#daniela fischer

[mycstilleblog]

Ausstellung in Dortmund ab 17.Januar: "Portraits starker Frauen aus Dortmund"

Es gilt eine interessante Exposition anzukündigen, die in Kürze im Museum für Kunst und Kulturgeschichte in Dortmund beginnen wird. Im Mittelpunkt der Ausstellung stehen “Portraits starker Frauen aus Dortmund”. Sie geht auf eine Idee von Jutta Geißler-Hehlke zurück, die leider inzwischen nach kurzer schwerer Krankheit verstorben ist. L Aquarelle zu den betreffenden Frauen hat die Künstlerin…

[manuelamordhorst]

Tipp: Wilde Gefährten in der Galerie Handwerk in München

[nangel]

Paparazzi, prologue

✍︎ word count | 2038 words

✈︎ missing out on parts? | series

Madeleine -spoken madlen- Daniela Sinclair was the IT girl, the it girl. at least everyone called her an it girl. Everyone either wanted to be her or with her. Everyone knew her and everyone would recognise her. Nobody would ever mess with her.

It was about 7 a.m and the sun was shining through the window of mine and my best friend Olga’s bedroom.

“You’re up already?” my mom asked grinning. “Yeah…” i said already sitting on the bed since I was already up. “I’m surprised you’re already up…usually you are such a…late riser” my mom said sitting to me on the bed. “Yeah…I had a bad headache in the middle of the night probably from night-out with Maureen and Annabelle” i said running my hand through my chocolate brown hair to move it to the side. “Yeah you guys were kinda tipsy” she said grinning. “Yeah we fucked up” i said laughing a little. “A good way to celebrate your last day here” she said laughing. “Oh had to remind me on that huh?” i asked and my mom laughed. “By the way your suitcase is in the bathroom…just in case you look for it” she said grinning while walking to the door. “Yeah I’m gonna pack later” i said rubbing my eyes and my mom nodded. “Good, I’ll bring you breakfast” my mom, Lorelai said grinning from ear to ear with me giving her a nod before standing up walking to the balcony door to open it and let some fresh air get in.

My mom’s name was Lorelai, Lorelai Fischer, before she married my dad Oliver Sinclair. I always liked to compare my mom to Lorelai Gilmore because they had the same name and my mom is basically living, laughing and loving her and she raised me quite the same way, sometimes it even surprises me that she didn’t give me the name-Rory-. My mom went to fashion school when she was younger and studied fashion, she also worked a little bit as a model which was quite a bonus for me. Today she is still doing fashion and clothes and is quite successful with her boutique. My dad has his own business and in working for his own company but mostly at home tho he sometimes is in his office. Me for my part…I always dreamed of becoming a model one day but that dream never really became reality UNTIL I saw this….

“Mom…I have everything” i said annoyed. “I think you forgot your headphones you know those big ones” she said handing me my totebag. “Mom! I put them into the suitcase” i said annoyed. “Yeah misses Sinclair…we’re gonna take good care of her as always” Ashley promised smirking. “Oh I hope so” she said laughing. “Mama we need to go” i said a little rushed. “Alright girls…call me when you’re in Berlin” my mom said smiling as I hugged her a last time before me and Annabelle went to our flight.

I was glad that we finally were back in our apartment and the first thing I did was taking a nap cause I had a huge headache.

“Fuck” i cursed as I ran up the stairs to get as fast as possible into university. Olga, Annabelle and Maureen running right behind us. “We’re gonna be so fucking late” i said as we ran up those stairs

It was our first year well…it’s going to an end, we are right on the end of May. For starters - we were running late because we all slept way too long so we had a hard time catching psychology class. In the end we made it into class without any complications.

“Hey Dani…” someone whispered while I took notes of Miss Diaz tutoring, I looked over just to see Christopher looking over at me leaning right over his desk which was in the same row. “What?” i asked with a smile. “You’ve got a pen?” he asked grinning which made me shake my head before I gave him a pen. “There you go” i said throwing it over to him. “You’re the best” he said smirking. “I know, Ares” i said playfully.

Why ares? Because he looked almost exactly like Ares out of the movie never have I ever and I liked to remind him of that.

After class we were sitting outside talking to our friends. University was way better than high school and all that shit, people were smarter, mostly more mature and there was less fakeness and drama, well…there was a lot of drama but I didn’t really care. I was fucking popular, well me and my best friend’s were, we were the upper-east-side of Berlin or the Plastics as Ares liked to call us because Mean Girls was my favourite movie since I was six years old. Which brings me back to Ares. Ares was a typical playboy and had with that name a lot of girls, for the record A LOT girls but me and him are friends since we started University Besides all the other people I got along with -seniors, sophomores and freshmen- there were only four people I dearly trusted.

