#couldn't find the original art post sorry

[loonsloon]

my buddy regulus <33

send me a character and i’ll list:

favorite thing about them : the way he cares for the people he loves, would do anything for them! murder? in a heartbeat, no questions asked

least favorite thing about them : he is so petty and spiteful, always takes it too far

favorite line : i mean how do i even choose? there is so MANY, but probably like : I know I will be dead long before you read this but I want you to know that it was I who discovered your secret. I have stolen the real Horcrux and intend to destroy it as soon as I can. I face death in the hope that when you meet your match, you will be mortal once more. R.A.B. , right?

brOTP : barty/evan

OTP : jegulus

nOTP : lily

random headcanon : he loves calligraphy!! has a beautiful handwriting and my man knows it! always copying his favorite quotes in his little notebook! his friends bring him birthday cards to write them instead of them

unpopular opinion : more quidditch obsessed than james, but hides it

song i associate with them : here

favorite picture of them : here

[sundial-bee-scribbles]

i realized they had the same birthday (dec 21st) so i was like "yoooo i should draw them together"

silly bonus:

[mandalhoerian]

Repost because tumblr's tags were broken yesterday and it ate my post up 😞 Spoilers and translation notes for Rafayel's intertidal zone & analysis because it kinda floored me, I was just as a blank page as he was throughout this. I had to watch it like 5 times to understand what the story was saying and dig into chinese and japanese versions of this to piece together what was really happening. It may be my idiot brain not getting it and maybe it was like the easiest thing to understand for you but. Yeah. I may be just dumb LMFAO AND!!!! There's also a theory of mine into how Rafayel is actually able to read mc's mind/wishes through their lemurian bond, so stay tuned for that I guess

EDIT: correcting some transcriptions of chinese characters and the translations. sorry about that! google couldn't transcribe it correctly. for clarity's sake i will also include original screenshots. please tell me if anything is wrong!

EDIT 2: Check out part 2 to this as well for stuff I missed!

EDIT 3: An Abysswalker connection I found

EDIT 4: Debunking the myths of non-consent & Rafayel hurting MC in the spicy scene

So Rafayel’s whole deal in this memory, I believe, is dependency. Like, too much intensity, too much need, too much fear -- about scaring her off, about what he sees himself possibly becoming in the future, overall just being too reliant on mc and getting scared by it.

Let's begin with this massive fear of being a taker, not just in the “I’m stealing someone’s fries” way, but in this existential, soul-deep kind of way where he’s terrified of turning everything he loves into something he exploits out of demand for his art. And yeah, it’s sad when you first hear him say it, but it’s also really interesting when you look at how this all ties into his relationship with MC and his inspiration source drying up because of her.

Before Rafayel became an artist, he looked at the world in this super pure, wholesome way. Sceneries and nature were just there, things to admire and feel awe over without needing to do anything about it. Like, imagine standing at the edge of a desert, looking at a sea that’s drying up. Sure, it’s tragic, but it’s also kind of beautiful in a raw, heartbreaking way. That’s how Rafayel saw things, he could appreciate them without feeling like he had to do anything.

But then Rafayel started creating, and suddenly, sceneries weren’t just sceneries anymore. They became inspiration. He wasn’t just admiring beauty, he was extracting something from it, its meaning, its pain, its soul, to turn into art for other people. And that made him feel all kinds of icky, because now he wasn’t just looking at the drying sea. He was taking from it. Just as he's using his people's pain in his art as well, that's also a thing.

Now let’s talk about MC. Rafayel loves her like he used to love those sceneries,,, in this pure, untainted way. There's a parallel here. But here’s the kicker, he’s not the same guy who can just admire something and leave it untouched anymore.

And suddenly, this is no longer only about losing inspiration for him.

This happens after he and MC get together, and it’s like all the pain and anguish that used to fuel his creativity just.. ... dries up. He can’t find that spark anymore because now his life is surrounded by love instead of suffering. In fact, his inspiration starts coming from her and it's starting to clash with how he makes art. In the phone call, he seeks her out and says he needs her so bad and she only needs to talk to help him out. This is the first wink wink nod nod of the story.

So what does Rafayel do? He goes on this big, dramatic trip to "find inspiration" (or at least his muse), but it’s not just about his art. He’s not just looking for inspiration, he’s trying to figure out how to be less dependent on her and becoming increasingly more restless over this. The temparature and physical discomfort is making things worse, he's anxiously overthinking, and imagine trying to fight this and the longest art block as of late off when all you want to do is indulge in this special person and be comforted like a lap cat all day every day.

He understands that if he lets himself indulge without restraint, one day his love for mc will turn into pure need. He’ll become more and more greedy, and he doesn’t want that and is afraid of being abandoned because of that growing neediness and dependency.

This is in relation to his art, because as @/dat-silvers-girl put in the comments, he's struggling with "the genuine fear of not being able to enjoy anything in life because all you're thinking about how to use it (as an artist)" . what if he starts doing this to her? to their love and relationship? take from her, and become someone who only takes in every area of life -- like someone who only exploits things by extracting what he feels about them to use it for his art. he's afraid of that, he doesn't like that and possibly doesn't like himself who does it. so why should she? she would leave him for sure, in his head, that's a solid reason to.

The first time around he brings up his anxiety about MC leaving him out of the inner realization of his dependency, the possibility of just what he can become, and fear of abandonment. she effortlessly soothes his worries. It's heavily implied they did it afterwards and after hearing "her life has already been consumed by him" he tweaked out a little bit and his "obsession" seeped through.

After it fades to black, he says ほら……僕もとっくに……君に侵食されてしまっているんだ…… which means "See... I've already been completely consumed by you too" in Japanese instead of the life being made a chaotic mess localization. While I think MC's line was jokey and lighthearted, I don't think this man is joking at all. Rafayel didn't say his life was consumed by her as well, he said HE was consumed. Ouh.

This took the edge off from him for a while but they hadn't gotten to the root of the problem yet, so he was back to square one after the memorial hall, because remember, he's trying to find inspiration as an act of making this dependency of his better. Pain and suffering are all around him here, which his inspiration feeds off of. The dried up ocean he could hear weakening, the skeleton of the whale, the burden of his people and homeland more prominent than before. And what does MC do? Tear through the perspective of pain and introduce a hopeful alternative, "Isn't it a surprise to see an ocean in the middle of the desert?"

This is a place that gave Rafayel the height of helplessness and suffering when he visited by himself before despite momentarily being hopeful after the locals told him such a place existed. But now, she was there to comfort him through his loneliness and pain, hug him, and give him hope yet again. He brings up how he wanted to come here with the most important person to him when he was still hopeful about it before consumed by the pain of it all, and that wish has been granted. That moment has to be so powerful for Rafayel. Literally light at the end of the tunnel.

It had me reeling that he just sat in the car after all that, staring at her for god knows how long until she woke up. He was probably overthinking again, but my interpretation that it was heavily emotional for him (it could have meant so little for MC but the world for him, she doesn't even know) and he wanted to be in that moment with her, just feel and look without restraint. Indulge a little. (I can just imagine him going just a little bit more, I'll go after she wakes up.) And like. His eyes are shining in the darkness is the description here. Perhaps he was feeling so much here. So much love. So much happiness. And he's about to go in for a kiss (heavy breathing and everything) after that, but holds himself back and actively has to pry himself away. He's feeling the neediness again.

That’s why he makes an effort to actively wean himself off and says he'll be okay on his own. What he says to her after MC is like "spoiling him" being all "hey you're sick maybe don't go? or let's go together?" (which is NOT helping Rafayel at all) is even more meaningful in Japanese and I didn't know why they left out this context, but the rearranged line would be "Do you want me to become a sea creature beached on the sand after the sea recedes, unable to breathe on my own ever again?"

Yeah. YEAH. This is about dependency. (He's saying don't coddle me I'll literally become that wolf tearing his shirt meme 😭)

So of course his stubbornness and anxiety force him to do things without MC and distance himself, he can do it. He’s determined to prove to himself that he can endure it on his own.

I also feel like part of the reason he insisted on going to the salon alone is that he’s still worried mc might come to dislike the version of him who's someone he's so sure she will leave, who isn't perfect and he hides behind the persona he's put up just for her. If he truly becomes addicted to her and shows her everything/his true self, and she ends up leaving him, it would completely break him. He's trying to be like "im so normal about her haha" but he's so not normal about her at all. He's literally obsessed I feel like, and perhaps this is him fighting it knowing it's not healthy.

and OOOH about why he ends up coming back from the salon all hot and bothered.

I have strong context that she flicked the bean in there after he left her high and dry in the car ("hot water washes away the stickiness from my body and his stifled breaths still echo in my ears, enveloping me along with the steam in the bathroom. The warmth from his fingertips lingers in the places where he touched me..." is the english. however, in chinese, it goes "熱水洗去身上的黏膩，壓抑的喘息迴盪在我耳畔，和浴室裡氤氳的水氣一起包裹著我." stating "the suppressed breathing" -- which doesn't have any possessive adjectives when I translated it on google and later explicitly asked chatgpt if it had any his/my adjectives involved, just to be sure. it said no but i'd like it if a real chinese speaking person could give their input on this !!! PLEASE DONT LEAVE ME WITH CHATGPT

so um. if the context is in fact the case that he heard her masturbating to him, the intensity with which he attacked her would be normal, I think 😭

I have belief that MC unconsciously shatters his "training himself to be without her" determination through their bond. She just keeps thinking about him the entire time. about him reading her thoughts, though. we still don't know all about the lemurian bond they share. I’d say it grants him some sort of mind/heart reading ability or connects their minds together (when she was thinking about whether she should hug him, he answered “yes”).

At the salon, I imagine Rafayel was already thinking about her like crazy. Then he realized, or perhaps, "heard" she was still worrying about him and thinking of him (as much he thought about her) and decided to go back. Rafayel probably felt that suppressing himself was only making her more anxious and unsettled. She's thinking all about him, unconsciously calling to him to come to her, she didn't want to let him go at all, wanted to go with him, etc...

but even if it was his own decision and no mind reading was involved... uh. If you ask me. He did quite literally hear her after coming back. That's also something that might make him think she wants him as much as he wants her, which made his self-restraint utterly meaningless from the start.

Disregarding this theory of mine proven wrong until a Chinese speaker helps me out here, MC returned to Rafayel's room. A translation omission happened here from what I saw. There are no possessive adjectives in the Chinese text about the room she returns to, and the Japanese one states she returned to the guest room (doesn't specify which one. She was also able to enter Rafayel's room without needing to knock before.)

so uh. she went into rafayel's room y'all. the line "this is my room, you're the one who walked in here" MAKES SO MUCH MORE SENSE. (SO LIKE. NOT ONLY DID SHE GO INTO HIS ROOM, SHE FLICKED THE BEAN THERE AND HE POSSIBLY HEARD IT. SHE'S MORE OF A FREAK THAN HE IS, I UNDERSTAND WHY HE LET GO AFTER THAT LMFAO)

I don't put it past him to get worked up after he finds her in his room post-bath even without my theory lmfao (idk why they put her in a dress when she should be in a bathrobe or something 😭)

His conclusion at the end of this memory that "he finds inspiration in pain and the art of creation is a part of his life. mc made him realize love and art are so alike. even if they don't complete him but burn him instead he wants them (love and art) with every fiber of his being" and MC says she doesn't like that, rightfully so.

So like. There's SO MUCH to unpack in here.

When Rafayel says he finds inspiration in pain and that creation is a part of his life, he’s admitting something raw and essential about himself: pain isn’t just a byproduct of his art, it’s intrinsic to it. For Rafayel, pain and art are intertwined in a way that’s almost inseparable. It’s like his muse isn’t just beauty, but beauty that hurts.

But then he takes this further by connecting art to love. He’s realized that both art and love demand the same from him: vulnerability, passion, and sometimes suffering. They don’t necessarily complete him (he’s not romanticizing them as salvation), but they burn him, wear him down, consume him (coincidentally, this is something he said to MC in the JP dub of this memory, that she consumes him), but also give him life. And for Rafayel, that’s the crux, even if they burn him, he wants them with every fiber of his being.

This is such a Rafayel thing to say. It’s dramatic, it’s tortured, but it’s also deeply SUBTLE. He doesn't spell all of these out, mind you, I got a headache trying to understand him. Or I'm just slow, I don't know. It shows how much he values creation and connection, even if they come at a cost.

