#de bogaard

[lycheemelon]

gister moest eigenlijk naar de gym maar i got scared dus ik ging met een vriendin gwn buiten lopen van bogaard naar mijn huis

[blueiscoool]

Saint Aebbe Cut Off Her Nose to Spite Her Face

If you’ve ever heard the saying “cut off your nose to spite your face,” have you ever wondered where it came from? Legend has it that Saint Aebbe, also known as Saint Ebba or Æbbe the Younger, was a pious woman who disfigured her face to protect her chastity from invading Vikings in the 9th century, giving birth to this famous saying in the process.

This bizarre English idiom is still in use even today, though its modern-day meaning has different connotations to the original. These days it is used to describe a self-destructive act or overreaction, usually motivated by anger or revenge, and whose ultimate consequence is to do more harm to oneself rather than the offending party.

Apparently, a group of Vikings, led by children of Ragnar Lothbrok, arrived on the shores of Scotland around 870, and ended up burning and sacking Coldingham. When Aebbe the Younger, the Abbess of Coldingham Priory on the southeast coast of Scotland, discovered they had arrived, she cut off her own nose in a desperate bid to avoid being raped by the invaders.

She was also said to have convinced the other nuns to cut off their noses. The sight encountered by the Vikings must have been truly hideous. Nevertheless, while they escaped forcible violation, their actions still irked their assailants who continued to burn down the convent. The nuns were killed in the flames. Their purity had been preserved but they ultimately came to an untimely demise. In some accounts, the day of their martyrdom is given as the 23rd of August.

These events were first recorded in Chronica Majora by the Benedictine monk Matthew Paris (circa 1200 to 1259), written over 300 years after the events actually took place. They also made an appearance within the Flores Historiarum , though it has remained impossible to prove, or disprove, these accounts for lack of archival evidence. It’s also impossible to know if this was truly the origin of the saying.

While it sounds like a truly horrific turn of events, nose mutilation was actually a pretty common form of punishment and torture throughout ancient world. Known as a rhinectomy, the removal of the nose was a type of corporal punishment in ancient Egypt, whereby the noses of certain criminals were cut off  as a permanent sign of their crimes and they were then banished to Rhinocolura. There are also accounts from the Persian Empire, ancient Greece, medieval Europe and pre-Columbian America.

According to Plutarch’s De Exilio, King Lysimachus of Thrace cut off the nose and ears of a subject who insulted his wife. He also gouged out his eyes to ensure the message was received loud and clear. Heracles in Thebes was given the nickname Rhinokoloustes, meaning “the nose-docker,” since he reportedly had the noses removed of all messengers sent by Orchomenos to demand tribute. Even the Old Testament recommended rhinectomies in the case of prostitution.

By Cecilia Bogaard.

[4x4community]

Installing a De Graaf Exhaust System?

Forum: General 4x4 Discussion Posted By: Bogaards Post Time: 2024/11/14 at 04:05 PM http://dlvr.it/TGB1dg

[tubism]

Lente Atelier

De lente kondigt zich aan. Als resident van het Lente Atelier 2024, georganiseerd door CC “de Bogaard” en “Vrijstaat A” in Sint Truiden, voel ik de creatieve energie stromen. Het atelier staat tot mijn beschikking, een ruimte waar ik mijn artistieke ding kan doen. Eindelijk kan ik mijn penseel in acrylverf dopen en op een groot doek mijn verbeelding de vrije loop laten.

[krisztamayer8]

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[anothersievefistedfind]

Netwerk, Aalst, Belgium 9/90 - Photo © Peter Decroene

Fugazi, De Bogaard, Geel, Belgium 9/22/90 (FLS #0263) & Fugazi, Netwerk, Aalst, Belgium 9/23/90 (FLS #0264)

In the fall of 1990, Fugazi toured Europe and the United Kingdom, performing an incredible number of 60 shows in just over 2 months.

