#cricket productions inc.

[garadinervi]

Wolf Vostell: 'You' a dé-coll/age happening, Cricket Productions Inc., 1964 [Fondazione Bonotto, Molvena (VI). © Wolf Vostell]

[ptbf2002]

My Good Nicktoons Vs. Bad Nicktoons

Team Good Nicktoons:

Spongebob Squarepants

My Life As A Teenage Robot

The Fairly OddParents

The Adventures Of Jimmy Neutron: Boy Genius

The Ren And Stimpy Show

It's Pony

The Loud House

The Casagrandes

The Penguins Of Madagascar

Back At The Barnyard

El Tigre: The Adventures Of Manny Rivera

Kung Fu Panda: Legends Of Awesomeness

Rugrats

Rocko's Modern Life

Hey Arnold!

CatDog

The Wild Thornberrys

Rocket Power

Danny Phantom

Chalk Zone

Invader Zim

TUFF Puppy

Teenage Mutant Ninja Turtles

Monsters Vs. Aliens

Harvey Beaks

Rise Of The Teenage Mutant Ninja Turtles

Star Trek: Prodigy

Big Nate

As Told By Ginger

Bunsen Is A Beast

Welcome to the Wayne

Ollie's Pack

Vs.

Team Bad Nicktoons:

Sanjay And Craig

Breadwinners

Fanboy And Chum Chum

Pig Goat Banana Cricket

Planet Sheen

Winx CLub

Alvin And The Chipmunks (2015)

Original Template: https://www.deviantart.com/shevanda04/art/Good-Nicktoons-vs-Bad-Nicktoons-Template-638377841

SpongeBob SquarePants Belongs To Stephen Hillenburg, Rough Draft Studios, Inc. Carbunkle Cartoons, SEK Animation Studio, Wang Film Productions Co., Ltd. Rough Draft Korea Co., Ltd. United Plankton Pictures Inc. Joe Murray Productions Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

My Life as a Teenage Robot Belongs To Rob Renzetti, Rough Draft Studios, Inc. Frederator Studios, Frederator Networks, Inc. WOW! Unlimited Media Inc. Kartoon Studios, Inc. Nelvana Limited, Corus Entertainment Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

The Fairly Oddparents Belongs To Butch Hartman, Yeson Entertainment, Sunwoo Entertainment, Co., Ltd. Elliott Animation Inc. Billionfold Inc. Frederator Studios, Frederator Networks, Inc. WOW! Unlimited Media Inc. Kartoon Studios, Inc. Nelvana Limited, Corus Entertainment Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

The Adventures of Jimmy Neutron: Boy Genius Belongs to John A. Davis, DNA Productions, Inc. O Entertainment, Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

The Ren & Stimpy Show Belongs To John Kricfalusi, Bob Camp, Jim Smith, Lynne Naylor, Bon Art Company, Carbunkle Cartoons, Color Key Studios Taiwan, Fil-Cartoons, Inc. Lacewood Productions, MTV Animation Inc. Mr. Big Cartoons Australia, Rough Draft Korea Co., Ltd. Shanghai Morning Sun Animation Co., Ltd. Wang Film Productions Co., Ltd. Toon-Us-In Animations, Yeson Entertainment, Metrocel Animation Studios, Spümcø, Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nickelodeon Group, MTV, Comedy Central, Comedy Partners, MTV Entertainment Group. Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

It's Pony Belongs To Ant Blades, Boulder Media Limited, Blue Zoo Animation Studio, Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

The Loud House Belongs To Chris Savino, Jam Filled Entertainment, Boat Rocker Media Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

The Casagrandes Belongs To Chris Savino, Michael Rubiner, Miguel Puga, Jam Filled Entertainment, Boat Rocker Media Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Penguins Of Madagascar Belongs To Tom McGrath, Eric Darnell, Mark McCorkle, Bob Schooley, Oktobor Animation, Wang Film Productions Co., Ltd. DQ Entertainment, Paprikaas Interactive Services DreamWorks Animation Television, DreamWorks Animation LLC, Universal Pictures, Universal City Studios LLC, NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, Comcast Corporation, NBCUniversal Media, LLC. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Back At The Barnyard Belongs To Steve Oedekerk, O Entertainment, Omation Animation Studio, Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

El Tigre: The Adventures of Manny Rivera Belongs To Jorge R. Gutierrez, Sandra Equihua, Digital eMation, Inc. DongWoo Animation Co. Ltd. Saerom Animation, Inc. Lotto Animation, Inc. Yeson Entertainment, Mexopolis Animation Studio, Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Kung Fu Panda: Legends Of Awesomeness Belongs to Ethan Reiff, Cyrus Voris, Jonathan Aibel, Glenn Berger, Peter Hastings, Oktobor Animation, Paprikaas Interactive Services Pvt. Ltd. DreamWorks Animation Television, DreamWorks Animation LLC, Universal Pictures, Universal City Studios LLC, NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, Comcast Corporation, NBCUniversal Media, LLC. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Rugrats Belongs To Arlene Klasky, Gábor Csupó, Paul Germain, Anivision, Wang Film Productions Co., Ltd. Hong Ying Animation Co., Ltd. Sae Hahn Productions, Sunwoo & Company, Co., Ltd. Klasky-Csupo, Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Rocko's Modern Life Belongs To Joe Murray, Wang Film Productions Co., Ltd. Klasky-Csupo, Inc. Pacific Rim Productions, Rough Draft Korea Co. Ltd. SEK Animation Studio, Shanghai Rainbow Animation, Sunwoo & Company Co., Ltd. Tama Production, Joe Murray Productions Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Hey Arnold! Belongs To Craig Bartlett, Hong Ying Animation Co., Ltd. Saerom Animation, Inc. Wang Film Productions Co., Ltd. Toon-Us-In Animations, VirtualMagic Animation, Inc. Snee-Oosh, Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

CatDog Belongs To Peter Hannan, Saerom Animation, Inc. Rough Draft Korea Co. Ltd. Peter Hannan Productions, Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

The Wild Thornberrys Belongs To Arlene Klasky, Gábor Csupó, Steve Pepoon, David Silverman, Stephen Sustarsic, Mark Palmer, Jeff Astrof, Mike Sikowitz, Sunwoo & Company Co., Ltd. Anivision, Pepoon/Silverman/Sustarsic Productions, Klasky-Csupo, Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Rocket Power Belongs to Arlene Klasky, Gábor Csupó, Victor Wilson, Eryk Casemiro, Michael Bloom, Andy McElfresh, Sunwoo & Company Co., Ltd. Anivision, Klasky-Csupo, Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Danny Phantom Belongs To Butch Hartman, Rough Draft Korea Co., Ltd. Billionfold Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Chalkzone Belongs To Bill Burnett, Larry Huber, Galaxy World, Hyun Young Animation Studios, Rough Draft Studios, Inc. Sunwoo Entertainment, Co., Ltd. Toonzone Entertainment, Wang Film Productions Co., Ltd. Yeson Entertainment, Frederator Studios, Frederator Networks, Inc. WOW! Unlimited Media Inc. Kartoon Studios, Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Invader Zim Belongs To Jhonen Vasquez, Sunwoo & Company Co., Ltd. Wumberlog Productions, Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

