#couldn't care less if two characters without an emotional connection kiss actually

[jeanmoreaux]

Do I think the wesper scenes were cute? Yes. The actors are ridiculously so authentic in their roles

But did I also think the pacing, writing, directing and character relationships assassination build up was off? Absolutely.

Maybe it’s cz I’m somewhere on the ace spectrum…but I just feel Wylan would so not do one night stands/be reckless like that.

and especially knowing his background. Otherwise a very young boy who’s been isolated and left out his entire life, who just fled his murderous father and is on the run trying to maintain a cover—-nah fam

i get what you mean. sure they're cute, i agree. and their actors are doing their best. but their relationship and dynamic is so devoid of meaning compared to their slowburn book version. and yeah, the off-screen wesper hookup is such a curveball. it does kind of seem like an un-wylan thing to do, especially because i CANNOT even imagine a reasonable scenario in which wylan and jesper would have crossed paths in (presumably) the barrel that could have led to them hooking up. how did that random one night stand even come to be????? i don't assume wylan was doing rounds in the pubs and clubs, approaching handsome young strangers. he was probably keeping a low profile, staying out of people's way to avoid any trouble and attention, since, you know, his dad had JUST tried and failed to have him MURDERED..... i can't imagine finding someone to smooch was high on his list of priorities upon arriving in the barrel. i think he was more busy trying to survive on the streets. and we really need to remember, like you mentioned, that he grew up isolated and secluded to a degree that people barely even know he exists. i think it's fair too assume he isn't well practiced when it comes to social interactions. so diving headfirst into a sexual encounter with someone—no matter your sexuality—seems a little extreme when you're just starting to connect to people your age for the first time in your life. it's really not something that makes a lot of sense when you look at it too closely.

[ordinaryschmuck]

What I Thought About "Knock Knock Knockin' on Hooty's Door" from The Owl House

Wow. They are really pushing it for that secret message, huh?

Anywho--Salutations, random people on the internet who certainly won’t read this! I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons!

I think it goes without saying at this point that Season Two of The Owl House is setting itself up as a season without filler. Now, filler episodes aren't always bad. Yes, it hurts when a series turns away from the main plot for a week. But at best, they're utilized as a chance for the writers to play around with the characters and developing said characters without it relating to the overarching story. So, some people who see that consider it a bad thing that a series doesn't have that many filler episodes.

I like to call those people: F**king morons.

Don't get me wrong, I see where some of you are coming from. And I'd be willing to agree...if The Owl House was a plot-driven series. Which it's not. It is a character-driven series. Because for every plot thread and narrative that the show presents, they always relate to the characters and develop them further each time these threads get brought up. For example, look at "Knock Knock Knockin’ on Hooty's Door" (It pains me just to write that). Several narratives move forward, and it’s all done to make the characters grow. And to explain how requires going into spoilers. So keep that in mind as you continue reading.

Now, let's review, shall we?

WHAT I LIKED

Hooty: Might as well start with the character that this episode is about.

To tell you the truth, I wasn't a huge fan when I found out we're getting a Hooty-centered episode. I've grown to love him over time, but he is a comedic character that's best used in small doses. Primarily due to how his voice is grating to me (My ears are still bleeding...). With that said, I do really love his contributions in "Knock Knock Knockin' on Hooty's Door" (Seriously, there couldn't have been a less awkward title?). Hooty's antics when trying to help everyone are as hilarious as they are heartwarming. He deeply cares for his friends but just doesn't understand how his plans could do some unintended harm, which is pretty lovable if you ask me. We also get some surprisingly great insight into his character, as he feels insecure about basically being the comic relief who doesn't really do that much other than being funny. Rarely do you get that level of dimension from a comedic character, and it's even more uncommon for that to work out as well as it does here. It once again proves just how competent the writing is in this series to the point where we get an episode about Hooty, and it's funny and heartwarming instead of being annoying. And whoever is responsible for that, you're the best.

Lilith’s Letter to Hooty: I mean it when I say that I love how Lilith kept her word about her and Hooty becoming penpals. Their friendship was something I would have never expected to love, and I'm still shocked that it works so well, so seeing it continue like this just warms me to the bone. Plus, it is pretty sweet that Lilith's kind words are what inspired Hooty to do what he's done in this episode...meaning it's Lilith we should thank here--SON OF A WITCH! Even when she's gone, she's still working her way into my heart!

