#crediting the team because this shoot is really cool and fresh and unique
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maximura · 1 year ago
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Altered States: Song Mingi x Kim Hongjoong | Creative Director/Photography by Jack Bridgland. Styling by Lisa Jarvis (2023)
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entergamingxp · 4 years ago
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How Amazon’s Crucible went from being a battle royale to a team-based shooter • Eurogamer.net
When Crucible was announced in September 2016, it was billed as a “last one standing third-person shooter” in which 12 hunters enter an alien hostile world, but only one emerges victorious.
Not only that, it was said that because the world is dangerous, players would have to work together, and make or break alliances on the fly.
Crucible was also supposed to have a 13th player – “a new type of player” – who can broadcast and directly impact the game by creating events. And, it was said, viewers on Twitch would be able to interact with the “gamemaster” as well.
Three-and-a-half years later, as Crucible nears its launch as Amazon’s first ever internally-developed PC game, it’s clear things have changed – dramatically.
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Now, Crucible is a free-to-download, team-based third-person shooter. I got the chance to play it for a few hours, and it’s more MOBA than battle royale. There is a 4v4 mode, an eight teams of two mode, and an 8v8 mode. There’s an emphasis on gathering resources, levelling up your character and working closely as a team to defeat AI-controlled aliens as well as enemy players.
It feels like the battle royale focus Crucible had back in 2016 has been relegated to one of the three modes: Alpha Hunters. Here, once you die, that’s it. The eight teams of two fight to be the last team – or solo player – standing. If your teammate dies, you can temporarily fight with another player, but you’ll be forced to fight against each other if you both make it to the final three.
The features that were meant to lean on Amazon’s ownership of the streaming platform Twitch are also no more. That 13th player – the “gamemaster” who would broadcast Crucible and impact it, alongside their viewers, is nowhere to be found.
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Clearly, Crucible, one of three games that were announced back at TwitchCon 2016 as part of Amazon’s big push into video games, has changed significantly during its development. So what happened?
“There have been a lot of interesting things that have happened in ways that the game has evolved over time,” Eric Flannum, creative director on Crucible, told Eurogamer as part of a roundtable interview held earlier in May.
“You know, if you go back to the announcement we made in 2016 or so, the way the game was described, there were a lot more Twitch features in it, and it was much more designed to be a battle royale. At the time, it was what we were shooting for.
“And then as we talked to streamers, as we played with our alphas, as we got feedback from all kinds of players, the game started to evolve. And we started making decisions based on all of that. So things like some of the Twitch features became less important. There’s still things that we plan to do, but we had to recalibrate where we were at.”
Crucible has 10 playable characters at launch. Expect more to be added.
Specifically on those interesting-sounding and now-dropped Twitch features, Crucible franchise chief Colin Johanson told us the developers received feedback from streamers that suggested they let the game speak for itself first. The developers took this feedback to heart – and streamers have been such an important part of the development process that they’re in the Crucible credits.
“Crucible has been designed and built from the ground up with Twitch streamers as a part of the entire process,” Johanson said.
“And that really defines the integration above all else, for us. We’ve had a core community of Twitch streamers and competitive gamers who for years have been working with our development team, sitting alongside us even, and giving feedback and helping us adjust and play the game with us to build a game that was both a game we were proud of, but a game they would be really excited about streaming and playing as well.
“And I think that integration is maybe the most innovative thing we’ve done above all else with this game with Twitch, is to really let them be a part of the design and the development process from the very beginning.
“And the game has changed dramatically as a result of that relationship. And that core group has been with us all the way through. We’re even including them in the game credits, because we want to give them a shoutout for everything they’ve done to help us get to this point.
“That’s the most important thing we’ve done across the board with Twitch with this game.”
Killing the alien wildlife and gathering essence is key to leveling up.
According to Johanson, feature-specific Twitch integration “will come later”. “We felt like the focus for day one should be on making a great game,” he said. “And if we showed up with a whole bunch of cool Twitch integrations, and we didn’t have a great game, no-one would care. If we show up with a great game people were excited about, and then we add more integrations and technology with the Twitch platform in the future, that made more sense.
“That’s really the same feedback our entire Twitch streamer program was giving us: hey, don’t go build all these custom, one-off Twitch features. Build a great game, and then we can add that stuff later once people really like it, but don’t distract from the game experience. And so that’s what we’re doing. If the game is successful and people like it, and boy, we sure hope they do – that’d be awesome! – then that would be stuff that we would do in the future.”
Coupled with the shift away from specific Twitch features came an effort from the developers to make Crucible unique. After PlayerUnknown’s Battlegrounds exploded in popularity as a Steam early access title in March 2017, the battle royale genre became all-encompassing and overcrowded. All of a sudden Crucible’s pitch as a 12-player last character standing shooter didn’t seem all that unique.
“If you look at things that have happened in the shooter space,” Flannum continued, “2016, PUBG wasn’t even out yet. So it was a very, very different looking kind of space. So one of the things we had to do was constantly look at how we could evolve the game so it felt fresh.”
As the developers did this, they changed the core of the Crucible experience. It became a “hunt, level, adapt” game. Modes such as Heart of the Hives, where players have to kill huge alien boss creatures and capture their hearts while also fighting the enemy team, emerged.
“I always think of games as organic, and you have to listen to what they want to be,” Flannum said. “We’ve done that. Hopefully it will resonate with people. And we feel like we’re versatile enough that we can take a lot of feedback from the people who do love the game and make some really, really cool things with it in the future.”
Now, Crucible is more akin to a couple of games that have fallen by the wayside: Epic’s Paragon and Motiga’s Gigantic. Amazon, which has invested heavily in video games and is set to release a video game streaming platform of its own, will be hoping Crucible avoids a similar fate.
from EnterGamingXP https://entergamingxp.com/2020/05/how-amazons-crucible-went-from-being-a-battle-royale-to-a-team-based-shooter-%e2%80%a2-eurogamer-net/?utm_source=rss&utm_medium=rss&utm_campaign=how-amazons-crucible-went-from-being-a-battle-royale-to-a-team-based-shooter-%25e2%2580%25a2-eurogamer-net
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briangroth27 · 7 years ago
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Spider-man Films Wish List
Since Sony partnered with Marvel Studios to share Spider-man, they have a unique opportunity to have their cake and eat it too. Spider-man has a whole multiverse of alternate Spider-men and villains they could flesh out to explore all corners of Spider-man’s web, while Peter Parker continues to make full use of the benefits of existing in the MCU. Spider-man is tied with the X-men as my favorite superhero, so there’s a lot I’d love to see in these movies!
Full spoilers (for movies, comics, cartoons, etc.)…
Peter Parker I loved Homecoming, but I do think Uncle Ben should’ve been mentioned (though I never need to see him die again). Not only would invoking his death have given weight to May’s concern for Peter and Peter’s drive to be a superhero, but if Ben were a fan of Captain America and viewed being an Avenger as an honorable thing, Peter’s obsession with joining them would’ve been about more than just trying to grow up too fast. It’d be about living up to what he thought Ben believed a hero was. A glimpse or mention of how selfish Peter was before Ben died would be nice too; they could connect his personal growth to his gravitation toward Stark (in addition to their shared scientific interest), seeing a similar moral evolution in Iron Man.
As fun as suit AI Karen was, I wish Peter had given Tony both suits back to make a true break from Stark’s toys and guidance so he could start finding his path as his own man. Maybe we’ll get a more self-reliant Peter after Infinity War. We know another MCU hero is guest-starring in Homecoming 2, but I hope it’s not another mentor figure. A major draw of classic Spider-man is his self-sufficient nature—he was a kid who wasn’t a sidekick—so I’d love to see that onscreen; we did get that in the earlier Spider-man movies, but now that he’s in the MCU they could play up that distinction in relation to the rest of the Avengers. A kid who’s just as competent as the adult heroes would make for an inspiring hero. I want Peter to be the one developing web attacks and genius solutions to problems rather than having them handed to him. Spider-like tactics like Andrew Garfield’s Spidey feeling for vibrations on his webs in the sewers in Amazing Spider-man would be great too! They should definitely look into stylizing Peter’s crime-fighting techniques and attack style so he stands out from the Avengers crowd. As much as I want Peter to forge his own way with his suits, I hope he keeps the emotive lenses he invented; they’re a great rendition of the comics' tactic of giving him expressions while masked and, with some refinement, they'd serve that purpose on film too instead of having him lose his mask in every climactic battle.
I was very pleased we finally got Peter inventing both his web-shooters and his web fluid in Homecoming and I hope that expands to practical uses of science as he takes on other supervillains. Too often Rami's movies portrayed him as a nerd just to emphasize his outsider status, but he should be using his brains to beat the bad guys just as much as he uses his fists. The animated Spectacular Spider-man had a very good balance of Peter as an outcast nerd and Spidey using science to stop evil that the MCU films would be smart to imitate. I’ve heard we’re getting Spider-Sense in Infinity War, so I��m excited to see that employed on a regular basis and to explore how it alters his perception of the world around him. Digging into how Peter’s powers affect his life and shape his outlook (beyond his responsibility to be Spider-man) would be fascinating!
