#crawl film review

[horrorhodgepodge]

Crawl [31 Days of Horror: Day 9]

🦇Summary Tonight, we’re diving into the nail-biting suspense of “Crawl,” a heart-pounding survival thriller that will keep you breathless! 🌊 When a category 5 hurricane bears down on her hometown, a college swimmer returns to check on her estranged father. 🐊 But as the storm floods their home, they discover they’re not just battling the rising waters—massive alligators are lurking in the…

[moviesandmania]

THE CRAWLING HAND Reviews and free on Plex, Tubi and YouTube

‘Suspense shocker of the year!’ The Crawling Hand is a 1963 American science fiction horror film about the hand of a dead astronaut that turns a male student into a killer. Directed by Herbert L. Strock (How to Make a Monster; Blood of Dracula; I Was a Teenage Frankenstein; Gog) from a screenplay co-written with William Idelson, based on a story by Joseph Cranston (co-scripter of The Corpse…

[noeljpenaflor]

Sam Raimi is both a producer and alligator in Crawl. Here’s my gatoriffic review. (LINK Below)

CRAWL into this Link For the Review!

[prael]

STEPS

Newjeans Hanni smut (M reader) - the title is a hint to the TW.

6.6k words

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It didn't happen through a cliché.

Well, maybe it did, but not one of those where she's stuck head-first into some kitchen appliance or something of that ilk, though you would say this really did happen by accident.

What? She tripped, fell, landed on your dick?

Not quite like that, but the point still stands. You didn't begin that day, or even that evening, intending to fuck your step-sister, but, well…

"My apartment. My TV. My choice," you told her, as you have so many times before.

"But this film is supposed to be the best. It's got great reviews. Dani loved it..." Hanni was talking far too fast to even really pay attention. She soon started reeling off a cast list and everyone involved, and how this review called it a revelation to the genre, but you had long since started ignoring her. You know how she gets. Excitable beyond the point that someone normally would be. It's an endearing trait, if not also annoying. The rundown of her reasons was cut short as she threw her body at you in attack.

"Hanni! What are you—"

"Just gimme the controller already!" She shouted right into your ear as she threw her arms over your shoulders. You held it out in front of you, keeping her behind your back so her arms couldn't reach; not that it stopped her from trying. "Just one time. Please? Pretty pretty please?"

You climbed up from the sofa. Hanni clung to your back like a young panda, with her legs locked tight around your waist and her arms still fumbling around. You grabbed her by the ankle, trying to pry it away so you could drop her, or something, anything other than letting her continue. "Alright fine. Just let go, you idiot. You’re going to tear my arm off."

She loosened her hold, just enough for you to swing her around; one arm and leg slipping free so you could throw her onto the couch. In your flailing she managed to take the TV remote with her, but the moment of peace, of silence, of satisfaction in hearing your idiot sister bounce against the cushions before breaking into a laugh and asking, "what the hell was that for?"

"What did I ever do to deserve the step-sister from hell?" You said as you flopped down at the opposite end of the couch.

"Have a mother hot enough that my dad wanted to fu—"

"You're sick." You cut her off before she finished. She smirked, lifting her sock-clad feet onto the sofa and settling in for movie night. She brought her knees up below her chin and started flicking through the options on the screen to find the one she wanted. Her eyes were wide in her stare, her lower lip bitten. It was pretty much the last time you ever looked at her in this innocent way again.

It was another one of those shitty horror flicks. The kind that didn't even slightly live up to the billing she gave it before. This, however, was Hanni's thing—whenever she convinced you, or otherwise, to finally give up control of your TV, she would put on one of these cheap horror movies and spend the whole night tucked behind a cushion.

As much as you tried for it not to be, it's become something of a ritual, pretty much any night that she was at home, and not unbelievably tired from being overworked and didn't have to be up at the break of dawn.

It's your acceptance of things like that which really showed how much the two of you had grown. You remember fighting for your life against your mother and stepfather to not have to take her in. Convinced that if she wanted to move into the city so badly, she could get her own place, or go to one of those company dorms. Ultimately, you were made to see reason. Your apartment is close to her company, and you had a spare room, after all.

Not that she ever stopped annoying you beyond belief.

The movie, if you could call it that, had you fall into a slumber, and when you woke up Hanni had crawled across the length of the couch and was laid against you, her arms wrapping one of your own. She didn't even realise you had woken up, staring as the credits rolled with a slight, peaceful smile on her face.

She had tied her hair up by now into a ponytail, pulling the hair away from her mostly bare shoulder, where the thin strap of her cropped pyjama top rested. As you peeked down at her, your eyes accidentally fell on the space down her top. It wasn't your fault; they were just right there.

"Shit..." you muttered, catching Hanni's attention.

"Still alive there?" She chuckled a little as she gently patted her palm against your cheek. You feigned a yawn and shut your eyes, settling your head against the pillow once more.

"Hanni, put something else on. This movie is dumb."

"You fell asleep after like ten minutes."

"Yeah, and it seems it didn't take long for you to use me as a body pillow."

Hanni pursed her lips. A red flush ran through her cheeks, and then she quickly sat up. You were watching her the whole time through half-open eyes, chuckling under your breath at her reaction.

"You're an idiot," she says. "Always have been."

You shrugged in reply, "And you're easy to tease, always will be."

"Asshole." She kicked at you.

She tried to kick again, and you caught her foot. You held her bare leg in the air and then lightly kicked her back, hitting her thigh.

"Let go! I'll kick you again. Asshole!" She shouted at you, again and again, struggling to break her foot free from your hand. When you finally let her go, all her struggles made her stumble off the couch. As she went, you kicked out again, this time catching her right on the ass. "Ah! Fuck be careful you hit my plu—" She brought her hands right to her mouth when she realised what she was saying.

"Your what?" You asked.

Hanni cleared her throat, blushing to the point of matching the colour of her red short shorts. "Nothing."

She turned away from you. Just standing there. There's a part of you that wishes that you could go back to this moment. You would have left it there and gone to bed—never kicking her a third time.

But you did it.

Your foot flicked gently against her ass a final time and you felt it. Something hard tucked between the softness of her cheeks. She yelped again. You pinpoint this moment as the catalyst for everything that followed. It’s the part where her innocent image crumbled before your eyes and that’s what allowed you to do what you did. Though really, can you ever be sure that if it didn’t happen now, it wouldn’t have just happened the next day, or next week, or a few months down the line? You tell yourself it was inevitable.

"Is that what I think it is?"

She spun around, facing you once more, trying to muster something. She stumbled over and stuttered her words. "No! I... it's not mine. Minji loaned me one for... just to try... it's not." She held the bridge of her nose and closed her eyes. "This is... oh, god. This is so embarrassing."

Hanni slumped back onto the sofa and pressed a cushion tight against her face. "Why'd you loan it?" You ask her, only to see her tighten her grip.

"Because."

"Because what?" You sat up by her side and said something that at the time you thought would make it better, but looking back, probably came off rather creepy. "I clean your room, Hanni. I have seen worse things."

Hanni slowly dropped the cushion into her lap and looked at you with a glare. "The fuck?"

"And if you're going to use my laptop, try deleting the history." At this point, you were just piling on the embarrassment.

"Fuck! Oh my God, what did you see?" She threw the cushion into your face.

You picked it out of the air. "Nothing." You lied.

"Bullshit!" Hanni swore. "Did you see everything?"

"Nothing at all..." you said sarcastically while standing up. "I definitely didn't see all the step-brother porn you were binging last week."

She screamed and jumped up. You threw the pillow to stop her and stepped out of reach. "I hate you! You freak!" she shouted, cheeks burning red as the fury rose within her.

"Says the chick wearing a buttplug." You taunted her again as you darted across the room away from her.

"What happened to boundaries!?" She lunged at you again, and you quickly sidestepped her. 

She tried jumping at you once more and missed, only to strike her knee against the corner of the coffee table. She hopped back on one leg with the pain.

"You're an asshole, you know that!?" she shouted, holding onto her knee. You stepped closer, thinking she was really hurt. Until she used the chance to lunge at you and grab you. "What's wrong with a girl enjoying some fantasy? Not like I want to actually fuck you."

You realise now that the proper thing to do would have been to match her disgust. Tell her something along the lines of how the thought repulses you. Continued to tease her about how fucked it is that she would even look at that sort of stuff. The whole thing could have dissolved, but it's when she had hold of you, hammering her fist into your arm, that you said, "don't you?"

Then the long silence ensued. The one that said a hundred unspoken words. As her punches turned into light taps and then to her just holding onto your upper arm. She looked up at you with her pretty eyes open wide. Her lips parted slightly and the tip of her tongue rested on the bottom one as if she had something to say, but the words wouldn't come.

That's the first time you kissed her. Your own step-sister, a girl who should be off-limits in every conceivable way. Yet she opened her mouth and accepted you in that moment. The taste was so sickly sweet.

It was brief, but it told you everything you needed to know, and everything seemed to spiral from there.

First, there was the confusion. The immediate aftermath where you both let go of each other to turn away. Your backs turned on one another as the awkwardness reached its peak. Neither of you was willing to confess the enjoyment of that little exchange.

Then came the passing of the blame. First, it was Hanni who turned to you with a "What the fuck are you doing?"

And you replied with "Me!? You're the one who kissed me!"

She scoffed and shouted a response, "That was all you! Stop being such a perv, freak!" Hanni stomped past you towards her room, face half-full of anger and topped off with shame.

"I'm the perv? You're the one who I hear moan through the walls while, apparently, watching step-brother porn! I think that makes you the messed up one!” you called after her.

A pause. The hesitation. The possibility of confession. She reached her door, and it flew open. In she walked before slamming it closed with a, "you're sick!"

You stared at the door and vainly said under your breath, "you're the sick one." In your head you had realised the real truth to that; how maybe you're both sick because, as the dust settled, you can only think about a handful of things.

The kiss. Her ass. Her cute little tits.

You didn't see her again for the rest of the evening. She reserved herself to her room, while you resigned to the couch with nothing but the television keeping you company.

It had been a long time since you had a shouting match like that with Hanni. See, it used to happen all the time when she first moved in. The problem with a girl like her whose whole world revolves around singing, dancing, media training and beauty is that she lacks any sense of what it's like to be an independent adult. It seemed like the fights would never end, on account of her being seemingly incapable of washing a dish, her clothes or even cooking the most simple of things without burning it or setting something on fire.

But this? This is uncharted territory.

The night wound down, and you were headed to bed, but you found yourself outside her door. Your hand raised, ready to knock. Your breath held. Right when you finally built enough courage is when you heard it. Heard her. Moans muffled through the wood of her door. Your stomach knotted. Your groin twitches.

You lingered, unable to tear yourself away. Even as your logical side began arguing with you that you were in the wrong. That you're probably the worst sort of pervert imaginable and you should feel nothing but guilt.

The other voice, the more confident one; the devil on your shoulder told you that it's Hanni's fault. You had just warned her, and this is what she did in response, like it’s all some sort of game. You refused to admit to yourself that hearing her groaning, whimpering, and moaning through the wall influenced you—tempted you.

Louder and louder. Her voice raised higher, getting to the point where you knew she was practically screaming in the throes of pleasure. Harder and harder you grew. The rational side of you was saying that you should ignore it. Just go to sleep. Forget about it.

"Fuck!" she moaned, and you remained, listening through the door—lost in imagination.

Then you heard footsteps. Bare feet patting on wooden flooring coming closer and closer towards the door. A rush to retreat and you slipped toward your bedroom door. You barely reach the handle before the door across the hall opens.

There was a moment. The two of you locked eyes. Every fibre in your being fought against looking down.

"What?" she asked with a stone-cold expression.

"Nothing." You said, and your willpower broke. You glanced down. Completely naked, she stands at the door, her nipples peaked to fine little tips. And your gaze drifted down her soft curves and slender figure, her wide hips and full thighs.

"Nothing," she mocks.

Her eyes glanced down for a second, then back to your face, and her gaze narrowed. You panicked, dipped into your room and slammed the door just like she did earlier. You press your back to it, the cool wood against your burning body. Your mind raced.

Her feet slapped again against the wooden floor and headed toward the bathroom. That should have been that. You slipped into your bed, frustrated and confused. The sound of the shower running quickly drifted through the walls, but her cries from earlier replayed in your mind until you fell asleep.