King going through Puberty: What?! KING IS EVOLVING!

(There, I made a Pokemon reference. Do I get my cookie now?)

Eda Keeping Herself Awake to Train Herself: I'm willing to bet a large sum of money that this has everything to with Raine getting captured last week. If Eda was still the most powerful witch in the Isles, she might have actually saved them. But she isn't, and now the love of her life is in the clutches of a tyrant planning something that could potentially be the end of everything. So I can understand Eda pushing herself to her limit to get back on top again, as I would probably do the same. It's not healthy in any way, and Eda would be doing more harm than good. But when it comes to the people you love, logic doesn't always win out in the end.

Luz Wanting to Make her Way into Amity’s Heart by Making the Echo Mouse Happy: ...That's it. I Just...I just love everything about it, ok?

This was also when I knew that I was wrong to doubt that there would be zero Lumity in this episode. I realize my follies now, and I humbly apologize.

Hooty Teaching King About Demons: This was so funny. So, so funny. Probably doesn't come as a surprise, especially since The Owl House proves itself as a comedy before, but the jokes have never hit as frequently and as hard as they did here. From Hooty getting offended by King's dance to him and Dana's insert wanting a "DNA sample," everything managed to successfully make me lose my s**t. It does come at the expense of King suffering, but I can stomach that much more than if it were Eda or Luz. And, as a bonus, we get lore about how demons work, added with another great joke of King getting in trouble with Hooty for saying he already knows this stuff. Humor isn't always the show's strong suit, but when it works, it f**king works.

King Wanting to Know What he Is: But despite how funny King's vignette was, we still get to see more of his character grow. We learn that he's frustrated now that there's this big question mark over his life now, feeling extra angry that his father "abandoned" him to leave such a present mystery. It shows the hidden resentment he has that Lilith inadvertently brought out, made even worse when King's father hasn't responded to the video yet. King hasn't really gotten that much development until "Echoes of the Past," so it's pretty cool that the writers haven't really slowed down on it. Especially when it leads to these great moments of King venting his frustrations.

King’s Shouting Powers: KING learned FUS RO DAH!

(And now that's a Pokemon reference AND a Skyrim reference. WHERE'S MY GOSH DANG COOKIE!?)

Eda’s Nightmare: If King's vignette hits you hard with the laughs, Eda's will absolutely hit you harder with the feels (never make me say "feels" unironically again). Knowing that Eda's life got thoroughly screwed over by the curse is something we could figure out on her own. But seeing just how much the curse ruined her life and tore apart relationships that mean the world to her really does a swell job at ripping apart the soul. What's even more tragic is, technically speaking, it's all sort of Eda's fault too. She kept hiding the curse, refusing to be a burden to others who would do all they could to help. If she had only been open and honest, things probably wouldn't have changed much, but they most likely would have been better than they are now.

Eda Attacked her Father as the Owl Beast: ...I don't know what I was expecting when "Keeping Up A-Fear-Ances" hinted that there was some possible tension between Eda and her father...but it definitely wasn't this.

The fact that we see blood where his eye used to be doesn't make things any happier, either.

Raine Broke Up with Eda: Before we get into anything else, let's celebrate the fact that it's now confirmed that Eda and Raine really did use to date in the past. Because this show is just f**king phenomenal with its LGBTQA+ representation!

But, seriously, this is a fantastic reveal that goes far beyond just shipping...well, sort of. It shines a new light on Eda and Raine's interactions from last week, revealing that while they're not a couple anymore, they still very much love each other. It helps make their last interaction especially tragic, as they were both on the same page now and could very well be together again. Only for them to be forced apart for the second time in a way that's much worse than the first. And I frickin' adore that this series changes the impact of one episode one week later. Again, it shows just how competent these writers are, and kudos to them for making something so...perfect.

The Moon Person: WHO THE FU--Nope. Nope! We have more than enough mystery bulls**t to deal with through CreepyLuz and Philip Wittebane, so I am PUTTING YOU ON THE BACKBURNER FOR NOW!