Perhaps most importantly, I hope the MCU Spidey films continue to focus just as much on Peter's personal life as on his superheroics. Homecoming nearly perfectly used Peter's heroics and villain problems as metaphors for everyday life. No other MCU hero except Ant-Man has had much focus given to a down-to-Earth, relatable daily life outside their super suits (even Tony Stark seems to live in a fairly isolated world with occasional lavish public appearances), so Homecoming was a breath of fresh air in that regard. It’s also perfect for Spider-man: while being Spidey lets Peter's confidence shine in ways it can't as Parker, it also wreaks havoc on his social life. That push and pull is classic (and brilliant) and I want to see it develop as this series continues, though I hope they don't go overboard like Spider-man 2 did by making Peter's responsibility as Spidey a huge, depressing weight that crushes the fun out of everything. They should always remember that being Spidey may cause problems, but being him is fun for Peter too. While on the topic, his rapid-fire quips and jokes are necessities! I also don't think they should be afraid to make Peter a bad boyfriend for anyone who doesn't know he has responsibilities as Spidey…or even just because he has no experience in that area. It’d be realistic for Peter to have to learn how to be an equal, supportive partner in any relationship he gets in and they could set a good example for everyday relationships if he learned to fix mistakes that didn’t come from his heroic calling interrupting his dates. My biggest issue with Homecoming’s take on Peter’s social life was that Liz was essentially an idealized potential girlfriend from what we saw of Peter’s interest in her. While it’s good they didn’t play her as his “true love” because of this, they could’ve gone the extra step and made him face the reality of who she was instead of who he’d pictured from afar (though I assume they know each other at least somewhat from the debate team). They also could’ve had her shoot him down when he asked her to the dance (after ditching and disappointing her the whole movie, why wouldn’t she?)...and had him come away OK with not getting the girl both because she may’ve not been interested and because he screwed up. To the writers’ credit, they don’t end up together in the end and it seems they’re both OK with the relationship not happening. Peter getting the date didn’t ruin the film at all for me, but they could play with something like this in a future relationship.
As far as Peter's arc goes, I don't want to see Peter in high school forever. I think Tom Holland will age faster than anyone's really expecting given how long it will be between movie releases, and that's fine with me. I hope we get to see Peter finally grow up and find balance in his life. He can move forward as a young adult without having everything together, which would be just as relatable as being a kid with problems (and they can have Miles Morales take over the kid role, bringing a whole other level of social relevance to the story). In addition to the classic photographer gig at the Daily Bugle, I hope we get to see Peter at least intern (if not become a full-fledged employee) at Horizon Labs to work on cutting edge science. If the movies go long enough, Parker Industries wouldn't be out of the question for me. Maybe it shouldn’t be as global as it is in the comics, but it would certainly work as the low-budget, people-focused Stark Industries it started out as. Fun elements like the Spider-mobile could be introduced too, either through Horizon (when Peter claims to be designing tech for Spider-man), or as the licensing opportunity it was in the original comics!
Miles Morales/Ultimate Spider-man While Miles is getting a theatrically-released animated movie, he’s a hero I’d love to see in the MCU as well. Originally, instead of having Miles take up the mantle after Peter dies, I thought they should cast them as contemporaries and play it as a buddy cop comedy. It’d also work if they played Miles as a more withdrawn, insecure Spider-man once Tom Holland’s Peter has grown up a bit and started working for (or at least interning at) Horizon Labs. They could roll Peter’s successes into Miles’ arc as he tries to find his place and live up to the "amazing” Spider-man. I absolutely don’t want them to kill Peter like in the Ultimate Comics. Morales being Peter’s mentee like Peter was Tony’s isn’t a bad idea—they could team up for the first time in Homecoming 3—and I think it’d be awesome if Miles got a show on Netflix or Freeform while Peter is in the movies. 
Not only can Miles fill the “everyteen Spider-man” role as Peter grows up, but his half-African American/half-Puerto Rican heritage would make his outlook and experience totally different. He was initially nauseated at the idea of superheroics in the comics, but later felt he had a responsibility to use his powers and learned to enjoy them; that’s a very clear and cool foil to Peter’s instant excitement over his superhero status, and a Miles who doesn’t want to be an Avenger would be an entirely different storyline, particularly with the Sokovia Accords in play. Miles could also start with no one knowing his identity, since we’ve mostly skipped those classic moments with Peter. While Miles shares Peter’s wall-crawling, spider-sense, agility, and super-strength, he also has a venom blast that can be deployed by touch and the ability to become invisible through a camouflage power, which would help set him further apart from Peter’s Spider-man.
Miles has an entire supporting cast unto himself that could be mined for drama. His father Jefferson was a one-time agent of SHIELD, and maybe they could say he worked with the Parkers and/or against Chameleon. His mother Rio was in favor of Spider-man and vigilantes, contrasting with Jefferson and possibly Aunt May. I don’t know why they grafted Ganke Lee’s personality onto Ned Leeds for Homecoming, so I’m interested to see what Miles’ best friend will be like if he appears onscreen. Katie Bishop was Miles’ girlfriend at one point—until her parents were revealed as Hydra operatives (she was a sympathizer)—which could be a relevant story nowadays. Lana Baumgartner was trained by her criminal mother Lori so the two of them could team up as the Bombshells, villains with explosive powers, but Lana reformed; her villainous parent could be a solid parallel to Miles and Aaron Davis. If Fox was willing to share him, Fabio Medina could be a friend of Miles’ who’s also a popular and public superhero (they’d have to make him an Inhuman instead of a mutant here), contrasting with Morales’ secret identity. If Miles got a Freeform series, he could team up with Cloak & Dagger. On Netflix, he could look up to Luke Cage. They could keep the budget to TV standards by having Miles bounce around fights on a mostly ground level instead of swinging between skyscrapers (except for travel and special fights!); they could invent an entirely Miles-specific style of attack for him. Staying close to the ground would not only avoid the probable budget issues of web-slinging, but they could use it to play up his initial wariness about even being a superhero even after he’s put on the suit.
Venom Tom Hardy is playing Eddie Brock in the Sony corner of the MCU—it’s still a bit unclear whether Tom Holland will get to appear in these films or if they exist in their own Spider-verse—and I’m thinking this is going to lead to Brock becoming the Lethal Protector of the 90s and potentially the central anti-hero of the Sony Spider-films. I like Eddie and I’m eager to see him onscreen in his own movie (this short was a cool, unconnected and unofficial look at what a Venom movie could be), but I hope they don’t leave out his history with Spider-man and just have the symbiote go directly to Brock, even if Tom Holland can’t appear. They could mention his past with “the Bug” in passing or detail it in a prologue, but Spider-man should be a fixture of Venom’s origin.
Brock dealing with his sense of right and wrong in addition to his lack of responsibility when it came to Spider-man uncovering the truth about a story Brock had reported—he blamed Spidey for “getting him fired” instead of accepting that he should’ve dug deeper for the truth—mixed with the mind-altering alien symbiote will make for a fascinating redemption arc. I hope they start out with Venom as a full-on villain—possibly hiding from Spider-man—and have Brock rediscover his humanity as he begins to protect innocents. The line between villain, hero, and “Lethal Protector” anti-hero would be interesting to explore. What makes a person fall into those categories, can they change, and how? Brock’s Catholicism could also bring an interesting angle into any redemption arc they give him, if they choose to go that route; that religious outlook on “what makes a hero?” (or even just a good person; to him, does it “count” if we forgive ourselves and each other?) could also make Venom an unexpected foil for Daredevil. They can explore whether the symbiote is an excuse for his misdeeds or a drug habit he needs to kick. The symbiote could also be treated as a physical manifestation of Eddie’s darkest, most selfish impulses since that’s what it heightened when it was bonded to Peter. Can Eddie control it—control himself—to be a better man or is he destined to be a monster he can only point at worse evil? Carnage makes sense as Venom’s enemy in his first movie—he’s the symbiote’s even more psychopathic offspring bonded to a serial killer—and I’m excited to see them clash.
I don’t know much about Venom’s time as a solo vigilante except that he was everywhere when I was reading comics in the 90s, so I’m up for anything in that regard. Whatever they do, I’ve long wanted a subplot where Peter sees Venom dealing with a crisis on the news, so he Planes, Trains, and Automobiles his way across the country (with a heaping dose of Parker Luck giving him trouble at every turn) to get wherever Venom is to help stop Carnage (or, misreading the situation, to stop both of them), only to arrive after Venom has already saved the day. It’d just be a fun comedic subplot, so I hope that they can work that out (Peter never even has to suit up). I wouldn’t expect it from a horror-themed movie like Venom is supposed to be (which does sound like a great angle to take with Venom!), but it could be just the dose of comedy needed to break the tension every now and again.
