#counselor ridley
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Pretty sure there was more art to this but uhhh here’s some contextless “Ridley and Cam discover they share an ex” and Keid and Zen wondering what their problem is idk
#this has been in drafts since MAY#art#Fanart#though 3/4 characters are ocs#fan characters#redacted asmr#redacted cam#redacted camelopardalis#counselor ridley#keid the inchoate#zen#zen the incubus#(the ex is Vega)#(Cam used to date Vega and Rid had a day with him)#(and now Keid and Zen are dating Vega lmao)#(what kinda romcom bullshit--)
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The Counselor (2013)
#they always give her the best sex scenes#the counselor#ridley scott#penelope cruz#michael fassbender#cinema#film#movie#cameron diaz#brad pitt#javier bardem#movies#films
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The Counselor (2013)
Penélope Cruz as Laura & Cameron Diaz as Malkina
#the counselor#2010s movies#ridley scott#michael fassbender#penélope cruz#cameron diaz#javier bardem#brad pitt#movie#movies#movieedit#moviegifs#film#films#filmedit#filmgifs#gif#gifs#gifset#my gifs#my edit#franklinn97
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the counselor (ridley scott, 2013)
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#the counselor#ridley scott#video#cormac mccarthy#this is not a hiatus#the choosing was done a long time ago
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The Counselor (2013) Ridley Scott
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Hypnotic pleasure In abstinence since that night, of lust, fire and possession, when our bodies joined in that room. I'm so lost and addicted to feeling you on fire heat. While you brushed my skin, I surrendered to your desires and I turned into your honey. I felt you so deep that I got lost in your eyes. With my eyes of delight I looked at you and hypnotized you, I took you non-stop to the confines of pleasure. Bathed in the elixir of passion, I embraced your love. Wrapped in your hands in a thousand ways I sighed. You took me to explore the infinite of pleasure
Penélope Cruz in The Counselor 2013 dir. Ridley Scott
#artists on tumblr#love poetry#romantic#passion#dark academia#spilled ink#movie quotes#poets on tumblr#art#love#desire#cottagecore
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ep. 139: I'm sorry if you thought we had some kind of deep Thelma and Louise thing going
Sorry if you thought we had a deep Rory and Lorelai thing—because we totally do! We're holding hands as we drive straight into our newest pop culture ref, the 1991 crime classic Thelma & Louise. What does this movie have to say about female friendships? What did we think of THAT ending? And is Rory totally a Thelma?
We Wholeheartedly Recommend: The Sound of Music Sing-Along, Persuasion by Jane Austen
Other pop culture we ref: Hart to Hart, Frank Sinatra, Madonna, Happy Gilmore, Alien, Holes
LISTEN TO THE EP
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MORE ABOUT THELMA & LOUISE
TCM entry
"The Death of Thelma and Louise," Slate.com (2022)
"Every Ridley Scott Movie Ranked, from The Martian and Napoleon to The Counselor and House of Gucci," IndieWire.com (2023)
"Brad Pitt Movies: 26 Greatest Films Ranked Worst to Best," GoldDerby.com (2023)
"Partners in Crimes: Film's Finest Female Dynamic Duos," AVClub.com (2024)
#Thelma & Louise#Thelma and Louise#Gilmore Girls#Paris Geller#Liza Weil#Rory Gilmore#Alexis Bledel#Lorelai Gilmore#Lauren Graham#Luke Danes#Scott Patterson
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“Trying to explain what makes Blood Meridian a masterpiece is like trying to describe Beethoven’s Symphony No. 5 using only semaphore – you’re really best just finding out for yourself. That might not be the easiest task given how daunting Blood Meridian can appear (especially for those unfamiliar with McCarthy’s refined, almost biblical, prose that shuns most punctuation), but those willing to persevere will find a powerful tale comparable to the epics of Shakespeare and Melville. The novel tells the story of an unnamed runaway (referred to only as "the kid") who joins a group of scalp hunters operating on the United States-Mexico border during the 1840s. While they initially do this for just reasons – protecting the local communities from pillaging Apache tribes – this soon gives way to bloodthirsty and fatalistic behavior that leaves a trail of bodies in their wake, heroes and villains alike. McCarthy utilizes their nihilistic crusade to explore a range of topics including religion, warfare, and the nature of man – all told via some of the most poetic writing ever committed to the page.
