#dan tetsell

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[dailyngo-blog]

...I'm sorry, check in's closed. Ferry's ready to depart.

[thekenobee]

Margaret Cabourn-Smith - Feliz Navidad from Dan Tetsell on Vimeo

[quotesfrombooksandstuff]

Rudy’s Rare Records - Goths

Goths come from all races and religions--except Buddhists; they've got no hair to back-comb.

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Tasha; Danny Robbins, Dan Tetsell; Rudy's Rare Records; Take Me Home, Country Roads

[kingsnorthlobotomy]

Dan Tetsell: Sins of the Grandfathers (Fan Edit)

This is a fan edit of Dan Tetsell's "Sins Of The Grandfathers" to bring it down to the regular Radio 4 comedy half hour format.

https://www.4shared.com/mp3/dOEWVoNKei/01_Sins_of_the_Grandfathers__F.html

To my suprise editing the play down by 50% really changes the tone. Here is the orignal play as broadcast:

https://www.4shared.com/mp3/BmacaR7Oca/01_Sins_of_the_Grandfathers.html

If you have the time, listen to them both and tell me which one you think is better.

Then visit:

http://www.tetsell.com/

[confettihipster]

dan tetsell’s thread about hollyoaks props is really worth reading. there is a picture towards the end of bk with a bottle of rose in his back pocket which is a huge mood always 

[belleandkurtbastian]

In the current climate, I don’t think childish insults like this help frankly. pic.twitter.com/0QAvOa2nHb

— Dan Tetsell (@tetsell) April 10, 2020

[londontheatre]

LtoR James Dutton and George Kemp. The Wipers Times-Photographer Philip Tull

The First World War news-sheet/magazine “The Wipers Times” was a kind of “Private Eye” for the trench wallah, a prequel-Viz for the Kitchener Kids, a “Punch” for Tommy Atkins but, as is suggested in the text of this show, a “Punch” that is actually funny. The “Private Eye” analogy is apposite, of course, as the play The Wipers Times is co-written by long-time editor of that august organ, Ian Hislop, and its evergreen, award-winning cartoonist, Nick Newman.

Hislop discovered the long-forgotten “Wipers Times” whilst researching a historical documentary and there began a fifteen-year peregrination to reach, finally, journey’s end here at the Arts Theatre. Initially a film treatment, the writers had so many rejections that they decided to write it as a stage play.

Part-way through this they were suddenly contacted by the BBC who commissioned a 90-minute film as part of the Great War anniversary programming in 2014. So with audience acclaim, nominations and awards in their old kit-bag they hitched it on again and, with 100-year-old trench humour ringing in their ears, they returned to write their play. I’m glad they did.

Like the original editors of “The Wipers Times” Hislop and Newman have to tread a fine line between humour and tragedy, telling the jokes, cocking the snooks, indulging the comedy routines whilst respecting the dignity, commemorating the lives and saluting the memory of the fallen of the Great War – all 17 million of them. They achieve this and thus we have a play that is funny and sad, whimsical and true, thoughtful and uplifting. And to make all this happen we have an outstanding cast who draw us in, take us back, entertain us like the troops were entertained and provide grist for the ponder-mill whilst the events of 1916 are still very, very scary. The result is a careful melange of gas and gaiters, music hall meets muck and bullets, and Variety is, perhaps, the spice of death.

Wise-cracking, brass-needling, loveably rakish Captain Fred Roberts, editor of the paper, is played with great empathy by James Dutton. Exquisite comic timing combined with a feel for the common touch get us all on his side from the get-go. His puns and asides and his not-quite- insubordination are furnished with a deft touch by Dutton who gives the impression he’s got a wonderful secret that he wants to share with everyone – except for the brass hats. Captain Roberts is aided and abetted in his war within a war by Lieutenant Jack Pearson, deftly played by George Kemp. Kemp is one of those unselfish actors who underplays his own performance to enhance the roles of others – particularly Captain Roberts in this instance. He is a calming influence under fire – real and manufactured by the powers that be – and he is the necessary check on the more provocative ideas of his Captain. This is a subtle and refined performance by Kemp – a virtuoso foil to Dutton’s Captain Roberts – and together they make an admirable double-act.

In a male dominated play we have a scattering of nurses, an alluring Madame Fifi (Clio Davies) and Roberts’s wife Kate, acted with mesmeric charm by Emilia Williams. As well as her beautifully haunting song, Williams give us a sympathetic and welcome insight into how the home fires were kept burning, with her chicken pun showing just how her husband’s slightly dodgy humour had rubbed off on her.

