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findingjoynweirdstuff · 3 years ago

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Dream SMP Recap (June 24-25/2021) - Cow Quackity / S.U.S. Toll Company

After Quackity turns into a cow and Wilbur eats him on Bad’s chill stream, the two make a hit song together.

Later, George joins in and things become even more chaotic.

The next day, while working on “L’Wallburg” to compete with Bad’s apartment in the same area, Foolish has the idea to join forces with Bad instead of competing all the time. The two get together with Ponk to create their new tollbooth company:

Super Umbrella Scheme

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VOD LINKS:

Ponk

Foolish

BadBoyHalo

Foolish

Captain Puffy

[Foolish’s second VOD was deleted]

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JUNE 24

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- Ponk, dressed up as Robin, notices Sam AFK by the bank. They try to get some Pillagers to attack Sam, but it doesn’t work

- Instead, Ponk pushes Sam into the spider spawner, then releases the spiders and watches Sam get eaten alive

- With Sam dead, Ponk puts his things in a chest and takes the Netherite set, leaving everything else. He goes to hide it

- Later, Ponk meets Foolish at the Community House as Robin and Batman. They go down into the basement to discuss. They may need new identities. Their crime-fighting days are over

- Ponk tells him that they are going to be Sherlock Holmes and Watson. That’s the extent of the report, so the two of them part ways

- Back at the valley, Ponk puts up a giant Foolsamponk picture and a photo of a rice cooker

- Bad and Wilbur log on. Bad notices a new structure built where the L’Sandburg tollgate used to be and wonders who’s behind it. Bad has been building up L’Sandburg’s walls in the meantime

- As Bad searches around for Wilbur in Las Nevadas, Quackity joins VC and gets a cow as a stand-in. Bad spots Wilbur nearby

- Bad tells Wilbur that the cow is Quackity and puts a leash on him, explaining that a witch turned him into one similar to how George was turned into a pig

- Wilbur asks where he can find food around here, and Bad tells him he can kill the cows in the pen. Bad tries to explain to Quackity how he is a cow. Wilbur asks Bad to tell Quackity that Wilbur wants to eat him

- Wilbur sets Quackity on fire, but Bad puts him out with water. Wilbur says Quackity looks tasty. Bad throws him bread and steak, but Wilbur refuses

Wilbur: not as succulent as him

- Bad leads Quackity over to the Eiffel Tower away from Wilbur. Wilbur opens Bad’s stream to find them

- Wilbur joins VC and Quackity asks if it’s true that Wilbur wants to eat him. They start discussing lactose intolerance

- Wilbur sets off TNT, then lights cow Quackity on fire. Bad is unable to save him and the Quackity cow drops a piece of steak. Wilbur asks for the meat

- Meanwhile, Quackity as a human has come over to Las Nevadas. They set off more TNT

- Wilbur holds a piece of steak and munches on it, telling Quackity that it’s his meat. Quackity asks how he tastes and Wilbur begins describing it in great detail

- Quackity asks him to describe the texture and Wilbur does, again, in great detail. (I'm not going to transcribe this)

- Wilbur then walks over to DogChamp, saying he would kill the dog for another bite. They quickly stop him. Wilbur tells Bad to get him more Quackity meat. He then turns to Quackity and tells him to turn into a cow so that Wilbur can cook him up and eat his meat

- Quackity goes over to the cow pen to be with the other cows so that he can become one and starts mooing

- Wilbur kills another cow. Quackity has taken off his clothes and continues mooing

- Wilbur takes the initiative to end the bit

- They swim over to Eret’s pyramid with Wilbur repeating everything Quackity says in an American accent. They discuss what animal Wilbur would be. Perhaps a sheep. Bad finds a cod in the ocean and decides on that

- They go up to Ponk’s base and look at the photos. They notice that Sam is crossed out in one of them but don’t know why

Quackity: “Do you wanna have sex in this room?”

- Bad goes to tell him “language” and Quackity scolds him for walking in on them. Wilbur considers it, then mines the floor out from under Quackity, who falls to his death

Quackity: “Is that a yes?”

Wilbur: “I like a man who can take kinetic energy.”

- Bad gets a crossbow. Quackity has an announcement: the wine stream is still happening!

- Quackity gets back to the pyramid and falls to his death again. While they retrieve his items, they chat about fan interactions

- Quackity wants to adopt the dog that played Beethoven in the Beethoven movie and Wilbur breaks the news to him that the dog is probably dead. Quackity doesn’t want Tom Arnold on a leash, and they find out that during the filming the filmmakers apparently used a “mechanical dog-dog suit”

- Wilbur explores the Beethoven fandom Wiki

- They talk about music they’ve been working on. Bad says if Quackity keeps swearing, he will “break out the hammer”

- Quackity shows his recent project. Wilbur says it’s “bloody-muffin-fucking great”

- Wilbur and Quackity work on the song together. The sound is...beyond words

- When they are finished, Quackity says that he thinks Wilbur is giving him too much credit, and he should instead be on the feature list. He wants Wilbur to have this song

- Wilbur declines, saying he would be honored if Quackity didn’t put Wilbur’s name on the song

- Quackity thinks Wilbur should feature it as a Lovejoy song. Wilbur has joined a new band to release the song called “Placeholder,” after which he will immediately disband the band

- Quackity tells him that the song is Wilbur’s baby and he really wants Wilbur to have it. Wilbur tells Quackity that he loves him and that Quackity should have the song. Quackity says he would die for Wilbur, and that Wilbur should have the song

- Wilbur says he will name his firstborn "Quackity,” and he thinks Quackity should have the song. Quackity says he will name all his future family members “Wilbur Soot” (pronounced ‘suit’)

- Wilbur then says he will kill endangered animals for Quackity

Bad: “That’s not something you should do!”

Wilbur: “I will do it for love.”

- Bad asks if he can have the song. Quackity doesn’t say his next bit aloud

- Wilbur understands that Quackity would do that, but he would physically drown for Quackity to have the song

- Quackity says that he will get an astrophysics license, fly a rocket into the moon to get in a national story so that when they find the notepad on his phone, Quackity’s one will would be for Wilbur to have the song and release it under his name without any credit to Quackity

- Wilbur understands this, but says that he would invent a Doomsday device the likes of which the world has never seen and will never see again with which he would hold the world hostage with one message: to tell the world that this song is written solely by Quackity

Wilbur: “That’s what I’d do for you.”

Quackity: “...Okay!”

Wilbur: “Cool, alright, now we’re settled. Hey, Bad, how’re you doing man.”

Bad: “Hi! I’m so perplexed.”

Wilbur: “I’ve got a Doomsday device to make.”

- Bad befriends a pig and names it George. He leads the pig and the red sheep away from Las Nevadas. They continue chatting for a while at the Punzo Chunk

- Later on, George, “master of lore,” joins in

- Bad shows them the heads he got from DreamXD and offers to trade Karl’s to get Ant’s, Sam’s and Puffy’s from Foolish. Wilbur asks how one gets heads, and Bad tells the story of DreamXD logging on

- Bad gives George his own head and George logs off. Bad offers Karl’s head and George returns, so Bad kills him and gets his head back. George drops a stack of nametags, a stack of TNT and a stack of levers

- Bad repeatedly murders George and sees a squid that flies

- George chases after Quackity trying to kill him with a bone. Quackity runs, setting everything on fire behind him. Bad follows and tries to put everything out. George eventually kills Quackity, then Bad kills George

- Bad accuses George of abusing his op powers to get Netherite armor as George chases him down

- Wilbur sings the Drake and Josh theme song in an American accent while George attempts to murder Bad in a pit

- George accuses Bad of turning the server off, but Bad says it’s a scheduled restart

- George kicks them from the server and un-whitelists them both

- Quackity gets back on and slays George

- The three of them continue to spar some more for fun

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JUNE 25

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- While Foolish works on building a room by the Punzo Chunk to compete with Bad’s, Bad logs on and drops by

- Bad tells him he’s building in Bad’s apartment. Foolish tells him he’s just making L’Wallburg

- Bad says he will charge Foolish rent to live here, but Foolish declines

- They argue back and forth about whose place it is as they work on the walls

- Foolish has the idea to join forces

Foolish: Bad what if we are landlords together

Bad: o_o

Foolish: we have been fighting for afar too long

Foolish: What if we put are talkents togerth

Bad: o_o

- Bad says he’s charging rent. Foolish asks what if he charges Bad rent. They argue about charging rent on each other

- Bad charges Foolish 850 diamonds. Foolish tells him that Bad has been on his property for five minutes, which means he must pay 9,000 diamonds

- Again, Foolish suggests they instead work together. Bad brings up the idea of taking over a central location like the community Nether portal that they can charge people for. Foolish likes the idea

- They work on the apartment some more and start bickering over who’s caused more problems in their rivalry. Foolish attempts to explain it metaphorically

Foolish: “There was once a shiny rock, okay? And this shiny rock was just trying to go to the ocean and have a good time and lay there in peace. But then, this crusty old seaweed came along to the seashore and just got up all in the shiny rock’s business. And then the shiny rock became a little more dull with the weight of death looming, Bad.”

- Bad takes offense to this and also claims that he made Foolish’s build much better by adding a tollgate to it

- They negotiate percentages of the profits and head off to the Nether portal. Foolish asks if Bad has a suit. Bad replies that not only does he look very dashing already, but the last time he wore a suit, he tried to kill a lot of people

- Foolish suggests they call it the Ratgate. They wall off the portal

- While visiting the summer home, Foolish finds out about the new building on the path. The two suspect a third party may be at play

- Foolish tells Bad about how they have a tollgate set up in Las Nevadas. Bad is offended that Foolish made him take down his tollgate but set one up elsewhere. They start arguing again over who had rightful claim to the path

- They admire their work on the new tollbooth. If people don’t pay the toll, they die

- They rehearse it. Foolish switches personas and becomes a L’manburg Llama who asks Bad where L’manburg is -- he heard they needed his help a few months ago

- Foolish critiques Bad’s performance, as Bad didn’t ask for the toll. Bad said he still got something out of it -- a nice compliment

- They rehearse it a second time, this time with Foolish as Palpatine. It ends with Bad attempting to kill him

- As they discuss how the second rehearsal went, Ponk logs on and walks through the portal while they’re distracted

- They go through after him to seek him down. If they let him get away, they would be the laughing stock of the tolling community. Foolish wonders if they’re dealing with Ponk or Robin

- They find her at the summer home. Ponk runs into his shack and they knock on the door

- Ponk comes out of the shack and they tell him that they’re vacuum salesmen. Once inside the shack, they confront him about the toll

- Ponk doesn’t buy their claims and they go back to the tollbooth. They tell them to pay with compliments

- Ponk retrieves a book from his Ender Chest and goes up one of the tollbooth towers to place a piece of TNT. He tells them that he has claimed the tower

- Ponk starts running, placing TNT all over while the two chase after to attack

- After “the Battle of the Nether Portal” subsides, Ponk gives them the compliments

Ponk: “Bad, is your nickname ‘Google?’ Because you’re all I’m searching for.”

...

Ponk: “Did you get your suit at Dollar General, Foolish?”