T.U.F.F. Puppy Belongs To Butch Hartman, Digital eMation, Inc. DongWoo Animation Co. Ltd. Lotto Animation Inc. Rough Draft Korea Co., Ltd. Saerom Animation, Inc. Yeson Entertainment, Billionfold Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Teenage Mutant Ninja Turtles (2012 TV Series) Belongs To Kevin Eastman, Peter Laird, Ciro Nieli, Joshua Sternin, J. R. Ventimilia, Oktobor Animation, Bardel Entertainment, Inc. Mirage Studios, Image Comics, Nickelodeon Animation Studios, LowBar Productions, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Monsters vs. Aliens (TV series) Belongs To Conrad Vernon, Rob Letterman, Mark McCorkle, Bob Schooley, Oktobor Animation, DreamWorks Animation Television, DreamWorks Animation LLC, Universal Pictures, Universal City Studios LLC, NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, Comcast Corporation, NBCUniversal Media, LLC. 20th Television, Disney Television Studios, Disney General Entertainment Content. Disney Entertainment, The Walt Disney Company, Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Harvey Beaks Belongs To C.H. Greenblatt, Yeson Entertainment, Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Rise of the Teenage Mutant Ninja Turtles Belongs To Kevin Eastman, Peter Laird, Andy Suriano, Ant Ward, Digitoonz Media & Entertainment Pvt. Ltd. Flying Bark Productions Pty. Ltd. Studio 100 N.V. Mirage Studios, Image Comics, Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Star Trek: Prodigy Belongs To Gene Roddenberry, Kevin Hageman, Dan Hageman, Secret Hideout, Roddenberry Entertainment, Brothers Hageman Productions, CBS Eye Animation Productions, CBS Studios, Inc. CBS Entertainment Group, Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nickelodeon Group, Paramount+, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. Paramount Streaming And Paramount Global

Big Nate (TV series) Belongs To Lincoln Peirce, Mitch Watson, Xentrix Studios, John Cohen Productions, Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nickelodeon Group, Paramount+, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. Paramount Streaming And Paramount Global

As Told By Ginger Belongs To Emily Kapnek, Kate Boutilier, Eryk Casemiro, Klasky-Csupo, Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, TeenNick, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Bunsen Is a Beast Belongs To Butch Hartman, Elliott Animation Inc. Billionfold Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Welcome to the Wayne Belongs To Michael Pecoriello, Billy Lopez, Yowza! Animation, Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Ollie's Pack Belongs To Pedro Eboli, Graham Peterson, Mark Satterthwaite, Birdo Studio, Nelvana Limited, Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. Paramount Global, YTV, YTV Canada, Inc. And Corus Entertainment Inc.

Sanjay and Craig Belongs To Jim Dirschberger, Jay Howell, Andreas Trolf, Forest City Rockers, Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Breadwinners Belongs To Steve Borst, Gary "Doodles" DiRaffaele, Titmouse, Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Fanboy And Chum Chum Belongs To Eric Robles, CGCG Inc. Oktobor Animation, Technicolor Animation Productions, Mikros Animation, Technicolor Creative Studios S.A. Vantiva S.A. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Pig Goat Banana Cricket Belongs To Dave Cooper, Johnny Ryan, Yeson Entertainment, Ánima Estudios, S.A.P.I. de C.V. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Planet Sheen Belongs To John A. Davis, Keith Alcorn, Steve Oedekerk, Bardel Entertainment Inc. C.O.R.E. Digital Pictures Inc. O Entertainment, Omation Animation Studio, Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Winx CLub Belongs To Iginio Straffi, Hong Ying Animation Co., Ltd. Hosem Animation Studio, Jiang Toon Animation Co. Ltd. Shanghai Morning Sun Animation Co., Ltd. Sichuan Top Animation, Wang Film Productions Co., Ltd. XY International, DQ Entertainment Animation Studio, DQ Entertainment International Limited, Rainbow S.P.A. RAI Fiction, RAI Ragazzi, RAI Kids, RAI S.P.A. 3Kids, 3e, 4Kids TV, 4Kids Entertainment, Inc. 4K Media Inc. 4Licensing Corporation, Konami Cross Media NY, Inc. Konami Group Corporation, FOX Broadcasting Company, FOX Entertainment, FOX Corporation, Buena Vista International, Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

ALVINNN!!! and the Chipmunks Belongs To Ross Bagdasarian Sr. Janice Karman, Bagdasarian Productions, OuiDo! Productions, Technicolor Animation Productions, Mikros Animation, Technicolor Creative Studios S.A. Vantiva S.A. M6 (TV channel), Metropole Télévision S.A. Groupe M6, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

[fearsmagazine]

Factory Entertainment Announces Partnership with Paramount To Produce Star Trek Collectibles

Factory Entertainment announced that the company has entered into a multi-year agreement with Paramount parent, Viacom International Inc, to expand upon its best-selling line of movie and television collectibles for Star Trek.

Factory Entertainment’s Star Trek line will be centered primarily around its high-end prop replica business. Since 2011, the company has established itself as the leader in producing authentic, limited- edition replicas of props and gadgets from popular movie and TV properties.

“The many props featured in Star Trek over the decades have always reflected an imaginative and forward-looking design aesthetic, that have not only captivated fans, but often influenced the design of real-world technology” said Jordan Schwartz, President and CEO of Factory Entertainment.  “As a Star Trek fan myself since the 1960s, I’m thrilled and honored to be entrusted by Paramount to continue to bring some of the most iconic items in Star Trek history to the many fans of the franchise in all its incarnations.”

In 2022, Factory Entertainment released limited-edition replicas of several props from Star Trek: The Next Generation, including the “cricket phaser,” seen in the first few seasons, a set of medical devices used by Dr. Beverly Crusher and the “Ressikan flute” treasured by Captain Jean Luc Picard in the fan-favorite episode “The Inner Light.”  The company also released a replica of the Borg Queen’s skull seen in the motion picture Star Trek: First Contact and a set of replicas from Star Trek: The Motion Picture.  In addition, Factory Entertainment introduced a number of popularly priced open-edition, reduced-scale replicas designed to appeal to collectors with more restricted budgets or space.

Factory Entertainment is well underway on the production of prop replicas and other collectibles for 2023, including, among others, items from the original Star Trek series, Star Trek: The Wrath of Khan, Star Trek: The Next Generation, Star Trek: Voyager and Star Trek: Picard.  Also in development for release in 2024 are the first prop replicas from the hugely popular Star Trek: Strange New Worlds. In addition to prop replicas, Factory Entertainment’s offerings will include studio scale starship models, high-end dioramas, barware and novelty items including Factory’s proprietary CHS™ keychain & pin set and Fandages™ collectible fashion bandages lines.

To see all of Factory Entertainment’s Star Trek releases available to order now and coming soon, fans are encouraged to visit http://www.factoryent.com

[cricstudio]

Your Complete Cricket Equipment Guide with Cric Studio INC

Cricket is more than just a game it's actually a passion that has brought together players and fans throughout the world. For the players, right equipment for playing and safety are must-haves in their professional practice. At Cric Studio INC, we have top-notch cricket gear to help you shine high on the grounds. This guide expounds on all the crucial cricket equipment every player needs from beginners to professionals.

1. Cricket Bats: The Game Changer

The selection of the perfect bat can make a huge difference in performance. Cric Studio INC provides varied English Willow and Kashmir Willow bats, thus allowing players to choose the perfect bat according to their individual style of play. Go through all the weight, grip, and blade profile to be sure.

2. Protective Gear: Safety First

Cricket demands much, and the right protection is a must. Invest in high-quality helmets, chest guards, elbow guards, and knee pads. Discover how brands like Masuri, Shrey, and DSC ensure maximum safety and comfort.

3. Cricket Balls: Precision in Every Delivery

From practice balls to match-grade leather balls, choosing the right type is crucial. Explore our selection to find strong and well-crafted cricket balls suitable for all formats.

4. Apparel and Footwear: Comfort Meets Functionality

High-performance cricket clothing and shoes come with improved mobility and endurance. Always choose branded and reliable such as New Balance, Adidas, and Puma for gear that keeps you cool and more focused on the field.

5. Cricket Bags: Organized and Ready to Play

Transport your equipment hassle-free with spacious and durable cricket bags. Our collection includes highly convenient options designed for professionals and amateur players.

