#cool rhubarb

[jayhkrulewitch]

Drinks - Cool Rhubarb Iced Tea Recipe This recipe was originally intended to be ice cubes for my son to chew on while he was teething, but when I tried it with some ice tea, it turned out great!

[sea-loverr]

Recipe for Cool Rhubarb Iced Tea This recipe was originally intended to be ice cubes for my son to chew on while he was teething, but when I tried it with some ice tea, it turned out great!

[donebydani]

Cool Rhubarb Iced Tea Recipe This recipe actually started out as ice cubes for my son to chew on while teething, but I threw a few in my ice tea and it was great! 10 stalks fresh rhubarb chopped, 8 black tea bags, 2 cups white sugar or to taste, 1 tablespoon honey, 1 quart water, 1 cup white sugar

[swinging-stars-from-satellites]

strawberry summer!!! strawberry summer!!!!

[huntersapprentice]

Petunia and Bob vegthro doodles

[thethunder-tomylightning]

saw @rhubarb-mage do this cute lil number in the maintag and i wanted to take a crack as well. though with my own spin on it 'cause i'm cool. and also plagiarism. but look at me go they're styled like album covers

and for the ones not in albums

[mickgaydolenz]

So my friend Gizmo and I came up with some ideas about Ludlow and his home country (and I'm sharing these with her permission): 1. It's a tiny country smack dab between Spain and France (yes I had Lichtenstein in mind at the time) 2. Ludlow spent the first five years of his life in Manchester with his mother before moving to Peruvia. That's why he has Davy's usual accent, but he slips into a more Spanish-French accent when stressed or pissed off 3. Ludlow lost both of his parents by the time he was 11. Myron spent the rest of the kid's childhood raising him to be weak so that Ludlow would be socially inept, easier to control, and eventually easier to usurp. Hence the plot of Prince and the Paupers 4. Ludlow stims. A lot. He tends to play with his medals when nervous. Would probably be socially awkward even without Myron's influence since we headcanon him as autistic.

oooooooh!!!! yes, yes all of this is incredible! I had always just thought of him as having severe anxiety, but i like that idea too! if ludlow was also on the spectrum, it would definitely add to the understanding he has with alexei!

[peco5bi11]

ah, the evil rhubarb back again. just in time for Halloween.

[hightaled]

why is perfume so expensive

[lakecoded]

they should invent a job where they just pay me and my roommate to hang out

[eternal-dragon-of-time]

I really love whenever they introduce a side character in a semi canon event only to then bring them back and make them wildly story relevant. Mirror Drakath is king of this because he was literally just a joke character for the birthday event and now he is our bff who we regularly ask for help from but...

Abel kind of takes the cake for me because the piercing yell I let out when I realized I was going to have to play through the winter holiday events in order to understand what the fuck was going on in Malgor Saga was incredible. And then his story banged and he is in my top 5 characters.

[goldenlikedayl1ght]

born to die - m. murdock

a/n: IM NOT DEAD i am very busy with finals but this has been rattling around the old noggin for a while now. i took a lot of inspiration from @ellephlox 's fic strawberry rhubarb which i 100% reccomend bc its better than most fics including this one! hope you enjoy! as always reblogs and comments are always appreciated! <3 warnings: oh boy. torture (cutting, burning) some sexually suggestive talk (nothing happens but it's not consensual) readers dad abused her, nightmares, lots of major character death (but not permeant) ANGST!!! but with a happy ending! kidnapping, medical stuff, cursing, and if i missed anything, let me know! word count: 4.8k summary: as matt murdock's wife, your life is rather full of surprises. getting kidnapped by wilson fisk takes the cake as the worst one. pairing: matt murdock x wife!reader now playing: born to die - lana del rey "choose your last words, this is the last time/'cause you and i, we were born to die"

You would think after patching him up too many times to count, five years without him, and countless sleepless nights worrying if he was alive, you would think you’d be used to Matt Murdock and his world of surprises.

And then you get kidnapped, so maybe you’re not so immune to surprises.

It’s really such a shame too, because you’re storming out of the apartment, too angry to take notice of your surroundings.

Silly, foolish, ditzy you.

Because it isn’t like Matt hasn’t told you time and time again that you need to be careful, especially when you go out alone at night. But he’s so angry that he doesn’t even think about the potential dangers of Hell’s Kitchen at three a.m. when Daredevil has been tucked away for the night and Matt Murdock comes back out to play.

He’s been taking more and more patrols because with Fisk being out of prison he can’t help but be constantly waiting for the other shoe to drop.