That should have been that.

You woke to the darkness of the room—not the morning sunshine—sometime later. Half in a haze, not quite conscious yet, but something had roused you from your slumber: a movement under the sheets and a strange sensation. Warm and damp. Your eyes flicked open, adjusting to the darkness. Your hands jerked reflexively toward your groin and then your senses sharpened.

Someone between your legs. A warm and wet something sliding up and down the shaft of your hardness. Tongue? Yeah, a tongue. Your fingers reached and buried themself into hair. Stomach muscles spasmed as your hips thrust up on their own. Your lips parted as you moaned, "Fuck."

You glanced down.

Hanni.

Naked.

The tip of your cock at her mouth, lips pursed around it. Her smiling eyes sparkled and her skin glimmered, bathed in moonlight coming through the open curtains. Hanni giggled when your eyes met. Your hand dropped to her shoulder.

"Hanni..." Your throat choked dry, and you pushed at her shoulder.

"Shhh." The word whispered against your sensitive tip.

"What the hell are you..." You tried to ask, but Hanni shook her head before sucking in a breath. Then she drew the length of your cock into her warm, wet mouth and the question escaped you. "Holy shit," you gasped.

"This can be our dirty little secret," she said when she lifted her head, fingers stroking you. "We can pretend it didn’t happen in the morning, but for the rest of the night," her finger tickled down the underside of your cock as she spoke, "it can be as real as you want it to be."

You remember being convinced that it was a dream. Maybe one that you would wake up from with a mess in your shorts and, honestly, that probably would have been bad enough—having a wet dream about your step-sister. Reality intruded and threatened to drag you back from your delusion. Hanni took you into her mouth again and it was so very real.

There was no doubting the pleasure, and it was too good to make her stop. You took your hand away from her shoulder, allowing her to do as she pleased. Maybe if it was just a dream, you could allow yourself to indulge in the madness just one time…

"Fucking hell, Hanni." The words slipped from you, and with it, her warm mouth left your throbbing cock.

You peered down at her. She wiped the drool from the sides of her lips and smiled at you. Her eyes were wide as she lowered her head and slipped your dick into her warm mouth once more. Your body jolted as she put her tongue to work. She swirled the tip along the contours and ridges, then licked down the underside of the shaft and then right back up the top, leaving a thin film of saliva on your hardness.

She clasped her hand around you and it all felt far too real. Mixed emotions. There was a cold sense of terror in your heart, even with the heat of arousal radiating all over. The things she did with her lips and her tongue made you doubt your sanity.

"Does that feel good?" She said as she took a quick pause, stroking her hand along the full length. She had just caught her breath in the one moment where she stopped sucking, the first chance where her mouth wasn't busy trying to draw the soul out of you through the tip of your cock.

"You were right." She spoke almost as quickly as your mind spun. "About... the step-brother thing. It feels sick, and gross, and... wrong. It makes me feel dirty." Hanni pauses for a second, seemingly running her eyes over your body and then asks, "how depraved does it make me that it gets me really, really horny?"

Hanni had no clue that the same thoughts filled the back of your mind. Only that you weren't able to string it into words like she did. She was right. It felt really wrong, and yet there was a rush to do something that should never be done. This was where the next step began. The breaking of the boundaries. The perverse excitement in the face of the taboo.

Her hand reached out behind her and pulled back the sheets that covered her body. She was crouched between your spread legs, head still by your cock, her soft ass in the air. The cool light from the moon kissed her skin as she slowly slipped her fingers between her plump cheeks. "And this only made it worse. I've been so horny ever since I started wearing it."

Her hand moved slightly, just out of view behind her, and she let out a breathy moan.

"Hanni. What're you—

You're interrupted. "It hurt a little at first. Just a bit but you get used to it, and if it's in a good spot, if you hit it right..." She kept touching herself in front of you, and another breathy gasp escaped her lips and then she looked up at you still lying there. "What are you waiting for? Isn't this what you want?"

That's when you stirred. Reciprocated. You sat up and she rose to meet you. In seconds, you were embracing. Frenzied. Wild. All teeth and tongues and roaming hands. Shorter than you. So much smaller. She let out a yelp when you grabbed her, though she instantly silenced it by shoving her tongue back in your mouth and kissing you deeply.

Pressed against your bare chest, her breasts felt small but supple, perfect little handfuls. Her waist is slender beneath your grasp. The thick flesh of her thighs was so full and shapely. When she opened her eyes, they had such want. Lust—pure and undeniable.

So close, and the faint whimpers at her throat are a seduction. You felt it was an invitation, and your lips kissed her chin, trailing kisses down her neck. "Yes. Yes. Yes..." she encouraged you lower. Your tongue tasted the saltiness of her skin, teeth grazing and then pinching softly. Her arms were tight around your head, nails biting into the base of your neck.

She trembled at your every caress, shook each time you teased a pert nipple. Gasped louder each time you nibbled her collarbone. You turned, lifting her, and then she fell back and presented herself to you. Her legs splayed open and her bare, wet cunt dripping, begging you to take it, but...

"No," you told yourself, "it's too fast," and you began a line of kisses down her stomach, beginning at her cleavage and trailing straight down her stomach. The muscles beneath her pale skin twitched and clenched in response and her breath had gone erratic. You reached her belly button and she hooked her legs over your shoulder, and when you dipped further she clenched her thighs and squeezed as you toyed with her.

You remember savouring the moment. Savouring the pleasure, savouring the veniality.

"Lower, please," she begged in the most needy voice. "Please, I... fuck, oh, fuck please..."

It's hard to describe it all.

Somehow, in the night, you both reached a state of understanding. A state of consensual debauchery that came with a sense of agreement; a pact signed with tongue on skin in this moment of depravity.

You kissed her, playfully moving between her legs. Thigh to thigh, to dangerously close to her wet core, and there you lingered. The air grew humid. Hanni's sweet scent filled your nose. You ran your hands up her legs and felt the warmth in your palms. She gripped onto the hair at the top of your head; her fists tightened.

"Why're you teasing me, asshole?"

Hanni's moans grew louder and more needy when you used your tongue against her. Her legs wrapped tight, hooking behind your back. There was something satisfying about her reactions to your actions, something exciting about seeing her squirm.

The tip of your tongue ran up the lips of her cunt, dipping between the fleshy folds and coming to suck upon her swollen clit. Her eyes widened at the touch, and her jaw slacked to the point her words went incoherent. Her whole body spasmed as she arched and moaned out something filthy.

One moment you had hold of her thigh, feeling her clench up and quiver, the next you found that your fingers had moved downward and pressed against her slick opening. At the slight touch of your fingertips to the tenderness there, a short cry slipped out of her again. She tightened and clenched around them as you pushed in deeper.

"Who's teasing?" you asked before you buried yourself to the knuckles in her.

A smirk formed, and Hanni was about to speak, but no words came. You pumped her at a steady pace, curling your digits within her while lapping at her clit. The taste of sin never tasted so sweet. 

The combination drove her insane, and it didn’t take long until you were on the verge of making your step-sister cum.

You wrapped your lips around that swollen nub of hers and flicked it with the tip of your tongue, faster and harder, until her many moans became one, long, drawn-out and passionate, as a climax rocked through her.

Her ass lifted off the bed and her legs quivered, shaking uncontrollably while her fingers tugged painfully at the hairs on the back of your head. She jerked and gasped with a look of ecstasy on her face as she moaned your name over and over, almost reaching a scream. Your name on her lips again, and again, and you were drunk on this euphoria.

She released your head, and you postured over her, still slipping a pair of fingers into her, but slower. She drew a deep, trembling sigh and forced a smile, watching you. "I hate you," she managed.

"Do you?" you asked as you drew your cum-soaked fingers out of her. Her legs rested on your hips and the underside of your stiff cock was against her pussy. You reached around her hip, to her ass, to the plug still sat between her cheeks. Hanni hissed at your touch, biting her lip at the sensation.

"Yes. I hate you," Hanni whimpered, giving the softest moans as you tugged on the metal. Her eyelids fluttered.

"Why?" you asked.

"I just do," Hanni weakly gasped, struggling to stay strong in the moment. "You make me feel things. Things I shouldn't feel. It shouldn't be this easy."

"In that case. I hate you too, sis'."

There was this moment after you said that, where you shared a stare. Maybe the most confusing stare of your life. Calling her sis', in this position, should have been horrifying. And it was, but only at a peripheral level. Otherwise, it felt surprisingly... hot.

You dipped into her for another kiss, and this one seemed ever more ravenous than the last. You kissed with hunger and her hand ran around the back of your head. Kissed as lovers would. She was just as aroused as you and eager for more.

Slow and soft, you rocked yourself against her wetness. Your length dragged between her lips, up over her clit, and down again to poke at her entrance. You moved over and over, enjoying the tease.

The slow, sticky friction between the two of you. Her breath was sharp, as you slipped yourself over her and kissed at her neck. Every rock of your hips, she ground back against you.

"I think..." She hesitated. "Fuck. I think I'm ready. Just... go slow?"

The guilt of what's happened was a distant thing, a buzzing fly on a summer afternoon. The kind of thing that when you're so enthralled by something else, it becomes invisible. Then, with a nod and a shivering sigh, she reached down and gripped your cock. You bent back from kissing her so she could guide you.

Her tiny cunt. Her beautiful wetness. Her forbidden, decadent treasure.

Her breath was shaky. Her next words came out amid a tremble, "I've never... No one else."

You brushed stray strands of hair out of her face and ran your hand over her cheek. You gave her the reassurance she needed.

She told you, a few weeks later, how grateful she was that it was you. See, for all the filth that ran through her mind on an almost daily basis, she never imagined what it would be like. It being you—who you are and everything you meant to her—made it easy. Natural. Wonderful.

That first time, you took it all so slow. With her legs raised over yours. Watching the subtle changes in expression as you gradually moved more and more of your cock into her. Sinking deep between her pink, delicate walls. Your step-sister, panting and squirming beneath you.

"You okay?" you asked her.

"Ah... yes. This is... I love it," she responded between whining breaths.

It was just enough, the reassurance, so you could push into her the rest of the way. Her hand found its way to your shoulder; bracing as you eased in, her delicate frame tensing as you buried fully.

You watched her reaction and tried to be still as you felt her slick cunt pulse around you, wanting you. She swallowed and gripped you with the muscles within her. The second of respite didn't last long though; you weren't sure if it was a request or accident when her feet tapped against the curve of your ass, but it prompted you to fuck her.

"Feels... fuck." You sucked your breath between your teeth and braced yourself up on a shaky arm. You drew out slowly, and you noticed her nails digging into the arm you supported yourself upon. 

You groaned in relief more than anything else as your hips pumped the shallow strokes that sent electricity through your body. She started pushing herself onto you as she clutched your back, drawing her heels over the small of your spine. You looked down to see her eyelids were flickering, and the sight only served to inflame you more. Her moans were so erotic and encouraging.

That first time, it was special. You took your time together to explore each other's bodies, the curves of hips, the muscles, the valleys and ridges. You caressed your stepsister's gorgeous body and then tried your best to put her through another climax, as if your efforts to reach your own were less important.

"Fuck you're so tight," you told her, during those final thrusts, buried to the hilt in her tiny, soft pussy.

She spoke, her voice weak and shuddering, "You're big... inside me..."

The fact that she held you tighter in her embrace and how it seemed that she refused to let you out of her even as she came apart was telling.

She came that night, again, this time all over your cock. The first of many times to come. A string of incomprehensible cries erupted from her in the throes of that first proper fuck. Hanni's thighs flexed around your hips. She clung desperately to your body as she cried into your mouth as she climaxed.

Not long after is when you felt it too, that impending release. A coil of pressure. Unfamiliar and intense. The mere thought of emptying inside her drove you mad. Your fingers dug into her hips as you fucked your step-sister with complete abandon.

"Don't. Not inside. Please, not inside," she murmured in an incoherent mantra of guilt and pleasure, right next to your ear.

You didn't, of course. You drove yourself right to the edge and pulled out. Her juices coated your length, slick and wet as your cock twitched in anticipation of the final moments. Hanni wanted your release as badly as you did. She took you into her hand for the finish, gripping tightly and jerking that first hot shot of cum onto her soft tummy. You thrust through her hand to let the pleasure course through you. Each thrust sent a long rope splattering onto her naked skin as she grinned up at you, flushed and sweaty, covered in your lust.

