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The Life "Strong Spirits" released May 24, 2023 via Music Website (@musicwebsiteblog)
Stream: ffm.to/the-life-strong-spirits.KAE
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#y2k alternative#rock#rock music#indie rock#indie music#the ion pack#ionized#Curtis Everett Pawley#Ion Tracks#Music Website#debut#new music#new indie#new york#nyc#Bandcamp#Youtube#The Life#indie sleaze#dimes square#remix#Curtis Pawley#The 1975#matty healy#Strong Spirits#Grace#Vitesse X#Spotify
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Fresh Pressed: FCUKERS Release Party This is Fresh Pressed, in which photographer Matt Weinberger takes us inside some of the rawest moments happening in NYC and beyond. Fresh Pressed is all about encountering the juicy ideas, aesthetics and people shaping culture through the lens of the city's many creative scenes.FCUKERS Release Party @ Baby's All Right (3/31)FCUKERS just dropped their debut tracks, having put out two new songs, "Mothers" and "Devils Cut." FCUKERS is a three piece band consisting of Shannon Wise on vocals, Ben Scarf on Drums and Jackson Walker Lewis on the Bass and Keys (as well as production). The band recorded the singles at Jackson’s house, and then Ivan Berko mixed the songs at his apartment in Chinatown. They debuted their two now released songs plus a few other unreleased tracks in an absolutely electric live performance pumping up the whole room at Baby’s All Right. The heart-pounding beats of Ben’s Drums and mesmerizing, silvery voice of Shannon brought the crowd into a frenzy. Jackson, who is largely known throughout the downtown NYC scene as a talented DJ, general heart throb, and experienced party thrower, carried the bass line and tapped the keys with the ultimate amount of steez. Everyone seemed to be loving the whole experience. Some of the band's main influences include Fatboy Slim, early Daft Punk, French house, Todd Edwards, Madchester and 90s classic house music. FCUKERS seemed to pop out of nowhere but it seems like their momentum will keep on pumping. This is definitely a band whose journey is worth watching. Take a listen, but be careful, you may just fall in love.Neverland Digital’s Medusa’s Ball (3/25)NYC art/music house and creative agency Neverland Digital (Nora Luciano, Elsie Drew and Ester Shmulyian) hosted Medusa’s Ball at BAF Art Gallery, where guests and collaborators all came together to party like the gods. The event was thrown in honor of Medusa, with 10 visual artists tasked with creating and presenting work inspired by Medusa’s famous story. The group show featured a 30-foot glowing snake in the middle of the room, projection work, interactive pieces, photography and paintings, all created by local artists. They also presented live music, opening up with refreshing jazz by Wayne Tucker and Addison Frei, followed by Stew Jefe who rapped and hyped everyone up for Max Volante (producer, songwriter and instrumentalist) and his band. Max had some seriously great vibes and got the whole crowd feeling his soul as they swayed and danced around to the electric energy of his genre-bending performance.We Take Manhattan Party @ Old Flings (3/22)Organized by Allyson Camitta (aka Shallowhalo) and Charlie Baker, the We Take Manhattan party at Old Flings brought together some of the city’s most influential downtown scenesters for a night of shoulder-to -shoulder dancing and cramped but quality conversation. The event was the fourth party in the ongoing party series organized by Allyson and Charlie. The name of the party series is a reference to the Leonard Cohen song "First We Take Manhattan," which explores the idea that once one takes over Manhattan, one can take over the world. In addition to Shallowhalo and Charlie Baker DJing, Curtis Everett Pawley, aka The Life, took to the DJ booth and played a set to the delight of the audience. Shallowhalo is on tour at the moment — they just put out a new single, "Renaissance Affair," and have a single release show on April 5 at Elsewhere Zone One where Thoom and Birthday Girl will be performing and Angel Emoji will be DJing. I wouldn’t be surprised if the lyrics ring true: first they’ll take over Manhattan, then Berlin and, in no time, the world. The next We Take Manhattan party will be at The Cock on April 26.Stand Up NYC Drag Benefit @ 3 Dollar Bill (3/21)Aiding the fight against the anti-trans bills that have just been passed in Tennessee, NYC drag performer Julie J sold out the Brooklyn venue 3 Dollar Bill (in one day) for a night of community and drag. The cast included RuPaul's Drag Race current contestants and alums Marcia Marcia Marcia, Olivia Lux, Luxx Noir London and Jax as well as NYC staples Marti Gould Cummings, Rify Royalty, Janelle NO.5 and so many more fabulous talents. Elaborate costumes, riveting performances, mesmerizing hair and makeup and heart-pounding dance moves filled the night as the crowd came out to support Julie J and the wonderful cast of performers that came out to "drag out the vote." A key element of the event was to encourage everyone to register to vote so that they could have their voice heard via casting a ballot. The event felt like both a protest against anti-trans, anti-queer and homophobic legislation and a celebration of democracy. Political and community organizer Samy Nemir Olivares took the stage in between drag performances to give a speech explaining the importance of the event and why the community needs to get together and fight against harmful legislation. Proceeds from the event benefitted the ACLU of Tennessee, The Trans Formations Project and Black Trans LiberationBlack Trans Liberation. Baby's Presents SXSW NYC Beat (3/18)The NYC (and LA) music scene took over this little corner of Austin at the SXSW NYC Beat concert — presented by Baby's All Right — at popular downtown venue "The Cave and The Creek." The showcase featured two stages, both sporting incredible lineups of musicians. The indoor stage was curated by Sunflower Bean and featured sets by The Life, Strange Ranger, Thus Love, Malice K, Hello Mary, Model/Actriz and Sunflower Bean themselves. The energy inside was booming, with a mix of music industry professionals and seasoned concertgoers vibing out.Things got pretty wild in the later sets, and, by the end of the night, as Sunflower Bean took the stage, the crowd was stirring up into a bountiful mosh pit of bodies smashing into one another. The outdoor stage, curated by Perfectly Imperfect, featured sets by Eera, Mgna Crrrta, Club Eat, Damon Rush, Blaketheman1000, Snow Strippers, The Helpp and Isabella Lovestory. This side of the venue was more electronic-heavy and brought out a younger demographic of fans than those inside, with bubbly fans ripping cigarettes and jumping up and down as they popped to their favorite bops. Isabella Lovestory gave a particularly compelling performance to end the night, wrapping things up with a cherry bomb bang. The Helpp is no easy act to follow but Isabella managed to go beyond holding her own, delivering what felt like the perfect storybook ending to a night filled with great performers.Austin Rave by 1222 BY-PRODUCT With Snow Strippers, Club Eat, Eera (3/17)The Snow Strippers may be the next big thing. The band is a duo made up of members Tatiana Schwaninger and Graham Perez. They met in Florida back in 2018 and began making music together around the end of 2021. The duo produces an electronic, icy eargasm sound, making music that makes you want to dance. This is the kind of stuff that will make you bang your head with no shame as you ride a crowded L train to work. Graham had been producing music for a number of years, while Tati had no previous experience making music before they teamed up. Despite her lack of prior experience, she has the voice of a thousand snow angels. Their live set was a fun departure from the more refined sound you might hear when streaming their music online. In concert, Tati jumped around the stage, glitching into multiple dimensions of hype and glory, pulling the whole audience into dark recesses of happiness and fun. Alongside the Snow Strippers, Club Eat and Eera also took the stage and gave solid performances, providing the concertgoers with additional icy cold, refreshing beats to enjoy.You Missed It's Backyard Bash (3/17)The Kerwin Brothers have struck again, succeeding in throwing an absolutely epic party, co-organized with the Mauri sisters, Cristina and Andrea. With backyard tattoos, unlimited booze, oil wresting, free cigarettes, and a lineup that included High, The Dallas Cowboys, May Rio, Blaketheman1000, Nite Fire, Tagabow, Hotline TNT and The Frost Children, everything was in place for an incredible night to ensue. And ensue it did. Smashing beers and taking flash pics, the crowd of mostly local college students and NY/LA weekend visitors partied harder than a school of fish during summer vacation. In NYC, it's very rare to ever get to party in a backyard, so all of the NY locals had the time of their lives. Green grass turned to mud as the crowd jumped around to the electric sets by the many talented musical acts. The Dallas Cowboys stood out for their ability to get the crowd moving, and once the crowd was going, the energy didn’t stop for the rest of the night. They say everything is bigger in Texas and that rang true for the crowd's energy. Legendary nightlife photographer Mark Hunter, aka The Cobrasnake, claimed that it was potentially in the top 10 parties he had ever been to. Yeehaw and God bless Texas!Simone Films Oscars Watch Party @ Nine Orchard (3/12)Simone Films, founded by filmmakers Rebekah Sherman-Myntti and KJ Rothweiler, is a New York-based independent entertainment company doing things unlike any other production company in NYC right now. It's known within the downtown scene as a pillar in shaping a certain subset of the creative community. The company has achieved some degree of a cult following via its exciting events and through curating other scene-centered activities such as hosting a popular actors' studio for up-and-coming talent with teachers such as Michael Imperioli, Alex Ross Perry, Dolly Wells and Peter Vack. On this particular occasion, Simone Films threw a banger of a party, with drinks flowing, an abundance of popcorn and a bumping vinyl DJ set by Billy Jones, the owner of the popular music venue Baby’s All Right. The Oscars watch party was attended by actors, directors, musicians, podcasters, art shmos, indie sleaze queens, cinephiles and a slew of other creatures of the downtown scene. Some notable attendees included Bart Cortright, Makunda Angulo, Eugene Kotlyarenko, Lotfy Nathan and Marcelo Gaia. The owner of Nine Orchard, Andy Rifkin, also pulled up to the event. One thing is clear: Simone Films knows how to bring together a large group of exciting people. It wouldn’t be a surprise if a number of the attendees are at the Oscars in a few years, rather than watching it on TV.The Twink Next Door's Party Backstage @ Dallas BBQ (3/11)Texas-sized piña coladas, glitter and faux fur were all the rage behind the scenes at The Twink Next Door’s debut NYC runway show, unveiling his new collection as a tease of what’s to come as he plans on dropping his new clothing line, TWINK, this Friday. Inspired by icons like Julia Fox, Lady Gaga and Cruella DeVille, The Twink Next Door is bringing maximalist experimental fashion to the downtown NYC scene in stride. Throwing a fun, quirky, DIY aesthetic into the Wild West that is Dallas BBQ made for an undoubtedly memorable (albeit mildly chaotic), ultimately fabulous experience. The collection ate, and so did lots of the attendees. As far as I can tell, this BBQ stood for big, bold and queenly. Those fits were royally delicious. You Missed It Party @ Baby's All Right (3/4) https://www.papermag.com/fresh-pressed-fcukers-release-party-2659589146.html
#Matt weinberger#Photography#Nightlife#Column#Baby's all right#You missed it#Fresh pressed#Club eat#Frost children#Sxsw#Anti-drag legislation#Stand up nyc#Aclu#3 dollar bill#Drag race#Rupaul's drag race#Anti-trans legislation#Trans rights#Fcukers#Matt Weinberger#PAPER
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RIP China Chalet, Manhattan's Greatest Queer Nightlife Utopia
When DJ and nightlife entrepreneur Ty Sunderland created his flagship gay party, he envisioned stripper poles—an homage to the music video for Britney Spears’ 2007 single “Gimme More.” “But no strip club was going to let a gay promoter come in on a Friday night in New York City,” Sunderland recalls. “I asked if I could install stripper poles on the dance floor at China Chalet, and they said, ‘Yeah, totally.’ That’s how Heaven on Earth started.”
