#david earl of snowdon

[aimeedaisies]

Lady Margarita Armstrong-Jones, Princess Margaret’s granddaughter, makes her dazzling debut on the cover of Tatler’s May issue

In 1951, Cecil Beaton photographed Princess Margaret in Dior for her 21st birthday. Now her granddaughter, turning 21 on 14 May, appears on the cover of Tatler. In the article, Lady Margarita discusses her grandparents, academics, family, living in Paris, photography and jewellery design.

The May edition of Tatler is available to purchase on 30th March.

[pretty-little-fools]

[ifreakingloveroyals]

Happy 63rd Birthday David Albert Charles! (b. 3 November 1961)

[ur-mag]

Who is David Armstrong-Jones, 2nd Earl of Snowdon and Princess Margaret’s son? | In Trend Today

Who is David Armstrong-Jones, 2nd Earl of Snowdon and Princess Margaret’s son? Read Full Text or Full Article on MAG NEWS

[pepperf]

Whilst I fully get tumblr's bias towards artists, I've been side-eyeing the whole Jonathan Yeo speculation--because yes, on the whole, people in the arts DO tend to be lefty, good people, etc, but it's not always the case. Official portraiture, in particular, tends to be the most Establishment-friendly of all the arts, attracting the kind of artists who are technically very talented, but who also have no inclination to rock the boat and are very happy to schmooze with those in power.

I know next to nothing about Jonathan Yeo, but on a little digging, I found:

He's the son of a Tory MP and is good friends with the Earl of Snowdon.

He's known for a painting of Tony "war criminal" Blair that made him look as tragic and sympathetic as possible.

He's also done chummy portraits of David "pigfucker" Cameron, Camilla (when she was still Duchess of Cornwall), Prince "massive racist" Philip, and Rupert Murdoch.

The notorious porn collage of George Bush was (allegedly) after a an official commission was approved and then withdrawn, so - fit of pique? Who knows. He also did a porn collage of Lucian Freud, which, given that he's often cited as Freud's natural successor in the world of big name British portrait artists, is a little rude.

On the other hand, if you know anything about Damian Hirst, you would know that he must have LOVED to be painted with his crotch in your face, looking like Henry VIII. Dude is a knob.

No one in Yeo's position is going to imply that a D-Day veteran is a war criminal. Just. Full stop. No.

Furthermore, his whole schtick seems to be to paint the background to match the outfit, in a kind of weird, matchy-matchy, interior decor style that I personally find meaningless.

Chas chose to wear his beloved Welsh Guards uniform, which is a lurid, bright red. Whatever else Yeo did, red was always going to be the dominant colour of that painting. The butterfly was apparently his idea, too, because he thinks he's some kind of eco-warrior.

Yes, Yeo has painted Malala Yousafzai, and Idris Elba, and Kristin Scott Thomas, and Baroness Doreen Lawrence, and lots of other worthy people, too - it's his job, he's a portraitist.

If you want my opinion, the impression that Chas is swimming in buckets of blood or burning in hellfire is something the artist did not intend. Don't ask me how he didn't look at it and think, hmm, that's a little on the nose - maybe he'd thought too much about colour theory, too, idk. Judging by his past history, he's probably enjoying the attention rather than being mortified. Or maybe that was partly the intention. Just don't give him too much credit for being intentionally subversive.

But absolutely do keep reading into that painting as the indictment of British royal power that it ought to be; it's pissing off both the royals and the royalists, and I hope it burns, every time Chas has to see it.

[europesroyalsjewels]

Duchess of Teck Crescent Choker ♕ David Armstrong-Jones, 2nd Earl of Snowdon (assumed)

[europesroyalsweddings]

✵ October 8, 1993 ✵

Serena Stanhope & David, The Viscount Linley

Now The Earl and Countess of Snowdon

[oakappleday]

Oh this is fun! The students are from the Snowdon School of Furniture (founded by David Linley, the Earl of Snowdon)

[thepastisalreadywritten]

xxx

Lady Margarita Elizabeth Rose Alleyne Armstrong-Jones (born 14 May 2002) is an English socialite, jewellery designer, and a member of the British royal family.

She was born The Honourable Margarita Armstrong-Jones on 14 May 2002 at Portland Hospital in London.

She is the daughter of David Armstrong-Jones, 2nd Earl of Snowdon, who was styled as Viscount Linley at the time of her birth, and The Honourable Serena Stanhope.

On her father's side, she is the granddaughter of Princess Margaret, Countess of Snowdon, and Antony Armstrong-Jones, 1st Earl of Snowdon, and a great-granddaughter of George VI.

On her mother's side, she is the granddaughter of Charles Stanhope, 12th Earl of Harrington, and a descendant of Charles II.

She was baptized Margarita Elizabeth Rose Alleyne and was named after her grandmother and great-grandmother, Queen Elizabeth The Queen Mother.