(They're probably nothing more than a one-off character, anyway)

The Owl Beast and Eda are Connected: Through visuals alone, we, the audience, can clue into what the curse really means. The Owl Beast doesn't want to be a part of Eda as much as she doesn't want it to be a part of her. Whether they like it or not, and they very much don't, they're stuck together. The thing is, and this is what I love the most, they still decide to make the best of their situation rather than let it ruin their lives even more. This might be the best possible turn Eda's curse could have made. It'll still affect her, and there are probably more negatives than positives, but at least now, it's not the worst thing in the world. And I feel like that's all anyone can ask when in a position like her own.

Eda's “Pretty Dream”: I don't know what emotions are toiling inside me more with this moment. Awe and wonder over how beautiful Eda's dream is, or heartbreak over the implication that she has only had nightmares since getting cursed...I'm gonna say both. Yeah, it's definitely both.

Eda’s Harpie Form: Well, fan artists are gonna have a field day with this...especially the freaks.

(You know who you are. And you're weird!)

Luz Calling Amity a “Cotton-Candy Haired Goddess”: ...Have I ever mentioned how much I love this show?

Hooty Kidnapped Amity: ...Hooty, if your stupidity wasn't charming, I would be more than willing to call the authorities over how you kidnapped a girl in your version of a knapsack and locked her in the basement. For that is going to ring SO MANY alarm bells in people's heads.

Amity and Luz Stuck in a Tunnel of Love: *Smacks lips* Mmm. The adorable awkwardness of this moment is just *chef's kiss* magnifique!

Luz being afraid of getting made fun of:

Amity’s look of hope: I mean...just...f**king--LOOK AT HER:

That is the look of a girl who, while embarrassed as hell, still is ecstatic to learn for a brief moment, everything that she is hoping for has a high chance of being real. Who, in their right mind, wouldn't go "Aw!" at something so pure and innocent?!

Luz Destroying the Tunnel of Love: This is how to effectively utilize dramatic irony. The audience can understand why Luz is tearing the place apart because she explicitly states that she's afraid of Amity rejecting her in the end. They also know that's bogus, thus making it extra painful to watch Amity's heart break more and more with each second (which is perfectly represented through Amity's expressions). You feel bad for both of them, and even worse when you know that it can easily be prevented by the simple art of communication. That's what makes it great dramatic irony. Knowing the point of view of each character results in a scene that evokes emotions in two different ways.

Hooty’s Breakdown: This was...genuinely hard to watch. Not that it was badly written, far from it. It just...hurt seeing how destroyed Hooty was when he realized he failed the people he has such an admiration for. On the upside, a wholesome moment follows soon after as the Owl House gang tries to reassure Hooty that he's done a lot of good that night. It's a pure action that shows even though Hooty gets on their nerves all the time, they still care about him...damn it. I think I'm gonna cry.

Eda’s Advice for Luz: ...Eda...You're the best.

You found out that your surrogate daughter wants to ask a girl out, and not only were you quick to deliver the best possible advice ("Just go for it!"), but you also quickly reassure her that it doesn't need to be perfect.

And you know what? That's it. Eda is the best cartoon mom! She might not technically be Luz's mom, but I don't give a s**t because she is the best!

Luz and Amity Ask Each Other Out: Shh-sh-sh-sh...

Do you hear that?

...

...

...It's the sound of dozens of Lumity fans collectively losing their s**t...and I'm one of them.

WAAAAAAAAAAAAAH!

HOO-HOO-HOO-HOO!

IT!

IS!

CANON!

AH-HAHAHAHAHA!

HOLY S**T! Holy s**t! Holy s**t...might just be the best way I could possibly describe this! Finally, after all the waiting, speculating, and praying, THESE TWO IDIOTS FINALLY GOT TOGETHER! AND IT WAS PERFECT! I mean, it was awkward as s**t, but that's what makes it perfect! You know why? You wanna--Hey! *snaps fingers*. You want to know why? It's because they're teenagers. Of f**king course, it's going to be awkward! This is their first relationship, so there will be a lot of missteps along the way. And that, in itself, brings me to the best (second best part?) thing about it happening in episode eight of the new seasons. Most endgame couples get together in the climax or even at the end of the series. But to have them get together this early on, means there will be quite a few episodes dedicated to showing them grow as a couple.