One of the most beloved queer events in New York City in recent years, Heaven on Earth would also rank among the last of the great parties thrown at China Chalet, which shuttered last month in the wake of the COVID-19 pandemic. Opened in 1975, the two-story Cantonese dim sum restaurant was the last of its kind in many ways. For one, it was one of the only remaining full-service, multi-room dim sum banquet halls in the Wall Street area, but most famously, it was one of only DIY party venues in Manhattan where New York City nightlife could be everything it’s been promised to be since Studio 54: liberating, inclusive, and spontaneous.
It’s unclear when, exactly, China Chalet started moonlighting as a nightclub, even to those who worked there toward the end. (Following the venue’s closing, owner Keith Ng has declined to comment for press.) Alex Kellogg, the venue’s party booker at the time it closed, says he’d heard of parties rumored to have been thrown there by Madonna in the 80s, but that the venue’s most prolific era began in the late 2000s. In the last decade, the venue was visited by the likes of the Olsen twins, Timothée Chalamet, and Jay-Z—plus, pretty much any young person who went out in New York City.
“Anyone could come, and you could do anything you wanted,” Kellogg recalls of his first impression of the space, at a party thrown by _Sex Magazine_’s Asher Penn in 2013. “There was no one specific ‘genre’ of people. It wasn’t like when you went to a Bushwick party and you didn’t look DIY techno, so they didn’t accept you. Skaters could show up in ripped jeans, and then Alexander Wang could walk in behind them. And they’d be on the same level. Or you’d see Chloe Sevigny there, dressed in a bucket T-shirt and jeans drinking whiskey at the bar.”
Photo by Megan Walschlager
The end of the aughts was an inflection point for nightlife. As the moment of downtown stalwarts like Beatrice Inn and Bungalow 8 began to fade in 2009 amid the backdrop of the financial crisis, the city’s cool kids decamped to various new stomping grounds, from old-school holdovers like Indochine and Lucien to warehouses in far Brooklyn. In Manhattan, temporary pop-up arrangements helped party-throwers find loopholes around the city’s draconian nightlife laws.
By 2011, the New York Times waxed of China Chalet’s instantly recognizable “chintzy floral carpet and pagoda paintings” in a trend feature on fashion-and-art–scene pop-up clubs, which also included Madame Wong’s, an exclusive party once hosted in the Chinatown establishment Golden Unicorn. The same year, The Observer documented an indie film after-party at China Chalet with an attendance of “ex-pat jet setters, debauched hipsters, and local lowlifes.” And the fashion house Opening Ceremony collaborated with homegrown psych rock band Gang Gang Dance for an album release party at the restaurant.
Curtis Everett Pawley, musician and co-founder of the party-label 38 NYC, recalls seeing China Chalet for the first time at that Opening Ceremony party, noting that in the mid 2010s, the venue evolved from a fashion insider hideaway to a mainstay for local electronic music fans. In 2014, Pawley met Kellogg at the China Chalet while the latter was hosting a New York City offshoot of London’s experimental JACK댄스 party featuring performers like Doss and Stadium.
“I don’t know how to describe the scene at JACK댄스—it was just a lot of people from the internet,” Pawley says. “But it was distinctly different from a warehouse party and other electronic DJ-oriented underground stuff that happened in Brooklyn. There was a Manhattan contingency that didn’t really venture into Brooklyn or maybe weren’t even into electronic music. The crowd was more diverse.”
Part of this broad appeal had to do with the functional and physical layout of the space. For first-timers, China Chalet would reveal itself one part at a time, starting with a steep entry stairwell that led into a main dining room, for lounging and gossipping, and finally through a mirrored hallway onto a packed dance floor—which was notoriously known to shake under the weight of hundreds jumping in unison. Then, there was the venue's far-flung location, which only contributed to its off-the-grid allure. And of course, there was the marvelously relaxed policy on cigarettes and other typical club contraband.
“There was an air of freedom that everyone just instantly knew,” Pawley explains. “If you had even been there once, you understood it. It was a weird oasis away from the typical nightlife setting. Our parties were all over the map—it wasn’t ever pure techno or house. We didn’t want to overly aestheticize them to curate any certain crowd.”
Photo by Tom Keelan
In the late 2010s, such a blank canvas would attract an increasingly diverse cast of revelers, spurred on by a new guard of social media-powered creative voices in the city. Nightlife photographer Megan Walschlager recalls visiting China Chalet for the first time to attend Club Glam, the fashion it-kid affair launched in 2016 by the powerhouse collective of DJ-artist Dese Escobar and siblings, celebrity stylist Kyle Luu, and influencer Fiffany Luu. Escobar told the Times earlier this year that the trio wanted to create a party that was distinctly “post-identity, meaning that it’s not strictly queer or straight, young or old.”
“Club Glam was iconic—I remember they threw a ‘granny ball’ and people over 30 got in free, which I always found wonderfully funny,” Walschlager says, adding that there was a built-in sense of community at Glam. “People felt more at home at China Chalet because the venue let party planners use the space as their canvas, so everyone felt very relaxed. Security was pretty chill, and it was easy to get a drink at the bar, so it felt more communal.”
During its three-year reign, Club Glam was a pioneer in its own right, offering a fresh approach to nightlife that united identities and industries without conforming to their norms. Themed events were announced just a few days ahead of time, and lines frequently rounded the block. The party’s organic aggregation of interdisciplinary creatives often draws comparison to the long-gone clubs of New York City nightlife’s storied past.
The venue’s reputation in the queer community was further mainstreamed by the 2017 launch of Ty Sunderland’s Heaven on Earth, which drew the likes of RuPaul’s Drag Race winner Aquaria, Balmain creative director Olivier Rousteing, and transgender pop icon Kim Petras. (As Sunderland retells it, the latter once famously grabbed the mic for an impromptu performance of her latest single.) The party would continue through 2020, with its last iteration taking place in February.
To this day, Sunderland credits the owner, Keith Ng, for his open-mindedness in allowing the party to thrive. “From 10 p.m. to midnight, we got to live our stripper-pole fantasies—no questions asked,” Sunderland says. “There were 400 gay men there on a weekend night. That’s hard to find in New York City in most places unless they’re LGBT establishments.” Kellogg, who first introduced Sunderand to Ng, adds of the China Chalet staff: “The coat-check girls would say, ‘Oh my god—there are so many pretty boys running around.’ They loved it.”
Photo by Serichai Traipoom
For young queer people, including queer people of color, Sunderland’s party filled a much-needed void in gay nightlife far from the insularity of Hell’s Kitchen. Sunderland’s hosts were predominantly performers, artists, and partygoers of marginalized identities, explains drag queen Ruby Fox, who was known to captivate the dance floor at Heaven on Earth with an acrobatic routine between two stripper poles.
“The artistry I push out into the world comes from the emotions I pull from people around me,” Fox says. “At China Chalet, in such close quarters, it was really exhilarating because I’m getting so much energy and so many positive vibes, whether that was spiritual or just a brain thing. But I would feel the wavelengths off of people to the point where I’d be like the Energizer bunny.”
As COVID-19 brings an untimely end to tens of thousands of restaurants and bars across America, it’s hard not to feel as though a chapter of nightlife has closed. And while restaurants and other food purveyors are struggling to lobby for assistance, nightlife proprietors have even fewer options to obtain funding. That’s not to mention the thousands of freelancers and gig workers—performers, DJs, and party planners—who make their living by creating these spaces for community and expression.
“It's funny—when quarantine hit, all of us who work in live music were all stressed about how our venues were going to stay open,” Pawley remembers. “I remember thinking, ‘At least we’ll always have China Chalet.’ That’s why its closing is such a hard blow. I really thought it would be the last thing standing.”
But while China Chalet deserved a more fitting end—maybe one final party to commemorate its legacy—Pawley says what made it special is the creativity it fostered and the connections it created. “To this day, I met so many of my closest friends at China Chalet,” he says. “We’re all still friends. I really believe all the people in New York City are what made the parties great. I don’t think that energy will die.”
via VICE US - Munchies VICE US - Munchies via Mom's Kitchen Recipe Network Mom's Kitchen Recipe Network
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RIP China Chalet, Manhattan's Greatest Queer Nightlife Utopia
When DJ and nightlife entrepreneur Ty Sunderland created his flagship gay party, he envisioned stripper poles—an homage to the music video for Britney Spears’ 2007 single “Gimme More.” “But no strip club was going to let a gay promoter come in on a Friday night in New York City,” Sunderland recalls. “I asked if I could install stripper poles on the dance floor at China Chalet, and they said, ‘Yeah, totally.’ That’s how Heaven on Earth started.”