Black Cat It’s a shame that being in Sony’s Spider-verse likely means we won’t get to see Black Cat interact with Tom Holland’s Peter. I’ve always been a fan of how Felicia Hardy prefers Spider-man to Peter and that their relationship is played mostly as a fun, flirty friends with benefits situation between two adults who respect each other; that would’ve been perfect for Amazing Spider-man 3 if Peter didn’t want another serious relationship—or even to focus on being Peter Parker—after Gwen’s death (and Felicity Jones would’ve been great as Black Cat!). If Venom doesn’t become the cornerstone of the Sony-verse, I’d like it to be Black Cat (or they could share). Not only is she more moral than he is, but we don’t have any cinematic superhero universes built around women.
It’d be cool for the movie to start out with Felicia as an excellent thief, following in her father’s footsteps (perhaps with some flashbacks to being trained by her father), and to have one of her heists be the tablet from the comics that gave her bad luck powers. She’s able to alter the fortune of anyone around her, which could make for some cool sequences as changes to fate create Rube Goldberg-like disasters for rival thieves and anyone trying to stop her (this also sets her apart from Catwoman a bit more). To keep from making it too easy for her, part of her arc could be learning to control these powers and prevent them from tripping her up as well. Perhaps they could connect learning thievery to learning to control chance; that's what skill is, isn't it? Narrowing chance to the smallest allowable factor while you rely on yourself. If they did that, we could watch Felicia flashback to her father training her as she applies his lessons to mastering her newfound gift. I love Black Cat’s latest costume; it’s sleek and sexy without being exploitative, so I hope they use it in the movie rather than her classic one. I’d love it if her movie(s) eventually found her controlling the underworld like in the current era of Spider-man comics; showing her rise to power and struggle to hold it would be a cool twist on a character that might seem like she’s headed for redemption.
It sounds like Silver & Black, featuring Cat and Silver Sable—a mercenary in the comics—will also include Chameleon, Tombstone, and Tarantula as antagonists. Knowing nothing about the film, I’m envisioning a series of heists by Felicia and Sable and counterattacks from the mobsters they’ve stolen from. I’d love a Kingpin-esque, extremely imposing and coolly calculating Tombstone like in Spectacular Spider-man to be the main villain in this, and that show is where I’d draw inspiration for the other characters too. Silver Sable could be the daughter of Silvermane, another mob boss; perhaps she’s initially against Black Cat. Felicia herself could be the daughter of the burglar who killed Uncle Ben, which was a brilliant twist in SSM, but I suppose wouldn’t matter much in a universe where she may not be able to interact with Peter (though it would be a hell of a setup for a potential crossover!). I’d guess Tarantula is an enforcer for Tombstone and Chameleon could be either a rival thief or a hitman working for Tombstone as well. They could also use Hammerhead if they wanted to throw Cat and Sable into the middle of a massive gang war.
Spider-Gwen Spider-Gwen is relatively new to comics; she’s the Gwen Stacy of Earth-65, where she was bitten by the radioactive spider instead of Peter Parker. She initially used her powers as Spider-Woman for popularity until her father—police Captain George Stacy—commented that the vigilante could be using her powers for good instead. Gwen changed her ways and became an idol to her schoolmate and friend Peter Parker, who turned himself into the Lizard in an effort to be like his hero. Realizing her mask didn’t free her of responsibility like she thought, this was her Great Power/Great Responsibility moment and Spider-Woman was blamed for Peter’s death, so Gwen set out to clear her name and earn the city’s trust...as she’s being hunted by her father and his cops. She’s wisecracking like Peter, furthering the common themes among the Spiders, while George’s complicated relationship with his police force—especially after he learns Gwen’s secret and decides to protect her—would give her an entirely different family dynamic. This Gwen is also the drummer in a band—the Mary Janes, along with MJ, Betty Brant, and Glory Grant—rather than being a science student, giving her a whole other world to inhabit and obligations to fulfill in her social life as they try to make it big (one of their songs, “Face it Tiger,” performed by Married With Sea Monsters, is even available to buy!). She has the classic spider-abilities, detective skills thanks to watching her dad, and she learned kung fu moves from movies, making her crime-fighting distinct from Peter’s style. Gwen has webshooters (created by retired superheroine Janet Van Dyne) that create webs out of the moisture in the air rather than cartridges, giving her a different set of potential problems with her webs than Peter and Miles would have. Gwen’s neon-noir world and punk rock sensibility would be an entirely different flavor from every other superhero movie, which would definitely be a breath of fresh air.
Since Gwen lives in an alternate MCU, they could get several actors they’ve already cast to flesh out the twisted versions of her supporting cast and enemies. For instance, Frank Castle is one of the cops trying to bring down Spider-Woman for Peter’s death and Matt Murdock is the right-hand man of the Kingpin. Peggy Carter is the leader of SHIELD on Earth-65, and if you follow my blogs, you know I’m down for any and every Peggy reappearance I can get. They can also play up the differences in villains; Gwen’s villains are distinct enough from their mainstream counterparts that they could use both at once without feeling repetitive in most cases. The heroes are different too; Gwen’s world’s Captain America is Samantha Wilson, which would be cool.
At first I thought it’d be neat if Sony’s Spider-verse were secretly Spider-Gwen’s world, but I think I prefer the option of easier connections between Venom, Black Cat, and Tom Holland’s Spider-man if Sony wants to play ball without the need for dimension hopping right off the bat. Instead, I’m thinking that billing a Spider-Gwen movie as an alternate universe to the Amazing Spider-man films would be kinda brilliant. They’d already have Emma Stone as Gwen Stacy, which would be outstanding (Dennis Leary could return as George as well), and Peter helping Curt Connors become the Lizard in Amazing Spider-man parallels his death in Spider-Gwen’s world perfectly. Branching off of ASM would immediately create a Spider-verse unto itself—one that springs from movies audiences are already familiar with, no less—which could also incorporate Tom Holland’s Spider-man and any others they wanted to bring back in a massive crossover down the road! Spider-Gwen could also be done as an animated feature like Miles is getting next year, but any way we get cinematic Spider-Gwen adventures, I’m down!
Supporting Characters Aunt May We need to see May and Peter talk about him being Spider-man. Peter was an adult in the Rami films and those only hinted at Aunt May knowing the truth while Sally Field’s version never found out, so this would be an entirely new scene in addition to being very important for both characters. I loved how Homecoming left them, but I'm afraid we’ll lose that talk since Peter's next appearance is in Infinity War. Hopefully we'll get that conversation in the opening scenes of that Avengers film to establish where Peter is at that point in his life. If not, jumping back to that conversation at the start of Homecoming 2, like Homecoming did the events of Civil War, would work too. I’d definitely like her to invoke how dangerous New York City is with a reference to Ben. It’d also be cool to see her life outside of Peter (and without every guy she meets hitting on her); what is she doing with herself these days?
Ned Leeds Peter’s best friend and “man in the chair” worked really well in Homecoming and I wonder if he’ll follow his comic path to the Daily Bugle with Peter (which also includes getting married to Betty Brant). Maybe he’ll even wind up a patsy of Hobgoblin, which could leave him burned out on superheroics as things get far too real for him. That’d produce an interesting wrinkle to his friendship with Peter, especially if they came to blows while he was mind-controlled by Hobgoblin. What if it wasn’t cool for him anymore, taking away that support from Peter for a bit? I don’t want his death included in the cinematic version, though. 
Michelle Michelle’s “my friends call me MJ” does not mean she’s Mary Jane, though I wouldn’t have minded if she was. She was such a cool, funny character that I’m excited to see where she goes no matter who she is. I’d love them to continue Michelle’s social awareness; that was an unexpected way of showing that Peter’s not the only kid who thinks beyond high school. If she were to discover Peter’s secret, that’s a point they could bond over. She could also deal with classism, sexism, and racism in ways that Peter won’t be able to experience; all of which are natural outgrowths from her fearlessly calling out social injustices. Those are villains he can’t fight for her, so seeing her take them on to save herself would be great! Whatever they do with Michelle, I want to see more! I’d love it if they brought her into the comics as an adult in Amazing Spider-man or as a contemporary of the leads in Miles Morales’ Spider-man series and/or Spider-Gwen.
Flash Thompson I loved that Homecoming made Flash a smart kid; not only did it allow him to challenge Peter intellectually, but it broke the mold of jocks vs. nerds by proving that bullies can be anywhere and nerds aren’t by default good guys. I’d like them to increase his bullying beyond calling Peter names by including some 21st century tactics, even as he becomes a fan of Spider-man (which could make for some good commentary on real-life comic and sci-fi fans who seem to completely miss the values espoused by the stories they love). I wouldn’t mind eventually exploring Flash becoming the government’s Agent Venom, but that’s far in the future from where he is now. Superspy Agent Venom was a very cool development for Flash; not only did it restore his legs (previously amputated due to his military service), but he had to closely monitor how long he wore it and how angry he got, or it would take over his mind. Even though Sony’s Venom movie is semi-separate from the Peter Parker films, they could easily say that the Agent Venom suit was cultivated from a “sample recovered from a larger specimen,” obliquely referring to Tom Hardy’s Venom without having to say it outright.
