#dadsploitation

[t3r4t0m4]

Sam Spruell mutuals, you guys are sleeping on Taken 3. Yeah sure, it's a dadsploitation nothing-film where Sam gets like less than 15 minutes of screen time,, but waiting till the end and getting to see him fire off an assault rifle in nothing but a white unbuttoned shirt and briefs and nothing else is sooooo worth it, trust

[abitterlifethroughcinema]

                                            “Villains of Verano”

                    WOKE! Film Reviews for a Hot Time in the City

                                                          by                                    

                                              Lucas A Cavazos

No summer cinema season is complete without some bad guys and gals to muck things up oh just so right. These three films have just hit our movie screens, and while they don’t necessarily run circles round a boogeyman, they surely do make it easy to despise a few characters. Let’s

Once Upon a Time in Hollywood #### Quite likely one of the finest films I’ve seen all year, Quentin Tarantino’s latest film burst into Spanish cinemas this week, and I do declare that this is perhaps some of the most fun he has had making one of his celluloid, revenge opuses in years. Why, you ask? Because he gets to return to the envisioned Hollywood of his childhood and in this way, we the viewers get to escape into an idealised late 60s Los Angeles. Starring Leo DiCaprio, who plays former TV Western actor Rick Dalton, as well as, Brad Pitt as his stalwart driver and stunt double, Cliff Booth, director Tarantino takes us into the hills to his Cielo Drive home and lets comical magic just flow. What we then learn is that his next door neighbours are Roman Polanski and his young actress and beautiful wife, Sharon Tate, played to utmost perfection by my newest fave actress over the last few years, Margot Robbie. It is certainly important to state that Tarantino more than takes his time giving us plenty to think about. I’ve heard that DiCaprio would not permit workers on set to look him in the eyes, even when speaking to him…only other actors of his ilk. If that is so, and it likely is, fuck him, but boy does the director do his fair job making us look at our own desperate attempts to not be left stuck in the past when we so want to be relevant in the here and now. DiCaprio plays this fear to utter success and there are so many joyously hilarious scenes that should earn him a spot on actors’ awards lists later this year, assuredly. But it’s the scenes with Pitt as Cliff that engage us and ingratiate us more into the goings-on of the time and just how easily Tarantino starts to play historian and detailing the scenes of US-American life via California, long before it was a Democratic/liberal haven. Using Pitt in his car, we meet some of the guys and gals that were clamouring together at the Spahn Ranch, and we even meet Charlie Manson for a quick spell. And one gets roused by the way Tarantino also tips his hat to filmmakers of yesteryear, players like Sergio Leone or the silly minds behind Sharon Tate’s film Wrecking Crew, nothing lost on me, and he paints a picture that definitely comes across as nostalgia gone all-too-real. When the finale presents itself, and it does so on an evening that hints at incorporating a good time and all next to Polanski’s compound, we kind of know what we are in for, but naturally Tarantino loves to paint history to his own liking. We then determine who lives on and who doesn’t. One thing should be known: Tarantino and his oeuvre will continue to live on proudly…Loves!

Cold Pursuit ###  Oh Liam Neeson, we verily know thee…If you think that this is just another over-55/60 year-old, angry dad getting revenge movie that the actor’s been so famous for the last decade, you’d be right. If you think that this may be the last in the tired genre that he can possibly eke out to moderate success, you’d also be very correct! As it stands now, the film which cost roughly $60 million to make has only recuperated $75 million in its worldwide box office. Let it be known that a film, in order to be considered financially successful, in this millennial digi-age in which we live, a film must garner two-and-a-half to three times more than its total budget. To have a varied cast that also includes Laura Dern as Neeson’s wife, as well as, TV faves Emmy Rossum and Tom Bateman, you certainly lack not for having a set of decent, emotionally-charged actors. The challenge with this hopefully last of the Livid & Vengeful Neeson series is that we dive so quickly and head-long into his pursuit of the band of no-goodniks who attacked his family and thereby set off the action which the film follows. Norwegian film director Hans Petter Moland remakes his own film from five years back, merely changing the main character’s name from Nils Dickman to Neeson’s Nels Coxman. Phallic naming aside, the film’s Denver setting does little to paint a picaresque action film and instead, stays true to the Neeson theme of late, pursuing him as he pursues those responsible for his family member’s demise until he slowly makes his way to the top drug lord. How this ski-lift plow man has the skills to bust up a ring like this and simply murder away is beyond anyone, except perhaps the Native Americano thugs thrown in for, I suppose, PC measure although that falls flat. In the end, what we get is a sometimes engaging, sometimes too formulaic film and a pile of mob boss and Native American villains do nothing to enhance the fun. Over it…NEXT!