MC, on the other hand, challenges this perspective. When she says she doesn’t like that he views love and art as things that burn him, she’s pushing back against the idea that suffering is a necessary part of creation, or love. MC doesn’t want Rafayel to see their relationship as something that requires him to hurt. She’s telling him, “You don’t have to destroy yourself to love me.”

When MC says, “You’ll never have to burn for me,” she’s giving Rafayel an alternative to his destructive mindset. She’s saying that love doesn’t have to hurt, that their relationship can exist without him sacrificing himself on the altar of passion. It’s a refusal to let Rafayel romanticize pain as the price of love.

And I love that Rafayel goes, "Will you help me look for other parts in life outside of pain?" in response. This is NOT about art or inspiration anymore, and the way the dialogue is written is just AUGH. Again I had to rewatch this over and over again for the nuances and subtext.

I love MC's response, she knew exactly what to say. “I’ll always be the one who walks along the shore with you. Of course, diving into the sea bed is fine too. If it can snow in the desert, there will be a day when the ocean returns.”

MC’s response is layered with metaphors, but at its core, it’s about unwavering support and hope::

Walking along the shore: This represents safety and companionship. MC is saying she’ll be with Rafayel in the calm, in the moments where they’re just observing life without diving into its depths. She’ll be his steady presence, his grounding force.

Diving into the sea bed: This is an acknowledgment that life and love sometimes require going deeper and they may go through hardships, into the unknown, the murky, the challenging. MC isn’t afraid of this, she’s willing to go there with him too.

Snow in the desert and the ocean’s return: This is a symbol of hope and transformation beyond being a nod to The Sea of Golden Sand. Snow in the desert seems impossible, just like the idea of Rafayel finding inspiration outside of pain might feel impossible to him. But MC believes in the extraordinary, in change, and in the possibility that beauty and creation can exist outside of suffering.

Her words are a promise: she’s willing to stand by him, to face the unknown together, and to hold onto the belief that a new way of seeing the world is possible.

And Rafayel LOWKEY PROPOSES IN RETURN.

By saying “let’s watch the sea together,” he’s accepting MC’s offer of companionship and hope in the long run. He’s recognizing that life doesn’t have to be about diving into the depths alone, it can be about sharing the experience with someone else, even if it’s just standing on the shore and watching.

“Every sea”: This phrase is key. Rafayel isn’t just committing to one kind of life or one kind of inspiration, he’s opening himself up to all possibilities. Watching every sea means embracing all facets of life, whether they’re calm or turbulent, painful or beautiful. It’s a marriage proposal declaration that he’s ready to explore the world beyond pain, with MC by his side.

So. I love that his inspiration returns after his freak is accepted by MC because he literally feels the acceptance through the bond.

Thank you for coming to my TED Talk. This memory DRAINED me. They were just supposed to bang what the fuck happened. Why did I have to go treasure hunting to find what was going on in this card. anyway...

[mothalaalee]

The lore is that this comic was made for Jessica Kellgren-Fozard, a British youtuber and her wife, Claudia who is a dentist!

Art by @IvieArt

[akirathedramaqueen]

There's one piece of concept art that made me see the entire Apology Tour disaster in a different light.

So, we've been talking with @warblogs17282 about Stolitz and how their break-up ended up playing out in the 'Apology Tour' episode.

Why ended up? Well, there's a collection of concept art which, to my limited understanding of this craft, is one of the first steps in the production process of animation. This post by @birdy-babe includes a great chunk of it, shared by artists after the episodes aired (like storyboards, but much more stylised, showing how different some original ideas were). Long story short, one of the concept arts from the 'Apology Tour' episode suggests their quarrel was originally meant to be much harsher.

A short summary of the concept art to see what we are dealing with

In the background, you see a lot of apology postcards and silly cutesy stationery, suggesting Blitzø is in the middle of his Apology Tour.

The contact name isn't 'Stols' but 'Bird Dick,' implying their relationship is at an earlier stage, with less respect—at least on Blitzø's part.

There's a photo partially cut by the edge of the messages screen. From the signature gloves and boots, cowboy hat covering Blitzø's private parts, and visible nipples, it appears to be a nude image—replaced in later stages of development with stupid gay affirmation memes (as hard as it is to believe, I couldn't imagine there could be anything worse than the Striker horse gay jokes... well, it could, my dudes, it fucking COULD).

There are three messages, one of which is unsent:

"Stolas, cum awwwwwwn, u no u want it :)"—likely attached to the nude;

"Dude just talk to me"—desperation crawls in; he finally realises the shit has hit the fan;

"Im sowwy :("—an apology, but the text remains unsent, perhaps because it seems pointless, given that the 'Not Delivered' notifications and warning signs indicate Stolas has blocked his number.

Why do I find this fascinating, and why does it fill me with immense hope?

Because they still fucking care so much, and neither has completely closed the door on the other. By comparing the concept art to the final product, you can see how many intentional choices were made in dialogue, visuals, and behaviour to make it clear that these two idiots still want things to continue. Stolitz is meant to fucking live.

Now, if you want to see some comparisons���evidence, really—let's dive into each other's changes, focusing on what we can gather from the concept art.

Blitzø's side

Change 1—thank gods, no nudes. The gay memes are sillier and a bit lighter. Of course, they still showcase utter disrespect, a horrible prejudice against sexuality, and a poor understanding of how deeply Stolas was hurt, but I find them... less bad.

Change 2—no more 'Bird Dick.' Blitzø has actually come up with a real nickname for Stolas! Feelings are boring for you, huh, Blitzø? I can almost hear the song’s lines: "O-oh, hooked, addicted you might say, conflicted in a way…"

Change 3—Blitzø's attempts to apologize now show much more contemplation. Since Stolas hasn’t blocked him, Blitzø knows his words aren’t just being thrown into the void. Although the 'unsent' detail remains, it now carries real weight and impact.

All three changes are seen in these two GIFs.

He knows he did wrong. He knows he wants to salvage it. He might not yet know how to do it healthily, but he tries—he tries so fucking hard!

Look at the range of raw, cutting emotions as he speaks to Stolas and finally delivers his apology—probably the only one he genuinely meant. Well, maybe except for Verosika, a bit later.

It's not that it's hard for Blitzø to say 'sorry'—we've seen him do it a lot lately. He's actually quick to apologise and take responsibility, so Stolas's remark about him not feeling any remorse couldn’t be further from the truth. But the fact that he isn't running away this time—chasing after Stolas and trying his best to mend things—is drastically different from how he treated Verosika back then.

Stolas's side

Here’s the moment that struck me deep. It’s the only change, since the concept art shows Blitzø’s POV, but it’s such a significant one.

Do you think Stolas has moved on? Do you think he’s done with Blitzø? Not convinced, even when he’s literally singing about still wanting Blitzø?

Well, here’s your proof—he didn’t block Blitzø. They scrapped that.

More than that, the entire interaction emphasizes that Stolas isn’t pushing Blitzø away for good.

How do I know this? Stolas is very insistent on using phrases like 'for now,' 'right now,' and 'now' throughout his attempts to tell Blitzø off.

Here are some citations:

"I was hoping my lack of 'ha-ha's' in response to the photos you sent me would be an indicator I didn't want to talk right now."

"Seeing you right now is hard!"

"I'm tired of this! I'm uncomfortable with how you're speaking to me now!"

Why is this so important? Because he isn’t asking Blitzø to leave him forever. All he’s asking for is time.

Even while hurt, Stolas gives Blitzø plenty of chances to explain himself civilly. Look at the hopeful glances each time Blitzø shows any glimpse of genuineness.

Stolas fucking hopes Blitzø will take back all the cruel things said and brash actions done.

You know, Stolas... I've spent the entirety of this morning listening to love ballads, and that was...

For what?! You want me to be like, "Oh sorry, this entire time I assumed the worst because I was convinced a prince could never love someone like me and I've let my self-hatred stop me from apologising to anyone I could ever care about!"

You see the furrowed brows and the sad look? Stolas hopes for the best... but gets the worst because Blitzø isn’t there yet.

I’d even go so far as to say Stolas is acutely aware that Blitzø uses his brashness as a shield to protect himself. He literally sang about it in 'Just Look My Way.'

Unless it's me? And no matter what in this world I could give, it's not enough to get through these walls you've conjured up to live.

So, what gives?

Is this the behaviour of people who want to give up on a relationship they still clearly hold dear?

No. Even when they’re angry, aggressive, hurt, or drunk, they still seek understanding and forgiveness. They continue to listen and try.

They might lack the skills and may choose the wrong time, place, or words to express what truly matters...

One person, scared of being rejected so much that he unconsciously conveys this message by saying, "You don’t have to stay here with me," and carrying it throughout the whole conversation...

The other, coming to terms with his feelings, admits them, and his fears, a bit too late—when his romantic interest is too drunk to comprehend anything…

And in both cases—self-loathing, self-hatred, doubts, scars, trauma… and a lack of hope.

But there is hope. No, this is reassurance, my folks.

You know when it's hardest to stay in a relationship? When it’s hardest to come and say, "I am sorry," when it’s hardest to still love the person?

When you’re hurt. When they’ve hurt you.

And, despite that, you still come to them and still want to talk to them.

If this isn’t ironclad evidence that this is more than just a fling or a couple of fun sex dates, I don’t know what is.

And the 'Apology Tour' fucking proves it, rather than ruins it. It only strengthens the point. It’s easy to live in happiness, but it’s so hard to go through it while you’re in pain. When you see them doing that, you realise it means everything to them.

Stolitz is to live.

[theenbynightingale]

Okay, we all know Riley is 13. This is established in the movie several times. But did we ever get confirmation that Val is 18 other than a now-deleted tweet from an account that may or may not still be up (I couldn't find it. Again, OG tweet was deleted) that people said was from by someone who worked at Pixar?

I believer it back in March but now that I'm looking at all the clues, it seems kinda dubious. Granted, shipping Riley and Val would probably be a little weird if we never saw that tweet because Val would logically have to be at least two grades above Riley if she made Captain during Freshman Year (Unless she was such a hockey prodigy that she's about to go into her Sophomore Year. And that's a giant "if").

I think the biggest reason I'm asking this is because of the movie's art book. We get all this info about her, yet we don't even really know what year she's going into.

But I just wanna say this. This isn't me trying to argue about. I'm just genuinely curious about Val's age. This isn't a ship thing. There's probably still a sizable age gap between her and Riley (in high school years) If Val isn't 18, she's probably about to be. Like I said, there's a near-zero chance of her actually being a sophomore during the epilogue. The curiosity mainly stems from me seeing the discussions in posts when I'm going through the Inside Out tag. I'm not annoyed by it. My interest has just been piqued. So if anyone has an answer or knows who the original tweeter was... tell me, I guess?

I dunno. I'm bad at endings. Sorry for rambling.

UPDATE!

I asked Dave Holstein (co-writer of the film) on twitter if there was an official age for Val and he said...

Official. For at least a majority of the film, Val is 17. Pack it up! (I stand by my earlier statements about the age gap. Freshman and Junior or Senior is kinda weird)

[cupcakeshakesnake]

HELLO UM-

Your little Harbour PotC AU gives me absolute life, just for the record. Even tho i am very very late, thank you for making it :D

There is a headcanon I got that wouldn't leave my brain after looking at your art, originating from that one conversation between Beckett and Jack where there were some implications about canon being everyone’s previous lives. Whether this is actually a part of your au or not, it got me thinking eheheh

Theoretically, (perhaps in an au of an au, if this headcanon contradicts your lore,) what if your au and canon were the same 'verse, just several hundred years later? And what if not everybody were on their second life?

We obviously have a sprinkling of supernatural stuff, so what if the secretly-a-goddess Calypso and immortally-cursed Davy Jones were the OGs that they were in the films? Like, Davy Jones maybe came back somehow (as per movie 5's end-credit scene lol) and took back the role of the Dutchman's Captian after Will went back to Shipwreck Cove. All is good.

He learned his lesson now and actually does his job of ferrying souls. As times changed, so did his ship, in some magical way. She's no longer a sailing ship, and he'll always miss that, but he doesn't mind all that much. His crew usually only stay for that 100 yr contract, so he's seen plenty of sailors come and go. Eventually, he even hires living mortals. Less people die at sea, so by the 20th century, Jones takes a mortal job as a fisherman (or whatever his job is in your au) as well.