And better than that--EVEN F**KING BETTER THAN THAT--dozens of kids are going to see these two, a realistic depiction of young love that just so happens to involve two girls, and are going to learn once and for all that there is nothing wrong with being who they are. That fact alone is f**king incredible. Yes, it sucks that season three got cut short, and we'll have even less time with Luz and Amity, but knowing how many kids have felt seen today almost makes it worth it in the end.

And if I see one mother f**ker saying this was poorly paced, I might just hunt them down for SPORT...Sorry if that was an overreaction. I'M JUST SO HAPPY! Because they're happy! Look at them. Listen to them! It's so...GAH-HAHAHA!

“They’re adorable! And deserve all the happiness!”: You're darn right, Hooty! You're darn right.

King’s Father(?) Shows Up: What the--WHAT?! They're doing this now?! Here?! After everything else?

Oh, man. What could this mean? What dynamic changes will this cause in the main cast? How could the writers fit this in during the next two episodes? And what--

Hooty Eats the Letter: ...Pfffft--HAHAHAHA!

Oh, man...I should be mad, and I wouldn't blame others if they are...but that is too much of a brilliant f**k you that I can't help but appreciate it. Bravo writers. Bravo.

WHAT I DISLIKED

...Dislikes? Dislikes? You would honestly believe that after everything I witnessed in this episode, that I would have the gull to list anything wrong with it?!

HOW DARE YOU ASSUME THAT I WOULD BE SO CALLUS TO--Actually, I do kind of have an issue with the episode's title. It's just too much of an awkward mouthful for me to get behind. I understand that the writers wanted to sneak the K into the secret message, but were there really no other titles starting with K that they couldn't come up with?

But that's just a personal issue, and in no way do I think anybody else would feel the same way. Especially with how well-written everything else is anyway.

IN CONCLUSION

"Knock Knock Knockin' on Hooty's Door" (title aside) is another A+ episode. It was hilarious, heart-wrenching, and downright adorable while keeping me entertained with every minute. I'm sure there are some issues I was willing to ignore due to how expertly written everything else was, but why bother looking for the chinks in the armor when I could just enjoy a perfect episode for being so...perfect! Some of you might be willing to disagree with me, but to that, I say: Don't knock it till you've tried it.

(Now, if you don't excuse me, I'm going to go lie down. It's...It's been a day.)

[flipflap-flipflap]

[Alright take-two on this damn post.  First one got eaten by post editor right as I was ready to post.  You see how long this is?  Save to drafts, kids.]

I’m here to shove a manga on you: Ookami Shounen Wa Kyou Mo Uso O Kasaneru (The Boy Who Cried Wolf Also Told a Lie Today).  It’s a gender bending romance.  Despite how awful that probably sounds, it’s actually really fucking good and I do not say that lightly. 

(No spoilers, this is all in the first chapter)  A high school boy insecure about his intimidating face, Itsuki, has fallen for a shy loner girl, Tokujira, who does not seem specifically phased by his naturally scary face.  So he takes a risk and confesses, but she turns him down brutally.  Itsuki goes to his sister to lament his insecurities about his face, which he (more or less correctly) attributes as why he can’t make connections.  To give him a new perspective on his appearance, his sister (trans btw) gives him a makeover while he’s sleeping and then kicks him to the curb of her salon - fully crossdressed.  On his way home, Itsuki (♀) ends up bumping into Tokujira, and she mistakes him for a boyish girl.  Under this misunderstanding, she asks "her” for a favor...

She has androphobia, and she has it bad.  So much so she can’t even look at men without snapping violently or becoming physically ill.  And Itsuki (♀) is just boyish enough to trigger her, but not enough to lock her down.  So she asks for “her” help, to see if she can desensitize herself to her phobia. Itsuki’s in a bind for a couple obvious reasons, not the least being the guilt of deceiving Tokujira. But nonetheless, he genuinely wants to help her.  So, he decides to continue crossdressing, diving into a lie that he soon finds he has no easy exit from.

