#cueart

[sexypinkon]

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                                        Luis Vasquez La Roche

Happy to finally see this work realized. @maripari9 and I have been talking about it since 2019.

 Through pandemics / zoom meetings / really short visits to @maripari9 studio in VA. Glad to see it in New York (@cueart )and Kassel at the same time. (@documentafifteen )  

Repost @maripari9 “En Función del Interes Nacional” (In Function of National Interest) made in collaboration with @vasquezlaroche is a series of six screen printed light boxes. 

These two are currently up on view at @cueart until September 2nd! The screen-printed surfaces depict iconic logos from Venezuelan companies that were expropriated during the regime of the former president of Venezuela Hugo Chavez and current President Nicolas Maduro. 

Through the works, we consider the way that products and their branding are an integral part of national identity as it has been built over the past few decades. Through the use of cardboard, we make reference to the distribution of products, particularly to the way many of these Venezuelan goods are no longer made in Venezuela and many Venezuelans travel to other countries to find traditionally Venezuelan products. On top of the screen printed logos are laser cutouts of images of Simon Bolivar, known as the liberator. 

The images are taken from Venezuelan currency called the Bolívar which has reached record-breaking high levels of inflation. Seen as a series, racialized differences in the representations of Simon Bolivar become apparent. His image and association with liberty are used as a political tool for garnering support. 

Multimedia components including LED taxi/rideshare lights reading “libre” (free), can be seen through the cutouts in the cardboard. Through their various layers, the works draw connections between the use of the notion of liberty as a political tool from the colonial times of Simon Bolivar all the way to contemporary times of globalized neoliberal markets and economies. They ask audiences to consider the meaning of and access to liberty and authoritarianism across political spectrums.

[elnazjavani]

In progress #cueart#CountryHome #elnazjavani (at CUE Art Foundation) https://www.instagram.com/p/7LMQj1zgxr/?utm_source=ig_tumblr_share&igshid=11gt6xxjoagqp

[supportblackart]

Peter Williams @peterwilliams7943 exhibition “With So Little To Be Sure Of”, curated by Larry Ossei-Mensah @youngglobal, has been extended to Saturday, March 31st. Currently on display at @cueart foundation, and definitely not a show to miss. Check out our blog post on the exhibition, link in bio! 🙌🏾 #supportblackart #peterwilliams #larryosseimensah #withsolittletobesureof #cueart #cueartfoundation #oilpainting #painterly #masterful #blackness #blacklivesmatter #systemicoppression #artisaweapon #artgram #artworld #nycartscene #blackbodies #veryblack #linkinbio (at CUE Art Foundation)

[evan4sh]

Title: The Phoenix Sisters no.070 of the Passive Aggressive Gallery Project. Tired of waiting for galleries to come to me, I'm putting my art in galleries ( Instagram hashtag feeds) @CUEart #contemporaryart #creative #藝術 #dibujo #kunst #art #فن #美术 #arte #कला #liminal #magick #イラスト#マンガ#漫画 #instaart #drawing #lowbrow #watercolor #pencil #instadaily #artoftheday #CUEart #gallery (at Danese Corey)

[ythundercom]

[组图/Carousel]A few shots of today’s show installation at 1 Liberty Plaza. Thanks to @cueart for m... https://www.instagram.com/p/B1Xpl14FJ8Z/https://www.youtube.com/channel/UCn2EDcD3zZJXa7LK5OBfBVQ

[cueartdoblajedevoz-blog]

Clase de doblaje con Daniel Abundis en CueArt @Cueartdoblaje

[trascapades]

✊🏿💃🏾🕺🏿⚖🎙#ArtIsAWeapon #DancingIsFreedom @kut_the_rug "KINETIC RESISTANCE: Street Dance As Protest!" community conversation today, August 12, 5:30 PM EST via ZOOM (RSVP via the link in their BIO) Reposted from @kut_the_rug ⁠- We are hosting a conversation about #StreetDance as a physical, existential, collective and spiritual form of #resistance. A few of the ideas and issues on deck are: ⁠⠀ ⁠⠀ * How does street dance change in the context of a protest?⁠⠀ * Is Street Dance interpreted differently when featured in an NYTimes article v.s. included in a music video or PUMA commercial? ⁠⠀ * Does press attention amplify the surveillance of black & brown dancing bodies? ⁠⠀ Hosted by #KutTheRug founders @polite.brian & @lafotographeuse, presented by @cueart; moderated by @goldenladynay; featured panelists @shamellbell @imanikai77 @eclecticother @crikitdidit #kuttheruginstitute #kineticresistance #danceuprising #BlackDance #blackdancepolitics #streetdanceasprotest #dancingresistance #streetdancenaction #bodiesontheline #soulfuluprising #streetdancescholarship #hiphopdancestudies #protestinmotion #movementprotest #TraScapades #ArtIsAWeapon https://www.instagram.com/p/CDy-aX1gJco/?igshid=1guikr6yzb5ee

[jasonrohlfpaintings]

Delighted to visit @cueart today for @pricklybunny’s first group show. 🌊 of ✊ for all their hard work. (at CUE Art Foundation) https://www.instagram.com/p/Bxx62mYFrOl/?igshid=1b9fvrgl5gczd

[evamayha]