This included two gigs the band played back to back in Belgium, i.e. in Geel (province of Antwerp) and Aalst (province of Oost-Vlaanderen) for a modest number (between 400 and 600) of fortunate fuckers. There’s a time and place for everything, time and place… It would be the second time Fugazi visited my home country, having played just one show here as early as 1988.

For some reason, I haven’t really been paying much attention to these 1990 shows, and have favorited the Fugazi recordings from their 1995 performances in the cities of Leuven and Gent, as well as the one from their 1999 concert in Brussels.

These 1990 recordings probably slipped under my radar because I was just 14 years old at the time and would only get to know their work later on, I think 1991 or 1992, finally getting to see the band play live on the 1995 Red Medicine tour and 1999 End Hits tour.

Now back to the 1990 recordings. Between these two shows, Fugazi played the 1990 Repeater album (released in April) as well as the Margin Walker EP in their entirety. Four different songs are taken off Steady Diet of Nothing (yet to be released in July 1991), and four different staples off the 7 Songs debut EP make the cut as well. The gig in Geel plays out a bit longer, offering 19 songs, whereas the one in Aalst showcases some 16 live tracks.

Both recordings sound really good overall to me, even though Joe’s bass is somewhat low in the mix for the most part. The interplay is powerful and engaging nevertheless, straight-forward, with few mistakes dotted around, which makes these performances stick. The band is in a good mood on both occasions, the audience appreciative yet tentative, not putting up much of a hassle.

Note the running gag on the first night in Geel, as Guy references the UFO Dictator song by Tampax, and the band appears to tag Runaway Return and Two Beats Off with a couple of lines and chords from this song, which was originally released as early as 1979 as part of a split 7″ with Hitler SS and which currently is listed to sell for $549 and up. Discogs offers some more details related to this obscure Italian band:

“Italian prime-mover punk band formed in 1978 in Pordenone by Ado and Willy Gibson, originally as BumPamBingTilt, changed to Tampax in Summer. They released the very first Italian punk 7" single, a split with their fellows Hitler SS, and were also among the founders of The Great Complotto, an independent record label and countercultural organization. 

Broke up in the Autumn 1979, back from London where they moved in August together with Hitler SS and where both bands played the 1st September the famous ‘Cartoon Concert’ under the Aklam bridge in Portobello Road. 

Atfer the split Ado and Gibson formed their own electronic/experimental projects, 001011011100…Cancer and Musique Mecanique, and were involved in the production of many local new wave and punk bands. 

Reformed in 1984, in 1988 Tampax released their first Album, “Sorry Not Tonight”, an LP featuring recordings between 1978-1986; during the 1990s, Tampax had a fan club that requested a photo of your genitals as compulsory subscription fee.”

The set lists:

Geel, Belgium 9/22/90

1. Intro 2. Reclamation 3. Sieve-Fisted Find 4. Greed 5. Turnover 6. Interlude 1 7. Styrofoam 8. Exit Only 9. Promises 10. Interlude 2 11. Lockdown 12. Bad Mouth 13. Margin Walker 14. Waiting Room 15. Long Division 16. Blueprint 17. Interlude 3 18. Runaway Return 19. Interlude 4 20. Shut the Door 21. And The Same 22. Encore 23. Two Beats Off 24. Repeater 25. Reprovisional 26. Outro

Aalst, Belgium 9/23/90

1. Intro 2. Turnover 3. Brendan #1 4. Merchandise 5. Sieve-Fisted Find 6. And The Same 7. Interlude 1 8. Bulldog Front 9. Burning Too 10. Interlude 2 11. Suggestion 12. Interlude 3 13. Reclamation 14. Blueprint 15. Shut the Door 16. Two Beats Off 17. Reprovisional 18. Encore 19. Styrofoam 20. Interlude 4 21. Runaway Return 22. Repeater 23. Outro

[bujiastorch]

El 17 de mayo se celebra el Día Mundial de Internet en gran parte del mundo, promovido por la Asociación de Usuarios de Internet e Internet Society. En el año 2021 el tema central de debate es «Internet palanca de Transformación Digital y Resiliencia». #DiaMundialDeInternet

Celebramos también, el Día Mundial del Reciclaje. El objetivo de esta conmemoración es promover el consumo de artículos elaborados con materiales reciclados. Los recursos renovables disminuyen el consumo de energía. Cuando se consuman menos combustibles fósiles, se generará menos CO2 y por lo tanto se reducirá el efecto invernadero.