I really recommend this manga.  I cannot say that enough times.  It is phenomenal, shattering tropes left and right in fun and interesting ways.  Do yourself a favor and give this manga a try.

Personal feelings and meta analysis below the cut.  It’s, uh, ungodly long, and will get very spoilery.  But I will flag spoilers.  And there will be pretty pictures?

(Also, no, I did not go into this planning to compare a manga about crossdressing to the abolitionist writings of Frederick Douglass, but reality deserves to be a bit absurd sometimes.)

Before you think I’m getting spoilery, with the intro I gave or anything I don’t mark as spoilers, I’m really not.  Everything outside of spoilers is right on the package at the start.  It sounds like I’m spoiling late-game stuff, right?  That’s something that was really fantastic to me: this manga doesn’t spoon feed you.  There’s no arcs of pure silent angst, even at the lowest point in the story. These kids are smart, they think and intuit on the spot, and they share what they’re feeling with each other like good friends do.  Like that next panel down there with Itsuki introspecting about his confidence level while crossdressing?  That’s from the first chapter!  These kids are smart.  And god damn that is so nice to see.

There was a lot I liked about this manga, but at the top is how compelling the protagonist and his internal conflict are.  Right from the first chapter he’s already wracked with guilt about what he’s about to do: deceive this girl by pretending to be a safe space.  But Tokujira told Itsuki (♀) she hopes to one day be able to fall in love, and Itsuki wants to ensure she can have that - even if it’s not him that gets to confess to her.  He’s fully aware of exactly how fucked up what he’s doing is, and is appropriately beating himself up over it in a really realistic way.  But although the guilt never fades, it slowly gains company in happiness. He enjoys this new, fragile life he has constructed around the two precious new friends he's made as a girl.

It was probably easy to gloss over in the synopsis, but arguably the biggest part of Itsuki (♂)’s conflict is his complex about his face.  He looks dangerous, and because of that he is afraid to even lift his head or smile in front of others.  But as Itsuki (♀), he smiles and laughs without fear.  It becomes immediately clear to him on the first day that he's a more confident person while crossdressing.  Happier in a way he can't be as a man.

Botan is easily my favorite character in the series.  She’s introduced early on, as Tokujira’s first and only friend before Itsuki (♀).  At the start she’s a dangerous third wheel, a serious threat to Itsuki’s ability to keep up his lie.  And though the situation is (thankfully) defused rather quickly, she becomes a massive source of internal conflict for Itsuki. Nonetheless, she becomes a dear friend for both Itsuki ♂ and ♀. She’s just so...*chef’s kiss*

^This face is the repository of all my love and affection.

Mark my words, this is the first and I assume last time I will ever say this: love triangle good. You know it’s inevitable in a romance genre piece, but this manga approaches the trope in a new and compelling way. [Spoiler] Needless to say, it’s between Itsuki, Tokujira, and Botan.  But...there’s two Itsukis involved, ♂ and ♀, and in the center of it all is this lie. His lie stops being about him: it's about not hurting these two girls he cares so much about. [/Spoiler]

On a more personal note, I saw so much of myself in Itsuki’s older sister, Ibuki.  She runs a salon, catering especially to crossdressers and transwomen.  She’s a self-described “Youthling”, an alien from the planet Youth, obsessed with observing the exciting and turbulent lives of the youths of earth.  For more or less for the same reasons most of us do: transpeople don’t tend to get the youths we want, if we allow ourselves to experience youth at all. So it’s nice to be able to enjoy it vicariously, through this younger generation that is able to more fearlessly pursue the lives we couldn't. 

^Incidentally, one of my favorite interactions in the manga.

Despite getting Itsuki into this crossdressing mess, she’s someone he can always return to and confide in, and get good, helpful advice from.  Her whole philosophy is to give young people agency to explore their identities and find themselves, and though she tells Itsuki the road he's taking is dangerous as soon as she learns what he's doing, she'll always support him however she can.

That, I feel, is what separates her from other, more creepy/pedophilic enabler types, like Sawako from K-On! or Lucoa from Dragon Maid. It’s a refreshingly honest and respectful portrayal of a quirky adult just trying to be a good older sister.

