#crouching tiger hidden dragon review

[tinyreviews]

Watched it as a kid, thought the ending was dumb and pretentious. Now, through a writer’s eye, I see the themes and subtlety, but the ending is still confusing and not cathartic. Everything else makes it a MUST WATCH!

Crouching Tiger, Hidden Dragon is a 2000 wuxia martial arts adventure film directed by Ang Lee and written for the screen by Wang Hui-ling, James Schamus, and Tsai Kuo-jung. The film stars Chow Yun-fat, Michelle Yeoh, Zhang Ziyi, and Chang Chen. It is based on the Chinese novel of the same name serialized between 1941 and 1942 by Wang Dulu, the fourth part of his Crane Iron pentalogy.

[harrycosmo]

I Lost My Body (J'ai perdu mon corps) is an animated French movie from 2019 that follows an episode in the life of a young Maghreban called Naoufel who lives in Paris. To me, he seems to be autistic (neurologically hypersensitive).

Naoufel is clumsy and chaotic and works as a pizza delivery guy. One evening, he arrives half an hour late and the pizza is a mess. Over the intercom, he speaks to the woman who’s been waiting for him and they end up having a conversation that just keeps on going, perhaps because Naoufel is honestly dejected rather than defensive and the young woman, Gabrielle, is very direct.

Naoufel lives with his derelict uncle and horrible cousin because his parents died in a car crash when he was a child. He’s lonely, passionate and obsessive enough that Gabrielle hanging out with him over an intercom is enough for him to decide to track her down at the library where she works.

Following her on the metro, he watches as some other guy sits down next to her, wishing that was him. This made me think of a scene in this Flemish movie from 2007 called Ben X, in which Ben, who is autistic, tracks down his online gaming friend ‘Scarlite’ and just sits next to her on the train. For him, it’s a profoundly wonderful experience.

Having followed her all the way back to her apartment, Gabrielle spots Naoufel peering into her uncle’s carpentry studio and confronts him. He pretends to be interested in a piece of paper advertising for an apprentice and manages to get hired by the uncle and moves into an apartment in the same block. Because they now run into each other regularly, he can get to know her. This kind of behaviour always prompts the nastiest people to cry out ‘Stalker!’. What Naoufel is is a romantic fantasist, but his devotion is unlikely to be reciprocated and may not even be tolerated.

In their first conversation over the intercom and then later when they have a chat at the library, Naoufel learns that Gabrielle longs to visit the North Pole and dreams of living in an igloo, so naturally he starts building her one made of wood on top of her building using the skills he’s acquired from training as a carpenter. His focus is on making her dream come true because his dream is her.

He brings her to the igloo and shares an idea he has that you might be able to change your fate by doing something extreme that you wouldn’t normally do, like jumping onto a crane. He then reveals to her that he’s the pizza delivery guy from before. It’s a bit heartbreaking when she’s angry with him for his elaborate covert pursuit of her but she does have a point that he was using her uncle, who is unwell, to get close to her. This is a shattering blow that sets off a chain of events that culminates with him accidentally cutting off his own hand with a motor saw.

Another autistic trait of Naoufel’s is his heightened appreciation of sounds. In flashbacks to his childhood, we see him recording all sorts of noises on a device given to him by his parents before they died. At night, he listens to recordings of his parents’ voices.

Throughout the movie, the scenes of Naoufel’s hard life and pursuit of Gabrielle are intercut with scenes of his severed hand escaping from a laboratory and making its way across Paris on a quest to reunite with its body. When the severed hand finally gets back to Naoufel, it’s unable to re-attach.

It’s not a movie that leaves you with much hope for the fulfilment or even survival of someone like Naoufel who is weighed down by so much loss and regret. A bit like Jen throwing herself off Wudan mountain at the end of Crouching Tiger Hidden Dragon, Naoufel makes his leap onto the crane. Also, Gabrielle hasn’t lost her fondness for him - he did pick a nice girl. These are the few crumbs of hope that the movie leaves you with.

[mostlygibberish]

I liked the part with the teacup.

A beautiful movie, both in terms of the visual presentation and its touching, dramatic narrative. Gorgeous cinematography, excellent set design and costuming, and remarkable practical effects. The choreography of every fight scene was as intricate as it was meticulously performed. All set to a consistently great score, from epic orchestral pieces to driving percussion that intensified the action scenes.

Fantastic performances from the entire cast, especially in the romantic moments. The repressed love between Yu Shu Lien (Michelle Yeoh) and Li Mu Bai (Chow Yun-fat) was truly heartbreaking to watch unfold, while the flashback covering Jen (Zhang Ziyi) and Lo's (Chang Chen) meeting was unbelievably passionate. Has there ever been a better meet cute put to film than their hand-to-hand battle across a desert wasteland?

A truly incredible movie.

[365days365movies]

Action January: Omnibus

As I prepare for the future of this blog (and there is a future, if anybody's wondering), I find myself looking back at the good times, when I had the time to watch a movie a day and write a blog about it, which...yeah, wasn't even sustainable for me in 2021, so make of that what you will. ANYWAY, I decided that I would bring all of these posts together in an omnibus of sorts, so anybody that wanted to read these posts could find them all easily in one place. This, alongside other archives, are going to be pinned to the top of my page, and will serve as a long index of the films in the appropriate genres. The goal? To extend these archives as I go along, and have this running index for my blog. And again...there will be additions...

SO! With that, feel free to check out these films in the action genre, which remains one of my favorites! Any films you'd like to see in this list? Comment, reblog, message me, whatever! I'm always open to suggestions to add to my ever-building master list. And check out the other indices to come!

Introduction to Action (2021)

Top Gun (1986; dir. Tony Scott) (Part I | Part II | Review) Mission Impossible (1996; dir. Brian De Palma) (Part I | Part II | Review) Cliffhanger (1993; dir. Renny Harlin) (Recap | Review) First Blood (1982; dir. Ted Kotcheff) (Part I | Part II | Review) The Running Man (1987; dir. Paul Michael Glaser) (Part I | Part II | Review) Last Action Hero (1993; dir. John McTiernan) (Part I | Part II | Review) The Nice Guys (2016; dir. Shane Black) (Part I | Part II | Review) R.E.D. (2010; dir. Robert Schwentke) (Recap | Review) Kung Fu Hustle (2004; dir. Stephen Chow) (Part I | Part II | Review) Enter the Dragon (1973; dir. Robert Clouse) (Recap | Review)

Come Drink with Me (1966; dir. King Hu) (Recap | Review) Crouching Tiger, Hidden Dragon (2000; dir. Ang Lee) (Part I | Part II | Review) House of Flying Daggers (2004; dir. Zhang Yimou) (Recap | Review) GoldenEye (1995; dir. Martin Campbell) (Part I | Part II | Review) Casino Royale (2006; dir. Martin Campbell) (Part I | Part II | Review) Kingsman: The Secret Service (2014; dir. Matthew Vaughn) (Recap | Review) Atomic Blonde (2017; dir. David Leitch) (Part I | Part II | Review) The Mask of Zorro (1998; dir. Johnston McCulley) (Recap | Review) Léon: The Professional (1994; dir. Luc Besson) (Part I | Part II | Review) Taken (2006; dir. Luc Besson) (Recap | Review)