Whether or not he knows about the whole reincarnation thing doesn't really matter; the day he employs a familiar man by the name of Bill Turner, he chalks it up to coincidence. Even if Bill has a son named William, well- it's been 200 years, perhaps it's just a really really big coincidence. Either way, it doesn't matter to him.

It's not until he's docked in a small, out-of-the-way harbour, and three troublemaking kids sneak onto the Dutchman that he finally realises. Bill's boy, on his own, is just a matter of coincidence. Those three, together? It's unmistakable. And as bothersome those three pirates were, so long ago, I'd like to think that he looks back on that age, on those people, with some kind of fondness.

(Until he discovers they can be the most INFURIATING little gremlins he's ever met in all his centuries. But he'll find that out later.)

Anyway I drew it :D Have my humble, scribbly offerings.

(I feel bad about running away with this, even as just a headcanon-of-an-au, please don't take this as a 'you should do this' lmao, it's just me adoring all of your content it makes my brain go brrr you are amazing thankyou!!!)

This is so lovely 😭😭😭

The idea of Calypso and Jones being the same ones from canon but just... having had a lot of time to chill down and have a second chance is so??? Imagine what Jones must be thinking looking at those kids... this is so bittersweet (but mostly sweet)

I'm sorry it took so long to respond, I wanted to write a proper reply expressing just how much I love this but couldn't get around to it. Hope you don't mind me posting this publicly; I need everyone else to see this as well.

[bunny-corp]

Hi Everyone!

now THIS is what I was excited about, Hurricane kids from early 2000's (SPECIFICALLY late 2003) will remember this almost IMMEDIATELY! These are restored framed from the original Fredbear and friends ad campaign! I was SO SO excited when i recovered these, I swear they were like MY FAVORITE back in the day!

This ad ran from around 7/10/2003 to about 8/15/2003 being pulled after the Fredbear and Friends project was canceled by the subsequent disappearance of Henry Emily in October. [Specifically around 10/13/2003 - 10/16/2003, There are several dates here, but I personally couldn't find one that was not immediately disproven by another.] The ad featured the character designs from the 2007 Freddy Fazbears location, alongside Spring-Bonnie and Fredbear himself!

The ad's purpose was to announce new animatronic characters alongside an animated series in a more simplistic art style, a general expansion of the Fredbear family name, and for a while after the bite of '03 it was a hopeful statement that despite the tragedy, founders William Afton and Henry Emily would keep Fredbears Family Diner open!

Which, as you know, Didn't happen.

With Fredbear's officially shut down in November of 2003, William Afton would later reopen the business under another name in 2007! Putting these designs to good use in the infamous Freddy Fazbears Pizza!

By the way, sorry about the censorship and the semi-smear frame of chica, ALL the frames I could find with Fredbear or Springbonnie were blotted out, I believe this is because of the mass rebranding when the franchise was bought out and as for Chica? That was the clearest I could get, most of her frames are of her twirling!

Rest assured, this happens all the time! It just means I need to do a little more digging to find the uncensored version! I'll update this post when I find them!

~Bunny C

[lynaferns]

The Forest On The Other Side

Chapter 1: I want to go home.

Ver. [ENGLISH / SPANISH]

EDIT: This fic is now on AO3

A girl gets lost in the forest and finds a misterious gate in the middle of nowhere. At the other side she meets a... very peculiar individual who seems to only want to befriend her and play. Everything seems fine. Until night falls and someone else joins to play...

Again, I appreciate feedback about the english adaptation. English is not my first lenguage and I still mess up sometimes.

This is in some way a more "joyful" story than BIOMáquina, still with its dark themes. I wrote this a year ago. By this I mean I forced myself to get it written down and ended up hating it and burning myself out. A couple of weeks ago I decided to reread it and I though it was pretty ok actually, so I edited it a bit to make it flow better. It used to be written more as a script for the comic I wanted to draw buuuut that didn't happen (cough stressed myself out cough forced myself cough don't force yourself to make content out of a hobby, a hobby is supposed to be for your own fun). I'm not completely satisfied with the final draft but I think is good enough for my first ever fic written.

I originally planned to make it a Y/N thing but that didn't last long. But I keeped the original idea of the first person POV. The Y/N stories I've read has always some narrator telling you what you do insert you in the story. I thought of making the MC the narrator, this way the reader can insert themselves like it's their story or they can read it as if someone else is telling them a story. This is also a bit limiting, since the narration is also the MCs thought process and sometimes I may skip details MC couldn't have seen.

AU, Magical forest, DCA centered, Sun fnaf, Moon fnaf, Elves Sun & Moon, OC, Selfinsert, Character & OC, platonic, friendship, slowburn (kind of), Moon is agresive at first, Moon is also a bit of a gremlin, Protective Sun (I think), OC is a potty mouth, Female Main Character, First person, Angst.

The first post where I showed this AU and my first sketches ideas.

Tumblr archive with all of the art, ideas and anwsered asks.

Youtube Playlist which I'm pretty proud of how it turned out :] It's in a specific order but you can put it on mix.

Note: even though I try to keep things light some things may be triggering for some readers.

CW: Anxiety, Suicide ideation, Implied death, Choking, Non sexual abuse.

Wordcount: 9,700 (It's not rounded, that's literally the number Word tells me it's at lol)

Welp.

Here we are again, in the old village house (yey...). Well, 'I am', my family won't arrive to settle in for another week. They brought me here beforehand a few days ago for organizational reasons. They took a quick look inside before they left to see the state of the house, if it needed any repairs and such, and they headed back to the city. While they finish preparing everything, I take care of the house and text them messages about anything that may be needed for when they return.

We haven't been here in years, the house needs some repairs, and I'm sorry for the spiders, but it could use a deep cleaning. We can't do a deep cleaning but I have been cleaning what I can these last few days, at least so that it looks decent... at first glance.

Well, it's not like anyone is coming to visit.

It's a quiet town, until the kids from the town next door come to make a racket with their bikes. They play in our field, scare away the cats and throw cans around. They are assholes.

Anyways, the people in the village are nice. The adults I mean, the kids I used to play with, I don't get along with them anymore. Some of them aren't kids anymore, we have grown up and are going down different paths. But those who are still kids... they're still interested in the only older kid in the town who listened to them and let them do whatever they wanted, to a certain extent.

I don't want them to come looking for me to go out and play. I've been avoiding them by saying that I'm busy cleaning the house and getting it ready for when my family arrives, but I feel like interacting with them less and less. That's why I'm going out to the woods behind the house to get lost for a while, as always. The kids don't go near the forest so they won't bother me there.

There is an area for tourism and hiking but not many people come, some police cars border the forest from time to time but they never go inside. The reports of missing people in this forest have been coming in for decades, only some lost children have returned but there is no trace of any of the adults who disappeared along with the rest of the children. The areas marked with signs are safe but you can't go out of bounds unless you want to disappear with those people.

And I, who right now am alone and with no one to notice my absence if I go missing, am going to head straight to the forest. Don't you think, I don't want to disappear, I just don't like people and I usually go into the forest but I don't go too far away. As long as I see my house in the distance, I know how to return.

I grab my bag with my sketchbook and pencil case, in case I feel like drawing (probably won't) and step out to the back porch. The outer sliding metal door that protects the inner one is rusty and difficult to open. It would be better to oil it but I don't know when it will be done, considering that the broken railing has had a wooden board tied to it for years. I already sent my mother a message talking about it.

I enter the forest and start walking around. It's hot, of course, it's early summer, but it's quite noticeable after being in the cool inside the brick and stone house. That's the good thing about coming here in summer, the houses are made to stay cold inside and it's great, sometimes I even need to wear a jacket. But outside I'm dying, the trees don't provide enough shade. In fact, some trees are missing. I used to have my routes memorized but time has passed and some paths have changed, some have disappeared and others have formed. I admit that it makes me a little sad... I began to walk absorbed in my thoughts not paying attention to where I was going.

I'm walking away, I should go back. I'm not going to draw anything here anyway, and it's hotter outside than inside so I'm gonna to turn around-

I hear screams and laughter in the distance, the sound of the voices produces me an immediate disgust. It's those kids from the next door village. They must have come to 'investigate' about the disappearances or maybe they don't care and they just came to be idiots-

They're getting closer.

I don't want them to see me. God. Don't let them see me. Anyone but them. They're getting closser. Don't let them see me. I can't go back home now. They're cutting me off. Of all the people who could have found me. It had to be them. No, please. Don't let them see me. I have to go further into the forest, I can't let them see me. They're getting closer. Don't let them see me. I want to leave. I want to leave. I'm getting too far. I want to leave. I don't see my house. I want to leave. I don't see the village. I want to leave. I don't see the kids.

...

...

...

Where am I?

Fuck.

Where am I?

I want to leave.

I want to leave.

I want to leave.

I want to leave.

…

—

Now I'm wandering through the forest. I don't want to go back. I want to get out of here. Even though I'm walking in a straight line I feel like I'm going around in circles, and I'm not going to get out of here now. Great. I'm lost. Now what? People who get lost in this forest don't return, no one has returned except for some children.

...

I'm going to disappear.

...

For now I keep walking until something happens. Maybe there's an animal that kills people who get lost, or maybe it's a group of kidnappers, or maybe I should stop giving myself anxiety and focus on getting out of here. Maybe if I find a field or road, or even the tourist area, I'll be able to get out of here and return bordering the fores-

...

There is... colorful graffitis on the trees. Someone has painted eyes, hands, stars and more on the bark of the trees...

What's this?

I don't know where I've come to, I didn't know this was here, in the middle of nowhere in the forest. The trees have red leaves like in autumn even though summer has just started... The first thing I thought was 'climate change's fault' but there is something that stands out in the middle of this entire flat area and it is disturbing me.

In the center there is a kind of circular gate made of stones supported by roots.

Okay, maybe it doesn't sound aaaaas disturbing as, I don't know, a totem with a human figure being impaled or something, but it's giving me a bad vibe. What is this place? Who built a stone arch in the middle of everything and why?

A bird appears flying from behind me and goes through the gate, but nothing comes out on the other side... wait what? how? The bird has crossed the gate, and disappeared behind the stone arch? ...I had to imagine it, it's not possible that that happened. I approach the arch but not before picking up a rock from the ground and throwing it to the other side of the gate.

It's still there.

…

For some reason the thought of going through the gate makes me uncomfortable, so I go around it.

...

...And the rock? It's not there.

I go back and look from inside the portal.

The rock is there.

...

I look from outside. The rock is not there. I repeat this multiple times. Rock. No rock. Rock. No rock. Rock. No rock... What?

Alright, this is weird, this is VERY weird.

Even though it is clear that this isn't normal, I have to go back, pick up a fallen branch from the ground and pass it through the portal. This time I don't throw it, I've grabbed a branch long enough to see it peek out from the other side of the arch.

...

Welp.

I should be seeing not only the branch, but also my hand sticking out of the side, but I'M NOT SEEING IT. OKAY. OK. ALRIGHT. IT'S CONFIRMED. THIS IS WEIRD.

I'm asleep, right? Or unconscious. I must have passed out from exhaustion from endlessly wandering through the woods and I'm delirious or something. No, wait, it can't be, in my dreams I'm not this aware of what's around me. Where am I?

A breeze begins to pass through the gate. It's getting stronger but not enough to push me. The leaves rise from the ground and float towards the portal, none slipping outside, all entering through the stone arch. Suddenly the breeze that had become wind stops. The leaves fall to the ground.

...

I look back for a moment, as if there was something behind me that could help me make a decision. Grabbing with both hands my bag strap I look back at the portal again. Okay. Alright. This is possibly the death of me. I'm going to cross. I'm going to go to the other side. I'm just one step away from crossing. I wrinkle my face and narrow my eyes before taking the last step.

...

Nothing has happened. Everything seems the same. However, I know it's not the same... Or at least it doesn't feel the same!

Well, I've already crossed. I'm gonna... keep walking, I guess, even though this is scaring me and I don't know if I'll know how to go back. For now I'm moving forward. The red leaves have disappeared several meters ago. It's starting to look like a normal forest, except for the multicolored drawings and handprints that I keep seeing on the trees. In fact, it seems like the trees are taller with every step I take. So high that I can barely see the top. I almost tripped while looking up. Whether this is the same forest I come from, I no longer know.

