#decay is not fun and would be very horrifying to experience while alive fun fact!

[chibishortdeath]

I cannot explain how often I think about this part of the Simon’s Quest story. Ough I wanna try to explain every tiny line of this in detail, but I can’t think of words rn aaa, so I’m gonna dump random disjointed thoughts in the tags for now.

I’m putting the links to the English translations of the first two games’ Japanese manuals because their stories are so much cooler than what the western releases got. The second I get everything I can or have thought about this guy together I’m doing in depth story and character analysis for some silly whip man NES games tho—

[why-this-kolaveri-machi]

Notes on SPN 14.02

So! I saw 14.01 yesterday, which was for the most part, surprisingly, a blast, and since I have a bit of free time today I thought I’d keep a hold of the momentum and watch and liveblog 14.02 as well. I’ve heard it’s one of those Buckleming plot-a-paloozas, but I’ll try my best to provide semi-reasonable commentary instead of incoherent ranting.

Right. As always, typing this post up as I watch. SPOILERS for the episode ahead.

1. We start with a recap of last season’s finale, and Show, do you really want to remind us this many times about that wire-fight?

1.25. Show’s lore regarding possession has been dizzyingly inconsistent, but the more I think about it, the less sense it makes to me that Nick is alive? Because Nick couldn’t actually house Lucifer for very long in s5—he was deteriorating, which was why Lucifer needed Sam so urgently. The last we saw of Nick, he was dead/dying in a dingy room in Detroit, when Lucifer jumped ship to Sam. Even if Lucifer assumed Nick’s visage in the Cage and afterwards when he was brought back, Nick-the-person with Nick-memories and Nick-feelings isn’t there anymore.

1.255. So what does this mean? Like, if this was explained away sometime over the last two seasons--I’m very sorry, I really wasn’t paying a lot of attention to large chunks of them—please let me know. If there’s no explanation, then has Lucifer disappeared inside a Nick-construct? Did he use a loophole to escape the worst of the Archangel Blade right at the moment Dean plunged it into his side? Lucifer was “human” for a while in s13, iirc. Did he have enough “human” to hide behind and recover? And has he filled that human with the memories/personality of one of the humans he knew best? Is it because he spent centuries assuming Nick’s body in the Cage that he’s most comfortable being him here?

… I don’t know. Maybe I’m missing something obvious, but, hey, it’s fun to speculate.

2. We start off with people artfully tied up in an artfully derelict church illuminated artfully by artful lightning.

… *groans* I hope we aren’t getting a torture scene already.

2.25. Well, Michael’s certainly chirpier than he was last episode.

2.5. Is he trying to make new angel minions, is that it, by feeding them blood and his grace? Leaving aside the lack of creativity in the mechanism, the whole thing kind of makes a weird sense. Michael is looking for those with purity of purpose—among religious leaders (and refugees, apparently), angels, and then finally monsters—and rejecting those ‘poisoned’ by nuance and experience and supposed sin. After all, no being whose wants are even slightly more complex than ‘food’ is going to be a perfect follower.

It also plays into his assholey, self-righteous personality and, well, god-complex.

(Dean would’ve appreciated this quest for pure purpose.)

3. There’s a kind of sitcom-y vibe to this little expository scene: Bobby talks shit about angels only for Castiel to walk in with a quirked eyebrow; the group talks about Jack and Lucifer only for Jack to walk in and go, “hey, you talkin bout my father again?”

(these are the tiny ways I feel SPN is at cross-purposes with its own theme of ‘found family’. Everybody’s obsessed with blood relations, to the point that Lucifer and Jack are constantly referred to as ‘father and son’ when there is no need to bring that relationship up. Last year, even Castiel referred to Jack while talking to Lucifer as ‘your son’ without any prompting from Satan. Words are so powerful, and so revealing.)

3.45. Castiel “as you know, Bob”-ing is hilarious. Oh, Buckleming.

3.5. Um, not to dismiss or compare Castiel’s considerable trauma at the hands of Lucifer, but is anybody going to acknowledge even once that Sam, who appears to have taken the brunt of caring for Nick so far, is also going to have trouble looking into his abuser’s face??

