#das me
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k1ll3rqu33n · 2 days ago
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ghostbny · 10 months ago
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Bro sleeps with his armor on
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timetravelingtoamess · 9 months ago
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I relate to odysseus because i, too, take ten years to complete something that should be done in 8 months as well as weep every single night
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cokoweee · 1 month ago
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*slides this ur way* :3
ITS ME IT ME ITS ME RARARARARARARARARRARARARARARARARRA INSERT THAT FNAF MEME ISHARATAHQHAARRAR
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disguisedcheezed · 4 months ago
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Happy birth day to meeeeee.🎉🎉🎉🎉🎉
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keroa · 7 days ago
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Guess who had to get a bath because he thought the fireplace looked like a fun place to explore
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littleplantfreak · 3 months ago
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i got the final piece back from @negativesd09!!! It’s the cutest thing in the world im in love with it (●´ω`●)d
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saucishash · 3 months ago
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benthesoldiersjeanshorts · 11 months ago
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rexuality · 4 months ago
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I wore this to the Chappell Roan show at Bonnaroo 🥰 inspired by the My Kink is Karma music video!!
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k1ll3rqu33n · 2 months ago
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junkjounral · 6 months ago
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May 15, 2024
Useless
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yooboobies · 3 months ago
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hey everyone
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💜💜💜💜💜💜💜💜💜💜💜💜💜💜💜💜💜
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thetomorrowshow · 22 days ago
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Whumptober Day 14 - Left for Dead
title: a boy falling out of the sky
fandom: limited life smp
this is a follow-up to my day 6 prompt fill, exit 73. you don't need to read it to understand this :)
cw: blood and injury, implied/referenced abuse
~
Jimmy doesn’t stop fighting.
He never does. Always been a fighter, his mother used to say.
Doesn’t know what’s good for him, his boss says now.
He isn’t well liked among TIES, he knows that. He’s been running with them for about four months, and they still won’t give him the chance to prove himself.
He usually spends his time manning the front with the same group of five, all of whom have been involved in TIES for years, all of whom see him as nothing more than a kid who needs to shut up and pay attention to them. They don’t like that he has ideas—probably because they’re better than whatever they could think of.
They report him to Impulse when he says that last bit. Impulse takes Jimmy aside and reminds him that the only reason he’s here is because he begged them, and that if he wants to prove his worth, he can do it by following orders.
It’s stupid. It’s so, so stupid, because he knows what he’s doing! He learned how to shoot when he was four years old—he doesn’t need someone telling him how to hold his gun! He knows how to sneak around—he used to do it every night to get to his sister’s room, trying not to anger their father. He knows how to steal, he’s been doing that since he was seven, slipping snacks into his shorts at the grocery store.
He knows how to do everything that the higher-ups ask of the others, but nobody wants him to do it. They keep him on menial work—delivering mail, manning the front, occasionally being sent to peacefully threaten someone. Nothing interesting. None of the really good-paying stuff.
He needs the money. He really, really needs the money.
But he can’t get the money when none of these morons trust him to do even the most basic of tasks!
Jimmy spends a lot of time frustrated. He spends a lot of time hanging out in the alley behind their front (a self-storage business), kicking at the gravel and smoking, letting the tobacco calm the anger.
That’s where one of the leaders finds him, one day.
“I bet your fifteen minute smoke break is up.”
Jimmy glances up—Tango. That’s Tango, one of the bosses of TIES—Jimmy’s so low on the food chain that he’s never actually met Tango before, just seen him in passing. Jimmy’s under Impulse’s command, technically (though he almost never sees him, either), and Impulse and Tango’s commands rarely interact.
Tango probably expects him to be starstruck at seeing one of the kingpins, or ashamed at being caught an extended break.
Jimmy just rolls his eyes, takes another puff. He doesn’t know what Tango’s doing here, and he doesn’t really care.
“Are you even old enough to smoke those things?”
“I’m not a baby,” Jimmy growls. “I’ve seen just as much as half the people here, and more than the other half. I know what I’m doing.”