How silly he was to think that maybe he could have it all—A successful law firm, good friends and a loving wife.

Silly, foolish, ditzy Matt.

But after a week of nonstop patrols, you’re both fed up and tired, and above all, you’re yearning for each other. Neither of you allow yourselves to be totally happy all the time. It would just make everything too easy.

So, after yelling at each other over, what? Patrols? Cases? Burnt dinners? You’re freezing on the streets, and you get about five blocks before you stop and rub your eyes.

This is dumb, you rationalize. Of course, you’re both stressed out and tired, but you’ve gotten through rougher times before, and you both made an oath. To each other, in front of his God, to love each other no matter what.

You realize you left your wedding ring on the table, the ghost of the metal around your finger haunting you. You were dumb for leaving and Matt was dumb for telling you to go. You’re made for each other.

You turn around to go back to your shared apartment, and then, someone grabs you from behind. Your first instinct is to yell for your husband, but you don’t get the chance to before you’re knocked out, by what you can only guess to be a gun or maybe a large fist.

• • •

You wake up in this dingy room, the lighting not suitable for much of anything except to make you afraid. The set up is almost comical and in a fucked up away, stereotypical for a kidnapping. You’re tied up to a chair, and the lights shine only bright enough so you can see shadows and rats scurrying along.

The air is this weird musk of salt and earth, and you realize you’re near the docks, and that’s about all you know about your current location.

Your head is still pounding from whatever it was you were hit with, but you can see another chair a few feet from you and a wooden table with various weapons laying on it. You don’t feel good about this one. Also on the table is an old school record player. You have no idea what the intention is with it.

You try to keep your cool, knowing that wherever you wander, your husband will not be very far off. That whatever is happening, he will be coming to find you no matter how upset he is for whatever it was you were fighting about earlier.

And then, out of the shadows, there he is. 

But he’s too big to be Matt, and he has a man standing next to him.

Frank, maybe?

And then you realize who this man is.

He’s Wilson Fisk, the kingpin who has done nothing but torture and kill people, shoving it in Matt’s face for years. Matt only met you after Fisk was put back in prison, and you know at some point in the five-year blip without Matt, he had escaped prison.

So, this is the first time you’ve had the pleasure of meeting Mr. Fisk. When he meets your eye, you do nothing but stare.

“Good evening, Mrs. Murdock. It’s a shame we must meet under these circumstances.” He tells you, taking a seat in front of you. His henchman stands behind the chair.

“It’s regretful to say the least.” You tell him, not intending to make any more of an enemy out of him than Matt already has, not right now.

“I wanted to congratulate you on your wedding. I remember my own, it was a rather special day.”

You know that was the day Matt took him down. The night that he, Karen and Foggy took him down.

“I’ve heard stories. It seemed like a lovely day.”

“You’re a much more gracious guest than your counterpart.”

“Well, I’m sure people say similar things about you and yours.”

He seems to consider this for a moment before nodding.

“You’re probably right about that, Mrs. Murdock. I wanted to tell you I’m terribly sorry these are the circumstances in which we are finally introduced. But it seems Mr. Murdock has been interested in finding out more about my endeavors. And you see, we simply cannot have that. I made a promise not to hurt Miss Page or Mr. Nelson but it seems you were not included in that deal.” Of course not, it had been a long time before you showed up. “So, you’re how we’re going to send Mr. Murdock a message.”

Huh.

So, this is how you die.

Well, you might as well go out with a bang.

“You see, Mrs. Murdock, When I was a boy—”

“I’m going to stop you, Mr. Fisk, because your sob story is rather dull. I know who you are. You were beaten by your father, just like I was. The difference is that I don’t use that as an excuse to murder my way to the top of the food chain. And you can torture me, assault me, whatever you feel you need to do. But if you think for a second that I’ll forget who’s coming to stop you, you are sorely mistaken. And if you think he’ll ever stop trying to find me, you do not know my husband very well.”

Fisk stares at you for a while, his gaze hardening into a glare.

“You’re right. You do know who I am. Because we’re rather similar.” He stands up and nods to the man nearby. “If Murdock can hear her far from here, make sure he hears her screaming.”

Then Wilson Fisk walks away, and you are left with the sickening gaze of a man who has no good intentions.

 The man goes to the record player and starts to play a song you recognize quickly as “Fly Me To The Moon” by Frank Sinatra. As he does this, he speaks,

“Hello, Mrs. Murdock. I’m John.” You stay quiet, and he just enjoys the song.