“What the fuck” i whispered as I held a letter in my hand, why it was special to the 10 other letters and magazines? Because it was sent from my model agency. “Holy shit” i whispered as I immediately walked up to the seventh floor, the last one where me and Olga lived. I immediately ripped it open and read through it. I couldn’t believe my eyes, i had sent some portfolios to fashion companies all around the world cause I wanted to go international. It was an offer to walk and work for Chanel, besides that it was my favourite brand it was a letter about how they liked my portfolio and that they want to work with me, at the end of the letter stood written a little surprise, my star by Carolin, my manager. Of course I immediately gave her a call where she told me that she had the contract in her office and I should come by at time to sign it so I could immediately get into it. Tho it was my dream there were some consequences I had to face for example I needed to be ready to travel around and be available all time practically and work in other towns for longer, also there were things about my health and body depending the job.

I called Maureen and Annabelle while sitting in the subway They were happy for me and everything and wanted me to sign those papers immediately which made me happy too but on the other side kinda sad too. I decided to put it to the side for a moment to walk into the grocery store to get the groceries. “You want to cook what? Tarte Tatin? Are you insane?” i asked Olga over the phone. “Whatever…I’ll get it, have fun” i said throwing my phone into my tote bag grabbing two different types of dessert apples thinking about which one I should get.

“I’d take those…they are way better for Tarte Tatin” a deep voice with an french accent said to me. “Huh?” i asked surprised turning to him. “The apples…I couldn’t help but hear the conversation and I know Tarte Tatin and I also saw you so I thought you maybe needed some help” he said with a friendly but still deep voice. “Oh right…well thank you…I was struggling a little” i said chuckling a little. “No problem…it’s a good dish by the way” he said smiling while I grabbed six of those apples. “Yeah right…I like it too but I stopped cooking it” i said smiling. “I’m sorry for overhearing the conversation” he said with a smile that made me shaky my head with a chuckle. “Oh don’t worry…it’s fine” i said smiling at him. He looked at me for some seconds before shaking his head and speaking up. “I’m Charles by the way” he said holding out his hand which made me chuckle. “I’m Madeleine, nice to meet you” i said smiling, shaking his hand. “Nice to meet you too” he said as we let go again. “I need to go now but thanks for your help” i said with a charming smile. “You’re welcome” he shouted back with me walking to the cash register.

“Kinda sweet actually” Mauren said smiling while we sat in a bar. “I don’t know…he was just…being nice, that’s all” i said casually. “He was flirting” she said. “No he wasn’t, niceness is not flirting” i said smiling. “Why didn’t you ask for his number?” she asked smirking. “Oh god, Riri…stop it, he’s just a stranger” i said laughing. “Oh god…you’re so boring” she said as we drank our drinks.

It was after uni on a Friday and we were all laying outdoor pool and tanning. The guy Olga was out last night was trying to impress her which annoyed her. “God he’s so annoying” she said annoyed. “Why did you even bring him with you?” maureen asked clearly annoyed. “After last night when I wanted to go home he just wrapped hus arm around me and asked what we are going to do tomorrow and I actually wanted to leave, just leave but he didn’t let me so I gave up and told him about today and he asked me if he could come with us” Olga explained. “And you couldn’t have said no sorry I’m with my girls today or by the way I don’t want you to be in my life from now on?” Maureen asked and I laughed. “Nooo” Olga said frustrated. “I don’t know how long I can take this” Maureen groaned. “Oh god…it’s so stupid” i said and laughed. “Right” Olga said annoyed turning her head to the side. “Let’s just put him to the side for some hours” Maureen said and I just smirked. From afar we saw Annabelle walk up to us in more than just a happy mood. “What happened to her?” i asked immediately into the round and Maureen shrugged her shoulder while Olga was narrowing her eyes. “Girls. Girls. Girls!” Annabelle shouted excited. “What?” we asked monotonous. “I got the hottest shit for us” she said sitting down on the grass next to my towel as I sat up. “Sorry but I don’t get it” i said confused. “I bought us tickets for the formula one race in hold on tight…Monaco!” she said extremely excited and happy. “No way” Olga said sitting up taking off her sunglasses. “Holy shit” Maureen shouted excited. “Oh my god…how did you get those?” i asked her smiling. “I ordered the last four and since we all kinda are into formula one…or the drivers I thought what a great thing if we four would go there. So…are you coming with me” she asked smirking excited. “I’d love to” I said smiling. I can’t believe this…it’s gonna be great” Maureen said excited. “Yeah I can’t wait to see the drivers” Olga said smirking. “Really guys?” she asked excited. “Yeah” I said and she hugged us. “It’s gonna be so great” she said grinning from ear to ear. “I’m kinda really looking forward to see everything of f1 and those things it’s all over tiktok” i said excited. “I’m looking forward to get to know the drivers” Olga said smirking and we laughed. “Those are great new, Belle…I’m sooo excited” Maureen said grinning. “It’s gonna be the hottest shit” Annabelle said smirking and we felt terribly excited.

I wasn’t really into cars or races neither Formula one but my friends were into it especially Annabelle and Maureen so Olga and I got really bombed with their content and now that we are having this chance I’m pretty excited to see all of that and to have a lot of fun with my girls, I just know it’s gonna be a great time.