That was the first night, but definitely not the last.

The next morning arrived with Hanni in your arms—the little spoon. The little naked spoon pressed against your body. Skin to skin. She woke you with the slow rocking motion of her body, grinding her plump cheeks against you.

"I could get used to this," she whispered under her breath, smiling against the crook of your arm. "Good morning," she said to you over her shoulder. "Sleep well? You had some pretty naughty dreams last night, didn't you?"

You responded with your erection growing against the warm crevice of her butt and a gentle hum as her ass rocked over it. That was no dream. "I did," you said groggily. "As naughty as yours."

"Mmmm," is all she had as a response, lost in the pleasant distraction, grinding herself back into you even more. As she did so, you grew harder, until your stiffness pressed against the plug still wedged into her ass. Hanni had left it there overnight. "The thing about dreams is that they're easy to forget. Want to remind me of mine?"

You ran your hand down her thigh, and that's how the second time started. You caressed her flesh for a while, feeling the softness of her thighs while she silently lay there, patiently allowing you to enjoy her.

Then, you grabbed her by the knee, opening her legs and then she spoke, "Are you going to make your step-sister cum again?"

So quickly did she become so utterly shameless. You grunted in reply and then you held her leg up by hooking under the knee, and shuffled down slightly, letting your hard cock slip from between her cheeks and go between her legs.

You closed your eyes and leaned into her. Lips at her shoulders, the kisses soon trailed to her neck. She hummed as you ground your cock between her folds. Not even putting in the effort to try to actually enter her just yet, just teasing your stepsister for the moment.

Her voice filled with the sweet sound of passion.

Your heart began pounding and a flush rose to your cheeks. You could have written that first night off as a mistake. One you would regret, forget and never make again. Not after this. This is a definitive choice. One of sound mind and body, not under the tension of an argument or anything else that happened before.

This is different.

Hanni reached her hand down between her legs, pulling your cock so it would slip into her when you shift your hips. "Fuck me," she begged.

You did. You slipped inside her and heard her moan in such sweet ecstasy. She gripped the pillow she slept on the night before, burying her face in it, and moaning into it in such sweet rapture. "Fuck, yes, harder," Hanni moaned.

When she pushed her hips back onto you, her ass brushed against your belly. The rhythm began. Slow. Lazy thrusts. Enjoying every sensation in the post-sleep haze, savouring the fact that you knew how good she felt on the inside. How incredible her wet, silky, tight depths felt when you slid in and out of them.

"Is this what you wanted?" Your voice is low, near a growl. Your arms around your step-sister. It shouldn't, by all accounts, feel natural to have her like that, but it did.

"Yes, it feels incredible. Please don't stop." Your cock bottomed out within her. As deep as you could go. You groaned, and stayed there for a while, feeling your stepsister clenching down, her inner walls trying to pull you in further.

Hanni's hands gripped at the bedsheets, clutching tightly to them. The position pressed the metal of the plug between her asscheeks, and as your thrusting continued, the sensation sent a tingle through her body. It was a filthy combination. One that allowed every stroke you drove into her cunt to simultaneously send an equally blissful shock straight into her ass.

It was madness for her to indulge in the ecstasy—for both of you to lose yourselves.

You grew faster, and she unwound completely. She grew limp as she reached her climax. She couldn't even grip the bedsheets, or the pillow, her body simply submitting to the pleasure. She merely lay there as your hips battered against her soft ass, fucking her right through it.

Then she asked you, right after it subsided, "Ever fantasised about cumming on my ass before?"

The way she asked that made the question feel almost normal. "That the sort of thing they do in the porn you watch?" You slowed for a bit to deliver the tease.

Hanni couldn't keep the shy smile from creeping across her lips. "There was this one video where a guy put it all over his sister's butt. Seemed like he really liked it."

The fact she talked to you about the dirty things she likes helped it all along. It was the extent of her experience, the videos, but it helped. What it told you about what she really likes, what she enjoys... It became the basis for all your dirty experiments.

"That sounds hot. You have a cute ass."

She giggled to herself, rolling her hips, getting up onto her hands and knees and facing away from you.

You seated yourself onto your calves, giving her space and watching as she turned, giving you the view you craved. "I do?" She said as she glanced back over her shoulder, showing her innocence and naïvete in all its splendour. Her eyes sparkled and then a smile spread over her lips to match that look in her eye.

"The cutest," you told her as you kneeled behind her. One hand caressed the outside of her thigh while the other gripped the base of your cock. Eyes firmly set on that beautiful plump ass. That was the second time in just a few hours that you covered Hanni in your cum.

She watched every second as you did, barely managing a blink. Arousal and delight danced over her features in equal measure, and your name left her tongue in the form of a delightful, drawn-out groan. The effect was very apparent. With every streak and ribbon of white landing, she gasped and moaned while staring at the mess.

From that moment on, you entered regularity. It seemed like for months, every chance the two of you got to fuck, you fucked. Her room. Your room. The shower. The sofa. The kitchen. Against that window that overlooks the city's skyline. A public bathroom. A hand job in the car while you're stuck in traffic. Riding your face in a park, hidden among trees, grass, and bushes. Fucking, kissing, and biting until the both of you are exhausted and sore and dripping with sweat. It never ceased. Two insatiable appetites. Your mutual loss of control continued. The affair felt so exhilarating. An explosion of forbidden sin in an otherwise normal existence.

It all came with its fair share of close calls. That Saturday morning surprise visit from your parents where you answered their knock at the door and they invited themselves in, all while Hanni lies naked in your bedroom. How you sneakily warned her before she emerged and spun the story to them both about how she slept on your floor out of fear after watching another one of her horror movies. They bought it, of course, because they couldn't imagine there being any other explanation.

Then there was Hanni's near miss with her group. She told you all about how Minji had picked up on how something had changed with her; about how convinced Minji was that Hanni had found herself a boyfriend. About the look Minji gave her as Hanni protested, and finally how she got away with a half-truth.

She told the girls it was because of you and how you would work out together on weekends to make her feel better.

Everything was going so well, which made this week even more confusing.

It's been days since you last saw her. The longest you have gone in some time. Long hours and staying over with her members are one thing. Going days with no word or anything at all is another. She ignored your texts, never returned your calls, and stopped showing up at home like you'd come to expect.

No warning.

Nothing.

[sweetbans29]

Teach Me: The Art of You (THE END) - PB

Pairing: Paige Bueckers x Reader

Previous Part

Summary: You and Paige have been best friends for the last 6 years. You trust her completely. And it is because of that trust that you ask her a rather forward question. AKA - You ask Paige to teach you.

Warnings: mature, like mature - mature

Word Count: 3.2k

Sweetbans Masterlist & Teach Me Masterlist

AN: Here we go...for the last time 🫠

Paige's lips met yours for what feels like the first time in forever. The kiss starts off gentle - her hands cupping your face as your hands rest on her chest. You can taste the saltiness of both of your tears mixed in with her lips.

You pull away, resting your forehead on hers.

"Can we go to bed?" You ask.

"Of course," Paige says and helps you up from the couch. The two of you make your way to her room. You crawl in her bed and open your arms to her. She looks down at you with the biggest smile and finds her place in your arms.

"Never wanna sleep without you again," Paige whispers into you.

"You never have to, B," you say and kiss the top of your head.

Over the next few weeks, life goes back to normal - well mostly normal except for the fact that you and Paige have actually started dating. No more having to restrict touches or steel glances. Paige was free to show the world she has been and will always be completely in love with you.

The regular season is coming to a close as the team prepares for March Madness. You alongside the other coaches are spending a lot more time reviewing film and watching other teams. Paige isn't a fan of how much time you are spending in the office but can't be mad that you, without fail, come home to her.

The team decides to go out for one last hurrah before they lock in and decide to do it at their favorite bar. Everyone is over at your apartment getting ready for your fun night out. You are in your room finishing getting ready as Paige is lying on your bed and scrolling through her phone. When she sees you are almost done she gets up.

"Mmmm ready?" She asks as she comes behind you snaking her arms around your waist. Her head finds its place on your shoulder as she looks at you through the mirror.

"Yep!" You say. "It's been so long since I've been out, long overdue."

Paige would be lying if she said she hadn't been thinking about you. Ever since the two of you officially got together the lessons had stopped. She didn't mind the fact that they stopped but each day kept getting progressively harder for her to keep her hands off of you.

"S'not the only thing overdue," Paige says as she moves your hair to one side of your neck and begins to leave a trail of kisses down the other.

You sigh, leaning back into her and letting her grace your skin with her lips. She holds you firm against her front as she makes a meal out of your neck. One of your hands rests on top of hers while the other comes up and holds her head in place on your neck.

"No marks," you moan as she sucks on your sweet spot.

"Gonna show them your mine," she breathes out sucking a little harder, her teeth grazing your skin.

You try to move away from her but she isn't having any of that.

"B, no marks," you say again. "I'll show them whose I am another way, trust."

She kisses down to your shoulder. "And how do you plan on doing that?" Paige asks.

"Well, you will just have to wait and find out," you say, your eyes struggling to stay open. "But won't have to if I'm all marked up."

Paige immediately removes her lips from your skin and you want to whine but know you are the one who stopped your girl in the first place. You look at her through your mirror and take in how beautiful she is. Your eyes trace every feature of her face.

Paige feels your gave and her cheeks begin to brighten.

"Why are you staring at me like that, ma?" She asks and hides behind you. You found it to be incredibly cute when she would get nervous around you even after knowing you for years.

"Can't you just let me admire my girlfriend," you say and turn around to face her. She no longer has a place to hide. Your eyes burn into her skin. "Stunning."

"Yo, you two ready or what?" You hear one of the girls yell and you respond.

"Ready, B?" You ask.

"Could just stay here," she says. You laugh.

"Ya right, come on B," you say grabbing her hand and leading her out of your room.

The team heads to the bar. Once you are through the door Paige grabs drinks for the two of you. When she comes back you down half of it in the first sip.

"Woo, slow down there. It's not going anywhere," Paige says, grabbing the glass from your hand.

"Hey!" You say, your hand reaching for the glass she just stole from you.

"Let the girl have some fun," Azzi says. "She has been working her ass off for us."

Paige looks betrayed that Azzi chose your side over hers. Azzi grabs the drink from Paige's hand and gives it back to you.

"Woooow, I see who the favorite it," Paige says.

"I have always been Azzi's favorite," you say and lean over to the curly-haired girl and away from Paige.

"As long as I am your favorite, we won't have any issues," Paige says grabbing your hand and intertwining her fingers with yours.

"Well..." both you and Azzi say at the same time. The look on Paige's face practically has you and Azzi laughing on the floor.

You pull Paige into a hug, moving your head to whisper perfectly in her ear.

"Don't worry, B - you know you're my favorite. Always have been, always will be," you say as you bring your tongue to the shell of her ear. A move you have learned riles her up faster than most.

Paige jerks away knowing it is way too soon to be leading you out of the bar. She wants to enjoy hanging out with the team before taking you home. She gives you a warning look and you just smile up at her and take another sip of your drink, a smaller sip than the first one.

You both spend time with the team, enjoying each other's company. You are three drinks in when you start dancing with some of the girls. All of which are letting loose and having a good time. Moving your body to the music, you raise your arms and sway your hips. It doesn't take you long to find your girl leaning against the bar watching you dance. You smile at her and make your way over.

"Dance with me B," you say grabbing her hand. She puts her finished drink on the bar and follows you to the middle of the dance floor.

You face her and wrap your arms around her neck, connecting your bodies and moving to the rhythm of the music. Her hands rest on your hips as she looks down at where your bodies connect.

You turn around, making sure her hands stay planted on your hips. Your arms go up in the air again as you begin to grind on her. You hear her let out the lightest gasp as you bend over. When you come up again, you move her hands to rest on your boobs. She gives them a squeeze before running her hands down your stomach, bringing your shirt slightly higher than it already is. Your hips never stoping.

One of your hands comes to cup the back of her head, guiding it to yours as you turn your face to the side meeting your lips together. The kiss is sloppy and rushed, filled with lingering hints of alcohol from your drinks. You turn to face her cup her cheek.

Your tongues fight for dominance, Paige desperate to win.