She served as a bridesmaid at the wedding of Prince William and Catherine Middleton in 2011.

She has accompanied the British monarch and members of the royal family to public events. As of 2023, she is twenty-sixth in the line of succession.

Lady Margarita is a jewellery designer and the creator of the bespoke jewellery label Matita.

[aimeedaisies]

The carriage procession for the third day, Ladies Day, of Royal Ascot! 🐎 👒

[teamwindsorroyals]

Here's more about the tiara. I heard that Queen Mary acquired a good amount of jewels. The necklace is owned by Earl Snowdon. Ateast it was. But since he has a history of selling off his mother's posessions, maybe he doesn't own it anymore?

This article was written in the good 'ol days when Serena was still smiling, things hadn't gone south for the couple and David's scandals and indiscretions had 't been scrubbed from the Internet and public awareness. What happened there? Who knows but Serena is gone out of the Royal fold. Which is a shame.

Royal Tiara Challenge 2024: {01/31} -> Favourite British Tiara: The Teck Crescent Tiara.

[royalodyssey]

[grandmaster-anne]

The King’s cousin David Linley on his new career

The Times article by Lisa Grainger | Published 25 January 2023

The Earl of Snowdon talks to Lisa Grainger about his book on English crafts, and mentoring future creators at his furniture-making college at Highgrove

There aren’t many people who’ll admit that crafts can reduce them to tears. The Earl of Snowdon is one of them. At one event, he recalls, musicians including Jeff Beck, Mike Rutherford and the Clash were invited to meet and interact with “incredible luthiers, who make violins and guitars and cellos”. It was “just magical”, he says. “It really did bring a tear to the eye . . .”

Since David Linley, King Charles III’s cousin, became the first royal to follow a vocation — producing handmade furniture — and set up an eponymous business, he has been one of Britain’s most vocal champions of crafts. Which is why he wrote a book, Craft Britain: Why Making Matters, co-authored by Helen Chislett, to bring attention to extraordinary craftspeople around the country.

The glossy tome, with an erudite introduction by the design writer Stephen Bayley, is not only a directory of all the key crafts organisations from Cornwall to the Hebrides but a compendium of some of our nation’s most remarkable makers. It takes in embroiderers based in Hampton Court Palace and chair craftsmen from Orkney, leather sculptors and cobblers, marquetry specialists and even a whip-maker.

Sadly, Chislett says, some crafts were left out of the book because the skills have died out. For instance, England no longer has a cricket ball manufacturer even though the game was invented here, “and we probably won’t make bats for much longer”. Hand-stitched kilt-making is on the Heritage Crafts Association Red List of Endangered Crafts, as is neon sign-making; even bell-making is on its way out, with churchgoing declining.

On the other hand, there are crafts that are growing. Ceramic-makers, for instance, have sprung up in the southwest of the country. In Newcastle metalworkers whose families previously might have made ships are constructing metal furniture. Chislett adds that crafts fairs are becoming increasingly popular, particularly with the younger generation. “They’re a lot more into sustainability . . . and you are less likely to throw something away if you know who made it.”

There’s a growing appreciation of bespoke objects at the very high end of the market, Linley says. At his furniture company (from which he resigned in November) clients loved coming in to commission bespoke pieces with little quirks: a secret drawer with a martini shaker in it, or an inkwell filled with a specific colour of ink. “You can fantasise about what you like and get someone to bring it to life,” he says.

His own London home — “a little flat, which I am very lucky to have” — is filled with handcrafted items that have meaning: a pair of candlesticks that belonged to his theatre-designer uncle Oliver Messel; cushions embroidered by British seamstresses; tables turned by fellow carpenters; a pair of bespoke British shoes made “in precisely the colour and style and shape I like”. Each of them feels special, because “there is something rather lovely about a piece that’s come from the hand of a human”, he says. “It resonates with the human spirit.”

The next part of Linley’s professional journey, he says, will be nurturing others who want to work with their hands. At Street Farm at Highgrove, the Gloucestershire home of the King, an old barn has been converted into the Snowdon School of Furniture, where Linley is going to help to mentor the next generation of furniture-makers. “I am 61 now,” he says, “and it’s time to step back and allow the young people at Linley do things how they want. I have worked all my life creating a brand. And I can now do things for the Prince’s Foundation that are enjoyable and freeing.”

Having made furniture for almost 40 years, Linley says he’s relishing the fact that crafts are becoming more mainstream. “Today you’ll hear Tracey Emin talk about craft, and even sportsmen. This morning on Radio 4 a commentator was talking about a footballer as a craftsman and comparing him to Picasso. That might have been a comparison too far — but there is now far more recognition of the skills needed to do something well. And that can only be a good thing.”

[royally-obsessed]

[princessanneftw]

The Earl of Snowdon comforting a tearful Peter Phillips following the funeral of The Duke of Edinburgh on 17 April 2021