“Let’s fucking do this, girls” i said excited.

Next part

[princesssarisa]

Opera on YouTube, Part 2

Le Nozze di Figaro (The Marriage of Figaro)

Glyndebourne Festival Opera, 1973 (Knut Skram, Ileana Cotrubas, Kiri Te Kanawa, Benjamin Luxon; conducted by John Pritchard; English subtitles)

Jean-Pierre Ponnelle studio film, 1976 (Hermann Prey, Mirella Freni, Kiri Te Kanawa, Dietrich Fischer-Dieskau; conducted by Karl Böhm; English subtitles) – Acts I and II, Acts III and IV

Tokyo National Theatre, 1980 (Hermann Prey, Lucia Popp, Gundula Janowitz, Bernd Weikl; conducted by Karl Böhm; Japanese subtitles)

Théâtre du Châtelet, 1993 (Bryn Terfel, Alison Hagley, Hillevi Martinpelto, Rodney Gilfry; conducted by John Eliot Gardiner; Italian subtitles)

Glyndebourne Festival Opera, 1994 (Gerald Finley, Alison Hagley, Renée Fleming, Andreas Schmidt; conducted by Bernard Haitink; English subtitles)

Zürich Opera House, 1996 (Carlos Chaussón, Isabel Rey, Eva Mei, Rodney Gilfry; conducted by Nikolaus Harnoncourt; English subtitles)

Berlin State Opera, 2005 (Lauri Vasar, Anna Prohaska, Dorothea Röschmann, Ildebrando d'Arcangelo; conducted by Gustavo Dudamel; French subtitles)

Salzburg Festival, 2006 (Ildebrando d'Arcangelo, Anna Netrebko, Dorothea Röschmann, Bo Skovhus; conducted by Nikolas Harnoncourt; English subtitles) – Acts I and II, Acts III and IV

Teatro all Scala, 2006 (Ildebrando d'Arcangelo, Diana Damrau, Marcella Orasatti Talamanca, Pietro Spagnoli; conducted by Gérard Korsten; English and Italian subtitles)

Salzburg Festival, 2015 (Adam Plachetka, Martina Janková, Anett Fritsch, Luca Pisaroni; conducted by Dan Ettinger; no subtitles)

Tosca

Carmine Gallone studio film, 1956 (Franca Duval dubbed by Maria Caniglia, Franco Corelli, Afro Poli dubbed by Giangiacomo Guelfi; conducted by Oliviero de Fabritiis; no subtitles)

Gianfranco de Bosio film, 1976 (Raina Kabaivanska, Plácido Domingo, Sherrill Milnes; conducted by Bruno Bartoletti; English subtitles)

Metropolitan Opera, 1978 (Shirley Verrett, Luciano Pavarotti, Cornell MacNeil; conducted by James Conlon; no subtitles)

Arena di Verona, 1984 (Eva Marton, Jaume Aragall, Ingvar Wixell; conducted by Daniel Oren; no subtitles)

Teatro Real de Madrid, 2004 (Daniela Dessí, Fabio Armiliato, Ruggero Raimondi; conducted by Maurizio Benini; English subtitles)

Royal Opera House, Covent Garden, 2011 (Angela Gheorghiu, Jonas Kaufmann, Bryn Terfel; conducted by Antonio Pappano; English subtitles)

Finnish National Opera, 2018 (Ausrinė Stundytė, Andrea Carè, Tuomas Pursio; conducted by Patrick Fournillier; English subtitles)

Teatro alla Scala 2019 (Anna Netrebko, Francesco Meli, Luca Salsi; conducted by Riccardo Chailly; Hungarian subtitles)

Vienna State Opera, 2019 (Sondra Radvanovsky, Piotr Beczala, Thomas Hampson; conducted by Marco Armiliato; English subtitles)

Ópera de las Palmas, 2024 (Erika Grimaldi, Piotr Beczala, George Gagnidze; conducted by Ramón Tebar; no subtitles)

Don Giovanni

Salzburg Festival, 1954 (Cesare Siepi, Otto Edelmann, Elisabeth Grümmer, Lisa della Casa; conducted by Wilhelm Furtwängler; English subtitles)

Giacomo Vaccari studio film, 1960 (Mario Petri, Sesto Bruscantini, Teresa Stich-Randall, Leyla Gencer; conducted by Francesco Molinari-Pradelli; no subtitles)

Salzburg Festival, 1987 (Samuel Ramey, Ferruccio Furlanetto, Anna Tomowa-Sintow, Julia Varady; conducted by Herbert von Karajan; no subtitles)

Teatro alla Scala, 1987 (Thomas Allen, Claudio Desderi, Edita Gruberova, Ann Murray; conducted by Riccardo Muti; English subtitles)

Peter Sellars studio film, 1990 (Eugene Perry, Herbert Perry, Dominique Labelle, Lorraine Hunt Lieberson; conducted by Craig Smith; English subtitles)

Teatro Comunale di Ferrara, 1997 (Simon Keenlyside, Bryn Terfel, Carmela Remigio, Anna Caterina Antonacci; conducted by Claudio Abbado; no subtitles) – Act I, Act II