Before she can, you break the kiss and begin down her neck like she had done in your room. You pay attention to all right places causing the blonde to throw her head back. Your free hand toying with the string at her waistband.

"Take me home," you whisper in her ear.

Before you know it you are being pulled out of the bar. Paige storms past the team, your hand firmly in hers as she makes a beeline to the door.

"Where are you two going?" Evina yells.

"Evina, just enjoy your drink. We all know where they are going," Azzi says sipping her drink.

Paige has you back at your apartment in no time. The second the door shuts she has you pushed up against it. Before her lips connect with yours, you put a hand on her chest.

"What?" She asks until she sees your next move.

You push her back, taking your shoes off in the process, and have her walking backwards all the way to the couch. You push her to sit down as you ever so slowly move on top of her, straddling her.

She watches you in awe as your hands come to her torso, moving your hands up under her shirt. You lean down and plant a kiss on her shoulder.

"Imma need a little more than that, ma," she says, her breath already rigid. Paige has never been a fan of slow - all the hookups she has had have been quick and straight to the point. But as she was teaching you, she slowed down to match your speed. Now though, now she feels like she has made a mistake as she is eager to get to the finish.

"What's the rush babe?" You ask. "Plan on taking my time, still new to this ya know."

You bring your lips to kiss all along her collarbone. She leans her head back against the couch and lets you work. Your hands move to cup her breasts under her shirt and she removes it for you.

Your lips find their way to one of her nipples, swirling your tongue around it and sucking it lightly. Removing your lips from her skin, you cup both of them and kneed them.

"I love these," you say as you continue to massage your girls chest.

"All yours, ma," Paige's voice husky as she struggles to get the words out. You smile.

You kiss down her stomach, peppering kisses over the waistband of her pants. You hook your fingers in her waistband and look up at her for approval.

"Fuck ya, ma," she says as she lifts her hips up and you pull her pants down.

She is now watching your every move as your hands rub up and down her thighs and your lips sprinkle little kisses along the inner more sensitive parts of her legs. She spreads them for you as you park yourself on your knees in front of her.

Your trail of kisses makes its way to the bottom of the last piece of fabric separating you from where she wants you most. You begin to kiss over them, inching closer to her center. When you finally get to the place Paige has been patiently waiting for your lips to meet, she jolts forward.

You look up at her and kiss it again.

"So sensitive baby," you tease her as your hands bring her boxers down. She watches your every move anticipating the next. Never in a million years would she expect you to be the first to please her, she always imagined her pleasing you first. Yet here you are, on your knees just for her.

"May I?" You ask, your eyes trained on her center. Paige doesn't trust her voice and nods vigorously.

"Need to hear you babe," you tease her again. "Can't forget the rules now."

"Fuck the rules," she says and you take that as a green light.

You spread her legs even further apart as your tongue licks a strip of her. The moan she lets out is ungodly. One of her hands is placed on the back of your head while the other shoots its way to cover her mouth. You kiss her bundle of nerves and begin to work.

"Fuck ma, so good. So so good," she mutters as you work on her. One of your hands comes up to massage her left breast. You pick up the speed as moans fall freely from her mouth.

"Just like that, YES, oh fuck," her words coming out in breathy strings. "Close," Paige yells, not able to think of any other words.

You slow your movements to a stop and Paige whines. You look up at her with raised eyebrows as she looks down at you with furrowed ones. She watches you as you bring two of your fingers into your mouth sucking on them. She bites her lip as she watches you - anticipating your next move.

You brush over her sensitive bundle of nerves and her hips jerk forward, begging to be touched again.

You smile as you slowly line your fingers at her entrance. You kiss her thigh as your fingers enter her. Paige moans your name and you watch her in awe. All you want to do is make her feel good.

Your fingers work in her as your begin to suck on her center again. Paige is fisting the couch as she lets out moans left and right.

"Don't stop. Please don't stop," she moans as her back arches off the couch pushing her core closer to you. You work her through her high as she repeatedly says your name.

When she slumps against the couch, you remove your fingers and begin to kiss back up her stomach.

"That was so hot," you say as you kiss her lips.

"You are so hot," she says breathlessly. Her hand coming to cup your face and kissing you again. She tugs at your shirt and you break the kiss, allowing her to remove your shirt.

Paige stands and tells you to jump, which you gladly do, and wrap your legs around her waist. She immediately establishes dominance in the kiss as she walks you to her room. She lays you on the bed and in one swoop has your shorts off. You stare at her with your mouth agape and she just smirks down at you.

Paige crawls over you, causing you to squirm, and comes to kiss you. Your hands come to cup her breasts as she hovers over you. She breaks the kiss and laughs.

"What?" You ask.

She looks down at your hands on her chest and you feel yourself blush, immediately removing them.

"Don't stop," she says shifting her weight to bring your hands back to them. "Touch them, kiss them, suck them as much as you want - I meant it when I said they're all yours."

You smile and bite your lip.

"Never thought you would be a boob girl," she says chuckling, lowering herself to kiss you again. She kisses down your neck leaving all the marks in the world.

"Just yours, you say. "S'cute and little."

"Hey!" Paige jokes but you just pull her back to you. Your hand s come to claw at her back as you stifle moans whenever she finds a particularly sensitive spot.

She kisses down your stomach and grabs the waistband of your intimates, pulling them down with her teeth. You watch her as intently as she watched you just ten minutes ago.

Her lips meet your inner thighs as she hooks her arms around your legs to spread them and grab your ass.

"I've been dreaming about this forever," she says as kisses closer to your center. "How you would look spread out on my bed." You moan at her words and buck your hips craving any sort of friction.

"How you taste," she says as her tongue finds your center. She then goes to work making you feel good. You are a moaning mess as she is now the one feasting on you.

She slows down, removing her lips from your skin uses her thumb to keep a rhythm.

"Open up for me, ma," she says bringing two of her fingers up to your lips. You obey and welcome them in, swirling your tongue around them.

"Good girl," she says as she removes them, sinking down to where she just previously was. Her fingers begin to work in you as her lips attach to you once again.

"Paige," you moan. "Yes, Paige. PAIGE."

You are releasing in no time. Body twitching as you ride out your high. She removes her fingers from you but Paige doesn't stop. Her tongue keeps working on your overstimulated center. Your hands come to her head as your thighs close around her head.

"Paige!" You scream but she keeps going. She doesn't care if you suffocate her - hearing your moans and tasting you has her on a whole new high she never wants to come down from.

"Paige! Ahhh!" You are now trying to pull her head from you. She is relentless. Before you know it you are on cloud 9 once again.

After your ride your second high you fall back against the bed. Paige finally removes herself and lays next to you.

"Holy shit," you say breathless.

Paige laughs and pulls you into her side.

"Babe, we are just getting started," she says and begins to kiss your shoulder.

Your relationship with Paige grows. The two of you continue your time at UConn and are now known as a couple but will always be best friends first.

The two of you walk side by side into Paige's multiple injuries - you being there every step of her recovery and keeping her sane when she feels like she is going crazy. Encouraging her to work on her mental game and not rush the healing process, knowing she wants to get back on the court as soon as possible. You keep her grounded.

Side by side when she decides to stay at UConn for a fifth year - which Geno gladly accepts and knows you would be staying on the coaching staff. He hires you full-time after you graduate but knows you will be going wherever Paige gets drafted.

Side by side when she carries the team back to the final four and then to the championship. Although if anyone were to ask you, and they did, you would say you played a major part in getting them back to the championship. Ultimately winning it all.

Side by side when Paige goes to the draft and gets drafted to the WNBA - moving to a new city and beginning life outside of Storrs.

Side by side when she asks you to marry her, with your dad's permission of course. Letting you plan the wedding of your dreams which really only included her. She watches as you plan the perfect day for both of you and always makes sure that she is okay with your decisions.

Side by side in life. When you tell people about your story, Paige tells them that the two of you have been together since before high school. She likes to say she knew you were the one for her when you walked into the gym during summer training before freshman year. This always gets you to roll your eyes, knowing she actually didn't like you until the end of freshman year but you let her tell the story her way. And you do, you always let her tell your story her way because it never ceases to amaze you how her eyes light up even brighter each time.

You look at Paige and you know. Know that there is no one else on this earth who is a better fit for you. No one who could ever love you better or be better for you than she. You know when you are side by side with her, you have nothing to fear, nothing to worry about because it's Paige. And to you, Paige is your home.

AN: WE DID IT BAN-FAM! WE DID IT! Let me know how you feel about this whole journey, I would genuinely love to know. And as always, thank you for the love and support 💙

[namelessdumbass]

Rite Here Rite Now

It was amazing and funny. Copia girlies and boys fucking won!

I expected different outcome, tbh. Tobias managed to surprise me and also made me a tiny bit sad (reasons will be explained in the spoilers below).

The film consists of like 95% of concert footage and 5% of off stage/plot stuff. The quality of sound and editing is just 🤌 I expected the live of Twenties to be good and gosh Ghost delivered. And Mummy Dust...Tobias let Mary Goore out! But i honestly prefer Terzo's version (CaD) better. Sorry not sorry haha. Ghouls/Ghoulettes footage. Everyone who loves them will be very veeeery well fed!

Dance Macabre live...i was'nt wrong when i called it a satanic gay party 😁

The movie is worth watching and i do hope Ghost releases it as soon as possible for all those who were not able to go.

The spoiler free review ends here. Don't read further if you don't want to spoil it for yourself. And please, don't copy them and paste it everywhere for the sake of ruining other people's fun! Seriously, don't fucking do that!

If you accidently clicked here, don't worry! spoilers will be below and you still have a chance to avoid them :)

Alriiiiight:

Movie starts with Saltarian who tells fans to record for the first 2 minutes, to show how happy they are etc and posted a qr code for fans to upload those recordings. I guess it will be put up on RHRN website. We'll see. There were also photos of fans who attended LA ritual. I fucking loved the person who showed up in a giant Plushia suit. I LOLed! Then fans were asked to put down the phones and enjoy the movie. The beginning was narrated Star Wars kinda style (a little bit) with the small recap of the chapters and about Copia's worries that he might die. And yes, it literally began in space lol. The movie is basically is like what we saw in small snippets Ghost posted earlier. Plot mixed with a really good show.

And the plot: -Short footage of Copia and Ghouls arriving. ALmost the whole set was the same as any other concert from Re-Imperatour + a few awesome exceptions. -Dews does that annoying thing with guitar, Rain stops him, takes his pick and throws it into the crowd and Dew...he freaking showed him YouSuck sticker on the backside of his guitar. Peak Dew moment! -Copia asked the right question about the Clery. He also does not quite understand what it does, why and where it goes. I suppose Tobias decided to thicken the Ghost lore a bit and will have more clarity in the nearest future. -Remember when Copia jumped at the end of the Watcher in the Sky? He ended up in one of those stage boxes (for equipment or something) and is taken to the stage B. While he's carried to it by Kevin he has a chat with Nihil's ghost. Nihil says he recorded not 2, but 3 songs. That probably means that we'll hear a new one. (UPD: the new song we heard during the credits, "The Future is a Foreign Land" is Nihil's 3rd song! Confirmed by Tobias himself in a new interview). He also tells Copia to breath in deep and then farts. -On the Stage B Copia sings "If You Have Ghosts". 3 Ghoulettes played piano and violins and the 4th one did the haunting ghost-like opera vocals. It was beatiful. Copia kissed her hand. -He then wore boxing robe and went next to crowd. Almost the whole scene was shown in the trailer. -Btw, remember that silly moment when Nihil's eyes were crossing? Well, Kevin was also included in that staring contest. -Twenties live. The skeletons, the performance and one of those skeletons who crawled between Dew's legs...that's hot. -Nihil calls Copia "son". Copia calls Nihil "Dad". Cardi will insult him later, don't worry. -Nihil/Seestor cartoon during MOAC. Yes, that's when Sis hit him with the car. Basically it's what happens after "Kiss the Go Goat" mv. Sister leaves and Nihil runs after her. "I'll never let you go". They end up kissing in a coffin on a graveyard , later Nihil wakes up naked in a bed in a motel and we see Sister leave. -There was a moment in a movie when we see Ashley (stage crew) bring Copia a new pair of shoes and put the on on his feet. Tobias, goddammit what the hell was that? :D -Seestor was a in wheelchair all the time -She and Nihil encouraged Copia throughout the whole movie and gave him a piece of advice. -About the baloon from the poster. Copia flies on it after finishing the set...or he imagined that because a few moments later after Nihil/Seestor flashbacks he ends up on the floor and watches Seestor die. All of the Ghouls and Ghoulettes also stood right next to her. -Copia has a twin brother -Copia didn't die and became the head the Clergy (Father Imperator or something like this). He found out about his new position from a letter Seestor left for him. -New song during credits (credits show dictators, assassinations, wars and the use of nuclear war). Years 1984 and 2024 mentioned. The song is not heavy. -Ghouls/Ghoulettes real names mentioned in the credits -Funny post credit scene with Copia. He had no piant on and had a new cool drip (with black jacket and red and black cross). Seestor is also a Ghost now. Tobia's children cameo. They're also Ghosts. -Papa V is teased the same way Copia was teased in a chapter 1. They even used the same music (Pro Memoria). No face reveal. Either he will be revealed in new Chapters or at some point during the new tour???