One of the most beloved queer events in New York City in recent years, Heaven on Earth would also rank among the last of the great parties thrown at China Chalet, which shuttered last month in the wake of the COVID-19 pandemic. Opened in 1975, the two-story Cantonese dim sum restaurant was the last of its kind in many ways. For one, it was one of the only remaining full-service, multi-room dim sum banquet halls in the Wall Street area, but most famously, it was one of only DIY party venues in Manhattan where New York City nightlife could be everything it’s been promised to be since Studio 54: liberating, inclusive, and spontaneous.
It’s unclear when, exactly, China Chalet started moonlighting as a nightclub, even to those who worked there toward the end. (Following the venue’s closing, owner Keith Ng has declined to comment for press.) Alex Kellogg, the venue’s party booker at the time it closed, says he’d heard of parties rumored to have been thrown there by Madonna in the 80s, but that the venue’s most prolific era began in the late 2000s. In the last decade, the venue was visited by the likes of the Olsen twins, Timothée Chalamet, and Jay-Z—plus, pretty much any young person who went out in New York City.
“Anyone could come, and you could do anything you wanted,” Kellogg recalls of his first impression of the space, at a party thrown by _Sex Magazine_’s Asher Penn in 2013. “There was no one specific ‘genre’ of people. It wasn’t like when you went to a Bushwick party and you didn’t look DIY techno, so they didn’t accept you. Skaters could show up in ripped jeans, and then Alexander Wang could walk in behind them. And they’d be on the same level. Or you’d see Chloe Sevigny there, dressed in a bucket T-shirt and jeans drinking whiskey at the bar.”
Photo by Megan Walschlager
The end of the aughts was an inflection point for nightlife. As the moment of downtown stalwarts like Beatrice Inn and Bungalow 8 began to fade in 2009 amid the backdrop of the financial crisis, the city’s cool kids decamped to various new stomping grounds, from old-school holdovers like Indochine and Lucien to warehouses in far Brooklyn. In Manhattan, temporary pop-up arrangements helped party-throwers find loopholes around the city’s draconian nightlife laws.
By 2011, the New York Times waxed of China Chalet’s instantly recognizable “chintzy floral carpet and pagoda paintings” in a trend feature on fashion-and-art–scene pop-up clubs, which also included Madame Wong’s, an exclusive party once hosted in the Chinatown establishment Golden Unicorn. The same year, The Observer documented an indie film after-party at China Chalet with an attendance of “ex-pat jet setters, debauched hipsters, and local lowlifes.” And the fashion house Opening Ceremony collaborated with homegrown psych rock band Gang Gang Dance for an album release party at the restaurant.
Curtis Everett Pawley, musician and co-founder of the party-label 38 NYC, recalls seeing China Chalet for the first time at that Opening Ceremony party, noting that in the mid 2010s, the venue evolved from a fashion insider hideaway to a mainstay for local electronic music fans. In 2014, Pawley met Kellogg at the China Chalet while the latter was hosting a New York City offshoot of London’s experimental JACK댄스 party featuring performers like Doss and Stadium.
“I don’t know how to describe the scene at JACK댄스—it was just a lot of people from the internet,” Pawley says. “But it was distinctly different from a warehouse party and other electronic DJ-oriented underground stuff that happened in Brooklyn. There was a Manhattan contingency that didn’t really venture into Brooklyn or maybe weren’t even into electronic music. The crowd was more diverse.”
Part of this broad appeal had to do with the functional and physical layout of the space. For first-timers, China Chalet would reveal itself one part at a time, starting with a steep entry stairwell that led into a main dining room, for lounging and gossipping, and finally through a mirrored hallway onto a packed dance floor—which was notoriously known to shake under the weight of hundreds jumping in unison. Then, there was the venue's far-flung location, which only contributed to its off-the-grid allure. And of course, there was the marvelously relaxed policy on cigarettes and other typical club contraband.
“There was an air of freedom that everyone just instantly knew,” Pawley explains. “If you had even been there once, you understood it. It was a weird oasis away from the typical nightlife setting. Our parties were all over the map—it wasn’t ever pure techno or house. We didn’t want to overly aestheticize them to curate any certain crowd.”
Photo by Tom Keelan
In the late 2010s, such a blank canvas would attract an increasingly diverse cast of revelers, spurred on by a new guard of social media-powered creative voices in the city. Nightlife photographer Megan Walschlager recalls visiting China Chalet for the first time to attend Club Glam, the fashion it-kid affair launched in 2016 by the powerhouse collective of DJ-artist Dese Escobar and siblings, celebrity stylist Kyle Luu, and influencer Fiffany Luu. Escobar told the Times earlier this year that the trio wanted to create a party that was distinctly “post-identity, meaning that it’s not strictly queer or straight, young or old.”
“Club Glam was iconic—I remember they threw a ‘granny ball’ and people over 30 got in free, which I always found wonderfully funny,” Walschlager says, adding that there was a built-in sense of community at Glam. “People felt more at home at China Chalet because the venue let party planners use the space as their canvas, so everyone felt very relaxed. Security was pretty chill, and it was easy to get a drink at the bar, so it felt more communal.”
During its three-year reign, Club Glam was a pioneer in its own right, offering a fresh approach to nightlife that united identities and industries without conforming to their norms. Themed events were announced just a few days ahead of time, and lines frequently rounded the block. The party’s organic aggregation of interdisciplinary creatives often draws comparison to the long-gone clubs of New York City nightlife’s storied past.
The venue’s reputation in the queer community was further mainstreamed by the 2017 launch of Ty Sunderland’s Heaven on Earth, which drew the likes of RuPaul’s Drag Race winner Aquaria, Balmain creative director Olivier Rousteing, and transgender pop icon Kim Petras. (As Sunderland retells it, the latter once famously grabbed the mic for an impromptu performance of her latest single.) The party would continue through 2020, with its last iteration taking place in February.
To this day, Sunderland credits the owner, Keith Ng, for his open-mindedness in allowing the party to thrive. “From 10 p.m. to midnight, we got to live our stripper-pole fantasies—no questions asked,” Sunderland says. “There were 400 gay men there on a weekend night. That’s hard to find in New York City in most places unless they’re LGBT establishments.” Kellogg, who first introduced Sunderand to Ng, adds of the China Chalet staff: “The coat-check girls would say, ‘Oh my god—there are so many pretty boys running around.’ They loved it.”
Photo by Serichai Traipoom
For young queer people, including queer people of color, Sunderland’s party filled a much-needed void in gay nightlife far from the insularity of Hell’s Kitchen. Sunderland’s hosts were predominantly performers, artists, and partygoers of marginalized identities, explains drag queen Ruby Fox, who was known to captivate the dance floor at Heaven on Earth with an acrobatic routine between two stripper poles.
“The artistry I push out into the world comes from the emotions I pull from people around me,” Fox says. “At China Chalet, in such close quarters, it was really exhilarating because I’m getting so much energy and so many positive vibes, whether that was spiritual or just a brain thing. But I would feel the wavelengths off of people to the point where I’d be like the Energizer bunny.”
As COVID-19 brings an untimely end to tens of thousands of restaurants and bars across America, it’s hard not to feel as though a chapter of nightlife has closed. And while restaurants and other food purveyors are struggling to lobby for assistance, nightlife proprietors have even fewer options to obtain funding. That’s not to mention the thousands of freelancers and gig workers—performers, DJs, and party planners—who make their living by creating these spaces for community and expression.
“It's funny—when quarantine hit, all of us who work in live music were all stressed about how our venues were going to stay open,” Pawley remembers. “I remember thinking, ‘At least we’ll always have China Chalet.’ That’s why its closing is such a hard blow. I really thought it would be the last thing standing.”
But while China Chalet deserved a more fitting end—maybe one final party to commemorate its legacy—Pawley says what made it special is the creativity it fostered and the connections it created. “To this day, I met so many of my closest friends at China Chalet,” he says. “We’re all still friends. I really believe all the people in New York City are what made the parties great. I don’t think that energy will die.”
via VICE US - Munchies VICE US - Munchies via Mom's Kitchen Recipe Network Mom's Kitchen Recipe Network
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RIP China Chalet, Manhattan's Greatest Queer Nightlife Utopia
When DJ and nightlife entrepreneur Ty Sunderland created his flagship gay party, he envisioned stripper poles—an homage to the music video for Britney Spears’ 2007 single “Gimme More.” “But no strip club was going to let a gay promoter come in on a Friday night in New York City,” Sunderland recalls. “I asked if I could install stripper poles on the dance floor at China Chalet, and they said, ‘Yeah, totally.’ That’s how Heaven on Earth started.”
One of the most beloved queer events in New York City in recent years, Heaven on Earth would also rank among the last of the great parties thrown at China Chalet, which shuttered last month in the wake of the COVID-19 pandemic. Opened in 1975, the two-story Cantonese dim sum restaurant was the last of its kind in many ways. For one, it was one of the only remaining full-service, multi-room dim sum banquet halls in the Wall Street area, but most famously, it was one of only DIY party venues in Manhattan where New York City nightlife could be everything it’s been promised to be since Studio 54: liberating, inclusive, and spontaneous.
It’s unclear when, exactly, China Chalet started moonlighting as a nightclub, even to those who worked there toward the end. (Following the venue’s closing, owner Keith Ng has declined to comment for press.) Alex Kellogg, the venue’s party booker at the time it closed, says he’d heard of parties rumored to have been thrown there by Madonna in the 80s, but that the venue’s most prolific era began in the late 2000s. In the last decade, the venue was visited by the likes of the Olsen twins, Timothée Chalamet, and Jay-Z—plus, pretty much any young person who went out in New York City.