Zürich Opera, 2000 (Rodney Gilfry, László Polgár, Isabel Rey, Cecilia Bartoli; conducted by Nikolaus Harnoncourt; English subtitles)

Festival Aix-en-Provence, 2002 (Peter Mattei, Gilles Cachemaille, Alexandra Deshorties, Mirielle Delunsch; conducted by Daniel Harding; no subtitles)

Teatro Real de Madrid, 2006 (Carlos Álvarez, Lorenzo Regazzo, Maria Bayo, Sonia Ganassi; conducted by Victor Pablo Pérez; English subtitles)

Festival Aix-en-Provence, 2017 (Philippe Sly, Nahuel de Pierro, Eleonora Burratto, Isabel Leonard; conducted by Jérémie Rohrer; English subtitles)

Madama Butterfly

Mario Lanfranchi studio film, 1956 (Anna Moffo, Renato Cioni; conducted by Oliviero de Fabritiis; no subtitles)

Jean-Pierre Ponnelle studio film, 1974 (Mirella Freni, Plácido Domingo; conducted by Herbert von Karajan; English subtitles)

New York City Opera, 1982 (Judith Haddon, Jerry Hadley; conducted by Christopher Keene; English subtitles)

Frédéric Mitterand film, 1995 (Ying Huang, Richard Troxell; conducted by James Conlon; English subtitles)

Arena di Verona, 2004 (Fiorenza Cedolins, Marcello Giordani; conducted by Daniel Oren; Spanish subtitles)

Sferisterio Opera Festival, 2009 (Raffaela Angeletti, Massimiliano Pisapia; conducted by Daniele Callegari; no subtitles)

Vienna State Opera, 2017 (Maria José Siri, Murat Karahan; conducted by Jonathan Darlington; no subtitles)

Wichita Grand Opera, 2017 (Yunnie Park, Kirk Dougherty; conducted by Martin Mazik; English subtitles)

Teatro San Carlo, 2019 (Evgenia Muraveva, Saimir Pirgu; conducted by Gabriele Ferro; no subtitles)

Rennes Opera House, 2022 (Karah Son, Angelo Villari; conducted by Rudolf Piehlmayer; French subtitles)

[vernette]

HPMA Genderbends (in my style)

Lottie To Charlie (I just think it's cute and it fits, hehe)

Kevin To Keeva or Karen (I feel like Karen would fit better since it's a simple one) (But Keeva has the same meaning as kevin shshhs) (Gave her a low pony tail cuz he has it on his Concept art)

Robyn to Robin (Didn't have trouble with the name but did in the hairstyle 💀) ( I almost gave him the Slicked Back cough)

Ivy To...Ivy or Ivory (Ivy is already good but i also wanna change his name wwww) (Ivory means "Pale white" so it kinda fits??)

Colby and Fischer To Colbie and Fischl (Yknow why i changed it to Colbie) (As for Fischer, He just turns into the Fish instead😼)

Cassandra To Cassander ( Yes.)

Daniel To...Daniela (It's easy but effective)

Bonus! (Me and my Moot's Mcs)

@zuuzuuinky To..uh..Zoudel? (Sorry bro)

Vernette To Vernon (real)

That's all for today folks!! :D

[mezzopieno-news]

ABOLITE LE GERARCHIE IN AZIENDA: BASTA CAPI IN AXA

La filiale elvetica della compagnia assicurativa francese AXA ha eliminato dall’organigramma e dai biglietti da visita gli appellativi gerarchici e i titoli come direttore, capo o principale.

Il nuovo modello lavorativo attivo dal 2024 prevede anche che il sistema delle retribuzioni si adegui uniformando le componenti variabili per tutti i lavoratori dello stesso gruppo. “Abbiamo iniziato tempo fa a eliminare i privilegi per i quadri”, ha dichiarato la responsabile delle risorse umane, Daniela Fischer. “Non sono mai stata una sostenitrice dei titoli e degli status symbol”. Secondo Fischer, le strutture gerarchiche tradizionali “non sono più in linea con la cultura a cui aspiriamo in Axa”.

L’azienda ha ridefinito 13 livelli di responsabilità e 450 profili professionali. “Dobbiamo ancora migliorare le definizioni: in alcuni profili c’è ancora troppo del vecchio mondo”, ha spiegato Fischer. Su 4.200 dipendenti: “L’abolizione dei titoli si inserisce in un mondo dell’impiego in rapida evoluzione e apre nuove possibilità organizzative”. L’obiettivo della compagnia assicurativa è un’organizzazione del lavoro in cui tutti si incontrano da pari a pari e in cui tutti i dipendenti possono apportare il loro contributo, indipendentemente dalla loro posizione. La responsabilità viene distribuita in modo più equo e su più persone e i singoli team e il personale avranno un potere decisionale molto maggiore rispetto al passato, ridefinendo i processi creativi e motivazionali. “Dei 4.200 dipendenti dell’azienda, solo quattro non hanno ancora firmato il nuovo contratto di lavoro”, afferma Fischer con orgoglio.