“Whoa, that sounds like a disproportionate response to my joke,” Tango says. He doesn’t sound mad, which is good. Jimmy’s not all that skilled in the art of keeping his mouth shut. “Who said you didn’t?”
Jimmy gestures vaguely with his cigarette. “I don’t know. Everyone. Why else would I be stuck at the desk all day? I can shoot. I can sneak. I need a mission, not this.”
Tango’s quiet for a moment. Jimmy looks down at what’s left of his cigarette, takes one final drag, then drops it to the gravel, grounds it out with his heel.
“Do you need a mission?” asks Tango. “Or do you need money?”
“I—does it matter?”
Tango shrugs casually. “Not to some people. Most people are here for the money. That’s fine. It’s pretty easy to guess what for, too. Debts, treatments. . . .” he squints at Jimmy. “You look like your mom has cancer. Yeah?”
“Don’t talk about my mother,” Jimmy snarls, sudden rage flooding his chest. “You don’t know anything about me.”
Tango laughs. “Dude, I know more about you than you know about yourself. What, does your dad beat her—gak!”
Jimmy cuts him off by grabbing the front of Tango’s shirt, shoving him up against the wall. He can’t—nobody gets to talk about his mother like that, he isn’t going to stand her name being dragged through the mud—
“Don’t you dare,” he hisses. “I don’t wanna hear—”
“One of my men has a gun trained on you right now,” Tango says calmly.
The breath freezes in Jimmy’s lungs.
He lets go, steps away. “I—”
“Shut up, I don’t have time for apologies. You wanna prove yourself, kid? You wanna get the money to get your mommy safe? Fine. Tomorrow. Six in the morning, all right?”
Jimmy’s hands clench into fists, but he nods shortly. Tango, his cool demeanor soured by irritation, rolls his eyes.
“Chill out, dude. The world’s not gonna end tomorrow.”
“You don’t know that,” grumbles Jimmy. Tango shrugs.
“Sure. You should chill out, anyways.”
-
“Canary, take the right with Eagle. Vulture with me, to the basement. Hawk and Blue Jay, you’re on left.”
They’ve gone over the plan a hundred times, so Jimmy knows that he’s going right without the Cardinal telling him which way to go. He rolls his eyes, but turns down that way, pulling his mask up a bit higher on his nose.
He fiddles with the earpiece that they’d given him—it’s a bit clunkier than everyone else’s, but he’s trying his best not to argue today so  he doesn’t bring it up. If he wants Tango to consider sending him out again, he has to be perfect.
“Listen to me,” Eagle says harshly, the moment they’re out of sight of the others. “You’re going to do everything I say, kid.”
“I’m not a kid,” Jimmy mutters. Eagle backhands him across the cheek; Jimmy freezes, clenching his fists.
He’s not going to fight. Even though fighting is all he knows how to do, he’s going to lay low and wait for his time to come. He can prove himself. He will prove himself.
“Don’t talk back,” says Eagle. “I’m in charge. You’re a kid if I say you’re a kid. Now—you’d better do everything I say, you hear? No mouthing off, no assuming you know better—because you don’t. You don’t know anything. Got that?”
Jimmy nods angrily. Eagle raises an eyebrow at him (and Jimmy just knows he’s smirking under his mask, the little—), then continues down the hall.
They’re infiltrating the main headquarters of a rival, though nobody will tell Jimmy who or why. He’s just there to clear the building, as out of danger as he can be. It’s not the highest position on the team, but it is on the team, and Jimmy’s doing his best to feel grateful about that.
This is a dangerous mission—a very dangerous mission. Tango had offered to let him back out around five times, his eyes glinting with something like self-satisfaction, but Jimmy had stubbornly remained and now he’s going to prove that he’s earned his place on this team. Not just on this team, but in this family. He belongs in TIES, and he’s going to prove it.
Despite its danger, it still surprises Jimmy when they walk straight into a firefight.
“Eagle to Cardinal, we need back-up! Anyone—we’re on the second floor, it’s—there’s already a fight—”
Jimmy doesn’t know what’s happening or why guns were firing before they got there, but he throws himself back around the corner with Eagle and readies his own gun, aiming it in the direction of the massive garage that they both just fled from.