Gwen Stacy I don’t need her to die ever again, so I’d like for them to introduce her into the MCU and twist that fate. The one-two-three punch of Lacey Chabert’s Gwen on Spectacular Spider-man, Emma Stone’s portrayal in the Amazing Spider-man films, and the Spider-Gwen comic series made Gwen my favorite of Spidey’s love interests (and one of his best supporting characters in general) and I’d like to see her appear here as well. It was weird they made Betty look just like Gwen in Homecoming—I think maybe she was supposed to be Gwen and it was changed at the last second—but even if she doesn’t look exactly like the iconic Gwen, I’d like Peter to meet his scientific match. Beyond being a cool character in and of herself, Gwen’s science skills allow her to actively contribute to the plot arguably more than any of Peter’s other love interests or friends can. That’s not to say everyone has to contribute directly—Michelle was certainly a great, memorable character who didn’t necessarily add to the plot, but still mattered—but Gwen’s skills allow her to, so she should. 
Much like in the ASM films, Gwen is someone on Peter’s intellectual level who he can bounce scientific ideas off of. If she isn’t in the know, we could get some fun and ridiculous excuses as to why Peter would be spit-balling ideas about scientifically curing vampirism or turning sand into glass. In their leisure time (whether she knows he’s Spidey or not), we could see them hanging out as friends, geeking out about whatever the newest scientific discovery is (or whatever their other shared interests are) and dreaming of making their own breakthroughs one day. Simultaneously, her father puts Peter in danger in a very different way than Liz Allan and Harry Osborn’s parents do since he has the law on his side, complicating things if her father catches Spider-man. If she’s on her dad’s side about Spider-man being a criminal vigilante—at best putting himself and the people around him in danger by escalating situations—having her voice that opinion instead of yet another authority figure could provoke real reflection in Peter. An opinion like that would also bring variety to the students’ outlook on Spidey in the MCU. Making Gwen a potentially frustrating scientific rival for Peter is another way to subvert expectations upon reintroducing her. Maybe she’s another intern at Horizon Labs, who is trying to scientifically enhance cops and people in general (via technology or biology) to protect them from superhero battles; cops with high-tech enhancements could inadvertently make things much harder for Spider-man. Perhaps she’s out to nullify all the villains’ powers to help protect her dad (or in his memory), and that includes curing Spider-man (at first). Completely independent of whether she’s a help or initial hindrance to Peter, Gwen could also face sexism in the STEM fields, giving her a set of obstacles to overcome to achieve her dreams entirely different from Peter’s (and hopefully, making him reflect that his white male privilege gives him advantages she doesn’t have). If they introduced Spider-Gwen’s universe as an alternate world to the MCU instead of ASM, whoever they cast as Gwen would have a great opportunity to play two distinct versions of the same character! 
Mary Jane Watson Growing up, MJ was my preferred love interest for Peter: she was pure fun and her party girl persona being a “secret identity” of sorts to cover up her troubled family life made for a nice parallel to Peter’s confidence shining through as Spider-man. That setup also made her someone who understood what it was like to have a secret identity. However, beyond making her an aspiring reporter like in Ultimate Spider-man (a role movie Betty is already inhabiting), I wasn’t sure what the classic supermodel MJ adds to the plot beyond a grounding influence and acting as a love interest for Peter. Perhaps they could play her like Betty in The Rocketeer to Peter’s Cliff Seacord: maybe the MCU MJ is a famous teen star (or a teen with a very strong social media presence) and her acting world is way outside Peter’s comfort zone. Modernizing a young MJ into an already-semi-successful actress or social media darling would also give her a more heightened world than most high schoolers live in, meeting Peter’s life as Spider-man on relatively equal terms. They could also contrast her fame and fans with his growing infamy, and the two could commiserate about bad press if the tabloids slammed her for any number of rumors. Perhaps she could use her social media platform to help out Spider-man’s image (or initially, she could think he’s the menace everyone else does, adding to his problems). If she were to aid him with her legion of followers, they could set up a youth vs. adults theme connecting to how the different generations view the media and fake news.
MJ could also be someone that helps Peter let loose as Peter rather than being worried about responsibility 24/7. The Rami movies got some good, understated mileage out of contrasting MJ’s fame with Spider-man’s infamy, and as detailed here, made a solid commentary on classism, abuse, and sexism with MJ and Gwen. A new MJ—particularly one who’s in a tabloid spotlight thanks to being an actress, an internet sensation, or both—could also take on sexism and misogyny in ways Peter simply can’t. Guys at school could expect sex from MJ for being a "party girl" and because of some modelling/acting campaign she’d done (or even just tabloid rumors), while she just wants to have fun and get out of her bad home life. Even if she is having sex, we could see her confronting guys who expect she'll sleep with anyone just because she slept with someone. If her star status includes that image, she’d definitely have her detractors as a “bad influence,” just like Spider-man is a “menace.” The Bugle could even be the one running a “what happened to wholesome teen stars?” piece, giving her and Peter a common adversary. Like Gwen, whatever they do with her, she certainly shouldn’t appear just to be Peter’s girlfriend and/or to be in danger. If they do reintroduce MJ, I definitely hope they do the classic introduction, complete with Aunt May trying to set Peter up with her (to his dismay and disinterest) and the iconic “Face it Tiger, You just hit the jackpot!” reveal.
Liz Allan I wanted to know more about what Peter saw in her beyond her being a smart, pretty, unattainable senior in Homecoming. The car ride to the dance was a perfect opportunity to at least tell us what she wanted out of life; one the writers missed completely. It’d also be nice to know what she sees (or saw) in Peter, especially since he didn’t do much but disappoint her in Homecoming (I assume they interacted more in debate club than what we saw, though). If she returns, I hope they flesh her out more. I’d also like to know what her thoughts are about her father being a criminal; might she come to understand why he did what he did and follow in his footsteps? Would she blame Spider-man for destroying her family?
Captain America I definitely don’t want all of Peter’s movies to become Marvel Team-Ups (even though we know another hero is in Homecoming 2), so if we must have the Avengers stop by, I hope they each teach Peter something new without making him their unofficial sidekick. Captain America would be my first choice for the hero in Homecoming’s sequel; I’ve thought since Civil War that had he gotten the chance to talk to Spider-man, Peter would’ve seen that Steve’s side was really the one representing power and responsibility. Cap could teach Peter about tactics and the resolve to try and do what’s right even if you fail, but if Uncle Ben were a fan of Steve’s, then Peter interacting with his Uncle’s hero could be extremely touching. If Ben saw Cap as the quintessential hero, they could even say Peter based his color scheme on Cap’s to honor his Uncle Ben; to emulate the man he thinks his Uncle would’ve wanted him to be. Of course, Steve would remind him Ben is proud of Peter for who he is, then Peter could confess why Ben is dead, and it’d be a great, raw emotional moment between the two of them! Steve’s current fugitive status could be a neat parallel to Peter breaking from Tony and going his own way. And no hero in the MCU is better set up to contrast the iconic Captain America image with his hilarious educational videos than Peter, so the endless ribbing that could come from that would be a blast! A reality/public image disconnect—particularly with Steve being a ���war criminal”—could also create a bond between them if Jonah starts smearing Spider-man’s name.
Cloak and Dagger They’ve got a series coming to Freeform, but it’d be cool to see these classic Spider-man allies team up with either Peter or Miles! These teen heroes could band together to form the Champions—their answer to the Defenders and Avengers—creating a youthful bond where the kids are just as likely to hang out and help each other cope with the realities of growing up as they are to take down criminals.
Iceman and Firestar If Marvel ever makes a deal with Fox like they did Sony, it’d be excellent to see Peter meet and become Amazing Friends with the X-men’s Iceman and Firestar! That show was one of my first exposures to superheroes and getting a live-action team-up would be awesome!
Cardiac Dr. Elias Wertham became a vigilante attacking corporations for their greedy practices after his brother died of a condition which had a cure, but the corporation that created it refused to sell it because it wouldn’t be profitable. Later, he ran an underground hospital for those who couldn’t afford care. His hatred of big business and the lack of sufficient health care would be extremely relevant right now, and his noble intentions would thematically continue Vulture’s argument while challenging Peter’s concept of what the right and wrong way to achieve justice is. They could tone down his attacks on corporations to the point where no one is harmed (maybe he only steals medical supplies or cures that aren’t on the market, making them available to all) and have the Bugle still call him out as a violent, murderous anarchist in the same way some see the Black Lives Matter movement. Spider-man could initially attack him—ironically believing the Bugle when police reports also say Cardiac is a criminal—only for Peter to discover he isn’t that at all. If it’s the opinion of some corrupt officers that sends Spidey against Cardiac, exploring how the authorities tolerate Spidey but open fire on Cardiac would be another socially relevant avenue to explore with him.