🎨 #WendyRedStar Um-basax-bilua “Where They Make The Noise" Manipulated photographs, a timeline drawn on the wall capturing the Crow Nation’s annual Crow Fair. A powerful citation of of the revitalization of #Apsáalook culture. @cueart @wendyredstar

[rbastien1234]

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A post shared by Roland Bastien (@rolandbastien_data)

My early mind | Roland Bastien @artsy @artforum @ellohype @digital.decade @seemecommunity @artnet @instagram @themuseumofmodernart @guggenheim @cueart @galleriesnow @flashartmagazine @moma_ps1 @apple @artbookps1 https://www.instagram.com/p/BuM-OaaHWBs/?utm_source=ig_tumblr_share&igshid=a3al27m4sed

[youngglobal]

Last Day to See #Withsolittletobesureof featuring @peterwilliams7943 at @cueart! (at CUE Art Foundation)

[charfromcharlotte]

Presenting my work last Friday as part of the @cueart and @purchaseartdesign collaborative lecture series "Against Monoculture." 📷: @bumblebridge #latergram #purchasemfa (at CUE Art Foundation)

[artistopencalls]

🟢👉 • @cueart CUE Art Foundation is currently seeking Solo Exhibition and Curatorial Project proposals for the 2022 exhibition season. The Open Calls provide emerging and under-recognized artists and curators the necessary resources to realize an exhibition at CUE's storefront gallery in 2022. The deadline for the current Open Call is March 12, 2021. Each year, a panel of established artists and curators select two to three solo exhibitions and one curatorial project to be realized at CUE. Finalists are paired with a member of the selection panel, who works with them as a mentor throughout the process of planning and mounting the exhibition. CUE provides generous honoraria—$5,000 for artists presenting solo exhibitions and $2,500 for curators organizing curatorial projects—in addition to mentorship, institutional guidance, a shipping budget, and an exhibition catalogue with a critical essay by a participant in CUE's Art Critic Mentoring Program. We will be holding an Open Calls Information Session Webinar on Saturday, February 13, 2021 at 4pm (ET) via Zoom. For more information, visit the link in bio! [Image description: Black text on a blue and green gradient reads: Open Call - Solo Exhibitions, Curatorial Projects, Deadline: March 12, 2021. The text is interspersed with the outlines of a hexagon, a rectangle, and an oval rendered in black.] #CUEart #OpenCall #SoloExhibition #CuratorialProject #ArtistOpportunity #NewYorkExhibition #CallForSubmissions https://www.instagram.com/p/CKr8oawFgPs/?igshid=1efk6e6ilt3ll

[burninginwaterart]

Opening tonight at CUE Art Foundation in NYC is a superb exhibition of work by Kambui Oljmi, "Solastalgia," curated by Hank Willis Thomas. Kambui Olujmi, I Knew you Before you was Born, 2016, wood, brass, glass walking canes, foot stool, faux pearls and ratchet straps. #kambuiolujimi #art #sculpture #painting #drawing #installation #community #brooklyn #bedstuy #doordie #mercy #midnight #broadway #lookaway #hankwillisthomas #cue #cueart #gallery #opening #nyc @cueart #solastalgia (at CUE Art Foundation)

[evan4sh]

Title: Oohhh… you! no.069 of the Passive Aggressive Gallery Project. Tired of waiting for galleries to come to me, I'm putting my art in galleries ( Instagram hashtag feeds) @CUEart #contemporaryart #creative #藝術 #dibujo #kunst #art #فن #美术 #arte #कला #liminal #magick #イラスト#マンガ#漫画 #instaart #drawing #lowbrow #watercolor #pencil #instadaily #artoftheday #CUEart #gallery (at CUE Art Foundation)

[cueart]

Tamara Johnson: No Your Boundaries Curator-Mentor: Renaud Proch February 13 – March 23, 2016 Opening Reception Saturday, February 13, 6-8PM

ARTIST STATEMENT I work to tease out potent meaning from overlooked fragments of the home, ordinary nuances of exterior architecture and un-monumental mishaps of a place. Through sculpture, performance and installation, my work utilizes a wide range of materials—from pigmented silicone rubbers to concrete—to recreate underutilized objects and situations into venues for participation and contemplation. Always teetering on the border between the tragic and humorous, my work takes what we know as familiar, such as a water hose, and distorts its function into an uncanny fossil of the real. Tamara Johnson was born in Waco, Texas in 1984. She graduated from the University of Texas at Austin in 2007 and the Rhode Island School of Design with a Sculpture MFA in 2012. Her work is a mash-up of sculptural making, choreographic landscapes and performative actions in the public/nonpublic. Most recently, she has exhibited her work at Wave Hill in the Bronx, NY; Socrates Sculpture Park, Long Island City, NY; The Lot LIC, Long Island City, NY; Judith Charles Gallery, New York, NY; Rooster Gallery, New York, NY; Microscope Gallery, NUTUREart and Black Ball Projects, all in Brooklyn, NY; Newhouse Center for Contemporary Art, Staten Island, NY; CR10 Arts, Hudson, NY; Eastfield College Gallery in Dallas, TX; Find & Form Space in Boston, MA and Philip Bloom Gallery in Nantucket, MA. Johnson’s Backyard Pool, 2014, was honored at the Public Art Network Year in Review 2015. This is Johnson’s first solo show in New York.

Support for this exhibition is provided in part by the Foundation for Contemporary Arts Emergency Grant.