- Because Foolish takes some offense to this, Ponk throws him some Netherite ingots. Bad wants that compliment

- Ponk and Bad go up into Ponk’s tower to whisper amongst themselves. Ponk is going to record this and use it as part of the lore suit against Bad. Bad already has ten lawyers

- They go back down and Ponk tells Foolish that Bad said the toll doesn’t have to be paid. Bad is confused, and Foolish pulls Bad aside for a meeting behind a wall of TNT to whisper amongst themselves

- Foolish points out that they could use a third person for the tolling business, and Ponk’s the most trustworthy person Foolish knows

- They go back to Ponk with the business proposal. Foolish says if Ponk makes enough money, they’ll give Ponk a Supreme car at the end of the year

- Ponk becomes sad at this, because Bad destroyed the Supreme Fridge and that’s why Ponk is suing him and Puffy

- Bad says that Foolish allowed them to demolish it. Foolish quickly denies this, but Bad claims he has a written document signed by Foolish. Upset, Ponk asks if this is true. Bad says Puffy has it

- Ponk isn’t sure who to believe anymore

- After they spot Bad lurking beneath the rainbow, they hold him at knifepoint asking for his pot of gold

- Foolish suggests the three of them forget everything that’s happened and just run their tollbooth together. Ponk proposes they tear down Bad’s house instead

- As they explain a potential plot to toll everyone further, though, Ponk starts to come around to the idea. Foolish wonders if they should toll the prison. Bad says they should toll everything

- The next place they decide to toll is the Community House, and they start setting up gateways there. Foolish asks Bad who he would hypothetically be in an alternate Batman universe. Bad would be Alfred

- They decide on a name for their tollbooth company:

“Super Umbrella Scheme,” or S.U.S.

- They do another rehearsal at the Community House gate. It goes very well

- They go to the spider spawner. Bad has to leave, and Ponk speaks with Foolish one-on-one, leading him down the tunnel to the Eggpire cloak room to search through the chests. Foolish hesitantly peeks around the corner into the Egg Room...

- Ponk tells him they’ve got their next disguises as Watson and Holmes. Sam has mentioned that he’s missing a sword and wants to hire them to find it

- With that said, they say their goodbyes and leave

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Upcoming events remain the same.

#dream smp #dream smp recaps #long posts

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itsclydebitches · 4 years ago

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ngl voyager gets a whole lot of very disproportional hate from the fandom and i'd hazard a guess that a lot of that is just garden-variety misogyny (and probably racism mixed in, considering how many of the most prominent characters are women, poc, or both). like, is voyager perfect? absolutely not. and no spoilers but there was a lot of executive meddling that wound up leading to the finale/conclusion being lacking and there's a lot of reasonable dissatisfaction with that--but again that was largely thanks to the execs fucking the show over and i recommend looking into that if you can once you've finished the show. but overall? voyager is trek right to its very core--it has heart, it's about family, and it never loses sight of that imo, even if some episodes are weaker or just duds (but, like, would it be a trek series without some episodes that just kinda suck but are still fun to watch???)

anyway, i absolutely love that you're getting into voyager, it is my all-time favorite trek series to this day for a lot of reasons, and i hope that ppl like that anon dont put you off bc i'd love to continue to see your thoughts as you watch the series!

Oh, it would take a whole lot more than some anons being salty that others enjoy things to turn me off :D

Thus far (I lost internet last night so I’m still only on Episode 7 of Season 2), Voyager is the Trekiest Trek I’ve watched. Which is a weird sentence, but I mean it in the way you said it’s “trek right to its very core.” What is Star Trek, if we strip the intent of the story down to its basics? It’s about exploration, discovery, that “wagon train to the stars,” wrapped up in the argument that life is fundamentally good. We have problems, but we can work past them. We have differences, but they strengthen us. Diversity is the lifeblood of the universe and the future will continue to improve so long as we embrace that.

Voyager is (again, from what I’ve seen so far!) basically a love song to that premise. I didn’t do too deep a dive because I’m trying to avoid spoilers, but I did look at a couple threads discussing why Voyager is so hated. Again and again I saw the same reason pop up: wasted potential. Now, a lot of fans left it at that (as if the answer to what potential Voyager apparently missed out on is self-evident. It’s not), but those who did expand on the idea consistently claimed that the show needed to be darker than it was, even if they rarely said it like that. Why aren’t the Federation and the Marquis at each other’s throats? Why isn’t the crew going crazy under these circumstances? Why aren’t characters getting killed off left and right in hostile space? “Anything could have happened out there and they played it safe!” but the “anything” here is always... awful. There’s this very pervasive idea that the world is inherently cruel, people are inherently divisive, that when pushed to the brink everything will fall apart... and that (while making for one kind of great story) is very much not Star Trek.

See, Voyager created an unimaginable scenario--lost in space, 75 years from home, forced to live indefinitely with strangers--and their answer to the question of “What happens?” is “People make it work.” They learn to respect one another, they uphold their ideals, they maintain a love of life and discovery, and they create a family. And that’s fucking fantastic. That’s Star Trek! I’m not going to pretend there aren’t problems with the show, with plenty more to come, I’m sure, but I don’t think this is one of them. Why do so many viewers think that hatred, horror, death, and growing jaded is the only potential here? Why would they expect that in a Star Trek show whose premise is the very antithesis of those things?

“But they don’t do enough with those things, even if they have happy outcomes.” They do plenty, they just do it in an episodic rather than serialized nature. I can point to multiple episodes where the replicator rations or Maquis differences are driving the characters’ actions. “But without that horror there’s no conflict.” There’s plenty of conflict. Hostile aliens aside, I just watched an episode where Tuvok and Chakotay are pissed as hell at one another because they fundamentally disagree over how to handle problems, but--because they’re adults with a well-tested respect for one another--they apologize and work through it. “But the characters don’t develop at all.” You mean they don’t grow harder. That’s not the same thing as no development. Tuvok is figuring out how to be more flexible, Chakotay is becoming more willing to accept cultures he doesn’t agree with, Harry is growing more confident now that he’s far from home, the Doctor is learning to see himself as a person, Paris is grabbing his second chance with both hands by making strong ties, and Janeway is learning to command and care for her crew simultaneously. I honestly believe that a lot of people think of “character development” as the character becoming a fundamentally different person, unrecognizable from where they started out. But characters can also grow into the people they wanted to be in the first place. “We’re far from home, in hostile territory, tempted to do horrific things to survive... but no. Right now at least, we’re holding onto who we are. We’re scientists, so we’re going to explore and learn. We’re peaceful, so we’re going to make friends with as many species as we can. We’re members of a society that teaches acceptance, so we’re going to form a family on this spaceship.” That’s incredible!! Did fans miss why Seska was an antagonist in the episode she was unmasked? Because she was trying to convince them to give up everything they believe in in the name of survival, an ends justify the means argument. And the crew said no, we will not give up what we believe in just to make it through. I legit saw a ton of fans saying some version of, “I can’t believe they were that far from home and actually followed Starfleet’s rulebook.” It’s because those rules don’t exist for the hell of it. Overlooking their practical function, they’re a philosophy that the characters believe in, and they’re figuring out how important that part of their identity is to them under these circumstances. Am I willing to steal a specie’s technology if it gets us home? Am I willing to die to help another uphold their own philosophy? (Chakotay in “Imitations”). What regulations should we bend or change to accommodate our new situation? The first two things Janeway does are a) giving the guy who just came out of a penal colony a rank and b) deciding that she needs to be more familiar with her crew than is normally encouraged for a captain because she’s essentially their mom now. Developing doesn’t have to mean characters do a 180 on their initial personality, or characters getting killed off when stuff gets “boring” so that others can do edgy things in response.

Voyager upholds Trek’s premise and runs it to its logical conclusion:

Voyager has the most literal trek--a trek back home.

Voyager has the most diverse crew--a woman Captain, Native American First officer, black Vulcan, Asian-American communications officer, and a White Dude pilot that realizes he wants to be soft and kind towards those who took a chance on him because Toxic Masculinity who?

Voyager has the most literal family--not just a 5+ year mission, but a crew who expects to raise the next generation. They have no choice but to work together, so they indeed come together rather than pulling apart

Except they do, of course, have a choice. In “The 37′s” the crew is allowed to stay on the Earth-like planet with a city of other humans and Janeway is convinced that a sizable number will choose that. After all, they may never get home and this is a safer, kinder future for them. In fact, the real question is whether so many will stay that they can no longer run the ship... but Janeway would never dictate her crew’s choices in that manner. So she swallows her worry down, opens the door...

... and finds that not a single person decided to stay behind. And the show has ensured we understand that this is not just because they all have some unshakable belief that they’ll get home (many don’t), but because this is their family now. This is home.

And fans want to toss that out for a generic, gritty, sci-fi adventure where hope is scarce, the universe is cruel, and people need to be pushed to the limit just to admit that they maybe, sort of, like each other?? Obviously like what you like, but that’s a hard pass for me. I’ll take the bridge crew comforting each other in “Twisted,” thanks. Besides, we already have shows like that. And we already have DS9 which grapples with many of those dark, pessimistic themes. Voyager feels like a breath of fresh air, even within the breath of fresh air that is Star Trek as a franchise. It’s a show that says, “Yes, when everything goes wrong people will come together. They will love each other. They will make it through.”

What’s more Star Trek than that?

#star trek #ST #mymetas #Anonymous

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hellroots · 3 years ago

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『 MOBILE FRIENDLY RULES 』

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『 THE MUN』

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『 THE FINAL NOTES』

GENERAL RP ETIQUETTE APPLIES, CREDITS, THANK YOU FOR READING MY RULES

lastly but not least, general rp etiquette applies on my blog: no godmodding, forced ships, etc. there’s only ONE thing that truly makes me go apeshit crazy, and it’s when people don’t read my rules. i ALWAYS find out and it’s not pretty; i block it like it’s hot, ♪ ♫ ♬ block it like it’s hot ♪ ♫ ♬. i strongly assure you that i always read your rules before both following you and also before sending memes, just in case. on a much smaller note, i’m not so hot on single shipping and i really feel weirded out about people forcing me to pic who i’m going to interact with due to theirs DNI’s. while i get DNI’s when it comes to actual predators, when it’s something seemingly random chances are that i’ll softblock you because it weirds me out how volatile some can be when it comes to a hobby. i have some trigger heavy hcs ( for example, the one about jiraiya’s hypersexuality being rooted in trauma that he suffered at a young age ) that i share with only a few muns that are closer with me, so i’ll be mentioning them every once in a while but won’t share them, please don’t insist. i don’t really like most of the main characters of the franchises i write for, and when it comes to certain characters i reserve the right to decline an rp for my own comfort. for further info on what i use to make my graphics please check my “CREDITS.” tag. most of my stuff is made by me, i’ve got a lowkey rph in case you wanna check it out it’s @brazucahelps, however if you want a custom content i can see if i get a free time to come up with something :D

IF YOU READ THIS FAR, THANK YOU SO MUCH — JUST ONE LAST THING, COULD YOU PLS LIKE THIS SO I KNOW YOU’VE READ IT? <3 THANKS!

#RULES.

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spnfanficpond · 4 years ago

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Pond Diving - Supernatural-Jackles

Welcome to today’s Pond Diving Spotlight! We hope that you enjoy this little insight to our members and perhaps even find some useful tips for your own writing. Happy reading!

Want to volunteer, send us an ask! We’re looking forward to learning more about all of you! Not sure what PD is, you can learn more here.

“Don’t Be Koi About It” - All About You

Name: Jen

Age: 24

Location: Ontario, Canada

URL: @supernatural-jackles

Why did you choose your URL: I wanted a Supernatural theme for my blog when I started watching it and Jensen Ackles just happens to be my favourite on there so it became that.

What inspired you to become a writer: I’ve always enjoyed stories. I’ve loved the aspect of taking your mind to a whole other world and living in it. As I grew up and continued reading, my love for stories became stronger and stronger. I fell in love with characters and places. I wanted to always have a way to go back to those places and take other people to those places. I wanted to create stories for others to fall in love with the way I fell in love with them.

How long have you been writing: I have been writing since I was 8 or 9.

What do you do when you are not writing i.e. Job/Hobbies etc? Right now, my Nintendo switch is a good friend of mine. Due to the virus, I spend a lot of my time inside when I’m not at work. I’m either writing, working, sleeping or playing switch.