“The Bad Boys are here, too, looks like—they must’ve gotten the same intel,” Eagle hisses into his earpiece. A moment later, Jimmy’s own crackles with a painful spark.
“Cardinal to all. Evacuate and regroup, sunglasses are here.”
Eagle nods, motions for Jimmy to follow as they creep back into the hallway they’d come from, into view of the garage again.
Jimmy pauses to look—it’s a quiet moment in the fight within, everyone hiding on opposite sides of the room, occasionally darting out to fire at one another.
The garage is massive, its ceiling vaulted high above the hall, and Jimmy scans the room as quickly as he can—and he spots what he’s looking for.
“Who are the Bad Boys?” Jimmy whispers. Eagle grabs his wrist, tugs him along.
“Another gang.”
“Are we enemies? Because—look—”
He points up across the room, toward a window set into the wall near the ceiling. “There’s a room up there. We could go up and snipe both sides, easy.”
Eagle sighs. “Bad Boys aren’t our enemies, not right now. Etho apparently gets along pretty well with one of their higher-ups.”
“Then—why don’t we join them, help them out?”
“Just because we aren’t enemies doesn’t mean we’re friends. We don’t want them to get the package any more than we want these guys to have it.”
Jimmy doesn’t know what this so-called package is, but he nods. Sure. It’s not like this was his one chance to prove his worth to Tango. Now—
One of the Bad Boys—he’s got a leather vest on, a green streak through his hair, no mask (the mask might be a TIES signature, Jimmy thinks, but he isn’t sure)—rolls out from behind a car, aims his gun—
But he gets hit before he can pull the trigger. A pained grunt tears from the man’s lips as he falls, a bullet piercing his calf, blood splattering out onto the concrete below him.
Jimmy looks over, sees the man who shot the Bad Boy cocking his gun, aiming it at green-hair’s prone body, and acts before he can even think.
Well, not really. He does think, but all he thinks is, maybe if I save a Bad Boy, Etho will like me.
He knows how to shoot a gun. There’s only a couple of things Jimmy knows how to do really well, and one of them is standing between the injured and their abuser and the other is firing a gun. This is both of those, so he reckons he’s pretty much in his element.
Jimmy ducks into the garage proper and fires.
He lands a shot on the man who had risen up from behind a barrel, gun aimed at the Bad Boy. The man falls with a cry, and Jimmy only has a moment to acknowledge that he just pulled that reckless stunt before he turns and runs.
That was probably really stupid, now that he takes a moment to consider the consequences.
“You—idiot—” Eagle snarls, quickly overtaking him. Jimmy hears pounding footsteps behind him, and Eagle—
Pain tears through his chest—
Jimmy’s on the ground before he can so much as blink. There’s—there’s so much ice-hot fire burning through him from his chest, all of the sudden, and he pushes himself up onto his elbows before it overtakes him and tries to make sense of what’s going on around him. How did he end up on the ground? Why did Eagle stop running?
Eagle stands frozen in front of him, gun trained on something behind Jimmy. Jimmy hears a voice behind him—
“They’ve got back-up, get the package and get out—”
Then Eagle, into his own earpiece—
“They’re taking it and running, this is a bust—”
Then his heartbeat, loud and heavy in his ears.
More footsteps behind him, as the person there runs back the other way.
Jimmy’s lips move, but nothing comes out but a long, whistling wheeze.
He was shot.
He was shot in the back, and now his chest feels warm with blood as it runs down the inside of his shirt. He was shot. Is he dying?
It hurts to breathe. It hurts to move. He’d propped himself up on his elbows before it really came over him, but now he feels frozen there, limbs locked up, unable to even roll out of the middle of the hallway. He’s been hurt before, he’s been beaten almost to the point of death before but it wasn’t quite like this, because he can’t move or speak or anything. Is he in shock? That must be it. He’s in shock.
