#cpr songs

[lonelynpc]

20 Songs Other Than Stayin' Alive I've Heard People Sing/Play During CPR to Measure Compressions

(cpr should be 100-120 compressions/minute)

dancing queen by abba: 101 bpm.

everybody (backstreet's back) by the backstreet boys: 108 bpm.

head like a hole by nine inch nails: 115 bpm.

good lookin' by dixon dallas: 107 bpm.

thriller by michael jackson: 118 bpm.

the call by the backstreet boys: 104 bpm.

mayonaka no door / stay with me by miki matsubara: 108 bpm.

unwritten by natasha bedingfield: 100 bpm.

never gonna give you up by rick astley: 113 bpm.

9 to 5 by dolly parton: 105 bpm.

kung fu fighting by carl douglas: 102 bpm.

i'll make a man out of you from the mulan soundtrack: 114 bpm.

fruit salad by the wiggles: 120 bpm (original).

ring of fire by johnny cash: 104 bpm.

bezos i by bo burnham: 115 bpm.

bezos ii by bo burnham: 100 bpm.

hey sexy lady by shaggy: 102 bpm.

the choice is yours (revisited) by black sheep: 101 bpm.

girls & boys by blur: 120 bpm.

getcha head in the game by drew seeley (troy bolton): 113 bpm.

might add more because there's so many but i feel like this is a nice mix. maybe i'll make a cpr playlist idk.

below the cut is a little guide to first aid.

always remember: DRS ABCD

Danger: is there danger, this can include vehicles, gas, power lines or cords, etc, to yourself bystanders and/or the patient? yes: do not put yourself or others in danger. call for help. no: continue. Response*: is the patient responsive? do they respond to you when you speak loudly and clearly? squeezing their shoulders? yes: ask them if you can help them**, check for injuries, continue to assess response and breathing. call for help if needed and if given permission. no: continue. Send for help: get somebody to call an ambulance or call them yourself, send somebody for a defibrillator if possible, or shout for help. be loud. "i need help over here!" "does anyone know first aid?" how to avoid the bystander effect: address people directly. "you in the red shirt, call an ambulance." "hey, person in the green jumper, find and grab the nearest defib." Airway: open the mouth, check for obstructions such as vomit, water, food, etc. is there an obstruction? yes: roll them onto their side and let it drain or fall from their mouth, or gently sweep it from their mouth with your fingers, if possible. check to make sure it is clear before continuing. no: continue. Breathing: tilt the head back. place your ear above the mouth and nose to listen for breath sounds and feel the breath on the side of your face, face the chest and place your hand on their chest to see and feel if it is rising and falling. is your patient breathing normally? yes: place them in the recovery position, continue to monitor response, breathing and check for injuries. if they stop breathing normally, start CPR. no: continue. CPR: chest compressions:rescue breaths, 30:2 at 100-120 bpm. 5-6cm (2-2.5 inches) depth. if possible, ask people to take over for you when you are tired. 2 minute "shifts" are recommended to prevent fatigue and maintain effectiveness. check for breathing with each rescue breath. in the event of drowning, give five initial rescue breaths before beginning chest compressions. if you notice obvious signs of life such as breathing, moving, coughing, talking, stop cpr and place the patient in recovery position. continue to monitor breathing and assess for response and injuries. Defibrillate: if somebody is with you, get them to remove clothing on the chest and place the pads as per instructions while you continue compressions (maintain patient dignity, limit the people around, etc), or do it yourself if it is only you. follow defib instructions, continue cpr as instructed. do not touch the casualty when the defib is delivering the shock, clearly announce to anyone with you, "do not touch the patient. everyone stand back. all clear?" and wait for everyone to confirm before delivering the shock, announce that you are delivering the shock, "delivering shock now." have somebody record the time the shock was delivered each time, if possible, this will help paramedics and medical staff later. i wave my hands over the chest without touching them then hold my hands up so they are visible. if you notice obvious signs of life such as breathing, moving, coughing, talking, stop cpr and place the patient in recovery position with defib pads still in place in case you need to use it again. continue to monitor breathing and assess for response and injuries. always loudly and clearly state what you are doing. "starting chest compressions," "checking for breathing," "i'm just rolling you onto your side," etc. continue cpr until: you are too tired to continue, you notice obvious signs of life, aed prompts you to remove your hands, somebody else can take over, an ambulance arrives, or the scene becomes unsafe.