He picks up a knife from the table and goes to you, this grin on his face that makes you sick.

But you remember a trick from not only your childhood, but also from Frank who told you the key to remaining strong under torture—Distraction.

You stare straight ahead, trying not to mind as the man runs the knife over your skin. You think about Matt. You imagine him in his wedding suit, the smile he had on as you approached him down that aisle. You think about when he asked you to marry him, and—

A sharp pain slashes down your arm, cutting open the shirt you’re wearing. You yell in pain, before moving in to try and take deep breaths.

You can do this. Matt will be here soon.

You continue to breathe through the anxiety and the pain, trying not to think too hard about when John hums along to Sinatra’s voice, guiding his knife around your skin. Another cut finds itself on your shoulder.

This goes on for a while, with the classic song looping over and over again. John never seems to tire of it, no matter how badly you will for it to end. As the song ends in one particularly good loop, John hits your face hard, and your nose starts bleeding.

You try to think of Matt’s voice. You don’t listen to John’s torments, knowing it will only egg him on further. You just want him to burn at that point.

By the end of… Countless Frank Sinatra serenades, you have cuts littered around your body, dry blood on your face from your nose and tears running down your face. When he’s eventually done, two men cut you out from the chair and drag you along to a smaller, darker room. You are left in there with a small meal, and you just huddle against a corner, nearest a barred window out of your reach.

And then, you begin to speak for the first time since you saw Fisk.

“Matt,” You whisper, “I’m by the docks.” You tell him, not sure if he can even hear you. “Please, I’m sorry for everything, please just come find me..” You mumble, too tired and aching to try and do more.

• • •

The next day, or what you presume to be the next day since you have no way to tell how much time has passed, you’re woken up by a loud banging on the door of your.. cell..?

The same two men enter and drag you back to the room, where John waits for you.

“How are you feeling today, Mrs. Murdock?” He asks.

You glare.

“Fuck you.”

He laughs and shakes his head.

“What happened to the polite young woman Mr. Fisk and I met yesterday?”

You’re filled with unprecedented anger.

“I said, Fuck you!”

He wastes no time, grabbing a lighter off the table and starting the record player again. Once more, Frank Sinatra’s voice fills the room, and you’re pretty sure once you’re done with John, and then Fisk, you’ll bring Sinatra back from the dead just to kill him again.

You’ve never really been a violent person, but you suspect that it lives in the worst parts of you, just as it did with your own father. You’re much better at keeping it all at bay. Besides, it does you no good to be violent while you have Matt. He’s plenty angry for the both of you.

Oh, Matt..

This is how time passes for you. While John tortures you, burning you or carving into your skin, you think about how great it will be to choke the life out of the singer… And you think about Matt. When you’re in your dark little room, you talk to him. Even if he can’t hear you, you must hope that he’s looking for you.

• • •

Days pass. How long have you been here?

One night, you have the following dream:

It starts out as a memory. A memory of you and Matt. You’re lying in bed with him, and the sunlight is hitting his face just right. You love this memory, it’s one you recall often. He just has this angelic look to him.

Yeah, most people who encounter him, especially at night, meet the devil. But occasionally, you get glimpses of the angel you know he is. He’s sleeping, and you think in this state, he is the most relaxed you’ll ever see him.

Then, before your eyes, the dream shifts and you’re in this black void, on the ground.

Foggy, Karen, Frank, and Matt stand around you. You run to Matt but hit a clear shield keeping him from you. You bang on the glass, well, maybe it’s glass, you don’t know. You try to scream, but your voice never reaches your ears. You begin to look around, looking for a way out.

An eerie version of ‘Fly Me To The Moon’ plays as you glance over to Foggy and watch in horror as his body begins to turn to ash, just like Matt and Karen did when they were blipped. You scream, banging against the shield, but your screams are silent.

You glance back and see the same thing happening to Frank. No, no, no! It was never supposed to happen this way! Frank and Foggy, they lived! They got their time! They don’t die like this!

And then Karen starts too. You start sobbing, not wanting her to go. You had missed her so much, and you only just got her back. But soon enough, she’s gone too, and you’re left in front of your husband.

His hand comes up to rest on the forcefield and he frowns softly.

He says your name gently, and then adds, “You know it couldn’t last forever, right?”