He blinks up at Eagle, not entirely sure what he’s trying to convey. A plea for help, probably. As much as it hurts his pride, he can’t do anything else.
Eagle stares down at him, face expressionless. Then, his hand touches his earpiece again.
“Canary’s dead. Let’s get out of here.”
“I—” Jimmy manages, because he isn’t dead, he’s still here and sure, it hurts to breathe and he isn’t sure how to move, but he’s still alive.
Eagle doesn’t say anything. He turns away, jogs down the hallway, and eventually out of sight.
Jimmy wishes he could feel the rage that he longs for, that’s always so close to the surface.
He hurts too much for that, though.
A tear slips down his cheek and he curses, the words pained and broken. He can’t die here. If he dies here, who will protect Lizzie?
He promised to get them their own place. He promised to get her away from him. If he dies here, she’ll be left to face him alone, stuck with him forever, no escape in sight.
He can’t let that happen. He won’t let that happen.
Agony lances through his chest as he forces his locked limbs to move, shifts until he’s on his side, head bumping lightly against the wall of the hallway. There’s still gunshots coming from behind him, but he ignores it. Embarrassingly high-pitched whimpers escape his firmly-pressed lips as every movement jars his chest, but he eventually finds himself kind of sitting up, slumped against the wall.
His shirt is soaked through with blood. The grey with which he’d been outfitted shows how the blooming bloodstain had spread, out from the right side of his chest, down his stomach and up his shoulder. There’s a long smear of blood on the floor from his maneuvering, shockingly bright against the dirty tiles.
Jimmy stares at the blood, his heart pounding in his ears.
How is he going to find the strength to get up? He was barely able to make it to this point.
Once he does get up, how is he going to get out?
Will he walk out of here on legs that won’t cooperate? Will he manage to call for a taxi to take him to a hospital? Will the hospital turn him away without insurance? Will they call the cops?
He licks his lips, cracked and dry.
Every breath feels like another bullet pushing through his chest.
He isn’t getting out of here.
He clutches feebly at his shirt with his left hand, as if he has the strength to strip it off, as if he could ever manage to bandage the wound.
His hand is stained with blood, snaking through every crack of his palm.
It feels wrong to die like this. Alone in a corridor, his lifeblood slipping between his fingers. 
Last time he thought he would die, he wasn't alone. Lizzie was holding him, frantically trying to dress his injuries, muttering nonsense about how everything would be all right and how she was going to call an ambulance and he would be fine.
Jimmy still remembers how the musty carpet smelled like smoke under him, how he couldn't make his eyes focus on Lizzie's face, how his entire body morphed into blurry pain.
It was different.
But one thing is the same—the anger that usually burns in the pit of his stomach has been replaced by cold, disgusting, creeping shame.
He failed her. He failed the only person who means anything to him, and she's not even here for him to apologize.
It hurts even more to breathe. It feels like there's a shard of glass pressing into his lungs, each breath digging it deeper.
Another tear falls, trails down through his lips. His tongue darts out to taste the saltiness, and it tastes like failure.
“We got it, that's all that matters.”
“No, what matters is that you get medical attention. You don't get shot and just walk it off, Joel—”
For a split second, Jimmy thinks wildly that perhaps Lizzie is here, is on her way down the hall to find him, but that isn't her voice. Lizzie isn't here and nobody is coming for him.
They abandoned him.
Two men enter the hallway—one is the man who got shot, his green streak of hair falling into his eyes as he limps out, supported by another man. This man is dressed in a red shirt with a leather jacket, sunglasses stuck into his messy hair.
They're bickering—
“Can't believe we have to take the back way out—”
“It's your fault, shouldn't have gotten injured—”
But they both freeze when they see Jimmy.
“Wait—Grian, it's that kid,” the green-haired one says. “He shot the guy that was going for me. Is he still alive?”
“Yeah, he is,” Grian says, his face twisting. He lowers green-hair to the ground carefully, propping him up against the wall a foot or two away, then kneels at Jimmy's side.
“Hey, kid,” says Grian, lifting Jimmy's chin to meet his eyes. “What happened?”
