#cubo futurism

[fuzzysparrow]

In the Eye of the Storm

The exhibition In the Eye of the Storm: Modernism in Ukraine, 1900–1930s, at the Royal Academy of Arts showcases various artistic styles and cultural influences in Ukraine during the early 20th century. It tells the stories of modernist artists revitalising Ukraine’s culture and asserting its autonomy. The historical backdrop of Ukraine, which had been subject to the rule of various empires, led…

[literaryvein-reblogs]

Writing Prompt: Depict the Invisible

Write a poem about something you can’t see, such as a dream, a whisper, hope, an earthquake, or electricity.

[poligraf]

« The Cyclist » by Natalia Goncharova

[principiumindividuationis777]

[fuckyeahomsk]

Underground Cubo-Futurism in Omsk ⌒(ё)⌒

[germanpostwarmodern]

When Lazar Khidekel (1904-86) first met his mentor Kazimir Malevich he was a 15 year old student at the Vitebsk art school where Malevich had recently taken a teaching position. Khidekel soon became something like the master’s right hand and in 1920 also became an important member of the Malevich’s UNOVIS group as well as the successor of El Lissitzky as person in charge of the school’s architecture department. In 1923 he followed Malevich to the GINKhUK in Leningrad and in parallel studied architecture at the local Civil Engineering Institute. Khidekel wholeheartedly embraced Suprematism and translated its principles to buildings that could really be built: in 1926 Khidekel designed a Workers’ Club and 1927, while still a student, realized a Sports Club that saw him fuse the spatial ideas of Suprematism with pragmatic concerns for materials and construction methods. Unfortunately his Suprematist experiments were cut short by the rise of Stalin and his strict doctrines which forced Khidekel to resort to Classicism.

The eventful story of the architect’s life is laid out in "Lazar Khidekel and Suprematism", edited by Regina Khidekel and published by Prestel in 2014, the first ever comprehensive publication on Khidekel. The book contains a wealth of drawings that illustrate Khidekel’s transition from early Cubo-Futurism to pure Suprematism and to his Suprematist architectural projects and later works. These are supplemented with a number of essays that e.g. explore Khidekel’s work within the UNOVIS group, the cosmic dimension of Suprematist architecture and his architectural works from the 1920s and 1930s. Through the juxtaposition of insightful texts and the larger number of illustrations one gains a deeper understanding of Suprematist architecture, the towering example of Kazimir Malevich and Russian Avant-garde in general. Highly recommended!

[ai-dump]

AI Prompt: “the robot is made in card stock with the edges painted brown, in the style of light gray and crimson, vivid comic book artist, neo-concrete art, orange, rtx, cubo-futurism, ue5 --ar 103:125 --niji 5 --style expressive --s 300 --c 20”

[artstfuff]

The last futurist exhibition of paintings 0,10 at Marsovo Pole, in Petrograd, Russia, 12.1915-01.1916.

end of previous Russian art movement: Cubo-futurism.

non-objective art

[arrlpdma]

Public Domain Art Showcase #8: Natalia Goncharova, Cyclist (1913)

Hello there. This is an oil-on-canvas painting done by Russian avant-garde artist Natalia Goncharova. Goncharova was a part of an art movement known as Cubo-Futurism, which combined elements of Cubism and Futurism. The painting was shown alongside Goncharova's Airplane over a Train in her 1913 solo show.

The painting depicts a cyclist bent over his bicycle while pedaling through what appears to be a town or city. The street beneath the cyclist is cobbled while behind him lies a row of shop windows.

More to come soon.

[spirito-libero199]

conversazione con chat gpt:

traduzione

The Future's Void • 2013

Satellites

Testo di "Satellites" di EMA

Apri i satelliti, apri i satelliti

Apri i satelliti, apri i satelliti

Apri i satelliti, apri i satelliti

Apri i satelliti, apri i satelliti

Lei è così femminile in questo grande spazio

Non riesco a leggerli, ha lasciato dei sogni

Apri i satelliti, apri i satelliti

Apri i satelliti, apri i satelliti

Sì, sì, mentre i pensieri si uniscono alla notte

Spingerò gli occhi luminosi verso il cielo

Posso vederli, due, tre, quattro, cinquemila di loro

E ricordo quando il mondo era diviso

Da un muro di cemento e un cubo di ferro

Li porto ancora nello spazio e non torniamo, oh, che spreco

Apri i satelliti, apri i satelliti

Apri i satelliti, apri i satelliti

Apri i satelliti, apri i satelliti

Non stanno uscendo così bene

Ho un incantesimo tutto nuovo

Non stanno uscendo così bene

io: parlami del significato di questo brano.

gpt:

"**Satellites**" di EMA è un brano del 2013 che appare nell'album *The Future's Void*. Il tema principale della canzone ruota attorno alla tecnologia, alla sorveglianza e al senso di alienazione nell'era digitale.