6. Training Aids: Improve Your Skills

Net practice kits, stumps, and rebound boards can help refine your technique. Cric Studio INC's training aids are perfect for sharpening your batting, bowling, and fielding skills.

7. Accessories: The Finishing Touch

From gloves and grips to sunglasses and arm sleeves, the right accessories enhance your game. Explore our collection to add that extra edge to your cricketing experience.

Why Choose Cric Studio INC for Cricket Equipment?

Here, at Cric Studio INC, quality meets innovation. Our curated range ensures that every cricketer, whether being a beginner or professional, gets the best equipment; we're the one-stop place for competition-beating prices and totally trusted brands.

Conclusion

Right cricket equipment can make a massive difference in a game when used, and it helps build your confidence. These products at Cric Studio INC are designed to meet the latest demands of cricket. Shop now and find out why Cric Studio INC is the favourite among cricketers across the globe!

[riya2510]

Sports Analytics Analysis with Detailed Competitive Outlook by Forecast 

Sports Analytics Market Information

The Sports Analytics Market Report provides essential insights for business strategists, offering a comprehensive overview of industry trends and growth projections. It includes detailed historical and future data on costs, revenues, supply, and demand, where applicable. The report features an in-depth analysis of the value chain and distributor networks.

Employing various analytical techniques such as SWOT analysis, Porter’s Five Forces analysis, and feasibility studies, the report offers a thorough understanding of competitive dynamics, the risk of substitutes and new entrants, and identifies strengths, challenges, and business opportunities. This detailed assessment covers current patterns, driving factors, limitations, emerging developments, and high-growth areas, aiding stakeholders in making informed strategic decisions based on both current and future market trends. Additionally, the report includes an examination of the Automatic Rising Arm Barriers sector and its key opportunities.

According to Straits Research, the global Sports Analytics market size was valued at USD 3.87 Billion in 2023. It is projected to reach from USD 4.69 Billion in 2024 to USD 18.14 Billion by 2032, growing at a CAGR of 21.3% during the forecast period (2024–2032).

Get Free Request Sample Report @ https://straitsresearch.com/report/sports-analytics-market/request-sample

TOP Key Industry Players of the Sports Analytics Market

Salesforce.Com Inc

Stats LLC

Catapult Group International Ltd.

Accenture plc

Oracle

IBM Corporation

Sportradar AG

Deltatre

Hudl

SAP SE

SAS Institute Inc.

Trumedia Networks

Experfy Projects

Global Sports Analytics Market: Segmentation

As a result of the Sports Analytics market segmentation, the market is divided into sub-segments based on product type, application, as well as regional and country-level forecasts. 

By Sport

Football

Cricket

Baseball

Basketball

Rugby

Others

By Type

On-Field

Off-Field

By Component

Solutions

Services

By Deployment Model

On-Premises

Cloud

By Applications

Performance Tracking and Analysis

Health Assessment and Injury Prediction

Fan Engagement and Digital Experience Analysis

Event Ticket Pricing and Merchandise Sales

Player Scouting and Valuation

Others

Browse Full Report and TOC @ https://straitsresearch.com/report/sports-analytics-market/request-sample

Reasons for Buying This Report:

Provides an analysis of the evolving competitive landscape of the Automatic Rising Arm Barriers market.

Offers analytical insights and strategic planning guidance to support informed business decisions.

Highlights key market dynamics, including drivers, restraints, emerging trends, developments, and opportunities.

Includes market estimates by region and profiles of various industry stakeholders.

Aids in understanding critical market segments.

Delivers extensive data on trends that could impact market growth.

Research Methodology:

Utilizes a robust methodology involving data triangulation with top-down and bottom-up approaches.

Validates market estimates through primary research with key stakeholders.

Estimates market size and forecasts for different segments at global, regional, and country levels using reliable published sources and stakeholder interviews.

About Straits Research

Straits Research is dedicated to providing businesses with the highest quality market research services. With a team of experienced researchers and analysts, we strive to deliver insightful and actionable data that helps our clients make informed decisions about their industry and market. Our customized approach allows us to tailor our research to each client's specific needs and goals, ensuring that they receive the most relevant and valuable insights.

Contact Us

Email: sales@straitsresearch.com

Address: 825 3rd Avenue, New York, NY, USA, 10022

Tel: UK: +44 203 695 0070, USA: +1 646 905 0080

[sanikapatil22]

Sports Analytics Analysis with Detailed Competitive Outlook by Forecast 

Global Sports Analytics Market Report

The Sports Analytics Market research report offers an in-depth analysis of market dynamics, competitive landscapes, and regional growth patterns. This comprehensive report provides businesses with the strategic insights necessary to identify growth opportunities, manage risks, and develop effective competitive strategies in an ever-evolving market.

According to Straits Research, the global Sports Analytics market size was valued at USD 3.87 Billion in 2023. It is projected to reach from USD 4.69 Billion in 2024 to USD 18.14 Billion by 2032, growing at a CAGR of 21.3% during the forecast period (2024–2032).

Request a Sample Report Today @ https://straitsresearch.com/report/sports-analytics-market/request-sample

Global Sports Analytics Market Segmental Analysis

As a result of the Sports Analytics market segmentation, the market is divided into sub-segments based on product type, application, as well as regional and country-level forecasts.

By Sport

Football

Cricket

Baseball

Basketball

Rugby

Others

By Type

On-Field

Off-Field

By Component

Solutions

Services

By Deployment Model

On-Premises

Cloud

By Applications

Performance Tracking and Analysis

Health Assessment and Injury Prediction

Fan Engagement and Digital Experience Analysis

Event Ticket Pricing and Merchandise Sales

Player Scouting and Valuation

Others

You can check In-depth Segmentation from here: https://straitsresearch.com/report/sports-analytics-market/segmentation

Why Invest in this Report?

Leverage Data for Strategic Decision-Making: Utilize detailed market data to make informed business decisions and uncover new opportunities for growth and innovation.

Craft Expansion Strategies for Diverse Markets: Develop effective expansion strategies tailored to various market segments, ensuring comprehensive coverage and targeted growth.

Conduct Comprehensive Competitor Analysis: Perform in-depth analyses of competitors to understand their market positioning, strategies, and operational strengths and weaknesses.

Gain Insight into Competitors' Financial Metrics: Acquire detailed insights into competitors' financial performance, including sales, revenue, and profitability metrics.

Benchmark Against Key Competitors: Use benchmarking to compare your business's performance against leading competitors, identifying areas for improvement and potential competitive advantages.

Formulate Region-Specific Growth Strategies: Develop geographically tailored strategies to capitalize on local market conditions and consumer preferences, driving targeted business growth in key regions.

List of Top Leading Players of the Sports Analytics Market -

Salesforce.Com Inc

Stats LLC

Catapult Group International Ltd.

Accenture plc

Oracle

IBM Corporation

Sportradar AG

Deltatre

Hudl

SAP SE

SAS Institute Inc.

Trumedia Networks

Experfy Projects

Reasons to Purchase This Report:

Access to Comprehensive Information: Gain access to an extensive collection of analysis, research, and data that would be challenging to acquire independently. This report offers valuable insights, saving you considerable time and effort.

Enhanced Decision-Making: Equip yourself with detailed insights into market trends, consumer behavior, and key industry factors. This report provides essential information for strategic planning, including decisions on investments, product development, and marketing strategies.

Achieving Competitive Advantage: Stay ahead in your industry by understanding market dynamics and competitor strategies. This report delivers deep insights into competitor performance and market trends, enabling you to craft effective business strategies and maintain a competitive edge.

Credibility and Reliability: Trust in the expertise of industry professionals and the accuracy of thoroughly researched data. Authored by experts and grounded in rigorous research and analysis, this report enhances credibility and reliability.

