#contemporary violin

[animezinglife]

This playlist is made for @lucienarcheron as a tribute to her fic, Spirit Meets the Bones. Gigi, thank you for being such a sweet, uplifting spirit. I hope you always keep writing!

Find the full playlist on YouTube here.

Tracks:

"Autumn Waltz" - Infinite Stream

"Beginning to End" - Hendyamps Studios

"Melancholy" - Alexey Kosenko

"Giorni" - Ludovico Einaudi (Eris and Iris's song)

"Ripples in a Water Scene" - Lubomyr Melnyk

"Love Lost" - Mattia Cupelli

"Afterlight" - Eternal Eclipse

"When Love Falls" - YIRUMA

"Experience" - Ludovico Einaudi

"Last Moment" - Christophe Filippi

"Yearning Hearts" - Eternal Eclipse

"Middle of the Night" - Joel Sunny

"I Wanna Be Yours" - Joel Sunny

"War of Hearts" - Joel Sunny

"A Thousand Years" (Piano and Strings Cover) - John Rod Dondoyano

[kafkasapartment]

Sisters, 1995. Vadim Semenovich Velichko. Oil on canvas.

[beyourselfchulanmaria]

Arvo Part - Spiegel Im Spiegel

Violin: Stelios Chatziiosifidis Cello: Caroline Szram Piano: Alex Szram

Arvo Pärt : Spiegel im Spiegel (Full Album)

These days Estonian composer Arvo Pärt is mainly associated with his later works. Born in 1935 he wrote ‘avant-garde’ works at first. In the nineteen seventies he increasingly found his inspiration in medieval religious music, both western and eastern European. This first transpired in his Für Alina for piano. It already has the telling low tempo and (two) layers. Pärt further extended his so-called tintinnabuli (i.e. bells) style in small-scale pieces like the different versions of Spiegel im Spiegel and Variationen zur Gesundung von Arinuschka. Although this last piece has ‘classical’ features as well.

00:00:00 Spiegel im Spiegel, for violin & piano 00:10:22 Variationen zur Gesundung von Arinuschka, for piano solo 00:15:58 Für Alina, for piano solo 00:19:29 Spiegel im Spiegel, for viola & piano 00:29:34 Mozart-Adagio, for violin, cello & piano 00:37:20 Spiegel im Spiegel, for cello & piano

Artist: Benjamin Hudson (viola) Sebastian Klinger (cello) Jürgen Kruse (piano)

[thepaintedroom]

Clémentine Odier (French) • Le duo dans la chambre rose (The Duo in the Pink Room)

Official website

[misscromwellsmonocle]

Requiem (2017) by Ignacio Trelis

[x-heesy]

photographer Adrian Borda 🎻

Magical photos taken inside the cello and other musical instruments 🤍

This musical instrument both sounds great and looks majestic. Even the word "cello" is elegant. If earlier we could appreciate only the external refinement and sound of the instrument, now there is an opportunity to marvel at its internal space.

Romanian surrealist artist and photographer Adrian Borda created a series of shots inside a vintage cello inspired by the Berlin Philharmonic's promotional images that can be found on Behance. Borda did not know how they were created, but, having begun to experiment, he achieved excellent results. Not limited to the cello, he filmed inside the guitar, double bass, saxophone and other instruments.

Light and smoke penetrating the interior of the instruments play a crucial role in these shots. See more of Adrian Borda's work on his website, Instagram and Deviant Art.

#photoart #photoartist #photoartwork #photoartistic #photoarts #blissfulphotoart #photoartistique #photoarte #photoartistry #contemporaryphotoart #photoartists #photoarty #photoartgallery #photoartmag #nyphotoart #photoartcrew #photoartspirit #photoartgram #urbanphotoart #darkphotoart #photooftheday #photographylovers #aesthetic #photographylover #ilovephotography #instaphotography #photographyart

𝚂𝚘𝚞𝚗𝚍𝚝𝚛𝚊𝚌𝚔: 𝙶𝚘𝚘𝚍𝚋𝚢𝚎 𝙷𝚘𝚛𝚜𝚎𝚜 𝚋𝚢 𝚀 𝙻𝚊𝚣𝚣𝚊𝚛𝚞𝚜

[composer-smash-or-pass]

[paging-possum]

I need to be reunited with Betsy so fucking bad dude. Betsy my beautiful violin.

