of women who crave old school gender roles are very lazy, “useless”(to themselves) people who don’t want to amount to anything in life. The idea of struggle and hardship, heck, even just working TOWARDS something, it scares them so much they would rather be shapeless blobs controlled by someone else. That’s why they fetishize that traditional life style for women. Obviously WE know the women of that time and current time too in those types of homes aren’t just sitting around all day doing nothing, but I really do think a lot of women use it as an escapism fantasy from life.

The way a lot of them describe their sexual fantasies is similar, it’s always what is done to them, like they aren’t actually active participants, like they don’t actually have to make any choices.

I think the reason a lot of men crave a parental figure partner vs the reason a lot of women crave one is very different but they seem to be extremely common nonetheless. And with women I also know it’s a very complex issue of both society telling us our worth, the fact that women nowadays even as the more educated demographic STILL do more housework and emotional labour in relationships, capitalism being horrifyingly exhausting to live under, I could go on. But the point is, I think certain women crave a life of no consequences so that whole “i’m just a girl” and “he thinks for me, he makes the choices” mentality thats unfortunately had a huge uptick in popularity in recent years, I do think it’s women craving a parental figure as a partner. Not to say it’s anything linked to incest, i’m not trying to make freudian connections here, but I think the role of a parent is to take responsibility for the child and they crave that floating consequence free existence of a child.

I dunno, is what I’m saying completely deranged? Let me know.

Anon, I'm gonna try to be respectful and hold your hand when I say this... YOU'RE RIGHT! Thought I was gonna get condescending on your ass, huh? 😎🤪

Firstly, don't undercut your words with "I dunno." You made a completely logical point and casually explained yourself so eloquently I wouldn't be surprised if English wasn't your first language.

Secondly! I have seen this too! This weird, "take care of me" emphasis from both sides of the camp. Is it laziness? I wouldn't cast that aside for a second. But I think it's also this strange reaction to the present world. At least in the U.S., the economy is shit and people kind of already know that shit is just going to be hard, no matter what. And as humans, we have a weird tendency to swing the pendulum completely to the left or the right. So our reaction to very real, economic hardship that requires frequent "grinding" is to desire a complete release of the wheel, and to have someone else handle the hard stuff.

For some reason, according to social media, you either need to be grindset girl boss or a trad trophy wife which is...yeah. But I don't doubt your point being more of a reason for this. It's bizarre, and you're not crazy.

[pompadorbz]

I've been kinda on this quest to find a good way to tastefully retcon the brighton biter's character from qsmp but that's kinda a difficult challenge when he's very integral to another character's arc (Lullah). I've thought about making a placeholder character since with how little he logged on it wouldn't be hard (Might make him faceless, charlie brown parent style), but for now I'm just gonna refer to him as "W". *Characters not CCS, if that couldn't be more obvious, but i'll leave the rest of this under a read more if you don't wanna read about this guy for even a second! I don't blame you.

I bravely like the bravest Guppy ever went back and watched the stream where him and Phil argue after his return, and in my mind the conversation where the two originally made up went a lot differently.

W choosing to leave the mission is, be it subconsciously or not, a decision more so made out of a desire for moral superiority over Phil than it is for answers, because truly, him choosing absence over aiding others being brought up is one of the biggest holes Phil could have punched in his ego, and while he likes Phil as a friend, he doesn't like to imagine him as having done more for Lullah than him. It results in an act of inaction only done out of a desire to avoid responsibility while still seeming present on a surface level, and Phil's had enough of that.

In my kinda mental rewrite, Phil was done with his absence and gave him an ultimatum; either he can stay here on the island and at least temporarily stop touring to give Lullah the father she deserves, or he can go back with his band that's supporting the island's biggest tormentor financially, and never show his face around here again.

Phil is fully and wholeheartedly expecting him to do the former, because it is a choice and sacrifice so obvious that he knows any other person here would choose it in a heartbeat, but instead- and to Phil's disappointment, W gets cold feet, opting to avoid commitment for one final time.

When Lullah is finally back on the island, Phil tries not to tell her immediately, because he sincerely doesn't know how to even approach something like that. In a way, he becomes avoidant too, but for more selfless reasons in contrast. He's still trying to figure out how to let her down easy.