This was a bad idea. I just hope to find something that'll help me know where I am, a sign or the road if possible.

*cling*

...?

I hit something with my foot. There is a ball attached to a small chain on the ground. Oh, no, wait. *cling diring ding* It's a rusty bell, I think. It doesn't have the typical cross-shaped hole or slot, rather it has several holes in a pattern. It looks like it can be opened.

There's nothing inside.

?

There's nothing? But I could have sworn it had rang. I close it again and shake it.

*...*

Nothing.

I'm going to put it in the bag, it's totally a good idea. I'll think about it later, for now I'm moving on.

—

I've been walking for a while now and throughout this time I had a constant chill on the back of my neck, as if someone had their eyes on me.

*din dirring* I hear a soft tinkling in the distance.

Okay, I'm not alone, awesome, what do I do now? Do I say hi and risk the potential danger finding me? Do I ignore the sound of bells and keep moving? It's very possible that whatever made that sound is watching me right now...

“Hello?” Still nervous, I try to say hello looking around “...” “Is someone there? H-hello?”

“-HEEEEELLO!”

“AAAAAH-!” I cover my mouth with my hands as I turn to look at what the hell has greeted me back. I take a few steps back while I look at the figure of earthy and sunny tones who responded, he seems as surprised as I am, I think (with the scream I made, normal), at least it looks like he's surprised. He wears a two toned wooden mask... it looks like a sun, with a crescent moon on its right... It gives the impression of two faces merged into one... Damn, he is tall, he's almost doubles my size. He appears to have two skin tones dividing him in half, his right side being the lighter and the left darker, especially the arm, which also has a light-colored tattoo of lines representing a sun symbol that covers from the shoulder to the pectoral and to the middle of the bicep. The right arm is covered by a long fingerless glove that reaches to the shoulder and is tied around the chest. He's wearing baggy pants with leaves coming out of the waist and legs, some... cloth boots? with a long toe bending sharply and curving in a geometric swirl with a bell at the tips, a bag hangs from the waistband of his pants and falls below his hips. His chest and neck are tied by ropes decorated with hanging stones, metals and crystals, he wears a pendant that ends in a carved symbol of a crescent moon with rays. Some of the 'sunrays' on his mask have ropes tied between them holding them in place and some metal dangling. Some red ribbons along with bells hang from his wrists.

“um... Helloooooo.” He greets again, this time he lowers his tone of voice. I manage to react, I turn around and walk away. “¡ah- eh- Wait!” Nope, I'm not going to wait and see what he does with me, I'm leaving. “He-! Hey!” Nope. I quicken my pace and try to get lost among the trees, changing direction every time he appears in my vision angle. “Human? Human-! FRIEND. Can I call you friend?!” Nope, nope, nopnop, nop, nop, nope. “Friend! Hey!” God, no, god, god, no, why are you following me? “Look, I know what you're trying to look for...! And believe me, you're not going to find it~!” How are you still following me? Where do you come from? “Hey! Listen! Why don't we do something else besides running in circles!?” Noooooooooo... “There are TONS of other activities we could do! Like... HOLY MOLY, look at this stick! Do you like sticks!?” Leave me aloneee... “You aren't looking at it! Okay, alright, you don't like sticks, erm... what might be of interest to you...” If I don't look at it it doesn't exist. “Could you help me a little here?” I want to leave... “Look, no matter how much you wander around, you won't find the portal-!”

“STOP—! STOP FOLLOWING ME! LEAVE ME ALONE!” The sudden scream startles him again, making him jump in place. He stands completely still looking at me. I'm leaving before he gets angry.

“B-but I- ...okay.” I thought I heard him say before I left him behind.

It seems that this time he's not following me, finally... Although I'm not calm, he could still be following me and simply not be in sight. Anyway, I think I'm coming back? I hope I am. I want to find that portal as soon as possible and go back to the house- what the fu-? “WHY?”

He's there. Right where I left him. Sitting on a rock. Waiting. “...! I haven't moved from the spot!”

“Yeah- but- WHY?”

“Because I knew you were going to come back here!”

“...What?”

“Is what I was trying to tell you! You can't leave! No matter how hard you try to find the portal, it won't appear before you!” The Sunman exclaimed.

“…” I'm just about to turn around. In fact, I'm already turning around.

“N-No, wait! Please don't go!” I stop in my track and look back at him. He gets off the rock he was sitting on but remains squatting, almost at my height, a little below. I move back, keeping my distance. He puts his hands up. “Look, I'm not doing anything! I won't chase you! Just- ...don't go.”

“…”

“L-look, listen, there's no way it's going to show up! Well, not to you at least. But even if you find it back, it won't work! It only works when it wants to work.”

“...” Let's imagine that I trust what he says “Ok... and when does it want to be working?”

“...” “No idea!”

“...”

“...”

I'm about to collapse on the spot. At least he doesn't seem hostile, for now. “...” “Okay... Good... Great...” “...” “FanTAS-tic.”

“...” “You don't seem like it.”

*ಠ_ಠ* I could only look to the side in frustration in response to that. I looked back at him with concern showing on my face and grabbing the strap of my bag with both hands. “And... what... do you plan to do with me?”

He took his hand to the chin of his mask and with the other he held his elbow in a comical thoughtful pose. “MmmmnnDUN know! What do you plan to do?” He asked so nonchalantly. He ended up sitting on the ground crossing his legs. “You have a good while until the portal opens again...!”

“...”

“...”

“...”

He started swaying. The silence has become uncomfortable for a while now, but I can't organize myself on what to say, and I don't know if I trust him. I don't even know if he's human, although something tells me he's not.

“You could wait here.” He suggested, breaking me out of my thoughts. “Or anywhere else, if you want. I would recommend somewhere high like the treetops (for no particular reason)! If you're going to wait... But wouldn't that be really boring?” There was something in his tone of voice... “Being there... at the top of a tree... waiting... alone... with no friends to hang out with (can I call you a friend?). Aaall on your own until the portal opens again.” He looks aside for a moment “...” And back at me again. “With no one to be with you.” He repeats the head motion “...” “alone...” Wow... I wonder what he's implying, ahem. “Wouldn't you want to have someone...? ...Someone...keeping you company?” Yeah, yeah...

“...” I guess... “I-I guess I wouldn't want to be alon-?”

He rises to his knees. “That's what I thought! Do you want me to accompany you? Only if you want! But can I?” He clasped his hands together as if asking a favor.

“um...”

“Can I?Can I?Can I?Can I?Can I?Can I?Can I?” He approaches, dragging his knees on the ground.

I'm starting to miss personal space. “Okay! Okay, alright...”

“REALLY?” He started hopping and jumping around me. “OH, ohoho hO! Great! Oh, there are TONS of things we could do! Like... Like...!” He moves faster, doing bigger and bigger flips and jumps, it almost seems that he is very light, as if the breeze of air lifted him. “We could paint and decorate trees! Or we can also paint on rocks! Or paint leaves! Or paint us! Oh! We can tell stories! I'm very good at making shadows and puppets.” He moves from place to place with each sentence he says. “We can also play something!” It's moving so fast all I can see is the wind and the leaves it stirs up as it moves. “Anything! Whatever you want!” Finally he stopped in front of me half crouched. “What do ya say?! Hmm! Friend!?”

“Don't... call me like that.” Makes me feel awkward.

“Oh...why not-? Oh true, true! How silly, I don't know your name! What do you call yourself, potential friend?”

“...”

“...” “Aren't... you gonna tell me your name?”

I twist the bag strap “Depends...” I must say I'm a little skeptical about this. “Are there any consequences for telling you my name?”

“...Consequences...?”

“Like... I don't know... Mmm-by telling you my name I become your possession and cannot regain my freedom until... certain conditions are met...”

“...”

“...”

“Why- how-? Where did you get that from!?” It did sound a bit stupid when I said it out loud.

“I dunno- that's what they say in old children's stories about elves and fairies!” I just hope the embarrassment isn't showing on my face.

“Really?” I could feel his deadpan expression behind the mask.

I shrugged.

“...” “Okay... Oh, what if I tell you my name first? Will you tell me yours? It's only fair, I'm Sun!”

“...”

“Can I know your name now?” He asked expectantly.

“...How do I know you're not trying to trick me?”

“...” I must be driving him crazy with this “The only thing I can do with your name is treasure it in my memory.” He put his hands together as if he was carefully holding something and brought them to the forehead of the mask. I gave him a distrustful look. It doesn't seem like it made him desist “Please?”

I grip at my worn out bag strap “...” “ Fern...” I ended up murmuring.

“Hmm? Fern? OH, I like it!” “Sounds like FRIEND.” He emphasized the last word by making a gesture like jazz hands, leaning to the side and moving his head closer to me.

“Yeah... I think you are missing a couple of letters.”

He straightened his posture again. “Nope, I don't think so!”

“You're still not my friend.”

“Oooowwwwwnnnnnggghhh” He lowers his head dramatically until it practically touches the ground “nnnnnnngggghh, alright!” And cartwheels to stand up again “So... what will it be?”

“Hm?”

He straightened his posture and puts his arms on his hips “We have plenty of time, ya? What do you wanna to do?”

“I don't know, what do you want to do-?” Bad mistake.

“Come with me!”

“aaAAAAA-!” Before I knew it, he had grabbed my arm and I was being dragged through the woods. We visited several places and he offered me an activity to do in each of them.

—

Sun took me to a place where the trees were full of colorful paint “We practice painting on the trees here!” He said.

“Ah.” That explains the crossed out lines and the repeated imperfect shapes. By the look of it is also where he tests the quality of the paint.

“Do you want us to paint something!?”

“Not really...”

“Oh, would you prefer it to be on a rock?”

“Nah.”

“...And in star leaves-?”

“I don't want to paint, Sun.”

“Oh... Well, I can show you more places!”

“OkayyEEEEEE-” And I'm being dragged away again.

—

He brought me to another area of the forest, the ground here seemed more leveled. Not a single tree was straight, all of them were twisted and even seemed to be hollow. “How about playing something!? Like hide and seek-! No, wait, I can’t let you out of my sight.” He mumbled at the end “And chase?! We can climb a tree and see who reaches the top first! We have a place full of vines and it's perfect for swinging- and jumping from one tree to another-!”

“I don't... really want to move a lot…” With the way he runs without getting tired and me, who doesn't exercise... he would let me dead.

“Oh... well, theeen-”

—

We arrived at a place full of vegetation and humidity. Sun seemed quite excited... “This place is full of insects! We can look for cool bugs!”

“Mmmmmnoooo... I don't want to.” I had to tell him, trying to show as little disinterest as I could.

“You don't like them?” He sounded a little disappointed hearing my reaction.

“No, I do like them, some of them, but I don't like to touch them.” And I'm terrified of them flying into my face.

“Oh, well, it's okay!” He said brushing it off and we moved on to the next stop.

—

“I know that bird!” He stopped us on the way to point at a robin high up on a branch.

“ah.” I said as I removed leaves from my hair and clothes, and checked that I still had my glasses.

“He's a little rascal!”

“...” I think the bird is making us the equivalent of 'mooning'.

—

“Look fish-! Oh, they're gone…” The noise must have scared them away “We can go find more places to look at them if you want!”

“...” “...no, pass...”

“…”

—

“Look at this stick!” Sun had suddenly sprinted past me, picked up something from the ground, and came back just as fast, showing me the stick as if it were a sword.

“oh.” It's a cool stick, must admit it.

“Do you want to look for more sticks!?”

“No...”

“oh...” He looked at the ground in disappointment.

“Why would we go looking for sticks? There are all over the ground.” Specifically, in this area the ground was all sticks. We are literally just stepping on sticks right now. I don't see the ground.

“Variety!” Sun said pointing at the ground with both hands. A branch is heard falling in the distance.

—

“That's a deer!” He pointed at the deer passing nearby. The deer stopped to look at us.

“Yeah, I see.”

“We call 'em Adoquín!”

“...Why is it called Adoquí-?”

*THUMP!*

“…”

The deer smacked itself against a tree when trying to run away. It stands still for a minute, processing the hit, looks at a side and then the other, then runs off again but this time avoiding the tree.