And then just as quickly as before, he is gone again. You remain there in that void, sobbing and screaming though no noise reaches you. This can’t be it! You just got him back, you needed him! You couldn’t take being alone for another five years… Or more…

The dream transforms and you’re in this grand ballroom. People are dancing elegantly and you’re in this.. obnoxious ball gown. But across the room, you can see Matt. He’s dressed in an all-black suit, with a red masquerade mask covering his face. The mask has little red devil horns on it.

Now, the orchestra plays their rendition of Sinatra’s romantic classic. And you step towards Matt, attempting to make your way towards him, only to be met with a masked man, beginning to twirl you around.

You jump from man to man, until eventually, you’re dancing with a man in an all-white suit, a man you quickly recognize as Fisk. No matter how hard you try to escape his grasp, he holds on tighter. The two of you stop dancing now, amid the crowd of moving bodies.

Fisk grabs your chin and tilts it in Matt’s direction, just in time for you to see him bowing to another woman, kissing the back of her hand. Your eyes widen and you think, this can’t be real.

“When I kill you,” Fisk says, “He’ll move on. You’re easily replaceable, Mrs. Murdock.”

And then, in an instant, the woman with Matt pulls out a dagger and plunges it deeply into his abdomen. It’s then that the other dancers, besides you, Fisk, Matt, and this mystery woman, disappear. Matt turns to you and falls to his knees, clutching his stomach.

He tries to crawl to you, blood seeping onto his hands and the beautiful ballroom floor. He yells your name, and the woman stabs him again from behind, and you watch as your husband dies. You hear him screaming, hear him yelling your name. But Wilson Fisk keeps you in place. You can do nothing but watch as Matt Murdock meets his end again, unable to save him. You start to scream, thrashing against Fisk, ready to claw your way to Matt.

You wake up screaming, the nightmare haunting you. A guard bangs on your door, yelling at you to keep it down.

It was just a nightmare, you tell yourself. Maybe Matt heard your screams.

Maybe he’s already dead.

You force yourself not to listen to the voice in your head that says that.

• • •

One day, Fisk visits again, only this time, He’s covered in blood. That damn song is still playing.

You just stare. They have long since stopped tying you up, recognizing that you no longer have the energy to try and fight back.  He has this sick grin on his face.

“Good evening, Mrs. Murdock.” You say nothing. “Have you been enjoying your stay with us?”

You glare.

“I hope Matt kills you when he gets here, because it will be a lot less painful for you if he does it instead of me.”

Mr. Fisk just laughs at this and tosses something at your feet. You get down off the chair to see what it is.

Your face goes pale with realization. You pick it up and slip it on your thumb, with it being too big for your other fingers. Matt’s wedding ring. You know it’s his, it has your name engraved in braille on the inside. How did he get this?

As if reading your mind, Fisk speaks again. “I took it off his body after I killed him.”

Your head shoots up to him. What did he say?

“No.” You deny. “Fuck off, I don’t—I don’t believe you.”

“Your husband is dead, Mrs. Murdock. I killed him with my bare hands because he was stupid enough to come after you. Your friends will mourn you and Matt Murdock for a while, and the city will come to the realization that Daredevil did nothing but harm. I win, Mrs. Murdock.”

You feel tears start to fill your eyes, and you realize, no. He hasn’t won because you’re still alive.

Maybe not for long, but you are.

You gather the rest of your energy and leap up, lunging at the large man covered in the man you love’s blood. And there’s a part of you that gets it. Okay, universe, you win. Most people don’t get a second chance like the two of you did. And now he’s dead, and soon you will be too. You can at least try to kill Fisk.

But you barely get a scratch in, yelling and screaming obscenities at him, as John grabs your arms from behind pulling you away. Fisk laughs and shakes his head again.

“It’s been lovely knowing you, Mrs. Murdock. I’m sorry you’ll have to die, you had so much potential. John, when you’re done doing whatever you’d like to her, kill her.” You hear him say it, but you’re blinded by rage, by grief.

John laughs behind you and forces you back into the chair, tying you back up once more. He looks at you, enraged and grief stricken, and just shakes his head.

“You and I are going to have a lot of fun.”

He leaves for a few minutes, and you realize this is the first time you’ve been left alone in this room. You tug at the knots and realize that while John is a gifted torturer, he’s not much of a knot tier.

So you manage to wiggle out of the rope, approaching the table in front of you. You don’t have much time. Okay, maybe you won’t be able to kill Fisk, but John will do. You take a golf club off the table in front of you and turn to the record player.

You begin to smash the thing in, angrily cursing at it as Frank Sinatra’s voice fades off into nothing. When the song ends, the lights turn off. And then, red flood lights turn on in their place.

