#coropration

[naritarance]

"Netzach. What're you holding?"

"..." "A bottle...?"

[icharchivist]

liveblogging while i also having a very popular post rolling around is a mess, i’m here crying over Itaru and suddenly i see 30 new notifications and i’m just omg are we all vibing over how much the Itaru plotline got to us, and then i check and it’s all related to the one disney remake post with people throwing insults in the tags and i’m just oh right. Well maybe if everyone is that miserable they should read a3 and maybe they’d feel better for a change-

[elphabasthropp]

[kidsbirthdaydecoration]

From Ceremony to Reception: Finding a Venue That Accommodates Every Aspect of Your Wedding Day

It's an incredible day full of love, joy, and treasured memories to celebrate your marriage. Everything about the day, from the ceremony to the reception, adds to its enchantment. Of all the choices you have to make, one of the most important is choosing the ideal event venue—one that can accommodate every element of your celebration.

When it comes to choosing an event venue for your special day, there are several essential factors to consider. The venue sets the tone for the entire event, so it's crucial to find a space that reflects your style and meets your practical needs.

Muhurta Lawns spread across seven acres of land is a perfect, lavish destination for your any event to celebrate. Weddings, corporate events, social gatherings all are organized here smoothly.

One of the first considerations is the type of venue that suits your vision. Whether you dream of saying "I do" in a romantic wedding lawn surrounded by lush greenery or prefer the elegance of corporate event venues with sophisticated amenities, there are options to suit every preference.

Wedding grounds provide a tranquil and romantic ambiance and make a beautiful backdrop for outside festivities. Imagine saying your vows beneath a canopy of trees, the soft breeze sending love whispers through the atmosphere. These locations frequently feature breath taking natural scenery, which makes them perfect for couples looking to add a little rustic charm and beauty to their wedding day.

On the other hand, event venues offer a blend of sophistication and functionality, perfect for hosting both ceremony and reception in one convenient location. With spacious interiors and modern amenities, these venues provide ample space for guests to mingle and celebrate. Whether you envision an intimate gathering or a grand affair, corporate event venues can be customized to suit your unique needs and preferences. When selecting a venue for an event, consideration must be given to the practical factors. Ascertain that the venue has the space to accommodate every guest on your list as well as adequate amenities for dining, entertainment, and other activities. Accessibility is a crucial factor that ensures every visitor can reach the location without any trouble.

Additionally, consider the services and amenities offered by the venue. From catering and décor to audio-visual equipment and event coordination, choose a venue that provides comprehensive support to bring your vision to life seamlessly. Many venues offer customizable packages tailored to suit different budgets and preferences, making the planning process more manageable and stress-free.

Communication is key when working with venue staff to ensure that every detail is taken care of according to your specifications. Discuss your vision, preferences, and any special requirements upfront to avoid any misunderstandings later on. A collaborative approach fosters a positive working relationship and ensures that your wedding day unfolds exactly as you envisioned. Another crucial factor to take into account when choosing an event location is budget. Establish your budget up front and search for locations that fit within your means. Wedding lawns can provide a variety of packages, from services to all-inclusive choices, to fit a variety of budgets. In a similar vein, corporate event locations frequently provide bespoke packages designed to satisfy the requirements of couples arranging their ideal wedding.

Lastly, consider the ambiance and atmosphere of the venue. Whether you prefer a cozy and intimate setting or a grand and opulent space, choose a venue that aligns with your desired aesthetic. Lighting, décor, and layout all play a significant role in creating the perfect ambiance for your special day.

In conclusion, finding the perfect event venue for your wedding day is a crucial step in the planning process. Whether you choose a romantic wedding lawn, a sophisticated corporate event venue, or something in between, prioritize your vision, practical needs, and guest comfort. With careful consideration and collaboration with venue staff, you can create a magical setting where love shines brightest on your special day.

[moldwrp]

sad (on the other side of the world)

Some motivation of mine anyone?

It is actually very simple (again)… …once you observe some socio-emotional dynamics;

on a personal level, the character infers behaviour on a scale from:

my wealth is my wealth, my woes are your woes

(sociopathic), to

my woes are my woes, my wealth is your wealth

(altruistic).

I see this as something very basic, society-defining maybe, when observed with statistical significance. Now, just picture, in your mind's eye, a "sociopath" and an "altruist", let your natural generative intelligence draw pictures of those characters for you. Open your eyes; is your sociopath character deeply sad and looking sick*? Is your altruist character standardly cheerful and looking healthy**?

*and I'm not saying that sadness necessarily lacks beauty, I adore "goth" myself, just making an observation of difference

**and it may or may not be annoying to you, shaming you into moving your own character further towards altruism, or making you suspect your typical sociopathic deceit

Now my idea here is, this basic "metaphysical" ("spiritual") quality of sadness is a useful thing to evaluate for a culture that you come across, and that it places that culture accurately on the scale above. I claim that within a particular society, this property is reasonably consistent: no, altruists won't live across the street with sociopaths, not for too long for certain. I mean, a society balances itself around some default expectations of the default interpersonal intentions — and they don't have to be near those extremes of the Altruistic-Sociopathic scale, of course, but they will be significantly different for different societies' contexts.