Cost-Effective Research: Reduce research expenses by investing in this comprehensive report instead of conducting independent research. It provides a cost-effective means of accessing detailed analysis and insights on a specific topic without requiring extensive resources.

Regional Analysis Sports Analytics Market

The regional analysis section of the report offers a thorough examination of the global Sports Analytics markets, detailing the sales growth of various regional and country-level markets. It includes precise volume analysis by country and market size analysis by region for both past and future periods. The report provides an in-depth evaluation of the growth trends and other factors impacting the Sports Analytics markets in key countries, such as the United States, Canada, Mexico, Germany, France, the United Kingdom, Russia, Italy, China, Japan, Korea, India, Southeast Asia, Australia, Brazil, and Saudi Arabia. Moreover, it explores the progress of significant regional markets, including North America, Europe, Asia-Pacific, South America, and the Middle East & Africa.

Buy Now @ https://straitsresearch.com/buy-now/sports-analytics-market

About Straits Research

Straits Research is dedicated to providing businesses with the highest quality market research services. With a team of experienced researchers and analysts, we strive to deliver insightful and actionable data that helps our clients make informed decisions about their industry and market. Our customized approach allows us to tailor our research to each client's specific needs and goals, ensuring that they receive the most relevant and valuable insights.

Contact Us

Email: sales@straitsresearch.com

Address: 825 3rd Avenue, New York, NY, USA, 10022

Tel: UK: +44 203 695 0070, USA: +1 646 905 0080

[market-insider]

Cricket Apparel and Equipment: Market Opportunities and Challenges

The global cricket apparel and equipment market size is estimated to reach USD 2.39 billion in 2030, expanding at a CAGR of 3.7% from 2024 to 2030, according to a new report by Grand View Research, Inc. The growth of the market is driven by the increasing popularity of the sport beyond its traditional strongholds in countries like India, Australia, England, and Pakistan. Emerging markets such as the United States, Canada, and countries in Europe and Asia are witnessing a surge in participation. This increase is fueled by growing immigrant populations from cricket-playing nations and local initiatives to promote the sport, thus, driving the demand for cricket apparel & equipment.

Municipalities, sports authorities, and private entities are constructing new cricket grounds, upgrading existing facilities, and building dedicated training academies. These developments not only support professional leagues and international competitions but also encourage grassroots participation and talent development. The availability of well-maintained cricket grounds and training facilities enhances the overall cricketing experience, driving demand for high-quality apparel and equipment among players of all ages.

The emergence and global success of T20 cricket leagues, such as the Indian Premier League (IPL) and Big Bash League (BBL), have transformed the sport's landscape. T20 cricket's fast-paced format and entertainment value have attracted a new generation of fans and players. This format's popularity has spurred demand for specialized equipment designed for shorter matches, including lightweight bats for aggressive stroke play and specialized clothing that enhances agility and comfort during intense gameplay.

Furthermore, The proliferation of e-commerce platforms has expanded the accessibility of cricket apparel and equipment globally. Consumers can now purchase a wide range of products online, benefiting from competitive pricing, product reviews, and convenience. Traditional retail outlets, including sporting goods stores and specialty cricket shops, continue to play a vital role in showcasing and distributing cricket gear. This omni-channel approach enhances market reach and customer engagement, driving down the sales of cricket apparel & equipment during the forecast period.

Major players in the market include Adidas AG; Nike, Inc.; Puma SE; Gray-Nicolls Sports Ltd.; Gunn & Moore Limited; Kookaburra Sport Pty Ltd.; Sanspareils Greenlands (SG); Slazenger Limited; Spartan Sports International; Sareen Sports Industries (SS). Manufacturers are leveraging advanced materials such as carbon fiber, titanium, and composite blends to produce bats that offer superior power and control. Protective gear such as helmets, pads, and gloves incorporate lightweight yet durable materials to ensure optimal protection without compromising mobility. These technological advancements cater to the needs of professional cricketers as well as amateur players seeking to improve their game.

For More Details or Sample Copy please visit link @: Cricket Apparel And Equipment Market Report

Cricket Apparel And Equipment Market Report Highlights

North America is expected to grow with the fastest CAGR of 14.8% over the forecast period from 2024 to 2030. Cricket's integration into mainstream sports culture in North America is gradually expanding its appeal beyond traditional cricket-playing communities. As an alternative sport to baseball and basketball, cricket attracts a diverse audience interested in exploring new athletic pursuits

Based on product, cricket apparel is expected to grow with a CAGR of 3.4% over the forecast period. The increasing global participation in cricket, growing popularity of T20 leagues, and the influence of major international tournaments, which boost demand for licensed and commemorative merchandise

Based on end use, the recreational segment is expected to grow with the fastest CAGR of 4.3% from 2024 to 2030. The rising popularity of cricket among amateurs, and the increased participation in local leagues by individuals are expected to augment the demand and growth for cricket apparel & equipment

Based on distribution channel, sales through sporting goods stores accounted for the largest share of the market in 2023. These stores often carry products from leading cricket brands as well as emerging ones, providing consumers with options to choose from various brands known for their quality and innovation in cricket gear

Gain deeper insights on the market and receive your free copy with TOC now @: Cricket Apparel And Equipment Market Report

We have segmented the global cricket apparel and equipment market on the basis of product, end use, distribution channel, and region.

[subratpatnaik1]

Subrat Patnaik - Software-Defined Networking

Subrat Patnaik stands out as an unconventional and innovative CEO. Beyond leading Oncorre Inc., a top IT services firm, he is the inventive mind behind products like eBloque and Liieren. These technologies are transformative advancements to the tech landscape, bringing futuristic concepts into the present. His interests in cricket and classic rock add layers to his experience, making him a memorable and relatable figure in the technology industry.

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[marketing123456789]

Dog Food Market

The dog food market is predicted to be worth US$ 45,631 million in 2023 and rise to US$ 81,224.9 million by 2033. Demand was initially expanding at a market CAGR of 3.2% between 2018 and 2022.

Personalized dog food products are gaining popularity in developed areas and are anticipated to do the same in emerging markets in the future years. As pet owners become more aware of the food they are giving their animals, demand for dog food has the potential to increase tremendously.

There is a significant development opportunity for brands or businesses that provide specifically designed and tailored food products for dogs since pet owners are inclined to have more control over the components used in the manufacturing of dog food.

Find a comprehensive report summary that describes the market size and forecast along with the research methodology. The Sample report is available in PDF format@ https://www.futuremarketinsights.com/reports/sample/rep-gb-13961

The trend towards humanization and premiumization is likely to result in more spending on pets, which counteracts the stalling of dog population growth in the United States and Canada.

Key Takeaways

By 2033, the dog food market in the United Kingdom is likely to expand, with a CAGR of 7.5%.

In 2022, the United States held a market share of 32% in the dog food sector.

The dog food market was significantly expanding, with a size of US$ 43,876 million in 2022.

By 2033, the dog food market in China is likely to expand, with a CAGR of 6.7%.

In 2022, Germany expanded significantly in the dog food business, with an expected share of 10%.

By 2033, India is projected to expand significantly in the dog food market, with a share of 4.5%.

In 2022, Australia developed significantly in the dog food business, with an expected share of 0.5%.

 Japan's dog food industry share developed significantly, with a 0.8% share in 2022.

In 2022, the conventional segment led the market with a significant share of 75% and is likely to hold a top spot in the market, in terms of nature.

Based on the source, the animal-derived segment dominated the industry in 2022, with a share of 68.6%.

Browse the Entire Study@ https://www.futuremarketinsights.com/reports/dog-food-market

Competitors Winning Strategies

Around the nation, pet owners are converting to grain- and gluten-free diets. Sales of various kinds of dog food are fueled by dog owners' desire to provide wholesome food for their animals. This encourages the key players to develop new dog food items.