The Wages of Fear (1953; dir. Henri-Georges Clouzot) (Recap | Review) Drive (2011; dir. Nicholas Winding Refn) (Recap | Review) The Fast and the Furious (2001; dir. Rob Cohen) (Recap | Review) Speed Racer (2008; dir. The Wachowskis) (Part I | Part II | Review) The Poseidon Adventure (1972; dir. Ronald Neame) (Recap | Review) The Expendables (2010; dir. Sylvester Stallone) (Recap | Review) The Raid: Redemption (2011; dir. Gareth Evans) (Recap | Review) The Fugitive (1993; dir. Andrew Davis) (Part I | Part II | Review)

Mad Max (1979; dir. George Miller) (Recap) Mad Max 2: The Road Warrior (1981; dir. George Miller) (Recap) Mad Mad Beyond the Thunderdome (1985; dir. George Miller and George Ogilvie) (Recap) The Mad Max Franchise (Reviews)

Action January: Summary (2021)

[jimsmovieworld]

CROUCHING TIGER, HIDDEN DRAGON- 2000 ⭐️⭐️⭐️⭐️

Master Li Mu Bai, a warrior, is about to retire and gives his sword to his lover Yu Shu Lien to keep it safe. However, the sword is stolen and now an embittered Li embarks on a mission to find it...

I remember watching this once when I was young and really didn't like the way people were flying about. On this viewing it didn't bother me at all I actually quite liked it. The fighting sequences were spectacular, very enjoyable stuff. Jade Fox is a devious old bag!

Directed by Ang Lee.

[thatgeekwiththeclipons]

Happy 62nd Birthday to Academy Award Winning actress Michelle Yeoh! ^__^

[capncarrot]

Crouching Tiger, Hidden Dragon

[a-life-in-film-by-wc]

Crouching Tiger Hidden Dragon (2000)

Was this really the first non-English speaking film I saw at the cinema? How uncivilised of me. Apparently the accents of the main characters weren’t very well received in China, so I guess it must have seemed foreign to everyone really.

I recently rewatched this masterpiece with my wife and tried to remember what I must have felt like watching this in the cinema. I had never seen anything like it at the time and to be honest I can’t think of anything really like it now. Simple and tragic, I did not understand Jen’s motivations in a lot of this but weirdly didn’t feel like I needed to. The love fight between Jen and Lo stood out for me and I remember his playful ebullience being fun to watch. I think I wanted to be like him.

This epic had a moving story and it looked gorgeous, introducing me to the work of director Ang Lee. I think I’ve seen every film he’s made since this, bar the one that only 5 cinemas in the world could handle its frame rate. If you think I’m making that up - google Billy Lynn’s Long Halftime Walk. I’ll be impressed if you’ve seen it.

If I’m honest, I still only half understand the title of this film, even now. I think I joked at the time that the tiger must have been crouching very low and the dragon was very well hidden, as I didn’t remember seeing either of them. I won’t pretend that I’m above making that joke now.

[laxmiree]

[CN] MLQC’s Lucien Wonderful Moments Date English Translation

⚠️ SPOILER ALERT!! ⚠️

This post contains a detailed spoiler for a date that has not been released in EN yet! Feel free to notify me if there are any mistakes in the translation~

Lucien boops Snowball's nose, his tone hinting at jealousy.

"You've been praising this little guy a lot."

"Pfft, is Professor Lucien jealous?"

Translation under the cut!

[Notes from Lux: Here’s the CN video link if anyone wants to follow along with his Voice Acting.]

A car moves slowly on the vibrant countryside road, joyful laughter spilling out of its windows from time to time.

Lucien casually rests his hand on the steering wheel, looking ahead, and quickly comes up with a Chinese idiom.

Lucien: The victory is in the bag. (shèng quàn zài wò)

MC: Idiom with wò… crouching tigers and hidden dragons! (wò hǔ cáng lóng! - 卧虎藏龙 - fig. mean talented individuals hiding their talent)

Lucien: Just a reminder to this beautiful contestant, this phrase was already said during our first round of the idiom chain game.

MC: Then, how about… I control my destiny! (wǒ mìng yóu wǒ - 我命由我- a phrase, not an idiom)

Lucien: [chuckles] That doesn't seem to be an idiom. Is Miss Producer starting to cheat?

Lucien tilts his head and looks at me with a smile. I sheepishly stick out my tongue, wracking my brain as I search through my vocabulary.

The gentle spring breeze seeps through the gaps of the car window. Looking at those cunning eyes, I have a sudden inspiration and break into a sweet smile.

MC: I like you~ (wǒ xǐhuān nǐ~)

Lucien's demeanor briefly halts for half a beat as though he doesn't expect my answer. But then, the smile on his lips grows bigger.

The warm afternoon sunshine reflects brightly in his upturned eyes, making them look particularly beautiful.

Lucien: [chuckles, then sighs] This is the most sophisticated cheating I've ever seen, so I concede defeat.

I cheer joyfully, but before I can utter a word, an electronic broadcast interrupts me.

"Distance to the next highway toll booth is 1.5 kilometers ahead.”

I glance at the phone screen and see it shows another hour and a half to the camping village.

Lucien suggested this camping trip to an ecologically pristine village with beautiful scenery, though the only downside is that the journey was a bit long.

I turn to look at Lucien, who appears to be in a good mood, and can't resist asking the small question that's been lingering on my mind.

MC: Lucien, what made you suddenly want to take me to this camping village?

Lucien: It was recommended by a colleague from the research center. I heard the scenery there is nice and worth a visit.

Lucien: I originally wanted to find an opportunity to spend time with you, and just last weekend we went to see a play, which gave me a very legitimate reason to invite you on a date—

Lucien: To create “beautiful moments”.

He deliberately emphasizes the words "beautiful moments", causing me to momentary pause as a recent memory quickly floods into my mind.

—[Flashback Start]—

At the entrance of the theater last weekend.

Lucien and I walked out of the theater hand in hand. I was still sniffling, lost in the storyline of the performance we just watched, unwilling to let it go.

Just as I was about to wipe away the tears at the corner of my eye, a warm hand handed me a tissue and gently dabbed it beneath my eyes.

Lucien: [gently] If this little audience member keeps crying, I'll have to go find the production team for an explanation.

MC: I'm just really moved by the play...

MC: At first, when I saw the protagonist growing up under the shadow of his mother's depression, I thought he would fall into despair.

MC: But he was able to diligently record the beautiful moments in life and ultimately salvaged himself...

MC: I just tried to put myself in his shoes, and it's really hard to be as optimistic as the protagonist, so I couldn't stop my tears.

Under Lucien's gentle gaze, I rambled on and on, completing my "review" of the play. He patiently wiped the corners of my eyes and offered a comforting smile.

Lucien: I actually think the lady by my side also has a pair of eyes that can discover the beauty of life everywhere.