Jimmy resists the urge to cough, squeezes the wet fabric of his shirt. “Chest,” he manages. “Not—not a kid.”
“Talk to me,” Grian instructs, flipping open a pocket knife to cut through Jimmy's shirt. “Who are you with? Is someone coming for you?”
“He's with TIES, look at his mask,” green-hair interjects. “Classic Etho, looking out for me.”
“Let him answer, Joel.”
“Yeah,” Jimmy breathes, nodding in Joel's direction. “TIES. They—they left me.”
His eyes burn with tears at the admission. Grian frowns, hands dancing across Jimmy's chest. “Really? That's not like them. They usually take care of their own.”
But Jimmy isn't really one of them, is he? He made an enemy of everyone he talked to. He made it clear that he wasn't in it for friends, he'd fought tooth and nail over every little thing, so does it really surprise him that they left him to die here?
He’s dying.
“I failed her,” whispers Jimmy. He hisses in pain as Grian presses on his chest, right up against the burning bullet wound. He swallows back a cough, refusing the pain it would surely bring.
“Went clean through, looks like. I'm gonna move you, look at your back.”
Jimmy actually cries out when Grian shifts him forward, letting him slump against his chest.
“Keep talking.”
“I-I'm gonna die. I failed her. He's gonna kill her.”
“Who is she? Tell me about her.”
“M’ sister,” Jimmy mumbles, biting his lip as Grian prods at the wound. “She—he'll kill her, I'm gonna die and—and nobody—”
“What color is her hair?” Joel asks.
Jimmy blinks, more tears spilling down his face. “P-pink.”
“Pink? That's a weird color.”
Jimmy sniffs. “He—he hates it. I told her not to dye it—” he cuts off with a strangled gasp, one that makes his chest seize with pain, as Grian presses his hand down firmly on Jimmy's back.
“Throw me the spare ace bandage,” Grian orders, holding his hand out to Joel. Joel digs a roll of bandages out of his pocket and tosses it to him.
“How old are you?” Joel asks. “What's your name, how old are you?”
“Jimmy,” he barely manages, as Grian wraps the bandage around his chest. “I—I'm—seventeen.”
Grian curses in Jimmy's ear. Joel’s face darkens.
“Told Etho they need to be better about checking ages,” says Joel angrily. “A kid shouldn't be part of a dangerous op, for goodness sakes—”
“We don't have time for this,” Grian says firmly. He ties off the bandage and arranges himself to be side-by-side with Jimmy, loops an arm under his shoulders. “Joel, can you call in back-up? Kid, can you walk?”
“We don't need back-up, I can walk—”
“Absolutely not—”
“We'll help Jimmy between us, all right? Then he can lean on both of us and I can lean on him—”
Jimmy’s next few moments are a blur of pain and nausea, but he somehow finds himself standing, one arm slung over Joel's shoulders, one arm over Grian's.
“Just take a step,” Grian grunts, and Jimmy stumbles forward, just trying to breathe the best he can through the stabbing pain.
Do they think he’s going to survive? They wouldn’t be helping him if they didn’t, right?
“How far to the car?” Joel asks tightly.
“If we take a left, we should hit the stairwell soon after.”
“Right. Stairs. That’ll go great.”
They make their slow way down the hall, Jimmy’s exhaustion growing with each step. They stop frequently, adjusting their positions so that Jimmy can rest easier on the two of them. Then they keep going, one painful foot forward after the other. 
After what feels like ages of the hall tunneling in front of him, Grian shifts them both left, toward another hall, identical to the first (but a good bit shorter).
Joel is breathing heavily, occasionally making small, pained noises under his breath. If Jimmy had enough space in his chest for more emotions, he would feel guilty that he was making Joel go to all this trouble for him.
He doesn’t have room for that. Just the shame.
There’s a door at the end of the hall, and all three of them are gasping for breath by the time they make it. Joel leans against the wall and Jimmy leans against him. His feet are practically deadweight, his shoes feeling like cinder blocks.
“We go up one level of stairs,” Grian tells them, voice a bit raspy. “The door out should be there. The car’ll be . . . probably a short walk from there. Good?”