Customers are increasingly opting for clean-label goods as they seek to eliminate undesired components like heavy metals and toxins that are frequently present in pet feeds. Dog food manufacturers are likely to gain a high market share by adopting this trend.

Recent Developments

Nestlé Purina Petcare announced in December 2020 that it invested US$ 550 million to develop its pet food production facilities in Georgia.

In August 2022, Indian pet food company Wiggles increased its product line by introducing EveryDawg, a new brand of dog food.EveryDawg is a delicious, nutritious dry dog food that is gluten- and sugar-free and suited for all breeds of dogs.

In India, in February 2022, the Pedigree brand of Mars Petcare introduced a new line of dog treats called Ranchos. Spiral Wrap and Super Bones are the two forms in which the items are offered.

Who is Winning?

Evanger’s Dog & Dog Food Company, Inc.

Nestlà Purina Pet Care

P&G Pet Care

Hill's Pet Nutrition

Del Monte Pet Products

Affinity Petcare SA

Nutro Products Inc.

Unicharm PetCare Corp.

Total Alimentos SA

Nutriara Alimentos Ltda.

The J.M. Smucker Company

Dave's Pet Food

Fromm Family Foods LLC

Boulder Dog Food Company

Real Pet Food Company Pty Ltd

Burgess Group PLC

Freshpet

Party Animal, Inc.

Rollover Pet Food Ltd.

Key Segmentation:

By Nature:

Organic

Monoprotein

Conventional

By Source:

Animal Derived

Fish

Chicken

Duck

Beef

Pork

Venison/Game

Lamb

Turkey

Plant-derived

Insect- derived

Crickets

Mealworms

Black soldier flies

By Product Type:

Kibble/Dry

Extruded

Baked

Coated

Treats and Chews

Pastes

Cremes / Cream-Snacks

Crunchy snacks

Chew sticks

Tablets

Biscuits

Jerky

Rawhide

Dehydrated Food

Freeze Dried Food

Freeze-Dried Raw

Wet Food

Frozen

Raw Food

Powder

By Pet Type:

Puppy

Adult

Senior

By Packaging Type:

Pouches

Bags

Can

Bottles & jars

Folding cartons

Tubs & Cups

By Distribution Channel:

Store-based Retailing

Hypermarkets/Supermarkets

Convenience Stores

Mom and Pop Stores

Pet Stores

Discounters

Independent Grocery Retailers

Drugstores

Other Retail Formats

Online Retailers

By Region:

North America

Latin America

Europe

East Asia

South Asia

Oceania

MEA

About Future Market Insights, Inc.

Future Market Insights, Inc. (ESOMAR certified, Stevie Award - recipient market research organization and a member of Greater New York Chamber of Commerce) provides in-depth insights into governing factors elevating the demand in the market. It discloses opportunities that will favor the market growth in various segments on the basis of Source, Application, Sales Channel and End Use over the next 10 years.

[ptbf2002]

My Top 30 Favorite Disney Characters (2023 Redo)

#30 Kim Possible

#29 Stitch (Lilo & Stitch)

#28 Anne Boonchuy (Amphibia)

#27 Cricket Green (Big City Greens)

#26 Molly McGee (The Ghost and Molly McGee)

#25 Phineas Flynn (Phineas and Ferb)

#24 Ferb Fletcher (Phineas and Ferb)

#23 Milo Murphy (Milo Murphy's Law)

#22 Perry the Platypus/Agent P (Phineas and Ferb)

#21 Jake Long (American Dragon: Jake Long)

#20 Moon Girl (Lunella Lafayette) (Moon Girl and Devil Dinosaur)

#19 Hailey Banks (Hailey's On It!)

#18 Scott Denoga (Hailey's On It!)

#17 Devil Dinosaur (Moon Girl and Devil Dinosaur)

#16 Dipper Pines (Gravity Falls)

#15 Mabel Pines (Gravity Falls)

#14 Gretel Grant-Gomez (Hamster & Gretel)

#13 Kevin Grant-Gomez (Hamster & Gretel)

#12 Kiff Chatterley (Kiff)

#11 Barry Buns (Kiff)

#10 Huey Duck (DuckTales (2017 series)

#9 Dewey Duck (DuckTales (2017 series)

#8 Louie Duck (DuckTales (2017 series)

#7 Max Goof (Goof Troop)

#6 Libby Stein-Torres (The Ghost and Molly McGee)

#5 Scrooge McDuck (DuckTales)

#4 Chip And Dale,

#1 Kick Buttowski (Kick Buttowski: Suburban Daredevil)

#2 Donald Duck

And #1 Mickey Mouse

Original Template: https://www.deviantart.com/jcp-johncarlo/art/Top-30-Favorite-Characters-Template-683808451

Kim Possible Belongs To Mark McCorkle, Bob Schooley, Rough Draft Korea Co, Ltd. Toon Boom Animation Inc. Starburst Animation Studios Co., Ltd Toon City Animation, Inc. Disney Television Animation, Disney Channel, ABC, Toon Disney, Disney XD, Freeform, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Lilo & Stitch: The Series Belongs To Chris Sanders, Dean DeBlois, Walt Disney Animation Japan, Inc. Wang Film Productions Co., Ltd. Toon City Animation, Inc. Disney Television Animation, ABC, Disney Channel, Toon Disney, Disney Junior, Disney XD, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Amphibia Belongs To Matt Braly, Saerom Animation, Inc. Sunmin Image Pictures Co., Ltd. Sugarcube Animation Studio, Rough Draft Korea Co., Ltd. Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Big City Greens Belongs To Rob Renzetti, Chris Houghton, Shane Houghton, Sugarcube Animation Studio, Rough Draft Korea Co., Ltd. Disney Television Animation, Disney Channel, Disney XD, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

The Ghost and Molly McGee Belongs To Bill Motz, Bob Roth, Mercury Filmworks, Disney Television Animation, Disney Channel, Disney+ Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Phineas and Ferb Belongs To Dan Povenmire, Jeff "Swampy" Marsh, Rough Draft Korea Co., Ltd. Wang Film Productions Co., Ltd. Synergy Animation, Hong Ying Animation Co., Ltd. Elliott Animation Inc. Hosem Animation Studio Disney Television Animation, Disney Channel, Toon Disney, Disney XD, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Milo Murphy's Law Belongs To Dan Povenmire, Jeff "Swampy" Marsh, Elliott Animation Inc. Synergy Animation, Wang Film Productions Co., Ltd. Disney Television Animation Disney Channel, Disney XD, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

American Dragon: Jake Long Belongs To Jeff Goode, Wang Film Productions Co., Ltd. Atomic Cartoons, Inc. Blue Sky Animation, Jade Animation, Rough Draft Korea Co., Ltd. Starburst Animation Studios Co., Ltd. Sunmin Image Pictures Co., Ltd. Sunwoo & Company, Co., Ltd. Disney Television Animation, Disney Channel, Toon Disney, Jetix, Disney XD, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Moon Girl and Devil Dinosaur Belongs To Brandon Montclare, Amy Reeder, Natacha Bustos, Jack Kirby, Steve Loter, Jeffrey M. Howard, Kate Kondell, Flying Bark Productions Pty. Ltd. Studio 100 N.V. Cinema Gypsy Productions, MARVEL Animation, Inc. MARVEL Television, MARVEL Studios, LLC, MARVEL Entertainment, LLC, Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Hailey's On It! Belongs To Devin Bunje, Nick Stanton, Saerom Animation, Inc. Rough Draft Korea Co., Ltd. Disney Television Animation, Disney Channel, Disney XD, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Gravity Falls Belongs To Alex Hirsch, Digital eMation, Inc. Rough Draft Korea Co., Ltd. Yearim Productions Co., Ltd. Disney Television Animation, Disney Channel, Disney XD, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Hamster & Gretel Belongs To Dan Povenmire, Snipple Animation Studios, Synergy Animation, Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Kiff Belongs To Lucy Heavens, Nic Smal, Yearim Productions Co., Ltd. Flying Bark Productions Pty. Ltd. Studio 100 N.V. Titmouse, Inc. Disney Television Animation, Disney Channel, Disney XD, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