His sincere praise caught me off guard, and I couldn't help but feel a little buoyed by it. My heart, which had been saddened by the protagonist's struggles, also eased a bit.

MC: If I had a "Book of Beautiful Moments," the first thing I would record is how Professor Lucien always generously praises me~

Lucien chuckled softly, and the strands of hair hanging over his forehead swayed gently in front of his thick lashes.

Lucien: [chuckles] I'm just stating facts. She shares the beauty of the sky with me and finds satisfaction in good weather...

Lucien: —Isn't that kind of you very much like the protagonist?

MC: Then next time I discover something beautiful, I'll make sure to record it promptly.

MC: Let's see if I can fill several volumes of "Wonderful Moments" just like the protagonist!

—[Flashback Ends]—

I casually remarked and thought it was nothing but a joke, yet Lucien silently remembered it in his heart. I come to my senses and blink.

MC: So, the reason you suddenly decided to take me out to play is to create more wonderful moments in my life?

Lucien: I wonder if it's because I'm not "competent" enough that you don't have much to record, so I deliberately created this opportunity.

Lucien: Of course, it's also to show myself off a bit.

He adopts a tone of pretended grievance that stirs a feeling of itchiness in my heart, I suppress the curve of my lips, nodding in mock annoyance.

MC: Well, in light of your "timely remedy," I'll reluctantly start recording officially!

✂———————–

MC: ...Lucien takes me camping;

MC: Before we set off, Lucien made me a cup of hot chocolate.

MC: While playing the idiom chain game, Lucien deliberately went easy on me...

As I speak, I open the Notes app on my phone and mutter to myself, recording a dozen or so entries. But as I continue to write, I suddenly feel something is amiss.

MC: Wait a minute, why do all these "wonderful moments" have Professor Lucien's shadow? I'm starting to suspect that I have a “love-brain”*...

[T/N: "恋爱脑" (love brain) is a Chinese internet buzzword that refers to a mindset that puts love first above everything. It refers to individuals who are deeply in love and often become consumed by their emotions, making it difficult for them to think about anything else. This phenomenon is characterized by extreme devotion to their lover, often leading to uncontrollable emotional dependence and intense desires to be with the other person... If anything, from the way Lucien takes her casual remarks seriously and uses them as a reason to hang out with her, this word describes Lucien more LOL]

Lucien: [with a pretending-don’t-to-know-anything tone] Oh, really?

Lucien is amused by my muttering, and a hint of sly self-satisfaction shines in his long and narrow eyes.

Lucien: [chuckles] It seems the Great Producer has already fallen into my sweet trap.

Lucien: Because my goal is to dominate your today's "wonderful moments" list through this trip.

MC: Hmph, then I won't let you succeed. Right now, I'm going to come up with something completely unrelated to you.

As I speak, I catch a glimpse of a white shadow flashing in front of the car. But before I can react, Lucien has already hit the brakes.

[Sounds of the car suddenly braking]

Almost simultaneously, a strong arm instinctively protects me in front of my chest.

Lucien: ...Are you okay?

He removes his sunglasses and swiftly scans me with his gaze as if confirming whether I'm injured.

I stare blankly ahead. After a moment of daze, there's no movement in front of the car, and my heart leaps into my throat.

MC: I, I'm okay...

MC: Lu, Lucien... Did something just rush onto the road?

Lucien: I'll go down and take a look first. Stay in the car and don't move.

He smooths out my disheveled bangs and then gets out of the car after turning on the hazard lights.

Through the windshield, I see him quickly walk to the front of the car. His gaze instantly shifts downward, as if he's spotted something, and he crouches down.

Did we really hit something?

Just as I nervously stretch my neck and am about to get out of the car to take a look, Lucien suddenly stands up, cradling a bundle of white fluff in his arms.

MC: Eh?

I take a closer look and can't help but exclaim in delight—

It's an adorable little Pomeranian!

Under my expectant gaze, Lucien quickly gets back into the car with the little Pomeranian in his arms, then raises the pup's paw and waves it at me.

MC: Hello there, cutie! How did you end up on the road?

Lucien: This little fellow must have gotten lost. I didn't see anyone else outside the car.

I follow Lucien's gaze out the window. The road is very quiet, there's no sign of anyone around.

MC: Is it injured?

Lucien: It wasn't hit just now. When I got out to check, it was still some distance from the front of the car. It's probably just a little startled.

As if understanding, the Pomeranian snuggles its face into Lucien's palm coquettishly. Its dewy eyes shift between Lucien and me, softening my heart.

I tentatively reach out my hand towards its nose, intending to let it get accustomed to my scent before attempting to pet its little head.

However, as soon as I reach out my hand, the little fellow enthusiastically licks my fingers. In the next moment, it leaps over the center console and goes straight into my arms.

MC: Wow, what a good little doggy!

MC: And it looks very clean, not like a stray dog... Could it be lost?

Lucien leans in and turns the collar of the small Pomeranian, discovering a small round tag. On it, it reads "Snowball*" and a string of numbers.

[T/N: the pet name, "雪糕" (xuě gāo), actually means "ice cream bar/popsicle"  LOL. I take some liberty in translating the pup name because “雪” (xuě) word alone means “snow” (while “糕” (gao) means cake). Imagine that this fluffy white bundle looks like a snowball so I give the pup that name :D]

MC: "Snowball"? Is that its name?

Lucien: Mm, below should be the owner's phone number. Let me try contacting them. Maybe the owner hasn't gone far.

Lucien takes out his phone as he speaks and quickly gets connected. After briefly explaining the situation, a wave of gratitude comes from the other end of the line.

??: Thank you so much! I stopped at the service area for a break and took the pup out of the car for a walk. I forgot to bring it back into the car.

??: I've already turned back onto the highway. I'll be there in about forty minutes!

??: Will it delay you?

Lucien doesn't respond, he just looks up at me and gestures with his eyes, as if asking for my opinion. I quickly nod in agreement.

[asking for opinion from the family leader.jpg]

Lucien: No, it won't. Then let's meet at the nearest gas station to the toll booth on the highway.

After a brief conversation, he hangs up the phone and shakes his head at me helplessly.

Lucien: [smiles helplessly] Looks like our journey might be delayed for a bit.

MC: What a careless owner! How could they forget such an adorable little dog?

I affectionately rub Snowball's head. It seems to whimper aggrievedly, then it straightens up, leans against me, and licks my cheek.

The adorable and silly look melts my heart once again. I exaggerate by placing my hand over my heart, then I scoop Snowball into my arms and give it a tight cuddle.

MC: Lucien, it's just too cute.

Upon seeing this, Lucien boops Snowball's nose, his tone hinting at jealousy.

Lucien: You've been praising this little guy since earlier until now for so many times.

MC: Pfft, is Professor Lucien feeling jealous?

Lucien: After all, I was the one who wanted to make a good impression today, but I didn’t expect to be outshone by this "little attention-seeker".

MC: I think, it's actually quite timely that Snowball showed up.

I mischievously wink at him and raise Snowball triumphantly.