___________________

Fonte: Blick; foto di Pixabay

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Se trovi utile il nostro lavoro e credi nel principio del giornalismo costruttivo non-profit | sostieni Mezzopieno

[trastornadosrevista]

EL LINE UP DEL QUILMES ROCK 2025 SIGUE CRECIENDO

UN LINE-UP IMPACTANTE

Quilmes Rock 2025 continúa creciendo e incorporando artistas a su grilla. Ahora, se anuncian las actuaciones de No Te Va Gustar, Rata Blanca, Conociendo Rusia, El Kuelgue, La Beriso y Cruzando el Charco, para una edición que promete ser inolvidable. Como si fuera poco, también serán de la partida: A.N.I.M.A.L., Boom Boom Kid, Horcas y Silvestre y La Naranja, entre otros que también se suman a los shows ya confirmados de Andrés Calamaro, Los Fabulosos Cadillacs, Miranda!, Las Pelotas, Las Pastillas del Abuelo, Los Auténticos Decadentes, Dillom y El Mató a un Policía Motorizado. Grandes nombres de nuestra música, sin olvidar la presencia épica e histórica de Serú Girán, junto a una lista impactante de otras figuras que elevarán aún más el nivel de este festival.  

El público podrá disfrutar de presentaciones de bandas y solistas como 107 Faunos, 1915, 2 Minutos, Ainda, Barco, Benito Cerati, Bicicletas3000, Blair, Bruno Albano, Chechi de Marcos, Clara Cava, Coral, Dante Spinetta, Diosque, Doppel Gangs, El Zar, Ella Es Tan Cargosa, Eruca Sativa, Estelares, y Francisca y los Exploradores. Además, talentos emergentes y consagrados como Feli Colina, Fede Cabral, Fonso y Las Paritarias, Hipnótica, Hilda Lizarazu, Ibiza Pareo, Indios, Isla de Caras, Jacinta Fischer, Javiera Mena, Joystick, Juan Ingaramo, Juana Molina, Juliana Gattas, Jimena Gonik, Kchiporros, Koino Yokan, La Burrita Cumbión, La Chancha Muda, La Portuaria, La Valenti, Las Ligas Menores, Lisa Scha, Lobel, Los Brujos, Los Cafres, Los Pericos, Los Látigos, Los Pulpa, Los Tabaleros, Los Tipitos, Mano, Manu Torres, Manu Martínez, María Ezquiaga, Maze, Mia Folino, Mi Amigo Invencible, Mike Amigorena, Mora Fisz, Mujer Cebra, Nenagenix, Nico Cota, Nina Suárez, Odd Mami, Onoff, Pacífica, Paul Higgs & Las Avispas, Pels, Pilar Gough, Potra, Rayos Láser, Richard Coleman & el Trans-Siberian Express, Rocío Igarzábal, Ryan, Santi Celli, Sakatumba, Sebastián Arpesella, Sr. Flavio y su banda, Sonic B, Turf, Uma, Un Brujo Lee-Chi, Vilma Palma e Vampiros, Viva Elástico, Virus, Walter Domínguez, Zenón Pereyra, Zoe Gotuso y Zuker XP rock nació mal se suman al anuncio del imponente line-up. Este line-up ecléctico refuerza el compromiso del Quilmes Rock de ser un punto de encuentro entre generaciones, estilos y géneros, creando un crisol cultural único en el país.  

El Quilmes Rock es reconocido como uno de los festivales de rock más grandes del país y nos llena de orgullo que sea parte de la cultura argentina, con muchísimos hitos que sucedieron en este escenario. Celebramos anunciar su regreso para abril 2025, con una grilla única con artistas de marcada trayectoria y una gran huella en la historia del rock a los que se suman las nuevas bandas y promesas que marcan tendencia. Será un festival increíble, un lugar de encuentros, entre familia, amigos y artistas, siempre disfrutando de la mejor experiencia cervecera. Estamos trabajando con el compromiso de hacer el festival más memorable y que esté a la altura de lo que el público espera de una marca como Quilmes, comentó Daniela Fux, gerente de marca Quilmes.  

PASADO, PRESENTE Y FUTURO DE LA MÚSICA  

Desde los íconos del rock nacional hasta las nuevas voces que están marcando tendencia, el festival promete momentos inolvidables para cada uno de los asistentes. Arrancó la cuenta regresiva para la vuelta del Quilmes Rock 2025. Ya tenemos confirmados la primera tanda de artistas que serán parte de la grilla y aún faltan muchísimas sorpresas por develar. Estamos frente a una nueva edición muy esperada y aclamada por el público y por nosotros. Nos llena de orgullo contar con esta talla de artistas que estamos presentando hoy, sin duda enaltecen la música. Desde marca Quilmes siempre buscamos conectar con la gente a través de sus pasiones. El festival de rock más grande del país regresa con mucha fuerza, estamos trabajando para ofrecer un festival único y memorable. Sentimos que las ganas de los fanáticos de vivir nuevamente esta experiencia se mantienen intactas, agregó Daniela Fux.  