On my personal note from my individual multicultural observations, this typical emotional state, :( :| :) on human faces on that society's "streets" reflect this A-S quality much better than, say, average people's actual wealth or woes.

So, with this quality being so profound in a culture, I don't think you can "explain", "mansplain" or even "womansplain" your basic active reasoning to "the other side" (far from you on the scale), any such understanding is something that, if at all possible, should grow on someone, given proper time, and, exactly like a physical change, at the younger age the better, of course. In some cultures, it's just polite to be sad, you know, being cheerful in the wrong context is an indecency!

Since Information Technologies, such as human language, are intrinsically connected with human emotions — including the emotion of sadness, the contemporary corporate IT, trying to accommodate as many users as possible, or more precisely, make that one User Interface so that as many people can be converted into their usage model actors (something primitive enough so their machines can regularly deal with, theoretically, at low cost, with minor human resource investment in maintenances).

Naturally, a minority's interests are being ignored, and it wouldn't be a surprise for you if I claim that "altruists" are an IT users' minority... ...so, sad sociopathic people need to be cheered up by colourful buttons, interrupting animations and childish style… so they don't mind being forced into elaborate protocols with machines, while being disconnected from even their closest human peers, with ever greater interaction policing.

I see an opportunity for IT of the other end of the scale. Let's not have those cheerful interfaces of sad people. Let's have our sad minimalistic interfaces instead, and if possible, with some automation, "look ma, no interface at all". Let's minimise the time people work with computer terminals, let's further minimise computer desk time, let's play outside more; who knows, it may even benefit our natural-cultural environment balancing or something. Let's put our human connections first, and extract useful (potentially, business) protocols from our natural interactions. Let's restructure our IT, so IT serves us first, and then, the interfaces to the sad people's corporate IT world will emerge by themselves as needed.

An example of a demo of a project of this sort, showcasing "my" primitive dev methodology, self server platform and End-User-Integration architecture:

https://medium.com/@costa/lively-video-reporting-project-248fe01283e3

[skdigvijay]

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[gingershnek]

I'm so happy for them. They'll be amazing parents. I bet they'll raise lil mickey right.

[crystalstunes]

crystal's tunes #2: WORRY. by Jeff Rosenstock (2016)

i was going to wait a while before talking about this album, but i mean come on, it's literally got a track called June 21st. if i was gonna do it any day it'd be today.

WORRY. is an album that's very special to me. i originally discovered it via James Acaster's book Perfect Sound Whatever (named after the closing track of the album), and in the years since it's become one of my most listened to albums of all time. i'm not going to link any specific songs here, because i feel like the album is meant to be listened to in its entirety.

this was the second studio album Jeff released after the end of his previous project, ska-punk collective Bomb the Music Industry!, which in itself was born out of the end of his previous-previous project The Arrogant Sons of Bitches. this album really feels like a culmination of all of his work leading up to this, refined to a T and bursting with energy.

"We're not stupid people but this financial oppression has got everyone believing all that we can do is nothing/'Cause we organise through avenues they lace with advertisements so the ones we rage against are still lining their pockets" - Festival Song (Track 3)

thematically, the album discusses a variety of issues with modern-day America, such as landlords/gentrification, the coroprate sponsors of festivals and culture, social media mining your data, police brutality, and how the world just keeps getting worse due to capitalism in general. this is especially evident on tracks such as Festival Song, Staring Out The Window at Your Old Apartment, Blast Damage Days, HELLLLHOOOOLE, and The Fuzz, but is present throughout the album. he also touches on some more personal issues, such as alcoholism and the struggles of being a DIY musician.

the production here is absolutely top-notch, every single element is balanced perfectly, guitars are clear and crushing when they need to be, drums are punchy, vocals cut through well and instruments such as saxophones, glockenspiels and synths are used in certain songs to offer various different sonic textures. its not just the instruments that are varied here though, he also travels across a number of styles such as his classic ska-punk on the 91 second track Rainbow, to more hardcore punk on 30 second track Planet Luxury.

the A-side of this album is fantastic, with tracks like We Begged 2 Explode, Pash Rash and Festival Song becoming fan favourites and staples of his live sets, but i think this album really comes into its own during it's B-side. every track from Blast Damage Days through to the final track Perfect Sound Whatever perfectly transition into each other, creating a medley of different punk subgenres that is absolutely incredible. it's cathartic and danceable all in one, and its one of my favourite things he's done on an album.