“Anyone could come, and you could do anything you wanted,” Kellogg recalls of his first impression of the space, at a party thrown by _Sex Magazine_’s Asher Penn in 2013. “There was no one specific ‘genre’ of people. It wasn’t like when you went to a Bushwick party and you didn’t look DIY techno, so they didn’t accept you. Skaters could show up in ripped jeans, and then Alexander Wang could walk in behind them. And they’d be on the same level. Or you’d see Chloe Sevigny there, dressed in a bucket T-shirt and jeans drinking whiskey at the bar.”
Photo by Megan Walschlager
The end of the aughts was an inflection point for nightlife. As the moment of downtown stalwarts like Beatrice Inn and Bungalow 8 began to fade in 2009 amid the backdrop of the financial crisis, the city’s cool kids decamped to various new stomping grounds, from old-school holdovers like Indochine and Lucien to warehouses in far Brooklyn. In Manhattan, temporary pop-up arrangements helped party-throwers find loopholes around the city’s draconian nightlife laws.
By 2011, the New York Times waxed of China Chalet’s instantly recognizable “chintzy floral carpet and pagoda paintings” in a trend feature on fashion-and-art–scene pop-up clubs, which also included Madame Wong’s, an exclusive party once hosted in the Chinatown establishment Golden Unicorn. The same year, The Observer documented an indie film after-party at China Chalet with an attendance of “ex-pat jet setters, debauched hipsters, and local lowlifes.” And the fashion house Opening Ceremony collaborated with homegrown psych rock band Gang Gang Dance for an album release party at the restaurant.
Curtis Everett Pawley, musician and co-founder of the party-label 38 NYC, recalls seeing China Chalet for the first time at that Opening Ceremony party, noting that in the mid 2010s, the venue evolved from a fashion insider hideaway to a mainstay for local electronic music fans. In 2014, Pawley met Kellogg at the China Chalet while the latter was hosting a New York City offshoot of London’s experimental JACK댄스 party featuring performers like Doss and Stadium.
“I don’t know how to describe the scene at JACK댄스—it was just a lot of people from the internet,” Pawley says. “But it was distinctly different from a warehouse party and other electronic DJ-oriented underground stuff that happened in Brooklyn. There was a Manhattan contingency that didn’t really venture into Brooklyn or maybe weren’t even into electronic music. The crowd was more diverse.”
Part of this broad appeal had to do with the functional and physical layout of the space. For first-timers, China Chalet would reveal itself one part at a time, starting with a steep entry stairwell that led into a main dining room, for lounging and gossipping, and finally through a mirrored hallway onto a packed dance floor—which was notoriously known to shake under the weight of hundreds jumping in unison. Then, there was the venue's far-flung location, which only contributed to its off-the-grid allure. And of course, there was the marvelously relaxed policy on cigarettes and other typical club contraband.
“There was an air of freedom that everyone just instantly knew,” Pawley explains. “If you had even been there once, you understood it. It was a weird oasis away from the typical nightlife setting. Our parties were all over the map—it wasn’t ever pure techno or house. We didn’t want to overly aestheticize them to curate any certain crowd.”
Photo by Tom Keelan
In the late 2010s, such a blank canvas would attract an increasingly diverse cast of revelers, spurred on by a new guard of social media-powered creative voices in the city. Nightlife photographer Megan Walschlager recalls visiting China Chalet for the first time to attend Club Glam, the fashion it-kid affair launched in 2016 by the powerhouse collective of DJ-artist Dese Escobar and siblings, celebrity stylist Kyle Luu, and influencer Fiffany Luu. Escobar told the Times earlier this year that the trio wanted to create a party that was distinctly “post-identity, meaning that it’s not strictly queer or straight, young or old.”
“Club Glam was iconic—I remember they threw a ‘granny ball’ and people over 30 got in free, which I always found wonderfully funny,” Walschlager says, adding that there was a built-in sense of community at Glam. “People felt more at home at China Chalet because the venue let party planners use the space as their canvas, so everyone felt very relaxed. Security was pretty chill, and it was easy to get a drink at the bar, so it felt more communal.”
During its three-year reign, Club Glam was a pioneer in its own right, offering a fresh approach to nightlife that united identities and industries without conforming to their norms. Themed events were announced just a few days ahead of time, and lines frequently rounded the block. The party’s organic aggregation of interdisciplinary creatives often draws comparison to the long-gone clubs of New York City nightlife’s storied past.
The venue’s reputation in the queer community was further mainstreamed by the 2017 launch of Ty Sunderland’s Heaven on Earth, which drew the likes of RuPaul’s Drag Race winner Aquaria, Balmain creative director Olivier Rousteing, and transgender pop icon Kim Petras. (As Sunderland retells it, the latter once famously grabbed the mic for an impromptu performance of her latest single.) The party would continue through 2020, with its last iteration taking place in February.
To this day, Sunderland credits the owner, Keith Ng, for his open-mindedness in allowing the party to thrive. “From 10 p.m. to midnight, we got to live our stripper-pole fantasies—no questions asked,” Sunderland says. “There were 400 gay men there on a weekend night. That’s hard to find in New York City in most places unless they’re LGBT establishments.” Kellogg, who first introduced Sunderand to Ng, adds of the China Chalet staff: “The coat-check girls would say, ‘Oh my god—there are so many pretty boys running around.’ They loved it.”
Photo by Serichai Traipoom
For young queer people, including queer people of color, Sunderland’s party filled a much-needed void in gay nightlife far from the insularity of Hell’s Kitchen. Sunderland’s hosts were predominantly performers, artists, and partygoers of marginalized identities, explains drag queen Ruby Fox, who was known to captivate the dance floor at Heaven on Earth with an acrobatic routine between two stripper poles.
“The artistry I push out into the world comes from the emotions I pull from people around me,” Fox says. “At China Chalet, in such close quarters, it was really exhilarating because I’m getting so much energy and so many positive vibes, whether that was spiritual or just a brain thing. But I would feel the wavelengths off of people to the point where I’d be like the Energizer bunny.”
As COVID-19 brings an untimely end to tens of thousands of restaurants and bars across America, it’s hard not to feel as though a chapter of nightlife has closed. And while restaurants and other food purveyors are struggling to lobby for assistance, nightlife proprietors have even fewer options to obtain funding. That’s not to mention the thousands of freelancers and gig workers—performers, DJs, and party planners—who make their living by creating these spaces for community and expression.
“It's funny—when quarantine hit, all of us who work in live music were all stressed about how our venues were going to stay open,” Pawley remembers. “I remember thinking, ‘At least we’ll always have China Chalet.’ That’s why its closing is such a hard blow. I really thought it would be the last thing standing.”
But while China Chalet deserved a more fitting end—maybe one final party to commemorate its legacy—Pawley says what made it special is the creativity it fostered and the connections it created. “To this day, I met so many of my closest friends at China Chalet,” he says. “We’re all still friends. I really believe all the people in New York City are what made the parties great. I don’t think that energy will die.”
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RIP China Chalet, Manhattan's Greatest Queer Nightlife Utopia
When DJ and nightlife entrepreneur Ty Sunderland created his flagship gay party, he envisioned stripper poles—an homage to the music video for Britney Spears’ 2007 single “Gimme More.” “But no strip club was going to let a gay promoter come in on a Friday night in New York City,” Sunderland recalls. “I asked if I could install stripper poles on the dance floor at China Chalet, and they said, ‘Yeah, totally.’ That’s how Heaven on Earth started.”
One of the most beloved queer events in New York City in recent years, Heaven on Earth would also rank among the last of the great parties thrown at China Chalet, which shuttered last month in the wake of the COVID-19 pandemic. Opened in 1975, the two-story Cantonese dim sum restaurant was the last of its kind in many ways. For one, it was one of the only remaining full-service, multi-room dim sum banquet halls in the Wall Street area, but most famously, it was one of only DIY party venues in Manhattan where New York City nightlife could be everything it’s been promised to be since Studio 54: liberating, inclusive, and spontaneous.
It’s unclear when, exactly, China Chalet started moonlighting as a nightclub, even to those who worked there toward the end. (Following the venue’s closing, owner Keith Ng has declined to comment for press.) Alex Kellogg, the venue’s party booker at the time it closed, says he’d heard of parties rumored to have been thrown there by Madonna in the 80s, but that the venue’s most prolific era began in the late 2000s. In the last decade, the venue was visited by the likes of the Olsen twins, Timothée Chalamet, and Jay-Z—plus, pretty much any young person who went out in New York City.
“Anyone could come, and you could do anything you wanted,” Kellogg recalls of his first impression of the space, at a party thrown by _Sex Magazine_’s Asher Penn in 2013. “There was no one specific ‘genre’ of people. It wasn’t like when you went to a Bushwick party and you didn’t look DIY techno, so they didn’t accept you. Skaters could show up in ripped jeans, and then Alexander Wang could walk in behind them. And they’d be on the same level. Or you’d see Chloe Sevigny there, dressed in a bucket T-shirt and jeans drinking whiskey at the bar.”
Photo by Megan Walschlager
The end of the aughts was an inflection point for nightlife. As the moment of downtown stalwarts like Beatrice Inn and Bungalow 8 began to fade in 2009 amid the backdrop of the financial crisis, the city’s cool kids decamped to various new stomping grounds, from old-school holdovers like Indochine and Lucien to warehouses in far Brooklyn. In Manhattan, temporary pop-up arrangements helped party-throwers find loopholes around the city’s draconian nightlife laws.
By 2011, the New York Times waxed of China Chalet’s instantly recognizable “chintzy floral carpet and pagoda paintings” in a trend feature on fashion-and-art–scene pop-up clubs, which also included Madame Wong’s, an exclusive party once hosted in the Chinatown establishment Golden Unicorn. The same year, The Observer documented an indie film after-party at China Chalet with an attendance of “ex-pat jet setters, debauched hipsters, and local lowlifes.” And the fashion house Opening Ceremony collaborated with homegrown psych rock band Gang Gang Dance for an album release party at the restaurant.