(…)
But despite these issues, Hollywood has shown an almost psychotic interest in adapting Blood Meridian. And despite these issues, it’s easy to see why. The high esteem that both Blood Meridian and Cormac McCarthy are held in would inevitably make it one of the most talked about films of the year, and were a director able to find that illusive sweet spot that translated its horrific beauty into the language of cinema, there’s no reason why it couldn’t be one of the most acclaimed too. The phenomenal success of No Country for Old Men – the winner of four Oscars including Best Picture and Best Director, and now revered as one of the 21st century’s greatest films – will only have spurred on this insatiable desire. Unmade screenplays are reportedly so common in L.A. they could wallpaper every house in Pasadena, and their continued existence appears to have turned Blood Meridian into a sinister rite of passage for any aspiring screenwriter. We’ll never know for certain how many times Hollywood has tried (and failed) to make Blood Meridian, but a few have since come to light.
(…)
Indeed, it was this exact problem that killed most potential adaptations, such as a version spearheaded by Ridley Scott in the mid-2000s. Alongside his Kingdom of Heaven scribe William Monahan, Scott – never a director who had much time for compromise – intended to go all in with the novel’s violence, resulting in a gore-heavy rendition that sounds more akin to a horror film than a revisionist western. “It would have been rated double-X”, he later described it as – a statement that wouldn’t have brought confidence to already nervy investors. Scott did satisfy his McCarthy itch with 2013’s The Counselor (his only original screenplay to also get the feature-film treatment), a wordy and often bewildering watch that feels closer to an audiobook than a truly cinematic experience. Its mixed reception had McCarthy scholars breathing a sigh of relief that he was never able to make Blood Meridian, but considering how Kingdom of Heaven also mixed historical fact and speculative fiction to craft a nuanced character study amidst the backdrop of harrowing warfare, perhaps he would have been the ideal choice.
(…)
But then again, what does that term even mean? If “unfilmable” novels like Dune, Life of Pi, and Cloud Atlas can leap between mediums, why couldn’t the same also be done with Blood Meridian? McCarthy himself has rejected the idea that his opus is destined to remain on the page forever, admitting that while it would be “very difficult to do”, there’s no reason why someone “with a bountiful imagination and a lot of balls” couldn’t get it done. The simple truth is that Blood Meridian isn’t unfilmable, it’s just that everything that makes it a masterwork are so firmly entrenched in the written form that it would require substantial alternations to work in a new format, and it would take a brave filmmaker to start tinkering with the foundations of a certified classic. It’s inevitable that someone, someday, will make this dream a reality, at which point the internet can move on from debating if Blood Meridian is unfilmable to whether Blood Meridian should only ever be a novel. Until that day, we’ll have to tide ourselves in wild speculations. It’s not like we’re short on options.”
#cormac#mccarthy#cormac mccarthy#blood meridian#books#movies#the road#no country for old men#john hillcoat#nick cave
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youtube
This seems like the most reasonable take on the news. As someone who actually likes The Counselor, I think it's too bad Ridley Scott, in full Alien: Covenant mode, isn't doing it; the novel should be adapted not as a western in genre but as retrospective horror-SF. (For me on Alien: Covenant in relation to César Aira's not-totally-un-McCarthy-like Ema, the Captive, see here.)