But unfortunately in the time she's been gone, Phil's said a lot about this situation to the other island residents. He's made jokes about it to cope and he's vented about it to his more trusted friends, so i think by the time Lullah and Phil have their big conversation (after her and Chayanne fight) where she opens up about her feelings, Lullah is already somewhat aware of what really happened with W, or at the bare minimum she has her suspicions and has been keeping quiet.

Even then, Phil can't fully bring himself to tell her that W effectively abandoned her, and so for better or for worse, Lullah seeks out answers on her own, and that's what leads her to finally stand up for her own individuality and stop living in W's shadow.

[ageless-aislynn]

I finished The Quarry! 8 hours for my first playthrough and I got 18/40 achievements along the way. To 100% it will require a few more total playthroughs (some of the achievements are blocked by getting others, so need their own playthrough) but I'm looking forward to seeing the other ways that everything can work out!

I made a few decisions that resulted in me completely not getting the results I expected, lol.

SPOILERS, if anybody cares 😉

I saved Laura and cured her of the werewolf infection but apparently didn't have as good a relationship with Travis as I thought I did so he locked her up at the end.

I cured Max but got him killed by Werewolf Caleb by trying to swim to land. 🫤 Emma was killed by Werewolf Max and was the first to die. I let Ryan bleed to death rather than become a werewolf because I honestly thought he was going to be revealed as bad. I thought he had deliberately hung up on calling 911 early in the game and lied about it, which was a clue to his true nature. Instead, oops, the phone really had been cut right then? Sorry, dude. 🤷‍♀️

Werewolf Nick killed Jacob in the cages because at that point I thought I was inevitably going to get everybody killed and figured I might as well go for that achievement. So I let Jacob be killed and then eventually realized I had too many infected werewolves by that time and they don't die so... oops. Killed you for nothing, Jacob, my bad. 🫤😉 I accidentally got Kaitlyn killed by failing the shooting QTE and I guess that was Werewolf Caleb who killed her? (Or was it Werewolf Silas? I dunno, doesn't matter, my girl was werewolf chow and that made me so sad. 😭)

Dylan and Nick survived as werewolves. Abigail, Laura and Travis all survived as humans. Everybody else ☠️

Characters I came to love by the end:

Dylan

I thought he was going to be the sorta stereotypical wisecracking annoying guy the whole way through and instead you discover he has a heart beneath all of the wisecracks. I love him, your honor! 💖

Kaitlyn

Very similar to Dylan, she proved to have a lot more heart than I expected. I started playing her with her most sympathetic options and wow, my opinion on her completely changed from the initial one. I love her, your honor! 💖

Laura

My badass queen, right here. Love, love, looooove her! I knew we'd see her again in the game at some point after the start and she did NOT disappoint. I seriously wanted the ending where she and Travis work together as well as her getting to meet Max again after he was cured. Definitely going to try for that next! 💖

Max

I had a lot of sympathy for Max. He didn't want to disappoint Laura, he was devastated when he realized he had hurt her after turning werewolf the first time, and he generally was just trying to be a good guy going through some terrible circumstances. Love him and I love him with Laura. 💖

Travis

Yeahhh, it's Ted Raimi. I'ma love him no matter what, lol. And yep, I can quite easily get aboard the Laura x Travis ship right along side the Laura x Max one. I contain multitudes, what can I tell you? 😂💖

I was worried about the level of blood/gore and found it to be not nearly as graphic as I thought it might be. Granted, you get a lot of people ending up splattered in blood so if that's not your thing, be wary of that. The werewolf kills/attacks weren't as graphic as I thought they might've been, so that was good (Kaitlyn's was the worst but at least it wasn't all in-your-face torture p0rn or the like; I just hated it because I didn't want her to die 😭😭😭). Of course, everybody's tolerance for things like that can be different AND there might be more graphic attacks that I just didn't encounter in this playthrough.

Also, the werewolf transformation scenes were some of the most interesting, if, um, wet 👀that I've ever seen. Basically, the werewolf bursts out of the human. I also thought the werewolf design was unique, though they kinda looked like very angry hairless cats to me, lol. 🤷‍♀️😉

Something also worth mentioning is the fact that you can't manually save, it only auto-saves at certain points. The game is very insistent that you can't go back and change your mind on your choices in your first playthrough. After finishing it, you get the option to do 3 "death rewinds" in subsequent playthroughs, where you can get the option to try to undo a character death.

