#dawn younker
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Every Broadway Éponine, 1987-presence
Regulars only, no understudies.
Original Broadway Production (1987-2003)
Frances Ruffelle
Kelli James
Natalie Toro
Jennifer Naimo
Debbie Gibson
Michele Maika
Brandy Brown
Lea Salonga
Tia Riebling
Sarah Uriarte Berry
Shanice
Kelli Rabke
Jessica-Snow Wilson
Christeena Michelle Riggs
Dawn Younker
Megan Lawrence
Kerry Butler
Rona Figueroa
Jessica Boevers
Catherine Brunell
Dana Meller (sorry, no picture of her in the role)
Diana Kaarina
1st Broadway Revival (2006-2008)
Celia Keenan-Bolger
Mandy Bruno (sorry, no picture of her in the role)
Megan McGinnis
2nd Broadway Revival (2014-2016)
Nikki M. James
Brennyn Lark
#les mis#les miserables#eponine#actresses#broadway#frances ruffelle#kelli james#natalie toro#jennifer naimo#debbie gibson#brandy brown#lea salonga#michele maika#tia riebling#sarah uriarte berry#shanice#kelli rabke#jessica-snow wilson#christeena michelle riggs#dawn younker#megan lawrence#kerry butler#rona figueroa#jessica boevers#catherine brunell#dana meller#diana kaarina#celia keenan-bolger#mandy bruno#megan mcginnis
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5, 13, 14, 29
5. since how long do you write?
Oh lord like idk since I was 12 really?? But long before that little Chelsea was dreaming stuff up and telling herself stories at bedtime.
13. hardest character to write
*sideeyes bram van helsing* Uh well someone has been causing me writerly trouble lately but overall I have more trouble with my OCs because they start to get wildly OOC from how I designed them. The little bastards.
14. easiest character to write
I have this weird thing where if I listen to someone/read them for long enough I can hear the words with their voice. Which is apparently A Thing. But at one point the answer was Dr. Miguelito Loveless because he had such a unique dialogue style that it was hella east to just hear things in his voice. Right now? Golly, right now it’s probably one of my OCs but most recently it was HM Murdock.
29. favorite story/poem of another author
Right now I’m hella into Lovecraft like I’m literally typing out one of his stories so I can get the feel of his heady-ass unnecessarily purple-as-fuck prose. It makes my head hurt if I don’t hydrate adequately before I read it. Favorite story by him is, currently, The Statement of Randolph Carter because it’s so short and perfect and it has a gr8 ending. My favorite poetry is by Stephen Vincent Benet and I’m just going to link you to some because otherwise I’ll talk about it all night. And I’m leaving my favorite piece of poetry by him under the cut because it’s hella long.
INVOCATIONAmerican muse, whose strong and diverse heartSo many men have tried to understandBut only made it smaller with their art,Because you are as various as your land,As mountainous-deep, as flowered with blue rivers,Thirsty with deserts, buried under snows,As native as the shape of Navajo quivers,And native, too, as the sea-voyaged rose.Swift runner, never captured or subdued,Seven-branched elk beside the mountain stream,That half a hundred hunters have pursuedBut never matched their bullets with the dream,Where the great huntsmen failed, I set my sorryAnd mortal snare for your immortal quarry.You are the buffalo-ghost, the broncho-ghostWith dollar-silver in your saddle-horn,The cowboys riding in from Painted Post,The Indian arrow in the Indian corn,And you are the clipped velvet of the lawnsWhere Shropshire grows from Massachusetts sods,The grey Maine rocks--and the war-painted dawnsThat break above the Garden of the Gods.The prairie-schooners crawling toward the oreAnd the cheap car, parked by the station-door.Where the skyscrapers lift their foggy plumesOf stranded smoke out of a stony mouthYou are that high stone and its arrogant fumes,And you are ruined gardens in the SouthAnd bleak New England farms, so winter-whiteEven their roofs look lonely, and the deepThe middle grainland where the wind of nightIs like all blind earth sighing in her sleep.A friend, an enemy, a sacred hagWith two tied oceans in her medicine-bag.They tried to fit you with an English songAnd clip your speech into the English tale.But, even from the first, the words went wrong,The catbird pecked away the nightingale.The homesick men begot high-cheekboned thingsWhose wit was whittled with a different soundAnd Thames and all the rivers of the kingsRan into Mississippi and were drowned.They planted England with a stubborn trust.But the cleft dust was never English dust.Stepchild of every exile from contentAnd all the disavouched, hard-bitten packShipped overseas to steal a continentWith neither shirts nor honor to their back.Pimping grandee and rump-faced regicide,Apple-cheeked younkers from a windmill-square,Puritans stubborn as the nails of Pride,Rakes from Versailles and thieves from County Clare,The black-robed priests who broke their hearts in vainTo make you God and France or God and Spain.These were your lovers in your buckskin-youth.And each one married with a dream so proudHe never knew it could not be the truthAnd that he coupled with a girl of cloud.And now to see you is more difficult yetExcept as an immensity of wheelMade up of wheels, oiled with inhuman sweatAnd glittering with the heat of ladled steel.All these you are, and each is partly you,And none is false, and none is wholly true.So how to see you as you really are,So how to suck the pure, distillate, storedEssence of essence from the hidden starAnd make it pierce like a riposting sword.For, as we hunt you down, you must escapeAnd we pursue a shadow of our ownThat can be caught in a magician's capeBut has the flatness of a painted stone.Never the running stag, the gull at wing,The pure elixir, the American thing.And yet, at moments when the mind was hotWith something fierier than joy or grief,When each known spot was an eternal spotAnd every leaf was an immortal leaf,I think that I have seen you, not as one,But clad in diverse