Joel flashes a thumbs-up. “Can we . . . all right if we take a minute, first?”
Grian checks his watch, worries his lip between his teeth. “I don’t think we have time. We should go.”
Joel huffs, but he pushes himself off the wall, readjusting Jimmy’s arm around him.
Jimmy just swallows, then finally gives in to the urge to cough.
Apparently, it’s the wrong decision to make. The cough instantly makes the pain skyrocket, so much worse than it’s been so far, and Jimmy can barely keep standing\. He tries to breathe through it—but barely any air seems to be entering his lungs, it’s like there’s hardly room for even half a breath.
He falls to his knees, another weak cough escaping him, one that only serves to drive out what little air he’s managed to collect. He can’t breathe. It hurts too much, and he can’t breathe.
“Jimmy? Jimmy, stay with us—”
“Stay here with him, I’ll go grab whoever’s in the car—”
Jimmy barely registers the sound of running footsteps as he falls further, leaning on his hands. He gasps fruitlessly, in and out and far too shallow. He can’t do it, he can’t manage it.
He’s dying. He was shot in the chest and he can’t breathe. He’s dying right here, after everything, abandoning Lizzie and everything he’s been fighting for his whole life.
He’s so scared.
He’s terrified, the fear even colder than the guilt, because he doesn’t want to die, but he can’t breathe long enough to even say it.
I don’t want to die, he thinks with all his might. I don’t want to.
He’s always been a fighter. That’s what his mother would tell him, as she spread numbing cream on his bruises and kissed his forehead good night. He never got to hear her last words, but every day before school she would ask him to watch out for his sister (even though she was three years his senior) and he thinks she would have said something like that if he was there when she died.
He’s failed her, too. He couldn’t save his mom, and he can’t save Lizzie, even though it was all she ever asked of him. He’s let them both down, and he can’t even get enough breath for an apology.
“Jimmy, listen to me,” Joel says, his voice sounding as if it’s underwater. The man sits on the floor in front of him, adds his hands to Jimmy’s shoulders to try and keep him somewhat up. “Listen. Can you see me?”
Through tear-blurred eyes, he can just manage to see Joel, discern the worry etched into his face. Jimmy nods, just barely.
“Good. Calm down, okay? Breathe slowly. Slow and deep, okay?”
Jimmy shakes his head. He can’t. He can’t breathe slowly, he can’t breathe deeply, he can barely breathe at all. His arms are trembling, and it’s only moments before they give out entirely. He slumps against Joel, noticing vaguely that his fingers are numb.
“Bullet probably hit your lung,” Joel mutters, adjusting Jimmy in his arms so that he’s sitting, Joel’s legs around him. “Do you smoke? Or, did you smoke, I guess. You won’t anymore.”
The room is going out of focus, and not just because of the tears. Jimmy tries desperately to hold on to consciousness, licking his lips and flexing his fingers compulsively.
Joel tilts his head back, peering into his eyes. Jimmy wonders if he can see the fear there, if he looks as scared as he feels, heaving for breath.
“It’s okay,” Joel says, voice considerably softer than it’s been this whole time. “Geez, you’re just a kid. Killer aim, though. Where’d you learn to shoot?”
My dad taught me, Jimmy wants to say. He doesn’t say anything. He doesn’t have enough air.
He’s going to pass out. Jimmy’s been beaten to unconsciousness too many times to count on one hand, so he knows what it feels like when his head starts to fuzz over, goosebumps breaking out over his entire body.
He swallows, squeezes his eyes shut.
He’s going to die.
He failed.
-
He survives, somehow.
His lung had collapsed after being punctured by the bullet, which was life-threatening, but didn’t claim him this time. Jimmy woke up in an unfamiliar library-turned-medical wing, an oxygen mask taped to his face and an IV stuck in his arm.
He heals up nicely, according to the doctor, and once he’s cleared to walk (on oxygen, pulling a portable oxygen canister behind him), he starts exploring the manor he finds himself in.