Curtis Everett Pawley, musician and co-founder of the party-label 38 NYC, recalls seeing China Chalet for the first time at that Opening Ceremony party, noting that in the mid 2010s, the venue evolved from a fashion insider hideaway to a mainstay for local electronic music fans. In 2014, Pawley met Kellogg at the China Chalet while the latter was hosting a New York City offshoot of London’s experimental JACK댄스 party featuring performers like Doss and Stadium.
“I don’t know how to describe the scene at JACK댄스—it was just a lot of people from the internet,” Pawley says. “But it was distinctly different from a warehouse party and other electronic DJ-oriented underground stuff that happened in Brooklyn. There was a Manhattan contingency that didn’t really venture into Brooklyn or maybe weren’t even into electronic music. The crowd was more diverse.”
Part of this broad appeal had to do with the functional and physical layout of the space. For first-timers, China Chalet would reveal itself one part at a time, starting with a steep entry stairwell that led into a main dining room, for lounging and gossipping, and finally through a mirrored hallway onto a packed dance floor—which was notoriously known to shake under the weight of hundreds jumping in unison. Then, there was the venue's far-flung location, which only contributed to its off-the-grid allure. And of course, there was the marvelously relaxed policy on cigarettes and other typical club contraband.
“There was an air of freedom that everyone just instantly knew,” Pawley explains. “If you had even been there once, you understood it. It was a weird oasis away from the typical nightlife setting. Our parties were all over the map—it wasn’t ever pure techno or house. We didn’t want to overly aestheticize them to curate any certain crowd.”
Photo by Tom Keelan
In the late 2010s, such a blank canvas would attract an increasingly diverse cast of revelers, spurred on by a new guard of social media-powered creative voices in the city. Nightlife photographer Megan Walschlager recalls visiting China Chalet for the first time to attend Club Glam, the fashion it-kid affair launched in 2016 by the powerhouse collective of DJ-artist Dese Escobar and siblings, celebrity stylist Kyle Luu, and influencer Fiffany Luu. Escobar told the Times earlier this year that the trio wanted to create a party that was distinctly “post-identity, meaning that it’s not strictly queer or straight, young or old.”
“Club Glam was iconic—I remember they threw a ‘granny ball’ and people over 30 got in free, which I always found wonderfully funny,” Walschlager says, adding that there was a built-in sense of community at Glam. “People felt more at home at China Chalet because the venue let party planners use the space as their canvas, so everyone felt very relaxed. Security was pretty chill, and it was easy to get a drink at the bar, so it felt more communal.”
During its three-year reign, Club Glam was a pioneer in its own right, offering a fresh approach to nightlife that united identities and industries without conforming to their norms. Themed events were announced just a few days ahead of time, and lines frequently rounded the block. The party’s organic aggregation of interdisciplinary creatives often draws comparison to the long-gone clubs of New York City nightlife’s storied past.
The venue’s reputation in the queer community was further mainstreamed by the 2017 launch of Ty Sunderland’s Heaven on Earth, which drew the likes of RuPaul’s Drag Race winner Aquaria, Balmain creative director Olivier Rousteing, and transgender pop icon Kim Petras. (As Sunderland retells it, the latter once famously grabbed the mic for an impromptu performance of her latest single.) The party would continue through 2020, with its last iteration taking place in February.
To this day, Sunderland credits the owner, Keith Ng, for his open-mindedness in allowing the party to thrive. “From 10 p.m. to midnight, we got to live our stripper-pole fantasies—no questions asked,” Sunderland says. “There were 400 gay men there on a weekend night. That’s hard to find in New York City in most places unless they’re LGBT establishments.” Kellogg, who first introduced Sunderand to Ng, adds of the China Chalet staff: “The coat-check girls would say, ‘Oh my god—there are so many pretty boys running around.’ They loved it.”
Photo by Serichai Traipoom
For young queer people, including queer people of color, Sunderland’s party filled a much-needed void in gay nightlife far from the insularity of Hell’s Kitchen. Sunderland’s hosts were predominantly performers, artists, and partygoers of marginalized identities, explains drag queen Ruby Fox, who was known to captivate the dance floor at Heaven on Earth with an acrobatic routine between two stripper poles.
“The artistry I push out into the world comes from the emotions I pull from people around me,” Fox says. “At China Chalet, in such close quarters, it was really exhilarating because I’m getting so much energy and so many positive vibes, whether that was spiritual or just a brain thing. But I would feel the wavelengths off of people to the point where I’d be like the Energizer bunny.”
As COVID-19 brings an untimely end to tens of thousands of restaurants and bars across America, it’s hard not to feel as though a chapter of nightlife has closed. And while restaurants and other food purveyors are struggling to lobby for assistance, nightlife proprietors have even fewer options to obtain funding. That’s not to mention the thousands of freelancers and gig workers—performers, DJs, and party planners—who make their living by creating these spaces for community and expression.
“It's funny—when quarantine hit, all of us who work in live music were all stressed about how our venues were going to stay open,” Pawley remembers. “I remember thinking, ‘At least we’ll always have China Chalet.’ That’s why its closing is such a hard blow. I really thought it would be the last thing standing.”
But while China Chalet deserved a more fitting end—maybe one final party to commemorate its legacy—Pawley says what made it special is the creativity it fostered and the connections it created. “To this day, I met so many of my closest friends at China Chalet,” he says. “We’re all still friends. I really believe all the people in New York City are what made the parties great. I don’t think that energy will die.”
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RIP China Chalet, Manhattan's Greatest Queer Nightlife Utopia
When DJ and nightlife entrepreneur Ty Sunderland created his flagship gay party, he envisioned stripper poles—an homage to the music video for Britney Spears’ 2007 single “Gimme More.” “But no strip club was going to let a gay promoter come in on a Friday night in New York City,” Sunderland recalls. “I asked if I could install stripper poles on the dance floor at China Chalet, and they said, ‘Yeah, totally.’ That’s how Heaven on Earth started.”
One of the most beloved queer events in New York City in recent years, Heaven on Earth would also rank among the last of the great parties thrown at China Chalet, which shuttered last month in the wake of the COVID-19 pandemic. Opened in 1975, the two-story Cantonese dim sum restaurant was the last of its kind in many ways. For one, it was one of the only remaining full-service, multi-room dim sum banquet halls in the Wall Street area, but most famously, it was one of only DIY party venues in Manhattan where New York City nightlife could be everything it’s been promised to be since Studio 54: liberating, inclusive, and spontaneous.
It’s unclear when, exactly, China Chalet started moonlighting as a nightclub, even to those who worked there toward the end. (Following the venue’s closing, owner Keith Ng has declined to comment for press.) Alex Kellogg, the venue’s party booker at the time it closed, says he’d heard of parties rumored to have been thrown there by Madonna in the 80s, but that the venue’s most prolific era began in the late 2000s. In the last decade, the venue was visited by the likes of the Olsen twins, Timothée Chalamet, and Jay-Z—plus, pretty much any young person who went out in New York City.
“Anyone could come, and you could do anything you wanted,” Kellogg recalls of his first impression of the space, at a party thrown by _Sex Magazine_’s Asher Penn in 2013. “There was no one specific ‘genre’ of people. It wasn’t like when you went to a Bushwick party and you didn’t look DIY techno, so they didn’t accept you. Skaters could show up in ripped jeans, and then Alexander Wang could walk in behind them. And they’d be on the same level. Or you’d see Chloe Sevigny there, dressed in a bucket T-shirt and jeans drinking whiskey at the bar.”
Photo by Megan Walschlager
The end of the aughts was an inflection point for nightlife. As the moment of downtown stalwarts like Beatrice Inn and Bungalow 8 began to fade in 2009 amid the backdrop of the financial crisis, the city’s cool kids decamped to various new stomping grounds, from old-school holdovers like Indochine and Lucien to warehouses in far Brooklyn. In Manhattan, temporary pop-up arrangements helped party-throwers find loopholes around the city’s draconian nightlife laws.
By 2011, the New York Times waxed of China Chalet’s instantly recognizable “chintzy floral carpet and pagoda paintings” in a trend feature on fashion-and-art–scene pop-up clubs, which also included Madame Wong’s, an exclusive party once hosted in the Chinatown establishment Golden Unicorn. The same year, The Observer documented an indie film after-party at China Chalet with an attendance of “ex-pat jet setters, debauched hipsters, and local lowlifes.” And the fashion house Opening Ceremony collaborated with homegrown psych rock band Gang Gang Dance for an album release party at the restaurant.
Curtis Everett Pawley, musician and co-founder of the party-label 38 NYC, recalls seeing China Chalet for the first time at that Opening Ceremony party, noting that in the mid 2010s, the venue evolved from a fashion insider hideaway to a mainstay for local electronic music fans. In 2014, Pawley met Kellogg at the China Chalet while the latter was hosting a New York City offshoot of London’s experimental JACK댄스 party featuring performers like Doss and Stadium.
“I don’t know how to describe the scene at JACK댄스—it was just a lot of people from the internet,” Pawley says. “But it was distinctly different from a warehouse party and other electronic DJ-oriented underground stuff that happened in Brooklyn. There was a Manhattan contingency that didn’t really venture into Brooklyn or maybe weren’t even into electronic music. The crowd was more diverse.”
Part of this broad appeal had to do with the functional and physical layout of the space. For first-timers, China Chalet would reveal itself one part at a time, starting with a steep entry stairwell that led into a main dining room, for lounging and gossipping, and finally through a mirrored hallway onto a packed dance floor—which was notoriously known to shake under the weight of hundreds jumping in unison. Then, there was the venue's far-flung location, which only contributed to its off-the-grid allure. And of course, there was the marvelously relaxed policy on cigarettes and other typical club contraband.
“There was an air of freedom that everyone just instantly knew,” Pawley explains. “If you had even been there once, you understood it. It was a weird oasis away from the typical nightlife setting. Our parties were all over the map—it wasn’t ever pure techno or house. We didn’t want to overly aestheticize them to curate any certain crowd.”