MC: Just when I couldn't think of any beautiful moments unrelated to you.

MC: The appearance of this cute little fellow right now just fills that gap perfectly~

Lucien: Is that so?

Lucien presses his lips together thoughtfully, his clean fingertips lightly tapping on the steering wheel. He puts his sunglasses back on and, as if on a whim, starts the car again.

Lucien: Buckle up your seatbelt, let's go.

MC: Huh? Where are we going? Aren't we supposed to wait for Snowball's owner?

Lucien: MC's words just aroused my desire to win.

Lucien: In order not to lose to this little fellow, I have to put in some extra effort during these forty minutes of waiting.

Lucien: Before that, let's go find some more unexpected wonderful moments.

✂———————–

Ten minutes later, Lucien drives us to a countryside field.

The golden sunlight blankets the emerald green grass, while wisps of light mist hover amidst the sea of green.

Excitedly, I hop out of the car while holding Snowball, and find myself unable to tear my eyes away from the beautiful scenery for a moment.

MC: It's so beautiful! Lucien, how did you know there's a place like this nearby?

Lucien: We passed by here when Miss Producer was fully focused on playing the idiom chain game just now.

Lucien: The meeting point I arranged with Snowball's owner is very close to here, so it was convenient to stop by on the way.

MC: [sweats] What? During that intense idiom chain game just now, you still managed to notice the scenery on the sides of the road?

Upon hearing this, Lucien seriously crosses his arms, one hand supporting his chin as if deep in thought.

Lucien: Hmm, after all, even in such a tense moment, Miss Producer didn't forget to use "sweet words" to bribe her opponent.

MC: Pfft-

I can't help but laugh, but Snowball in my arms suddenly wriggles restlessly, as if trying to break free from my embrace.

MC: Do you want to go down and play?

I carefully place Snowball on the ground. It sniffs around with its tiny nose and then happily starts running around us.

MC: [laughs cheerfully] Hahaha, Snowball, you're so fearless, don't you?

MC: Even after such a day full of twists and turns, you can still play so happily!

Lucien: A puppy's mind is very simple.

Lucien: Perhaps in its eyes, it simply unexpectedly took a risk to venture into an unfamiliar place and met with a beautiful and empathetic Jiejie (big sister) who understands it well.

Lucien: And now, this Jiejie has brought it to a playground where it can run freely, so why can't it be happy?

MC: Oh, come on, it's definitely the credit of this reasonable and understanding handsome Gege (big brother).

I jokingly gesture with my hand, but as I watch Snowball's carefree figure, I can't help but ponder Lucien's words with a thoughtful expression.

MC: That being said, it seems like any simple thing can easily make a puppy happy.

MC: Whether it's the company of its owner, a friendly pat from a stranger, a passing butterfly, or even just a small treat...

MC: I often see videos of dogs being scolded by their owners. One moment, they're scared out of their wits…

MC: Then, the next moment, as soon as their owners call their names with a smile, they instantly become happy again.

MC: So, is life filled with beautiful moments everywhere in the eyes of a puppy?

As we talk, Snowball runs around a nearby grassy area and then returns to Lucien's feet, panting. It looks like it's tired from playing and eagerly starts pawing at his pants.

Lucien cooperatively lifts it, and it comfortably stretches lazily in his arms, then leans against his arm and rests.

Lucien pats its head, his expression somewhat resigned.

Lucien: I originally wanted to create a "wonderful moment" for MC, but it seems like Snowball is the one enjoying it more.

MC: Indeed, we should learn from puppies and embrace the spirit of enjoying every moment. I can't let Snowball beat me~

As I say this, I take a deep breath, and the fresh air instantly fills my heart.

MC: So pleasant... If it weren't for the tight schedule and better scenery waiting for us, I'd want to camp right here.

Lucien looks at me upon hearing this, seeming to contemplate something. After a moment, he gently places Snowball into my arms and gives me a mysterious wink.

Lucien: I've received the classmate's wish, please wait a moment.

He walks around to the back of the car, opens the trunk, and folds down all the rear seats, creating a spacious area.

[Lucien’s car being an SUV is really useful in times like this huh-]

Then, he hangs the small decorative lanterns that were initially used for the tent on the roof of the car. Finally, he shakes out a small thin blanket and spreads it on top.

After finishing all this, he bends slightly and makes a gentlemanly invitation gesture.

Lucien: Please, have a seat.

MC: This is...

Lucien: Our time is indeed limited, not enough to set up a proper tent.

Lucien: So we'll have to use this "temporary camping spot" instead, I hope you two* don’t disdain it.

[T/N: He actually uses 小朋友 (literally means: child) as the term of endearment to refer both of them (so the more literal translation should be “I hope the two children don’t disdain it”). I change it for an obvious reason here, but I swear it’s not as bad as the english language makes it to be-]

I stand still for a moment as his intention dawns on me. Pink bubbles seem to bubble up in my chest, making my heart move up and down in the ripples it causes.

I compliantly put on airs, playing along with his gesture as I cradle Snowball and settle into the car.

MC: Can you see a look of "disdain" on our faces?

I raise Snowball, showing a coy and obedient look at Lucien. Snowball, oblivious to the situation, cooperatively wags its tail and barks cheerfully at Lucien twice.

Lucien chuckles softly, then takes off his sunglasses with one hand, his gaze shifting between Snowball and me.

The vast expanse of clouds above his head begins to slowly drift away, revealing the warm and radiant sunshine.

His deep gaze is imbued by the golden sky, revealing a hint of childlike innocence and simple contentment.

Lucien: Indeed, I can't see it, because I can only see two adorable faces.

His doting tone is unreserved, and I satisfactorily squint my eyes, my heart full of joy.

MC: This one-of-a-kind camping area, with Professor Lucien's intention behind it, is priceless and worth more than any amount of money.

MC: I cherish it so much; how could I possibly disdain it?

Snowball seems to understand my words. With a "woof", he jumps down and happily rolls around on the blanket.

Both Lucien and I are amused by its adorable appearance. A gentle breeze blows by, and my entire heart feels light as if it's strolling in the clouds.

Our gazes lock into each other, and this tranquil moment is so beautiful that I truly want to record it in some way.

But I don't take out my phone to make a note. Instead, I instinctively reach out and gently pull Lucien to sit beside me.

The warmth beside me makes me unconsciously lean closer. I nuzzle his shoulder clingily, my heart filled with softness.

MC: Professor Lucien, you've succeeded.

MC: Now my mind is filled with countless wonderful moments, and each of these moments is related to you-

MC: Me leaning on your shoulder, your scent filling my senses, and us sharing this unexpected encounter of scenery together...

MC: And even if these moments aren't intentionally recorded by me, it's okay.

MC: Because every little thing that has been happening with you has already integrated into my world since a long time ago.

The breath above my head becomes even more gentle and elongated. Lucien enfolds me in his arms, his warm breath almost as if it's seeping into the depths of my heart.

Lucien: I am honored to be part of all the “wonderful moments” of Miss MC.