How long have you been in the SPN Fandom? Since 2012

Are you in any other fandoms and do you write for them? I am in the Harry Potter fandom, and Marvel. I don’t write for them though. I don’t feel the same way about the characters as I do with the SPN Fandom.

Do you do any writing outside of fanfiction? If so, tell us about it? I have been working on my novel for the last two years on and off. I just find a lot more joy in writing Supernatural fanfiction at the moment, so my soul focus has stayed on that.

Favorite published author: Margaret Atwood or John Green

Have you ever read a book that made an impact on your life? Which one and why?: There was this one book I read. I was about 18 at the time I believe. All The Bright Places by Jennifer Niven. A very triggering book, just so you know. I remember sitting there reading it and wondering why I’m putting myself through something so draining and daunting. The book was very upsetting and I found it didn’t tackle the issues at hand in a very tasteful and realistic way. As someone who writes fanfiction about mental health, it influenced me to be open and honest about the way reality is, but in a way that would shine more positively towards mental health struggles. I never wanted to be that person who ruined every mental health book for someone else like that author did for me. It was a negative impact, but I think it had some positive results.

Favorite genre of fanfic (smut, angst, fluff, crack, rpf, etc): I enjoy all genres to be honest. It really all depends on the mood I’m in that day. It’s fun to switch it up every once in a while and enjoy the mixed emotions you get when you read or write said genre.

Favorite piece of your own writing: One and One Make Three or Just Want to Be Loved.

Most underrated fic you have written: I might have to say More Than a Fling. It was the sequel to Summer Fling and everyone was interested in a second series. It soon went on permanent hiatus due to lack of interest.

Story of yours that you’d most like to see turned into a movie/tv show: Owe You One

Favorite Tumblr Writer(s): @luci-in-trenchcoats, @kaz-2y5imagines, @jawritter @mariekoukie6661, @torn-and-frayed

Favorite fic from another writer: Breathe by @luci-in-trenchcoats

Favorite character to write: Dean/Jensen

Favorite Pairing to write: Undecided. I love reader inserts and I haven’t done many pairings other than that. I have toyed with Jensen/Reader/Danneel before and I enjoy writing them.

Least favorite character to write (and why): Castiel. We only see so much of Cas and there aren’t as many complex layers of him so he’s harder for me to explore.

Do you have anyone you consider a mentor? @luci-in-trenchcoats

Do you have any aspirations involving your writing? Finish everything I start, and be proud of every piece I create.

How many work-in-progress stories do you have: Ummm probably upwards to the mid 60’s I want to say.

What are you currently working on? I am in the very early stages of writing a Jensen x Reader Bodyguard AU series. Twisty and turny and very different from what I usually write, but still very me.

“Pond Diving” - All About The Writing

What/who has had the biggest influence on your writing? I have the biggest influence on my writing for the most part. I always stick with what I want to write and what I’d love to read. That’s what gets me started on most pieces. My dear best friend who shall remain anonymous, has an influence on me as well. She mostly inspires me to write what I want to write and reminds me on a constant basis that I am doing good and to keep going with my ideas.

Best writing advice you've been given: Don’t be afraid to get a little out of your comfort zone.

Biggest obstacle you’ve faced in your writing: Time management mostly. Deadlines are not my best friend, that’s for sure. I am often filled with a lot of self-doubt when it comes to getting things done on time. Then I wonder if it’s good enough for publishing or if I should wait.

What aspects of writing do you find difficult when you write fanfiction? The research process for certain fics can be daunting. Especially if you don’t know where you need to start looking. Then fact checking, and making sure it works in the story. I have to remind myself that it will be worth it in the end.

Is there anything you want to write but are afraid to (and why): I am pretty open with writing most of the things I want to. Getting out of my comfort zone is something I regularly do. It’s always fun to challenge yourself into writing something you’d never think of doing. I certainly have enjoyed the things I was scared to try and it was worth it in the end.

What inspires/motivates you to write: Any selfie/picture posted by Jensen. My best friend and the lovely people around me. @luci-in-trenchcoats is a big influence on me and she always keeps me going!

How do you deal with self doubt: I constantly have to remind myself to get out of that headspace unless I am writing about being in that headspace. It’s a hard cycle to break. Reminding myself that what I am doing is making me happy. I’m making the rules. I’m writing this for me. I have to please myself first and that’s what matters the most. I know myself and the way I write, and that is enough. That’s what I keep on repeat in my head.

How do you deal with writer's block: Cry profusely? I’m kidding. Writer’s block for me, usually comes from something I don’t like that I have written. If it’s minor, I go back to the point where I was happy with where the story was going and delete everything after that. Give it a fresh new start and prospective. If the block is more severe, I take a break. Watch a movie and don’t stress myself about it. I get ideas anywhere, and it will come back eventually. Sometimes it’s just your brain's way of saying “hey, you need to take a break. Do that.”

Do you plan/outline your story before you start: Generally yes. I like to know where my story is going. Most of the time my outlines are more extensive rough drafts. It’s a way of processing my thoughts and writing them down so I don’t forget later. It’s a lot more fun for me to build on stories.

Do you have any weird writing habits: I either have to sit in a silent room, or I have to listen to music. Lately it’s been more silent. It depends on the subject.

Have you ever received hateful comments on your fic and how do you deal with it? I’ve received my share of hateful comments. Each one sucks, I’m not going to lie. Knowing that there is someone out there that hates the way you wrote something so much that they had to tell you isn’t nice. It kind of comes back to the self doubt thing. You have to remind yourself that this is one person’s not so kind opinion. You are the writer, you are in control of this story. This is you and you’re proud of this.

Conversely: what’s been some of your favorite feedback on your fanfic? Any feedback is my favourite feedback. Every heart, every “I love this”. Every “You’re my favourite.” I can’t pick a favourite. If someone can take the time out to say they’ve loved something I have written and that it meant a lot to them, then that's the best reward I can get.

If you could give one piece of advice to a new and/or struggling writer, what would it be? Keep writing everyday! You don’t see it now but the more you write, the better you get.

#pond diving #pond diving: supernatural-jackles #spnfanficpond

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nat-20s · 4 years ago

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MEDIA THAT I RECOMMEND YOU CONSUME INSTEAD OF SUPERNATURAL FOR BOTH HEART AND HEALTH BROKEN DOWN BY TYPE OF MEDIA AND WHY YOU MIGHT LIKE IT IF AT ANY POINT YOU, LIKE MY POOR POOR SEVENTEEN YEAR OLD SELF, WERE INVESTED IN THIS ABSOLUTE GARBAGE FIRE OF A SHOW

with apologies to anyone on mobile who’s readmore function APPARENTLY doesn’t work

(I haven’t watched supernatural for at least five years and, given any sort of luck, I will never do so again, do not @ me)

hello babes. I am talking to you know bc I keep seeing supernatural, unironically, on my dash, and I think we can all do better. I see what’s happening and I think: https://www.youtube.com/watch?v=hU3i_o5Xd4g

Supernatural is fudge stripes. You are Megan. We can fix this.

So a list of alternate things that I think are overall better written/characterized/just generally more enjoyable that might scratch some of those itches:

TV SHOWS

Good Omens

okay look if u were on tumblr last year u probably already watched this show but like. If u haven’t, it’s only six episodes babe and there’s a large enough fandom that u can go down a fanart hole for days on end

Basic summary: the antichrist has reached that lovely young age where he’s supposed to bring about the apocalypse. An angel and a demon who have decided that actually they like the world as is, thank you very much, try to stop the end times. They’re not very good at it though, which makes for a comedy of errors.

Shared elements with supernatural that you might Vibe with: theologic (mostly christian) exploration/parody/imagery without inherently being a religious show. Fighting off the apocalypse narrative, which I think pretty much always goes hard as hell, but that’s just me. There’s a gay angel who’s socially awkward. There’s a fun very British demon. Touches on the hierarchies of heaven and hell, with framing Heaven as a bureaucracy and blurs the differences between angels and demons. Pining. Tenderness. A deep nostalgia for 80s music, though in this case it’s specifically queen, and who doesn’t love queen. Main character has a weirdly strong bond with his black vintage car. Satan is (sort of) fought.

Gravity Falls

sometimes...things that are kids shows...with a set story and a predetermined ending...are better

(also this isn’t relevant to any of what I’m talking about but I really appreciate that Gravity Falls specifically went against the thing that most begged me about ATLA aka that a 15 year old girl would be like yeah I’m into a 12 year old boy because the 12 year old boy has a crush on me and I apparently don’t get to really have a say in this. How does that make sense.)

Basic Summary: Twelve year old twins Dipper and Mabel go to stay with their Grunkle Stan for the summer in a small Oregon town called Gravity Falls. Turns out this town is filled with all sorts of strange phenomena that they often have to confront, work around, learn about, or befriend!

Shared elements with supernatural that you might Vibe with: The core focus of the show is a close sibling duo, but like It’s obvious that the siblings actually like and love each other and while they have their spats it’s still incredibly clear that they deeply care about each other even with their differences LIKE SORRY SUPERNATURAL YOU CAN’T JUST TELL ME THAT SIBLINGS CARE ABOUT EACH OTHER AND THEN THEY SPEND ALL THEIR TIME FIGHTING AND LYING TO EACH OTHER AND GENERALLY ACTING LIKE THEY CAN’T STAND EACH OTHER’S COMPANY BUT THEN OOOHHH YOU CRY ON TOP OF THE HOOD OF A CAR EVERY THREE EPISODE AND SUDDENLY THEY’RE SOULMATES OR WHATEVER

Anyway. Yeah. GF has a solid sibling dynamic. Monster of the week that builds up to greater over-arching plot. A little bit of body horror, you know, for humor. Fair amount of meta humor playing with the tropes of the genre. A Good Ol Big Bad that tries to pit the siblings against each other. Have to fight the apocalypse (you’ll see this point on like a good half of these recs, I really like ‘what are we gonna do about Armageddon’ media). Interesting creature design. Planned, satisfying ending (which supernatural absolutely does not have, but I still think if it had ended with the season 5 finale like it uhh pretty obviously was supposed to, that would sort of counted. Don’t revive shows that have clearly already told their stories kids.) Tie in media that gives you some fun extra stories when you miss the characters. (yes I read some of the supernatural novels when I was a c h i l d, yes I’m pretty sure there’s one or two of them still buried somewhere on my laptop, no I don’t wanna talk about it.) Older father figure (?) who owns a tbh kind of shitty shop. Both already in place and found family.

It’s a good show, and it’s two seasons. John Mulaney Voice: I dunno it’s 40 episodes

MINI REC ALERT! (mini recs are basically things that I’m not gonna go into detail about for whatever reason [probably either due to i’m not familiar enough with it OR I just don’t like. Have a bunch to say about it in regards to how it will scratch the itches presented to u by spn] but still seem like a Good Watch)

Mini Rec: Over The Garden Wall. Spooky Kids Media! Episodic! Miniseries so you can watch it in like 2 hours! Cool ass Animation! About two brothers encountering said spooky stuff! Big Bad tries to pit brothers against each other! Might haunt you for the rest of your life! Check it out!

The Haunting of Bly Manor

I think about this show every goddamn day of my life. (Also not relevant but Greg Sestero makes a brief cameo in it and I was like hi greg my friend greg!)

Basic Summary: An girl named Dani, while staying in London, decides to take on an Au Pair job for two young children, an older brother named Miles (age 10) and the younger sister Flora (age 8) at the spoooooky and mysteeerious Bly Manor, and she gets far more than she bargained for.