-aaaand my biggest disappointment: no footage of Primo, Secondo and Terzo. Literally ZERO.

I mean, Nihil is a Ghost, Seestor also became a Ghost, even Tobias' children made a cameo as Ghosts, but nothing for previous Papas? Really?! The same could have been done for them, but i guess Tobias doesn't care about them anymore :( And it hurts. I know that's my fault that i had so many expectations and hopes, but holy shit :( As a newbie who never saw previous Papas, i'm so sad i'll never get a chance to see them and there won't be any new footage of them. Being Terzo widow is so hard. Guess that's why i'm a bit salty Copia lives (sorry, guys, i like him, but i also hate him haha)

And yes, as it turned out the twins theory from Square Hammer was true...but not for Terzo 😭

I enjoyed the movie nevertheless. It's fun and kinda gives you an opportunity to see the band "live" if you've never been to a ritual before. And yes, the movies was'nt just about Papa IV and his fate, i believe it was also Tobias' message for us to enjoy the life rite here rite now! As i said, Copia's girlies and boys truly fucking won. Congrats, lads, your Papa lives and will live! I bet that feels amazing. Thanks for reading! P.S. since you know the plot, don't spoil it for the others please.

[da-birb-writes-sometimes]

One of Us is Guilty; Prologue

Eight people, nine rooms, seven weapons. One person is guilty, and until they are found, no one is safe; from the perpetrator of the crime, or of being accused.

Characters; Vil Schoenheit, Divus Crewel, Rook Hunt, Azul Ashengroto, Silver, Jade Leech, Cater Diamond

Content; Gender-neutral reader, unreliable narrators

Content Warning; Death (not described), murder (not described)

Word Count; 1.3 K (includes guide on how to participate at the end)

Find this content triggering but still want to participate? Go to this Google Form! <- form is now closed, thank you to the people who voted!

As a reminder, do not put my work — or others for that matter — into AI as it steals. Link to Masterlist

| Prologue | Chapter 1 | Chapter 2 | Chapter 3 | Epilogue (Part 1) | Epilogue (Final)

You were making your way down the main flight of stairs, ready to go crawl into your bed after the long day.

“Attention! Attention!” Crowley’s voice echoed over the PA system, still annoyingly chipper despite the late hour. What was he even still doing here? “Due to the weather, all remaining staff and students are under orders to stay inside the building until morning!” And the PA system cut out.

You groaned, “Seriously? It can’t be that bad–” A loud crack of thunder sounded directly above the building, causing the chandelier to shake. “Okay then,” you huffed, plopping down on the stairs, “I get the message.”

Of course, you would get stuck here for the night, guess that’s what happens when you stay back to study and work on assignments.

But you weren’t the only person stuck in the desolate halls of Night Raven College; seven others were in the same boat as you.

…

Vil was in the lecture theatre, reviewing his notes for the upcoming performance that the Film Research Club would be putting on next week. He too heard Crowley’s announcement and pushed his hair back, massaging his temple. He would not be getting a good night’s rest tonight.

“Tch, no use lamenting over it,” he sighed to himself. Carefully, he put the notes and suggestions away in their designated folder, and he made his way to the main hall. If anyone was still here with him, they might be there; at least he would have some company for the night, and not be alone in the empty hallways.

…

Professor Crewel was grading papers in the teacher’s lounge, and getting a migraine from it as well. “Have those pups learned nothing from me,” he grumbled.

He would much rather be at home in his finest pyjamas, scratching the chins of his dogs, but no, he was stuck here, and would be stuck until the storm passed or Headmaster Crowley got back on the PA system saying it was safe to leave. But knowing his employer, the man had transported himself home, leaving everyone stuck at the college oblivious.

I ought to wring his neck if he did.

…

Rook was in the library, perusing through various books, just looking for something to pass the time. He knew earlier that day that a storm was brewing, he could tell by the clouds and the faint smell wafting on the breeze. He also knew that Vil would be staying late, and he wasn’t going to leave Roi de Poison alone.

After going down a few aisles, Rook finally found a book to his liking. “Hmm, this is new. Ah, how interesting!” Tucking the book under his arm, Rook made his way to the lecture theatre, as that was where he had last seen Vil.

Perhaps un meurtre mystère would make for a good plot for a future performance?

…

Silver had fallen asleep in the cafeteria, apparently he had slept for most of the day. He had only woken up because of Crowley’s voice echoing loudly in the large, empty room.

Did they not notice? Silver rubbed his eyes and yawned. If he was here, there was a possibility of others also finding themselves stuck in the school for the night. The least he could do was make sure others were staying calm, and staying safe. Even outside of his duties he was ever still the protector, and far too kind.

“Hopefully no one got hurt…” he murmured to himself. There was something off, a dark presence of sorts, and it wasn’t just the dark clouds hurling down rain, hail, and lightning outside.

Something doesn’t feel right…

…

Azul was in the alchemy lab, perfecting the most complicated potion that was in his textbook; he had a reputation to upkeep after all, and didn’t want anyone usurping his rank at the top of the class.

There, I just need to add some belladonna and— the suddenness of Crowley’s overly loud voice coming over the PA system caused Azul to add too much, and the potion evaporated. Azul gritted his teeth, but took a step back. Perhaps a walk would help calm him down… he was going to have to replace all of those ingredients tomorrow…

“So close,” he hissed, and he started making his way down the hall, still muttering to himself.

…

Jade was washing the dirt from his hands, having just come back from checking on his fungi in the botanical gardens. He already knew before Crowley made his little announcement that he would be spending the night, which didn’t bother him all that much. Perhaps he could see what was in the kitchen, since he did have that new dish which looked and sounded to be divine.

But that could wait, Azul was most likely still working on that potion of his, and knowing the house warden, he had fumbled with the ingredients at the sudden noise and probably sulking… and Jade could use some amusement at the moment, and a sulking and slightly peeved Azul would do the trick.

…

Cater was in the kitchen, retrieving something for Trey since they were all out in the Heartslabyul kitchen. Of course it was something sweet, but Cater would rather be here than see the outcome of the freshmans’ antics. Sorry freshies, you’re on your own!

But now he was stuck here for the night, and having nothing better to do, and boredom starting to creep in, Cater brought out his phone and started recording. 

“It’s Cay-kun here!~” He gave a peace sign to the camera and stuck out his tongue. “Let’s see who we can find!” And he started chatting to the camera and walking towards the main hall.

…

…

Eventually, everyone had made their way to the main hall; you, Silver, Vil, Professor Crewel, Rook, Azul, Jade, and Cater. But there was no sign of Headmaster Crowley.

“Have any of you pups seen the Headmaster,” Divus asked, turning up a brow, and looked at his students with suspicion.

Everyone shook their head no. Divus sighed, and turned around the corner, in the direction of the Headmaster’s office, but he stopped in his tracks.

Curious, you looked to where Professor Crewel was staring; lying in the middle of the floor was Crowley, and he wasn’t breathing.

Dire Crowley was dead, murdered. And everyone was a suspect, including you.

About this Event

That's right folks, a classic murder mystery in the style of the board game Clue and some inspiration from the book And Then There Were None by Agatha Christie.

At the beginning and end of each part, I will be including a link to a Google Form where people can vote for who they think is the murderer, what room the murder took place in, and the weapon that was used. There's also an optional question where you can explain your answer, just do know that everything was randomly chosen by a spinner.

The form will be active for at least 72 hours; it may go on for longer if I'm busy. A new form will be added with each part, just with the suspect, room, & weapon that was voted in the last part being removed if they were incorrect... and may take some inspo from the book I mentioned.~

In future parts there will be dark content, as this is a murder mystery; all of the content warnings will be included at the beginning, and also tagged (ie. cw death). Because of this, I will not be tagging people in future parts just as a precaution.

Now, let the investigation begin!

Link to Google Form

Suspects:

- Silver; the kindhearted knight with a mysterious past, is it just for show?  (Plum) - Vil Schoenheit; the actor who is always pigeonholed into the role of a villain (Scarlet) - Divus Crewel; the alchemy teacher with a penchant for fashion, Crowley's co-worker (Peacock) - Rook Hunt; the enigmatic hunter who always has a hunch of what's happening (Mustard) - Azul Ashengrotto; the owner of The Mostro Lounge, a businessman with dubious morals (Green) - Reader; the 'house-keeper', a role that was imposed on them by the late Headmage (White) - Jade Leech; a student enamored by fungi and seems to have a foreboding presence about him (Orchid) - Cater Diamond; the preppy beau of Heartslabyul, but his smile seems forced (Peach)

Rooms:

- Main hall - Teachers' lounge - Cafeteria - Kitchens - Lecture theatre - Botanical garden - Alchemy lab - Library - Crowley's office

Weapons:

- Revolver - Rope - Dagger - Wrench - Candlestick - Lead pipe - Magic

...

Tags; @afunkyfreshblog, @aqua-beam, @azulashengrottospiano, @eynnwwyjth, @hisui-dreamer, @hydra-sea, @identity-theft-101, @inkybloom-luv, @ithseem, @krenenbaker, @leonistic, @lucid-stories, @officialdaydreamer00, @ryker-writes, @savanaclaw1996, @silvers-numberonefan, @twistwonderlanddevotee, @xxoomiii

[lizardsfromspace]

Okay, Matrix plagiarism case postscript

One thing I didn't answer is how she got the Wachowski's timeline wrong. I still don't know, but it appears she essentially shifted their lives back a decade

She says less than a decade ago they were running a construction business, but actually, working at a construction company is what they were doing in 1986. In 1976 Lana and Lilly were eleven and nine years old respectively. I can't explain why she messed this up, beyond having to age them up a decade for the story to work

But this screencap also brings up another thing she mentions repeatedly that I didn't mention - the smoking gun in her claim is that...the Matrix ripped off her words verbatim for its opening crawl. The opening crawl...to The Matrix.

Huh?

So her story is - and unsurprisingly the timeline here is jumbled, for instance, citing production interviews from 1997 when the film wouldn't enter production until 1998 - the original version of The Matrix contained a Star Wars-style opening crawl, and this was the most directly plagiarized part of the film.

She claims this opening crawl was, in fact, in the theatrical release of The Matrix and only removed when it came to home media, because she. Because she called the FBI on the Wachowskis for stealing the idea of opening crawls from her

The theatrical cut does differ from later versions slightly - most infamously the Wachowskis made the green color filter much more green in the second DVD release, to make it consistent with the style of the sequels - but if there was a opening crawl mandated by the studio, nobody but her has mentioned it, and I find it hard to believe critics wouldn't mention it.

Because this is Dark City. She's clearly confused The Matrix with stories about the studio's meddling with the 1998 film Dark City.

Dark City was the dystopian sci-fi film that had a opening narration explaining the whole plot foisted on it by the studio, and critics mentioned it. Basically every review mentioned it (some even suggest covering your ears or muting the film the first time you see it, at least until the Director's Cut removed it). Meanwhile, reviews of The Matrix praised its opening from the very beginning: how it drops you right into things and lets you find out about its world as Neo does. It's just not possible that the theatrical release has a opening crawl no one mentioned when I can pull up full comparisons of theatrical vs first DVD vs second DVD vs Bluray. Whatever story she read either was about Dark City, or was a Wachowski saying in passing "yeah the studio wanted us to add one but we didn't".