Y hoy se celebra, Día Mundial de la Hipertensión Arterial. La hipertensión es la principal causa de las enfermedades cardiovasculares, que anualmente se cobran la vida de 17 millones de personas en el mundo. #DiaMundialdelaHipertensiónArterial

«En el pasado eras lo que tenías. Ahora eres lo que compartes.» - Godfried Bogaard

#BujiasTorch #DiaMundialDelReciclaje #DiaMundialDeInternet #DiaMundialdelaHipertensiónArterial #VacunasParaVenezuela #GodfriedBogaard #Venezuela #Latinoamérica

https://www.intagram.com/bujiastorch/

[jookdoodle]

Tekst van kunstcriticus Philippe Cailliau

 bij de overzichtstentoonstelling van JOOK 2015

Joke is nog jong, en ze zit vol vitaliteit. Haar artistieke loopbaan is bezaaid met prijzen en eervolle vermeldingen. Ze is geboren in 1982, is afkomstig van Ardooie en studeerde crossmedia ontwerp aan de Arteveldehogeschool te Gent.

Veel van Jokes kunst komt tot stand volgens het principe van wat we in de literatuur “écriture automatique” noemen, of “automatisch schrijven”: dat is een techniek, ontwikkeld door de surrealisten (eerste helft van de 20ste eeuw), waardoor de schrijver/kunstenaar zonder enige controle of censuur zijn of haar spontane gevoels- en gedachtewereld tracht te uiten. “Spontaneïteit” is een sleutelwoord. De belangrijkste vertegenwoordiger was André Breton. Niet de rede leidt de tekenende hand van Joke Neyrinck, maar de fantasie, het onbewuste en vooral: het intuïtieve.

Er ontstaan dan figuren die geen overeenkomst hoeven te hebben met reële wezens, maar die allemaal een eigen autonomie en beweging hebben. De vele figuurtjes zijn niet zo direct “definieerbaar”, ze zijn wél figuratief. Zo ontstaat dus een grillige fantasiewereld waarbij de verwijzing naar de werkelijkheid niet méér dan bijkomstig is. Joke noemt haar techniek zelf: “Utopiakunst: eigen beeldentaal; labyrintische constructies via een soepele, organische lijn” dat een tegengewicht vormt voor de gewone, alledaagse realiteit.

Het fenomeen waar ik het hier wil over hebben, is “doodling”: een Engels woord voor het zogenaamde gedachteloos en intuïtief tekenen of neerkrabbelen van figuren (de “doodles” of “doedels”). De scherpe lijnen - die haar handelsmerk zijn - doen wel eens denken aan striptekeningen, aan cartoons, maar eveneens aan street art, pop art en zelfs aan graffiti.

Elk werk is zijn eigen, typische voorstelling. De kleine, fantastische en pittoreske wezentjes, die lief en schattig kunnen zijn, maar net zo goed kunnen doen denken aan kleine diepzeemonsters of bizarre lichaamsdelen, zijn allemaal fictieve figuren. Jokes eigen biografie krijgt dus visueel gestalte tijdens het ontstaan van het kunstwerk.

Zoals reeds gezegd is er een zekere verwantschap met de strip- en cartoonkunst, met een surrealistische schilder als Salvador Dali, zelfs met de renaissanceschilder Jeroen Bosch (uit de 15de eeuw) met zijn fantastische, bizarre en apocalyptische wezens in bijvoorbeeld “De tuin der lusten”.

Tegenwoordig werkt JOOK met het computerprogramma Blender, dat haar in staat stelt om van haar doedels fotorealistische voorstellingen te maken (dit wil zeggen: beelden met ruimte en dieptevoorstelling, schaduw, enz... ). Joke laat bepaalde doodles zelfs door een 3D-printer afdrukken als echte objecten in polyamide, maar deze techniek is nog in volle ontwikkeling.