4. Nick continues to make no sense to me.

(I like little touches like Castiel telling him that he needs to remind himself to eat.)

4.5. I kinda like this scene, sue me. It makes sense to me that Nick would obsess over and over again about how he could’ve let himself say yes to Lucifer, although Lucifer is as old as time and had all the power in that situation. The ‘monster’ bit is a little too on-the-nose for me, but I like it. Really drives home what an intimate, horrifying violation possession is and how scarred and twisted it can leave the survivor who spirals down a well of undeserved guilt and self-loathing.

I wish Sam was the one talking to him now, or was at least present. He’d talked in the previous scene about how Nick was only ‘housing’ and deserved a chance to rebuild his life, and that hard-earned generosity of spirit would’ve been a balm to all three of them, I think.

5. ETA on the TOD, Bobby? *sporfle* Seriously though, I love this role-reversal: usually it’s Bobby who’s rolling his eyes at SamnDean’s eff-bee-eye shenanigans.

5.25. Ah, but where this Bobby has become an expert now is in telling the difference between smiting patterns!

5.5. I wonder if trying to appear non-threatening is just Sam’s default whenever he meets with, uh, ‘civilians’.

6. I really, honestly hate that the Bunker just happens to have ‘lore books’ on whatever the hell random question they’re having that day. I just kinda hate the Bunker in general, now that I think about it.

6.25. But doesn’t that ‘human component’ (lol) make a Nephilim strong enough to take down even archangels?

6.5. As pep talks go, that wasn’t bad. A few notes:

a) there’s an earnestness to the words that I’m sure that Castiel learned from Sam.

b) I think this is the first time that Castiel—or anybody—has referred to the events of 8.23 as “The Great Fall”. It’s interesting that it’s already gotten a name among angelkind and that Castiel would call it that, given how close he was to the events that led to it.

c) I want to both laugh and cry at Castiel’s assertion that Sam and Dean were there for him after he lost his grace. He was mostly left to fend for himself, obviously, but there’s no space for that in a pep talk.

d) Sometimes it’s easy to forget that Jack is actually just only a year old. Asking him not to dwell on something so… immediate is a tall ask.

7. Ok, so that was a nice snappy little counterpart to Lucifer-talking-to-Sam-in-the-mirror from the s5 finale. I like how Michael is blunt and matter-of-fact while Lucifer relished in the moment, bragged about how he’d had Sam’s number all his life, and seduced him with violent revenge. This is nice.

I don’t know, guys, I’m really enjoying this episode so far!

8. Sooooo Lucifer is residing in some subconscious layer of Nick’s mind? Is this PTSD shaped by his possession? Is Lucifer bleeding through his own construct? Are we going to find that it was actually Nick who killed his own family? (I think we are.)

8.2. Castiel looking for residual Lucifer in Nick reminds me of when he was doing the same for Sam re: Gadreel, and that reminds me of Dean’s ‘teen mom’ joke from that episode and now I’m pissed off.

8.5. Nick is fascinating, but is he fascinating enough that I care about his little revenge sub-plot? Eh. Jury’s out. Plus I just can’t stand the actor anymore

9. Sam’s just kinda there to move the plot along. Give him some more character moments, episode!

10. Michael reminded me of Dean in the scene with the werewolf. I’m really not getting a capital P personality from Michael, though that may be due to a personal choice. Or maybe because Michael was never a distinct character to begin with, and this is far more noticeable when Ackles plays it and ‘Dean’ threatens to take over any minute.

Or going meta for a second—maybe Michael’s deliberately infusing some Dean into his persona. Possession isn’t simply putting a thing inside a box: both entities are influenced and informed by the other, but only one has all the power.

11. … ok, so my interest in this Nick subplot is rapidly decaying. Nick did it. He killed his family. It’s not a mystery.