Another *thump!* is heard in the distance.

“...” Alright.

—

“Do you wannaaaa look for pine cones? There will be some fallen around here. Oh! We can also look for mushrooms!”

I keep saying no to everything he suggests and it doesn't look like he's going to run out of ideas to pass the time. In fact, he's very insistent that we do something. I guess at some point I'll have to say yes to something. “...” “...okay...”

“Hmm?! Okay? Okay to what?” His exaggerated surprise offends me but I don't blame him.

“To... I don't know, pine cones?”

“...You don't look very convinced.”

“…”

“…”

“…”

“OKAY! On the hunt for pine cones then!” I startle a little at the sudden shout. He makes a pose pointing in a direction, as if he were leading an expedition.

He takes me through the forest looking for pine cones. We aren't finding many, especially me who's not paying any interest. He tries encouraging me to put more effort into it but I keep looking at my boots.

We passed near a shingle river. I find a pebble at my feet and bend down to pick it up and take a better look. It's like a bluish gray, it has some reddish lines in the shape of waves, it feels good to the touch.

I hear the soft tinkling of a bell and feel a shadow fall beside me. “You like pebbles?” Sun is crouched next to me with his arms full of pine cones.

“…” I nod.

We go down to the river and spend some time collecting pebbles with curious shapes or small details of colors, lines, spots, etc. He comes over to show me one every time he finds weird shapes.

“…”

*rin* This time he's hunched over resting his hands on his knees. “You look… a little down.”

“…”

“Hey... we can do something else if you're tired of the pebbles.”

“...” I drop the pebbles I was looking at on the ground.

“...” He turns his gaze from me to the sky. It hasn't gotten late enough to be getting dark, but it's been a while between the walks we've taken (dragging me from here to there), looking for pine cones and then pebbles in the river. He looks back at me. “Oh, I know! Can I take you to one last place? A better place than the ones I've shown you!”

“…” I got up from the ground and waited for him to start leading to follow him.

We enter the increasingly thick forest. The trees are taller and bigger, in fact, I start to see platforms and bridges lying between the trees, I even see small shanties in them.

“Wait here!” He takes a run and jumps onto one of the trees with bridges. He takes three steps running up the tree, with a jump he pushes himself off and climbs with agility until he reaches the platform and climbs on it. “Just a moment!” It can't be seen from here but I can faintly hear some squeaks. I have no idea of what he's doin-

*rush*

“........eh?”

A rope.

A rope has fallen. At the level of my head.

“.......”

What?

…

He said he knew a better place.

No. It can't be this.

“Is it at a good height?! Can you reach it?!” He says...

It can't be.

A better place.

He can't be referring to this.

A better place.

A better place. A better place. A better place. A better place.

“Can you put your foot in?!”

“..........” For some reason what he said throws me off. “WAT-?”

“Can you put your foot in the loop and hold on to the rope so I can pull you up!?”

“..............”

“You can't climb trees, can you?! ...or you can?"

… “...” Oh “....It's...It's too high!”

“Okay!” Squeaks are heard and the rope descends to the ground.

I put my foot into the rope as he told me and hold on to it. “O-okay...!”

“Are you ready!?”

“Yes!”

“Okay!”

He begins to pull up the rope (which doesn't tighten around my foot as it supports my weight) and helps me up to the platform. (That's what it was for, obviously, what else would he want? I'm such an...) “Come on!” He says cheerfully, as always, and takes me over the bridges. “You seem tense... Don't tell me you're afraid of heights!”

“S-something like that... it's nothing.” He tilts his head at that but he says nothing. I have an unpleasant sensation in my throat.

We arrived at a high place with a view of waterfalls, I can't see above the trees. We sat on one of the bridges, resting our arms on the rope that serves as a railing and letting our legs hang off the bridge. I've thought about taking out the sketchbook to draw... but I don't really feel like it right now, so I just quietly observe the landscape. It is a better place, yeah.

…

I feel watched. I turn to look at him ...Of course he was looking at me. I don't even know whether to say something or keep quiet. ...I decide... not to say anything and look to the front.

“You... aren't very talkative, huh.”

“…”

“Not that it's a bad thing! Many people who have come here weren't very talkative at first either.” More people...

“...” “I have… nothing to talk about.” I don't want to talk.

“...” “Well, I do.”

“…”

“If it's okay with you, of course.” He laughed. Although something tells me that he is going to talk anyway.

“…”

“...” “What brings you to the forest?”

“...” Really? “I got lost.”

“Yeah, I already know!” He says between laughs “But what made you get lost?”

“...” “There was a group of kids I didn't want to get close to and I decided to go into the woods to lose them.” He makes a 'hum' sound and looks at me expectantly waiting for me to continue “And... I ended up getting myself lost...”

“...” “Only that?”

“...” “Well, yeah.” What do you mean 'oNlY tHaT'?

“...Mmm...” He places his hand on the chin of the mask.

“...” “What?”

“Nothing!” “...” “You know? You're the first human to visit the forest in a loooong time. For several cycles now…”

“Cycles?”

“Mhm” He nods.

“...What are cycles?”

Sun points to the sky “The turns that the Moon makes in the sky!” He emphasizes by rotating his arm in the air. It's pointing right at the Moon that's visible in the sky.

“Oh...” He uses the lunar cycles to know what day he's in, makes sense. “...” “So no one has been here in a while.”

“That's what I said! Well no, but yes!”

“A-and so the humans who came are still here? Have they been here all this time?”

“Yeah...! Well, no!” He paused. “They're gone!”

“What do you mean they're-?” He didn't let me finish the question.

“They are gone! They 'left'!” It sounded like he had given this answer many times already.

“What do you mean they left-?”

“They 'left'!”

“...” “...You mean...they disappear-?”

“Nope!” “...” “Something like that!” “…” “Mmmore or less…” He hesitated between one answer and another.

It seemed worthless to ask about the missing people. “...okay.” “Can I ask you-?”

“You can ask me anything!” A hint of nervousness escaped his tone.

“...okay. What is this forest?”

“My home! And the home of many other animals.”

“...” “Alright, and... how many are you...? How many of you live here? I mean. You have taken me everywhere and we haven't seen anyone of your…” I make a pointing gesture, spinning my hand around in the air. He can't be human, it doesn't look like he is. “...” “Honestly, I don't know what you are.”

“...” “There's only me... And someone else!” He looks away, as if trying to hide something.

“Oh... and who's that someone?”

“Oh! N-no, don't worry! He’s… just a friend… But it’s not important that you meet him or anything!” He brushes it off making a gesture with his hand. “Uh-um- How about we talk about you!? huh? What things do you like? Earlier, since you said no to everything, I thought you didn't like ANYTHING!” He continued talking without letting me respond. “I didn't know what to do if I ran out of ideas. I started to worry! But at least you're not one of those who spend all day shouting and threatening with a weapon in hand, ahaha...” He let out a nervous laugh.

“Um-”

“Well, you ran away screaming, yes.” He began to gesticulate widely as he complained “Like everyone-! No, not like everyone, some don't run, but those who, apart from running and screaming, attack you...! I mean...!” Something tells me he wasn't going to shut up and I was already half listening. “First they throw rocks at my head, then they insult me and run away. And I have to run after them because I can't just leave a human running around alone! No! I can't! Not in this forest! Anything could happen to them! But they never let me warn them!” He sounded tired. “And when I get them to stop running away from me, they throw things at me again and yell before demanding me to tell them where are they and how to get out of here, and when I explain it, they yell at me even more and accuse me of lying!” He turns to look at me with his hands pointing to his chest. “What reason would I have to lie?!” I don't know if he hasn't noticed or if he's ignoring the deapan I responded with. “UGH! I don't know what to do with those! But anyhow... I'm so glad we found something to do in the end!

“eh?” I snap out of my thoughts. It seems that now he is directing the conversation to me.

“The pebbles!” He sits turning his body towards me, leaving one single leg hanging from the bridge and the other resting on it. He takes out of his pocket some of the pebbles that he had been collecting with me. “I don't know why I assumed you wouldn't want to look for rocks. Maybe because you didn't want to paint them before... You left them back in the river in the end tho, I thought you would keep some.”

“Ah... I don't know. I didn't think I could take them with me.”

“You can keep some of mine!”

“No, it's okay.”

“You sure?”

“Yes.”

“You suuuuure??” He insist.

“Yeees.”

He puts a pebble very close to my face “Suuuuuuuure?” Each 'u' sounding higher than the last.

“...” I push the pebble away from my face “Yeeeees.”

“mmmh... Okay! But I hope you don't regret it later when you don't have a cool rock like these and think 'Oh man, I could have a cool rock right now!'.” After a bad impression of me, he keeps the rocks in his pants. “So... Besides pebbles, what else do you like? Mm? I haven't been able to deduce much from today.”

“Don't know.”

“What do you mean you don't know!? Oh! Is it a secret?” He approaches and starts to whisper, putting his hands to the mask's mouth “I won't tell anyone, promise.”

“No. I don't know.” I looked to the side. “I can't think of anything... so suddenly.”

“ooow...” He slumps a little over the railing, looking sad.

“…” I hesitate whether to say something or not “...Drawing...”

“Mmm?!” He no longer seems sad.

“And listening to music, I guess.” “It's... all I do... most of the time.”

“Really!? Oh! I also like drawing! And music! But is that really all you do all day? Don't you do other kinds of things? Like reading! Or writting. Don't you go out for a walk or play with your friends?” I wrinkle my face at that last bit and he tilts his head in confusion.

“I don't go out.” “I have comics, but I rarely read.”

“Comics?”

“Um... They are stories but instead of narrating what happens there are drawings and only what the characters say is written.”

“...It's a book with drawings?”

“Yeah, but with a lot of drawings on each page, from start to finish.”

“WOAH.” He sounded perplexed. “That's drawing A LOT.”

“Yeah, it is.”

“Ahh, I'd love to see what they look like.” He rested his arm on the railing to hold his head in his hand “Too bad I can't…”

“I didn't bring them anyway.”

“Do you normally carry them around?”

“No, it's just that I didn't bring them to the village with me, I left them at home.”

“...” “Oh!” It seems that something has clicked on him. “You are not from the village.”

“No, I'm from a more urban area. My family used to come to the village every year in the summer, but we stopped coming. Now it seems that we are trying to get back into the habit.” I sighed.

“Why did you stop coming?”

“...That's personal.”

“Oh... okay.” He let a minute of awkward silence pass. “Hey, I can bring some books that I have at home! I think you might be interes-!” He looks away from me to the sunset behind us, the sun is almost gone. “-ted...” I look at the sunset too and then at him with confusion. “...” “...oh...oh-OH, Oh-no!” He stands up abruptly causing the bridge to shake slightly. What could have he seen? “We have to move!” He extends a hand to help me up. “We have to start moving!”

I get up in a hurry on my own, ignoring his hand. “O-okay, to where?”

“Come, run!” Once again he grabs me by the arm and leads me over the bridges between the trees until we reach a tree hut. It's small and dark, it looks like a small shelter. He opens the door and enters “You'll spend the night here, stay inside, do not go out, try to hide well and don't open the windows or doors, okay? Here, there are some blankets. I'll come back later.”

“Wait wait wait! What? What do you mean you'll come back later? What's happening? Why do I have to hide-!?”

“Sssh-ssh-sh” He grabs me and covers my hand with his, his left hand resting on the back of my right hand. He begins to speak in a calmer tone, with a voice that I had not heard him use until now. “It's okay, nothing happens. I have to go, I'll come back, but I can't stay now. You hide, try to rest, I'll be back, I promise.”

“...” I take my hand away from his. “Okay.” “I'll stay, but don't take too long.” Please, I don't want to be here alone.

“Yes. I'll be back.” He affirmed one last time. I watch him run away and disappear among the trees and undergrowth. I enter the small shelter to inspect it.

*TAP TAP TAP* *PLOK* *TAP TAP FOOSSSH! *

…? A noise comes from behind me. I turn around and there's a pebble on the floor.

…

Okay.

I take out my phones flashlight to see better inside the house. There are what appear to be some trunks, small cabinets, and a trapdoor in the floor, It seems that there are corners and blind spots for the windows where the little moonlight that enters through the cracks cannot reach. It's freezing cold and I haven't brought my jacket. I leave the bag on the floor against the wall, I cover myself with the blanket and curl up in a ball in the most hidden corner I can find. I'm tired, I want to sleep, but I can't close my eyes.