Another thing I didn't touch on is just how much it hypes her up as a untouchable genius of cinema. For instance, she claims to have come up with the effects of The Matrix in 1983 too

(one funny part is how little she brings up The Terminator at all? She just threw it in as a bonus I guess)

I looked up how they did the bullet time effect in particular and...it would have been impossible in 1983. It's not just high speed photography; it's entire banks of cameras, placed in the right place by computer previsualization, their sequence programmed, and with all the elements composited together by CGI. Even stylistically - the true creator of the effects cited Akira as a influence, and Akira the movie didn't exist in 1983. Neither did the type of Hong Kong action film that heavily influenced it. I guess it would be possible to write down "someone goes really fast and we depict it like they slowed down time", concepts of a plan etc

But like.

She's destined to be one of the most profound master writers of the 21st century. This is a book proving she's never written anything. It has a pitch for The Third Eye, it has a second film treatment tacked on at the end, and it has copyright registrations for her sequels to Terminator and The Matrix. M. Night Shyamalan's character in Lady in the Water was destined to be a great writer too, but he actually wrote a book. He didn't put out a book with a decades-old synposis that was never finished & reams of legal documents and a bio saying, I'm one of the greatest authors of all time. Because who needs writing when you have destiny, God, and the ancient superrace living in the Pyramids on your side?

This is my for real last post on this since I ended up just depressed about it in the end. I think the worst part is, she knows she lost. But she still goes to the press telling a story she knows isn't true, and people believe her. Some of it is transphobic - "stop saying it's a trans allegory when they stole it"; some of it runs with the Christian oppression narrative (full disclosure, I was inspired to look for her book again bc while looking up another crank, I saw an interview with her in the sidebar of a religious website); but a lot of it is just people who innocently want it to be true.

One of the few pieces debunking her story is on a website called Black Excellence - it doesn't even have a byline - said this:

"There are many people, especially Black people, who wanted the story to be true. It symbolized a Black person, especially a Black woman, finally winning against the system. When Sophia Stewart spoke about how mainstream media would not give her the time of day because almost all of them were owned by Warner Brothers, some Black media embraced her. Blogs spread her story, especially the initial story on Globe that contained errors about the case.

"But the story is not true. Sophia Stewart did not become the richest Black person in the country. But that did not deter her from going on several shows and publications to tell her story."

She took advantage of people's urge to root for the underdog against a corporation - and seized on a lack of mainstream coverage to claim her story was being suppressed. But it just isn't true. Also yeah she ridiculously claims that Warner Bros owns every news website and newspaper and that's kind of funny I guess. Well, that's it. I'm never doing this again

[twinsunstars]

Omega's Behind-the-Scene Vlogs (Part 13) *while filming episode 3* *Omega holding her camera, who is wearing horror makeup* Omega: I had the makeup artists help me with this, and I’m going to scare Hemlock and the others on set. This is going to be such a fun prank. Crosshair walking by behind her: *sees Omega and flinches, nearly having a heart attack* Kid, what are you doing and why do you look like that thing from the horror doll movie? *later* *Crosshair hiding, using Omega’s camera to film* *Hemlock, walking onto set after break with coffee in his hand, drinking it and looking up, choking on his coffee as he sees Omega above in the corner of the room* Hemlock: *about to run away but realizes it’s Omega dressed up* Omega, what are you doing? Get down, you’re going to hurt yourself. Omega: *stays still and doesn’t move with her eyes wide open* Hemlock: *flinches and steps back* Omega, stop. Omega! *both stay silent for multiple seconds, then Omega launches herself at him (landing on the bedding placed on the floor to protect her), Hemlock screaming and dropping his coffee as he runs away* *Omega laughs, Crosshair dying of laughter* BONUS: *while filming episode 14* *Omega, wearing a different horror makeup to do the prank again (because Crosshair asked her to), crawling towards Rampart while he takes a break on set reviewing the script with a pen, Crosshair using her vlog camera to film* Rampart: *sees Omega crawling towards him, screaming with a high pitch, throwing the pen at Omega and running off the set*

part of my Bad Batch Season 3 Actors/Behind The Scenes Incorrect Quotes series!

The Bad Batch Season 3 Actors/Behind the Scenes Incorrect Quotes Masterlist 🎬

[earthtoharlow]

Flashing Lights

12) Yellow

Jack Harlow x Singer!OC

Series Masterlist

“The charismatic rapper’s second album captures absolutely none of his real-life persona.”

“There are ways that Harlow could position it as a real album, able to point to specific points of growth on tracks like “Side Piece” and “Poison (Ode to Maryse)” which are meant to be adult and sexy, or the closing “State Fair,” which finds him reflecting about how he’s famous but still the same guy.”

“Harlow, despite the growing fame and unending fascination, is still finding his footing. He is funny online and in interviews and knows how to grab people’s attention. Without much to grasp with his music, it’s easiest just to stare.”

-Pitchfork

Jack clicked his teeth and ran a hand through his hair as he read the reviews on Come Home The Kids Miss You. He would be lying if he said the negative reception didn’t upset him. Despite putting so much time and hard work into the album, it wasn’t enough. What if the music critics were right? Maybe he hasn’t found his footing yet, even though he’s been in the industry for years now. Was this album career ending?

He didn’t realize he was biting his manicured nails until Maryse came from the restroom and interrupted his thoughts.

“What are you thinking so hard about?” Maryse asked as she crawled into bed next to him. They hadn’t seen each other in weeks, Jack had just wrapped up filming the White Man Can’t Jump remake in California, while Maryse was preparing for tour and for her upcoming role as Belle in the 30th Celebration of Beauty and the Beast.

Jack was only in New York for less than 24 hours as he just performed at the Governors Ball, the two didn’t know when they were going to see each other again as Jack was headed back to California to perform at the BET Awards and then straight to Sweden.

Putting his phone face down on the side table, he turned to face her. “Just thinking about how much I missed you.”

“Yuck!” Maryse said with a roll of her eyes, Jack pinched her hip making her jump.

She leaned closer, pressing a kiss to his lips feeling him relax a bit. She knew he wasn’t telling the truth about what he was thinking about, but knew Jack would open up when he was ready.

“I wish I was going to the BET awards to see you perform.” Maryse pouted.

“Yeah, it’s too bad you’re going to be off being a Disney Princess instead!” Jack said with a smile, he was so proud of her. Even though his career seemed to be weavering, he was glad Maryse’s wasn’t.

Maryse smiled “Oh please! It still doesn’t feel real, and it probably won’t until I put on the dress. Right now I’m just recording the music.”

She started thinking about how busy their schedules were about to get. Jack was about to be out of the country for most of the summer, while she’ll be bouncing back and forth from NY & California.

With Nate she never had to worry about long distance because even when he had away games, he was only gone for a couple days at a time. Maryse always knew when he was coming home. She didn’t want to come off as clingy towards Jack and scare him away.

Maryse’s thoughts were cut short by Jack reaching out and rubbing her cheek with his thumb.

“Welcome back, what’s going on that head of yours?”

Not wanting to worry him, she replied “Just thinking about how much I’m going to miss you when you’re off being a superstar!”

Being called a superstar now suddenly made his stomach turn. “Yuck!” Jack said, mocking Maryse from what she said earlier.

Jack pulled her closer against him, as they were now cuddling. “Let’s stop thinking about how much we'll miss each other and just enjoy these last few hours we have together.”

Maryse nodded knowing he was right. “Goodnight, I love you.” She said, picking up his hand that was around her waist, giving it a gentle kiss.

Jack kissed her forehead. “I love you too, I’ll meet you in your dreams.”

***

“Okay, you’re going to join Coldplay’s world tour.”

Maryse squealed in her seat. She has always been a fan of Chris Martin.

Coco continued “you’re going to be replacing Camila Cabello, her last stop is the 24th of September and you’ll be starting October 11th in Brazil.”

Maryse eyes widened “Brazil?! Holy shit I’ve never been to Brazil before, this is going to be amazing!”

Her manager gave him a smile, happy for her client. “Yes, so we have to start preparing soon. Coldplay's team wants us to start drafting a stage design for your set.”

Maryse nodded, writing down notes in her notebook, she hadn’t even thought about a stage design always content with just having a microphone and chair.

“and then the most important part is figuring out your setlist, we know you’re going to perform your hits but we need some deep cuts as well. I would start working with your band now on that.”

She started bouncing in her seat with excitement, she couldn’t wait to tour and see all of her fans from all over the world.

The team went over smaller details before Maryse was able to leave and go home. When she was finally settled she immediately called Jack hoping he was still awake. He was currently in London as he was going to be performing at Wireless.

Pressing the phone to her ear, the phone continued to ring and as it was just about to go to voicemail Jack picked up.

“Hey, M.” Jack answered, not sounding as excited to hear from her as she thought he would be. Maryse tried not to think so hard on it, figuring he was exhausted from the traveling.

“Hi baby! I miss you so much!” Maryse cooed into the phone.

Jack was laying in his hotel room, he would be leaving in a few hours to go perform. He was exhausted and was feeling homesick.

“I miss you more.” And he did, so much.

“I wanted to call you cause you’ll never guess who I’m going on tour with!” Maryse said excitedly.

Jack rubbed his chin in thought, interested in finding out. “Ok, who?”

“COLDPLAY!” She squealed into the phone

Hearing her so excited made him smile. “Holy shit! Maryse, that's incredible! You think you could get Chris Martin’s autograph for me?” He said jokingly and laughed when she clicked her teeth.

“Ignoring that, but it starts in Brazil in October but I’ll be leaving early in September just to get everything settled, like the setlist and stage.”

Hearing her say the dates made his stomach hurt. Maryse was still talking excitedly about the tour when he cut her off. “Wait September and October?”

“Yeah, I’ll be touring overseas all fall then I’ll end the year in California for Beauty and the Beast.”

The more she spoke the more queasy he started to feel. He could barely get it out as he spoke again, “So, where do I fall in all this?”

The silence on the other end of the phone was loud. “Um, what do you mean?”

Jack swallowed. “I knew there was a possibility of us touring at the same time but I at least thought we were going to both be in the U.S.”

“Well, yeah it’s unfortunate but we’ll make it work. I mean, that’s what they have planes for!” Jack couldn’t appreciate Maryse trying to figure something out. His mind was racing, and his heart was pounding. Maryse was going to be gone while he toured the U.S. Sure they could try to talk everyday but it was going to be hard with the different time zones.

“Maryse, this is different from you coming to visit me from New York or vice versa, you won’t be able to just get up and leave the tour to visit me.”

There was another long pause from Maryse, when she began to speak again he knew he was starting to upset her. But his anxiety over not seeing her for months while he was already feeling overwhelmed and homesick was getting to him.

“Jack, where is this coming from?”

He was happy for her, and unbelievably proud. She was his only peace and he wanted her around.

Jack sighed knowing he needed to turn things around. “I’m just going to miss you, that's all. But you’re right we always make it work. I’m so proud of you. Don’t ever forget that.”

“I’m going to miss you too, just hang in there okay, you’ll be back in the states soon, remember you’ll be back here for the Today Show. Plus, I made sure I’ll still be able to go to the opening night of your tour. I wouldn’t miss that for the world.” She reassured him

That made him feel a little better. “Good. I love you, M. So much.”

“I love you too. No matter what. Have a good show and I’ll talk to you soon.” They said goodbye once more before hanging up the phone.

Jack flopped back on the bed, running his hands roughly through his hair. He wanted nothing more than to just be home, and if not home then just with Maryse.

Trying to dust off these feelings he stood so he could get ready for the show later that night, to perform lyrics to songs he wasn’t even sure he believed anymore.

He just tried to remember that he just needed to get through the next couple months, and he’ll be home.