Photo by Tom Keelan
In the late 2010s, such a blank canvas would attract an increasingly diverse cast of revelers, spurred on by a new guard of social media-powered creative voices in the city. Nightlife photographer Megan Walschlager recalls visiting China Chalet for the first time to attend Club Glam, the fashion it-kid affair launched in 2016 by the powerhouse collective of DJ-artist Dese Escobar and siblings, celebrity stylist Kyle Luu, and influencer Fiffany Luu. Escobar told the Times earlier this year that the trio wanted to create a party that was distinctly “post-identity, meaning that it’s not strictly queer or straight, young or old.”
“Club Glam was iconic—I remember they threw a ‘granny ball’ and people over 30 got in free, which I always found wonderfully funny,” Walschlager says, adding that there was a built-in sense of community at Glam. “People felt more at home at China Chalet because the venue let party planners use the space as their canvas, so everyone felt very relaxed. Security was pretty chill, and it was easy to get a drink at the bar, so it felt more communal.”
During its three-year reign, Club Glam was a pioneer in its own right, offering a fresh approach to nightlife that united identities and industries without conforming to their norms. Themed events were announced just a few days ahead of time, and lines frequently rounded the block. The party’s organic aggregation of interdisciplinary creatives often draws comparison to the long-gone clubs of New York City nightlife’s storied past.
The venue’s reputation in the queer community was further mainstreamed by the 2017 launch of Ty Sunderland’s Heaven on Earth, which drew the likes of RuPaul’s Drag Race winner Aquaria, Balmain creative director Olivier Rousteing, and transgender pop icon Kim Petras. (As Sunderland retells it, the latter once famously grabbed the mic for an impromptu performance of her latest single.) The party would continue through 2020, with its last iteration taking place in February.
To this day, Sunderland credits the owner, Keith Ng, for his open-mindedness in allowing the party to thrive. “From 10 p.m. to midnight, we got to live our stripper-pole fantasies—no questions asked,” Sunderland says. “There were 400 gay men there on a weekend night. That’s hard to find in New York City in most places unless they’re LGBT establishments.” Kellogg, who first introduced Sunderand to Ng, adds of the China Chalet staff: “The coat-check girls would say, ‘Oh my god—there are so many pretty boys running around.’ They loved it.”
Photo by Serichai Traipoom
For young queer people, including queer people of color, Sunderland’s party filled a much-needed void in gay nightlife far from the insularity of Hell’s Kitchen. Sunderland’s hosts were predominantly performers, artists, and partygoers of marginalized identities, explains drag queen Ruby Fox, who was known to captivate the dance floor at Heaven on Earth with an acrobatic routine between two stripper poles.
“The artistry I push out into the world comes from the emotions I pull from people around me,” Fox says. “At China Chalet, in such close quarters, it was really exhilarating because I’m getting so much energy and so many positive vibes, whether that was spiritual or just a brain thing. But I would feel the wavelengths off of people to the point where I’d be like the Energizer bunny.”
As COVID-19 brings an untimely end to tens of thousands of restaurants and bars across America, it’s hard not to feel as though a chapter of nightlife has closed. And while restaurants and other food purveyors are struggling to lobby for assistance, nightlife proprietors have even fewer options to obtain funding. That’s not to mention the thousands of freelancers and gig workers—performers, DJs, and party planners—who make their living by creating these spaces for community and expression.
“It's funny—when quarantine hit, all of us who work in live music were all stressed about how our venues were going to stay open,” Pawley remembers. “I remember thinking, ‘At least we’ll always have China Chalet.’ That’s why its closing is such a hard blow. I really thought it would be the last thing standing.”
But while China Chalet deserved a more fitting end—maybe one final party to commemorate its legacy—Pawley says what made it special is the creativity it fostered and the connections it created. “To this day, I met so many of my closest friends at China Chalet,” he says. “We’re all still friends. I really believe all the people in New York City are what made the parties great. I don’t think that energy will die.”
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RIP China Chalet, Manhattan's Greatest Queer Nightlife Utopia
When DJ and nightlife entrepreneur Ty Sunderland created his flagship gay party, he envisioned stripper poles—an homage to the music video for Britney Spears’ 2007 single “Gimme More.” “But no strip club was going to let a gay promoter come in on a Friday night in New York City,” Sunderland recalls. “I asked if I could install stripper poles on the dance floor at China Chalet, and they said, ‘Yeah, totally.’ That’s how Heaven on Earth started.”
One of the most beloved queer events in New York City in recent years, Heaven on Earth would also rank among the last of the great parties thrown at China Chalet, which shuttered last month in the wake of the COVID-19 pandemic. Opened in 1975, the two-story Cantonese dim sum restaurant was the last of its kind in many ways. For one, it was one of the only remaining full-service, multi-room dim sum banquet halls in the Wall Street area, but most famously, it was one of only DIY party venues in Manhattan where New York City nightlife could be everything it’s been promised to be since Studio 54: liberating, inclusive, and spontaneous.
It’s unclear when, exactly, China Chalet started moonlighting as a nightclub, even to those who worked there toward the end. (Following the venue’s closing, owner Keith Ng has declined to comment for press.) Alex Kellogg, the venue’s party booker at the time it closed, says he’d heard of parties rumored to have been thrown there by Madonna in the 80s, but that the venue’s most prolific era began in the late 2000s. In the last decade, the venue was visited by the likes of the Olsen twins, Timothée Chalamet, and Jay-Z—plus, pretty much any young person who went out in New York City.
“Anyone could come, and you could do anything you wanted,” Kellogg recalls of his first impression of the space, at a party thrown by _Sex Magazine_’s Asher Penn in 2013. “There was no one specific ‘genre’ of people. It wasn’t like when you went to a Bushwick party and you didn’t look DIY techno, so they didn’t accept you. Skaters could show up in ripped jeans, and then Alexander Wang could walk in behind them. And they’d be on the same level. Or you’d see Chloe Sevigny there, dressed in a bucket T-shirt and jeans drinking whiskey at the bar.”
Photo by Megan Walschlager
The end of the aughts was an inflection point for nightlife. As the moment of downtown stalwarts like Beatrice Inn and Bungalow 8 began to fade in 2009 amid the backdrop of the financial crisis, the city’s cool kids decamped to various new stomping grounds, from old-school holdovers like Indochine and Lucien to warehouses in far Brooklyn. In Manhattan, temporary pop-up arrangements helped party-throwers find loopholes around the city’s draconian nightlife laws.
By 2011, the New York Times waxed of China Chalet’s instantly recognizable “chintzy floral carpet and pagoda paintings” in a trend feature on fashion-and-art–scene pop-up clubs, which also included Madame Wong’s, an exclusive party once hosted in the Chinatown establishment Golden Unicorn. The same year, The Observer documented an indie film after-party at China Chalet with an attendance of “ex-pat jet setters, debauched hipsters, and local lowlifes.” And the fashion house Opening Ceremony collaborated with homegrown psych rock band Gang Gang Dance for an album release party at the restaurant.
Curtis Everett Pawley, musician and co-founder of the party-label 38 NYC, recalls seeing China Chalet for the first time at that Opening Ceremony party, noting that in the mid 2010s, the venue evolved from a fashion insider hideaway to a mainstay for local electronic music fans. In 2014, Pawley met Kellogg at the China Chalet while the latter was hosting a New York City offshoot of London’s experimental JACK댄스 party featuring performers like Doss and Stadium.
“I don’t know how to describe the scene at JACK댄스—it was just a lot of people from the internet,” Pawley says. “But it was distinctly different from a warehouse party and other electronic DJ-oriented underground stuff that happened in Brooklyn. There was a Manhattan contingency that didn’t really venture into Brooklyn or maybe weren’t even into electronic music. The crowd was more diverse.”
Part of this broad appeal had to do with the functional and physical layout of the space. For first-timers, China Chalet would reveal itself one part at a time, starting with a steep entry stairwell that led into a main dining room, for lounging and gossipping, and finally through a mirrored hallway onto a packed dance floor—which was notoriously known to shake under the weight of hundreds jumping in unison. Then, there was the venue's far-flung location, which only contributed to its off-the-grid allure. And of course, there was the marvelously relaxed policy on cigarettes and other typical club contraband.
“There was an air of freedom that everyone just instantly knew,” Pawley explains. “If you had even been there once, you understood it. It was a weird oasis away from the typical nightlife setting. Our parties were all over the map—it wasn’t ever pure techno or house. We didn’t want to overly aestheticize them to curate any certain crowd.”
Photo by Tom Keelan
In the late 2010s, such a blank canvas would attract an increasingly diverse cast of revelers, spurred on by a new guard of social media-powered creative voices in the city. Nightlife photographer Megan Walschlager recalls visiting China Chalet for the first time to attend Club Glam, the fashion it-kid affair launched in 2016 by the powerhouse collective of DJ-artist Dese Escobar and siblings, celebrity stylist Kyle Luu, and influencer Fiffany Luu. Escobar told the Times earlier this year that the trio wanted to create a party that was distinctly “post-identity, meaning that it’s not strictly queer or straight, young or old.”
“Club Glam was iconic—I remember they threw a ‘granny ball’ and people over 30 got in free, which I always found wonderfully funny,” Walschlager says, adding that there was a built-in sense of community at Glam. “People felt more at home at China Chalet because the venue let party planners use the space as their canvas, so everyone felt very relaxed. Security was pretty chill, and it was easy to get a drink at the bar, so it felt more communal.”
During its three-year reign, Club Glam was a pioneer in its own right, offering a fresh approach to nightlife that united identities and industries without conforming to their norms. Themed events were announced just a few days ahead of time, and lines frequently rounded the block. The party’s organic aggregation of interdisciplinary creatives often draws comparison to the long-gone clubs of New York City nightlife’s storied past.