Molten Man Mark Raxton is Liz Allan’s stepsister, so there’s already an easy introduction for him if Liz’s mom divorces Toomes and remarries in her new home. He could be something of a tragic villain, since his heat powers and molten skin are as much a danger to the people he cares about as he is to his enemies. His entire villainous streak could be motivated by finding a cure for his condition, making him an uneasy ally of Spidey’s by the end. If Peter ever gets to the point where being Spider-man is too much for him and he wishes he didn’t have his powers, Mark could remind him not only could it be worse, but his real power is his sense of responsibility.
Clash Spider-man busted this sometime criminal (who uses focused soundwaves as weapons), but after hearing about the circumstances that led him to crime, Peter Parker gave him a job to help rehabilitate him. Spider-man permanently defeating a villain by listening to him and having faith that he could improve (as Peter himself did) would be an awesome, unique way to deal with a supervillain.
Villains Growing up with the 90s Spider-man Animated Series, I can see why fans my age might want Peter to face off with Vincent D’Onofrio’s Kingpin, but I hope he doesn’t. He seems too low-level for Spidey to deal with. I think he should stay a Daredevil villain; there are already many more enemies for Spidey to fight anyway!
Obviously not all these villains would make for lead villains in movies (one of many reasons I'd love to get a new live-action Spider-man TV series). However, an idea I saw online a long time back was to do cold opens for superhero films, like the Bond movies do. That'd be a great way to introduce a unique villain in a “short story” that related to the themes of the film (and established where Peter is in life) and give audiences a wider look at his rogues gallery without having to dedicate a while film to villains who may not be able to carry it.
Since we probably won’t get an endless stream of Peter Parker-focused movies, splitting these villains up with Miles Morales (and/or Spider-Gwen) down the road would be great too.
J. Jonah Jameson I'd be fine with JK Simmons coming back as Jonah; more dimension than he got in the Rami films would be nice, though. If Jonah ever became mayor in the movies, that’d be a great opportunity to either really make him see the contributions Spider-man makes to the city or to play up some relevant political parallels (and to make things even tougher on Spidey). The people annoyed with Spidey in Homecoming could provide a nice foundation for the readership that would believe his lies, so “fake news” and the people who refuse to believe anything but their chosen news source could definitely be a factor in these films. I'd definitely like the MCU’s public to be more skeptical of Spidey than in the earlier Spider-man films, driven to distrust him thanks to Jonah’s own fear of men in masks. It would also be great to see Jonah eventually develop into a (slightly) more caring and understanding person, like he did as a supporting character in the Silk series!
Vulture Michael Keaton made Adrian Toomes my absolute favorite MCU villain, so I can’t wait to see more of him! I loved that he had a legitimate point about how Stark and the government treated him and making him Liz’s dad was the perfect analogy to an awkward meeting with your girlfriend’s parents. I also liked that his version of power/responsibility is that he can provide for his family through crime, so he does. I’m intrigued to see whether he’s keeping Peter’s identity a secret because he respects him, wants to kill him himself, or a mix of both. Keaton barked some of his lines, so even though he seemed sane, it felt like there was something dangerous and violent within Toomes; let’s see it unleashed! As Peter gets more confident in his web-swinging, I’d love to see an epic aerial rematch between him and Toomes. I don’t think it’d be out of character for him to continue tinkering with his suit to add new weapons to it either, scavenging the parts from other MCU battles. Whatever we get from the next Vulture appearance, I hope Peter makes some Birdman, Batman, and Falcon jokes!
Mysterio As silly as he can be (and that’s the point; he should not be revamped to be “badass,” even if his illusions are intimidating and mind-blowing), Mysterio would be a fantastic villain for a visual medium like the movies. I know he’s being looked at for a solo Sony film (which I assume would be like a Now You See Me heist film with magic…though that would work better with Peter as the “cop”), but I really want him to fight Spider-man instead. Quentin Beck was a Hollywood special effects wizard who turned to a life of crime using those same effects (plus a costume stolen from a 50s/60s sci-fi movie) and if he became a criminal for fame, that could be a cool parallel to Spider-man’s early motives. Mysterio chasing fame could also give Jonah an avenue into blaming Peter for the same thing (and a criticism that wouldn’t necessarily be untrue, at least as regarding Peter’s earliest exploits). They could play Mysterio as the Peter Parker who never lost his Uncle Ben. Mysterio’s deadly special effects could pose a great challenge for Peter’s scientific mind while giving the filmmakers an amazing opportunity to go wild with their visuals; literally anything would be possible, and for once it wouldn’t really matter how CGI something looked. The Ultimate Spider-man comic had the right idea casting Bruce Campbell as Mysterio and I’d follow that instinct in a heartbeat.
Hobgoblin Willem Dafoe was excellent as Norman Osborn/Green Goblin (even if his suit left a little to be desired), but honestly I’m tired of businessman supervillains and Norman in general so I don’t need to see any iteration of the Green Goblin onscreen again, probably ever.
That said…there is one goblin businessman I’d like to see in the movies: Hobgoblin. Roderick Kingsley was a fashion mogul who regularly employed mind control to coerce other people into playing the role of Hobgoblin, obscuring his identity so well that he actually beat Spidey and retired to a tropical island at one point. Two of his forced decoys? Ned Leeds and Flash Thompson, which would be a cool way to continue involving Peter’s classmates and friends (and Spidey clearing Flash’s name would boost Flash’s Spidey fandom while still bullying Peter). The movie could also feature Jason Macendale and Phil Urich (other Hobgoblins from the comics) as red herrings. Hobgoblin’s a criminal mastermind the likes of which we’ve never seen in a Spider-man film and the multiple false leads about who he is could give us Peter Parker trying to solve a mystery for the first time in the movies as well. If Roderick does get away with it (and I wouldn’t mind if he did), his more recent trend of licensing out his Hobgoblin persona into a franchise for criminals to buy into (and share their profits) could be a fun new wrinkle for a supervillain in a film down the road. Tom Hanks once said he’d like to play a supervillain, and Hobgoblin could be a pretty great role for him.
Doctor Octopus One villain I’d love to see redone in the movies is Doc Ock. As good as Alfred Molina was, I never needed him to be sympathetic (and being controlled by his arms was a lame retread of Green Goblin), so I’d make the MCU Doc Ock the classic mad scientist from the comics. He’d be the polar opposite of Peter: Spidey’s true opposite number and arch-enemy; a selfish, self-centered scientific genius with no sense of responsibility whatsoever. I’d toy with upgrading his abilities a bit; maybe he invents a device that gives him some of the camouflage ability octopuses have and tinkering with Pym Particles allows him to dimension-shift to a degree, mimicking cephalopods’ ability to squeeze through tight spaces (and also making him extremely hard to hit). Utilizing the most insane, maddest science and numerous master plans, Octavius would be the greatest mental challenge for Peter (without being a slouch in the physical department) and I’d love to see that showdown! I’d cast Jeffery Combs as Otto in a second.
Scorpion Mac Gargan’s already set up with a grudge against Spidey, so I’m eager for that to play out. I’d like them to mention that he was a failed private detective before he became a criminal, so perhaps he could work out Peter’s secret identity and threaten his life on a larger scale than just as a costumed supervillain. I’d also upgrade his suit to not only include the scorpion tail, but retractable wrist gauntlets that mimic scorpion pincers.
Prowler I liked Donald Glover’s version of Aaron Davis in Homecoming, even if he wasn’t as nefarious as in the Ultimate Spider-man comics. That Prowler was my favorite revamped Ultimate villain and I’d love to see Homecoming’s Davis develop into the twisted Uncle Ben figure that his comics counterpart is. He could train Miles to be a thief by claiming to only steal from bad guys, before Miles finally takes a stand against him. I definitely wouldn’t kill him like in the comics, though, and his status as Miles’ uncle would make for a great real-life parallel to family members who don’t always want the best for you.
Kraven the Hunter and Calypso Using potions to enhance his senses and physical prowess, Kraven being hired to hunt down Spider-man (or just doing it for sport) seems like a no-brainer for a minor villain in a movie. His lover Calypso could come along to introduce a mystical threat that Peter would have a hard time believing, much less defeating; it would be cool if she were the real threat between the two of them. There was a rumor Sony is looking at Kraven for a solo film, and while I guess I can see him being hired to hunt down other supervillains, I’m not sure he’s leading man material (though perhaps there’s some potential with his code of honor). I’d rather see him and Calypso fight Spider-man, and eventually getting to “Kraven’s Last Hunt,"—where defeating Spider-man isn’t enough; he has to prove he’s better by going out dressed as Spidey and fighting crime—would be a fantastic arc! I wouldn’t be opposed to him taking on animal traits thanks to Calypso’s magic, similar to his lion appearance in Spectacular Spider-man (though maybe here, the animal traits/abilities would only be temporary transformations). Regardless, his enhanced physical prowess and super-senses would be a tough challenge for Spidey to out-maneuver. Coming up with ways to dull and/or block Kraven’s senses would be a fun recurring problem for Peter. I think Oded Fehr could make an interesting Kraven. 