Fast & Furious Presents Hobbs and Shaw ###-1/2… Say what you will about this interminable franchise as one must certainly have an opinion about this modern testosterone putz-fest by now, but man alive, do they serve up incredible, often impeccable, action sequences that either keep you at the edge of or throw you right the hell off of your seat. A couple of flicks ago, we had to say our goodbyes to poor Paul Walker after his uncannily and ill-fated final car ride demise. Since then, the last F&F was a sad complaint of a film, cast members had a series of rows and since Dwayne Johnson is also a businessman, his smart self decided to screw over shmuck Vin Diesel and silly-ass Tyrese and buddy up with charming Brit Jason Statham and POOF!... another branch of the series is born! This time around, we focus on a more comical, emotional and familial Hobbs and Shaw as, early on, we see a split-screen sequence between their US/UK lives, but soon enough after that, the action gets legit lit when we’re introduced to Shaw’s sister and criminal Hattie (Vanessa Kirby) who has been in possession of a fast-acting super-virus which can jelly one’s guts instantly. Throw in eye candy delight Idris Elba and a Robin Hood-esque attempt at “saving humanity’ from the spread of this virus only serves to boost the action and fun when we realise we’re also up against a real villain of verano, which in this case is a big tech demon called Etheon. As all my readers know, I despise spoilers so all I can say is that, even when the film cuts to a boring scene or two, it is the symbiotic nature and wittiness between the main characters that keep you smiling and highly convinced that F&F should be put to rest please and the mid-life crises adventures of Hobbs and Shaw should slide easily into its place…perhaps served up with non-stop celeb cameos and hot cars as always.

[talkingpitures2020]

Taken 2 just doesn’t have a character arc. The only thing that changes about Brian is he goes from slightly surprised and concerned about Kim having a boyfriend to standoffish but bemused.

Kim passing her driving test is more of a character journey - at least it has something to do with the film we just watched!

Oh, Taken. You silly thing you.

[fantastica-daily]

Nobody (2021) Movie Review

Dadsploitation may have begun with Charles Bronson as Death Wish's pissed-off pop in the early 70s. The tradition continued into modern times when Liam Neeson made box office bank on his endless parade of action flicks featuring a dad who kicks major ass to protect his family. But Bob Odenkirk and director Ilya Naishuller have something slightly different and infinitely more enjoyable in Nobody.

First of all, Odenkirk is just plain likable. Even as Saul Goodman, the oily attorney in ‘Breaking Bad’ (and the spinoff, ‘Better Call Saul’), he’s someone you root for even when he’s being dastardly. Secondly, Naishuller knows how to make imagery pop to dazzling heights while keeping a thin plot from seeming as threadbare it is. Add the dad’s dad – Christopher Lloyd as a seemingly frail ex-military badass – and you’ve got gold like nobody’s business. Oh, and did I mention it’s funny? Not a comedy, but the humor feels organic to the beat-down fable. The whole affair is a macho, over-the-top Sin City meets suburbia revenge fantasy.

That’s not to say Nobody is perfect. I may watch it one more time, but it’s not a buy-the-special-edition-Blu-ray keeper. And the choice to use quirky ballads or/and bubbly pop tunes against gritty violence set-pieces has been done to death.

Overall, Nobody is a popcorn flick that’s meant to entertain for 90 minutes – and it does just that.

-- Staci Layne Wilson

[talkingpitures2020]

Dadly and deadly are only one letter apart

Jon as we watched 3 Days to Kill

[talkingpitures2020]

Interesting read on the potential return of blockbuster violence