Lucien: As the sole recipient of this “award”, I will remain humble and continue to work hard, bringing her even more happiness.

I smile in his arms, but suddenly, I think of something and pull myself away from him a bit.

MC: But it's not fair, I've listed so many 'wonderful moments' of my own. How come you haven't shared a single one with me?

Lucien seems taken aback by my sudden mention of this. He is struck silent for a moment, then a flicker of wounded expression crosses his face.

Lucien: Perhaps because I thought even if I didn't say anything, MC would know what I’m thinking—

Lucien: My "list of wonderful moments" is very simple, so simple that it has only one item.

Lucien: Now, do you still need me to tell you this one and only item?

He stares steadily into my eyes, with an irreplaceable radiance that ebbs and flows in the depths of his gaze.

I softly laugh, and my entire heart feels as transparent and bright as if it has been meticulously polished.

MC: No need.

I shook my head, the stray hair on my forehead bringing a slightly unbearable itch, gently brushing against my heart along with the gentle spring breeze.

I gently cup his cheek in the palm of my hand, and the world becomes unusually quiet, only the sound of two hearts beating can be heard.

MC: You don't need to say anything.

Because in those beautiful eyes, I only see myself.

————Fin———–

[Bonus Phone Call - Want it Now]

Lucien: Hello? Are you busy?

MC: So, I was about to take a lunch break—I was just thinking about you, and then your call came.

Lucien: It seems like there's always some kind of wonderful little tacit understanding between us.

Lucien: Then tell me about it.

MC: Haha, here's the thing. The company's pet club is planning a charity event.

MC: They plan to sell some handmade items and donate the proceeds to animal shelters. But I don't have any inspiration for what to make at the moment...

Lucien: Mm... I just received a delivery that might be helpful to you.

Lucien: The owner of Snowball sent us some things as a thank you. There are small felt keychains shaped like Snowball, as well as cartoon-style standees and cross-stitch fridge magnets.

Lucien: Looking at the note in the delivery box, it seems that the owner of Snowball designed them personally and also has the same ones at home.

Lucien: Perhaps we can also make some similar small items.

MC: Wow! They actually make these for their pet? The owner of Snowball is so thoughtful.

Lucien: You can tell that Snowball is truly cherished, so its owner makes these everyday little things, wanting its presence to fill every corner of their home.

MC: Hmm... Just like how my phone screensaver is you, and all the photos hanging around the home are of you?

Lucien: If what you're saying is that feeling of 'even when you're not around, I still want to see you first thing’...

Lucien: Then we're the same.

MC: I have another idea, I wonder if Professor Lucien shares the same idea as me.

Lucien: Hm?

MC: Even though my screensaver and chat background are pictures of you... I still want to see you right now.

Lucien: What a coincidence, I was thinking the same thing. So I've already brought your favorite milk tea and the Snowball keychain, and I'm on my way to see you.

Lucien: I checked the navigation, and the route from the research institute to your company is very smooth.

Lucien: In twenty minutes, both of our wishes will come true.

[wellntruly]

I made my top ten list for 2022

1 Amadeus (Forman, 1984) Recommended for: Interview With the Vampire fans

2 Chungking Express (Kar-Wai, 1994) Recommended for: Cowboy Bebop fans

3 Dog Day Afternoon (Lumet, 1975) Recommended for: poor little meow meow fans

4 The Night of Counting the Years (Abdel Salam, 1969) Recommended for: Piranesi fans

5 The Long Day Closes (Davies, 1992) Recommended for: Yann Tiersen fans

6 Crouching Tiger, Hidden Dragon (Lee, 2000) Recommended for: Lawrence of Arabia fans

7 California Split (Altman, 1974) Recommended for: 'friendships are romances' posts fans

8 The Long Goodbye (Altman, 1973) Recommended for: actually, David Lynch fans

9 All That Heaven Allows (Sirk, 1955) Recommended for: Carol fans

10 All That Jazz (Fosse, 1979) Recommended for: Velvet Goldmine fans

Let me know how you like the single, askance reference approach, I'm experimenting with succinct weird ways to pitch things to the people I think will like them. Links go to my original Letterboxd "review" (comment), and if you click the poster or title there you'll be taken to the short synopsis, cast & crew, wide header image for some vibes, etc.

[aanglican]

ok here’s my initial review of natla, no spoilers

began roughly with the pilot episode (“aang”) thanks to the excessive exposition and choppy pacing - i’m guessing this was done for new viewers unfamiliar with the story already - though it quickly finds its feet with the next episode (“warriors”)

there were a lot of changes - some baffling, some pleasant. the more baffling parts pertain to certain spirits whereas the more pleasant ones pertain to characters. there is a lot of cutting and pasting of characters and plotlines from different episodes into one in episodes 3 (“omashu”) and 4 (“into the dark”) but i think they were done quite seamlessly for the most part. there are also reveals/expansions that i absolutely loved.

the series suffers from what i’ll call the netflix syndrome: not having enough episodes. please, i beg we return to the older model of american television a bit. the need becomes most obvious towards the last two episodes (“the north” & “legends”) and i would have enjoyed to see some more time pass on screen, with a bit of breathing room in between events. let things simmer!

i wish the storytelling and dialogue were more often subtle than not. i enjoy the bubbling-beneath-the-surface energy that daniel dae kim and the writers gave to ozai and his relationship with his children and i wish they would have done the same for most of the series, especially with katara. the constant flashbacks to her past experiences started to feel overexposed really fast and seeing those events play out for the first time in real time instead would have packed a bigger, heavier punch.

this is a very hit-or-miss show; this applies to most aspects of it from acting to CGI to choreography to dialogue. kiawentiio is the weakest out of the big four and may come off as slightly stiff compared to dallas and ian. gordon is great though he does have some expected childishness in his acting here and there but it’s all very tolerable. some green screens were very obvious especially in episode five (“spirited away”) and some bending effects are better than others, i.e., air and fire > water and earth. some of the choreo for the latter two could be better and the consequences more explosive. the dialogue balances humor and seriousness fairly well but the preachy quality of a few lines are meh.

the aesthetic of the series does itself well though it is very recognizably a netflix show and my own personal tastes would have liked it filmed a different way. i’ve said this before: avatar would have looked wonderful and most at home if it looked like a wuxia film à la house of flying daggers (2004), hero (2004), or crouching tiger hidden dragon (2000). i’m not the biggest fan of the lighting, camera angles, and color grading but they’re not terrible.

stand out performances for me (outside of aang) are zuko, sokka, suki, azula, ozai, kyoshi, and zhao in the finale.

all in all, i’m giving it a 6.8 or 7 out of 10. i really think the low episode count hindered it though there are a lot of things i enjoyed & plenty of potential for a next season. i am not so sure if we are getting a next season or two but if we will, i want more than 10 episodes at the very least. i was prepared for a number of changes but i didn’t expect that much, so maybe once the jarring feeling goes away then i’d be able to appreciate the series more.