How do you make the words from a hundred-year- old trench newspaper come alive on stage? You can’t just read them out for the length of the show so the rest of this excellent cast of cannon fodder make frequent visits to Vaudevillia to illustrate the songs, the poems, the letters, the cod war correspondents, the armchair commentators and the sharp satirical depictions of life at the front for the ordinary soldier. These cocksure and colourful interludes bring “The Wipers Times” to life and is a clever way of communicating its unpretentious ethos to the modern audience. This gallant troupe of troopers is expansively directed by Caroline Leslie who has a real feel for the history of the piece. She is ably assisted by James Smith’s evocative lighting design and an excellent soundscape by Steve Mayo. Dora Schweitzer’s engaging and functional set design serves the production well and Leslie’s decision to accompany the frequent but polished scene changes with songs by the cast as they go about their business is a masterstroke. I was a little worried though when clouds of dust and plaster fell from on high, that we might be re-experiencing the ceiling shenanigans that unfortunately befell the Apollo Theatre in 2013. Happily it was staged.

LtoR James Dutton, George Kemp, Kevin Brewer, Peter Losasso, Jake Morgan, Sam Ducane ,Dan Tetsell.The Wipers Times Photographer Philip Tull

Ultimately, what we have here is a well-researched and highly informative historical document that can take its richly-deserved place alongside R.C. Sherriff’s Journey’s End, arguably the greatest war play ever written, as an invaluable resource for all those who wish to find out about the Great War. It seems appropriate that Sherriff was a contributor to The Wipers Times, though his fame lived, and still lives, long after the war, unlike the paper’s leading lights. Hislop and Newman have ensured, I believe, that the forgotten editors of “The Wipers Times”, Captain Fred Roberts and Lieutenant Jack Pearson, along with all the contributors, should for ever be remembered.

Besides that The Wipers Times is a lovely play in its own right – and I count myself lucky to have been in the audience on World Theatre Day.

Review by Peter Yates

Ian Hislop and Nick Newman’s The Wipers Times – a stage adaptation of their award-winning BBC film – tells the true and extraordinary story of the satirical newspaper created in the mud and mayhem of the Somme, interspersed with comic sketches and spoofs from the vivid imagination of those on the front line.

Ian Hislop and Nick Newman said: “We thought it would all be over by Christmas – but we are delighted that following a sell-out tour, The Wipers Times continues with a run at the Arts Theatre. A hundred years after World War 1, London audiences will have a chance to see this forgotten true story about a satirical trench newspaper and discover that the black humour of The Wipers Times is still remarkably fresh, funny and poignant. We are thrilled that it ‘s not going to be all quiet on the West End Front…”

In a bombed out building during the First World War in the Belgian town of Ypres (mispronounced Wipers by British soldiers), two officers discover a printing press and create a newspaper for the troops.

Far from being a sombre journal about life in the trenches they produced a resolutely cheerful, subversive and very funny newspaper designed to lift the spirits of the men on the frontline.

Defying enemy bombardment, gas attacks and the disapproval of many of the top Brass, The Wipers Times rolled off the press for two years and was an extraordinary tribute to the resilience of the human spirit in the face of overwhelming adversity.

The production takes place one hundred years after the Battle of the Somme and publication of The Wipers Times.

The cast includes Kevin Brewer (Henderson), James Dutton (Roberts), George Kemp (Pearson), Jake Morgan (Barnes) and Dan Tetsell (General Mitford). The Wipers Times is directed by Caroline Leslie.

The Wipers Times By Ian Hislop and Nick Newman Based on a true story

Creative Team Directed by Caroline Leslie Designed by Dora Schweitzer Lighting designed by James Smith Sound designed by Steve Mayo Composer Nick Green Musical Director Paul Herbert Tuesday 21 March – Saturday 13 May 2017 http://ift.tt/14ByCrr

http://ift.tt/2fJNoOl LondonTheatre1.com

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[wellamarke]

Humans 30 Day Challenge, Day 10: Most underappreciated character

I’m a bit behind because Life, sighhh. BUT i have now crawled out from the pit of despair that was finding out about the lack of Harun in series 2 in order to bring you my most underappreciated character, which issss:

the Persona Salesman, seen in episode 1!

Played by the wonderful Dan Tetsell, and winker of many winks, this guy is actually the person who brought our core families together - just think, if he had brought out another synth, and Mia had gone to any other random family without a genius daughter to make her root code available to Max and Leo……they might still be looking for her today!! 

And to think, we don’t even know his name…

I’m going to arbitrarily and totally randomly, name him Carl Martin. Henceforth when I refer to ‘Carl Martin’ this is who I mean. Persona sales guy. This name has no affiliation to…..anything…….at all……….. 

I won’t even start on “I hope he’ll be in series 2″ because today is NOT my day in that respect!! 

But yes. I appreciate this man for the persuasive way in which he persuaded Joe to buy a synth, and also for choosing Anita. (I don’t so much appreciate him giving Joe the means to unlock the 18+ programming, but for the purpose of this post I’ll overlook it.) 

[forgottenbones]

Episode 4 of AIOTM is a Halloween special. Rich speculates that his comedy might be written by aliens, whilst Emma talks about the rats in her tree. Dan admits that his skills as an impressionist are limited, and Christian has been having some troubles at an agricultural college. With guests including AA Gill, Derek Acorah and the ghost of Michael Jackson. It's spooktacular, isogamous, and supports the postal strike with some reservations.