The venue’s reputation in the queer community was further mainstreamed by the 2017 launch of Ty Sunderland’s Heaven on Earth, which drew the likes of RuPaul’s Drag Race winner Aquaria, Balmain creative director Olivier Rousteing, and transgender pop icon Kim Petras. (As Sunderland retells it, the latter once famously grabbed the mic for an impromptu performance of her latest single.) The party would continue through 2020, with its last iteration taking place in February.
To this day, Sunderland credits the owner, Keith Ng, for his open-mindedness in allowing the party to thrive. “From 10 p.m. to midnight, we got to live our stripper-pole fantasies—no questions asked,” Sunderland says. “There were 400 gay men there on a weekend night. That’s hard to find in New York City in most places unless they’re LGBT establishments.” Kellogg, who first introduced Sunderand to Ng, adds of the China Chalet staff: “The coat-check girls would say, ‘Oh my god—there are so many pretty boys running around.’ They loved it.”
Photo by Serichai Traipoom
For young queer people, including queer people of color, Sunderland’s party filled a much-needed void in gay nightlife far from the insularity of Hell’s Kitchen. Sunderland’s hosts were predominantly performers, artists, and partygoers of marginalized identities, explains drag queen Ruby Fox, who was known to captivate the dance floor at Heaven on Earth with an acrobatic routine between two stripper poles.
“The artistry I push out into the world comes from the emotions I pull from people around me,” Fox says. “At China Chalet, in such close quarters, it was really exhilarating because I’m getting so much energy and so many positive vibes, whether that was spiritual or just a brain thing. But I would feel the wavelengths off of people to the point where I’d be like the Energizer bunny.”
As COVID-19 brings an untimely end to tens of thousands of restaurants and bars across America, it’s hard not to feel as though a chapter of nightlife has closed. And while restaurants and other food purveyors are struggling to lobby for assistance, nightlife proprietors have even fewer options to obtain funding. That’s not to mention the thousands of freelancers and gig workers—performers, DJs, and party planners—who make their living by creating these spaces for community and expression.
“It's funny—when quarantine hit, all of us who work in live music were all stressed about how our venues were going to stay open,” Pawley remembers. “I remember thinking, ‘At least we’ll always have China Chalet.’ That’s why its closing is such a hard blow. I really thought it would be the last thing standing.”
But while China Chalet deserved a more fitting end—maybe one final party to commemorate its legacy—Pawley says what made it special is the creativity it fostered and the connections it created. “To this day, I met so many of my closest friends at China Chalet,” he says. “We’re all still friends. I really believe all the people in New York City are what made the parties great. I don’t think that energy will die.”
via VICE US - Munchies VICE US - Munchies via Mom's Kitchen Recipe Network Mom's Kitchen Recipe Network
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Check out The Life's Curtis Everett Pawley interview with The 1975's Matty Healy via Interview Magazine here.
#The Life#The 1975#Matty Healy#Grace#Strong Spirits#The Ion Pack#Ion Tracks#Interview Magazine#Interview#curtis everett pawley#I Would Do Anything For Love#Music Website#Ionized
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The Life "Grace" (CFCF Remix) released April 12, 2023 via Music Website (@musicwebsiteblog).
Stream it here: https://ffm.to/the-life-grace-cfcf-remix.PNJ
"pitch-perfect bloghouse" -@thefader
Written by Curtis Everett Pawley Remix by CFCF Mastered by Ryan Schwabe
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#y2k alternative#rock#rock music#indie rock#indie music#the ion pack#ionized#Curtis Everett Pawley#Ion Tracks#Music Website#debut single#debut#new music#new indie#new york#nyc#Bandcamp#Youtube#The Life#CFCF#Mike Sliver#Ryan Schwabe#The FADER#bloghouse#indie sleaze#dimes square#remix#Curtis Pawley#The 1975#matty healy
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The Life "Grace" released 1/25/2023
Listen/purchase: Grace by The Life
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#y2k alternative#rock#rock music#indie rock#indie music#the ion pack#ionized#Curtis Everett Pawley#Ion Tracks#Music Website#debut single#debut#new music#new indie#new york#nyc#Bandcamp#Youtube#Spotify
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Fresh Pressed: Neverland Digital's Medusa's Ball This is Fresh Pressed, in which photographer Matt Weinberger takes us inside some of the rawest moments happening in NYC and beyond. Fresh Pressed is all about encountering the juicy ideas, aesthetics and people shaping culture through the lens of the city's many creative scenes.Neverland Digital’s Medusa’s Ball (3/25)NYC art/music house and creative agency Neverland Digital (Nora Luciano, Elsie Drew and Ester Shmulyian) hosted Medusa’s Ball at BAF Art Gallery, where guests and collaborators all came together to party like the gods. The event was thrown in honor of Medusa, with ten visual artists tasked with creating and presenting work inspired by Medusa’s famous story. The group show featured a 30-foot glowing snake in the middle of the room, projection work, interactive pieces, photography and paintings, all created by local artists. They also presented live music, opening up with refreshing jazz by Wayne Tucker and Addison Frei, followed by Stew Jefe who rapped and hyped everyone up for Max Volante (producer, songwriter and instrumentalist) and his band. Max had some seriously great vibes and got the whole crowd feeling his soul as they swayed and danced around to the electric energy of his genre-bending performance.We Take Manhattan Party @ Old Flings (3/22)Organized by Allyson Camitta (aka Shallowhalo) and Charlie Baker, the We Take Manhattan party at Old Flings brought together some of the city’s most influential downtown scenesters for a night of shoulder-to -shoulder dancing and cramped but quality conversation. The event was the fourth party in the ongoing party series organized by Allyson and Charlie. The name of the party series is a reference to the Leonard Cohen song "First We Take Manhattan," which explores the idea that once one takes over Manhattan, one can take over the world. In addition to Shallowhalo and Charlie Baker DJing, Curtis Everett Pawley, aka The Life, took to the DJ booth and played a set to the delight of the audience. Shallowhalo is on tour at the moment — they just put out a new single, "Renaissance Affair," and have a single release show on April 5 at Elsewhere Zone One where Thoom and Birthday Girl will be performing and Angel Emoji will be DJing. I wouldn’t be surprised if the lyrics ring true: first they’ll take over Manhattan, then Berlin and, in no time, the world. The next We Take Manhattan party will be at The Cock on April 26.Stand Up NYC Drag Benefit @ 3 Dollar Bill (3/21)Aiding the fight against the anti-trans bills that have just been passed in Tennessee, NYC drag performer Julie J sold out the Brooklyn venue 3 Dollar Bill (in one day) for a night of community and drag. The cast included RuPaul's Drag Race current contestants and alums Marcia Marcia Marcia, Olivia Lux, Luxx Noir London and Jax as well as NYC staples Marti Gould Cummings, Rify Royalty, Janelle NO.5 and so many more fabulous talents. Elaborate costumes, riveting performances, mesmerizing hair and makeup and heart-pounding dance moves filled the night as the crowd came out to support Julie J and the wonderful cast of performers that came out to "drag out the vote." A key element of the event was to encourage everyone to register to vote so that they could have their voice heard via casting a ballot. The event felt like both a protest against anti-trans, anti-queer and homophobic legislation and a celebration of democracy. Political and community organizer Samy Nemir Olivares took the stage in between drag performances to give a speech explaining the importance of the event and why the community needs to get together and fight against harmful legislation. Proceeds from the event benefitted the ACLU of Tennessee, The Trans Formations Project and Black Trans LiberationBlack Trans Liberation. Baby's Presents SXSW NYC Beat (3/18)The NYC (and LA) music scene took over this little corner of Austin at the SXSW NYC Beat concert — presented by Baby's All Right — at popular downtown venue "The Cave and The Creek." The showcase featured two stages, both sporting incredible lineups of musicians. The indoor stage was curated by Sunflower Bean and featured sets by The Life, Strange Ranger, Thus Love, Malice K, Hello Mary, Model/Actriz and Sunflower Bean themselves. The energy inside was booming, with a mix of music industry professionals and seasoned concertgoers vibing out.Things got pretty wild in the later sets, and, by the end of the night, as Sunflower Bean took the stage, the crowd was stirring up into a bountiful mosh pit of bodies smashing into one another. The outdoor stage, curated by Perfectly Imperfect, featured sets by Eera, Mgna Crrrta, Club Eat, Damon Rush, Blaketheman1000, Snow Strippers, The Helpp and Isabella Lovestory. This side of the venue was more electronic-heavy and brought out a younger demographic of fans than those inside, with bubbly fans ripping cigarettes and jumping up and down as they popped to their favorite bops. Isabella Lovestory gave a particularly compelling performance to end the night, wrapping things up with a cherry bomb bang. The Helpp is no easy act to follow but Isabella managed to go beyond holding her own, delivering what felt like the perfect storybook ending to a night filled with great performers.Austin Rave by 1222 BY-PRODUCT With Snow Strippers, Club Eat, Eera (3/17)The Snow Strippers may be the next big thing. The band is a duo made up of members Tatiana Schwaninger and Graham Perez. They met in Florida back in 2018 and began making music together around the end of 2021. The duo produces an electronic, icy eargasm sound, making music that makes you want to dance. This is the kind of stuff that will make you bang your head with no shame as you ride a crowded L train to work. Graham had been producing music for a number of years, while Tati had no previous experience making music before they teamed up. Despite her lack of prior experience, she has the voice of a thousand snow angels. Their live set was a fun departure from the more refined sound you might hear when streaming their music online. In concert, Tati jumped around the stage, glitching into multiple dimensions of hype and glory, pulling the whole audience into dark recesses of happiness and fun. Alongside the Snow Strippers, Club Eat and Eera also took the stage and gave solid performances, providing the concertgoers with additional icy cold, refreshing beats to enjoy.You Missed It's Backyard Bash (3/17)The Kerwin Brothers have