[actuallylorelaigilmore]

2024 Belated Updated Movie Masterlist

every year, i repost my movie watchlist here and set a new goal for movie watching. it is september now and i only just realized that i never did that for 2024!

instead, i tried to chip away at the 2023 reviews i was behind on first, got absolutely swamped by life (which i promise i'm still working on telling you all about) and never kicked off 2024 officially, even as i have been watching movies and keeping track of them to review here.

so, no time like almost-october, right? better than letting all of 2024 be absorbed into a black hole. and i didn't have a goal for this year, since i completely forgot to even kick off the year with a fresh masterpost, but the upside of that is that i don't have to feel bad about never coming close to my aspirational ideals.

also! i finally gave in and created a letterboxd account, though i'm still working on setting things up over there--and i'm going to keep writing my reviews over here anyway, because this is still my online home.

if anybody wants to read my most recent year in review, last year’s list is here, with movies i watched linked to their reviews (and more reviews to come). for 2024 though, behold, my constantly-growing movie list (split in half because tumblr's mad at how many i want to see):

4th man out (2015) 12 years a slave (2013) a family man (2016) a room with a view (1985) a simple favor (2018) a single man (2009) a wrinkle in time (2018) abigail (2024) about time (2013) admission (2013) after yang (2021) always be my maybe (2019) american fiction (2023) american gangster (2007) ammonite (2020) amsterdam (2022) an education (2009) anything’s possible (2022) aquaman (2018) are you there god? it’s me margaret (2023) argylle (2024) arrival (2016) atonement (2007) august: osage county (2013) babylon (2023) bad education (2019) be kind rewind (2008) bedazzled (2000) beetlejuice (1988) beetlejuice beetlejuice (2024) begin again (2013) between the temples (2024) big eyes (2014) billy elliot (2000) blockers (2018) bohemian rhapsody (2018) bowfinger (1999) boy erased (2018) breaking (2022) brideshead revisited (2008) bright young things (2003) burn burn burn (2015) cairo time (2009) call jane (2022) can you ever forgive me? (2018) catherine called birdy (2022) chef (2014) clemency (2019) coco (2017) cold copy (2023) colette (2018) crazy rich asians (2018) creed (2015) creed 2 (2018) creed 3 (2023) crimson peak (2015) crouching tiger, hidden dragon (2000) crush (2022) cuckoo (2024) cyrano (2021) dazed and confused (1993) demolition man (1993) devil’s knot (2013) didi (2024) die hard 2 (1990) die hard with a vengeance (1995) dog day afternoon (1975) drive-away dolls (2024) dual (2022) earth girls are easy (1988) effie gray (2014) ella mckay (?) eurovision song contest: the story of fire saga (2020) fast color (2018) fear street part one: 1994 (2021) fear street part two: 1978 (2021) fear street part three: 1666 (2021) fighting with my family (2019) fly me to the moon (2024) fright night (2011) furiosa: a mad max saga (2024) galaxy quest (1999) girls trip (2017) glass onion: a knives out mystery (2022) gone girl (2014) good luck to you, leo grande (2022) goodbye christopher robin (2017) gosford park (2001) gunpowder milkshake (2021) happy death day (2017) happy death day 2u (2019) happy texas (1999) her smell (2018) his three daughters (2023) hit man (2023) holes (2003) honk for jesus. save your soul. (2022) honor society (2022) how to talk to girls at parties (2017) how to train your dragon (2010) hysteria (2011) i am not your negro (2017) i don’t feel at home in this world anymore (2017) i saw the tv glow (2024) i, tonya (2017) if (2024) if beale street could talk (2018) inception (2010) infinitely polar bear (2014) jackie (2016) jane got a gun (2015) janet planet (2024) jennifer's body (2009) joyful noise (2012) judas and the black messiah (2021) judy blume forever (2023) junebug (2005) jupiter ascending (2015) just mercy (2019) kajillionaire (2020) keeping mum (2005) killers of the flower moon (2023) knife fight (2012) kubo and the two strings (2016) laggies (2014) last holiday (2006) late night (2019) lemonade mouth (2011) little (2019) live free or die hard (2007) logan lucky (2017) longlegs (2024) love, simon (2018) magic mike xxl (2015) magic mike: last dance (2023) mansfield park (1999) marmalade (2024) mars attacks! (1996) mary queen of scots (2018) master (2022) master gardener (2022) maxxxine (2024) may december (2024) me and earl and the dying girl (2015) meet the robinsons (2007) megamind (2010) memento (2000) men in black international (2019) mermaids (1990) midsommar (2019) migration (2023) miss pettigrew lives for a day (2008) miss sloane (2016) missing (2023) monkey business (1952) moonlight (2016) moonrise kingdom (2012) moonshot (2022) mother couch (2023) mothers instinct (2024) moving on (2022) mr. magorium’s wonder emporium (2007) mr. mom (1983) much ado about nothing (2011) muriel’s wedding (1994) musica (2024)

nancy drew and the hidden staircase (2019) nanny mcphee (2005) nanny mcphee returns (2010) national anthem (2024) never let me go (2010) newsies (1992) night shift (2023) no time to die (2021) nope (2022) northanger abbey (2007) not okay (2022) obvious child (2014) omni loop (2024) on the come up (2022) oppenheimer (2023) other people (2016) pacific rim (2013) palm springs (2020) parallel (2024) parasite (2019) paris is burning (1990) passing (2021) penelope (2006) pete’s dragon (2016) pirate radio (2009) please stand by (2017) polite society (2023) pride (2014) pride and prejudice and zombies (2016) professor marston and the wonder women (2016) renfield (2023) return to oz (1985) rise of the guardians (2012) rita moreno: just a girl who decided to go for it (2021) rocketman (2019) roll bounce (2005) rosaline (2022) saving face (2004) say anything (1989) scoop (2024) scream (2022) scream 6 (2023) see how they run (2022) seeking a friend for the end of the world (2012) she said (2022) shirley (2024) shoplifters (2018) short term 12 (2013) sing street (2016) skincare (2024) sleeping with other people (2015) someone great (2019) somewhere quiet (2023) sorry to bother you (2018) soul (2020) spider-ham: caught in a ham (2019) spider-man: across the spiderverse (2023) spider-man: far from home (2019) spider-man: homecoming (2017) spider-man: into the spiderverse (2018) spider-man: no way home (2021) spin me round (2022) spotlight (2015) spy kids (2001) stage fright (2014) step up (2006) talk to me (2022) teeth (2007) the 355 (2022) the age of innocence (1993) the american society of magical negroes (2024) the anniversary party (2001) the batman (2022) the best exotic marigold hotel (2012) the bikeriders (2023) the book of clarence (2023) the breadwinner (2017) the burial (2023) the children act (2017) the craft: legacy (2020) the disaster artist (2017) the divine order (2017) the emperor’s new groove (2000) the eyes of tammy faye (2021) the fall (2006)    the fallout (2021) the fighting temptations (2003) the five year engagement (2012) the gentlemen (2019) the godfather (1972) the godfather part 2 (1974) the godfather part 3 (1990) the great gatsby (2013) the great lillian hall (2024) the hunchback of notre dame (1996) the hunt (2020) the iron lady (2011) the kill room (2023) the legend of tarzan (2016) the lost city (2022) the master (2012) the matrix resurrections (2021) the monuments men (2014) the notebook (2004) the old guard (2020) the outfit (2022) the photograph (2020) the prestige (2006) the prince of egypt (1998) the prom (2020) the queen (2006) the royal hotel (2023) the second best exotic marigold hotel (2016) the secret garden (2020) the skeleton twins (2014) the spy who dumped me (2018) the suicide squad (2021) the thicket (2024) the trial of the chicago 7 (2020) the truman show (1998) the unbearable weight of massive talent (2022) the united states vs. billie holiday (2021) the velocipastor (2018) the way he looks (2014) the woman king (2022) the wonder (2022) their finest (2016) thelma (2024) this means war (2012) tootsie (1982) treasure planet (2002) troop zero (2019) turtles all the way down (2024) twisters (2024) two lovers and a bear (2016) uglies (2024) upgraded (2024) us (2019) v for vendetta (2005) valley girl (2020) velvet goldmine (1998) venom (2018) venom: let there be carnage (2021) venom: the last dance (2024) victoria & abdul (2017) violent night (2022) walk the line (2005) wet hot american summer (2001) what happens later (2023) what we do in the shadows (2014) where’d you go, bernadette (2019) widows (2018) wild target (2010) winner (2024) women talking (2022) yesterday (2019) young adult (2011) zombieland: double tap (2019)