…

—

It's been a few hours now.

…

I can't sleep, I simply can't.

…

It doesn't look like he's coming back.

*creek*

…?

*rin*

*tap tap, creek*

Sun?

“S-...” I pause before saying a word, I have the feeling I shouldn't speak. I remain silent and wait.

*tap, tap, tap, creeeeeek, tap*

*rin dirrin*

If it were Sun he would have already let me know it is him. That or he's playing a prank on me which isn't funny, but I'd better stay silent. From the shadow I look at the windows. I notice movement through the cracks, something has just passed through the wall next to me.

*dirriring dirring*

I cover myself more with the blanket, back against the wall, I stay as still as I can, I leave a gap between the blankets and the floor to see. A red glow sneaks through the cracks in the window and scans the room.

…

The glow is gone.

*tap, tap, rin, tap, dirring, tap, tap*

It's on the roof.

…

*tap, tap, tap...*

It moves again.

*rin *

…

It sounded on the other side of the wall.

…

…

“nghehe...”

It laughed. Why did it laugh? Whatever is on the other side of the wall just let out a laugh that made the hairs on the back of my neck and all over my back rise.

…

Oh no.

Oh no no no no no no no no.

I have to move. I have to get out of here. I can't stay here.

*creeek*

It came from the door. It's trying to get in.

*rin*

The trapdoor.

*rin dirring*

Where was the trapdoor?

*creek creeeek*

I crawl across the floor making the minimum noise, carefully feeling the floor, looking for the edge of the door.

*tap tap ring dirring*

…!

I found it. I open it carefully. It's too high. I'm at a very high altitude, I don't know if I'll be able to go down.

*rin, creeek...*

…

Fuck it. I slip through the gap quietly, closing it slowly, but that doesn't stop the door from creaking. I cling to the bark of the tree-

…

I left my bag. If it comes in and see it it'll know for sure that I have been there-

…

It doesn't matter now. I have to focus on getting down from the tree without killing myself. My fingers hurt and I can't put my foot down properly because of the soles of my boots. I feel like I'm going to slip at any moment. Somehow I make it to the ground. Still attached to the tree, I look up at the house. I don't see it-

…

A shadow appears from behind the tree. I press myself against the tree and hold my breath. It's looking for something. When he doesn't seem to look I move to a nearby tree, he moves to another tree, I move to the next, and the next, and the next. We continue like this until I start to get further and further away from him. When I think I've lost him I start running. I hide behind a tree to catch my breath.

…

I slowly peek out from behind the tree.

*rin*

…

It sounded above me.

…

I don't look up, I run.

“nnghehee...” He laughs.

He gives me a few seconds advantage before coming after me. The chase begins.

I run forward as much as I can, I hear his footsteps behind me but I don't look back, there's no time for that. I hear him laughing like a madman as he moves from left to right, from one tree to another, crawling on the ground, trying to confuse me, waiting for me to make the slightest mistake to catch me.

“Ah-” I trip. As soon as I fall to the ground I get up, ripping my stockings and scraping my knees, falling again, my nerves not letting me stand up.

“Nnhehehhehe...” Asshole. He has stopped running, he approaches by walking. I try to keep as much distance as my hands and legs allow me to move. I search desperately with my hand for something on the ground to throw. Finally my hand finds something.

I throw a rock at him “AGH!”

The rock passes by him, flying one or two meters away from him. He hasn't even moved, he didn't move a single muscle to avoid it, he just watches me still from where he is. I hear the nearby *pof* of the rock falling to the ground.

“...”

“...”

…

I get up and run. He grabs my leg and I fall to the ground again. He won't let me get up, every time I try he throws me to the ground. I struggle, I kick, but I don't break free from his grip. He never stops laughing, he is enjoying this. He drags me closer to him, no matter how much I twists, he doesn't let go. “ACKH-!...Hhhh-hh...-hh-h...” He grabs me by the neck, red pupils stared at me, I'm looking straight into his crescent moon mask (or waning, I don't know. Do you think I care right now?). He raises his free hand and his veins begin to glow a platinum color that extends to his fingertips. The hand approaches my face, I don't know what it's going to do to me, I'm scared, I don't want to look. I close my eyes, cover my face with my hands. I wait.

…

…

…?

Nothing's happening. It stopped. Why?

“Mun, nïe.” I hear Sun's voice. I open my hands a little to see what's going on. Indeed, it is Sun, several meters away from us... He looks exhausted. The one with the moon mask stares at him for a moment, until he decides to look at me again while bringing his glowing veiny hand closer. “¡Mun!” The Moonman looks at Sun again “Fehreh.” He seems to speak another language, I don't understand what he says.

“...” “Nïe” For the first time I hear him say something else besides laughing. Even though I can't understand him.

“Fïer pehgïer.” Sun responds.

“...” Moonman remains silent again.

“Bïelïe óubseh góuh...” Sun continues.

“Móu txehb móunsuvïe.” The Moon responds.

“Lïe bóu ¿Sóundïe mïesugïeb fehreh nïe txehtehrlïe?”

…

The air feels tense. Probably because of the hand grabbing my neck.

“¿Zkaóu fuóunbehb txehtóur tkaehnvïe nïe bóueh mehb zkaóu ïesreh rehuh óunsóurrehveh óun leh suóurreh?” Longest sentence I've heard him say so far.

“...” “Fïer óubseh góuh.” “...” “Vóuyehmóu óuntehrdehrmóu vóu óulleh” Sun takes a step forward “Nïe suóunóu fïer zkaóu ehtehkehr ehbu” Another step forward “Nïe sóunóumïeb fïer zkaóu txehtóurlóub... óubsïe” Another step “Óullïeb bïelïe óubsehn... fóurvuvïeb.”

“...” There's no response from the moon man.

“Behkehb tïemïe óub óubïe.”

“...”

…

The hand that grabbed my neck now grabs my shirt and yanks it. I grab his wrist as he pulls me to my feet and drags me to Sun, making me stumble. He throws me against him. Sun catches me before I fall over.

“Ska óubpkaóurhïe óub óun gehnïe.” The moon says something as he walks past. Sun puts a hand on his shoulder before letting him go, there's a pause between the two. The Moonman disappears into the trees. Wind and leaves are heard passing by.

…

He's gone. I feel dizzy. I fall down.

—

…

…

…

A faint light begins to seep through the cracks, illuminating enough to wake me up and make me open my eyes, I look around. I see my bag propped against the wall. I'm at the shelter where Sun left me.

…

My body aches, I have a hard time keeping my eyes open, it feels like I've been sleeping on the hard floor. No, wait, there are some blankets underneath me... It's still too hard to sleep well, either that or as I said, it shouldn't help me at all that everything hurts. After a while of staring at the ceiling I try to sit up. I emphasize trying. With every slight effort a pained moan escapes me.

“Oof...” Hurts.

*creek, tap tap tap tap*

Those wood creaks bring back bad memories from last night (which by the way, I'm alive, wow, I just realized), I can't help but cringe at every noise, I hear footsteps approaching, I try to move but the stinging pain prevents me from it.

*creek... *

The door opens.

Triangular shapes appear through the door followed by orange earth tones. “…Oh…!” “Early bird!” Thank god it's Sun and not the other one, or something worse “I didn't expect you up this early!” He says laughingly.

“ah?”

“How are you feeling?” He walks in. When he sets foot inside I lean back, towards the wall. “...” I don't really know why I did that. Sun stands at the door showing confusion with his usual head tilt. “...Arrr...re you okay, Fern?”

“...” I became tense suddenly. I really don't know still if I can trust him? He hasn't done anything to me yet but that doesn't mean that I can trust him. I don't know if he plans to do something with me like whatever that other one, the moon one, was going to do last night. “...ehh...hhh...h...” I can't get a word out, I'm afraid to ask.

“Mm?”

“...” I don't know what to say to him. My eyes go somewhere else.

…

He enters further into the house, ignoring that I keep my distance from him, leaves a bag he was carrying on the floor and begins to open the windows, letting in the little light of the dawn that is just beginning. He kneels on the floor in front of me with the bag. “Are you hungry?” He opens the bag and takes out an apple “Do you like apples?”

“...”

“No?”

“...”

“Um... I also brought berries... (It's what I had on hand coming here) There are... different types, you can choose” He brings the bag closer to me. I move further away. “uhhh...”

“...” I want to leave.

“You don't like them either...?”

“...” I don't want to eat. I want to leave.

“...”

“*snif... *”

“u-um...!”

“...*snif* *sob*...” I started crying out of nowhere.

“Ahhh...! D-do- don't cry! Ah-I-Um- Ca-can go find other things you might like-!”

I felt ashamed for crying and I put my hands to my face trying to wipe away the tears, but they wouldn't stop coming. “*hic, sniff, snif *” I looked away in an attempt to cover my face. I ended up looking at the floor, letting my hair act as a curtain.

“I can go in a moment!” Sun was already getting up.

“...w-want to leave...” I managed to get a murmur out.

“...W-what? Um...”

“...” *hic, hic *

“O-okay, um... If you aren't hungry... -we can do something else- uh- we can go look for rocks like yesterday in the river!”

“...” I don't want to do anything “...want to leave...”

“O-or we can do something else! Ah-bah-b-b-b- W-won't you like to go draw??! Somewhere, some landscape?! Wherever you want! We can draw together! If you prefer we can look for animals instead of landscapes!”

“...leave...want to...go... *hic, snif *”

“¡D-don't n- uh! ¡L-let's... um- let's not- uh!” He no longer knew how to order his words “H-hey, ¿Why don't we go to-?” He extends his hand towards my arm.

“I want to go home...”

He stops before touching me and removes his hand. “...” “...home?” There is a pause. He remains silent and unmoving. He finally speaks “Do you want…?” His tone became more serious.

“...”

“...to... go see the portal?” I look up slightly, I can't see through the tears and the fogged lenses of my glasses.

“...” I nod my head.

—

…

We didn't walk far until the red began to become visible. He brought me back to the portal. The same plain of red leaves and stone arch in the center of it all, as yesterday.

…

Sun has been quiet the entire time.

He advances towards the portal and stands facing it. He turns. “Come.” He extends his hand towards me. “You can pass through.”

“...”

I advance towards the portal. I stop before crossing. If it doesn't take me back home, what do I do? I don't want to stay.

A breeze begins to come out of the portal. The breeze turns to wind, the leaves rise, they pass through us. It's the same thing that happened yesterday when I went to cross. I turn to face Sun. Motionless, he looks back at me, the leaves pause in the air for a second as if time has stopped, the wind changes. From where the wind and leaves came now they come in, they push me towards the portal. I finally cross it.

…

Am I in the forest I know? I turn to look at Sun who stayed behind in the portal. “...Sun?” He's not there. I look around. He's not here. I've already crossed the portal, he must have left.

I notice a sudden draft pass by me. It's soft, like someone walking past you. I turn towards the forest, I have to start moving, I don't want to be here another minute.

...The air current that I noticed has lifted some leaves, they reach the trees, between them the wind does something strange, it forms a transparent silhouette. It looks like Sun, I can barely see him but I could swear it's him. The wind figure raises its hand and makes a gesture, it wants me to follow it. When I approach it turns around and walks into the forest, leaving a trail of leaves behind it. I follow the trail of the air current. Sometimes it stops to look at me, making sure I'm still following it. The red-leafed trees and the paintings disappear from view the farther we go. We crossed the forest until we arrived at the entrance of the town, near my house. There is no one on the street. If I walked into the house and pretended nothing had happened, officially no one would have noticed my absence.

I'm not one hundred percent sure if the wind figure that guided me is Sun or not, but I should at least thank him for bringing me back.

…

The air current has dissipated before I turn around. I look around, there's no one.

…

…

…

I enter the house, go up to my room and throw the bag on the floor. I go to the bathroom to wash. …I feel something strange in my hands but I couldn't say what. Doesn't matter. I change my clothes and get into bed, the tiredness of the previous night makes my body succumb immediately and I fall asleep instantly.

—

…

…

…

“ah...!” I wake up with my lungs begging for air. I need a moment to calm my breathing. I look at the clock without lifting my head from the pillow.