[yamelblr]

hello lovely people!

i'm excited to share my very first serious musical creation with you—a four-movement composition for string quartet, taking you on a musical rollercoaster from soothing, poised serenity, to mesmerizing uncertainty. it's been a labor of love, and i can't wait to share it with you.

music has been my constant companion, guiding me through different genres and inspiring me to explore its many facets; this project delves particularly into the classical realm. this composition is a nod to that classical influence i hold dear.

the journey to creating these pieces began during my formative years, between 15 and 17. it's been a dream of mine, and despite the hurdles and unexpected challenges, i'm thrilled to stand here today with a tangible creation. while it may not be flawless, it's a representation of my first steps in sharing my musical vision.

now, this is where you come in! i'm reaching out to you for your aid and encouragement on this project. whether you support my vision by donating, share the project to broaden its reach, or simply give it a listen, your contribution makes a world of difference!

wour support means everything. let's spread the joy of music together.

much love.

[viola-ing]

Hi there! I'm Katie, and I am a composer.

I am working on a commissioned piece that comments on involuntary psychiatric admission, focusing on the findings of the Rosenhan Experiment.

The piece is for violin & fixed media, and I am looking for folks to record themselves reading some excerpts from the experiment's article.

If you want to record & be a part of this piece, recordings are needed by Wednesday, August 23rd.

To find more information, please visit this Google Doc: https://docs.google.com/document/d/1rSTHSKT4J3LokMf8ivaHEbBlRBj68TBG3siHb-qDHgc/edit?usp=sharing

Thank you in advance!!

[ozkar-krapo]

George ANTHEIL

"Music for Violin and Piano"

(LP. Orion. 1973) [US]

[those-beautiful-giant-squids]

Prismas by Harry Crowl (b. 1958) for piano quartet. Recorded by the Boulanger Quartet.

[beyourselfchulanmaria]

Listen to 回憶如風 Memories like the wind I, a playlist by chu-lan-maria on #SoundCloud

有了合適的音樂，你要麽忘記一切，要麽記住一切。 With the right music, you either forget everything or you remember everything.

該記得的或該忘記的，讓一切都任由風帶走… The one that you remember or should be forget, let everything take away by the wind. -ℒan ~*

(PS. I don't own any music and songs right, I just make the playlist for listening easily and enjoy all musicians your works and love to share it only. all copyright belongs to musician & singer. If you want me do delete yours from the playlist, please tell me then I will do it. Blessings! Thanks! Lan~*)

📌 Poland photographer Jarosław Datta

[dustedmagazine]

Morton Feldman — Violin and String Quartet (Another Timbre)

Composed in 1985, just two years before he died of cancer in 1987, Morton Feldman’s Violin and String Quartet embodies his interests in patterns, such as the intricate, slightly asymmetrical threading of Asian rugs. Similarly, Violin and String Quartet contains off-kilter, slowly evolving harmonies, post-tonal in terms of trajectory; they are  self-contained entities that inhabit a place in which instability and repetition conjoin.

Quintets with violins are somewhat unusual. In a standard classical piece by Mozart or Schubert, one is more likely to find two violas or cellos. The group of players here — Mira Benjamin, Chihiro Ono, and Amalia Young, violins, Bridget Carey, viola, and Anton Lukoszevieze, cello — play together as if this is the most ubiquitous of instrumentations. Their level of attention to tiny details in the score, as well as their unflagging energy, make this an important document of Feldman’s late music.

The designation of one of the violins separately is significant. Sometimes the first violin will be required to play a solo role, tearing off from tutti ostinato passages to play altissimo high notes and polyrhythms —often five against four — that delineate it from the rest of the group. At others, its upper register sustained notes meld with the string quartet.

Like most of Feldman’s late music, Violin and String Quartet is quite long, well over two hours, and prevailingly slow and soft. The piece begins with verticals that are morphed by small glissandos into rubbery totems. These are contrasted by moments of glassine verticals, played with straight tone. For a stretch two-thirds of the way in, the first violin’s harmonics are set against blocks of enigmatic chords.

Without a linear narrative or break in the action, a piece of such long duration is difficult to summarize. Perhaps that is part of the point. Attention to small details and their variations is rewarded, just as a meditative stance can be a way to contemplate Feldman’s music. In a pre-concert talk about a different piece, Feldman was quoted as saying,”It’s a short three hours!” Approached with an open mind and ears, Violin and String Quartet can feel the same way.

Christian Carey

[sentfromwolves]

For the ask game! 🤔 🛠

🛠Is there a scene or anything in the WIP you are struggling with right now?

Does the entire draft count? Σ(°ロ°) I'm in the middle of revisions, which are exciting but also (YELLING INTO A PILLOW)

🤔What’s a story you’d love to write but haven’t even started yet?

Ohohooh YESSS I'm knocking around a new project in my head right now that doesn't have a name yet, but is effectively a very dark fantasy series that is Elden Ring x Gideon the Ninth about a girl that must restore Death to an undying world plagued by immortal demigods, her talking sword, and a whole cast of angry, queer divinities trying to kill each other for sleeping with each other's exes