It’s massive, dozens of rooms and chandeliers and fancy carpets, and plenty of people always coming and going. He spends a lot of time sitting in a cushy chair outside of the library, looking out at the main entrance, people-watching everyone who comes through. He gets strange looks, sometimes, but he’s ignored for the most part, and for the first time in a long time he feels almost relaxed.
Not quite. A nagging voice in the back of Jimmy’s head reminds him of Lizzie, of the hell he’s left her to face alone, and he knows he has to do something soon or the guilt and anger will overwhelm him again, but he tries not to think about it and just focused on recovering.
Grian and Joel show up on the fourth day, when he’s finally released from using an oxygen cannula during the day.
“How are you feeling?” Grian asks awkwardly when they approach his bedside, hands stuck in his jeans pockets.
Jimmy shrugs. “Good,” he says. “I mean, like I was shot in the chest. Good, given the circumstances.”
Joel snorts. “Well, yeah, duh.”
“Good enough to get going, soon?”
Jimmy blanches. He’d been dreading this conversation. “I . . . actually, I was wanting to ask. . . .”
They know what he wants before he even suggests it.
“Absolutely not,” Grian says. “We don’t take on kids. It’s not—”
“I turn eighteen in six months—”
“—super dangerous, and—”
“I think he should stay,” Joel says helpfully, settling into an armchair far too grandiose for what should be a hospital setting. Grian glares at him.
“You know we don’t bring kids into this.”
“We can’t send him back to TIES, can we?” Joel says. “We can’t turn him loose on the street, or else they’ll probably try to take him out, just in case. You don’t just quit TIES and walk away.”
“I don’t want to go back to TIES, if it helps,” Jimmy adds. “They left me to die back there.”
Joel waves a hand. “Yeah, yeah. Etho said you’re welcome back, if you want. But you don’t, so we don’t need to worry about that.”
“But he’s—”
“I’ll do anything to stay. I’ll—I’ll even just work the front, I just—I need it,” Jimmy says, glancing between the two of them.
They don’t know how desperately he needs it. They don’t know that the only reason he has for living is saving Lizzie.
He’d tried getting a normal job, but no place that paid enough was willing to hire someone underage full-time, much less someone without a high school diploma. TIES was the first place to offer him more than seven dollars an hour with the promise of one day making more.
He needs this kind of money to get an apartment. And he needs an apartment more than anything in this world.
Grian bites his lip, looks over at Joel.
“We can say he’s eighteen,” Joel suggests.
“I’ll get my birth certificate changed,” promises Jimmy. “I just—” this is it, he has to convince them— “I have to get my sister to safety. Please.”
“I—look, you can’t tell anyone, ever,” Grian stresses, running his hands through his hair. “You’re eighteen, all right? And don’t expect to get any ops—”
“Do expect to get ops, you’re a decent shot—”
“Joel and I are your only friends, don’t trust anyone else—”
“Do whatever you want, we aren’t your dads—”
Jimmy lies back on the bed, propping the pillows up under him. Relief tastes sweet on his tongue, after the building guilt he’s been feeling over the past few days. So . . . he’s a Bad Boy now? Would he get a leather jacket? Or sunglasses?
That doesn’t matter, really. What matters is that he’s already become friends with two people here after being a member for less than two minutes, and that’s way closer to getting Lizzie to safety than he ever was with TIES.
He can keep his promise.
And one day, when he’s got enough rapport in the Bad Boys, he’s going to call out a hit of his own. And he’ll fulfill it on his own—he’ll hold the gun that he was given on his sixth birthday, the last gift he ever received, the one with his father’s initials messily carved into the hilt—
He’ll take that gun and shoot his dad in the head, and they’ll finally be safe.
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disguisedcheezed · 4 months ago
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choosing to imagine you as taller than john and dirk, so that in my head they are purposefully floating in order to dunk you. in the flour egs
HEHEHEHEHE. I thought of a similar thing, but I'm just in an adult sprite. (I'm 5"2 and a half irl, but think of my sona as 6 ft lol.)
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Here's the biblically accurate version. :3
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