DuckTales (2017 series) Belongs To Michael Eisner, Art Vitello, Jymn Magon, Matt Youngberg, Francisco Angones, Snipple Animation Studios, Toon City Animation, Inc. Disney Television Animation, Disney Channel, Disney XD, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Goof Troop Belongs To Robert Taylor, Michael Peraza Jr. Walt Disney Television Animation (Australia) Pty. Ltd Walt Disney Animation (Japan), Inc. Walt Disney Feature Animation, France S.A. Wang Film Productions Co., Ltd. Disney Television Animation, ABC, Disney Channel, Toon Disney, Disney Junior, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Kick Buttowski: Suburban Daredevil Belongs To Sandro Corsaro, Mercury Filmworks, Disney Television Animation, Disney XD, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

[alliedcreation]

Fantasy Sports Market Expected to Reach $48.6 Billion by 2027

lobal Opportunity Analysis and Industry Forecast, 2021–2027

POTLAND, 5933 NE WIN SIVERS DRIVE, #205, OR 97220, UNITED STATES, August 13, 2021 /EINPresswire.com/ -- Some of the key players analyzed in the fantasy sports market analysis includes Dream Sports, DraftKings Inc., Fantacalcio, FanDuel (Flutter Entertainment), Rotoworld, FantasyPros, Rotowire, Fantrax, Sportech Inc., and NFL Fantasy.

According to a new report published by Allied Market Research, titled, “Fantasy Sports Market by Sports Type, Platform, and Demographics: Opportunity Analysis and Industry Forecast, 2021–2027,” the global fantasy sports market size was $18.6 billion in 2019, and is projected reach $48.6 billion by 2027, registering a CAGR of 13.9% from 2021 to 2027

Fantasy sports are online gaming platforms where participants manage and draft virtual teams of real professional sports players. Users compete against the fantasy teams of each other people, over an entire sports league or season. Users that scores maximum points wins money based on the performance of the real professional sports players. Ask for sample copy of this report >>> https://www.alliedmarketresearch.com/request-sample/6833

The rapid expansion of the fantasy sports industry has been well supported by investment from investors around the world. Investors around the world continued to show interest on sports fantasy platforms. For instance Dream11 a fantasy sports platform in India received funding of about $100 Million in a Series D funding round in the year 2018 led by Chinese investment holding company Tencent. On the similar lines, Halaplay raised $5 billion in Series A funding led by Kae Capital and Nazara Technologies. Similarly, FanDuel has received collective funding of more than $400 million. DraftKings, a sports fantasy platform launched in 2012 has raised close to $900 million and is now valued at more than $2 billion. The continued investment from investors aids in the fantasy sports market growth with better product offerings from different platforms.

The fantasy sports platforms remains niche in the developing nations of Asia-Pacific and Latin America region. According to an in-house survey, more than 58% respondents in the regions have incorrect information about the fantasy sports. Furthermore, one in four people were unaware about such platforms. Though a lot of expenditure is incurred by the fantasy sports platforms, lack of awareness and right information remain a major hurdle for the engaged stakeholders in the industry.

The emergence of COVID-19 has negatively disrupted the global fantasy sports market with leagues and tournaments either been called off or shifted to last month of 2020 or to the next year, i.e. 2021. The deferral of sports events has led to widespread losses for the engaged stakeholders. Nevertheless, with the resuming of sports activities in the last quarter of this year, the market is expected to recover slightly; however, a major rebound is projected to be witnessed next year onwards.

@ Request For Customization>>> https://www.alliedmarketresearch.com/request-for-customization/6833?reqfor=covid

The fantasy sports market is segmented into sports type, platform, demographics and region. By sports type, the global market is classified into football, baseball, basketball, hockey, cricket, and others. By platform, it is bifurcated into website, and mobile application. By demographics, the fantasy sports market is divided into under 25 years, 25 to 40 years and above 40 years. By region, the market is analyzed across North America, Europe, and Rest of World. The market is evaluated based on the user expenditure on fantasy sports platforms.

Key Findings Of The Study By region, North America dominates in terms of the fantasy sports market share and is expected to retain its dominance during the forecast period. By sports type, the fantasy football segment led in terms of market share, in 2019; however, the fantasy cricket segment is expected to gain market share in the upcoming years. By platform, the mobile application segment accounted for about three-fourths share of the fantasy sports market in 2019 and is poised to grow at the highest CAGR during the forecast period. By demographics, the under 25 years segment is expected to gain market share in the upcoming years and is estimated to grow at a CAGR of 15.9% during the fantasy sports market forecast period. By region, rest of World is anticipated to grow with robust CAGR of 18.2% during the forecast period. Interested in Procuring this Report? Visit Here >>> https://www.alliedmarketresearch.com/purchase-enquiry/6833

[cricstudio]

How to Choose the Right Cricket Bat for Your Playing Style: A Comprehensive Guide

The proper choice of cricket bat enhances your game. Whether you are a power hitter, a classic stroke player or an all-rounder, who mostly plays a mix of shots, the right bat should go along with your playing style. In this guide, we are going to guide you on key considerations for choosing your cricket bat, as per different playing styles and preferences. This guide is exclusively for customers of Cricstudio Inc. where you will have extensive versions of English Willow, Kashmir Willow, Tennis, Middler, and branded bats.

1. Understanding Your Playing Style

For starters, knowing the batting style that you are going to adopt is better than not choosing a bat right. Therefore get to know the kind of batting style you are going to adopt:

Power Hitter: Do you love smashing boundaries? Power hitters require a bat with a heavy profile and thick edges that can give them ample power.

If you play on timing and placement, you would want a light bat that affords fast hand movement and precise control. If you are an all-rounder, so to say, who plays a more balanced game where power and control need to be mixed, then you should go for a bat that aids such a game.

2. Forms of Willow

The type of willow used in the bat determines its performance, durability, and feel.

English Willow: For professional cricketers, the best quality bats could be English willow and they are ideal for experienced players. These bats carry with them tremendous power, lightweight, and durability. If you're aggressive or technical, this one will get you started: find a perfect range of English willow bats from Cricstudio Inc.

Kashmir Willow: Kashmir willow is not as costlier as the English willow. It is the best one for beginners and casual players. It offers good serviceability and is rather inexpensive.

Tennis Bat: Dedicated to the particular needs of tennis ball cricket, these ones are lighter in weight and stronger to ensure that they are fit for recreation only.

Middler Bat: A very versatile bat providing control along with power, it can be the perfect option for those who play all kinds of shots.

3. Weight and Pickup

The weight of the bat matters as it decides how you would handle it in the field.

Lightweight Bats: Suitable for those whose strengths lie in speed and precision. Those bats are easy to swing and handle.

Heavyweight Bats: Suitable for power hitters who want to generate more force for each shot. However, they are difficult to handle for a long period.

When choosing a bat, always consider the "pickup" or how heavy the bat feels when you hold it. Even a heavier bat can feel lighter if it has good balance.

4. Bat Size and Shape

Bat size is important for comfort and performance. There are different bat sizes ranging from children's to adult sizes.

Handle Size: More control will be achieved if the handles are shorter, but players who take bigger shots use more handles.

Blade Shape: The shape of the bat's blade differs as some bats have a high sweet spot and are suitable for players who play on bouncier pitches. Others with lower sweet spots are perfect for those who'd rather force the ball onto a flat place along the ground.