…

It is 12 midday. I rub my eyes and from my eyes I move to my face. I'm still tired. My body still aches. I stare at the ceiling.

…

My bag. I reach out to pick it up from the floor, making strange positions so as not to get out of bed.

I open it and search in the pockets. The bell. I put the bell to my ear. “...” I shake it.

*rin, diring diring*

“...”

I open it.

…

It's empty.

[gremlinandacrow]

Mouthwashing Headcanons

I may be cringe...But I am free! This is my first time actively sharing my headcanons. Sorry if this sounds incoherent, these were partially done on impulse because I wanna share my love for this game!!!

(Note: There's no mentions of Post-crash here!) (Note #2: Yeah Anya has the most, she's a queen and deserves it!)

Anya 🌕

Early to mid-30s

Tall! I imagine she's at least 5'8 (and her sandals provide an extra inch of height as well)

Russian (credits to @lesbiananya for this hc actually! Her fics are awesome!)

She moved to America in her mid-20s

Lesbian

Growing up, her family placed many expectations on her. Academically, she went beyond most of her class, but as she got older, she struggled immensely with various insecurities over being "good enough".

It developed into her feeling very hyper-independent. She only considers it her final option.

It's...Partially the reason why she's so estranged from her family now.

Undiagnosed autistic (currently going through burnout)

Major reason why she kept failing medical school: She kept running out of money she earned from working hauls with Pony Express. Is in debt.

On the ship, she...Doesn't do much. With such a small crew, there's very little chance of anyone getting seriously hurt. And the food...Well, it's terrible, but not enough to make anyone sick.

She spends a lot of time (during the "workday") in her office. She likes playing the music while she studies in there. It's mostly ambient music.

Bands/Artists I'd think she'd like though: The Crane Wives, Mitski, boa (Maybe Big Thief as well?)

When the crew is playing a board game and it's getting intense, she'll go eerily quiet and have this intense glare!

Smokes often, usually when she's stressed. Unfortunately on this haul, she only packed one box, so she making them last as much as she can...

Also has a journal. She mainly uses it to vent her frustrations out. It's the only thing that will "listen" to her.

She's cold to the touch

After her first haul, she packed extra blankets. You can't tell me the Tulpar isn't cold 24/7!

Near-sighted! She wears contacts (I know this isn't the most original headcanon, but I wanted to mention this one!)

Curly 🚀

Mid-30s

6'1

Born in Australia, raised in America after his family moved when he was young

Bisexual, but he didn't know for a long time (At least until his late 20s)

Parents had him when they were older. Both passed by the time he was 30.

Has been Jimmy's friend since middle school.

Kept finding himself surrounded by bad influences. Sometimes he'd get out of those situations...And other times he'd stick by Jimmy.

Doesn't have that much of a social life outside of Pony Express. As a pilot, it's a super demanding job.

Daisuke 🌺

21

5'7 (Shortest of the Crew)

Japanese/Filipino (Born to immigrant parents)

Aroace, but hasn't realized yet (struggling with comphet)

Trans! At first, only Anya knew (due to medical reports). He's pretty open about it!

Loves art, but his parents didn't understand how it could've been a stable career/passion for him.

Not a morning person at all. For a while, the hardest part of being on the ship was waking up before noon.

Used to Naruto run (honestly he still does it sometimes for fun)

Not a fan of coffee unless if it's 90% creamer + sugar.

Also doesn't like alcohol (even the sweeter drinks such like Pina Coladas, Cosmopolitans, etc.), prefers soda!

Reminds Curly of when he himself was younger (right when he started working for Pony Express)

Swansea 🦢

Early 50s

5'10

American (Southeast)

Also has Welsh ancestry!

Married, has three daughters. He's estranged from his family due to work.

Doesn't wear his wedding ring while working. Safety hazard.

Like Curly, he goes by his last name rather than his first.

Sees Daisuke like the son he never had!

Didn't really understand what Daisuke was talking about when he came out to him. Mostly because the intern was talking really fast and used a lot of lingo Swansea couldn't begin to wrap his head around.

But he eventually got it. He's still a bit confused, but willing to learn. Just not while he's busy working.

Jimmy 🐴

(Content Warning: Implied childhood abuse and neglect.) (Additional Note: I did not make these headcanons to excuse, downplay his actions, or make him sympathetic.)

Mid-30s (A little bit older than Curly)

5'11

American (Midwest)

Rough childhood. Curly was the only one who knew the full extent of what his homelife was like. However, when Curly wanted to tell people, Jimmy pressured him not to.

He fully believed that his life would get worse if anyone got involved.

As an adult, he believes he'll never be like his father.

Barely graduated high school

HATES being called "James"

His feelings towards Curly are complicated, to say the least. They have a codependent relationship.

Listens to crunkcore and country exclusively.

[illubean]

I saw ur celebrity Iso x bakery girl post and im in LOVE

May I req an art student!Iso x reader where Iso is roommates with another guy (either Phoenix, Gekko, or Yoru) and that dude has friends over with reader being one of them and tries to go find the bathroom but instead stumbles upon Iso's art room where he's painting away and doesnt notice reader? :3

And maybe reader leaves their number without him noticing until the guests all leave🤭💜

If You Need a Muse

Characters: Li Zhao "Iso" Yu Type: Fluff, Oneshot, Gn!reader

this request has sparked something within me... how do we feel about CeramicArtist!Iso smirk emoji also I changed the req just a tad bit >.<

Warnings: none

It wasn't often that your dear friend Jamie invited you over to his home. Your little group often spent time at Sunwoo's (who prefers to be called Jett) house or showed up at Ryo's uninvited. He was always too lazy to host or feared disturbing his roommate, but today he wanted for you all to play a console game he just bought.

You sat on the floor in front of Jett, who was on the couch battling against Ryo. You watched the game on the screen as you awaited your turn, as Jamie came from the kitchen with more snacks. Jett was currently losing, yelling and leaning into Ryo in hopes of throwing his game. You laughed before looking at your brown haired friend who sat on the floor next to you.

"We're not bothering your roommate are we?"

"Nah, I don't think he's home right now."

After about another hour of playing the game and eating junk food, you needed to use the bathroom. Setting your controller down you looked over to Jamie, asking for directions to the bathroom.

"It's down the hall, first door to the right."

You nodded, getting up and going on your way to find the toilet. You stopped in front of a closed door, pushing it open to reveal NOT a bathroom. You look around, taking in the room. It was well lit, the walls decorated with paintings in various sizes. In the center of the room was an easel, and a man standing in front of it who's gaze seemed to have shifted from the piece in front of him to you. He was wearing comfortable clothes protected by an apron, a paintbrush in one hand and palette in the other.

"Oh uh- Sorry. You must be Jamie's roommate, I was just looking for the bathroom."

He offers you a small smile before returning to his work.

"No worries, it's one door over."

From where you stood you couldn't really tell what he had been painting, but what you could tell was that the man himself was a piece of art. He had beautiful purple eyes and sharp features that you could almost believe he were a marble statue come to life. After taking him and the room in for a little longer you spoke up once again.

"Your art is very beautiful."

He looks up and smiles at you again before responding.

"Thanks. I'm working on pieces for my portfolio, though I don't think anything I paint could compare to your beauty."

You were left speechless as you felt the tip of your ears burn.

"O-oh. Thank you. I'll be- uh- going now..." You stuttered out, before turning and going back to your original task.

Find and use the bathroom.

After doing your business, you returned back downstairs to find that your friends switched to watching a movie.

"Geez, you took forever in there!" Jett complains.

"Did you take a shit or something?" Ryo asks, scrunching his face up at you.

The other two laugh at his statement before you give a response.

"I don't see how any of that is your business," you huffed. Instead of rejoining your companions in the living room, you make your way into the kitchen. There was a magnetic basket stuck to the side of the fridge with pens, some memo pads and sticky notes in them. You grabbed one of the sticky notes and a pen and begin to write your note. You look around for a place to set it as your eyes land on a coffee machine.

Bingo

The machine must belong to your friend's mysterious and attractive roommate, as you knew your friend didn't really enjoy coffee all that much.

You stuck the note on the bottom of a mug sitting underneath the machine before setting it back in place and finally returning to the living room.

{timeskip}

The next morning, Li made his way towards the kitchen for his daily cup of coffee. He would be headed off to class soon and needed a bit of caffeine to start the day. Jamie had already been up, also about to leave for class. After brewing his coffee and picking up his mug, ne noticed a yellow corner of a sticky note peeking out from the bottom.

Peeling the note off, confused, he brought it up to eye level to read.

"If you ever need a muse (or wanna go out :D) call me~ XXX-XXX-XXXX (Jamie's Bathroom Friend)"

A light blush dusted his face at the note. This had to have been left by his roommates attractive friend yesterday. He was so distracted buy the number written in front of him that he didn't notice Jamie peeking over his shoulder.

"That's why they took so long in the bathroom! Hah, looks like one of my best mates likes you."

The man gave his flat mate a firm pat on the back before going about his day. The light blush on Li's face darkened in embarassment at the realization Jamie had seen what was written. Drinking his coffee, he sat down and put the note in his pocket.

He would have to put the number in his phone later.

[moonbiscuitsims]

SIMDEW VALLEY SET 🍄👩🏿‍🌾🐷🐴🐄🧙🏿‍♂️🌻🌽

Stardew Valley Pixel Art Floors/Walls/Deco (TS4) Download Below

Aside from a couple most of these pics are just the demo pics showing what's included, more CC in game pics can be seen here

🍄Misc Large Decals

In order: Junimo huts + large Junimos, Holdiay Decor and "sky decor", furniture items, rarecrows, plants.

🍄Wall Decals Paintings and Banners:

🍄Wall Decals Misc small:

Adventure stuff and boots, small junimos, random furniture items slime monsters different expressions

🍄Wall decals Gems and Minerals:

I didn't do them all, just some that I liked.

🍄Wall decals farm animals

🍄Wall decals Fishing

Again just the fish I wanted to do, not all:

🍄Wall decals Harvestables, Crops, Products:

Here's a random in game pic (see more in links provided at top or bottom of post), all decals show through glass too!

🍄Stardew Valley Villagers (yes the bear is a villager I refuse to accept otherwise) portraits

The portraits are the only item with actual dimension, I recoloured a base game framed painting, so these are not flat like the rest of decals. (they look a bit orange but that's just my mood lighting)

🍄Walls and Flooring (indoor and outdoor flooring)

I did all the ones you see here:

For the floors I made a large and small version of all:

🍄You can see more CC in game pics in my wip post here

Are you sick and tired of those smooth graphics from Sims 4? Do you wish you could replace those pesky curves and detailed HQ textures with nothing but square pixel heaven and flat colours? To be finally rid of all those 3D bump/light effects and replace them with volume-less cardboard cut-out illusion and imagination? Do you want your build/game to look just like Stardew Valley? Or do you simply think that if the sims team are gonna give us low poly and low quality meshes and textures might as well do it properly? Fear not! The solution is here! I made a new Stardew Valley save (why I need yet another save that I'll never have time to complete I don't know) and tried my first build, the recreation of my current (and only) farm. It was ok but I got frustrated at how "Sims 4" everything looked, and checked for stardew valley cc conversions, art, decor but only find people making it using sims 4 stuff, which is probably the most logical thing but not for me! So I made this as there are plenty of game assets from Stardew Valley available online and however tedious and time-consuming resizing the tiniest of pixel art images is to fit Sims 4, it is fairly easy and doable, so I did it. I did skip some items in each category as there are way too many and just did the ones I like, sorry if there was one I didn't include. Also there are some floors in the game or icons that I couldn't find. Some Junimos were taken from the internet but most are individually resized game assets. INFO: all decals in wall deco, all are zero simoleons, and the portraits are 10. You can find my stuff typing "moonbiscuitsims" or "stardew". All have correct colour filter tags and removed "talk to object (insane)" and "can be struck by lightning" (these things annoy me or could cause more distractions for my sims, sorry if you like this though I'm sure there are plenty of objects to talk to/ lightning strikable objects). I don't know if this has an effect. All the portraits are just tagged as brown. All are resizable to your liking. Forgot to mention the floors i think are in wood flooring and outdoor flooring; and I think the walls in panelling. REQUIREMENTS: Nada, nothing. Just base game. (though I did accidentally make one item from a get to work decal by mistake, I remade it to fix it and I've play tested everything, but let me know if something doesn't show up.