*remember COWS! this is, "Can you hear me?", "Open your eyes for me," "What is your name?" and "Squeeze my hands." make sure you hold both hands when asking them to squeeze your hands in case they have had a stroke.

**if a responsive casualty does not give consent, do not do it, don't call an ambulance for a responsive casualty unless they consent either. i know you want to help and there's a lot of adrenaline involved but if they don't want your help, respect that. if they become unresponsive or unconscious, run through DRS ABCD again.

i definitely recommend getting your first aid certificate if you're able. it could save a life.

[madammuffins]

Pink Pony Club is 107 beats per minute, making it acceptable for CPR.

(Just in time for my quarterly renewal in October, fuck yee)

[saltwatersweets]

this was basically the prison arc right

[daisyswift3]

Cardiac Arrest, CPR, and the Reticent Volcano 🌋🎁

So yesterday I made a very interesting discovery while watching the TTPD (track) lyric vid that led to me having several epiphanies at once. If you watch the vid, you'll notice that for the most part the lyrics are in all caps save for a few lines. Of these lines, one in particular, “like a tattooed Golden Retriever,” caught my attention bc it has 2 capital letters--G and R--that you wouldn't have been able to see if the line was in all caps like the ones just before it. What makes it more interesting is that golden retriever is not a proper noun like a name or title so it shouldn't be capitalized according to English grammar rules.

This led me to search for the TTPD album booklet scans to see if this was also capitalized in the booklet and to see what other words were capitalized. Then after looking at the booklet it hit me--CPR(G)!!! Charlie Puth Retriever Golden. Everyone agreed these lyrics sounded a little odd compared to the rest of her lyrics and the shout out to Charlie Puth seemed kind of random. But now it makes complete sense why she wrote those lyrics. She was trying to draw attention to the capital letters CPR(G) that are repeated throughout the album. In this post I explained that Taylor mentions CPR in So Long, London bc they're all related to each other, they're a family. C=Cassandra=Taylor; P=Peter=her 2nd kid; R=Robin=her 1st kid; G=Gold/Golden=Karlie. If you look at the TTPD tracklist, Cassandra, Peter, and Robin are in the same order as CPR.

Taylor wanted to acknowledge her family in some way on this album and so she represented them w these 4 letters which are likely a stand-in for the Swift-Kloss family crest since I don't believe that showed up on this album. This is the key to deciphering several of the anon messages and understanding why some things are lowercase while other things are capitalized. For example, all of the volcano 🌋anon messages and the last 2 messages from (PR)esent anon 🎁 are lowercase with the exception of the words "Gold" and "Goodbye." This connects these messages to TTPD (track). "Gold" is highlighted like "volcano" to indicate that Miss Gold Rush is going to be a part of the atomic bomb Taylor is getting ready to drop. And the "Goodbye" being capitalized indicates that Karlie is indeed the "neighbor" in this message and in Fortnight as well as "the woman who sits by the window" in Peter that turns out the light/lamp. She is the one who keeps a lit jack-o-lantern 🎃 on the front porch while awaiting Taylor's return home from exile. These things single-handedly prove that 🌋 and present 🎁 anon are indeed legit bc how would a troll have been able to predict these things when The Anthology tracks were surprise dropped at 2am and weren't revealed w the standard edition tracks on Feb 5, and why would a troll even bother w such subtle details?? Plus no lyrics had leaked yet at the time these messages were sent so the only logical answer is that they must've either been sent by Taylor or someone close to her.

