the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
happy pride instead of throwing money in the garbage buying crappy pride shit from target or pining away for mainstream franchises that only give you table scraps when it's convenient please consider directly supporting literally any of the queer indie shit being made accessible online by queer indie creators ᕕ( ᐛ )ᕗ your money OR your fanwork OR whatever form of support you feel compelled to offer will be so so much more impactful; marvel movies will keep coming out no matter what, but making cool fanart for that queer webcomic you've been checking in on for years could reach new readers to help the artist make rent so they can keep posting! It all helps!! Please Consider It.
with the gravity falls renaissance i feel like something people don’t really discuss about its success is the fact that alex hirsch had a final say on the story. the reason gravity falls flows so well and had such a well-executed and satisfying ending is because its creator had control of when and where it ended. the reason so many modern day cartoons (and to an extent, shows in general) feel rushed or poorly executed or what have you is because their creators can’t do that. they’re canceled too soon and made to scramble to finish their stories in the remaining limited time they’re given, if they’re even given that opportunity at all. gravity falls isn’t necessarily timeless or one of a kind because of some creative magic, it is those things largely because it cannot be physically recreated due to the modern industry’s disrespect of creators and the medium as a whole
The Scooby gang are friends. The Scooby gang are BEST FRIENDS. THEY ARE BEST FRIENDS AND THEY LOVE EACH OTHER SO MUCH. THEY TRAVEL AROUND SOLVING MYSTERIES FOR AS LONG AS THEY CAN BECAUSE THEY HAVE A PASSION FOR IT AND BECAUSE IT MEANS THEY GET TO SPEND TIME TOGETHER WITH EACH OTHER. THEY ARE BEST FRIENDS.
They don’t hate each other. Maybe they get annoyed and cause they’re together all the time it might get a bit much sometimes but at the end of the day, they really deeply care about each other. They live out of a van most of the time and are on the road constantly out of CHOICE. TOGETHER. for crying out loud.
They are four teenagers and a Great Dane. They’re a family.
打鐵花 (da2tie3hua1; struck iron fireworks) is a traditional folk firework that began in Henan and Shanxi, first arising in Queshan county, Henan and later circulating through the whole country. It had first appeared during the Northern Song dynasty, and was most popular during the Ming and Qing dynasties.
For Queshan struck iron fireworks, a two-layer pergola is built and covered with willow branches for performances, under which the molten iron is struck up with two willow sticks to create a rain of fire.
[eng by me + edited an ad out]
(On top of the information in the video, I have some more about its recent history under the cut.)
*Also, a note about one of the subtitles: I realized later that "going into battle without a shield" actually just meant going shirtless. I was only confused about this phrasing while translating because she didn't go shirtless, although that is for obvious reasons
Queshan struck iron fireworks had almost been lost before Yang Jianjun unearthed it again in 1988. It had almost died out in the early years of the Republic of China being established, after which there had only been three performances until 1988: 1952, 1956, 1962. Yang Jianjun had seen the 1956 performance as a 7-8 year old and later on as the director of a cultural centre, began digging up the skill and its history. In the process, he became an apprentice to Li Wanfa, who had been the last head of the Queshan Struck Iron Fireworks Society. He practised with sand and water, learning of its historical origin, its ancestral inheritors, craftsmanship and performance arts, but didn't touch the real thing until 1988. Through Yang Jianjun's efforts and investment, the first struck iron fireworks performance in more than 25 years took place in Nanshan Square (then a deserted area) in Queshan county.
Queshan struck iron fireworks are different from other struck iron fireworks in that it requires a wide area to perform, whereas others only needed a wall or could be hit straight up into the air, and it costs much more money to set up.
The names of inheritors are difficult to trace, and can only be traced back to the Qing dynasty during the Qianlong period, making Yang Jianjun a sixth-generation inheritor, and Jiang Xunqian (OP) the first woman and a seventh-generation inheritor.
Y’know, I feel like we don’t give the writers enough credit when it comes to Soren
So often when a character is the “comic relief”, they start off with dynamic personalities and then lose them as the season go on (looking at you Cat Valentine and Steve Palchuk), but not Soren
No, Soren somehow manages to jump between being comic relief and genuinely serious and caring seamlessly. And it’s all the same character, too! He doesn’t feel like he’s switching personalities they’re just other facets of who he is and it’s amazing!!!
I think one of the most anti-intellectual things in existence is that just because you now hate a creator for their politics, you have to retroactively pretend that a) their work was never good and b) recontextualise their work to be as problematic as possible
When it’s actually a lot braver to be like “I once loved this piece of beautiful media that I can no longer stand because of the creator’s beliefs and actions. As such I will no longer be interacting with said piece of media, but I won’t pretend I never loved it.”
I’ll never forget when I was arguing with a person in favor of total prison abolition and I asked them “what about violent offenders?” And they said “Well, in a world where prisons have been abolished, we’ll have leveled the playing field and everyone will have their basic needs met, and crime won’t be as much of an issue.” And then I was like “okay. But…no. Because rich people also rape and murder, so it isn’t just a poor person thing. So what will we do about that?” And I don’t think they answered me after that. I’m ashamed to say I continued to think that the problem was that I simply didn’t understand prison abolitionists enough and that their point was right in front of me, and it would click once I finally let myself understand it. It took me a long time to realize that if something is going to make sense, it needs to make sense. If you want to turn theory into Praxis (I’m using that word right don’t correct me I’ll vomit) everyone needs to be on board, which mean it all needs to click and it needs to click fast and fucking clear. You need to turn a complex idea into something both digestible and flexible enough to be expanded upon. Every time I ask a prison abolitionist what they actually intend to do about violent crime, I get directed to a summer reading list and a BreadTuber. It’s like a sleight-of-hand trick. Where’s the answer to my question. There it is. No wait, there it is. It’s under this cup. No it isn’t. “There’s theory that can explain this better than I can.” As if most theory isn’t just a collection of essays meant to be absorbed and discussed by academics, not the average skeptic. “Read this book.” And the book won’t even answer the question. The book tells you to go ask someone else. “Oh, watch this so-and-so, she totally explains it better than me.” Why can’t you explain it at all? Why did you even bring it up if you were going to point me to someone else to give me the basics that you should probably already know? Maybe I’m just one of those crazy people who thinks that some people need to be kept away from the public for everyone’s good. Maybe that just makes me insane. Maybe not believing that pervasive systemic misogyny could be solved with a UBI and a prayer circle makes me a bad guy. But it’s not like women’s safety is a priority anyway. It’s not like there is an objective claim to be made that re-releasing violent offenders or simply not locking them up is deadly.