De kunstenaar die een meester is in het maken van 3D-beelden en zelfs grote sculpturen, en die Joke zéker heeft geïnspireerd, is de Belg Nick Ervinck. Deze kunstenaar creëert sculpturale constructies in een virtueel utopisch territorium. Ook hij combineert het fysieke met het digitale, om dan allerlei vormen te laten samensmelten tot een object, een visueel concept dat bestaat, zoals bij JOOK, uit een rijke verscheidenheid van delen.

Op korte tijd heeft Joke Neyrinck een opvallende evolutie doorgemaakt. Ze verfijnt haar technieken voortdurend en de resultaten zijn Kunst met een hoge graad van esthetisch kijkgenot. JOOK is de digitale dichteres van het 3D-doodle-universum.

Ze is ook lid van het Kunstcollectief KRAKK, waar

experiment primeert. Het bestaat uit de kunstenaars Jan Duytschaever, An Deceuninck, Hans Defer en Jook. Deze zomer stelden ze tentoon in de Abdijhoeve Ten Bogaarde te Koksijde onder de titel Transgressions. www.krakk.org

[belgiancampines]

Feestelijke opening! Zondag 24 april van 13u tot 17u wordt het een wel heel levende erfgoeddag.

Dan opent namelijk het vernieuwde dierenpark aan JC De Bogaard in Geel. En wie is de mascotte van dienst? Toko! Onze Campinehaan heet er iedereen welkom.

Kempens hoen vzw is ook gevraagd er een infostandje te bemannen, maar we doen graag meer. Daarom roepen we alle kwekers op om er die dag hun dieren te komen tonen en te laten keuren. Zo maken we er samen een grote, actieve stand van. Leuk voor ons en leuk voor de bezoekers.

Stuur een mailtje naar info@kempenshoen.be met: - het uur dat jij met je dieren naar de stand wil komen, - hoeveel dieren je meebrengt, - en of je zelf een tentoonstellingskooi kan voorzien. PS: neem zeker de kinderen of kleinkinderen mee want er is heel wat animatie én een nieuwe zoektocht door het dierenpark waar onze Kempense huisdierrassen een grote rol spelen ;)

[denktanks]

@ CDAWestBetuwe: Wat doen burgerleden ten opzichte van raadsleden? Zij zijn niet echt raadslid, maar een denktank die o.a. meepraat in beeldvormende- en commissievergaderingen. Voor het @CDAWestBetuwe: Ruben van den Bogaard, @WilschutLuuc en Otto (baron) van Verschuer (nr 2, 4 & 6 van de lijst).

Wat doen burgerleden ten opzichte van raadsleden? Zij zijn niet echt raadslid, maar een denktank die o.a. meepraat in beeldvormende- en commissievergaderingen. Voor het @CDAWestBetuwe: Ruben van den Bogaard, @WilschutLuuc en Otto (baron) van Verschuer (nr 2, 4 & 6 van de lijst).

— CDA West Betuwe (@CDAWestBetuwe) Mar 31, 2022

[ruurdsnotes]

Zondag 18 april – The Antilibrary: Why Unread Books Are The Most Important is een post op de blog fs (Farnam Street) van de wonderlijke figuur Shane Parrish (wiens motto is ‘helping you master the best of what other people have already figured out’). Een geruststellende gedachte nu ik in mijn lezen onherroepelijk achterblijf. Courtesy Peter Bogaards. Zie over dit onderwerp ook dit citaat van Nassim Nicholas Taleb...

“The writer Umberto Eco belongs to that small class of scholars who are encyclopedic, insightful, and nondull. He is the owner of a large personal library (containing thirty thousand books), and separates visitors into two categories: those who react with “Wow! Signore, professore dottore Eco, what a library you have ! How many of these books have you read?” and the others - a very small minority - who get the point that a private library is not an ego-boosting appendage but a research tool. Read books are far less valuable than unread ones. The library should contain as much of what you don’t know as your financial means, mortgage rates and the currently tight real-estate market allows you to put there. You will accumulate more knowledge and more books as you grow older, and the growing number of unread books on the shelves will look at you menancingly. Indeed, the more you know, the larger the rows of unread books. Let us call this collection of unread books an antilibrary.”