The Jackal Ms. Warren appeared in Homecoming and, assuming she’s the MCU version of Miles Warren, I think it’d be fun if those kids who “went missing” on field trips were replaced with clones by Ms. Warren to cover up their disappearances. It’d be funny if the professors made offhand comments about certain kids being replaced, weirding Peter out as he overheard them, until he discovered the horrifying truth. This would admittedly work better as a running gag/subplot on a Spider-man TV show, but I’d like to see it employed somewhere. Maybe it could evolve from a running gag into a Carrion virus outbreak in the school, giving Peter a mini-zombie outbreak only his science skills can cure (and preventing him from changing into Spider-man in front of his friends, causing secret identity problems). It'd be perfect as a Halloween-themed "Bond opening" for one of the movies even if it wasn't the main plot. The suave red-suited Jackal from “The Clone Conspiracy” is how I’d like any onscreen Jackal to appear (even if that wasn’t really Miles Warren).
Sinister Six I’d absolutely love it if the MCU finally pulled off a Sinister Six appearance! I wouldn’t want them teaming up with Spider-man against a bigger enemy; they should be the evil Avengers and he should be the only one who can take them on. I don’t want any Avenger assistance here either; let Peter prove he’s capable of taking all of them on and winning despite impossible odds! I’d also love it if Doc Ock’s team actually worked well together instead of inevitably turning on each other, forcing Peter into the hardest fight (and fights, including the opening salvos where different Six members pair off in various configurations) of his life with no turncoats among the villains and no help from the other heroes.
Shocker I'd like him to continue to be high-tech muscle for any villain who'll pay. He doesn't need to be a criminal mastermind, but maybe he's scheming to be a bigger player on the super-weapon black market instead of just a henchman. Maybe he has ambitions to become an arms dealer. He could be a cool recurring source for Peter (if Spidey's after one of his rivals) as well as a thorn in Spidey’s side.
Tinkerer Phineas Mason just likes building gadgets, and that’s OK! He doesn’t have to be evil, just fascinated by the possibilities of science, which gets him into trouble as he pushes boundaries. I wouldn’t want him to provide every villain with their tech, though; many of Peter’s villains are scientists in their own right and there’s no reason they can’t be self-sufficient without needing to lean on Tinkerer for everything. I’d like Mason to continue outfitting the lower-level criminals (and maybe building weapons for Shocker to sell), though.
Chameleon Perhaps Peter's parents were SHIELD agents in the MCU, which would provide a great excuse to bring in this master of disguise. Maybe Chameleon was behind the Parkers' deaths. Maybe he makes it appear that Richard Parker has survived, because he needs something from Peter. Maybe he dresses like a fake Spider-man to ruin the reputation of the son of the agents who wronged him. A master spy who can be anywhere and anyone could be the perfect opponent to force Peter to hone his Spider-sense to its fullest potential!
Lizard I'd love for Curt Connors' reptile-obsessed scientist to turn up again sometime! He can be both a mentor to Peter and a dark foil when it comes to loss, power, and responsibility as well as the use of science. They could explore his feeling of being incomplete and inadequate because of his lost arm and compare him to Peter before he got his powers: Curt's wounded pride leads to the destruction of his family just like Peter’s ruined his. Curt, however, stays on his destructive path, thinking it’s better than humanity...and better for humanity. Like Molten Man, Curt’s transformation—especially the loss of his mind—could remind Peter how lucky he is with his own mutation…or it could frighten him into thinking the spider bite could eventually turn him into the Man-Spider (and maybe the Lizard tries affecting others’ evolution, inadvertently turning Peter into the spider beast; Peter working on a cure for Connors could also accidentally result in him mutating himself). I’d also love it if they introduced Curt’s wife and son, either giving him a reason to fight for his humanity, or—as mutated lizards—helping him to spread his dream of a reptile paradise. Whatever they bring him back to do, I only ask Lizard wear his lab coat while transformed! It's a cool, iconic visual as well as a subliminal message that the lizard monster is still human inside. Curt does want to improve humanity, even as the Lizard, but at what cost? Exploring the line between man and animal could lead Peter to question just how human he is anymore, especially if he’s been acting more and more spider-like in his crime-fighting. Peter can’t go all-out against Lizard without hurting his friend, so how does he stop this vicious monster?
Sandman Perhaps stealing to get his sick daughter medical care would be too similar to Vulture trying to take care of his family through crime, but that doesn't mean Sandman still can't have an arc that takes him from uncommon criminal to unlikely ally of Spider-man. Maybe he comes to genuinely regret what he’s done, feeling that his outward appearance is showing him as the monster he’s become. A supervillain stepping back and taking a good look at themselves without anything to gain from it but a better soul—then actually doing the work to change for the better—isn’t an arc we ever see, and it could work for Flint Marko. Perhaps he views his robberies as something different (and maybe even somewhat noble in a Robin Hood/“the billionaires are the real criminals” sort of way) than the all-out world domination and murder attempted by villains like Hobgoblin or Doctor Octopus. He could have a “honor among thieves” code of conduct to set him apart from the egomaniacs and monsters. A supervillain with a growing conscience would be a cool arc that would parallel and reveal Peter’s early selfishness nicely. Peter isn’t Superman—he isn’t even close to being perfect—so he shouldn’t have a problem believing villains can change if they really want to (and having Marko change without the death of a loved one could be a cool commentary on heroes who “need” tragedy in their lives, as well as potentially showing his moral awakening to be a little purer than Peter’s). Peter should even be out there helping his enemies to walk the same path he has. Wherever they take Flint Marko, I'd like them to really dig into his powers—just how much sand can he control? Are we talking entire shorelines?—and Peter's need to use science to stop him. 
Rhino I have no problem with him being just the nearly invulnerable and less-than-intelligent muscle, but if they want to add layers to him that's cool too. They could do something like "Flowers for Rhino,” wherein he became increasingly smart. He could have a genuinely loving marriage to Oksana, like in the comics, which could parallel Peter’s problems with balancing his heroic and love lives. I’d prefer he have some version of his classic suit over another mech version, though I can see the MCU going with the latter for simplicity. Whatever they do with his personality, Rhino should be like a force of nature: truly unstoppable and deadly to everyone in his path.
Electro If they do Electro again, I'd like them to really play up his powers and have him go for godhood! I thought the tragedy of ASM2’s Electro was he was still too insecure to believe he had as much power and potential as he did, and it'd be amazing to see an Electro who knew what to do with the power at his fingertips. He could give power only to those who are loyal to him. He could plunge the eastern seaboard into the Dark Ages by taking it away. He could be everywhere, all the time, unless you’re away from electronics (which could be a fun gag about the omnipresence of cell phones). If Peter still has his Stark suit, Electro could take it over completely; maybe he could even take over whatever tech shrinks it to fit Parker and use it to force him to commit crimes or act as his enforcer like a puppet. With every surveillance network at Electro’s fingertips and his ability to move through any circuitry, Peter would have to be as low-tech and stealthy as possible, maybe even forgoing his costume to travel as Parker, to get close enough to defeat him. Electro is potentially one of Peter's most powerful enemies—a villain Spidey can't even touch and one of many that forces him to adapt his webs and use his head to stand a chance of surviving, not to mention winning—and I'd love to see him up against those odds! The sympathetic origin from Spectacular Spider-man (or a version of it) would be great as a starting point—that’s my favorite version of Electro—but I’d like to see Electro develop delusions of grandeur…then use his power to make them real.
Mister Negative He'd be cool as both a way to get May into the action—Negative's alter ego Martin Li ran the homeless shelter May volunteered at—and he could fill the “secret mob boss” role Kingpin played on the 90s cartoon (as did the much more menacing Tombstone on Spectacular Spider-man) if they wanted to go with a gang war angle. While Li has a healing touch, Mister Negative can bring out the negative aspects in anyone he touches (his morally inverting touch also gives him control over his victims), which could give us a taste of not only how selfish Peter was before Ben died, but how Peter might be with the Venom symbiote (since it seems we won't see that story in the MCU, though I hope it's mentioned as backstory in Venom). Negative would be a great way to give us a glimpse into how far Peter's come as a hero without resorting to character regression. His belief that the balance of good and evil is necessary to the universe would be a fascinating perspective that could challenge Peter’s perception of right and wrong (in addition to questioning if there’s even a point in continuing to fight), and his split personality could be a cool parallel to how being Spider-man messes with Peter’s social life. Then again, perhaps his origin would make him more appropriate for the upcoming Cloak & Dagger series on Freeform, since they were all exposed to the same tests with the Darkforce dimension.