"Whenever we feel ashamed, being alive and awake in such an era of hate and military police/These are the mass murder days, we are the blast damage age, where we can't love anything, because they keep us afraid/Oh, I will be there, kicking, fighting, beating, screaming 'There's no fucking way I'm ever letting go of you!'" - Blast Damage Days (Track 9)

the album builds up in energy until its final anthemic, gang vocal repetitions of "Perfect always takes so long, because it don't exist/It doesn't exist!", which is one of Jeff's main mission statements creatively. the first Bomb the Music Industry! album Album Minus Band has anti-piracy hiss throughout from various plugins he used the demo versions of instead of buying, and a track that's project files corrupted so he couldnt mix it properly, but all of that just adds to the artistry of it all. nothing can ever truly be perfect, so just be honest and authentic and do what you want, because in both art and people, our imperfections are what make us whole. i'm not a perfect person, and that's alright. i may have my own anti-piracy demo plugin hiss in my brain, but that's just part of what makes me myself - i wouldn't truly be me without it, and that's beautiful.

i think this album is truly great because despite the overwhelmingly negative topics being discussed, in the end its hopeful, even if the world or your life seem like theyre fucked, there's always a light at the end of the tunnel. the penultimate track ...While You're Alive, ends with the verse "And it's not like the love that they show us on TV/It's a home that can burn, it's a limb to freeze/It's worry/Love is worry". this can just be taken at face value as the fact that when you love someone you worry about them, but i interpret it a different way, especially with the context of the rest of the album.

when the government and systems are against you, you're fighting your own brain, and you're overwhelmed with worry, that worry is coming from a place of love, because you wouldnt worry about something you dont care about. you love yourself, you love the world, and in a way, your anxieties are really just a form of expressing your care and love even if it feels like fear, and anger, and sadness. and, for me at least, that's one of the most reassuring messages i've ever been given from an album. thanks, jeff.

"Because it's June 21st, and this winter was the worst we've ever seen, but we made it through the freeze/And now it's June 21st, and this winter was the worst we've ever seen, now it's 84 degrees forever." - June 21st (Track 14)

[doodlebun]

um hello tooned town nation. ive been obsessed with coroprate clash so i ummm i made a silly lady

[mimikoflamemaker]

Ha, ha it looks like I skirted around the topic so long that things have come to drive me up the wall and force a decision from me

I feel like I want to cry, but also am too tried/angry too.

I know that I am barely more valuable than a desk chair in the coroprate world, but part of my stupid self thought that 8 years meant something.

[rjalker]

[ID: The meme of a person in a pink cardigan handing two pictures to someone offscreen, saying, "Coroprate needs you to find the difference between these pictures, then saying in the second picture with a mischievous smile, "They're both the same picture", because they've tricked the other person into an impossible task. This version has been edited so that the two pictures have been replaced with a screenshot from Steamboat Willie showing Mickey in black and white at the wheel of the steamboat, and the color promotional poster where he has red shorts, a tan face with blush, and yellow gloves. In between them is the black and white promotional poster for Steamboat Willie, showing Mickey at the wheel again, but with white gloves this time. The text now reads, "Corporate needs you to tell us which of these is Public Domain.", followed by "They're all Public Domain.". End ID.]

[lovebaybayme]

If it was a coroprate world, Jota would never ever have again two weeks to put the whole car. After what they did in Le Mans, they would have to do it in two days, since they showed everyone that this is possible

[kylekatarnandadmiralthrawn]

if you use the term twink death even jokingly i think you should be sentanced to a million billion years hard labour being a little rat in a cage having anti-aging skincare chemicals injected directly into your eyeballs by billion dollar coroprations

[2oppositesidesof1coin]

I hate the idea that we need engagement on Tumblr of all things. I correlate engagement with professional Youtubers and influencers.

I hate how fandom went from being about a bunch of unknown, everyday people engaging in community and instead became a way for someone to amass a following and possibly monetize themselves.

Coroprations and minority groups self-policing took the communal aspect of fandom out and replaced with it the same sense of isolation that the American suburb was built on.

Not people saying “Fandom has always been like this” in that vent post I made. No. It hasn’t always been like this. Fandom has NEVER been like this until recently and if you were in fandom pre-tumblr purge, pre-twitter, pre-netflix boom, pre-tiktok….then you would fucking know it was nothing like this.

We still had the drive to create. We still sold prints and charms and made zines…but it was never like this.

The introduction of streaming, binge shows that drop all at once, tiktok and vine RIP i still love u vine but you were the beginning of a particularly ugly era) creating this bite sized, quick paced ‘content’ era of creation and it bled out into fucking everything else.

Fandoms didn’t die down when the show ended or the season was over. You didn’t mass unfollow artist, writers or moots just because they changed fandoms. There wasn’t this need to please the algorithm in order for your posts to get seen by people and enjoyed.

Fandoms used to last YEARS. Star Trek is literally the oldest running fandom out there and you got people in there that could care less about the new stuff and still have been happily prancing through their fucking fifty year old fandom today. Hell, even SPN after all it’s fuckups and shitshows has a dedicated fanbase STILL creating tons of art and fic.

There is no patience anymore. No calm feeling of taking in fandom and friends at a pace that which doesn’t make you stressed and is still fun.

Do I blame fandom for this? Of course not, but people are complacent with it and start changing their vocab to accommodate and end up making the situation so deep it cant be fixed.

We call Art & Fic Content now, completely stripping the value of what it is to a level of consumerism instead of personal entertainment & community bonding.