5. Brand and Quality

At Cricstudio Inc., we offer you a range of branded bats from quality manufacturers known for their high-quality performance. Choose only a bat from a good brand as this would ensure that you'd be getting a product that has been tried and tested to function efficaciously.

6. Bat Testing

Test the bat whenever you get an opportunity. Swing it around and check the pickup of the bat and how it feels with your hands when you handle it. If you are ordering online at Cricstudio Inc., we give detailed descriptions and what our customers have to say about it, thus helping you make the correct choice.

7. Maintenance and Care

Maintenance and care of your preferred cricket bat will be the key to its life once it reaches your hand after purchase.

Oiling and Knocking-In: Oiling and knocking-in should be done on the English willow bats before use for the bat to last longer.

Storage: Store your bat in a cool, dry place away from moisture or direct sunlight which may distort it.

Choosing the best cricket bat would make it quite easier to achieve better performance on the field. At CricstudioInc., we manufacture bats for every playing style and your personal preferences. Whether you're a beginner or a professional, our collection of English Willow, Kashmir Willow, Tennis, Middler, and branded bats does fit one's pocket. So, come and have it with the perfect bat for you from Cricstudio Inc today!

[ict-reports]

Mobile Virtual Network Operators Market Size 2023, Latest Trends, COVID-19 Impact and Global Competition

The global “Mobile Virtual Network Operators Market Size” is expected to rise with an impressive CAGR and generate the highest revenue by 2030. Fortune Business Insights™ in its latest report published this information. The report is titled "Mobile Virtual Network Operators Market Size, Share & Revenue Forecast, 2023-2030". The report discusses research objectives, research scope, methodology, timeline and challenges during the entire forecast period.

Report Highlights:

A comprehensive overview of Mobile Virtual Network Operators Market Size

Significant factors boosting, restricting, challenging and providing an opportunity to the market

Key insights and major industry developments

Significant players functioning in Mobile Virtual Network Operators Market Size

Major strategies adopted by players such as the launch of new products for better revenue generation, company collaborations, and others

Other market trends

An Overview of the Impact of COVID-19 on this Market:

The emergence of COVID-19 has brought the world to a standstill. We understand that this health crisis has brought an unprecedented impact on businesses across industries. However, this too shall pass. Rising support from governments and several companies can help in the fight against this highly contagious disease. There are some industries that are struggling and some are thriving. Overall, almost every sector is anticipated to be impacted by the pandemic.

We are making continuous efforts to help your business sustain and grow during COVID-19 pandemics. Based on our experience and expertise, we will offer you an impact analysis of coronavirus outbreaks across industries to help you prepare for the future.

For More Information, Visit- https://www.fortunebusinessinsights.com/industry-reports/mobile-virtual-network-operators-market-100076

List of Top Key Players in Mobile Virtual Network Operators Market:

Verizon Communications Inc. (U.S.)

Comcast Corporation (U.S.)

FreeNet AG (Germany)

AT&T Inc. (U.S.)

T-Mobile USA Inc. (U.S.)

Charter Communications Inc. (U.S.)

Lyca Mobile (U.K.)

Cricket Wireless LLC (U.S.)

Alphabet Inc. (Google Fi) (U.S.)

Republic Wireless (U.S.)

 Regional Analysis for Mobile Virtual Network Operators Market:

North America (the USA and Canada)

Europe (UK, Germany, France, Italy, Spain, Scandinavia and Rest of Europe)

Asia Pacific (Japan, China, India, Australia, Southeast Asia and Rest of Asia Pacific)

Latin America (Brazil, Mexico and Rest of Latin America)

Mobile Virtual Network Operators Market Size research report offers a complete assessment of the industry. The projections included in the report have been determined utilizing demonstrated research philosophies and presumptions.

[loyaltyexpert]

Telecom Loyalty Programs: Rewards And Examples – Guide 2023

If you are a telecom entrepreneur, then ensuring customer loyalty should be your main focus. That’s because customer churn rates are extremely high in the industry. As per the Database Marketing Institute, the churn rate for telecom businesses averages between 10 and 67 percent per year.

For telecommunication brands, customer loyalty is exceedingly hard to achieve due to several challenges. The biggest challenge is the lack of differentiation in the service offerings. Another big challenge is the lack of customer interactions. That’s why it’s not surprising to find the porting of mobile numbers and switching from one service provider to another is on the rise.

This blog post discusses the best features telecom companies’ loyalty programs should have. It also lists the five best loyalty programs of telecommunication companies from across the world. Read on to learn more.

Best loyalty program rewards for telecom companies

Retaining customers is not the only challenge for many telecom companies. Finding the right rewards for their loyalty programs is also a task. That’s because many rewards that suit other industries may not be practicable or feasible for telecom companies. But here are some rewards that can work like magic for telecom brands.

Tiers

This is one of the most common rewards that many telecom companies use. In this way, telecommunication brands rank their customers based on their seniority and purchasing capacity. The oldest and highest-paying customers are given the highest tiers.

Special rewards

 Some telecom companies use rewards to surprise and delight their customers on certain special occasions. It can be a customer’s birthday, wedding anniversary, or membership anniversary. The rewards can be some minutes of free talk time to free internet data. Providing rewards like this shows that a company cares for its customers.

Assorted rewards

Some companies mix and match a wide range of assorted rewards for their customers to give them a unique experience. For instance, joining forces with partnering companies during sporting events (such as national or international cricket premier leagues or football tournaments) can be a good idea. It’s not uncommon to find telecom companies’ merchandise, which can range from apparel, accessories, toys, mementoes, keepsakes, and more, being given to members during special events.

Five best telecom loyalty programs around the world

Almost all major global telecom companies have some kind of loyalty program in place. In this post, we have discussed the loyalty programs of five prestigious companies in brief detail.

1. AT&T’s Thanks

US-based telecommunication service provider AT&T launched the AT&T Thanks loyalty program in 2016. Since then, the world’s largest telecom company by revenue has provided a wide range of benefits as a token of appreciation. Under the loyalty program, members receive the following benefits:

A dedicated expert to assist with all services they need

Exclusive access to concerts and events (for qualifying members only)

Chance to win VIP tickets, trips, and giveaways

Deals on products and services, gift cards, accessories, entertainment, and more

2. Verizon UP

Delaware-based Verizon Communications Inc. has a loyalty program named “Verizon UP.” The loyalty program is integrated into Verizon’s app in such a way that most features are exclusively available there. Here are some of the following benefits of Verizon’s loyalty program:

No complicated rules

Focuses on simplicity

Service-focused reward portfolio

Super tickets to shows, music, or sports events can be claimed every six months

Device dollars can be easily claimed

3. HKT’s “The Club”

The Club is HKT Limited’s (Hong Kong Telecom’s) customer loyalty program and digital ventures arm. The loyalty program of one of the leading telecommunications companies in Hong Kong.

Anyone can join the program for free. Even those who are not customers of the telecom service provider. Members get to enjoy many rewards, privileges, and tiers. The program has four tiers. Platinum, gold, silver, and blue Each have their privileges. Here are some highlights of the loyalty program.

Loyalty program members earn one ‘Club’ point every time they spend HKD 10.

Tiered system based on the overall amount of points earned.

4. O2 UK’s “Priority Moments” loyalty program

British telecommunications services provider O2 UK’s “Priority Moments” is one of the fastest-growing loyalty programs in the UK. The loyalty program segments customers based on their spending history and tenure and also provides location-based offers.

The free loyalty program has delivered millions of pounds in savings in reduced customer churn.