Side note: When I first wrote that post analyzing the present 🎁 anon messages, I had thought that the song Robin, and maybe Peter as well, was the gift/present to us kaylors that present 🎁 anon told us to look out for since P's and R's are repeated in the messages. However, I have since figured out that actually the poetry book For now, she slumbers was likely the gift since present 🎁 anon's messages mention the title of the book "for now, she slumbers" and "reticent volcano" which is the author's name as an anagram (see this post). Plus the March 4 message directly quotes the first poem in For now, she slumbers called "Two" ✌️ (If you want to read all the poems in order see this post). I explain in this post that the reason why this poem is the first one in the book is bc it's the key to understanding all the ones that follow and to understanding TTPD. The 2 ✌️ is probably the most important motif in TTPD bc it symbolizes the 2 different versions of Taylor and 2 opposing narratives abt her life that exist. Taylor Swift the brand vs Taylor Swift the person; the boy-crazy maneater that only writes songs abt her ex-boyfriends vs the tortured closeted queer poet that is forced to hide her truth behind metaphors and red herrings. Going back to the CPR of it all, I still believe my initial analysis of the present 🎁 anon messages was correct for the most part since the "reticent volcano" is likely a tell-all memoir that will explain the whole messy story and how and why she kept her family (CPRG) a secret. The purpose of the 🎁 and 🌋 anon messages was to guide us to both the poetry book and to CPR(G) which both foreshadow what her memoir--that she's hinted at w The Manuscript and The Story of Us--is going to be abt.

Now continuing on w the theory, as I mentioned previously, we have Cassandra=Taylor, Peter=her 2nd kid, and Robin=her 1st kid. And if you look at the pg in the booklet w The Manuscript, you'll see that there is a capital G in "Good Samaritan" which completes the CPRG set and is also the only capital G that shows up in this song.

And to tie it all together, if you look at the summary poem/epilogue at the very end, Taylor mentions cardiac arrest. This happens when someone's heart suddenly stops functioning and can be reversed by CPR! "I stopped CPR after all it's no use, the spirit was gone we would never come to." And this connects to You're Losing Me (From the Vault) which is abt the fans not seeing the real her or paying attention to her repeated queer signaling -> "I can't find a pulse, my heart won't start anymore for you, 'cause you're losing me." Taylor has given up trying to get her fans to listen to her (CPR) and has accepted that she may lose a lot of them when she reveals everything (CPRG). She is warning them that they are abt to lose the Taylor that they know, the old Taylor, bc she is going to have to kill her public persona and brand in order to be reborn as the new version of herself and move onto the next chapter of her life.

And to add even more evidence to this theory, CPR is often performed on drowning victims, and where does drowning show up in TTPD? Oh it shows up in The Bolter which just so happens to be sandwiched in between Cassandra, Peter, and Robin! -> "By all accounts, she almost drowned when she was 6 in frigid water...And she liked the way it tastes, taming a bear, making him care, watching him jump then pulling him under...as she was leaving, it felt like breathing/freedom" // "When I was drowning that's when I could finally breathe." Drowning also shows up in Guilty as Sin which I've determined probably represents the acceptance stage of grief so the drowning metaphor checks out (see this post) -> "Drowning in the Blue Nile, he sent me 'Downtown Lights.'" (Also check out this amazing video which explains the Blue Nile and religious connections). This connects to the 8th 🎃 message where Taylor chooses to jump into shark infested waters and sacrifice her image and brand so that her lover doesn't have to. So putting all these pieces together, this means that by giving up on trying to revive her relationship w her fans or to maintain her image (CPR) and by putting her family and her happiness first (CPRG), Taylor will finally be able to be truly free. She is going to let Taylor Swift the brand drown so that she can finally breathe. This connects to The Black Dog where she compares the red herrings/bearding/lavender haze/smokescreen to an old habit like smoking that she's trying to quit -> "6 weeks of breathing clean air, I still miss the smoke."

Now w all this context in mind, it makes more sense why Taylor has been emphasizing capital and lowercase letters and the number 4 recently. The hidden word hunt on Apple Music, thanK you aIMee, imgonnagetyouback, her retweets from 4/21/23-4/24/23 which happened in groups of 4, putting 4 letter words in all caps, etc. And now it's clear that "I keep these longings locked in lowercase inside a vault" is most likely referring to her explosive tell-all memoir, the reticent volcano, she's going to publish since 🌋 anon's messages were all in lowercase. "Restful, reticent, restraint" = locked inside a vault. Rep tv and the folklore and evermore vault tracks may also be included in this since these albums are in lowercase as well.