[winsonsaw2003]

Willem Jacob Cranssen (1762-1821) Indonesia

I was looking for descendants of Willem Jacob Cranssen,Governor of Ternate,Malacca,Malaysia. and Amboina.He was born in Wedde (Groningen) 1762. Son of Willem Cranssen and Magdalena Hesse.He married to Maria Eleonora Hartman.Their issue -

 i)Eleonora Magdalena Cranssen(1790-1792).

 ii)Willem Casper Cranssen(1792). > > > > > > > > > > iii)Willem Leonard Cranssen(1794-?)married to Wilhelmina Jacobina Burghgraaf. > > > > > > > > > > > > > > > > > > > > iv)Catharina Rica Cranssen(1795-?) married 1stly to Petrus Theodorus Couperus and 2ndly to Carel Jan Riesz.His issue - > > > > > > > > > > ai)Maria Catharina Eleonora Riesz(?)married to Baron Godert Hendrik Taets van Amerongen(1832-1908). > > > > > > > > > > aii)Petrus Theodorus Couperus(1815-1872)married to Sarina.Their issue - > > > > > > > > > > bi)Wilhelmina Johanna Couperus(1849-1874)married to Richard Macneill.Their issue - > > > > > > > > > > ci)Arabella Macneill(1872-1944)married to Gijsbert van Tienhoven van den Bogaard. > > > > > > > > > > aiii)John Ricus Couperus(1816-1902)married to Catharina Geertruida Reynst.Their issue - > > > > > > > > > > bi)Johanna Cornelia Couperus(1848-1906)married to Carel Servaas Fayan Vlielander Hein.Their issue - > > > > > > > > > > ci)Catharina Geertruida Fayan Vlielander Hein(1877-1913)married to Gijsbert Diederik Advocaat. > > > > > > > > > > cii)Benjamin Marius Fayan Vlielander Hein(1887-1959)married 1stly to Alida Wijnckoline den Beer Poortugael. > > > > > > > > > > bii)Petrus Theodorus Couperus(1849-?). > > > > > > > > > > biii)Catharina Rica Geertruida Couperus(1850-?)married to Benjamin Marius Vlielander Hein.Their issue - > > > > > > > > > > ci)Geertruida Catharina Vlielander Hein(1874-1936)married to Gustaaf Paul van Hecking Colenbrander.Their issue - > > > > > > > > > > di)Paul Albert van Hecking Colenbrander(1901-1960)married to Maria Elisabeth Hennus.Their issue - > > > > > > > > > > ei) Gustaaf Paul van Hecking Colenbrander(1929-?)married to Hanneke Bouwman.His issue - > > > > > > > > > > fi)Paul van Hecking Colenbrander(b.1960)married to Johanneke d'Engelbronner.His issue - > > > > > > > > > > gi)Gustaaf Paul van Hecking Colenbrander(b.1998). > > > > > > > > > > gii)Johanna Margaretha van Hecking Colenbrander(b.1999). > > > > > > > > > > gii)Antoinette van Hecking Colenbrander(b.1962)married to Edwin Brouns. > > > > > > > > > > giii)Barbara van Hecking Colenbrander(b.1964)married to Michiel van Herten. > > > > > > > > > > fii)Catharina Rica Geertruida van Hecking Colenbrander(b.1903)married to Willem Jacobus van Ramshorst. > > > > > > > > > > fiii)Maria Johanna Magdalena van Hecking Colenbrander(b.1907)married to Dionysus Alphonsus Adrianus Koolen.Their issue - > > > > > > > > > > gi)Maria Johanna Magdalena Koolen(b.1937). > > > > > > > > > > gii)Maria Agnes Koolen(b.1939). > > > > > > > > > > giii)Francoise Geertruida Catharina Koolen(b.1939). > > > > > > > > > > giv)Theresia Paulina Beatrix Koolen(b.1942). > > > > > > > > > > gv)Ghislaine Anna Maria Koolen(b.1945). > > > > > > > > > > gvi)Dionysius Nicolaas Paulus Koolen(b.1950). > > > > > > > > > > biv)Louise Johanna Baptiste Charlotte Couperus(1851-?). > > > > > > > > > > bv)John Ricus Couperus(1853-1940)married 1stly to Camille Clementine Bedier de Prairie and 2ndly to Mary Rika Barones van Lawick. > > > > > > > > > > bvi)N.Couperus(1854). > > > > > > > > > > bvii)Geertruida Johanna Couperus(1856-?). > > > > > > > > > > bviii)Francois Emile Couperus(1857-?)married to Marie Ernestine Clementine Cuny.Their issue - > > > > > > > > > > ci)Louise Henriette Clementine Couperus(1897-1901). > > > > > > > > > > bix)Johanna Francina Fernanda Couperus(1860-?). > > > > > > > > > > bx)Maria Catharina Eleonora Couperus(1861-?). > > > > > > > > > > bxi)Louis Marie Anne Couperus(1863-1923)married to Elisabeth Wilhelmina Johanna Baud. > > > > > > > > > > v)Anna Maria Cranssen(1798-1805). > > > > > > > > > > vi)Wilhelmina Niclasina Cranssen(1805-?) married 1stly to Dr. Carl Ludwig Blume and 2ndly to Pieter Merkus.His issue - > > > > > > > > > > i)Carel Ricus Merkus(1834-?)married to Agnes Maria Gerardina Calkoen.His issue - > > > > > > > > > > ai)Pieter Merkus(1861-?). > > > > > > > > > > aii)Marguerite Cornelie Wilhelmina Merkus(1863-?). > > > > > > > > > > aiii)Abraham Merkus(1865-?). > > > > > > > > > > aiv)Jean Caspar Willem Merkus(1866-?). > > > > > > > > > > > > > > > > > > > > P/s contact me at - winsonsaw20032000@yahoo.com