UN FESTIVAL QUE SIGUE EVOLUCIONANDO

El Quilmes Rock 2025 no solo se destaca por su impresionante selección de artistas, sino también por su capacidad de reinventarse y sorprender año tras año. Esta edición incluirá varios escenarios que vibrarán con energía y creatividad, asegurando que cada rincón del predio esté lleno de música y vida.  

INNOVACIÓN Y CULTURA

Además de la música, el festival continuará siendo un espacio de innovación cultural. Áreas dedicadas a la gastronomía, el arte y la tecnología estarán disponibles para que los asistentes disfruten de una experiencia completa, más allá de los conciertos. Con un enfoque en la sostenibilidad y la tecnología, el Quilmes Rock 2025 buscará no solo celebrar la música, sino también fomentar un impacto positivo en la comunidad y el medio ambiente.  

UN LEGADO QUE CRECE

Desde su primera edición en 2003, el Quilmes Rock ha sido más que un festival de música; ha sido un reflejo de la cultura argentina y un punto de referencia en la escena musical mundial. La edición 2025 promete seguir construyendo sobre este legado, ofreciendo una plataforma para que artistas consagrados y emergentes compartan su arte con el mundo.  

¡NO TE QUEDES AFUERA!

Las entradas para el Quilmes Rock 2025 ya están a la venta y se espera que se agoten rápidamente. Adquirí tus abonos a través de www.enigmatickets.com y prepárate para vivir tres días de pura música, cultura y emoción en el festival que marca la historia.  

Próximo martes 8 de octubre:

- Anuncio de Line up por día

- Preventa de días individuales

Preventa exclusiva para clientes Galicia: martes 8 y miércoles 9 de octubre

¡No te quedes afuera del festival de Rock más grande del país!

[fernpapst]

Daniela Steinfeld, Linn Lühn, 1999, (Einladungskarte für Fischer´s frische Fische, Konrad Fischer Galerie, Düsseldorf, 1999) #fotodanielasteinfeld

[korrektheiten]

Ein ARD-Film zur rechten Zeit erquickt Minister und Eitelkeit

Tichy:»Das Drehbuch zu dem Film „Die Flut – Tod am Deich“ – Eine verheerende Nordseesturmflut reißt das Dorf Stegebüll ins Verderben – von Daniela Baumgärtl und Constantin Lieb, beruht auf dem 2001 im Verlag S. Fischer erschienenen Roman „Hauke Haiens Tod“ von Andrea Paluch und Robert Habeck, welches sich als Fortführung der Novelle „Der Schimmelreiter“ Der Beitrag Ein ARD-Film zur rechten Zeit erquickt Minister und Eitelkeit erschien zuerst auf Tichys Einblick. http://dlvr.it/T6GsgG «

[manusmichaschwandtfanpage]

Ähnliche Aufnahmen

Danke an Karsten Nitsch und Daniela Hillebrand

[sledujteinvalidaczsk]

SLEDUJTE~ Invalida (2023) Celý Film Online [CZ-SK] a Zdarma

Sledovat celý film Invalida (2023) Online je aktuálně nejoblíbenějším filmem na vyhledávacím webu Google. Filmy, které jsou dnes velmi vyhledávané milovníky filmů, filmy, které je zábavné sledovat o víkendech s rodinou, přáteli a přítelkyněmi. Chcete-li se zbavit nudy, která se vám stane po únavě z práce.

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Sledovat online : Invalida (2023)

Stažení : Invalida (2023)

Další název: Invalida Žánr: Komedie, Drama, Země: Spojené státy americké Premiéra v ČR: 2023-02-09 Délka: 108 min. hraje: Gregor Hološka, Zdeněk Godla, Helena Krajčiová, Sandra Ľasková, Oľga Belešová, Ivo Gogál, Daniel Fischer, Patrik Vrbovský, Sáva Popovič, Sväťo Malachovský, Majk Spirit, Jevgenij Libezňuk, Klára Melíšková, Martin Šalacha, Peter Šimun, Vladimír Zboroň, Daniela Gudabová, Denisa Juhos, Tadeáš Bolo, Fabián Sléz, Jozef Sléz, Obsah filmu Invalida: Divoké devadesátky. Šusťákové soupravy, pestrobarevná saka, velké magnetofony, videopřehrávače, kýčovitá dancefloor hudba, videopůjčovny na každém kroku, nové společenské poměry, záplava různých podvodníků, začínající organizovaný zločin a s ním spojené násilí a korupce. V tomto čase a prostředí anonymního slovenského maloměsta se odehrává příběh Laca Hundera – údržbáře v muzeu, který je hrdý na svou práci, ale kvůli své cholerické povaze se ocitne v nesprávném čase na nesprávném místě. Kroky ke stažení filmů * Můžete navštívit webové stránky prostřednictvím odkazů, které jsme poskytli následovně: povodeň * Navštivte stránky, které již doporučujeme a vyhledejte film, který chcete sledovat a stahovat. Pro zjednodušení můžete použít funkci vyhledávání. * Po nalezení filmu, který se vám líbí, klikněte na kartu Hry. Pokračujte v stahování hrozby „Invalida“ a stáhněte film do požadované kvality. Viz obrázek, aby bylo jasnější. Klíčová slova Invalida celý film zdarma ke shlédnutí, Invalida cz dabing online ke shlednuti, Invalida Filmy Česky a Zdarma, Invalida online ke shlednuti, Invalida Informace o filmu, Invalida online cely film, Invalida Sleduju Online, Invalida online bombuj, Invalida online, Invalida online film cz, Invalida Bombuj, Invalida bombuj cz,