The last thing I want to say, and I’m not going to even mark this as a spoiler because of course it’s going to happen and if you can’t predict that then you’re not my problem, is that Itsuki of course eventually has to drop his lie.  All I’ll say about it is that it is probably going to live in my head for years. Everything about it, the lead up, the execution, the fallout, and the recovery, are all so masterfully crafted for maximum emotional impact.

That’s all I want to say exclusively about my personal feelings.  On to analysis.  There will be a lot more contextual spoilers here that, even without reading the parts I’ve specially blocked off will probably leak through.  Read at your own risk, but I would recommend revisiting after you have finished the manga.

One thing I really want to talk about is language.  That’s right, I’m going to compare a crossdressing manga to The Narrative of the Life of Frederick Douglass, the autobiography of a freed slave turned abolitionist. Douglass talks about a concept that has remained imprinted on my mind ever since I first read it: how and why slaves struggled to comprehend the concept of freedom.  This wasn’t anything to do with fear or “racial inferiority” like pro-slavers would argue, but rather with a lack of vocabulary.  They have all of these feelings and things they know to be true, but lack the words to make meaningful sense of them.  For Douglass specifically, his life completely changed when he learned the word “abolition.”  It was like a floodgate burst, as he was suddenly able to put meaning to feeling, create context from chaos.

And that’s right, we see that happen in a big way, with Tokujira.  This should be an obvious development, but as it happens late in the manga I will mark it [Spoiler].  As Tokujira and Itsuki (♀) practice things like talking, eye contact, holding hands, etc., Tokujira naturally starts to fall for Itsuki (♀).  But she doesn’t understand that.  An important part of her character is that, growing up, she focused on expanding her vocabulary as much as humanly possible in the hopes of being able to better articulate herself.  So words are very important to her.  It’s not until she sees a work of lesbian fiction on display that she finally realizes that’s the word she’s looking for.  The floodgate bursts, and all of her emotions suddenly make sense.  She realizes she loves Itsuki (♀). [/Spoiler]

And I think that is a vital and underexplored concept when discussing LGBT youth, especially in countries where even knowledge of these concepts is taboo.  The reason so many LGBT youth struggle with their identities, especially trans youth, is because we do not have the vocabulary to conceptualize our feelings.  I am always excited to see this concept play out, especially in this context.  It’s such an important thing that needs to be addressed more broadly.

Moving on, I want to talk about historical context of the genre as it relates to what the author did here.  Notably, I want to talk about a specific trope rampant in Japanese queer fiction, specifically early lesbian fiction: the idea that queerdom is a meaningless, youthful phase that children will naturally and inevitably grow out of.  It’s problematic for obvious reasons.

[HELLA HELLA SPOILERS]  My kneejerk reaction to the ending of this manga was that the author fell into this trope.  In the end, Itsuki comes to the conclusion that he does not need to crossdress.  So again, kneejerk.  But...it really wasn’t like that.  He never had any dysphoria; crossdressing was always just a necessity of his circumstance.  Nonetheless he learned to analyze and value his experience crossdressing as a woman, and because of that grew as a man.  And as part of his journey to understand his identity we, through him, see why some people crossdress.  Along with his example, we see why his sister, a bona fide post-op transsexual, has made it a permanent change to her life.  Likewise, we see Miyama, who crossdresses purely for the gender euphoria, but has no (stated) interest in going all the way.  These are all presented as valid and meaningful. [/Spoiler]

Crossdressing, and gender nonconformity in general, is portrayed not as some one-dimensional fetish like cultural taboo would depict it to be, but rather a meaningful exercise for exploring and critically analyzing your own identity.  For some, yes, it’s a phase, but an importantly transformative one when done right.  While for others, it is a gateway to a new way of experiencing and enjoying life.  Or, it’s fun just for the pragmatic reasons...

I honestly cannot recommend this manga enough.  Tragically, I cannot imagine it ever getting an official english translation, so you’ll have to settle for a  scanlation like the one I linked in the title up top (and here, again).  It’s a really good translation, though the site is predictably sketchy.  Warning for lots of NSFW ads.

Read it, and then come talk to me about it!!!  There is basically zero fan community and I need to fangirl with someone!