11.5. The emotional dynamics of this scene… checks out, actually. Of course Nick is projecting all his rage on Castiel. And of course Castiel regrets destroying Jimmy Novak’s life the most. More than toeing the party line and being instrumental in almost bringing the Apocalypse about in s4; more than releasing the Leviathan; more than trusting Metatron in s8; more than killing his brethren, who’ve tortured him back and tried to kill him on more than one occasion. But Castiel has been both angel and human—both possessing and being possessed—long enough that he’s intimately aware of the devastation it leaves both within and without. And there are no excuses for the way he and other angels have done that damage—so carelessly, so casually. Even the most well-intentioned angels are deceptive and manipulative and give not a second thought about their hapless vessels. It’s a sign of Castiel’s growth and compassion that he recognises his responsibility in this and that he invokes Jimmy’s name with both reverence and regret. In all this shouting and crying that Show doesn’t acknowledge the deep-seated trauma of possession survivors, this is actually a great moment.

12. That werewolf leader looks familiar. Has the actor been on SPN before? He kinda reminds me of one of the leads on Suits.

12.5. That’s a lot of clunky dialogue, but Michael is basically confirming what I speculated in point 2. Cool.

13. How Jack managed to get away and find his grandparents is never explained, but that’s a familiar Buckleming trope—characters are put together in a scene without any regard to how it might connect to other scenes or how/why those characters might’ve gotten there.

13.2. That said, it’s kinda poignant that Jack, having lost his angelic powers, is now trying to understand the human side of his heritage. He’s trying his best to adapt to his situation; this one year old kid is more well-adjusted than most of the adults on this show.

13.5. Well, holy shit, Jack talking about Kelly to his grandparents is just… making me feel emotional in a way this show hasn’t made me feel in a long, long time. This Calvert kid is good.

13.6. It is bizarre that Kelly’s parents are mostly ok with not knowing Kelly’s whereabouts for over a year—I don’t think we ever found out what position exactly Kelly held in the President’s office, and I can picture them in a bit of denial by telling themselves the reason they haven’t heard from Kelly is because she is in the middle of super-secret government work. I don’t know! But it’s just about handwave-able though, and their scene with Jack is worth it.

14. Honestly, Castiel, how did he travel so far and for so long without you noticing? So much for “Don’t worry, Sam, I will babysit this defenceless creature.”

(Speaking of Sam, wheeeerrreee’s Saaaaammmm)

“I suppose there are worse ways to be human than to be kind.”

“Have you heard from Sam?”

I LOVE YOU, JACK.

14.5. No, actually, Dean wouldn’t want it any other way. He said as much when Gadreel took over Sam completely back in s9.

15. Shoo, Nick.

16. FINALLY MORE SAM. With only like 4 minutes of episode left. What, Show, did you think you spoiled us too much last episode with all that glorious, glorious Sam content?

16.25. And finally a bit of action! The rapid-fire editing is making my head hurt, though.

16.5. Soooooooooooooo Dean’s back? Obviously Michael is playing a long game here, but it says something about the show that they can’t keep Dean away for more than two episodes without getting the shakes. I honestly miss Sera Gamble and her desire to rattle the status quo: in s6, she kept the so-called ‘real’ Sam away for half the season, which gave us imo some of the best storytelling, characterisation and acting from both Padalecki and Ackles in the entire show. In s7 she took away all the Winchester markers: the Impala, weird motel rooms, Bobby’s house. Of course, after she left the show settled back into a familiar rut (substituting Bobby’s house with that thrice-damned Bunker). I wish the show would take risks with these two again. s9 and the beginning of s10 were so very promising but there was no follow-through.

I guess they want to MotW fillers for a few episodes and that would be weird without SamnDean SamnDeaning it in the Impala, but Show, why don’t you just say ‘fuck it’ and try weird on for size? What do you have to lose? I mean, seriously?

17. Nick’s the murderer—called it!

18. This wasn’t terrible, you guys. 95% of the episode was just people sitting around having conversations, the dialogue was clunky, ideas derivative, scenes progressed without any rational links between them, the pacing was wonky, and there was too much exposition. But the emotional beats were solid and the set up is reasonably intriguing. I’ve seen far, far worse BuckLeming episodes.

Pacing is a real issue in this season, though. And Michael is not remotely intimidating as a threat.