Shared elements with supernatural that you might Vibe with: Okay so supernatural doesn’t actually do this but I know I KNOW why we let ourselves be queerbaited in 2012. Four words for you: CENTRAL! GAY! TRAGIC! ROMANCE! You want some pining? Some tenderness? Some LOVE? Some dealing with internalized homophobia but no, like, actual violent onscreen homophobia? HAVE I GOT THE SHOW FOR YOU. If ur favorite episodes where the ones that make you sob (for me it was kevin’s death on god), I recommend this show. If you wished that supernatural literally ever had consequences or perma deaths or didn’t retcon major plot events like every five goddamn episodes so that there could be some exploration of like grief and trauma through the lens of/ higher stakes of horror, I recommend this show. If you really do stay up at night picturing a supernatural that wasn’t made by dumbass cishettie white men hack writers but was actually allowed to have Dean and Cas be in love over the course of the show so they could have like actual development and not the most homophobic gay reveal of all time, I recommend this show. Hell, if you just want a banger ghost story in general, I recommend this show.

As for what they actually have in common: horror setting/aesthetic without actually being all that scary most of the time. A strong sibling duo, though they’re not nearly as much of the focus of Bly Manor. Found family. Strong themes of grief. Questions of what turns someone into a monster (and done much better) An actual, much better noble sacrifice done out of love. Escalation of stakes until there’s a big final confrontation. Semi-big bad trying to tear this family apart. Found and pre-installed family. Sad orphans.

Watch this show. Vibe with me. Cry with me. Yell at me about Owen Sharma

MINI REC ALERT!

Haunting of Hill House- spiritual predecessor to Haunting of Bly Manor, though they’re not actually the same universe/story. However, it’s made by the same dude and has a shared aesthetic/sensibilities/some of the cast. This is only a mini rec bc I haven’t actually seen it, but I’ve heard good things and that it, while much more heavily leaning into family dynamics, has similar themes of exploring Grief and Trauma through ghooossstttsss.

Community

Okay I know that this may seem like a Wild rec considering community is a school sitcom with basically Zero paranormal elements but just like. Hear me out. And no this isn’t just because I think it’s a realy good show and I want more people to watch it, though that is a factor. If I was just recommending comedies that I think are good and more people should watch regardless of them serving as a replacement for supernatural I would demand you all go watch Galavant and Crazy Ex-Girlfriend. I’m gonna demand it anyway. Everyone go watch Galavant and Crazy Ex-Girlfriend. Now back to your original program:

Basic Summary: A group of students at Greendale Community College form a Spanish study group, and things quickly go Off The Fucking Rails in the best way possible.

Shared elements with supernatural that you might Vibe with: All right I’m gonna be real honest this rec is for all of my (correct) bitches who’s favorite episodes of Supernatural were French Mistake, Changing Channels, and/or Mystery Spot. You think if Supernatural would’ve been fucking fantastic if it had been a committed comedy instead of a CW melodrama that occasionally landed some admittedly really fucking funny episodes/concepts, Community (and the movies on this list) will gently take you into its loving arms and give you everything you desire. It’s about the Meta comedy. It’s about the discussion, exploration, and subversion of common tropes within the format. It’s about the grand use of group/ found family dynamics in order to max both the goofs and the heart. It’s about fantastic callbacks. It’s about having one of the few “asshole with a heart of gold” leads I can actually stand because. You know. Growth. It’s about the INCREDIBLE genre and pop culture parody. Which genre do they parody, you ask. All of them. They parody all the genres. The glee parody episode is a fucking masterpiece of television. If you don’t want to watch a show that features a Halloween party where everyone turns into zombies and the ABBA discography blasts in the background, you can stop reading right now, because I can guarantee you won’t be interested in a damn thing I have to say.

MINI REC ALERT: The X-Files. I’ve also never seen this but a: everything I’ve seen out of context has been fantastically weird and delightful b: it appears that there’s a general consensus that Scully and Mulder are one of the only valid straight couples so it’s probably pretty fun and c: let’s all be honest. Supernatural was already basically an x-files rip off, it had like half of their original writers swiped from the x-files crew, I’m pretty sure if you liked especially the first couple of seasons of supernatural, you’re gonna like the X-files.

Subcategory: TV SHOWS ( A WHOLE TWO OF ‘EM, OR MORE LIKE ONE AND HALF IF YOU WANNA GET TECHNICAL) I’M SPECIFICALLY RECOMMENDING FOR THAT COCAINE HIT OF PURE UNADULTERATED UNCUT 2012 TUMBLR NOSTALGIA

BBC Merlin

Yes, I know the show ended in 2010. Yes, it still provides that 2012 Tumblr nostalgia. 2012 Tumblr is a feeling, not an actual time period.

I love this stupid show. I plan on rewatching it all over the month of January. I harbor a deep amount of fondness for it. It’s why every time I see literally any depiction of Merlin I get just so fucking excited, and why I’ve consumed as many ridiculous Arthurian adaptations as I have (side note: my two favorite other ridiculous Arthurian legend adaptation are Avalon High, a DEEPLY silly DCOM that is required viewing to level up friendship with me, and The Kid Who Would Be King, which is the only movie that I think truly understands the comedic potential of playing a King Arthur Adaptation mostly straight but everyone in it is 12. I’m not sure it intended to be as fucking funny as it was, but again, they’re all middle schoolers. I have never been more jealous of an actor than I was of the 22 year old that got to play a 16 year old dumbass Merlin who was sometimes also Patrick Stewart and did all of his magic with ridiculous hand gestures That should’ve been me that should’ve been me that should’ve been me. Also Sword in the Stone by TH White is pretty good, because Merlin knows germ theory in the fantasy 400’s and he just uses it to be petty mostly. Also listen to High Noon Over Camelot by The Mechanisms. Also Also I tend to prefer family friendly adaptations because they don’t have the uhhh. You know. Incest and sexual violence of the original legend. Love to Not have that shit!) Whether you watched it initially and are due for a rewatch, or you’re intrigued enough by the concept of the show to watch it for the first time, you should join me on this wild wild ride.

Basic Summary: You know who Guinevere, Arthur, and Merlin are, come on. BBC said let’s make em all YOUNG let’s make em SEXY let’s make em FAMILY FRIENDLY and let’s make magic REALLY SEEM LIKE A THINLY VEILED ALLEGORY FOR BEING GAY BUT TO THIS DAY IM NOT SURE IF THAT WAS INTENTIONAL OR NOT BUT IT SURE SEEMS LIKE IT WAS. @ THE BBC MERLIN CREATORS WHAT IS THE TRUTH BECAUSE THERE WAS SOME INTERVI-

Basic Summary but like a bit more helpful: A BABY version of Merlin (and by baby I mean like 20 year old.) is sent from his small town to the big city the Kingdom of Camelot to find his destiny. Staying with the town physician and friend of his mom’s, Gaius, he ends up as both his assistant and personal manservant to Prince Arthur. But in a kingdom where magic is punished with death and the prince seems hell bent on getting himself into situations that are going to kill him, the young sorcerer has his more than his share of work cut out for him.

Shared elements with supernatural that you might Vibe with: Primo supremo queerbaiting. Like, yeah, okay, it’s queerbaiting, you know it’s queerbaiting, but you watch some of the scenes and ur like okay. I know why I let this bait me. Obviously with a modern show, I would expect more, I would expect better, I would raise my standards, but I gotta admit. Some of these scenes are fuckin compelling as hell, and the subtext is like barely sub. Monster of the week shenanigans. Some awful CGI creatures but like a charming awful. Like the kind of awful that tells you their very limited budget was more focused on cool swords than realistic creatures. Episodic stories build into a more overarching plot, with things getting darker in season 4/5. Shitty father that end up eating shit and while the son of said father is rightfully conflicted and upset over the death it’s cathartic and victorious as all hell for the audience. Multiple hot evil women, and I love hot evil women. There’s also nice hot women, which is a bonus. These women don’t all immediately stupidly die, so that’s a nice change. Also like a LOT of sarcastic humor and shenanigans if u like Sass Merlin is there for u personally name a more iconic line than “Oh I’m sorry, how long have you been training to be a prat, my lord?” AND THAT’S IN THE FIRST FUCKIN EPISODE brilliant amazing fantastic show stopping. Also you know those like dumb hijink episodes where like Dean was possessed by the spirit of a dog or some shit? You bet your bottom fuckin dollar BBC Merlin has those kinds of storylines. Also I know some people go to spn bc it had that HUGE fanbase and like BBC Merlin’s fanbase is still SURPRISINGLY poppin even though it’s been a decade since there was new content so like. Have fun!

Doctor Who but Specifically the RTD Era

Look I’m not here to say that the first four seasons of reboot doctor who are the only good doctor who or inherently better than all the rest (though the RTD era is my favorite personally) BUT when ur seekin that sweet sweet superwholock frenzy nostalgia, this is the ‘who’ that is being referred to. Also like. Stan 9. We should all collectively stan the ninth doctor. Chris Eccleston, the Objectively Best Famous Chris, deserved better.

Basic Summary: An immortal alien that goes by “The Doctor” travels across time and space with a variety of different companions, often to try and save the day or fix a (sometimes self created) mess. It’s distilled campy sci-fi with a family friendly tone that has made me cry on several occasions.

Shared elements with supernatural that you might Vibe with: Monster of the week that, you guessed it, builds into bigger overarching plot style narrative. Fighting off the apocalypse, but like every couple of weeks because worlds are in danger a LOT. A semi-tragic romance that made people go absolutely buck fuckin wild bc pining n shit. Wamen, but they aren’t fridged. (actually for real though none of the main women die and I just think that’s really fun and flirty even though I could go on a COMPLETELY SEPARATE rant about the injustice of one of the character’s ending YES season 4 is my favorite season and one of my favorite pieces of media ever and I am currently actively recommending it to you YES im still fucking pissed over how it ended YES we exist) Specifically, a Wonderful and Very Excellent woman named Donna who goes on a spa trip that doesn’t end up going very well. That seems like a highly specific example, and it is, but it did happen in both shows. (Also, to anyone that continued watching SPN after like idk season 9 what happened to Donna? I always liked her and I know she became a recurring character so like DM whatever probably injustice was the end of her story line pls and thank you) I’m also extra specifically recommending for Supernatural Fans and also The World At Large: Season Four of Reboot Who. I rewatched it last year and it still goes so fucking hard. Donna Noble is the best character in existence. In regards to the appeal for SPN, personally I think the best part of SPN was when people who are soulmates went on adventures and tried to save the day and it was a good mix of banter and sincerity AND GUESS WHAT’S BASICALLY THE ENTIRETY OF SEASON 4 OF DOCTOR WHO. It’s so good y’all I wish Everything was about soulmates going on adventures and trying to save the day.

OKAY TV SHOWS DONE TIME FOR M O V I E S which I don’t have nearly as many recs for but uhh here goes

What We Do In The Shadows/ Shaun of the Dead

I’m lumping these two together bc my reasons for recommending them are largely the same, and I would call them tonally similar enough that if you like one you’ll probably like the other

Basic Summary (Shaun of The Dead): Uh-oh! London’s had a break out of some of that good ol’ zombieism. Shaun and friends decide to hunker down in a local bar, but they have to get there first. Will they survive? Will they fuck up some zom zoms? Who’s to say?

Basic Summary (What We Do In The Shadows): Some vampire roommates dick around. I think there’s technically, like, a plot, but it’s really just about some vampires Doin Their Thing. Vibin.

Shared elements with supernatural that you might Vibe with: This is kind of similar to the Community recommendation, in that supernatural had the opportunity to be one of those things that was both a parody of a genre but also just a really good example of the genre. WWDITS and SotD are both those things for vampire and zombly movies, respectively. Have the aesthetic and some of the themes of a horror but is not actually all that scary. Horror Comedy is a god tier genre and I don’t know why it’s not more widespread. Fun monsters/cast of characters in general, so at least one person in it is probably going to make you go “oh gender” ya know? With SotD you have the fantasy power trip that comes with like any piece of media that involves hunting monsters. With WWDITS I go “yep that’s how bisexuals dress” and I Will Not Clarify which character I’m talking about.