Since I'm somebody who can get stressed out by feeling like I don't want to make a mistake... I had to get over that right away. You also get chapter selects after you finish the first game, so I'm hoping to be able to be able to utilize those 2 mechanics to be able to get all of the achievements I want without having to keep restarting the game over and over. Maybe not everyone will be bothered by that but I thought I should mention it, just in case.

Once I got past my "But what if I'm making the wrong choice???" fears (hint: I probably was, lol), I appreciated having to just stick to the consequences and see it through. 😉

So, in summary: I found this to be a lot of fun to play, there seems to be a TON of outcomes that you can get, I still suck at Quicktime events but am a little better than at the start, and I'm looking forward to playing through again several more times! 😎👍

[scoobydoodean]

Okay a clarification here because this could be worded more clearly (and I'm probably still not going to be happy with it grrr but anyway):

When I am talking about Cas seeking a fix and Dean despairing after a mistake, I do NOT mean that Dean doesn't clean up messes he's made. I mean that after a mistake with large narrative consequences, after the larger mess is cleaned up (or while it is being cleaned up), Cas seeks out additional heroic acts to try and "solve" any interpersonal fallout of his larger narrative mistake, using Dean or Claire or the angels or someone else as a figure to seek redemption from.

If Dean believes it's his fault that an apocalypse happened, Dean is going to clean up the mess, but if Sam and Cas are pissed at him, Dean is not going to say to himself, "I can fix this interpersonal fallout with a further act of heroism" and seek out a mission to try and get himself out of the dog house.

Take Dean's role in Kevin's demise as an example. Dean trusted the wrong angel and he was silent about Gadreel's possession when he knew he should have told the truth and those decisions lead in part to Kevin's death. Dean gets Gadreel out of Sam (cleaning up the mess as best he can) and then withdraws into drinking. He takes on a murder curse because he believes he deserves to die and everyone would be better off without him around. Cas might do something similarly reckless after a mistake because that's absolutely in his wheelhouse, but instead of out of despair, it would likely (season 11 Cas excepted) be a situation where Cas was trying to redeem himself and pleading with Dean or someone else to believe that he can "Make it up" to them with an additional heroic act. On the other hand, I don't think Dean saw the Mark of Cain as a way of solving a single interpersonal issue generated by the Gadreel incident. It was a way to rid the world of him while making his body useful for something. 

Dean and Cas are very similar in that they both deal with significant self-worth issues, were treated as weapons for a lot of their lives and were raised like soldiers, and had their worth routinely tied to their ability to kill and defend their families. But their responses to making a mistake are so... very very different most of the time?

Cas fucks up and immediately begins looking for ways to prove himself again and get anyone he's let down to see that he cares about them and he can fix it. His belief that he can make things right is incredibly persistent and can even feel a little overbearing on occasion? Dean fucks up and despairs. He sees his mistakes as a death sentence—as something that completely condemns him. He makes a mistake and believes he can never atone and has no way of making it better. In the worst case, he thinks the best favor he could do the world around him is dying to rid the world of the stain of him. He's too accepting of being doomed by consequences. I think this makes Cas a really important foil for Dean and also probably lends to Dean's attraction to him.

Cas is the guy who tilts his head and says "You don't think you deserve to be saved?" Not just because he thinks Dean is a good person to the very core but because Cas believes you can fix anything, and as much as I think this difference creates conflict between the two of them on occasion, I also think that's an important and inspiring trait in a friend for someone with Dean's hangups.

[coquelicoq]

what i love about the Famous Actor Natori Shuuichi of it all is that...it's not just that he's famous and therefore widely recognizable wherever he goes. like yes that is very funny because he was an exorcist before he became a famous actor, which means he CHOSE, on purpose, a day job that would make it harder to hide his double life/secret identity from the hordes of his adoring public, but it's more than that. it's not just that he's famous, it's that he's famous specifically for being an ACTOR, aka a person whose job it is to dissimulate, to make believe, to inhabit roles and emotions other than his own. like he decided he was going to become as visible as possible (which again was literally not necessary! he could have gone into any other career for his day job!!) but in such a way that everyone would see him but no one would see him - they would just see his various made-up personas, including the Famous Actor Natori Shuuichi persona. i can't decide if he's a genius or if he just made so many absurd decisions that they canceled each other out and circled back around to working out. he's either playing 9-dimensional chess or he's eating the pieces. too soon to say.