***

🥺 as always tell me your thoughts, thank you for reading

and thank you @harlowcomehome for reading the first half and letting me know if it makes sense or not lol 🫶

Tag List:

(message me if you'd like to be added or removed)

@heavyhitterheaux @hoodharlow @neon-lights-and-glitter @babiefries @bout-mine @mace23477 @snows-blog-of-fiction @dstark-0706 @harlowsbby @itsyagirljaz @leftapricotprofessorlover @comehomeimissyou@minkookie95@harlowcomehome @jackharloww@jaydaaasworld@xxkoolkatxx @kkrenae @hufflewhore128 @w1ldthoughts @jackiehollanderr @katiaw2 @halfmoondaze @babybardi2@vinniehackersbaee

[astoundingbeyondbelief]

Kaiju Week in Review (January 21-27, 2024)

Godzilla Minus One made awards show history in both Japan and the U.S. this week. Its Oscar nomination for best Visual Effects is the first of the series (Godzilla [1998], Godzilla [2014] and Godzilla vs. Kong were previously shortlisted) and the first for any Japanese film. Small wonder Takashi Yamazaki, Kiyoko Shibuya, and their team went berserk when the nomination was announced. The other nominees are The Creator, Guardians of the Galaxy Vol. 3, Napoleon, and Mission: Impossible — Dead Reckoning Part One. According to IndieWire, The Creator has the edge, but Minus One could very well win. And while it naturally made less headlines in the Anglosphere, Minus One also picked up a whopping 12 Japan Academy Film Prize nominations, exceeding Shin Godzilla's 10.

Godzilla Minus One/Minus Color is now in North American theaters. I was intrigued enough to make it my fourth theatrical viewing of this movie, but in the end it did basically strike me as a gimmick. Godzilla Minus One was shot digitally with sets designed for color, so making it actually look like a film from the 40s was always going to be an uphill battle. Even with the regrade, there wasn’t a ton of contrast in most shots, and some of the scenes taking place at night were quite hard to see. Still, apart from the Odo Island massacre, I found the Godzilla scenes as gripping as ever.

Thanks to Minus Color, Minus One made $2.6 million this weekend, crawling back into the box office top 10. Its total in the U.S. and Canada now stands at $55 million, third among all foreign-language films released in the U.S.

Brush of the God, Keizo Murase's directorial debut after a lifetime in movies, is finally complete. It'll play at the Osaka Asian Film Festival in March (link contains more images), and hopefully travel overseas very soon. Murase will also receive an Association Special Award at the Japan Academy Film Prize.

Clover Press shipped out copies of Godzilla & Kong: The Cinematic Storyboard Art of Richard Bennett to Kickstarter backers, myself included. It's an excellent art book, and there are plenty of deleted and altered scenes mixed in with more familiar sequences. Believe it or not, Bennett drew the panel above for Kong: Skull Island—they considered having James Conrad (Tom Hiddleston) flash back to an encounter with King Ghidorah in Vietnam. Not sure how that would've worked, as Ghidorah is generally not one to lie low for a few decades, but it's the first I've ever heard of it being considered. I'm hoping to post some more scans soon. Here's the order link.

Minecraft social media accounts teased a crossover with the Monsterverse, in what's likely to be the most high-profile of the Godzilla x Kong video game collaborations. The Mobzilla mod was created over 10 years ago, so this is long overdue.

The big toy news this week was Titanic Creations revealing the digital sculpt for its Yongary figure. This guy's had even less figures than Gorgo - I can only think of one, and very few of them were made - so expect massive demand. New Godzilla toys were also on display at London Toy Fair, both at the Playmates booth and among the plushies made by an unknown company.

[goryhorroor]

What are some of the genuinely scariest movies you've ever seen? (Asking because I saw one of your reviews on letterboxd about how people always claim the newest horror movie is "the scariest they've ever seen" and they never end up being, and I totally agree)🩸🩸🩸

i don't think there's a sole movie that has scared the shit out of me (unless when i was a child because i have some that fucking petrified me as a kid) but i can give you scenes that visibly gave me chills

the hallway scene in pulse/kario & if you know what i mean you know because it gave my body full chills

the tall man scene in it follows

art the clown crawling under dirt to get to this girl that's in a barn (if i remember correctly) from all hallow's eve

sadako yamamura coming through the tv in ringu (og the better; there's just something about the japanese version which makes it scarier)

under the counter scene in a tale of two sisters

count orlok coming up the stairs in nosferatu (that scene is so effective & i still get chills seeing his nails stretching because of the shadows)

michael walking towards the doyle house in halloween (such a small scene but there's just something super creepy about that scene where he picks up his speed and it's filmed from a distance)

the neck scene in smile (im not a fan of that movie but gotta say that scene got a full jump out of me)

[moviesandmania]

THE CRAWLING EYE Reviews and free to watch online in three versions

‘The nightmare terror of the slithering eye that unleashed agonizing horror on a screaming world!’ The Crawling Eye is a 1958 British sci-fi horror film about a UN expert investigating strange deaths at a Swiss resort. The original British title of the film is The Trollenberg Terror. The US release was shortened. Directed by Quentin Lawrence the screenplay was written by Jimmy Sangster (Fear in…

[crownedinkcomix]

Joker 2 is not about its fandom. At least not on purpose.

I agree with many of the criticisms leveled at Joker 2, and I almost didn’t bother writing this review since much of what I have to say echoes the general consensus. However, there’s one particular critique I’ve seen that I strongly disagree with: the idea that Joker 2 is a repudiation of the audience that connected with the first movie.

Many have argued that the sequel turns against those who found resonance in Arthur Fleck’s transformation into the Joker, especially as the character became a symbol in real-world political protests, much like the Guy Fawkes mask from V for Vendetta was co-opted by Anonymous. But I believe this interpretation misses a key point that aligns with the themes of the original film.

The film becomes more engaging towards the end, particularly when Arthur’s followers reject him once he rejects the Joker persona. Some argue that this mirrors the way audiences connected with the first movie, using the Joker persona as a symbol during protests. However, this rejection of Arthur is consistent with the character’s portrayal in Joker (2019). Society didn’t care about Arthur as a person—an isolated, mentally ill individual—until he accidentally became a figurehead for a movement he never believed in. His followers, like society, only care about the Joker as a symbol, something they can project their own ideas onto.

While I don’t think Joker 2 is a strong film overall—it’s messy, and at best deserves a 2/5 rating—I do think it captures this idea well. It continues the theme that society values icons and symbols over real, complex individuals, much as the first film did.

Unfortunately, the first two-thirds of the film are a slog. The musical numbers, for example, add nothing of substance and slow the film to a crawl. I typically enjoy musicals, but Joaquin Phoenix is a poor singer, and the songs don’t advance the plot like they should in a good musical. Instead, they feel like pointless interludes. In the best musicals, songs are integral to storytelling, not interruptions.

The connections to Batman mythology, which were subtle but effective in the first Joker, feel more forced and distracting in this film. In Joker (2019), Gotham felt like Gotham, and there were enough subtle nods to Batman’s lore to justify the film's title. Here, however, it feels as though someone simply took an original screenplay and used a Find and Replace tool to rename elements: Arkham Asylum, Harvey Dent—they feel shoehorned in. Especially jarring is the fact that we're supposed to believe a character's Christian name is Harley Quinn (harlequin, get it?) in what is meant to be a world that is so grounded, I can't buy Bruce Wayne ever even grows up to be Batman in this continuity.

In the first film, even though Arthur Fleck’s story was largely inspired by Taxi Driver and The King of Comedy, it still included some elements from The Killing Joke and The Dark Knight Returns, giving it a legitimate connection to the Batman universe. The riot at the end, leading to the deaths of Thomas and Martha Wayne, was a clever tie-in to Batman’s origin, even if it required some suspension of disbelief regarding the age difference between Bruce Wayne and this version of the Joker.

Joker 2 is ultimately a confused film that doesn’t know what it wants to say for much of its runtime. While it offers some interesting thematic continuity regarding society’s elevation of fictional personas over real people, it’s bogged down by poor pacing, weak musical numbers, and forced connections to Batman lore. While I’m glad I saw it for the final third, which genuinely resonated with me, I can’t recommend it to a general audience.

[fernsnailz]

January 2024 Review Roundup

hello everypony‼️ something i want to do through 2024 is a mini review series where i recap some of the media i watched/played/read at the end of every month. this was inspired by tumblr user ponett’s 2023 media wrap-up, it's a great collection of quick reviews so go check it out!

i’m doing this partially as writing/analysis practice, but mostly because my memory is really bad and i want to keep track of what i've seen this year. with that said, my thoughts on everything i finished in january 2024 is under the cut :]

Portal 1 + 2

yyyup i beat Portal and it only took me (checks watch) 13 years

the first time i played Portal 2 was at a friend’s house when i was in middle school, and i had a fuckin blast. but after all that time... it still holds up! i don’t think anything i have to say about Portal will be particularly new since people have been praising this series since it came out. the writing, the level design, even the controls feel tight and engaging the whole way through. i played on switch and expected a bit of jank, but i was pleasantly surprised at how smooth it felt to play. the only part that dragged for me were the levels through the old aperture labs, but i think i would like them a lot more on a second replay. Portal 2 is fantastic and one of my new favorite games, the artistry behind it is truly incredible and i’m really glad i finally finished it. while i was playing Portal 2, i described Glados and Wheatly to a friend and said “they’re like if a ceiling fan could be passive aggressive and if Fozzie Bear was an evil golf ball”

I Think You Should Leave

finally. i can truly understand and appreciate Subspace Dubbed Over

i think one of my favorite things about I Think You Should Leave is how it utilizes horror. beyond sitting slack-jawed in disbelief at the crazy events unfolding before my eyes, a number of the sketches dipped into bits that genuinely kinda scared me. like the one sketch that circulates on here where the guy (pig?) in a mask crawls through a dog door, which is. genuinely terrifying. but so many of the other sketches have slow, nerve-racking pacing leading to crazy shit that would be perfect in a horror film were the context different. idk i like dissecting how horror and comedy are essentially the same thing and I Think You Should Leave was very good at enabling that <3 favorite sketches are probably “then let my wife eat the damn receipt” and “55 BURGERS 55 HOTDOGS 100 FRIES 100 TATER TOTS”

Sonic Prime Season 3

man. ohhhh man. i didn’t go into this with high expectations and i still feel let down. Sonic Prime Season 3 was definitely my least favorite “season” of the batch - abysmal pacing, very few character moments i actually enjoyed, and the things i praised about the show felt very underutilized through these episodes. Nine is the shining star of Sonic Prime and i was looking forward to seeing his more villainous side, but his character took such a sharp turn into pure evil and it felt like he spent the entire season repeating the same three lines. and as much as i praise Shadow’s writing in Prime, it doesn’t really matter when he spends half of the season trapped in a hole that he just… runs out of later.

lastly, i cannot stop thinking about how bad the pacing of this season is. three episodes for a repetitive final battle feels like such a waste of time when you see just how much they rush the emotional resolutions in the last episode. however, there is one thing i truly love about Sonic Prime Season 3 - i love the Sails and Mangey fakeout death. it's so fucking funny. like you really expect me to believe that two cartoon animals in this Y-7 rated show EXPLODED?????? absolute comedy gold.

overall, i just… don’t really know what to think of Sonic Prime. anything i enjoyed in the show was often fleeting, and much of it felt like its only purpose was to waste my time. also Rouge i can’t believe they did you so dirty oh my god

Ghost Trick

i was so proud that i figured out the secret behind Sissel’s memory loss like halfway through the game. however i also kept getting caught during the prison escape sequence like an idiot

Ghost Trick is in a similar situation as Portal where 1. it’s incredible and one of my new favorite games, and 2. there’s nothing i can really say about it that hasn’t already been said or just. shouldn’t be said. Ghost Trick is a fantastic mystery game, and because of that i think it’s best to go into its story as blind as possible. the narrative unfolds in such fascinating ways - even though the actual object manipulation gameplay isn’t directly about solving the mystery (like in Ace Attorney or other mystery games), it still ties wonderfully into the story in some incredibly unique ways.

i also really love the artstyle of Ghost Trick - i love 2D character artwork with that sharp lineweight, it reminded me a lot of Sonic Battle (another game with an artstyle i love). i was also really impressed by the 3D character models and animation - despite the limitations of the camera, you get a wonderful sense of everyone’s personality from the limited body language expressed in the overworld (even though the models lack much facial expression which. i guess they don’t really need? idk that was the only thing that threw me off). anyways yeah everyone should play Ghost Trick so Ghost Trick fans can be freed from their curse and talk about it without having to tag like 10 different spoiler tags. and for Missile