MINI REC ALERT: All of Taika Watiti’s filmography. Thor:Ragnarok is one of like 3 marvel movies that I consider genuinely fucking fantastic completely independent of the MCU and my own tendency to be like “hurr bdurr I love. Superheros”. For the one that is most tonally like Supernatural But Significantly Better and Written By Someone Competent I think I would say try out Hunt For The Wilderpeople. It’s got a reluctant curmudgeonly father figure and I KNOW some of you motherfuckers were so invested in spn when you were like 16 bc you had daddy issues. This is a callout post for my friend [REDACTED], who I should text to watch Hunt for the Wilderpeople, actually.

MINI REC ALERT X2!!!: Bram Stoker’s Dracula. I’ve never seen it but it has both Winona Ryder AND Keanu Reaves so like. Goth bi rights.

Happy Death Day (and Happy Death Day 2 U)

happy death day was one of those movies that I saw the trailer, went “eh”, heard other people say it was great, watched, and went holy fuck this slaps. Not nearly as much of a slasher film as the trailers implied if im remembering the trailer correctly

Basic Summary: Our main character Tree keeps waking up on the day she was murdered. The day resets every time that she dies. That’s right, it’s a time loop storey babey!!!!!!!!!!!

Shared elements with supernatural that you might Vibe with: If you were anything like me you were foolishly lulled into supernatural for way longer than you should’ve been on the promise that the characters would idk like grow and change and become better and learn lessons and some of that would be through the power of receiving love and kindness. You know. Like how good writers would do it especially if their main characters are kind of dicks that really should make some changes. Well, Happy Death Day fucking delivers on that promise in SPADES. It’s about growth! It’s about change! It’s about making the active decision to become a better person and putting effort into doing so! There’s heavy themes of like grief and trauma and acknowledging them and facing them head on in order to move on and the negative consequences of refusing to do so and just trying avoid it until it goes away. There’s a romance that makes my dumb little self do the pleading face emoji. Tree is also one of the only good asshole with a heart of gold characters. I also think media is improved by having at least one character that is a Good Good Boy (note: Good Good Boy character does not have to be a man.) and Happy Death Day has Carter. Oh on that note: Tree Voice: I’ve only had character for (the same repeating over and over) a day but if anything happens to him I’ll kill everyone here and then myself. Also the movie is funny so like hell yeah.

that’s all I got for relevant movies right now

BOOK RECS

jk i’m illiterate. Everyone should feel free to go ahead and add their own suggestions for this section The best I can do is uhhhh I think y’all would probably like Mira Grant’s novels, particularly the Newsflesh stories, bc sibling dynamics. Also the book The Haunting of Hill House is really good. Ballad of Black Tom slaps? There’s of course the Good Omens novel that the show was based on. I’m about to recommend some podcasts after this section which will include to Welcome to Nightvale because of course it will and the tie in novels for that slap, especially It Devours!, and I’m pretty sure they work as stories even if you know nothing about the podcast. Also also I think you should read “The Long Way to A Small, Angry Planet” by Becky Chambers It’s not thematically similar to supernatural at all but it’s one of my all time favorite sci fi novels and only like four people have read it which is a goddamn TRAVESTY.

Anyway yeah that’s it that’s all there is. Onto the medium that is like books but I can fold laundry or cook while consuming their narratives.

PODCAST RECS

Okay so this is getting uhhh wicked long so I’m gonna limit myself to only three full blown recs and a

mini rec

Alice Isn’t Dead

Fuck me running this show is so good. Literally hands down my all time favorite (and scariest!) horror podcast. Mamma mia, that’s a good fuckin story. The Book version is also good and has fewer Weird events but some further character development so I recommend them both.

Basic Summary: After her wife Alice disappears mysteriously, Keisha takes up a job as a long haul trucker, traveling all across America in order to find her, but ends up finding so much. Pursued by a deadly creature she calls The Thistle Man, the stakes of her journey are raised.

Shared elements with supernatural that you might Vibe with: okay so I have a lost of bullet points of things that appealed to me specifically about supernatural and how no other shows covers all of them which sucks bc it means I basically Yearn for a show that’s supernatural but good. Alice isn’t Dead, however, hits the most of these bullet points AND is so fucking good. It has monster hunting. It has stopping a cataclysmic event BUT also discussion of the cyclical nature of events such as these and how the fight never truly ends but you can make some fucking progress nonetheless. It has a central gay romance that’s actually a central gay romance. It’s the ONLY show on this list that really hits that the weird and dark underside of americana vibe but specifically the americana of not like suburbs and shit but that eerie haunted feeling you get when you’re hours into a late night drive on open roads with no civilization around and an expansive sky and it just Seems like something should be watching you. Have you ever been out for a walk at midnight and encountered a deer and you looked into each other’s eyes and it felt like it was telling you a message that you couldn’t possibly hope to parse? Have you ever felt an incredible sense of deja vu eating in a restaurant you couldn’t have possibly been in before, because you’ve been to a thousand diners a thousand times just like one, and there’s an incredibly sense of homogeneity even though you’re 2000 miles away from anyone and anything that could possibly know you? Have you ever traveled to an area that seems to be stuck in a bubble of time, the only thing that shows any evidence of having aged past 2006 being yourself, and you wonder how your cell phone even works around here? THAT’S the spooky americana I’m fuckin talking about! Messed up road trips! Too much goddamn space! America is scary because it’s big and Filled With Things but also Not Enough Things! Fuck yeah!!!!! That time bubble fuckin EXISTS in Wyoming the most recent song on the radio I heard was fuckin Hey Soul Sister!

Also has a thing where like are there even good guys and bad guys in a conflict or is it all just one umbrella nightmare that you’re trying to stand against in anyway possible (u kno..like how the overarching structures of both heaven and hell were kinda fucked in spn? No spoilers but similar shit be happenin in Alice Isn’t Dead). Exploration of what makes someone into a monster, like how do you go down that path? Also this is the only show on this whole damn list that southern gothic music really suits it so points for that.

The Magnus Archives

You know I had to do it to ‘em.

Basic Summary: Jonathan Sims has just become the Head Archivist at the Magnus Institute, a “research” “facility” that looks into paranormal/esoteric/unexplained phenomena.

John Mulaney Voice, Again: Nobody knows what the archivist is going to do next, least of all the archivist. He’s never been in an archives before, he’s just as confused as you are.

Shared elements with supernatural that you might Vibe with: Oh fuck this document is over 5k long I said I wasn’t gonna do this hhhhh so lipton lightning round: Slowburn Gay Romance but Actually Canon, Monster Hunting but Hey What Even Is A Monster Anyway, Acts Somewhat like a Loosely Connected Horror Anthology until it DOESNT, Little Things Build to Bigger Narrative, Characters Be Goin Through It (On God These People Need Therapy), Trying to Prevent/Fix The Apocalypse (X2!!!), Smug Asshole Big Bad, Horror as a Metaphor For Various Shit, Basically if you thought that the Men of Letter concept slapped and you think it should’ve been the whole damn show including being Deeply British you would probably really fuckin like TMA. Also if ur like the ideal piece of media is a horror tragedy but also like it’s a wacky sitcom but also also fuck cops. U will like tma.

Welcome to Nightvale

IF ANY 2012 TUMBLR FANDOM DESERVES TO MAKE A MASSIVE COMEBACK AND BE EVERYWHERE AGAIN AND ABSOLUTELY FLOOD MY DASH IT’S WELCOME TO NIGHTVALE WHY DID WE ABANDON THE SHOW THAT TREATED US THE MOST KINDLY DID YOU KNOW THAT EPISODES 108-110 ARE THE BEST FUCKING BUILT UP NARRATIVE REVEAL THAT I HAVE WITNESSED IN MY LIFE DID YOU KNOW THAT IT CONTINUED TO BE REALLY FUCKING GOOD AFTER MOST PEOPLE STOPPED LISTENING DID YOU KNOW CECIL AND CARLOS ARE MARRIED AND THEY HAVE A DOG AND A TODDLER NOW BECAUSE OF ALL THE GAY PODCAST PROTAGONISTS CECIL GERSHWIN PALMER LOVE OF MY LIFE ELDRITCHIAN CHEERLEADER AND CERTIFIED BIMBO KEEPS FUCKIN WINNIN BABY. DID YOU KNOW THAT CECIL THINKS PEANUT BUTTER IS A ROCK.