[wonder-worker]

"The feast of the Nativity of Saint John the Baptist being appointed as the day upon which the coronation of the king [Edward V] would take place without fail, all both hoped for and expected a season of prosperity for the kingdom."

-Excerpt from the Croyland Continuator / David Horspool, Richard III: A Ruler and Reputation

Even though Edward IV’s death was unexpected, after twelve years of peace there need not have been too much of a sense of foreboding about the succession. The great dynastic wound from which the Wars of the Roses had grown had not so much been healed as cauterized by the extinction of the House of Lancaster. There was no rush for London, as had happened in earlier, disputed successions. The royal party didn’t set out from Ludlow for ten days after hearing the news of Edward IV’s death, while Richard took his time, too. And the new king had [his mother the dowager queen and] two uncles to support him: his mother’s brother, the sophisticated, cultured, highly experienced Earl Rivers; and his father’s, the loyal and reliable Duke of Gloucester, to whom Edward IV had entrusted unprecedented power and vital military command.

... [Richard of Gloucester] had achieved his goal by a mixture of luck and ruthlessness, and if he made it appear, or even believed himself, that destiny played a part, this only made him a man in step with his times. Modern historians have no time for destiny, but sometimes the more ‘structuralist’ interpretations of the events surrounding the usurpation can come close to it. When we read that ‘the chances of preserving an unchallenged succession were . . . weakened by the estrangement of many of the rank-and-file nobility from . . . high politics, which was partly a consequence of the Wars of the Roses and partly of Edward IV’s own policies’, it is hard not to conclude that an unforeseeable turn of events is being recast as a predictable one. But without one overriding factor – the actions of Richard, Duke of Gloucester after he took the decision to make himself King Richard III – none of this could have happened. That is, when the same author concedes ‘Nor can we discount Richard’s own forceful character’, he is pitching it rather low*.

Edward IV had not left behind a factional fault line waiting to be shaken apart. Richard of Gloucester’s decision to usurp was a political earthquake that could not have been forecast on 9 April, when Edward died. After all, Simon Stallworth did not even anticipate it on 21 June, the day before Richard went public. We should be wary of allowing hindsight to give us more clairvoyance than the well-informed contemporary who had no idea ‘what schall happyne’. This is not to argue that Richard’s will alone allowed him to take the Crown. Clearly, the circumstances of a minority, the existence of powerful magnates with access to private forces, and the reasonably recent examples of resorts to violence and deposition of kings, made Richard’s path a more conceivable one. But Richard’s own tactics, his arrest of Rivers, Vaughan and Grey, the rounding up of Hastings and the bishops, relied on surprise. If men as close as these to the workings of high politics at a delicate juncture had no inkling of what might happen, the least historians can do is to reflect that uncertainty [...].

(*The author who Horspool is referencing and disagreeing with is Charles Ross)

[confinesofmy]

i successfully gave both delivery people basil plants today! 🥳

[loregoddess]

so I've been watching the KH Union Cross stuff (in order, thank goodness, this would be so confusing to piece together otherwise), and like, I knew enough about UX that the appearance of the foretellers at the end of KH3 wasn't confusing bc I knew who they all were, but getting the expanded, explained lore and I'm like okay, actually these weirdos in animal masks are pretty cool, glad to know they'll show up (presumably) in future games

also I'm glad that memorizing the Latin names for the seven deadly sins is finally paying off

[andromeda3116]

looking at job prospects in science writing (depressing), and one of them is offering $80k/year. i look at it out of curiosity. it requires a phd.

for $80,000 per year. a phd. you want someone who has a fucking phd in a life science for $80,000 per year

jesus christ we are living in the worst timeline

[winterbirb]

It's not even an INTERESTING white house readout. It's a fucking G8 joint statement about economic cooperation and working with Russia to fight terrorists. But it's important to the narrative, as it likely was IRL, because one of the MAIN THEMES is 1. Everyone getting fucked over by international supercorporations but not being able to fight them with traditional means and 2. Clandestine joint cooperation

[c0rpsedemon]

insane 2 me that eiyuu senki has a translation b4 fate/stay night does