A back up generator. Lovely. You think that your smashing of the record player couldn’t possibly make the whole building’s power go off, but you don’t really care at that moment.

You’re tired. You won’t make it far, but you need to try. You grasp the club and open the door, being greeted with a man you don’t recognize. You smack him in the face with the club hard enough for him to fall to the ground.

The red lighting adds an eerie tone to the hallways as you creep around, concussing various henchmen that Fisk has working for him. You don’t mean to kill these ones, only John.

But you’re running out of stamina, peeking around corners. And that’s when you see him. John is just standing there like he knows you’re there.

“Come out to play, Mrs. Murdock?” He calls, approaching the corner where you are waiting on the other side.

You focus on his footsteps, taking a swing around the corner when you know he’s close enough. You hear a sharp crack! As he falls, and you can’t see the blood in this lighting. Good. You begin to hit his head in, sobs mixing with yelling. You hate him. You want him to die before you’re killed.

But you don’t get the pleasure, because a pair of arms are pulling you off him, and you begin yelling.

“No!” You yelp. “No, Fuck you! Let go of me! Stop!” You think it’s another one of his goons, and you just want to be able to finish the job before you die. The figure forces you to drop the club. “Please, stop, don’t hurt me—”

But he’s saying your name and turning you around to see him. You know that voice.

“Sweetheart, hey, it’s just me—” He pants, his hands going to your cheeks. “It’s me, It’s just me. I’ve got you.”

And you can’t believe your eyes.

“Matt..?” You whimper, not able to believe it. “No, you’re dead, this has to be—”

And then, Matt does something he wouldn’t do for anyone who wasn’t his wife. He pulls off his helmet so you can see his face. Oh.

“I’m right here. I’ve got you.” He says softly, his thumb gently rubbing against your skin.

That’s when you start to sob, falling against him, no energy left to carry yourself. His arms wrap around you, and you say it again.

“He told me you were dead..”

“I know.. I’m sorry, I don’t know how he got my ring but we’ve gotta get you out of here.” He tells you.

You’re so tired. You’re slumping against him as you try to walk, the warmth radiating off his body just drawing you to sleep.

The last thing you hear before you fall asleep is Matt’s voice, begging you to stay awake.

• • •

You see flashes. Your parents, your dad. Nightmares of Fisk killing Karen, Foggy, Frank, and worst of all, Matt. You see John’s sickening grin on the body of spiders, and you’re chased by his cruel laughter.

But the dreams are filmier compared to what’s happening around you. You know Claire shows up at some point, and you’re thankful to her. Karen sits next to you sometimes, petting your hair, or sometimes it’s Foggy, talking your ear off.

You have fever dreams of Frank in full military gear, tormenting you.

“Not so tough now, huh, girl?” He teases. “You really thought you’d kill the big bad wolf? Solve all your boyfriend’s problems?”  

You say to him, “Husband, He’s my husband.”

• • •

Even in your dreams, where you were slashed and burned aches, and you long for the pain to end.

You wake up only once throughout these dreams, and it’s when Karen is playing music to try and calm you from your insistent nightmares.

Only one song snaps you out of it, and you hear it clear as day.

‘Fly me to the moon,” Sinatra sings, “Let me play among the stars,’

He only gets through a few more lines before you’re sitting up on the couch, screaming.

“No! Stop, please!” You cry, and in an instant, Matt’s arms are around you. “Matt, please, don’t let him hurt me, please! Please don’t die, don’t let him keep hurting me!” You beg, in a hazed, frenzied state.

“I’ve got you, No one’s going to hurt you..”

Karen turns off the music somewhere deep in the apartment.

“No..” You begin to grow tired in his arms again. “Matty, please.. You can’t die, please..” You whimper out, continuing to mumble out pleads as you fall back into your weird dream state.

• • •

You really wake up two days later. Matt’s hand is clasped over yours, and he’s just.. Sitting on the floor next to the couch, praying into your clasped hands.

Praying for what, you don’t know.

Your body aches. But something in you tells you you’re safe.

“Matt…?” You whisper gently, and his head shoots up.

“Hey..” He says softly, one hand leaving yours, coming up to brush your hair out of your face. “There she is..”

“You’re alive..”

He seems a little concerned you still had some doubts about this.

“I am. Fisk lied to you.. He never even touched me.” You nod.

“Did I kill him? The man you found me..”

“No. He’s just in a coma, I checked. He’ll be brought to justice.”