Basic Summary: Welcome to the sleepy desert town of Ņ̶̏ight V̶͚̰̮͗̔̊̊ale! Community radio how host Cé̵̟͚͕̗̞̙͂͑̽̄́c̵̤̼̞͈̪͓̍̽̋̚̕͜il Pǎ̵̧̨̢͚̻̈̂̄̇͐̇̊̀̆ͅl̶͚͎͕͉͖̬͓͑́̐̒̍̿̈́͢͜͝ͅm̸̧͙̟̖̠̳̬͋́͋́͌̚̚ͅȩ̙̖͎̖͂́̒͐͜͞r̢̢̛̰̻̮̺̩͙̼̈́͋̀͘ is here to k̠̠̰̦͙̯̥̎̄̆͌̎̀̿̔̌̚ê̷̢̬̥̞̩̯̘͒̽̈̓͐̂̔̍e̶̡̝̗̺̫̪̜͆̓̿̈͌͌̆͒͞ͅp̵̹̗̬̼̠̬͙̏͐͐̉̅͊͊́͟͞ͅͅ ỷ̛͙̞̦̦͖̑̉̌̎͞͡͡͝ͅo̧̧̥͎̻̥̲͇͋́́̔̈͌͞ǔ̸̬̯̫͇̦̮͕̤̲̯̽̔̀̔͆͋̈́͘̚ up to date all the local happenings, including w̸̢̢̢̧̡̡͍͖̻̳̹̼̼̰̬̭̱͔̲͙͍̰̠̥̺̝͖̺̖̼̮̼̞̳̞̜͉̤̯͇̖̳͖̠̙̺̲̤͇͈͚͓̮̭̱̭̩͚̟̥̬̟̻̝̼̖͚̘͐̆̅̂̃̈́͆͊̉̏͒́̈́̋͗͑̄̉́̐̌́̿̌͛̾̎̊̾̃̈́̉̔̍̐͛̕͘̚͜͜͠͠é̵̢̡̧̨̨̡̧̨̡̛̹̥̥̞̮̯͙͈̻̝͓͖͙̦̰͍̖̜̲̰̞͎͈̭̯̳͕̗͓͈̭̫̼̯̪̞̯̰̲̘̭͎̪̱̗̝̝̞̤̱͉͙̯͎̬͎̙̜̗͉̩̦͕̪̳͇͙̺̙̰̠͚͎̜̠͔̬͎̺̣͕̜̊̓̃̐̂́͂̎̐̾̔̽̀̉́̍̊̂̿̎͂͐̎̐̄̍̔̋̐̃͗̈́͂̀̒̊̎͘͘̕̚̕͜͝͝͝͠ͅͅa̸̡̧̡̡̨̡̨̛̛͙̣̘̳͎͖̥̝̟̱̩̥͙͉̝̲̙̮̩̩̹̱͔͎̥̹̻̜͚̭̬̳͚̤̙̖̯͎̱̫̞̪̻͖̱̞͔̭̻̺͚͚̯̬͓͓̳͇̳̦͓̞͈̮̤̭̣͉̲̞͚̘͗̆̃͌̅̍͊̓̈̇̌̒͊͑̊̏̊͌̈̓̿͗̒̏̒͊͒̏̃̎̒̀̅̾̍̀͘͘͜͝͠ͅt̵̢̡̨̧̧̛̛̛̯̤͓̘̻̤͓̪̰͔̪̝̫͎̻͔͈͎͔͙͕͈̰͓͍̀̏͒̆͋̈́̈́͂̔͋͆͂̅͗̍̆̍̆̔̑͊̏̈͒́̽͊́̿͂́̓͛̽͐͌̌̐̈̇̃̓̆̍̅̃̔̚̕͜͝͝͝ͅͅh̸̨̨̡̢̢̡̢̧̡̧̢̡̨̡̭̜̬̬̙͕̗̙̻̯̠̘͙̻̥͉͚̼̗͚͇͉̰͍̥͉̗͎̬̫͖͉͔̼̮̯̞̫̬̟̻͉̖̙̥̫͖̬͚̟̜̭͇͎̭̘̝̲̤͕͎̰̭̗̯̮̤̙̙̯͍̞̭͚͔͎̞̹̲̟͉̩̭̖̱̠͍̺͈̟̩̋̆̈́͆̍̆̄̏͜ͅͅȇ̸̢̢̨̨̧̛̜͍̺͎̬̪͙̻̝̣͓͈̺̩̳̟̲̠̣͈͎͎͈͉̙̪͖̳̺͇̹̊̍͊͑̿͊̌͛̿̓͊̾̀͂͛̉͆̾̽͆̈̏͛̊͛̍̈́̇͋̔͂̑͐̂̿͊̽͑͘̚͘͝͝͠͝ͅͅŕ̵̨̡̨̨̢̧̡̧̨̘̟͙̦̲̲̪̦̙̼̠̳͚̞̦̞͖͚͇̳͖̲̭͕̜̫̳̖̙͖͉͎̘̘̤̠͈̬͕̝̻͚̥͍͕̠̥͙̙̪̖̯͍̘̘̲̣̹̜̪̲̭̟̮̫̖̤̰͔̩̩͉̲͚̟̝̦̬̪̘̬̮̱͔̻̦̼̃̐̂͋̐̅̋͒̉͛́̅̈́̒̒͆̑̆͊̒͒̀̍̈́̍͌̍̏̔͋͌̒̍̌͛̓̈̂̐̕͘͘͜͜͝͝͝ͅͅͅ ̶̢̡̨̛̠͇̹̯͕͍̻̟̼̼̗̩̱̗̙̱̥̜̬̫̜͎͉̺̣͓̟̯̱͖̣̞̠̝̥͍̲̳̙̠͔̹̘̲̲̻̖̈́̊͋͜͜ą̵̡̧̟͕̬̳̜͈͈̳̝̜̣̬͔͈͈͎͉͍̯̟̞̺͎̝͇̰̥͖̬̯͙̤̬̼̲̦̯̭͓̠̺̳̱̰̮̎͋͆̈́͌͆̎̉̓̇̐͋͋́̃̉̈̄̏̓̉̿̅̒̉̒̉͂͛̄̀̇̒͊͛́͊̎́͆̌̆́̌͂̈́̽̋͛͗̑̊̀́̍͊̌͆͊͐͆̅̒̊̉̾̄͛̑̕͘͘͘͘͝͝͝͝͠͠͝n̸̡̛̛̛̛̛̙͎̬̦̠̼͓͈̝̾̍͑͛̅̒̾́̌̍͛̇̋̇̓̏͛̔͛̈́͆̿̌͐̿͊̿́͒̍̃̀̈͐̐̆͐̉̒̂̉̀̅̇̾͋̍͒̋̈̌̿͒͐̍́͗̀̌̌̚̕̕̕͘̚͘͘̚͜͠͝͝͝d̴̡̢̢̛̛̛̺̠̳̬͎̞̲̣̲̱̳̪̹͉̝̠̱̗̙̫̠̹̼̙̝͉̲̟̮̙̙̮̻̹͈̦̙̞͚̜̙̖̞͓̙̭͉̃̽̌̅̔̾̈́̒̽͑́̒͋̓̈́͆͋̽̒̃̽̋̐͌͂̍͑́̽̋̍͗̋͗͂̅̽̈̈̾͐̄̃̕̕͜͠͠͝͠͝ͅͅ ̵̡̡̢̛̛̗͚͍̺͇̲̳̯͓̰͍̙̮̙̜̟̞̣̼͕̝͔͙̺̫͈͈̠̻̘̱͍̦̭͔͈̤̺̗̮͕̦̞̘͍̯̻̝͓̤̳̫͔̩͉̬̈́͋̈́̐͒́̔́́̿̓̆͐̎͆̇͒̄̈̿̓̑̾̏̔̿͊̌͆͒̒͊̓̅̓́̔̅̀̀̀̃̿̂̑͂͆̅̎̾̏̓̂̈́͛͌̇̾͌͐̈̂̆͐̅̓̍̓̃̆͗̃͛̏̒̌̀̅͊́̽̐̆̿́̌͘͘̚̕͘̕̕͜͜͜͠͝͠͝͠t̷̢̥͓̄͗̾̄̅̚͜r̵̨̡̨̧̧̢̛̛̛̛̛͍͙͚̥̱̞̜̦̜̼̺͉̠̬͎̰̻̜̼̫̤͓͖͖̤͇̞̥̈́͊̆̓͊̑̑̋̒̈́̔̆͆́̐͛͑͊͋̇̈́̓̑̍̏͐͛̽̋̎͑̃̈́͒̇̂̇̌͂̀̍̊̇̓̋̈́̌̏̕͘̚̕̚͝͝͠��ǎ̴̡͓͓̯̘̥̱̱͖̦̺͓̘͉͖̞̟̦͈̜̥̰̘̞͈̦̠̼̯̙̭̼͚̟̖̲̠̝̜̐̅͆̏̈́̍́͂̃̾͑̓͋̽̄̾́̾̆̾͒͋̎͂̈́͘̕̕̚͜ͅͅf̷̢̡̡̧̢̨̡̧̢̢̧̡̧̫͖̖͇̲̫̮͕͉͓̩̪̳̹̩͎̖̟̤̤̲̟̪̫̻̻̖̟̦͉̼͎͖̭͍͖͎̖̳̳͙̜͉̝̘̺̖͚̙͉͕͙̯͖̞͚̮̲̻͉͙̺̭͓͎̤͙̦̦̺̯͕̜̰͍̳̙̦͉̪̥́͋̓̅̀͋͐̀̄̊̆̉̒̐͒̀̏̈̇̊̉̆̐̏̾̀̀̓͛͆̍̾͗͌̀̄̔͒̀̍̈́͆̔̒̑̏̍̏͆́̾̐̂͋̂̔̂́̓̓̌͌̉͛́̒̐̽̏́̑͊́̌̆̂̑͋̇̈́͌̑̿̅͗̚̕͘̕̚͜͠͝͝͠͠f̴̨̨̛̹͌̂̓͌͛̀͑̾̓̍͗̽͆̉̊͗̇́̍͌̊͐̔̈́̊̇͆̄̃̑̕̕͘͘͘͠͝͝͝͠i̴̧̡̢̢̧̢̨̨̧̧̧̛̛͎̗̳̦̘̙͓̦̙͔̜̼̘͇͇̺̭͉̠̩̟̤̥̘͙̤̩͔̪̱̻͈̪̼̼̞̠͎̟̹͕̻̭̤̪̲͕̟̺̻̻͖͕͚̣͇̖̰̝̩͈̤͕͇͕̝͙̙̪͔̗̫͇͎̙̲̲͖̗̘͉̲̣̤͎̔̐̆͒̄̈́̀̎̃̃̅͆̌̈́̽̈́̅̈́̑̄̇͒͐̀̐̀̒̍̀̓͌͗̓̽́͗̓̎͂͛̅̑̔̀͛̈́̽̾̃̊͊͆̄̍͑̍̆̌̾͗̄̊̽̉̅̆̀̎̀͑̿̎̋̄̆̃͐̾̏͛͒̍̋̅͘̕̚̕̕͜͜͝͝͝͝͠ͅͅc̷̛̛͚̝̻̣̞̓́̃́̀̃̓͗͌̂͛́̒̊͑̓͆̇̈́͑̏̆̀͌̑͂͂̄͌̉̔̋́̎͒̿͗͒͛̇͛̿̎̍̕̕̕͝͝͝͝͝ ̴̢̧̢̡̨̢̡̨̡̢̢̛̺̘̹̯̤̩̘̯͔̞̟̬̠̣̟̻̥̜̤͔̥͕̠̥̞͎̗̩̱̮͉͔͎̲̯̱̙̜̥̳̮͔̦̣͖͔̜͉̗̪̳̹̦̤͇̣̙͕̯̫̖̝̼̹͍̠͎͓̗͎̦͓̲̯̱̠̰͇̮̹͔̝͉͙̹̜̹͈̹̥͖̣̳̲͖̓́͌̈́̈́̀͌̄͂̌̾́̍̔̊̓̿͋͂͋̈́̋́́̒̓̀̒̃͂̀͑̐͛̆̆͒̈́̅̿͊͌̍͗̌̌͆̂͌́̉̏̒̓͊̾̒̓̋̽͐̏̾͘̕͜͝͠͝ͅͅr̸̨̢̛̪̞̬͓͔̥̤̣͔̭̥̙͉̦̗̠̳̩͙̂̈́͑͑̿̋̓̀͋͆̋̕͝͝ë̴̢̡̨̬͈͉̖̞͔͎͓͖̼̘̬͕̰͈̥͈̝̩͎͉͉̫̜͚͕̤͔̟̯͓͎̟͙̜̭̩̗̮͎̗̤͇̝̩͎̜̺̯͕͇̝͎̯͙̖͙̮̗̮̘́̑͑͛̂̅̄̌̽̓̒̾̿͆̏̏͐͛̾̂̃͑͆̅̄̿͋̅͂̈́̽͋͒̎͐̒̓͆̌̉͑͊́̀̈̾͛̋͑̋̎̈̀̽̀͊̏͘͝͝͝͝͠͝ͅp̴̧̧̡̢̢̢̛̛̛͚̟͓̖̭̪̻̪̲̬̥̙̥̰̼̹͎͕̪̞̮̺̰̬̘̫̤͉̦͙̮̖̙̹̻͔̖̮̲̞̣̻̜̠͇̬͚̱̦̼̲̮̀̂͌̍̈̒̍̋̌̏͐̓͛̉̂̈̀͑̈́͊͗͋͗́̂̎̎̃͆͒̅̑̇́̈͐̾̀̔̒̉͑͒̅̓̈́̋͋̀̍̄̿̌̀̉͆̇̔̈́͗̋̄̓̇͗̎̉̆͊̒͗̚̕͘͘̕̕̚͜͜͝͝͠͠͠͠͠ͅͅͅơ̶̢̡̧̨̡̛̛͔̦̼̰̠̯̰̟̲̣̜͙̲͙̪̱̱͕̺̪͈͉̺̻̙̥̲̩̲̩͔̠͚̩͓̞̠̯̟̫̣̗̦̰͉͚͙̺͎̼͖̥̙͈̯̲̝̞͎̻͕̮͔̰̖͔̭͙̩̼͔̫̹̘͓͔̜̘͍̍̅̄͋͑̋̍̊̉̄̈̽̈͐̀͌͐̆͊͂̐̋̃̎͆͛̐̀̂̿̈́͂́̈̌͐̇̀̒͋͑͐́͌̐̇̊͆̀͂͋̏́͋͆̏͗͂͑̂̓̽͘͘̚̕̕̕̕̚͘͜͜͠͝͝ͅͅͅr̴̨̨̨̧̨̛̘͕͈͔͙̠̬̯̩̗̰̗̬̦͈̗̝̣͓͓̟͕͙͈̠̘̻͓̭̝̘̦̦͓̭̘͙̻̙̼̩̰̝͈̱̝̱̬͉͙̣̖̮̲͈̙̱̩̣͕̦̰̮͔͈͓̙̮͍̳̟̠̞͎̱̣̰͕̩̝̲̝͐́́̍̈͐͋̐̑̌͋̓̈́̈͗̿̈̈́͗̑̚͜͜͜͜͜͝ͅͅţ̴̢̨̧͇͉͎̣̬̣̝̗̬̹͇̮̞̈́̐̌̇̈́̌͊̐̅̂̌̂͒͌́̈͌̂̊͗̍̿͑͋̎̓͂̀̎̎͒̾̏̒͌̃̄͋̌̾̍̈́̐̏͑̊̍͑͆̉̓́̆̌̾̓͊̊̈̑͘̚̕͘͘̕͝͝͝͝͝s̴̢̢̡̛̬̹͚̻͉̦̦̣̦̠̜͕̤̳͓͙̟̬͕̘̦̿͗̉̏̒͆̓̄͊͌͛͂͑̒̃͛͘͜͝͝!