In conclusion, I think it is safe to say now that all of these anons are probably legit. In my opinion, all of these connections provide concrete evidence that these anons do foreshadow things and have ties to Taylor.

[every-sanji]

[disastergenius]

thanks TMAGP 15 for confirming that British people do use Nellie the elephant to do CPR

signed,

a d20 fan who was surprised to learn this is a thing from Siobhan on the Adventuring Party

[tanukisnail]

I learned that you can give cpr using the tune to the song two trucks by lemon demon. can wait to try this!

[confusedgoldenflower]

Cherry/Kaoru: I am in misery. There ain’t nobody who can comfort me

Joe/Kojiro: I save dick by giving it CPR!

Shadow/Higa: REESES PUFFS! REESES PUFFS!

[sapphosdickandballs]

My friends call me a loser

'Cause I'm still hanging around

I've heard so many rumors

That I'm just a girl you bang on your couch

I thought you thought of me better

Someone you couldn't lose

You said, "we're not together"

So now when we kiss I have anger issues

You said, "baby, no attachment"

But we're...

Knee-deep in the passenger seat and you're eating me out

Is it casual now?

Two weeks and your mom invites me to her house in long beach

Is it causal now?

I know what you tell your friends

It's causal, if it's causal now

Than baby, get me off again

If it's causal, if it's causal now

Dumb love, I love being stupid Dream of us in a year Maybe we'd have an apartment And you'd show me off to your friends at the pier

I know, "Baby, no attachment" But we're

Knee deep in the passenger seat, and you're eating me out Is it casual now? Two weeks, and your mom invites me to her house on Long Beach Is it casual now? I know what you tell your friends It's casual, if it's casual now Then, baby, get me off again If it's casual

It's hard being casual  When my favorite bra lives in your dresser And it's hard being casual  When I'm on the phone talking down your sister And I try to be the chill girl  That holds her tongue and gives you space I try to be the chill girl  But honestly, I'm not

Knee deep in the passenger seat, and you're eating me out Two weeks, and your mom invites me to her Long Beach house I know what you tell your friends Baby, get me off again I fucked you in the bathroom when we went to dinner Your parents at the table, you wonder why I'm bitter Bragging to your friends, I get off when you hit it I hate to tell the truth, but I'm sorry, dude, you didn't I hate that I let this drag on so long, now I hate myself Hate that I let this drag on so long, you can go to hellllllll

So which one of us is the mermaid and which is the Chappell

[corneliaavenue]

Honestly, me this week during my trauma simulation doing chest compressions on a dummy

[thegreatimpersonator]

You are so real for what you said about so long london. It just feels a very cruel song to me and I can't really explain it 😭

im actually mad at aaron for creating such a good production for the song because now i want to play it and pretend i don't understand the lyrics

[azoraahai]

im gonna see hozier aka irish jesus next month i am not well

[spoiledmilks]

William and Rockstar Foxy relationship here is basically

That is almost perfectly accurate

[daisyswift3]

I think I might understand what the most recent 🌋 message is talking abt now…..

(x)

Gracie posted this song on her stories today around 10-11 CT

She also posted this song right after which is from a 13-track album released in 1989

I was confused why Gracie was dressed up as a sailor but I think it might be related to all of this. I think Young Woman and the Sea might be an allegory for the mass coming out. And I think this might be why we are getting so much ocean/swimming imagery and why there are easter eggs related to the Paris Olympics. This is likely why that 🌋 message was sent the first day of the Olympic Games. “Friends have friends of friends.” I think most of Hollywood is in on this which is why there have been so many projects released lately that seem to tie in w all of this. “So tell me everything is not about me but what if it is?”

This song, which is abt a sapphic relationship, was released July 26 the day of the opening ceremony and it is 3 min 31 sec long

[nooooough]

Different crazy dudes