Highlights of Priority Moments:

Free loyalty program

No point earning or redemption system

Special deals for Pay As You Go customers (5 to 10 percent cashback from their top-ups)

Customers can claim the reward in the form of a mobile voucher, movie ticket, or an airtime credit

5. Bharti Airtel’s “Airtel Thanks”

Indian multinational telecommunications services company Bharti Airtel Limited’s loyalty program “Airtel Thanks” is three-tiered. The three tiers—Silver, Gold, and Platinum—offer a special set of benefits to customers.

The Silver tier, which starts at a monthly tariff of INR 119, offers basic content which includes AirtelTV (satellite television service) and Wynk (the music streaming platform of the company).

The Gold tier, which ranges between INR 119 and INR 499, gets add-on premium content and telecom benefits.

The Platinum tier, priced at INR 499, gets priority services such as device protection plans, e-books, and a dedicated customer service desk.

An interesting thing about the loyalty program is that it replaced the “My Airtel” app and turned it into an overall Airtel app experience.

Summing up,

Retaining customers in the telecommunication industry is one of the biggest challenges for service providers. That is why telecom companies should leverage telecom loyalty programs to keep their customers and reduce the churn rate.

At LoyaltyXpert, our team of loyalty experts is adept at designing and creating effective telecom loyalty programs. If you want to know how we can help and book a free demo to see how our software works for you, then contact us today.

This blog is already posted here.

[the-firebird69]

"Lockheed Martin. ...

Airbus. ...

Boeing. ...

Raytheon Technologies. ...

Northrop Grumman. ...

General Electric. ...

Safran. ...

Leonardo."

https://www.google.com/search?q=military+jet+manufacturing+inc&client=ms-android-cricket-us-revc&sxsrf=AJOqlzW9Dz27nKLFnnDYyaMbcgZXUwBPtA%3A1673814082754&ei=QmDEY-XFLZ-oqtsP6vCR0AY&oq=military+jet+manufacturing+inc&gs_lcp=ChNtb2JpbGUtZ3dzLXdpei1zZXJwEAMyCggAEEcQ1gQQsAMyCggAEEcQ1gQQsAMyCggAEEcQ1gQQsAMyCggAEEcQ1gQQsAMyCggAEEcQ1gQQsAMyCggAEEcQ1gQQsAMyCggAEEcQ1gQQsAMyCggAEEcQ1gQQsANKBAhBGABQ0RNYrTRgwjVoAXAAeACAAQCIAQCSAQCYAQCgAQHIAQjAAQE&sclient=mobile-gws-wiz-serp#:~:text=Lockheed%20Martin.%20...,Leonardo.

Northrop Grumman and Boeing are more or less the same company and Northrop Grumman is doing the engineering now boeing is huge, they have huge number of jet manufacturing facilities about 50,000 in the United States 20,000 of them are outside the Midwest and upper Midwest so really this 20,000 out there and we retained $20,000 and build new models yes they're still very huge all over the world they have a million plants and they pump out tons of military jets it's all military grade and it's all their best Jets they don't make old ones anymore

We're meeting with them today and we're firing John remillard and all his people and they want to run off with jets and they said it and they're trying to rig the place and they're getting arrested and or executed now there's no difference threatening here or not

General electric they have a huge huge huge manufacturing facility it's gigantic and they produce probably about 80% of the world's fighter jets 80% and will soon control over all of that production. And most of it will be the new models and there's a lot of nut cases down here wackos people roll so they have them rolled

This other companies we're going to take them over and Lock stock and barrel and we're firing John remillard and company and his employees are going to be terminated as soon as we start firing them which is already and there's a ton of them too that are leaving right now and they're asking for it just like idiots around here. They have no common sense and no understanding of what's going on they just sit there asking me fed and housed and they're not worth anything their parasitic and there's swine as well so we're sending in units because right there bothering him it's a couple more at the bottom and they're new and they comprise only 10% of the world's manufacturing I'm going to take them over completely right now and I'm going to fire all of them immediately

It's about it for aircraft and submarines tanks and heavy equipment have been going on for quite a while and spacecraft were just touching on right now we're going to do the small spacecraft I don't think we're going to build any of the large if they want large ones they're going to have to improvise and more so demand cuz we don't have any reason to get them large ships and they're a bunch of jackasses okay just stick to the bowling alleys for you belong love you suck bad Parks or other areas not around me no sense is that because they're scum idiot doesn't have anything. So the kicking people out of the neighborhood and they come by and they try and threaten to stay here and the police see it and I go after them afterwards but lots of them are sitting there trying to threaten for stuff so I'm going after stuff they're threatening for and we're going to take that she don't threaten us for stuff we're taking it from you stupid five more companies in the military arena but general electric is huge and we were talking about them and they are a huge company that provides to the jet industry in the space industry and I'm taking it over the whole thing and we're providing to smaller ships only and they're going to try and take all their stuff to build large ships but it's our property and we're building large ships and 90% of it is in the middle areas and they can't access it anyways and they're going to try and take the ones in their areas and we're of course not going to let them. Beyond that we're going to start talking about ancillary companies that provide different types of military hardware small arms large arms cannons and ammo and ordinance and it's kind of a touchy subject and they always start getting pissy about it these people are kind of fruitcakes and doing a lot of trouble and world War II we were doing the similar thing where in the factories but we went running it but we were telling them how to do it they think if we're running it they can threaten us more but they just look like retards telling us to shut the plant down they look like enemies and we have them arrested as their own people most of them don't come back because you can't afford to do it

And we're talking about a combine unit and what that is a big humongous fully automatic rotating rifle or Canon most of them are cannons because of the large caliber and there's about five companies that make those and they are not combined and they compete and he knows one of them which the name is combine and the rest of me is not really familiar with the names so we're going to take those over and hold today and they're really world renowned so

How is your and other cannons like that howitzer we're taking those over and Lock stock and barrel today and we are going to use them quickly and to stop clones advancing on our territory so we need a bunch of them today and how much is a great artillery systems it's very accurate and have great rocket assist and our son started that and he doesn't need bums trying to tell him what to do it is a ton of them again and punta Gorda in Port Charlotte and the max are moving and they're harassing him all morning in crowds. But there's about five companies that build cannons

Giant cannons are built by the same company companies and we're going to speak about those and that's what we're up to today and tomorrow we have a huge bunch of meetings and giant meetings for the ones that overlap and there's a bunch of overlap and a bunch of the same industry and we might do that and have a convention center that usually does weaponry and rent it it's a good idea and the all overlap and it's different times their responsibility to get there instead of us flying all over the damn place and the security could be real tight and intermingled I'm going to do it several locations I'm going to set that up it's a great idea we have a lot of other stuff to do and we're going to do that and we can go to the center where they concentrate all that stuff from the higher-ups are already there it is a pain in the butt going to their corporate headquarters it's not their company anymore

Thor Freya

It's not an old geezers who can't understand what they're doing and they're the ones doing it and we can have a strict talk with him and if they're not mentally stable enough to go in the courtroom we're going to ask them to leave and if they don't leave they can be in a separate room and if they're rowdy or out of control we're going to call the police and have them arrested it's not a place where you defense or if you say a frustrating good night your mommy good night your caretaker and we're not really allies we're just here doing the same thing and it's a parallel and I'm sending it out too we need to have order and get it done and this is a more prickly pair and we're not going to put up with it

Hera

I just say it at a meeting but she is reiterating it correctly and sending it out to become an order and that's a lot of what she does and she comes up with her own stuff he says and some of it's his a lot of it's his too but really she has her own stuff and she's very sharp and doing this is the right thing to do everyday every time so we really thank you for doing it and we're sending it out shortly

Thor Freya

We are getting these things off the ground and a huge program is starting the Ghostbusters series is kicking it off and or the worlds will be next Wednesday figure out how to put plasma in a stupid plasma weapon

Olympus