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Part 7 - Incoming Text for Gwyneth Paltrow (@gwynethpaltrow) and Brad Falchuk (@bradfalchuk): “An Idea Worth a Billion Dollars”
Question:
Could you explain why it's important to choose Ridley Scott as the director for this crossover project, considering that he has experienced two consecutive box office failures in less than four years? Specifically, we're referring to Napoléon (2023) and The Last Duel (2021), both of which did not perform well commercially.
ChatGPT Answer:
Choosing Ridley Scott as the director for the crossover project between The Manchurian Candidate and The Da Vinci Code remains a compelling decision despite his recent box office setbacks with Napoléon (2023) and The Last Duel (2021). Here are several reasons why his involvement is significant:
1. Proven Track Record of Quality
Visionary Storytelling: Ridley Scott has a long history of crafting visually stunning and narratively rich films. His ability to tell complex stories with depth is exemplified in works like Blade Runner, Gladiator, and The Martian. These films not only achieved critical acclaim but also garnered a lasting impact on cinematic storytelling.
Diverse Genres: Scott's versatility across genres—from sci-fi to historical dramas—demonstrates his capacity to engage different audiences, making him well-suited to handle the intricate blend of political intrigue and religious conspiracy in the crossover project.
2. Experience with Large-Scale Productions
Epic Scale: Scott has experience in directing large-scale productions that require intricate coordination of action, narrative, and character development. This is particularly relevant for a crossover that may involve multiple characters and expansive storylines.
Attention to Detail: His meticulous approach to set design, cinematography, and overall production quality would enhance the visual storytelling, ensuring that the film resonates with audiences.
3. Understanding of Complex Themes
Exploration of Morality and Authority: Both The Manchurian Candidate and The Da Vinci Code explore themes of manipulation, morality, and authority. Scott has previously tackled similar themes in films like The Counselor and American Gangster, showcasing his ability to delve into the moral complexities of his characters and narratives.
4. Potential for Creative Revival
Fresh Perspective Post-Failure: While recent box office failures might raise concerns, they can also provide an opportunity for creative rejuvenation. Directors often reassess their approach after setbacks, leading to innovative ideas and renewed focus on quality storytelling.
Learning from Experience: Scott's past projects, including the recent ones, could inform his direction in the crossover, enabling him to address previous pitfalls and refine his filmmaking techniques.
5. A Strong Fan Base and Marketability
Established Director: Ridley Scott's name carries weight in the industry and among audiences. His involvement could attract not only fans of his past works but also those interested in the source materials. His reputation could enhance marketing efforts and draw attention to the project.
Awards and Recognition: Scott's films have historically received numerous awards and nominations, which could elevate the project's profile and lend it credibility within the industry.
Conclusion
In summary, despite recent commercial challenges, Ridley Scott's wealth of experience, artistic vision, and understanding of complex themes make him an ideal choice for directing the crossover project between The Manchurian Candidate and The Da Vinci Code. His ability to blend narrative depth with visual splendor can help create a compelling film that captures the essence of both novels while attracting a wide audience. Moreover, his past setbacks could inspire a fresh approach, ultimately revitalizing his career and producing an engaging cinematic experience.
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April 2024
Cutting Class * (1989), dir. The Dark Side of the Sun * (1988), dir. Interview With the Vampire * (1994), dir. Ad Astra * (2029), dir. Once Upon a Time in... Hollywood (2019), dir. Quentin Tarantino Seven Years in Tibet * (1997), dir. The Curious Case of Benjamin Button (2008), dir. David Fincher Babel * (2006), dir. By the Sea * (2015), dir. Angelina Jolie Fight Club (1999), dir. David Fincher Johnny Suede * (1991), dir. Queen of the Damned * (2002), dir. Ex Machina * (2015), dir. 12 Years a Slave * (2013), dir. Primal Fear (1996), dir. Legends of the Fall (1994), dir. Amores Perros * (2000), dir. Once Upon a Time in... Hollywood (2019), dir. Quentin Tarantino The Killer * (2023), dir. David Fincher Anatomie d'une chute * (2023), dir. Justine Triet Spy Game * (2001), dir. Tony Scott The Suicide Squad * (2021), dir. James Gunn Thelma & Louise * (1998), dir. Ridley Scott Lolita * (1962), dir. Stanley Kubrick The Counselor * (2013), dir.