Il termine "satelliti" è usato simbolicamente per rappresentare l'idea di essere osservati e monitorati da lontano. I satelliti, da un punto di vista fisico, sono strumenti tecnologici che orbitano nello spazio e sorvegliano la Terra, ma nel contesto della canzone, sembrano richiamare il controllo e la mancanza di privacy, temi legati alla sorveglianza digitale. EMA canta ripetutamente "open the satellites", un invito che può essere interpretato come un'azione di rivelazione o svelamento, forse per mostrare la realtà di come le persone siano costantemente monitorate o sotto controllo.

La canzone si riferisce anche alla divisione del mondo, evocando immagini di muri di cemento e cubi di ferro, probabilmente un'allusione alla Guerra Fredda e al Muro di Berlino, simboli fisici di divisione e controllo, in contrasto con la sorveglianza digitale, più invisibile ma onnipresente.

L'atmosfera del brano è distopica e riflette la preoccupazione per l'invadenza della tecnologia nelle vite umane, suggerendo un futuro in cui si perde il controllo della propria privacy e individualità. Il riferimento alla "grande magia" e agli incantesimi potrebbe rappresentare il desiderio di trovare una via d'uscita o una soluzione a questo sistema opprimente, anche se non sembra riuscire a spezzare davvero il ciclo.

In definitiva, "Satellites" esplora il senso di impotenza di fronte a un mondo iperconnesso ma alienante, dove il progresso tecnologico porta con sé un prezzo elevato in termini di libertà personale e autonomia.

[poligraf]

« Bridge. Sèvres » by Aleksandra Ekster

[huntingtonsimpact]

Article References

Cho, I.K., Hunter, C.E., Ye, S. et al. (2019). Combination of stem cell and gene therapy ameliorates symptoms in Huntington’s disease mice. npj Regen Med, 4(7). https://doi.org/10.1038/s41536-019-0066-7

Frank, S. (2014). Treatment of Huntington's disease. Neurotherapeutics, 11(1), 153-160.

Fritz, N. E., Rao, A. K., Kegelmeyer, D., Kloos, A., Busse, M., Hartel, L., ... & Quinn, L. (2017). Physical therapy and exercise interventions in Huntington’s disease: a mixed methods systematic review. Journal of Huntington's disease, 6(3), 217-235.

Jona, C. M. H., Labuschagne, I., Mercieca, E. C., Fisher, F., Gluyas, C., Stout, J. C., & Andrews, S. C. (2017). Families affected by Huntington's disease report difficulties in communication, emotional involvement, and problem solving. Journal of Huntington's Disease, 6(3), 169-177. https://doi.org/10.3233/JHD-170250

Kachian, Z. R., Cohen-Zimerman, S., Bega, D., Gordon, B., & Grafman, J. (2019). Suicidal ideation and behavior in Huntington's disease: Systematic review and recommendations. Journal of affective disorders, 250, 319-329.

McColgan, P., & Tabrizi, S. J. (2018). Huntington's disease: a clinical review. European journal of neurology, 25(1), 24-34.

Mestre, T. A., & Shannon, K. (2017). Huntington disease care: From the past to the present, to the future. Parkinsonism & related disorders, 44, 114-118.

Pizzorni, N., Pirola, F., Ciammola, A., & Schindler, A. (2020). Management of dysphagia in Huntington’s disease: a descriptive review. Neurological Sciences, 41(6), 1405-1417.

Scuffham, T. M., & MacMillan, J. C. (2014). Huntington disease: who seeks presymptomatic genetic testing, why and what are the outcomes?. Journal of genetic counseling, 23(5), 754-761.

Simón-Vicente, L., Cuesta-García, C., Rivadeneyra-Posadas, J., Mariscal, N., Aguado, L., Miguel-Pérez, I., ... & Cubo, E. (2023). Occupational performance in Huntington’s disease: A cross-sectional study. British Journal of Occupational Therapy, 86(6), 432-440.

Stoker, T. B., Mason, S. L., Greenland, J. C., Holden, S. T., Santini, H., & Barker, R. A. (2022). Huntington’s disease: Diagnosis and management. Practical neurology, 22(1), 32-41.

[sbowen]

Lyubov Popova

I encourage my students to pick at least one abstract art work that resonates each week and wrote a few sentences about it. One of them chose Lyubov recently (reminds me of Arthur). Popova was one of the first female pioneers in Cubo-Futurism. Through a synthesis of styles she worked towards what she termed painterly architectonics. #lyubovpopova

[ai-dump]

the robot is made in card stock with the edges painted brown, in the style of light gray and crimson, vivid comic book artist, neo-concrete art, orange, rtx, cubo-futurism, ue5 --ar 103:125 --niji 5 --style expressive --s 300 --c 20