Shared elements with supernatural that you might Vibe with: Honestly, probably bc Nightvale and Alice are by the Same Dudes, a lot of these points are the same as Alice Isn’t Dead, but it’s less scawy and more funney. Also hits the “horror, but make it kind of a sitcom” vibes. Doesn’t have the same road trip vibes, but DOES capture the exact weirdness of South Western USA, so I’m still giving it “fucked up americana” credit. If you’ve never been to New Mexico ur like this is an exaggeration clearly no desert town is subject to like ACTUAL cosmic horror and unexplainable sights but I’m telling you New Mexico is just Like That. (I highly recommend visiting the land of enchantment if you ever get the oppurtunity it is a deeply odd and wonderfully unsettling experience.) Look man it’s gay it’s a horror comedy cecil has a wonderfully soothing voice and it hates capitalism so fucking much like oh my god so much what more could you want.

MINI REC ALERT: Wolf 359! I have nothing deep to say about this I just like it and my gut tells me that y’all would enjoy it too I know there isnt much for physical descriptions in the show but I know in my heart that the main character is so so pretty and so so stupid. I KNOW yall like some himbos that experience character growth.

Okay since It’s my party and I’ll speak if I want to rapid fire list of podcasts I just like and want more people to listen to even though I’m behind on like all of them shhhhh: The Penumbra Podcast, BomBARDed, Dungeons and Daddies, Stellar Firma, Wonderful!

SONG RECS

okay these aren’t like replacement recs or anything they’re just really good and I almost certainly would have put them on some sort of supernatural playlist in 2013 but I don’t, like, have a good playlist for them now so I’m subjecting y’all to them also they all have the youtube link for ease of access

Woah There Kimmy- Felix Hagan & the Family

Devil’s Backbone- The Civil Wars

Blood On My Name- The Brothers Bright

Awake O Sleeper- The Brothers Bright

The Bottom of the River- Delta Rae

Old Number 7- The Devil Makes Three

The Bullet- The Devil Makes Three

In Hell I’ll Be In Good Company- The Dead South

Bartholomew- The Silent Comedy

Pomegranate Seeds- Julian Moon

Curses- The Crane Wives

Tongues & Teeth -The Crane Wives

OKAY THAT’S IT! THAT’S ALL FOLKS! FUCK!

#long post #if you didn't want this blame of-mice-and-mentality for enabling me posting #supernatural

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tuiyla · 5 years ago

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She-Ra’s like, really good, people

It’s been over a week since She-Ra season 5 came out and I binged it and this is not going to be coherent but I just want to rant about it a bit before writing some more structured metas. I deffo wanna write about Catradora and how I think SPoP is the true spiritual successor to the Avatar.

But first, let me just scream about how good this show is. I already started rewatching it, pretty much straight after finishing it, and I don’t rewatch tv shows often. The exception is Avatar (seen it like 15 times) and sitcoms. But She-Ra is so layered that I felt like I needed to watch it again just to appreciate the dynamics even more.

I already enjoyed the first season but it kept getting better and better. I’m not in love with the art style and it’s definitely for a younger demographic overall than my other favourite animated shows, but like any good kids’ show it balances tone well. It doesn’t talk down to its target demographic but also includes more traditionally mature themes in a digestible and entertaining way. Not all the jokes landed for me but as the series went on I learned to appreciate the tone and the type of humour She-Ra goes for.

It’s funny to me because this is definitely the type of show I would have rejected as a kid, with all the princesses I would have deemed it “too girly” and therefore not for me because screw gender roles. There’s a degree of internalized sexism to that, for sure, a rejection of the feminine because it’s always been seen as less somehow. But there’s also a truth that, at least in my childhood of the late 90s and early 00s, children’s media targeted at girls often had a poor quality to it, at least when compared to “boys’ stuff”.

She-Ra is not only a clever, heartfelt, complex story, it also transcends that binary of having to be either for girls or boys. I know most of modern animation rejects that as well, but She-Ra embraces so many traditionally feminine qualities while also going beyond gender roles and even the gender binary. This show is so queer, man, and I love it. It’s especially impressive when you consider the source material that was literally just the girly version of He-Man. I have no beef with 80s She-Ra, haven’t seen much of it, but this is such an upgrade.

That being said, I would have loved to watch She-Ra as a kid. I’m so incredibly envious of kids, aged around 10, who get to watch this show as they’re growing up. But I am so, so, so happy for them and for the future of animation that shows like She-Ra can be made now, that they’re being made. I’m going to go into spoilers soon, but just before that: She-Ra’s a perfectly enjoyable show in many aspects. I think the worldbuilding’s pretty cool, the story feels coherent and planned out, it’s lighthearted and so genuine. That’s the word that I ultimately choose to describe the series: genuine.

I feel like so much of TV aims to be dark and gritty nowadays, animation included, and though that’s slowly turning to dark comedy or a balance between fun and serious, it’s still the norm. At some point in the last decade, creators became terrified of being judged as cheesy. Even something like the MCU bathes in bathos to avoid being cheesy. But She-Ra proves that creators shouldn’t be afraid of being genuine, of basing characters and storylines on the simple power of love. Like, it’s such a cliché trope but I think that’s mostly because it has become stale.

Noelle Stevenson has talked about the importance of love in her story and I’m so grateful for that. Through, She-Ra, she’s truly proven how powerful love can be in a story and how it doesn’t have to be cheesy. It’s just so unabashedly genuine. The power of love and friendship literally saves the day several times but it’s always so genuine and more importantly it always makes sense that it doesn’t get boring. If the foundation wasn’t there, then I’d say “well this is just super cheesy”. But the show makes a point of building relationships and making them the focal point of the story.

Alright, so, spoilers because I need to talk about character arcs and THAT KISS and just everything. I really need to write more in depth about Adora and Catra and their relationship but for now I feel like it’s so important to appreciate how they’re developed. Everything from their shared childhood to their trauma with Shadow Weaver and the finding their way back to each other, it’s just *chef’s kiss*. It’s so well-written and believable. Ngl, I do have some minor issues with Catra’s redemption arc. Let’s just say that on a scale from Kylo Ren to Zuko, she’s definitely closer to Zuko. I also appreciate Shadow Weaver’s death scene and how it allows them to move on. I didn’t see that one as Death as Redemption and it shouldn’t be. Again and again the show made it clear that she was abuse towards both girls and nothing will negate that.

From what I can tell, the fandom really latched onto Catra, even when it wasn’t clear whether she’d get a redemption arc. I think that’s important, because unlike some characters in animation, Catra’s actions were almost always framed appropriately. There was always an understanding as to where she’s coming from, how she’s acting from a place of hurt, and yet her actions weren’t justified. They weren’t suddenly all okay just because she’s hurt, too. I especially loved in the season 3 finale when Adora was allowed to finally say no, to say that Catra’s actions were not her fault. That season as a whole was beautiful, like, episode three when Adora’s struggling so much and Catra has the opportunity for a better life but she still fails to choose her own happiness because she’s too bitter over SW and Adora? It’s poetic cinema. I love that angst, so well done.

It would be so easy to misfire in Catra’s storyline and either a) write off all the awful things she does because she’s just “misunderstood” or b) irredeemably stuck in her abusive environment with no hope of escape. They balanced quite well there and managed to handle such a complex character with delicacy. I’m quite happy with how Catra was portrayed because on the one hand, she’s painfully relatable to me and I assume to many others. The audience can see their own mistakes reflected in her character because we’ve all been too stubborn, done things out of spite, refused to acknowledge that we were wrong because we were hurting so much. At the same time, I always felt like the show gave me enough space to judge Catra’s actions and acknowledge that she was in the wrong. I honestly think I would have been a better adjusted teenager is if saw this show just before my angsty years, lol.

I’m going to write more about Adora at some other point but I love how vulnerable she’s allowed to be. Protagonists never used to be my favourite characters because they all seemed the same, with two major categories: the stereotypical male hero who can do no wrong or the angsty boi who can be shitty and the text still frames him as awesome. It’s only recently with series like The Legend of Korra and She-Ra that I go “damn, protagonists can be like that, huh.” Adora is a dumb jock who tries so hard and she deserves all the hugs in the world.

Also, Catradora? Breathtaking, amazing, groundbreaking. No doubt She-Ra needed shows like Adventure Time, LoK, Steven Universe and the likes to pave the way but still, it went there. I saw people be anxious about whether they were gonna be queerbaited, but I always, idk, knew? Trusted? That She-Ra would follow through. I didn’t wait six years for Bubbline to happen for Catradora to not get their big damn kiss. The series has been so effortlessly queer from the get-go that it just made sense that they were always heading there. I did see a gif of the kiss before watching s5 and ngl, that spoiler kind of bummed me out in a way that I wanted to be surprised. But even before I saw that I wasn’t worried. And the context of their journey in season 5? That cannot be spoiled by a simple gif. You have to experience that to fully appreciate it and that is the marker of good storytelling.

I understand that, though this should be the norm by now, Noelle Stevenson still had to be smart about how she approached the execs and she wasn’t sure this could happen. I cannot tell you how happy I am about what she said regarding how Catradora was so integral to the story that the execs couldn’t not allow it. That’s so brilliant, and it feels so natural in the story. Queer love saves the day and it’s not ambiguous, it cannot be censored because you lose a part of the story without it. You did it, Noelle, you funky little lesbian, what an icon. I can’t wait to see more stuff from her.

In other news, I appreciated other characters as well, like how all the princesses got to be different and awesome in their own unique way. Season 5 was great for so many characters, Mermista got so much to work with and Spinnerella and Netossa got so much more characterization than in previous seasons. Glimmer continued to be the third most important character in the story and I’m happy about all the relationships that also got to be canon. Good characters and dynamics all around, no wonder since the show is built on that.

Such a satisfying conclusion and one that makes you feel like this is just part one of a much bigger story. Such genuine, heartfelt moments, well-developed characters, complex themes explored in a respectful and digestible way, and such an unapologetically fun show. Melissa Fumero as a side character? Yes please. Catra’s new haircut? Heck yeah! She-Ra’s new design? Oh my.

I’m not even like, super into She-Ra, and I usually don’t write so much about things I only watch casually. But this show is so good and important that I had to rant. And I will write more about it eventually, but for now I needed to get all of this out. I’d give it a better structure but if I really get into I might never end up posting it so for now here, have this ramble of love. She-Ra, of all shows, deserves that.

#she-ra #spop #she-ra and the princesses of power #catradora #spop spoilers #my thoughts #that's pretty much it for now

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laughingpinecone · 3 years ago

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ToT letter 2021

I am laughingpineapple on AO3

Hello dear author! I hope you’ll have fun with our match. Feel free to draw from general or fandom-specific likes, past letters, and/or follow your heart.