First time watching it ( * )
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Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊 To You
The Most Iconic & Legendary All American Blonde 👱♂️ Haired Top Actor & Influential Of The Entertainment Industry 👏 Of The 20th Century On The Planet Today.
William Bradley Pitt was born on December 18, 1963, in Shawnee, Oklahoma, to William Alvin Pitt, the proprietor of a trucking company, and Jane Etta (née Hillhouse), a school counselor. The family soon moved to Springfield, Missouri, where he lived together with his younger siblings, Douglas Pitt (born 1966) and Julie Neal (born 1969).
He is an American actor and film producer. He is the recipient of various accolades, including two Academy Awards, two British Academy Film Awards, two Golden Globe Awards, and a Primetime Emmy Award. As a public figure, Pitt has been cited as one of the most powerful and influential people in the American entertainment industry.
Pitt first gained recognition as a cowboy hitchhiker in the Ridley Scott road film Thelma & Louise (1991). His first leading roles in big-budget productions came with the drama films A River Runs Through It (1992) and Legends of the Fall (1994). He also starred in the horror film Interview with the Vampire (1994), alongside Tom Cruise. He gave critically acclaimed performances in David Fincher's crime thriller Seven (1995) and the science fiction film 12 Monkeys (1995). The latter earned him a Golden Globe Award for Best Supporting Actor and his first Academy Award nomination.
Pitt found greater commercial success starring in Steven Soderbergh's heist film Ocean's Eleven (2001), and reprised his role in its sequels. He cemented his leading man status starring in blockbusters such as the historical epic Troy (2004), the romantic crime film Mr. & Mrs. Smith (2005), the horror film World War Z (2013), and the action film Bullet Train (2022). Pitt also starred in the critically acclaimed films Fight Club (1999), Babel (2006), The Assassination of Jesse James by the Coward Robert Ford (2007), Burn After Reading (2008), Inglourious Basterds (2009), The Tree of Life (2011), and The Big Short (2015). Pitt received Academy Award nominations for his performances in The Curious Case of Benjamin Button (2008) and Moneyball (2011), and he won the Academy Award for Best Supporting Actor for playing a stuntman in Once Upon a Time in Hollywood (2019).
In 2001, Pitt co-founded the production company Plan B Entertainment. He produced The Departed (2006), 12 Years a Slave (2013), and Moonlight (2016), all of which won the Academy Award for Best Picture, while others such as The Tree of Life (2011), Moneyball (2011), Selma (2014), and The Big Short (2015) were nominated for the award.
Pitt was named People's Sexiest Man Alive in 1995 and 2000. His personal life is the subject of wide publicity. He is divorced from actresses Jennifer Aniston and Angelina Jolie. Pitt has six children with Jolie, three of whom were adopted internationally.
Please Wish This Incredible & Top Academy Award Winning & Favoriteable Actor Of The Acting World 🌎
YOU KNOW HIM.
YOU LOVE HIM. ESPECIALLY THE LADIES. CALM DOWN NOW.
& YOU CANT HELP BUT NOT LIKE HIM FOR HIS CHARMING CHARISMATIC GOOD LOOKS
THE 1 & ONLY
MR. WILLIAM BRADLEY PITT AKA BRAD PITT 👱♂️
HAPPY 60TH BIRTHDAY 🎂 🥳 🎉 🎈 🎁 🎊 TO YOU MR. PITT & HERE'S TO MANY MORE YEARS TO COME
#BradPitt
Something tells me alot of women are going to be Liking and Reblogging This post by the time I wake up in the morning lol 😆 Keep your Pants On Ladies.
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