semblances and powers,Always the same, as light falls from the sun,And always different, as the differing hours.Yet, through each altered garment that you wore,The naked body, shaking the heart's core.All day the snow fell on that Eastern townWith its soft, pelting, little, endless sighOf infinite flakes that brought the tall sky downTill I could put my hands in the white skyAnd taste cold scraps of heaven on my tongueAnd walk in such a changed and luminous lightAs gods inhabit when the gods are young.All day it fell. And when the gathered nightWas a blue shadow cast by a pale glowI saw you then, snow-image, bird of the snow.And I have seen and heard you in the dryClose-huddled furnace of the city streetWhen the parched moon was planted in the skyAnd the limp air hung dead against the heat.I saw you rise, red as that rusty plant,Dizzied with lights, half-mad with senseless sound,Enormous metal, shaking to the chantOf a triphammer striking iron ground.Enormous power, ugly to the fool,And beautiful as a well-handled tool.These, and the memory of that windy dayOn the bare hills, beyond the last barbed wire,When all the orange poppies bloomed one wayAs if a breath would blow them into fire,I keep forever, like the sea-lion's tuskThe broken sailor brings away to land,But when he touches it, he smells the musk,And the whole sea lies hollow in his hand.So, from a hundred visions, I make one,And out of darkness build my mocking sun.And should that task seem fruitless in the eyesOf those a different magic sets apartTo see through the ice-crystal of the wiseNo nation but the nation that is Art,Their words are just. But when the birchbark-callIs shaken with the sound that hunters makeThe moose comes plunging through the forest-wallAlthough the rifle waits beside the lake.Art has no nations--but the mortal skyLingers like gold in immortality.This flesh was seeded from no foreign grainBut Pennsylvania and Kentucky wheat,And it has soaked in California rainAnd five years tempered in New England sleetTo strive at last, against an alien proofAnd by the changes of an alien moon,To build again that blue, American roofOver a half-forgotten battle-tuneAnd call unsurely, from a haunted ground,Armies of shadows and the shadow-sound.In your Long House there is an attic-placeFull of dead epics and machines that rust,And there, occasionally, with casual face,You come awhile to stir the sleepy dust;Neither in pride not mercy, but in vastIndifference at so many gifts unsought,The yellowed satins, smelling of the past,And all the loot the lucky pirates brought.I only bring a cup of silver air,Yet, in your casualness, receive it there.Receive the dream too haughty for the breast,Receive the words that should have walked as boldAs the storm walks along the mountain-crestAnd are like beggars whining in the cold.The maimed presumption, the unskilful skill,The patchwork colors, fading from the first,And all the fire that fretted at the willWith such a barren ecstasy of thirst.Receive them all--and should you choose to touch themWith one slant ray of quick, American light,Even the dust will have no power to smutch them,Even the worst will glitter in the night.If not--the dry bones littered by the wayMay still point giants toward their golden prey.
#replies#liggytheauthoress#hi my name is chelsea and i only like one poem but its a novel length odyssey style telling of the civil war and its rad
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His record for Me
Exactly one month ago, I went to a weekend women's conference through The Gospel Coalition where Elyse Fitzpatrick spoke from the basis of, "if we knew how much God loves us, we would obey." She steered us away from the focus on sanctification and towards a focus on justification (just as if I never sinned; just as if I always obeyed). I knew it changed something in my head. Jesus' perfect life on Earth was His record that was then given to me. I'm a girl that shoulds. I can make myself do and I'd like to think that by doing, my heart will follow. And in theory, that's not wrong. But years of shoulding makes a joyless soul. ... Two weeks later I went to a Women's Day Away conference hosted by Northcreek where Nancy Guthrie pointed is to larger themes from Genesis to Revelations. In her third session, she also reminded us of Christ's perfect record for me. Now the Gospel is simple but nuanced and while I had always known of Christ's life on Earth, I never really thought about how that record not only transferred to me, but it was *for* me. Jesus Christ lived this mundane life without cutting corners because I can't. And when I stand before God, He sees me as perfect. And I don't have to obey because that earns me righteousness, but oh the love of Jesus for me makes the heaviness of obedience light, truly. Two Sundays later, I heard my pastor Ed also state "perfect record" and really? It's been two months and God keeps reminding me through this specific phrasing that I don't recall hearing so clearly. Christ's perfect record for me. And right now I'm wide awake. I spent the past week camping in one form or another and waking up at 5/6.. I finally took a huge nap at home. But also, i have this dawning realization. Whatever happened this year, happened. I can tell there's still parts that make me physically respond in shuddering or tears. But God has taught me to worship Him do much more freely and clearly and joyfully. Christ lived a perfect life, and even though I sin, God sees me perfect. And that love overflows to thanksgiving and a desire to obey. "And should this life bring suffering, Lord, I will remember what Calvary has bought for me both now and forever." - Scott Ligertwood / Brooke Fraser / Kristian Stanfill / Brett Younker
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“On My Own,” US 3rd National Tour, 1996. Dawn Younker as Éponine.
An endearing rendition by an Éponine with a girlish yet strong, likeable voice.
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