[abattoirferme]

#hamlet #eerstevanhetnieuwejaar #5minutestillshowtime #sinttruiden (at cultuurcentrum de Bogaard)

[koralie3-blog]

SÉANCE #06 | Identité numérique vs Identité réelle

« Vous étiez autrefois ce que vous aviez. Vous êtes aujourd’hui ce que vous partagez », Godfried Bogaard, professionnel des médias sociaux.

L’arrivée des médias sociaux a entraîné la création d’une nouvelle norme sociale, soit celle de plaire et de ne partager que le beau, jamais le laid. L’esthétisme et l’apparence sont devenus essentiels pour notre identité numérique à un point tel où nos conceptions esthétiques tendent à s’uniformiser. Il est, aujourd’hui, tellement facile de modifier son apparence et sa réalité, autant physiquement que numériquement, qu’on ne peut plus nécessairement faire confiance à ce que l’on voit.

Malheureusement, bien que nous sachions tout ça, il est difficile de faire la part des choses et de ne pas se comparer à ses nouveaux standards de beauté et même de vie qui sont particulièrement inaccessibles pour la majorité des gens. « Le conflit interne apparaît lorsque nous voyons que notre réalité ne correspond pas à ce qu’elle est censée être. Ces publications peuvent nous amener à définir des objectifs peu réalistes et difficiles à atteindre. De sorte que notre estime de soi diminue lorsque nous constatons que nous n’y parviendrons pas. » Être constamment exposé à des portraits retouchés, des photos de voyages incroyables, puis à des vies qui semblent plus palpitantes et intéressantes que les nôtres peut créer un sentiment d’infériorité et ainsi, amoindrir notre estime de soi. À ce moment-là, nous considérons que notre identité numérique n’est pas assez bien, alors que celles des autres sont totalement à la hauteur. Ces effets sont d’autant plus imposants chez les adolescents, car ceux-ci sont en pleine transition, en pleine construction de leur identité sociale et numérique. « L’adolescent cherche à s’identifier, à être pareil aux autres. De peur d’être rejeté […] En effet, l’adhésion et la conformité au groupe de pairs semblent devenir plus importantes au moment où l’estime de soi des adolescents est en baisse. »