[ffw-balbersdorf-habersdorf]

Generationenwechsel bei der freiwilligen Feuerwehr Balbersdorf-Habersdorf

Am 07.01.2023 fand im Gasthaus Luger die Jahreshauptversammlung der freiwilligen Feuerwehr Balbersdorf-Habersdorf statt. Hier standen nach 6 Jahren die Neuwahlen auf der Tagesordnung, weshalb sich neben Bürgermeister Josef Ederer auch KBM Hans Hochmuth, KBI Marco Greil und KBR Mike Stahl die Ehre gaben. Zunächst gaben 1. Vorstand Rita Wagner und 1. Kommandant Christian Lehner einen Rückblick auf das vergangene Jahr, das besonders für die Kommandanten von den Arbeiten rund um das neue Feuerwehrfahrzeug geprägt war. Das Ergebnis unzähliger Stunden kann sich sehen lassen, das neue TSF-Logistik wurde im Verein begeistert in Empfang genommen. Ein Highlight im Vereinsleben war darüber hinaus die erste balbersdorfer Dorfweihnacht, die eine Spende von über 2.000€ an die Kinderkrebshilfe ermöglichte. Anschließend ging mit dem emotionalen Jahresrückblick des Jugendwarts Tobias Frank eine Ära zu Ende. 12 Jahre lang hatte er mit Unterstützung seines Teams die Geschicke der Balbersdorfer Jugendtruppe geleitet und sie bis in die Top drei des bayerischen Landesentscheids geführt - ein unglaublicher Erfolg. Es folgte die Neuwahl der beiden Kommandanten, sowie der Vorstandschaft. Hier ergab die Wahl eine gelungene Mischung aus langjährig bewährten, sowie vielen neuen Gesichtern: 1. Kommandant: Steininger Harald2. Kommandant: Lehner Christian1. Vorstand: Frank Christoph2. Vorstand: Frank Markus1. Kassier: Heller Anica2. Kassier: Frank JohannSchriftführer: Kessler MagnusKassenprüfer: Fischer Daniela, Steininger HaraldGerätewart: Wagner Florian, Stückl WolfgangFrauenbeauftragte: Frank GeorgineJugendwart: Fischer ThomasBeisitzer: Frank Tobias, Wagner Rita

[cowplantseed]

just found out my school gives us photoshop with our school emails. here’s a little bit of messing around as i remember what i learned in my high school digital arts and tech photography classes. the flowers were found here

[princesssarisa]

Opera on YouTube 3

Il Barbiere di Siviglia (The Barber of Seville)

Mario Lanfrachi studio film, 1965 (Sesto Bruscantini, Valeria Mariconda, Ugo Benelli; conducted by Alberto Zedda; no subtitles)

Jean-Pierre Ponnelle studio film, 1974 (Hermann Prey, Teresa Berganza, Luigi Alva; conducted by Claudio Abbado; English subtitles)

New York City Opera, 1976 (Alan Titus, Beverly Sills, Henry Price; conducted by Sarah Caldwell; English subtitles)

Arena Sferisterio, 1980 (Leo Nucci, Marilyn Horne, Ernesto Palacio; conducted by Nicola Rescingo; no subtitles)

Teatro Real de Madrid, 2005 (Pietro Spagnoli, Maria Bayo, Juan Diego Flórez; conducted by Gianluigi Gelmetti; Arabic subtitles)

Teatro la Fenice, 2008 (Roberto Frontali, Rinat Shaham, Francesco Meli; conducted by Antonino Fogliani; Italian subtitles)

Royal Opera House, Covent Garden, 2009 (Pietro Spagnoli, Joyce DiDonato, Juan Diego Flórez; conducted by Antonio Pappano; English subtitles)

Vienna State Opera, 2019 (Rafael Fingerlos, Margarita Gritskova, Juan Diego Flórez; conducted by Evelino Pidó; English subtitles)

Arena di Verona, 2022 (Leo Nucci, Nino Machaidze, Dmitry Korchak; conducted by Daniel Oren; English subtitles)

Garsington Opera, 2023 (Johannes Kamler, Katie Bray, Andrew Stenson; conducted by Douglas Boyd; English subtitles)