Morbius Similar to Lizard, Michael Morbius accidentally made himself into a vampiric creature while trying to cure his rare blood disease. He'd be a cool way to bring a horror vibe into Spidey's corner of the MCU. He could be a classmate of Peter's to rival him in both intelligence and power, or like in the later comics, an employee at Horizon Labs trying to cure himself. Perhaps he could be a creature who truly scares Peter, giving Parker some fears to fight through; something we don’t often see from Spider-man in movies. Morbius has powers similar to supernatural vampires (enhanced strength and speed, night vision, echolocation, an enhanced healing factor, the ability to hypnotize people, and the ability to glide using transvection), and none of their mythical weaknesses, except for a vulnerability to sunlight (though it’s not fatal, it will weaken and burn him severely). He’s not always able to turn the people he bites into vampires in the comics, but I’d give him that power as well as his ability to “liquidize” his body, allowing him to squeeze through small spaces and elongate his limbs. What would Peter do if Morbius was forced to feed on others to survive? How would he defeat Michael if stopping him from getting blood likely meant killing him? Even though Morbius is not a supernatural vampire, his existence could open Peter’s eyes to the possibility of the supernatural, even if after struggling with something science can’t explain, he rationalizes it as science mistaken for magic.
Man-Wolf Jameson's son, turned into a werewolf-like monster by an alien artifact, could be a cool way to bring Peter and Jonah together and repair their enmity to an extent (and Jonah having to thank Spidey for saving his son would be a great moment for the web-head!). Making John Jameson—a hotshot astronaut—someone relatively close to Peter's age (maybe he’s a pilot prodigy at NASA) and something of a hero for Peter could make Pete reflect on how much more he could be accomplishing if he weren’t spending time fighting crime as Spider-man. They could also contrast John being celebrated as an American hero with Peter being unable to tell anyone how much he's done for the city. That'd give Peter a reason to dislike John removed from any real reason, much like Jonah dislikes Peter (and like Flash hates Peter but is a fan of Spider-man). How much would Peter hate being similar to JJ and Flash? Saving John from alien technology would also be a great challenge for Peter’s already brilliant mind; I’m sure he’d be geeking out at the chance to work with such advanced, otherworldly technology.
Stunner This villain who uses a holographic projector to create her idealized appearance would be a good high school enemy! Increase her holographic powers to include force field projection and she'd have offensive capabilities as well as a neat way to hide her identity. She’d also be a good opportunity to explore bullying in addition to what Flash dishes out; that’s both a villain Peter can’t beat and a good parallel to how he deals with his own torment at the hands of his classmates. They could have Peter examine whether his banter in fights is bullying (Max Landis has said it is, I’d say it isn’t, and Peter can ask himself that question) and whether he should be doing more to understand his villains’ pain before just attacking them. She could also prompt Peter to see the other bullied kids at school and try to do something to help as Peter. Her idealized self would also be a perfect foil for Spider-man being the outlet for Peter’s confidence.
Hydro-Man He sometimes seems like just a watery version of Sandman, but what if he were reconfigured as a killer who could strike his victims anywhere? Walk by a fire hydrant on the street? He's there. Have fire sprinklers in your place of business? You're not safe, even with everyone around you. Have a sink or shower in your apartment? He can get into your home, no matter how many locks you've got on your door. The 90s animated series had him stalking Mary Jane with some of these methods, and an unstoppable killer like this might be best saved for a Venom sequel.
Morlun Best used in a Spider-verse crossover, this nearly-immortal, vampiric monster who consumes the life force of spider-powered people across the multiverse would be a crazy cosmic-level villain for Peter to face. Peter would even have to recruit a whole army of Spider-people in an epic Avengers-styled adventure, showcasing a wide-variety of worlds and Spider-men (and women). Letting Peter see who he could've become under different circumstances (even though some of the Spiders aren't Peter at all) would be illuminating both for him and us. As Morlun is almost a god, discovering how to beat him—and how to lead a team—would be very cool in the later portions of Peter's arc; it’d probably be the ultimate test of Peter’s accumulated skills.
Shriek Once insane and romantically obsessed with Carnage, my first thought was that they could play her as Spidey's (or Venom’s, given her longtime connection to Carnage) version of Harley Quinn. Obviously I wouldn't want a total ripoff, but maybe making Shriek—who has sonic blasts—a goofily serious villain could make for a fun, unique challenge for Peter or Eddie. However, given Shriek’s obsession with motherhood, making her the overbearing and controlling mother of one of Peter’s classmates would be a cool update. That would allow them to play her as a clever foil to Ben and May. Like the classic comics May, she could be paranoid about her child’s safety, but unlike May, she’d resort to violence to protect her kid. Her ability to create chaos and bring out the fear, anger, and hatred in people could produce some interesting challenges for Peter: how does he stop a crowd of innocent civilians from hurting the uninfected among them without hurting the attackers as well? What if he gets infected; how much damage is an angry, uncontrollable, super-powered Spider-man going to do? Does she unleash these powers on Peter’s school after her child is severely bullied, turning the bullies’ hatred against themselves? Where is the line between protecting her child and going so far that not only are others hurt, but her child can’t cope well enough to defend his or herself at all? Does Spider-man cross that line by saving the city over and over again, to the point where we can’t help ourselves? What if she purposefully infected her child to enrage them to defend themselves? Shriek could be the Peter who never shirked her responsibility, taken to a detrimental extreme.
Spot Spot's transportation portals all over his body could make for a neat, maze-like puzzle for Spidey to solve in one of his strangest adventures. Like Mister Negative, he too might be better suited for Cloak & Dagger, since his powers came from studying Cloak’s dark dimension in the comics. If he were to fight Spider-man, it’d be cool to pit Peter (or Miles) against a villain their spider-sense can’t detect, since it can’t sense attacks coming in from alternate dimensions. Dimensional warping would also allow him to hit Spidey from multiple angles at once, as well as deflecting attacks through various portals. 
Alistair or Spencer Smythe/Spider-Slayers Maybe the spider-slayers are a little too similar to Sentinels in X-Men, but I wonder if there's a way to reconfigure them as smaller (but no less lethal) bugs that can be anywhere and see everything. They'd be like the spider drone network set up by the Superior Spider-man (Otto Octavius) in the comics, and perhaps it'd be best in a movie if Otto simply called them spider-slayers as a shout-out to the Smythes.
Big Wheel I really have no idea how to make Big Wheel work outside of a gag appearance, but that'd be enough for a Bond-styled opening. I've always thought it'd be funny to have him rolling down a street, wreaking havoc and shouting "No one can stop me!" Spidey swings up, tries to web Big Wheel's Ferris Wheel-styled vehicle to halt him, but the webs snap. Big Wheel proclaims no one can stop him again...as he plunges off the pier into the ocean. Before going to rescue him, Peter muses that he though Big Wheel was boasting, not yelling frantically that he'd lost control of his vehicle. 
 The World Midtown High I really hope all the apathetic staff returns! They were a great, unexpected source of comedy and I’d love to see more of them. The other students were great too; Betty Brant’s deer-in-the-headlights news reports were a perfect, realistic high school layer to the environment! All the high school stuff clicked perfectly with the superhero themes, giving the heroics relatable metaphors and grounding them in a realistic world. Let’s see that continue!
The Daily Bugle I’d love for the Bugle to be more than a set for Jonah to rant about Spidey. It’d be cool if it became a place where we could see the varied reactions to Spider-man from the adults in New York, while we see the younger generation’s reaction at school. Robbie Robertson, Glory Grant, and any number of other characters could pop up to fill us in on how the common man sees Spider-man, both in relation to other heroes and as a solo hero. Robbie could push Spidey as the hero he is, Glory could mentor Betty in terms of where her career could take her, etc. The Bugle is practically begging for a MCU parallel to fake news with its anti-Spider-man message, and building on some of the public’s annoyance with Spidey in Homecoming would allow for some brilliant social commentary. The Bugle can also question the validity of the government having its own team of superheros in the Avengers. Is there a problem with state-sponsored heroes?
Horizon Labs Max Modell, Sajani Jaffrey, Anna Maria Marconi, and Co. would be great additions to the Spider-man corner of the MCU! Beyond the bleeding edge super-science Horizon would introduce and the potential path for Peter’s future as a scientist, Max would be a significant scientific mentor for Peter (and one who does not turn into a supervillain). The Lab’s staff is very diverse, continuing the real world look of Midtown High in Homecoming. The staff would also provide a variety of non-villainous perspectives on science for Peter to look up to or disregard, getting him to consider things beyond Tony Stark’s way of doing things. It’d also be interesting to explore not only what inventions they could use to update and aid the city (creating problems for Spidey, no doubt), but whether they should be helping the wall-crawler to more efficiently stop bad guys. Would that make him a corporate-sponsored hero? Should that be a thing? 