PLEASE READ AND RESPECT MY TOU AND DO NOT ❌❌❌: - ❌ Reupload - ❌ Include in sim downloads - ❌ Put behind paywall of any kind no matter what. - ❌ Claim as yours. If you wanna use the texture files to make other different original content that is fine as long as it is different from mine and NO PAYWALLS and no reuploading my stuff. The images are from Stardew Valley, but I spent ages editing every single one to fit the sims, and this took me days to do. All my stuff is free. I don't care about conversions to ts2 or ts3 but NO PAYWALLS and please tag and credit me. If used for screenshots please tag me too, I'd love to see <3 🍄DOWNLOAD (including a pick and choose or a merged file with everything, don't get both) 🍄ALT DOWNLOAD PATREON Enjoy! Happy Simming/Farming

🌵🥥🌴NEW!! Calico Desert Addon🌴🥥🌵

Stardew Valley fav music playlist 🎵🎵🎵

[zzalina]

One day more or Sale el sol? Los Mis 2010

Okay so yesterday I made a post about Los Miserables 2010 and discovered there's more people who love it??? Someone asked me about the spanish translation of les mis and it was the straw that broke the camel's back for me to finally make a post. You have NO IDEA how long I've wanted to talk about this. Anyway, today I'll be talking about the 2010 spanish translation BUT I already have in my drafts a post comparing the spanish 1992, spanish 2010 and the original english versions (Edit: not in drafts anymore, here it is!). Without furhter ado, here are my thoughts about Sale el sol:

First things first: the title. "Sale el sol" means "The sun rises". I didn't use to like the translation because they could have gone with "Un día más" (as they did in 1992). It means exactly "one day more" and fits the music almost perfectly (you just have to pronounce it a little bit weird but nothing that isn't a common thing to do in songs). But then I saw this tweet:

"The phrase the sun rises instead of one day more to speak about resilience in a country in which the sun was used by fascists makes one feel mental peace, feel justice, feel art and revolution, it feels like recovering the light and coming out of the shadows"

A little bit of context: Spain was in a fascist dictatorship until 1975. There is a famous song from that time called "Cara al sol" ("Facing the sun"). It was the anthem of the Falange, a political party, but it's still used today by fascist groups. In this context, claiming the sun for a message like the one this song sends is really poetic justice and I just love it.

They also use the idea of the sun rising in "La canción del pueblo/Do you hear the people sing?" (I'll make a post about that one too) so it really links the two songs together in a very beautiful way. I could speak about the title for hours, but let's go to the lyrics:

On the left you have the original english lyrics, then the 2010 spanish ones and then the translation to english so you can see the differences. Pretty similar tbh

Marius being so dramatic in every langauge

Éponine's verses are always so sad but there is something about her feeling like she doesn't even exist for Marius that breaks my heart even more 💔

There's a lot I could say about Enjolras' part related to the 1992 translation but that will be a different post. Now take a moment to appreciate how Daniel Diges sings this lines pls look it up I love him

As you can see, in the translation we sadly lose the repetition of "one day more" 😔 Also Javert saying that the revolution will be born dead conveys to me the certainty that he had that it was not going to work. The army won't have to do much because the revolution will die by itself (and he was right, the people didn't join 😔)

Honestly I don't fully understand the Thenardier's part in english so I can't properly compare it, but they're so caothic in both languages, this part is so funny.

My favourite part of the song 😭 In english "Do you hear the people sing?" is the title of another song but since that one is called "La canción del pueblo" ("The people's song") they couldn't keep the verse exactly the same. But it's the first verse of The people's song

Just Javert's part bcs it's different, the others are kept the same than previously if I'm not wrong. Once again, there's no repetition in spanish 😔

I find it funny that since the original one talks about dawn at the end they translated it to "un día mas", doing the opposite of what they did with the title. It made me wonder for years why didn't they use it for the whole song since it fits the music. But now I know and you know too.

If you made it this far thank you for reading the post. If you liked it, there'll be more and if you didn't like it I'm sorry but there'll be more because I have a lot to say ✨

[bonnet-spotlight]

Hello hi!! Could you please make matching Jeremy, Unpleasant and Enphoso layouts for tumblr and discord? Specifically for the art with Jeremy, the art by @// geometricgiovanni 's mod?

If not, that's fine of course!! Your edits are pretty k BYE!!!!!

Jeremy + Unpleasant + Enphoso Matching Layouts

Made for @seabunnythatlikeshorror

Extra notes //

Credit for both the Jeremy and Unpleasant art goes to hexatational, on both of their roleplay sideblogs respectively. Credit for the Enphoso art goes to notaspy-yah, specifically this post. I was NOT caught up on the lore of Hex's Regretevator AU. Didn't find out that their Jeremy and their Unpleasant were exes until halfway through making these and was kiiindaaa too lazy to redo them by that point. Sorry... These should work perfectly fine with Tumblr, haven't tested Discord so I don't know if they function for Discord. If they don't then I apologize. And finally, sorry that this request took a month to respond to. I was putting it off since I originally misread it and thought that the art for all three of them had to be from Hex, and was confused because I couldn't find any Enphoso art by them. Fast forward a month later, I reread this for the 50th time and finally understood what was actually intended.

[jacksintention]

I was very intrigued by this, because I didn't remember that scene happening in the Vessalius house at all. Today I was rereading some chapters and I stumbled upon this by chance:

Here they are in the tower, but in the past. And here they are in the same tower, so to speak, but in a fragment of it in the Abyss:

Then I remembered the scenes in which Jack is with Alice (Black) and Oswald, and plush!Oz loses its body. I remembered drapes there, so I went to check. They're retraces 71 and 72. The first picture I add so that you can see that Oswald is present and that the "original" window seems to be there as well still. You can see the drapes and windows in the other pictures:

I would have to reread with the thought in mind, but I never got the idea that the memories were entirely fabricated (maybe fragmentary, wrong, but not as entirely made new as to create a whole new place which also matches what we see of the Vessalius fields). But in any case, I think it's fairly certain that they are in the tower in that scene in retrace 73.

@longagoitwastuesday hi, just thought I should share this with you! It appears Jack did take White Alice to his home. So, the visit to Lacie's grave was not a manipulated memory as I was wondering. (Retrace 73)

Like, the Tower in the Baskerville grounds don't have all those curtains and such intricate interior architecture? It's just mostly a stone prison, more or less.

[noellawrites]

Not Much of a Life - Yandere!Carmy Berzatto x reader

summary: on the run from your small town, you find a job waitressing at the newly reopened restaurant, The Bear. but you have no idea what's in store when the owner develops an obsession with you.

warnings: rape, breeding kink, stalking, obsession, domestic violence mention.

Armed with coffee in one hand and red-circled newspaper in the other, you made your way down Orleans Street. Right now, your mission was to check out two job listings: a vacuum store and a vape store. Online, they both looked a bit shabby, but you couldn’t be too picky.

As you looked around, a half-constructed storefront caught your eye. Even with the letters taken down, you could see the sun-bleached remnants on the sign: The Original Beef of Chicagoland.

Cupping your eyes, you stared through the glass. Two white men, one around your age and one a few decades older, argued as they worked together to move a countertop.

A girl around your age with long locs tied in a bandana stood on a ladder, laughing at the men as she painted over the dirty white walls.

You could see a flurry of activity in the kitchen, too. It looked like about ten people were working on various building and electrical pursuits in order to revamp The Beef.

Without a second thought, you banged on the glass and caught the attention of the two arguing men.

The older one with facial hair swung the door open, almost hitting you.

"Uh, hello! I saw you guys were working in here and I was wondering if you might be hiring?" you asked sheepishly, as the man frowned at you.

"No, sorry sweetheart," he said, pulling the door closed.

"Jesus, cousin, don't be an asshole," the other guy, with lots of tattoos and piercing blue eyes, said as he grabbed the door.

"You got any experience?"

"I waited tables in high school, I can make coffee and cook some basic stuff," you offered.

"We need a waitress. Come back next Saturday, we'll be getting ready to open. You got a phone?" He said all in one breath, running a hand through his hair.

"Yeah, here," you said, handing your phone to the man as he entered in his contact information.

"My schedule's open, I can basically work anytime. I could really use the money," you explained.

"Good, 'cause I'm sure as hell not lettin' Richie wait on customers anymore," he said, earning a "hey!" from the older man.

"Thank you--" you began, looking down at your phone as he handed it back to you, "Carmy. My name's (y/n), it's nice to meet you." You said, outstretching your hand to shake.

The moment your hands touched, you felt a jolt, almost like a spark. "I'll see you in a week," Carmy said, as you stared into his gorgeously blue eyes.

You nodded, stepping back and walking towards the L stop.

--

Carmy Berzatto had never felt like this, ever. He was always too busy to fall in love, moving from one thing to the next, perfecting his art, running the restaurant. Instead, he told himself he was perfectly fine with jerking off to meaningless porn on the nights he felt a little lonely. But that night, his mind was preoccupied with something entirely different: you.

He practically counted down the hours until you returned for your first day, the day before the grand opening of The Bear.

He found the perfect uniform for you at Goodwill. A professional dress in the same dark blue as the kitchen's aprons. It was the right size but he asked Sugar to hem it anyway, selfishly wanting to see the skin of your thighs as you carried out your duties.

Once you put the dress on, you grinned and threw your arms around Carmy, telling him how much you loved it and couldn't wait to get to work.

At family meal, you learned about the employees' lives and they asked about yours. You confessed that you were currently sleeping on your friend's couch in her apartment downtown. You'd recently moved from a small Midwestern town, wanting to experience life in the city. Your money was running low, and it had been difficult to find a job in Chicago post-covid. But nonetheless, you were excited to be there.

You felt everyone's eyes on you, analyzing your words and behavior. You'd obviously been pulled in by the glamour of city life, but hadn't been ready for reality's smack in the face.

--

The first few months of work had lulled you into a routine. Wake up, get dressed, run to the L train, ride it to the east side, walk to The Bear, all while it was still pitch-black outside. In the evenings, you did it all again, sometimes stopping at a bar before heading back to your friend's apartment.

You'd just been approved for your own place, a cheap studio apartment in an area close to The Bear. You really did love your job, despite Carmy acting a bit odd towards you. You figured he was still adjusting to managing the restaurant.

You had no idea that you'd slowly consumed Carmy Berzatto's thoughts, his life, his very being.

His every waking moment was filled with thoughts of you. You, pulling your dress off for him. Stomach round from his seed, a new maternity dress, waiting tables while heavily pregnant. Raising his children, taking them to their Aunt Sugar's. Pinning you against the wall, screaming at you. Punching the drywall beside you, making you flinch. Tears running down your face as he takes what belongs to him. You didn't have much of a life anyways. A couch-surfing runaway with drugstore makeup and hair filled with dry shampoo. You only had a life because of his generosity.

--

Your first date with Carmy was at a bar down the street. It was after work but you'd both lied about it, not wanting everyone to know you both shit where you ate.

You didn't even make it to the bar, just to the alley next to it. The stench of garbage filled your nostrils as Carmy unbuckled his pants and unzipped his fly.

You started to protest but Carmy clamped a hand over your mouth as he fished his dick out of his underwear.

"I've wanted this since the day I met you. God, I can't believe I waited this long. Cousin told me I had to take what I fuckin' want, ‘n you're mine now.”

You tried to scream and push Carmy away, eyes wide with fear. Carmy stuffed his fingers in your mouth, pressing harder and effectively muffling you.

You choked on his fingers at the back of your throat as his penis entered your vagina with a violent push. It was one of the most painful things you'd ever experienced, and you were paralyzed with fear.

You could see the outline of his muscles and the tattoos on his arms as he jerked into you, violating you with every push. Tears clouded your eyes and you prayed that he would stop soon. Your stomach tightened with fear and unwilling pleasure as Carmy released inside of you with a groan. You came soon after, whimpering on his fingers in your mouth as you shuddered in pleasure.

"I knew you wanted me. Without me, you'd be on the fucking streets," he snarled into your ear in a cruel tone you'd never heard before.

You had seeped into the cracks between Carmy's nightmares from New York, filling his head with softness and pleasure. He couldn't just dream about you anymore, he needed the real thing. And now, you didn't have much of a choice.