Rigoletto

Wolfgang Nagel studio film, 1977 (Rolando Panerai, Franco Bonisolli, Margherita Rinaldi; conducted by Francesco Molinari-Pradelli; Japanese subtitles)

Metropolitan Opera, 1977 (Cornell MacNeil, Plácido Domingo, Ileana Cotrubas; conducted by James Levine; no subtitles)

Metropolitan Opera, 1981 (Cornell MacNeil, Luciano Pavarotti, Christiane Eda-Pierre; conducted by James Levine; no subtitles)

Jean-Pierre Ponnelle film, 1982 (Ingvar Wixell, Luciano Pavarotti, Edita Gruberova; conducted by Riccardo Chailly, English subtitles)

English National Opera, 1982 (John Rawnsley, Arthur Davies, Marie McLaughlin; conducted by Mark Elder, sung in English)

La Monnaie, Brussels, 1999 (Anthony Michaels-Moore, Marcelo Álvarez, Elizabeth Futral; conducted by Vladimir Jurowski; no subtitles)

Arena di Verona, 2001 (Leo Nucci, Aquiles Machado, Inva Mula; conducted by Marcello Viotti; Italian subtitles)

Zürich Opera house, 2006 (Leo Nucci, Piotr Beczala, Elena Mosuc; conducted by Nello Santi; no subtitles)

Paris Opera, 2016 (Quinn Kelsey, Michael Fabiano, Olga Peretyatko; conducted by Nicola Luisotti; English subtitles)

Teatro Massimo, 2018 (George Petean, Ivan Ayon Rivas, Grazia Schiavo; conducted by Stefano Ranzani; English subtitles)

Così Fan Tutte

Vaclav Kaslik studio film, 1969 (Gundula Janowitz, Christa Ludwig, Luigi Alva, Hermann Prey; conducted by Karl Böhm; English subtitles)

Jean-Pierre Ponnelle studio film, 1988 (Edita Gruberova, Delores Ziegler, Luis Lima, Ferruccio Furlanetto; conducted by Nikolaus Harnoncourt; English subtitles) – Act I, Act II

Teatro alla Scala, 1989 (Daniela Dessì, Delores Ziegler, Josef Kundlak, Alessandro Corbelli; conducted by Riccardo Muti; Italian subtitles) – Act I, Act II

Théâtre du Châtelet, 1992 (Amanda Roocroft, Rosa Mannion, Rainer Trost, Rodney Gilfry; conducted by John Eliot Gardiner; English subtitles)

Vienna State Opera, 1996 (Barbara Frittoli, Angelika Kirschlager, Michael Schade, Bo Skovhus; conducted by Riccardo Muti; English and Italian subtitles)

Teatro Comunale di Ferrara, 2000 (Melanie Diener, Anna Caterina Antonacci, Charles Workman, Nicola Ulivieri; conducted by Claudio Abbado; no subtitles)

Zürich Opera House, 2000 (Cecilia Bartoli, Liliana Nikiteanu, Roberto Saccá, Oliver Widmer; conducted by Nikolaus Harnoncourt; no subtitles) – Act I, Act II

Opera Lyon, 2007 (Maria Bengtsson, Tove Dahlberg, Daniel Behle, Vito Priante; conducted by Stefano Montanari; French subtitles)

Salzburg Festival, 2009 (Miah Persson, Isabel Leonard, Topi Lehtipuu, Florian Boesch; conducted by Adam Fischer; English subtitles)

Zürich Opera House, 2009 (Malin Hartelius, Anna Bonitatibus, Javier Camarena, Ruben Drole; conducted by Frans Welser-Möst; English subtitles)

Aïda

San Francisco Opera, 1981 (Margaret Price, Luciano Pavarotti; conducted by Luis Garcia Navarro; no subtitles)

Metropolitan Opera, 1985 (Leontyne Price, James McCracken; conducted by James Levine; English subtitles) – Act I, Act II, Act III, Act IV

Teatro alla Scala, 1986 (Maria Chiara, Luciano Pavarotti; conducted by Lorin Maazel; English subtitles)

Metropolitan Opera, 1989 (Aprile Millo, Plácido Domingo; conducted by James Levine; English subtitles)

Teatro Comunale di Busseto, 2001 (Adina Aaron, Scott Piper; conducted by Massimiliano Stefaneli; Italian subtitles)

St. Margarethen Opera Festival, 2004 (Eszter Szümegi, Konstantin Andreev; conducted by Ernst Marzendorfer; English subtitles)

Metropolitan Opera, 2012 (Liudmyla Monastyrska, Roberto Alagna; conducted by Fabio Luisi; Russian subtitles)

Tbisili State Opera, 2017 (Maqvala Aspanidze, Franco Tenelli; conducted by Marco Boemi; Russian subtitles)

Teatro Colón, 2018 (Latonia Moore, Riccardo Massi; conducted by Carlos Vieu; Spanish subtitles)

Teatro la Fenice, 2019 (Roberta Mantegna, Francesco Meli; conducted by Riccardo Frizza; French subtitles)

[selene-bathory]

Photo by Daniela Fischer