[world-cinema-research]

Technology: The Transformation of Films (Final Essay)

By Nathan Gruber

Ever since 1965, films underwent a drastic transformation that can now be reflected on through several key changes and dimensions such as technology and special effects. The result of this transformation are films that utilize the latest technology to take the audience to another world. One of the greatest films to do this is Avatar (2009) because it truly takes you to a new world with the use of effects. In this essay, we will determine how films have changed since 1965 by comparing the dimensions of Bonnie and Clyde (1967), Indiana Jones and the Temple of Doom (1984), Crouching Tiger, Hidden Dragon (2000), and Avatar (2009).

Bonnie and Clyde (1967) is an artistic success based on the lives of Bonnie Parker (Faye Dunaway) and Clyde Barrow (Warren Beatty). It was a success in several different areas including financial with it cost at $50,700,000 and took $2.5 million to create. Although it was a massive hit, “only around 5% of the movie’s content is historically accurate.” (Ashley Yoon’s Essay about Bonnie and Clyde). At the time this film was made, social issues were the primary topic to debate and protest over with the Civil Rights Movement and the Vietnam War. The goal of the Vietnam War protests were “to get national visibility for the anti-war movement” (U.S. Marshals Service). As for the Civil Rights movement, the photo below is a prime example of the violence that was taking place because of the unjust treatment of different races, specifically African Americans, which led to “the systematic denial of employment opportunities by white-owned businesses” (Britannica). This denial led to specific ethnicities gaining little money through work even when granted a job. 

In the 1980s, Indiana Jones and the Temple of Doom (1984) was released with critics giving it a standing ovation for the special effects by calling it “the most impressive achievements in the whole history of Raiders and Bond-style thrillers” (Roger Ebert Review). However, it must be noted that the way the film handled culture is rather distasteful, yet as Screen Rant reveals “there is no other film in the series in which Indy seeks out a lost artifact solely to return it to its rightful owners.” At the time of the film's release, Ronald Reagan was elected to be the President of the United States. This event is the single most important event of the year because of how it shows what the people of the United States wanted for a leader as the election had him at “525 electoral votes to (his opponent) Mondale’s 13” (Britannica). These facts make the film ahead of its time in the cultural and political aspects, but in other aspects, how does it compare? As the film utilized the top special and practical effects, the reception for it was major with the film making $333,080,271 at the box office making it a massive hit. The greatest examples of these effects are the rope bridge scene and the mine cart scene because of the combination of effects used which all make the film come to life.  

Rope Bridge Scene: https://youtu.be/nPGxSotEa-c?si=Rnwjn5Ky5Swr8Ixs 

Mine Cart Chase Scene: https://youtu.be/hVGl1d8hRBI?si=EOslw31_FId1rQQ8 

Crouching Tiger, Hidden Dragon (2000) was a huge hit and became widely renowned for the effects and story. At the time, the film received $213,966,221 at the box office. Even though it is renowned for the effects and stunts, the film used as little computer heavy effects as possible as computers “were used only to remove the safety wires that held the actors” (Robert Ebert’s Review). What makes this film truly unique is the unorthodox roles of the characters with women being powerful, strong warriors that defy “the limitations traditionally placed on them” (Aiden McKinney’s Week Seven Film comparison). At the time the film was created, the election of George W. Bush was a slim win as Florida was counted wrong and had to be recounted in order to know who won. As seen in the electoral map below, this event is the perfect example of the political climate of the time the film was made because it demonstrates how this decision was a difficult one to make. 

Avatar (2009) was a spectacularly massive hit that toppled every movie ever made and has kept that spot since then because of the 2.7 billion dollars made worldwide. This film utilized a vast array of CGI and other technologies that made the film appear as real as possible. This film was the first to use these technologies “to make his movie, which is what made it huge in cinematic history” (Jillian Arnold’s essay about Avatar). The clip below is an interview with James Cameron on the technology used in the film which shows the full extent of the film’s CGI. The technology used in the film would bring to life a film devoted to nature. This is what separated it “from the other science fiction films with its viewpoint regarding the nature besides the entire characteristics of a science fiction film” (Kalay, 43). At the time the film was created, Barack Obama became the first African-American president of the United States. 

Each of these films’ technology, special effects, and historical events serve as a guide to how films have changed since 1965. The film Bonnie and Clyde (1967) provided very little technological advancements because the film utilized some older technology from older films such as the screen domes for car chases to keep the budget low. This can be said for the special effects because much of it was done by previous films. However, the blood seen in the film was a small advancement to make the blood look real. The historic events at the time had the country in a social awakening that brought uncertainty to many people. When compared to Indiana Jones and the Temple of Doom (1984), there is a stark contrast in these areas because the Indiana Jones franchise used the latest effects and technology. Plus, Indiana Jones and the Temple of Doom (1984) came out at a time when there really wasn’t anything to cause a huge concern over, not even an election because the people were more united in 1984. 

Indiana Jones and the Temple of Doom (1984) utilized the latest in technology and special effects. It pushed these boundaries at a time of peace. In contrast, Crouching Tiger, Hidden Dragon (2000) used very minimal computer generated effects to make the movie look more authentic by using the computers to only remove safety robes. Crouching Tiger, Hidden Dragon (2000) pushed the boundary of tradition by having gender roles swapped so the women are the warriors and it did this at a time of little uncertainty because of an election that had to be recounted due to a miscount. However, it was a peaceful time. 