struck again, succeeding in throwing an absolutely epic party, co-organized with the Mauri sisters, Cristina and Andrea. With backyard tattoos, unlimited booze, oil wresting, free cigarettes, and a lineup that included High, The Dallas Cowboys, May Rio, Blaketheman1000, Nite Fire, Tagabow, Hotline TNT and The Frost Children, everything was in place for an incredible night to ensue. And ensue it did. Smashing beers and taking flash pics, the crowd of mostly local college students and NY/LA weekend visitors partied harder than a school of fish during summer vacation. In NYC, it's very rare to ever get to party in a backyard, so all of the NY locals had the time of their lives. Green grass turned to mud as the crowd jumped around to the electric sets by the many talented musical acts. The Dallas Cowboys stood out for their ability to get the crowd moving, and once the crowd was going, the energy didn’t stop for the rest of the night. They say everything is bigger in Texas and that rang true for the crowd's energy. Legendary nightlife photographer Mark Hunter, aka The Cobrasnake, claimed that it was potentially in the top 10 parties he had ever been to. Yeehaw and God bless Texas!Simone Films Oscars Watch Party @ Nine Orchard (3/12)Simone Films, founded by filmmakers Rebekah Sherman-Myntti and KJ Rothweiler, is a New York-based independent entertainment company doing things unlike any other production company in NYC right now. It's known within the downtown scene as a pillar in shaping a certain subset of the creative community. The company has achieved some degree of a cult following via its exciting events and through curating other scene-centered activities such as hosting a popular actors' studio for up-and-coming talent with teachers such as Michael Imperioli, Alex Ross Perry, Dolly Wells and Peter Vack. On this particular occasion, Simone Films threw a banger of a party, with drinks flowing, an abundance of popcorn and a bumping vinyl DJ set by Billy Jones, the owner of the popular music venue Baby’s All Right. The Oscars watch party was attended by actors, directors, musicians, podcasters, art shmos, indie sleaze queens, cinephiles and a slew of other creatures of the downtown scene. Some notable attendees included Bart Cortright, Makunda Angulo, Eugene Kotlyarenko, Lotfy Nathan and Marcelo Gaia. The owner of Nine Orchard, Andy Rifkin, also pulled up to the event. One thing is clear: Simone Films knows how to bring together a large group of exciting people. It wouldn’t be a surprise if a number of the attendees are at the Oscars in a few years, rather than watching it on TV.The Twink Next Door's Party Backstage @ Dallas BBQ (3/11)Texas-sized piña coladas, glitter and faux fur were all the rage behind the scenes at The Twink Next Door’s debut NYC runway show, unveiling his new collection as a tease of what’s to come as he plans on dropping his new clothing line, TWINK, this Friday. Inspired by icons like Julia Fox, Lady Gaga and Cruella DeVille, The Twink Next Door is bringing maximalist experimental fashion to the downtown NYC scene in stride. Throwing a fun, quirky, DIY aesthetic into the Wild West that is Dallas BBQ made for an undoubtedly memorable (albeit mildly chaotic), ultimately fabulous experience. The collection ate, and so did lots of the attendees. As far as I can tell, this BBQ stood for big, bold and queenly. Those fits were royally delicious. You Missed It Party @ Baby's All Right (3/4) https://www.papermag.com/fresh-pressed-neverland-digital-medusa-2659589146.html
#Matt weinberger#Photography#Nightlife#Column#Baby's all right#You missed it#Fresh pressed#Club eat#Frost children#Sxsw#Anti-drag legislation#Stand up nyc#Aclu#3 dollar bill#Drag race#Rupaul's drag race#Anti-trans legislation#Trans rights#Matt Weinberger#PAPER
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Fresh Pressed: Acne Studios Displays Larry Stanton for NYFW This is Fresh Pressed, in which photographer Matt Weinberger takes us inside some of the rawest moments happening in NYC and beyond. Fresh Pressed is all about encountering the juicy ideas, aesthetics and people shaping culture through the lens of the city's many creative scenes.Acne Studios Loves Larry Stanton Afterparty @ The Hotel Chelsea (2/9/23)Sometimes fashion is bigger than what you wear. Acne Studios, in partnership with Visual AIDS, hosted an exclusive exhibition of work by Larry Stanton, followed by an after party to celebrate his memory and accomplishments. The event was a respectable ode to Larry Stanton, who died of AIDS in 1984. Despite the somber circumstances on which the event was predicated, the atmosphere of the event was cheery and optimistic, serving as a celebration of fashion, art and the community we have amongst one another. With slick fits and knits, stripes and a dash of elegant sleaze, the Acne Studios crowd pulled up looking undoubtedly stylish while carrying a creative, street-inspired edge. Cocktails and champagne were flowing and chatter echoed throughout the venue as fashion industry creatives and models intermingled within the multi-room event space at The Hotel Chelsea. R.I.P. Larry Stanton — may his memory be a blessing. Viktor & Rolf FLOWERBOMB Party @ Jeans (2/9/23)Fashionistas, iconic style, couture galore, and flowers, flowers, flowers. Viktor & Rolf’s FLOWERBOMB party celebrated Emily Ratajkowski as the face of the fragrance. EmRata showed up in style — wearing a chic outfit with her hair done up in a manner that Aphrodite herself might have been jealous of. Everyone pulled up dressed to impress, with outfits that had all the Ts crossed — attention to detail was not spared. Partygoers were treated to DJ sets by Mona Matsuoka and Bambii while dancing between the two floors of the event, with the occasional stop at one of V&R’s fragrance discovery stations. Bright, flashing, flower-filled video installations brought the whole party together to create an overall immersive FLOWERBOMB experience.The Lifionized: A "Grace" Release Party (2/4/23)NYC got treated to the often taken-for-granted luxury that is typically only seen in the suburban and rural parts of America: A classic rock and roll house show. The crowd was treated to performances by both The Life and Stella Rose and The Dead Language. Both bands ripped legendary original tracks worthy of becoming part of NYC lore. Curtis Everett Pawley of The Life hit the audience deep in the nostalgia gut, granting us a taste of throwback bliss while also carving a musical path into the future of what the genre of rock can be. Stella Rose’s vocals and stage presence are equally worthy of praise and her guitarist, Ben Arauz, is easily one of the best shredders in the scene, creating a genuinely heart-pounding experience. Related | Stella Rose Reveals Her 'Angel' SideAF94's Valentine's Dance (2/2/23)It’s not even Valentine’s day yet but with AF94, Halsey’s beauty brand, everyone is already celebrating love. This dance was straight out of a 1980s romantic comedy. Delicious small bites were passed around in excess and a table of treats, constantly refilled, gave all attendees something to feel sweet about. The evening had an absolutely wonderful guest list filled with beauty industry sweethearts and online style influencer heartthrobs. Balloons filled the ceiling and the open bar sported a generous menu of delicious concoctions. The analog photo booth was a big hit, sporting color photos printed via chemical processing, spitting out images of all the partygoers eager enough to brave the long line. The beauty crowd came through. A truly glamorous night. MegSuperstarPrincess' "F List" Party @ Studio 151 (1/31/23)Beloved downtown indie-sleaze grunge girl and major trendsetter MegSuperstarPrincess is the queen of the F List. She threw a release party for her new Film, titled F List, at Studio 151, a fun upstairs East Village venue known for its sushi nights and for having been the haunt for Rachel Rabbit White's iconic birthday party this past year. At Meg's F List party, the whole F list "celebrity" crew came through. The party was comprised of a solid crowd of people you may have heard of if you're into niche downtown club scene DJs, grifters, writers, fashionistas or the post-Dimes Square debutantes of tomorrow. https://www.papermag.com/fresh-pressed-acne-studios-nyfw-2659362969.html
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Fresh Pressed: Halsey's AF94 Throws a V-Day Prom Night This is Fresh Pressed, in which photographer Matt Weinberger takes us inside some of the rawest moments happening in NYC and beyond. Fresh Pressed is all about encountering the juicy ideas, aesthetics and people shaping culture through the lens of the city's many creative scenes.The Lifionized: A "Grace" Release Party (2/4/23)NYC got treated to the often taken-for-granted luxury that is typically only seen in the suburban and rural parts of America: A classic rock and roll house show. The Life opened up for Stella Rose and the Dead Language. Both bands ripped legendary original tracks worthy of becoming part of NYC lore. Curtis Everett Pawley of The Life hit the audience deep in the nostalgia gut, granting us a taste of throwback bliss while also carving a musical path into the future of what the genre of rock can be. Stella Rose’s vocals and stage presence are equally worthy of praise and her guitarist, Ben Arauz, is easily one of the best shredders in the scene, creating a genuinely heart-pounding experience. Related | Stella Rose Reveals Her 'Angel' SideAF94's Valentine's Dance (2/2/23)It’s not even Valentine’s day yet but with AF94, Halsey’s beauty brand, everyone is already celebrating love. This dance was straight out of a 1980s romantic comedy. Delicious small bites were passed around in excess and a table of treats, constantly refilled, gave all attendees something to feel sweet about. The evening had an absolutely wonderful guest list filled with beauty industry sweethearts and online style influencer heartthrobs. Balloons filled the ceiling and the open bar sported a generous menu of delicious concoctions. The analog photo booth was a big hit, sporting color photos printed via chemical processing, spitting out images of all the partygoers eager enough to brave the long line. The beauty crowd came through. A truly glamorous night. MegSuperstarPrincess' "F List" Party @ Studio 151 (1/31/23)Beloved downtown indie-sleaze grunge girl and major trendsetter MegSuperstarPrincess is the queen of the F List. She threw a release party for her new Film, titled F List, at Studio 151, a fun upstairs East Village venue known for its sushi nights and for having been the haunt for Rachel Rabbit White's iconic birthday party this past year. At Meg's F List party, the whole F list "celebrity" crew came through. The party was comprised of a solid crowd of people you may have heard of if you're into niche downtown club scene DJs, grifters, writers, fashionistas or the post-Dimes Square debutantes of tomorrow. https://www.papermag.com/fresh-pressed-af94-prom-2659362969.html
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