Scott Pilgrim Takes Off

ok bear with me. i went into Scott Pilgrim Takes Off without reading the comics first. and i fuckin loved it

my understanding of Scott Pilgrim before SPTO was mostly from the movie (I KNOW I’M SORRY), but even with my base understanding of the series i really enjoyed this show for what it was. i found myself appreciating the time they dedicated to further develop every single character in the show - especially Ramona. she’s fantastic as the lead, i really loved watching her reconcile with her exes and seeing all of them grow instead of exploding into coins. my favorite episode was probably the one with her and Roxie - not only did i adore the movie-jumping set pieces, but you really understand the weight of Ramona’s mistakes in their past relationship and how much it hurt Roxie. despite the big climactic fight, the flashbacks are quiet, subtle, heartbreaking. Ramona’s apology is genuine, and it feels so wonderful to watch her confront her past throughout the show. also i think it’s really funny that for all these characters to become the best versions of themselves, they had to kill off Scott for most of the story

and holy shit the artstyle and animation. oh my god. i love watching something that makes me immediately go “i need to see the storyboards for this RIGHT NOW.” SPTO is such a visual delight to watch, it elevates the artstyle of the comics while also keeping what makes that style so appealing - i love the line weight on the characters, i love how much forward energy the animation has, i love the fucking. virtual boy section. as soon as i found out Science Saru was also behind Keep Your Hands Off Eizouken, everything made immediate sense. i was destined to love this show.

another worry i had going into SPTO (besides the fact that i hadn’t read the comics lol) is that the original cast from the movie was returning. i think the movie cast is fine, but i wasn’t sure how some of them would fare with voice acting for animation. however, i thought they all did a good job - i think the whole cast loves these characters and would be able to fit into them fairly easily no matter what form their performance takes, and they definitely had a good voice director in the studio with them. the only thing that felt off about the voice performances to me was that sometimes it sounded like some of their mics kept peaking?? idk some of these episodes i watched high as balls and i felt like i could hear and see every single sound and frame of the show. so that might have just been me.

god i did not. expect to have this much to say about Scott Pilgrim. i really loved this show and i’m currently reading the comics to fully catch up on the general Scott Pilgrim experience - i think reading the comics AFTER Takes Off is making me appreciate even more of the character work that went into the show. like they do so much with Mathew Patel in SPTO, a character that was. not originally around for a long time from what i’ve gathered? also i like the funny little robot. oh my GOD i cannot talk about this show anymore whatever it’s good get me out of here

Sword AF Season 1

i put on the Smosh cast’s D&D series to play in the background while i was drawing. i did not expect to think much of it. instead, i had one of the most enjoyable D&D podcast experiences since i listened to The Adventure Zone Balance???

i haven’t really enjoyed other D&D podcasts since i dropped off of The Adventure Zone, and i wasn’t expecting much from Sword AF of all things. then i saw that Shayne was playing as a druid warforged made of plants and his name was fucking Fernie and i sat my ass down and LISTENED. while i think Sword AF is currently lacking in its world and larger story, those things just. aren’t really what Sword AF is really trying to provide at the moment. it’s main focus is comedy, and the players are genuinely such a delight to watch play together and build off of each other. they mostly focus on bits and goofs for the sake of she show's comedic tone, but i still found it thoroughly enjoyable because every player embodies and performs their characters really well. idk Sword AF was an unexpected hit for me this month, i thought it was fun. and i love Fernie so much

Plastic Death - Glass Beach

so originally i wasn’t going to include music reviews in these roundups at all, but then i was entirely surprised by a new Glass Beach album and oh my god. holy shit. oh my fucking god jesus christ. holy shit. its preddy good

Plastic Death gets the low point of the album out of the way immediately. it starts with the “phone call/conversation audio” trope that i don’t particularly enjoy - HOWEVER despite me disliking this opening, 1. it sets up the overall themes of Plastic Death very quickly, and 2. the rest of the album blows this 40 second opening completely out of the water. from there, the album grows into something beautiful and uncontained, and i just. i really like it

Plastic Death captures the beauty of the temporary, asks what it means to be created for a cause you can’t fulfill, questions if you can reclaim yourself from cycles and constraints designed to destroy you. and is also about being transgender. the lyrics are abstract in a way that requires a conversation with the listener, many of the vocals obscured and smooth like waves - this album is definitely one that needs to be listened to a few times. i wasn’t sure how i felt about the vocal style at first before realizing the vocals were the main reason i was relistening to this album, allowing myself to find even more that i loved about it. the instrumentation is also incredible, i love the use of marimba in a number of songs - distant, eerie, almost skeletal. and the fucking. 8-bit section?? which kinda rules???? and that’s the only point in the album it ever shows up??????? incredible. a fleeting, somewhat silly moment that i love every time.

this album left my heart aching, in part from my connection to it and in part from the pure love and joy emanating from this music. i can feel just how much fun this music was to perform and create, a cohesion of time and sound that just clicked for me. Plastic Death made me miss playing music, which is something i haven’t felt in years. all from an album that starts with a conversation about CrankGameplay’s dead youtube channel. good lord

i like this album a normal amount. go listen to it a few times. my favorite tracks are cul-de-sac and commatose

Wish

i watched Wish with a couple of friends and knew i probably wasn't going to like it. with that in mind, i gave myself a challenge: i wanted to find one thing about this movie that i genuinely really loved. it could be anything, and loving it for ironic reasons was allowed.

here's the complete list of things i loved about Disney's Wish (2023):

i love the one shot where King Magnifico stirs an evil caldron evily. i thought it was hilarious. what was he cooking

i loved that the end credits included a reference to Dinosaur 2001 at all, and i loved that they paid homage to Big Hero 6 by showing the forgettable villain of that movie instead of their Baymax cashcow for some reason. my friends and i saw him show up in the credits and were like "who's the trenchcoat guy??"

you may notice that this list is very short and 50% of it is about the movie's credits. so yeah this movie is not very good

Wish is an empty husk of a movie. everything about it feels so, so hollow - lifeless town squares, uninspired character designs (to quote a friend: "i have all of these characters' hairstyles in The Sims"), characters whose existence is only justified to fill empty space or an overused archetype, and an "evil" villain who lacks charisma and spine in a futile effort to remind the audience of previous disney villains with actual character. even the artstyle lacks any sort of sauce, the watercolor effect they were trying to go for only makes the backgrounds and character textures run together, and the dull lighting makes things look even more faded. it's like disney was scared of making a movie that made its audience feel... anything. all to celebrate 100 years of Disney slop, baby!!!

Some YouTube videos I liked in January: 💥 An Exhaustive Look at Pokemon Brilliant Diamond 💥 TomSka's Guide to Plagiarism 💥 Paradise Bombed (this video is a great piece of journalism and i’m definitely not doing it justice by throwing it into the youtube vid list) 💥 Surprising Our Friends with Zoo Animals 💥 Did FNAF Ever Have a Good Story?

thanks for reading! next month’s roundup will be wild because i’ll likely be reviewing House of Leaves and Hazbin Hotel. can you guess which cursed house gives me a worse headache? WHO KNOWS! (hint: it's Hazbin Hotel)

[ridofme1993]

I wrote a review of aftersun for my course and thought it turned out quite well so wanted to share:

A critical review of Aftersun (2022)

For me, Aftersun (dir. Charlotte Wells) can be summarised in a series of images. The first: a young man is balancing on the edge of a balcony. Inside, his daughter is sleeping. The second: a young man has gone scuba diving without a licence. ”He told a porkie pie,” his daughter records herself saying into a 90’s camcorder. ”But he’ll be fine, I’m sure.” The third: a young man is walking alone at night in an unfamiliar city, drunk. He picks up someone else’s discarded cigarette and smokes it. He walks to the beach and keeps walking, with purpose, directly into the sea.  

Aftersun is a story told through one long, almost uninterrupted, flashback. Calum (Paul Mescal) and his 11-year-old daughter Sophie (Frankie Corio) are on a budget holiday in a Turkish resort some time in the late 90’s. They spend their days by the pool, or on guided tours of the surrounding tourist attractions, or giggling about the tacky yet endearing evening entertainment. In the present day, Sophie looks back on the last holiday she spent with her dad. She is looking through camcorder footage, searching for clues, signs that her father was about to slip away from her. Throughout, the film almost seems to audibly, gently chant: I want to remember. I need to remember. Aftersun is a story told with such sensitivity, such beauty and subtlety, that it’s impossible not to let it crawl under your skin. 

Paul Mescal and Frankie Corio are breathtaking as father and daughter. Their rapport is warm and effortless and goes beyond words. The relationship between Calum and Sophie becomes clear through subtle, physical storytelling: a touch of the hand, the tenderness with which Sophie applies sunscreen to Calum’s back, the gentleness in the way they move and talk to each other. The physical storytelling is equally strong when they are apart: Sophie’s furtive, curious glances at the older kids fondling each other by the pool; Calum’s back turned towards the camera as he sobs, his shoulders heaving, the muscles in his back convulsing. The dialogue is beautifully banal most of the time. What carries the story is the relationship between Calum and Sophie which is told through images, and through the way they simply are around each other. Mescal and Corio seem to be living and totally embodying the love between Calum and Sophie, and so as a viewer, I can’t help but believe I am watching real people.

Visually, Aftersun is stunning. It shimmers and sparkles. It’s swimming pool blue and greasy, sun-kissed skin. It’s tacky 90’s eurodance by the poolside bar. It’s arcade games and walkmen and badly-sung karaoke. It looks and feels like that awkward, blooming time at the very beginning of adolescence. Sophie secretly peruses the pages of a romance novel in the hotel reception, she hides in the bathroom and eavesdrops on the older girls’ conversations about their sexual conquests, she watches them kissing their boyfriends in the pool with that pre-adolescent mixture of fascination and disgust. The soundscape, too, feels nostalgic: the same hypnotising, bittersweet theme repeated again and again throughout, as if on a loop. As if to accentuate the fact that this is not the first time this memory has been visited. It has been carefully scrutinized. It has been visited and revisited and revisited time and time again. 

In her review of Aftersun for The Independent, Clarisse Loughry writes: ”It’s difficult to think of the moments before a heartbreak and not lace them with omens. The mind, too often, moulds memories into prophecies. Colours get dialled up. Emotions solidify. It’s a hard thing to talk about, let alone visualise. That’s why Aftersun, the debut of Scottish filmmaker Charlotte Wells, is so astounding. She’s captured the uncapturable, finding the words and images to describe a feeling that always seems to sit just beyond our comprehension.” This, to me, accurately captures Aftersun as an experience. Calum’s many close brushes with death that are pictured on screen seem to be half-imagined by Sophie; an attempt to retrospectively foresee the tragedy that was to come. 

I’ve read a good handful of professional reviews of Aftersun now, and curiously, none of them mention the theme of suicide. Some reviews mention death, some don’t. No explicit mention of suicide anywhere. Why this is, I don’t know. As someone who has lost someone I loved to suicide, I can’t not see it. When Calum matter-of-factly tells a diving instructor that he doubts he’ll make it to 40 and that he’s surprised he even made it to 30. When he walks off into the night on his own, drunk, carrying some pain he can’t speak of. The way his daughter senses it despite his attempts to hide it. Her fumbling, deeply loving attempts to cheer him up: how she gets the other hotel guests to sing to him on his birthday, how she invites him to sing karaoke with her when he seems low, the way she gently makes fun of him. She’s constantly pointing her camcorder at him, asking him questions, as if she knows there’s some mysterious, hidden side to him that she’ll never have access to, something dark and unspoken and unnamed. And, finally, the shot of Calum weeping in some other place, in some other time, followed by a shot of a note saying: ”Sophie, I love you very much. Never forget that. Dad.” 

We lack nuanced stories about suicide in our cultural landscape. Aftersun is a story that neither glorifies, nor demonises. It deals with grief and with the struggle to understand something incomprehensible. It portrays a person who is suicidal, and who is also kind, goofy, loving, sensitive, and an excellent dad. ”You can live wherever you want to live, be whoever you want to be,” Calum tells Sophie, stroking her hair. ”You have time.” We sense that he knows that his is running out.  

Aftersun is a sparkling gem of a film, and it resonates, not only with those who know grief, but with those who know love. Everything about it, from the cinematography to the acting to the soundtrack, feels warm. It feels to me like a meditation on love. At the end, I was left weeping – not only for Calum’s death and for Sophie’s loss, but also for the sheer amount of love between them.