“I only wanted him dead when I thought you were too..” Because really, you would have nothing if Matt wasn’t there. Nothing to live for. When he was blipped away, you had the hardest time readjusting to life. Now you know if he died again, you’d probably go off the rails.

No love story is saved more than once. You used up all your luck. Now it will be doomed if he’s ever killed again.

“I know.” He said gently.

“How long have I been out? How long was I in there?”

“A week, and then you were out for four days here. They got you good, baby..” He says gently. “I’m sorry I didn’t find you earlier.”

You frown softly.

“You did find me though. That’s all that really matters anymore.” You know you’ll be nursing scars for a long time. Physical or not.

“Still..” He said gently, and he brings your hand up to kiss it gently. “And I’m sorry I told you to leave that night. I was just upset, but this past week and half.. I feel like I’ve been going crazy without you. No matter how mad at you I am, I never want to spend another night without holding you. Knowing that you could have been…” His voice breaks, and he just sighs, taking a moment to lean his head on your hand. “I love you, so much.” He kisses your palm again.

How are you so tired again? All you’ve done is talk to him, but it feels like you just ran a marathon.

“I love you. It’s why I married you. Because you and I, we were always meant to be with each other. No matter what.”

He smiles weakly and reaches over to the coffee table to grab something. He slips it on your finger and for the first time in over a week, your wedding ring is back where it belongs. You see Matt is wearing his. Your Matt. Your husband. The only one you were ever meant to be with.

“Did Claire patch me up? I remember her being here..” He nods softly.

“Yeah, we.. we really owe her one. She was a huge help..”

“Karen and Foggy were here… And Frank?”

“No, no, Frank’s still in Illinois, I think?” You nod softly. “You were mumbling to him, though. I heard you… you were telling him you had a husband.”

You would laugh if it didn’t hurt.

“He called you my boyfriend. I had to correct him.” You grin.

“That’s my girl.” He hums. Matt gently lifts you so you can sit up and drink some water. Then, he climbs onto the couch and brings you close. His arms wrap around your freshly wounded skin and you have a rare moment of gratefulness for his blindness.

You sit in silence for a while.

“Do you want to talk about it?” he asks gently.

You think about it all. The torture, the cuts, burns, the small room. Fisk’s laughter, John’s grin. But something sticks out to you.

“Fisk said I was just like him.”

“What?”

“We.. We grew up similar, Matt, I mean.. What if he’s right? What if the only thing separating him and I is one bad move?”

Your husband frowns and shakes his head.

“Sweetheart, you are the.. the most amazing person I’ve ever met. You’re the complete antithesis of Wilson Fisk. Yeah, you grew up like him, but you’re living proof that you don’t have to go down the path he did just because of his background. You and I both know that there will never be a world where you end up like him. Especially not with me.”

You find comfort with his words. Not only did you make every choice not to be like Fisk, but you must’ve also made all the right decisions if in the end, you ended up with Matt. Oh, it won’t be easy, you know that for sure. You’ll never be able to listen to Frank Sinatra, and your upcoming nights are filled with nightmares and hauntings.

But one day you’ll be okay. One day You’ll be able to sit in the silence without thinking about it. One day you’ll get the image of dead Matt out of your head. You’ve spent many nights wondering about who will go first, you or him.

And then you realize the best-case scenario is that the two of you die at the same time, never living another moment without each other.

How would there ever be a world where you and your husband weren’t with each other, even just for a moment?

[chillyfeetsteak]

5 facts about rabbits you may not know

rabbits are not rodents

this is the one people find the most surprising, and it makes sense. rabbits are small, furry prey animals with ever-growing front teeth who like to chew. while they fill similar ecological niches, rabbits are actually part of the order lagomorpha, which also includes hares and pikas.

one of the differences is in their dentition. as you can see in this hare skull i use to threaten my rabbits occasionally, there is a second row of upper incisors (called "peg teeth")

on rodents, no such teeth exist (this is a muskrat skull I think?? can't remember)

the other differences include rabbits being obligate herbivores while (most) rodents are omnivores, the lack of a baculum (dick bone) in lagomorphs, and the lack of visible paw pads (their feet are fuzzy all the way around)

rabbits sleep with their eyes open

a lot of people don't know this until they see it in person. it's weird. sometimes they DO close their eyes (if they are feeling extra comfy or safe or sleepy), but as a prey animal it's better to keep a literal eye out for movement that might be danger.

here's rhubarb performing his favorite "roadkill" position for sleeping and looking like a freak.