Crouching Tiger, Hidden Dragon (2000) used minimal technology to deliver the most authentic stunts possible. It did this at a very peaceful time. Meanwhile, Avatar (2009) heavily relied on special effects and CGI to bring the audience into the world James Cameron created. Like Crouching Tiger, Hidden Dragon (2000), it did all of this in a peaceful time. 

These films had different dialogue, sets, special effects, and genres. Bonnie and Clyde (1967) utilized minimal special effects, the genre was a clash between romance and action/drama, the sets were all either abandoned shacks, nature, or in a small town, and the dialogue was done in such a way that it wasn’t historically accurate, yet it gave context to the audience without sounding fake. Indiana Jones and the Temple of Doom (1984) had a genre of action/adventure, the sets were all in nature, in a palace, and in a terrifying cave system, the special effects were very grand and quite large in scope, and the dialogue was a bit over the top with Willie’s (Kate Capshaw) constant yelling at things as though it was her first time outside. In comparison, Crouching Tiger, Hidden Dragon (2000) had an action/adventure and romance genre, tons of special effects that were all stunts with a little editing, the sets were all outside in nature and in temples, homes, and other such buildings and were highly detailed, and the dialogue was very creative and clever with a rather unique choice of words, In Avatar (2009), there was an overwhelming amount of special effects, the sets were all in nature or else in a laboratory, the genre was a sci-fi action/drama, and the dialogue was interestingly integrated with the Na’vi language at parts, but mainly stuck with serious conversions. 

Each of these films hold an important place in film history with each contributing something to the industry. Looking back on each of these films, it becomes clear that with each contribution, there is a change to films as Bonnie and Clyde (1967) made violence more acceptable, Indiana Jones and the Temple of Doom (1984) brought technological advancements to special effects, Crouching Tiger, Hidden Dragon (2000) used technology and practical effects to make the film look realistic, and Avatar (2009) utilized computer technology to make it so sets weren’t even needed. As you can see, the biggest change to films is the technology used in them as movies today don’t even need practical sets. That is how movies have changed since 1965.

[ash-and-books]

Rating: 4.5/5

Book Blurb:

A fast-paced, high-kicking debut that’s Crouching Tiger, Hidden Dragon meets Stand Up, Yumi Chung as a young taekwondo artist uses an ancient book to help save her dreams—and her father.

Twelve-year-old Modesty “Mo” Seto dreams of being a taekwondo champion. Even though her mom disapproves, Mo can always count on her dad, who is her number one fan and biggest supporter. Lately, Mo has been on a losing streak, and it doesn’t help that she keeps losing to her archnemesis, Dax, who’s much bigger than her. If only she were faster, stronger, not so petite. Mo can’t even lean on her dad like usual with how distracted he’s been lately.

When Mo learns about the chance to audition to star alongside her idol and legendary martial artist and movie star Cody Kwok, she knows this her chance to prove to her dad, to the world, and to herself that she can compete with anyone, no matter her size. Unfortunately, Dax is auditioning, too. As Mo and her nemesis progress to callbacks, someone attempts to sabotage the movie set and Mo’s dad disappears—and both events seem linked to a mysterious book, the Book of Joy.

The book contains information on Xiaoxi Fu, a secret dance-like martial art developed by Mo’s ancestral grandmother. Armed with these secret moves and an unexpected ally, Mo embarks on a high-octane adventure to rescue her father, save the movie, and discover an unexpected joy in being small.

Review:

A young taekwondo artist must use an ancient book to save her dreams and her farther. Modesty "Mo" Seto is a twelve-year-old girl who dreams about becoming a taekwondo champion. Her mother disapproves and her father who was her number one supporter suddenly walks out her match with no explanation and disappears.... and thats when Mo discovers that her dad has been hiding family secrets. Mo also discovers that an opportunity to star in a movie with her idol, a legendary martial artist and movie star, Cody Kwok has come and she's going to do anything to prove to everyone including her dad that she was meant to be a martial artist. But with her taekwondo nemesis also competing for the role, a mysterious person trying to sabotage the movie, and her dad's disappearance as well as her ancestor's legacy... Mo is beginning to realize that her life is going to get much more complicated than she could ever imagine. This was a fun middle grade read about a girl who is just trying to pursue her hobbies and chase her dreams. Mo was a great protagonist and the journey she goes through was a fun one to read. She's dealing with so much, from wanting to get her parents to finally see her to realizing that sometimes your idols are not who you think they are. It's a fun read and I would absolutely recommend it!

Release Date: June 4,2024

Publication/Blog: Ash and Books (ash-and-books.tumblr.com)

*Thanks Netgalley and Simon and Schuster Children's Publishing | Aladdin for sending me an arc in exchange for an honest review*

[ogradyfilm]

Recently Viewed: Dreadnaught

[The following review contains MINOR SPOILERS; YOU HAVE BEEN WARNED!]

Although the Criterion Channel’s description neglects to advertise it as such, the 1981 kung-fu horror-comedy Dreadnaught belongs to Yuen Woo-ping’s loosely connected Wong Fei-hung series. Whereas the original Drunken Master featured the historical figure turned folk hero as a mischievous student (portrayed by the inimitable Jackie Chan) and Iron Monkey explored his childhood (as the son of professional badass Donnie Yen), this film depicts him as a wise old mentor—played, appropriately enough, by Kwan Tak-hing, who starred as the character in approximately seventy-seven movies (according to the notoriously reliable Wikipedia’s undoubtedly accurate count, anyway).

The plot (minimalistic as it is) revolves around Mousy, a meek, cowardly youth constantly terrorized by local thugs, corrupt cops, and… adorable puppies. Since it’s his job to collect on overdue bills for his sister’s struggling laundry business, his timid demeanor is a significant problem; thus, at the insistence of a sympathetic friend, he seeks tutelage under the esteemed Master Wong. The perceptive teacher quickly intuits that his reluctant disciple is a naturally gifted martial artist; he merely lacks the confidence required to effectively utilize his innate skills. When a convoluted sequence of events makes him the target of a deranged, bloodthirsty assassin, however, necessity might yet transform our pussycat of a protagonist into a courageous lion.

Yuen’s greatest talent lies in his ability to convey story and characterization through fight choreography, and Dreadnaught certainly delivers in that regard; every punch calls back to a narrative seed introduced in an earlier scene—a deliciously satisfying display of setup and payoff reminiscent of Edgar Wright’s Shaun of the Dead and Hot Fuzz. During the climactic showdown, for example, Mousy discovers that his family’s trademark “two-fingered grasp” technique is useful for more than just drying clothes; his firm grip strength—developed from years of wringing out wet fabric—gives him an unexpected advantage whilst grappling with his savage opponent… until his foe simply rips off the tattered remnants of his shirt, at least.

That deft juggling of tones—effortlessly transitioning between humor and suspense—elevates Dreadnaught, compensating for its relatively superficial flaws (particularly its uneven pacing). Yuen is justifiably renowned for his contributions to The Matrix and Crouching Tiger, Hidden Dragon, but I hope that more of his work as a director becomes (legally) available in the West; while his movies may not be conventionally “prestigious” or stylistically polished (compared to those produced by, say, King Hu), they are consistently entertaining.