Peu importe notre âge, les médias numériques jouent, aujourd’hui, un rôle plutôt important dans notre construction et notre présentation de soi. Il est important, voire primordial, de ne pas tenir pour acquis ce que l’on voit sur les médias sociaux, mais comment faire pour distinguer la vérité à travers toutes ces identités numériques en réalité augmentée?

Source de l’image

[womenofcolor15]

Solange Addresses Rumors That She Was Cheating With A White Man, But Folks Still Have Questions

Solange Knowles is speaking out for the first time after announcing she and her husband Alan Ferguson ended their marriage. However, fans still have questions. Find out what she said and more inside…

On Friday, Solange Knowles had the Internet in a tizzy when she revealed she and her husband Alan Ferguson had called it quits after 11 years together and nearly 5 years of marriage. The breakup news comes days before they were set to celebrate their 5th wedding anniversary (November 16th).

In her Instagram post, she mentioned their split occurred earlier this year, however, she didn’t say exactly when. Around the same time she posted the uncoupling announcement, a video of Solo all touchy feely with a mystery man hit the ‘Net and instantly went viral.

Then, the rumors started. Folks on Twitter started accusing Solo of cheating on her husband with “a white man.”

  Solange has a White Man?

Solange?

The Icon of Pro-blackness & Wokenes Priestess, has a White Man?  

— Lagbaja Season (@LagbajaSeason) November 2, 2019

    I’m hearing Solange got a white man now!? pic.twitter.com/1IIhl2syb7

— A Y E E | R E N A E (@AyeeRenae) November 1, 2019

    Solange gave us ‘A Seat At The Table’ just to be getting clapped by a white man? What is earth? pic.twitter.com/mm2iNTRhay

— Pathetic Justice (@HeadGraphix) November 3, 2019

    They searched Solange with white man on google and ran with lies. When I tell you people are sad lmao

— F (@ohfads) November 2, 2019

  In July, pictures of “The Cranes In The Sky” singer heading to the Charles de Gaulle airport in Paris with a white man popped up. You can see them here.

Apparently, the Internet thinks he’s the man she cheated on her husband with. So, the Grammy Award winner responded.

Turns out, it's her former co-manager, John Bogaard.

“Yo ty [thank you] @onvaction for being the best co-manager for 5 years. Sorry, the internetsss are so unkind n b lying go back to enjoying ya vacation," she captioned a picture of her with her former manager.

What's interesting is the fact she makes NO mention of the viral video of her with the mystery man (that was allegedly captured back in August):

          View this post on Instagram

                      A post shared by Leah A. Henry (@leahahenry) on Oct 31, 2019 at 4:55pm PDT

  And there's more...

Back in May, Solo was caught on IG stories grinding all up on a man who wasn't her husband. The video has been taken off social media, but the screenshots are still floating around.

Do y'all see what we see?

Photos: JStone / Shutterstock.com/Pacific Coast News

[Read More ...] source http://theybf.com/2019/11/03/solange-addresses-rumors-that-she-was-cheating-with-a-white-man-but-folks-still-have-ques

[twafordizzy]

Carla Bogaards: hoe ijdel is de vrouw van de kastelein

Carla Bogaards: hoe ijdel is de vrouw van de kastelein

Hoe ijdel is de vrouw van de kastelein

Hoe ijdel is de vrouw van de kastelein, / vraagt u zich af / als zij zich spiegelt in de bierpomp / en, zich vooroverbuigend, haar borsten ziet wellen / in de ronding van het opgepoetste chroom.

Ze draait zich met welgevallen om / en ziet haar beeld in de spiegel achter de bar. / Ze duwt een haarlok terug, / keurt de bloemen op haar robe, / de soepelheid van…