rabbits sleep in bursts of about 20 minutes at a time rather than in one chunk, and are crepuscular (most active at dawn and dusk)

rabbits make noises

generally speaking, rabbits are silent, but there are a few noises they make for special occasions. horny (unfixed) male rabbits make a kind of hooting/honking noise out their nose. they growl when they are annoyed, angry, or territorial and it sounds a little like a pig snorting (bonus does this a LOT and it is usually because i'm not feeding her fast enough). the worst noise they make is a scream, and it is only heard if they feel death is imminent or if they are scared beyond belief. it's an awful, awful sound a bit like a human child screaming, and i hope you never have to hear it in person.

rabbits eat their own poop

okay so it's not TECHNICALLY poop but. it's brown, it smells, it comes out of the butthole. rabbits digest their food twice to get as much nutrients out of it as possible, much like other grazers. however, they are "hindgut fermenters". what this means is that instead of ruminating (regurgitating food and chewing it a second time) like cows or deer, they produce a substance known as cecotropes alongside their poop that they eat straight from the source. they have an extremely delicate digestive system and producing and eating cecotropes is an imperative part of it. nasty tho

rabbits don't see in 3D

like many prey animals, rabbits' eyes are placed on the sides of their heads so that they have a very wide range of view. this means that they do not have stereoscopic vision like us, and so judging distances is harder.

look how soulful and demure rhubarb's eye looks from the side...

ridiculous dot-eyed fool from the front.

they compensate by bobbing their heads up and down in order to create a sense of depth. they also "periscope", or stand up on their hind legs, which is fuckin cute

there's lots of other cool things about rabbits that many people don't know, like that they are unable to vomit, they generally live 8-12 years if well-cared for, and that they litter train themselves if given the option. if anyone has any burning questions, feel free to hit me up! i have known and cared for rabbits for 26 years.

[ashstfu]

hi! do u have any recommendations for green+earthy or light floral perfumes that dont smell like chemicals? thx <3

hey i’m not too big on earthy/floral fragrances, so apologies if this list doesn’t fully hit the mark. hope it still gives you some good options! rest assured, none of these have a synthetic smell <3

oaire by caswell massey — a green fragrance with a classic, timeless feel.

erémia by aesop — light and herbaceous with yuzu and earthy notes

oh mon dieu! by l’objet — floral with a vintage touch, yet still light and elegant.

dirty grass by heretic parfums — an earthy blend of vetiver and hemp

le solstice by moncler — a very cool and airy floral that feels so refreshing.

byredo inflorescence — airy and fresh, captures the essence of a blooming garden.

le labo thé noir 29 — a unique twist on light florals with fig, bay leaf, and black tea notes

rhubarb by perfumer H — tart yet delicate rhubarb with a soft, green floral base. inspired by the vegetable patch in the perfumer’s grandmother’s garden!!

diptyque philosykos — fig leaves & wood for a lush, natural vibe

queens & monsters by henry rose — a soft, floral scent with a touch of musk

replica ‘from the garden’ — evokes the feeling of a tranquil garden in bloom.

french defense by mind games — a refined, almost powdery floral.

hermès un jardin sur le nil — fresh and earthy with hints of green mango & lotus

[doueverwonder]

Gov making the regions hang out together, and when it's the Midwest and Northeast's turns he thinks he's sending the Midwest to the slaughter because 'they're all too nice for their own good,' and instead the Northeast are the ones that came out traumatized.

"Do you know what a Midwest Goodbye is Gov? Five hours of torture after saying we were leaving, we barely made it out with our lives. we lost New Jersey, but got some rhubarb stalks and a cool-whip container of tuna casserole so bad it should be considered a biohazard so it was actually a fair trade for Jersey but--"

[mistydeyes]

perfumes i think the 141 boys enjoy

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summary: Scent is one of the most powerful senses, so what kind of fragrance do the 141 boys + Alejandro like on their significant other?

pairing: 141 x Reader

warnings: none

a/n - i also work for a perfume company so I've had a couple of ideas about what scents the boys like :)

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price - loves expensive, smokey scents on anyone. imagine the scents of a fresh cigar-that's what price wants in a fragrance. notes like pepper, leather, tobacco, cedar wood, and iris will make him crumble.

