#dappankuthu

[glassesfreekjr]

"You realize that Octo Valley's energy crisis didn't go away when the Zapfish did, right? There are Octarians still scraping by down here — ourselves included. There's not enough power or hospitality to go around." "So what, are ya'll City of Ember-ing up in this beach?" "We're been taken hostage, Callie; please don't make it weird."

(Album cover, logo, and core concept by @aviivix. Thanks for the commission!)

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Composer Notes: All that blistering percussion is from Indian dappankuthu, (lit. “drum punch”) which has grown into the street-pop staple of Kollywood (not to be confused with Bollywood or Tollywood). Since the heavily-processed samples of Octoling Rendevous are so Indian-flavored to begin with, the collapse of the Octavian regime (along with Octo Valley civilization itself, quite literally) means these inspirations are free to finally "let loose," so to speak. (I'm a bit worried that the common interpretation will be that the Octolings this piece is about are "wild" due to all the foreign percussion. Really, they're just trying to get by in a world that has failed them.

the Culture Shock AU is wild, ya'll.)

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[vyinter]

For most people an album drops when an artist releases something but for me an album drops when they release soundtracks in movies and let me tell you the premalu soundtrack is a no skip album

my favvv is Welcome to Hyderabad followed closely by Mini Maharani and then Chalo Hyderabad which is just basically mini maharai slowed flute instrumental for when you wanna have secret eye contact across a room with your lover, Kutti Kudiye caught me off guard cuz I didn't think I liked it all that much but I've caught myself humming it multiple times, and Telangana Bommalu sounds so dappankuthu style it makes me dance without me realising

[bambioleo]

If you were a song ,what would you be?

I like to think I’d be a nakku mukku but I’m more of a mundhinam parthene or idhazhin oram kinda person my wishes to go dappankuthu is overpowered by my being of mellow ballads

[chai-en-kaadhale]

i will survive this year with the power of brazilian music and dappankuthu 🙏🙏

[mothalaalee]

Listening to dappankuthu songs while im bawling my eyes out. This work-life balance is going pretty well

[jeeka]

Jimikki Kammal bug bites Rasakannan. Victory Part 3 - with 'Jimikki Kammal' by Shaan Rehman. Fun! #dance #dappankuthu #jimikkikammal #jimikkidancechallenge #fun #longweekend #raasakannan #razion #kotra #frenzy #mallustyle #pravasi #lalala #vanakkam #lungi #cantstopwontstop #idgaf #bandwagon #tryit (at Manama, Bahrain)

[miauwing]

i'm so glad dappankuthu exists

[xo-quotes]

Best Telugu Songs: Top 10 Telugu melodies of 2019

Best Telugu Songs: Top 10 Telugu melodies of 2019

2018 was an essential year for Tollywood as far as music. Driving artists Devi Sri Prasad, Thaman, Mickey J Meyer rediscovered themselves as arrangers, Anirudh Ravichander entered Telugu films with Agnyathavaasi, artist Anurag Kulkarni set up himself immovably in the business and Sid Sriram stole the distinctions with a progression of lilting numbers before the year's over. Significantly more occurred in the year with music while we pick 10 Telugu tracks that were a hit with netizens. Inkem Kaavale-Geetha Govindam The melody of the year by a far stretch, Inkem Kaavale had Tollywood audience members owning its vocalist Sid Sriram more than ever. The magnificence of music is its comprehensiveness and Inkem evoked genuine emotion with music darlings over the globe so much that it guaranteed exceptional promotion to the film Geetha Govindam that featured Vijay Deverakonda and Rashmika in lead jobs. The western instrumentation, and a Carnatic-structure styled number gave it a combination like intrigue, that without uncertainty positions among the best numbers originating from arranger Gopi Sunder's bank. Daari Choodu-Krishnarjuna Yuddham Kadapa-based people artist and essayist Penchal Das turned into a medium-term sensation with this incredibly infectious number that has a powerful 'dappankuthu' snare to it. Other than eccentric vocals and the simplicity with which Das sings, the number works incredible for gatherings and develops on you with each consultation. Author Hip Tamizha's score and Penchal Das' rural voice quality guarantee its recurrent estimation of a few playlists in the years to come. Rangamma Mangamma - Rangasthalam In a paramount collection Rangasthalam that stamped Devi Sri Prasad's arrival to prime structure, the number Rangamma Mangamma is genuinely a cherry on the cake. Originating from the point of view of a lady who can't endure the fits of rage of the man she had always wanted, M Manasi murmurs the number with extraordinary energy. The flavorful surface of the piece is a resource for Rangamma Mangamma as is its spellbinding verses by Chandrabose, packed with fascinating rustic references. Pilla Raa – RX 100 RX-100 wasn't the astonishment of the year for its particular substance alone. An a lot of the credit has the right to go to the Anurag Kulkarni-murmured number Pilla Raa that created adequate buzz before the arrival of the film. The hummable feel-considerate mindset of the melody accompanies basic verses by Chaitanya Prasad, absolutely a motivation behind why it made up for lost time like rapidly spreading fire among groups. The tune streams rather easily and it functions admirably with the visuals, where a hero is moving. Choosi chudangane nacchesave-Chalo One of the best tunes to hit the music graphs this year, the number additionally sung by Anurag Kulkarni was the principal tune that became famous online among groups before the film Chalo hit theaters. The magnificence of the tune is its straightforwardness and it helps that the artist confided in the structure without running over the edge with any act of spontaneity. The melody formed for an all consuming, instant adoration circumstance ensured that writer Mahathi Sagar is among the youthful gifts Tollywood needs to keep an eye out for. Also these are the Top 10 Sites To Watch Telugu Movies which you may like.

Mahanati title tune The collection Mahanati, much the same as the film, utilizes old world appeal and cutting edge innovation. The wavy instrumentation of this title melody manufactures the character of Savitri in the film flawlessly. Ramajogayya Sastry catches the wonderfulness of the on-screen character through an ideal selection of words like 'Abhinetri, Abhinava Netri, Nata Gayatri', guaranteeing marvelous cadenced incentive to the melody. Anurag Kulkarni demonstrates his flexibility and makes an intricate number feel simple on the ears.

[fayyazb]

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Doing the #CHING #dappankuthu

[averagefury]

Dancing dappankuthu, a south Indian street dance. Naaku Mukka will forever be ingrained in my head xD

*4-20-2012*

[jeeka]

Here's Raasakannan, going into a Frenzy. With 'Maari' by Anirudh & Dhanush, the Kolaveri guys. For those not knowing what's going on:- That dance is freeform folk called Dappankuthu, seen in rural Tamil Nadu, India. Turning your body into the vibrations of those frenzied percussions. #dance #dappankuthu #kuthu #tamilfolk #experimentaldance #maari #anirudh #untrained #frenzy #mayhem #percussions #fastdance #pasanga #rhythm #shuffle #lungi #razion #raasakannan #terrace #intro #tharalocal #thara #savageasf #quickfeet #idgaf (at Manama, Bahrain)

[jeeka]

Tapping into some folk roots, where expression is dealt with extreme abandon. Meet the presenter, Raasakannan. #alterego #razion #folkdance #dappankuthu #tamilstyle #raasakannan #alert #shitsgoingdown #ballsout #jimikkikammal #fuckit