The NYPD The police reaction to Spidey should be varied as well. Introducing Captain George Stacy as someone hunting Spidey and eventually mentoring him would be very cool. Jean DeWolffe was eventually a Spider-man supporter in most versions, but her tough-as-nails attitude could work against him as well. Her partner, Stan Carter, could admire Spidey in a twisted way before becoming the masked serial killer Sin-Eater. Yuri Watanabe, who is also the vigilante Wraith, could be a cool parallel to Spidey acting outside the boundaries of the law, particularly if he ever leaves the Avengers and ignores the Sokovia Accords. Carlie Cooper, a police forensic specialist and sometime love interest of Peter’s, could put his secret identity in danger while also eventually resenting being a target because of her association with Spidey. Since Spider-man plays more in the everyday world than most of the MCU heroes, I’d like the local cops to have their own reactions to him rather than just treating him as another Avenger. The same should go for New York’s civilians.
SHIELD What about the Sokovia Accords? Was Peter unofficially drafted into service by Iron Man, as I've suspected? Is he considered a child soldier? If he leaves the Avengers, does he automatically become a fugitive? Would SHIELD put all his closest family and friends in danger to force him back into line? 
Other Heroes Let’s see Spidey interact with the Defenders! I think it’d be funny if the youngest hero were also the one from the biggest stage as an Avenger. Alternatively (or additionally), a Miles-Spidey meeting the Defenders could be cool as well, since they’re almost all representative of the downtrodden and ignored in society. Miles getting lessons on being a hero from the Defenders would give him an entirely different outlook than hanging out with the Avengers, making his point of view that much more different from Peter’s when they team-up..
Animated Features Miles is getting one next year, but what if Sony were to make a series of standalone animated Spider-man films that weren’t in any continuity, then wrapped them together in a Spider-Verse adaptation? Spider-verse dealt with Morlun’s family of immortals absorbing the life-force of people affected by the Spider-totem to sustain themselves. These Inheritors, mainly Morlun, were somewhat vampiric, extremely hard to defeat, and terrifying. They crossed into multiple realities to hunt down the spiders of each, even really clever continuities like the Marvel vs. Capcom video game and Spider-man’s newspaper strip.
Since they’d be animated, it’d be easy to mix them with every version of Spider-man from his numerous animated series (along with those from the comics). You could animate Toby Maguire, Andrew Garfield, Tom Holland, Nicholas Hammond, the Japanese TV Spider-man, and the Broadway Spider-man into this too. We could get Spider-Ham and a sentient Spider-mobile (alias: Peter Parkedcar)! In fact, an animated Spider-verse seems like it’d be the most feasible way of adapting the story into a movie. Regardless of whether they culminate in Spider-Verse or not, the standalone animated films I’d like to see most are as follows:
Spider-man Noir Taking place in an alternate 1930s, Peter Parker Noir is a chance to bring a bit of The Shadow and Batman the Animated Series to the Spider-verse! Peter was affected by an occult artifact in this universe, granting him similar powers to the version we know (though he can create organic webbing). Both his job as an investigative reporter and his main criminal targets being gangsters would make for the perfect throwback to a 30s/40s crime movie. The Parker of this world didn’t learn “with great power, there must also come great responsibility,” but rather “If there is too much power, it’s the responsibility of the people to take it away,” giving him a slightly different outlook and reason for taking action. This Peter also struggles with killing villains, giving him an internal battle that the mainstream Peter doesn’t have. The villains—sometimes patterned after classic movie monsters: Vulture as Dracula, Hammerhead as Frankenstein’s Monster, Goblin as a Wolfman, etc.—are distinctive and the pulpy, film noir vibe is very cool. Spider-man Noir’s struggle for the rights of the people and distrust of anyone with too much power would be a very timely story for today, told in the context of our history.
Spider-man 2099 Miguel O’Hara is the Spider-man of the future and lives in a technologically advanced wonderland that would make a great animated feature. It’d be cool to explore Peter’s legacy in this potential future! Irish-Mexican Miguel was a geneticist working at Alchemax until a genetic bonding experiment caused the death of the person Miguel was testing. Disgusted, he tried to leave, but his boss secretly addicted him to a drug in the hopes that he’d have to stay (Alchemax was the sole manufacturer), but Miguel performed the same genetic test to cure himself of the addiction, giving himself powers when his supervisor sabotaged the experiment in an attempt to kill him. Miguel’s DNA was spliced with a spider’s, giving him the classic Spider powers in addition to a healing factor, enhanced vision, telepathy, organic webs, talons, and fangs. His high-tech suit also allows him to glide. They could go crazy with his futuristic villains, making them stark contrasts to the present-day Spidey’s rogues. In at least one version of his future, Miguel was instrumental in saving, rebuilding, and enhancing the entirety of society, allowing for an epic end-of-the-world story that could actually have a hopeful, definitive ending where Spider-man improves the world for good. They could also play with his adventures in the past trying to maintain his future if they wanted to.
Lady Spider May Reilly lives in the Victorian Age on her Earth and uses a steampunk suit she designed to fight crime. She says the spider that bit her (encountered in a cage in her father’s study) taught her to let no one cage her, which would be a powerful feminist message. She doesn’t have super-powers, instead relying on her intelligence and her inventions to defeat the Six Men of Sinestry and other nefarious criminals. She was the only woman in her university class and achieved three degrees. As a wealthy, brilliant heiress and adventurer, she’d be the perfect character to build a classical—but socially updated—adventure around. There aren’t many Victorian superheroes in film, and a Lady Spider animated movie would stand out from the pack while being visually outstanding.
Spider-Girl The teenage daughter of Peter Parker and Mary Jane in a near-future alternate world, May “Mayday” Parker became Spider-girl when Norman Osborn’s grandson restarted his family’s Goblin legacy. Retired after losing a leg, Peter followed his Aunt May’s example in not wanting his daughter to be Spider-Girl at first. The chance to see how Peter and his supporting cast might end up—and how the world might be improved by his adventures—would be very cool; a way to give an ending to his character and a passing of the Spider torch without it needing to be the ending. May having a father who used to be a superhero himself would also be an easy way to replicate the Peter/Tony relationship, or at least the function it served: May would have someone who could say no to her, reinforcing her teenager status despite her great power. It would also be a fairly fresh relationship, with only Hope Van Dyne and Hank Pym having explored that before. Peter could give practical advice as a former hero and he’d have insights into some of the villains she faces, while she could also prove that it’s a new age and she’s the right hero for it.
 Other Notes Another thing I'd like to see is more self-control from Sony's promotions department. Homecoming didn't have it as bad, but the trailers for both Amazing Spider-man films heavily featured the end credits tag. This would've been like advertising the first Iron Man with Nick Fury and the Avengers Initiative front and center; I'm sure this contributed to the misconception that Amazing Spider-man 2 was nothing but a stepping stone to the Sinister Six, when in reality it is a full and complete movie unto itself. Across the Sony Spider-verse, I hope they're more careful about what they put in their trailers; I'd prefer it if nothing past the runtime’s halfway mark made it in.
I haven't gotten to watch Marvel's Spider-man animated series beyond the pilot, but I'm excited to see Peter and Miles as contemporaries and how Gwen will work as a third Spider-hero. Peter’s focus on science is brilliantly applied—the scientific method is how he calmed himself down after the spider bite and provided the framework for his origin story—and I can’t believe that idea wasn’t used before. I’m definitely looking forward to seeing more! You can find official, free uploads of the origin story shorts here: 1, 2, 3, 4, 5, 6, and the pilot here. I do wish it had more of a theme song, but I’m glad there’s a new Spider-man cartoon on the air!
It'll never happen, but my biggest Spider-man wish would be the return of Spectacular Spider-man. It boasted excellent fights, genuine humor, and a healthy dose of science, responsibility, and heroism from Peter, as well as excellent representations of almost all of Peter's friends and enemies (and Spider-man himself, perfectly voiced by Josh Keaton). That show is my favorite version of the Spider-mythos anywhere and it's a shame we didn't get to see the full version of Greg Weisman's extensive plans.
I’d also love a live-action series to really be able to explore and flesh out all the supporting characters and villains, but that’s unlikely to happen now…at least with Peter as Spidey. However, I think a Miles Morales Spider-man series could be a great addition to either Netflix’s Defenders lineup or to Freeform’s Cloak & Dagger corner of the MCU, so that those three could team up with Ms. Marvel and form their own teen supergroup, the Champions. You could focus the series on Miles and his supporting cast, while Peter drops in occasionally (playing up Miles’ feelings about following in Parker’s footsteps) and the two Spider-men could split the classic villains so they all get a moment in the sun.
I'm very excited for the upcoming PlayStation 4 Spider-man game! The trailer looks outstanding and I'm hoping they find a way to make playing as Spidey feel fresh. Even if it’s something similar to Spider-games of the past, what we’ve seen so far gives me hope this is going to be the best one yet!
What do you want to see from the web-slinger’s world?
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