masculine

oud wood - tom ford notes: oud wood, sandalwood, chinese pepper

osmanthe kodoshan - maison crivelli notes: leather, tobacco, sichuan pepper, apricot, peach

functional fragrance - the nue co. notes: cardamom, iris, palo santo, cilantro

unisex

hinoki fantôme - boy smells notes: tobacco leaves, oak moss, and smoked leather

jazz club - maison marigela notes: pink pepper, rum, tobacco

lumière d’iris - veronique gabai notes: rose, iris, cedarwood, amber

feminine

baccarat rouge 540 - maison francis kurkdjia notes: jasmine, ambergris, saffron, cedar wood

cuir béluga - guerlain notes: leather, powder, vanilla

platinum 22 - floris london notes: rose, violet leaf, blackcurrant, oat, black tea

soap - woodsy, floral scents are soap's surprising pick. it brings back memories of the scottish countryside, adventuring in the woods and smelling the fresh flowers his mam had. notice notes of herbs (sage, rosemary, mint), lavender, and violet.

masculine

sauvage - dior notes: pepper, amberwood, bergamot, powder

h24 - hermès notes: clary sage, narcissus, rosewood

new york wall street - bond no.9 notes: sea kale, cucumber, lavender, ambergris, vetiver

unisex

voodoo chile - dries van noten notes: rosemary, patchouli, hemp

libre - yves saint laurent notes: lavender, musk

dirty grass - heretic notes: black pepper, lemon, hemp, violet

feminine

melancholy thistle - jo malone london notes: thistle, english ivy, cool wood

portrait of a lady - frédéric malle notes: frankincense, black currant, raspberry, patchouli

la tulipe - byredo notes: tulips, cyclamen, fressia, rhubarb

gaz - FLORAL CITRUS will make this man fall in love with you. it reminds him of a warm summer day sitting in the grass and smelling flowers. look for summery fragrances with notes of citrus, lemon, sage, and fresh herbs.

masculine

bleu de chanel - chanel notes: citrus, labdanum, sandalwood, cedar

polo black - ralph lauren notes: iced mango, lemon, tangerine, sandalwood, sage, patchouli

l'homme - yves saint laurent notes: bergamot, ginger, cedar wood, vetiver

unisex

cactus garden - louis vuitton notes: maté, bergamot, lemongrass

velvet cypress - dolce & gabbana notes: pine, lemon zest, bergamot, clary sage

eau de campagne - sisley notes: grass, citrus, herbs, jasmine, lily of the valley

feminine

brazilian crush cheirosa 62 - sol de janeiro notes: pistachio, almond, sandalwood, heliotrope, jasmine

her blossom - burberry notes: mandarin, plum blossom, sandalwood

flora gorgeous jasmine - gucci notes: mandarin, jasmine, magnolia, sandalwood

ghost - likes a light, musky scent! he loves when a scent adds to a person's natural smell (he hates sugary, gourmand scents). ingredients like musk, ambrox, pepper, sandalwood catch his eye as he pictures fresh sheets and a rainfall in a forest.

masculine

geranium pour monsieur - frédéric malle notes: mint, aniseed, sandalwood, geranium, frankincense

atlantis - blu atlas notes: orris, oak moss, violet, musk, ambrette seed

gentleman - givenchy notes: pear, lavender, patchouli

unisex

glossier you - glossier notes: pink pepper, iris, ambrette seeds, ambrox

not a perfume - juliette has a gun notes: ambergris

santal 33 - le labo notes: violet cardamom, cedar wood, iris, ambrox

feminine

missing person - phlur notes: musk, bergamot, jasmine, neroli, sandalwood

golden nectar - nest notes: florals, orchid, amber, musk

apollonia - xerjoff notes: white floral, orris butter, white musk

extra! alejandro - if ghost likes it simple and light, then alejandro is the exact opposite. he loves when he can smell someone's fragrance across the room. focus on bold fragrances with spicy notes of nutmeg, myrrh, and rum that is mixed with the gourmand of vanilla, almond, and tonka bean.

masculine

the last day of summer - gucci notes: cedarwood, cypress, nutmeg, patchouli, vetiver

bibliothèque - byredo notes: peach, peony, violet, leather, patchouli, vanilla

london myrrh & tonka - jo malone notes: almond, vanilla, myrrh, lavender, honey

unisex

tobacco vanille - tom ford notes: tonka bean, vanilla. cacao

dark rum - malin + goetz notes: anise, plum, leather, rum, patchouli, amber

tao dao - diptyque notes: sandalwood, cedar, cypress, myrte

feminine

lost cherry - tom ford notes: black cherry, tonka bean, almond

brazil aroma - costa notes: white jungle flora, orange oil, pink pepper, bourbon, vetiver, patchouli

babylon - penhaligon's notes: saffron, nutmeg, coriander, cedar wood, vanilla, cypriol

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