Art likes: characters doing something, even something very simple, illustrating a moment rather than abstractly posing. I also enjoy seeing them wear different clothes, getting a feel of what their fashion sense is like beyond their canon outfit(s). Or dressing them up for some outlandish AU!

Likes: worldbuilding, slice of life (especially if the event the fic focuses on is made up but canon-specific), missing moments, 5+1 and similar formats, bonding and emotional support/intimacy, physical intimacy, lingering touches, loyalty, casefic, surrealism, magical realism, established relationships, future fic, hurt/comfort or just comfort from the ample canon hurt, throwing characters into non-canon environments, banter, functional relationships between dysfunctional individuals, unexplained mysteries, bittersweet moods, journal/epistolary fic, dreams and memories and identities, canon-adjacent tropey plots, outsider POV, UST, resolved UST, exploration of secondary bits of canon, leaning on the uniqueness of the canon setting/mood, found families, characters reuniting after a long and/or harrowing time, friends-to-lovers, road trips, maps, mutual pining, cuddling, wintry moods, the feeling of flannel and other fabrics, ridiculous concepts played straight, sensory details, sickfic, places being haunted, people being haunted, the mystery of the woods, small hopes in bleak worlds, electricity, places that don’t quite add up, mismatched memories, caves and deep places, distant city lights at night, emphasis on non-human traits of non-human characters (gen-wise, but also a hearty yes xeno for applicable ships), emphasis on inhuman traits of characters who were human once and have sort of shed it all behind

DNW: non-canonical rape, non-canonical children, focus on children, unrequested ships (background established canon couples are okay, mentions of parents are okay!), canon retellings

All requests are for both fic and art!

Death Crown: Death, trick

(I haven't played the DLC yet so, alas, no demons, or no spoilers for the demons, at least) I am absolutely charmed by the overall mood of this game and would like to see something more in that vein! Anything! Got more sacred (or unholy?) geometrical architecture for Death to interact with, maybe in greater detail than just wrecking it? What else feels like a contemporary take on a Bosch painting? Can Death get lost?

Ghost Trick: Jowd, Cabanela, trick, treat

Anything focused on Cabanela being an unstoppable force (confident, untiring, sparkling, stubborn, dexterous, loyal to the bitter end, legs) and/or Jowd being an immovable object (sarcastic, strong, depressed, self-deprecating but knowing he's hot stuff, also stubborn, clever but an emotional dumbass, round). Figuring out stuff? Something in the new timeline is linked to the old timeline? Coat? Dancing? Scarves? Halloween costumes?

I like Cabanela/Jowd and Cabanela/Alma/Jowd and Cabanela/Alma in scenarios where Jowd isn't around and Alma/Jowd in general (REALLY like all these, okay. like this is the one request where I'd love the most self-indulgent shippy takes as well), and dig Lynne/Memry. Yomiel/fianSissel and Emma/JM also cool!

Hylics: any, trick, treat

(I have only played the first game so far so please no overt spoilers for Hylics 2. Feel free to include stuff from it but... stealthily, I guess?) This is an "anything that feels somewhat like canon, please" sort of request! Love the mood, love the cast, love the little added details in their menu screen. Those can be prompts? Or the oddball stats? How do ToT's trick and treat freeforms apply to Hylics' overall... hylicsness, what would those guys think constitutes a "creepy" moment or a "fluffy" one?

Not into ships for this one, however I WILL say that Dedusmuln has all the proverbial curves in the right places. mostly their face.

Kentucky Route Zero: Weaver

Math, debt, the liminal state of almost being a ghost, seeing the world with a strange clarity... just anything Weaver, please! How'd she make her way to the town? What was it like for her to be working on Xanadu for a time? What about the community broadcast! Does she have an opinion on Carrington's oeuvre? You know... things... stuff. Weaver things. and stuff.

I love the whole cast and Weaver... wove... her story through most of them so feel free to bring in whomever. Not interested in ships here though.

Paradise Killer: Lady Love Dies, trick

A post-canon glimpse of life on '''''perfect''''' 25? That's not QUITE enough class consciousness to make the whole thing work, you guys. What does 'normal' life feel like to LD now? After following Henry's case and talking to Shinji so much, can she see that it's doomed to fail again, and then what? What IS Island 25 like, anyway? (what comes after Island 25, even?)

I liked the choice of canon romances - if it has to be just one I'd prefer it to be Crimson, but I'd also be interested in seeing what a V or triad with Doom Jazz would look like. They're all so chill about stuff

Pyre: Volfred, trick, treat

Pragmatic idealist, charismatic and bad at people, pacifist, activist, physiologically incapable of shutting up for a hot second, what's there not to love... I am very into either of the following: C. Volfred Sandalwood has a fantastic day; C. Volfred Sandalwood has a terrible no good day. Everything is great! Pre-exile antiestablishmentarian antics, maybe with Bertrude? Political gambits? The very physical dangers of the Downside which may or may not catch a scholar by surprise (who saves him?)? Tree problems? Meeting Oralech for the first time and Volfred thinks he himself is hot stuff but out of the two, Oralech is clearly the VIP? Feeling like he should live up to Lu Sclorian's legacy but he feels much closer to other Scribes (and what does Lu have to say about it, one way or another?)? The thrilling intimacy of Reading? The thrilling intimacy of lowercase reading also, maybe reading old manuscripts found in the Downside?

I very much ship him with Tariq and/or Oralech. The only canon ship I like is Hedwyn/Fikani. I also like Soliam/Gol, Bertrude/Pamitha and Celeste/Jodariel. Love all the Nightwings + Dalbert (+Deluge...?); love to dunk on Manley, Brighton and Lendel (I don't enjoy flat-out bashing, more like... I enjoy the way they are portrayed as horrible gremlins in canon and if they turn up in fic I'm not interested in more positive portrayals)

Signs of the Sojourner: Rhea, Elias, trick, treat

Once again pretty much an "anything in the style of canon" request. I love this setting, its themes and all the little lives that fill it. I am interested in a wide range of postcanon scenarios and love the whole cast - does Rhea come back to $town any number of years down the line and find $character? How'd their storyline end up in the medium-long term? What the hell is up with the Stranger (seriously, three runs and I never managed to speak with them, I have no idea)? What's life like for Elias back home, or in a new home if they can't keep the store, or if Rhea landed the Oscar ending or whatever (just, please, not dead Rhea. I love that ending but can't stand to consider what it'd do to Elias)? Or does he join the caravan just once? Who did Rhea grow to really like and can't wait to see every time? Any ghost stories or creepy encounters on the caravan's route? Does Thunder help?

I'm neutral on ships here - good with Rhea&Elias, good with background Rhea/Elias but I wouldn't like a romantic focus.

Totally Normal Wizard Apprentice: apprentice, wizard, master, trick, treat

(conflict of interest disclaimer, I illustrated this but didn't write nor nominate it) What awaits the apprentice outside the wizard's tower? It sounds like a pretty wild moon out there, I loved all the worldbuilding hints of the bigger setting. Does the wizard keep track of the apprentice, with her telescope or otherwise, and how does she take care of her ruined parlor? Was this all some sort of 5d chess on the master's part, and if so to what end? And what kind of otherworldly patience does this man possess, anyway, to handle the apprentice on a daily basis?

Twin Peaks: Margaret, Diane, Lucy, Tammy, trick, treat

(bass-boosted ethereal whooshing) For tricks, I would like to see any of these characters face the woods, the mystery of the woods, and/or a new symbol of your liking. Or: Margaret in the city, Diane and the moon, Lucy and the color blue, Tammy incognito.

For treats, a happy meeting. I love the whole cast and I'm always thrilled by gonzo "&" pairings, bring in whomever! Coffee and pie? The Bookhouse Boys? A kinder aspect of the woods?

Fandom-specific notes: love s3, love the books too. I like Lucy/Andy, Margaret/Sam fwiw, and rarepairs Tammy/Cynthia and Diane/Constance. Please no Fireman's-house-is-the-white-lodge, no Twin Perfect, no Judy-was-destroyed (nor is destroyable).

Arcade Spirits: Percy, Teo, treat

More than anything, I love the sense of group and camaraderie among the arcade's staff and regulars, and I'd love to see some more of it. I picked Percy and Teo 'cause they're my faves but anyone you may want to add, up to and including Sue, is very very welcome. Is there any aspect of gaming that feels like it could be adapted to this strange world of contemporary arcades? Cosplay shenanigans for everyone courtesy of Ashley? Any other activity that could show how Percy and/or Teo get along with the others, like they were all forming little groups during the beach chapter? It's such a feel-good canon, any feel-good situation would be great!

My Ari is with Percy but I'm not really interested in shipping here. All sorts of friendships though!

#letter

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southslates · 4 years ago

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Thoughts on Violent Reflections

Discussion (not really spoilers) about this WIP of mine will take place under the cut. Will include mentions of dissociation, PTSD, unhealthy relationships and the understanding that fiction is not reality.

I’m also going to preface this by saying that I’m a minor and that I use fiction to explore ideas.

To summarize, violent reflections is a capturefic in which Katara loses her mind after being captured and briefly forgotten at the beginning of season one. While she’s stuck, Sokka and Aang make it to the North Pole, only for Azula and Zuko to catch up. Azula then kills the Avatar, and Zuko and her both collaborate and take down Ozai, thus leaving Zuko as Fire Lord while Azula controls the Earth Kingdom and the other poles. Zuko rediscovers Katara on his ship as he comes back— a Katara that has lost her mind and is severely disassociating, along with having PTSD from her capture. She’s a broken person and he grows fascinated with her, living with her in the Fire Nation palace. They eventually get married and have a child, but that’s where the first chapter ends off, so I’ll end the summary there. The rest of the fic surrounds the incidents laid out by the first chapter.

I’m writing this, particularly, because I got a message about this fic and aspects of it that the sender didn’t agree with. This isn’t in just response to them, it’s just a general analysis of the fic, my thought process, and how I feel about it. I think it presented a good opportunity to do so.

The first note they made was “Don’t say this is how a capture fic would actually end up. That’s not your goal you just want to make something different from the norm and weird. If that’s your goal be proud and vocal about it, but don’t lie and say its realistic” So let’s talk about realism.

Violent Reflections is a direct response to the many— perhaps dozens— of capture fics that exist on FFN and older Zutara archives, especially ones written while the show was airing and before shippers knew about Zuko’s redemption arc. I was having a lot of trouble seeing all of those, particularly because they seemed riddled with Stockholm Syndrome that wasn’t acknowledged. I think there’s a lot to be said about writing darkfic— but with FFN’s lack of a proper tagging system, those relationships seemed romanticized.

Criticisms of Zutara that claim that it’s an oppressive ship, in my mind, are legitimate when it comes to those stories. The world has evolved in the past fifteen years, so of course we do not consider plots where Katara just becomes the Fire Lady a part of Zutara now. But Zuko was not always a good character. Yes, those stories exist. Those stories romanticize toxic relationships.

With Violent Reflections, I wanted to not do that. This fic may not be how a capture fic would actually end up, because that depends on your interpretation of the story line and your headcanons. But relatively, the fic explores dissociation, PTSD, and a really toxic relationship, which are themes that show up in real people’s lives when they’re captured. And I have talked to real people about this story and how it relates to them, and they have told me that it’s an interpretation they relate to. Of course it isn’t perfect, but it’s fiction, I have tagged it, and those are themes that I am exploring. These are themes that people who are reading the story have told me they understand.

Of course this fic is not going to be accurate because this is fictional writing in a fictional world and it’s my interpretation.

On that I “wanted to make something different from the norm and weird” and should be “proud and vocal about that” . . .

I did want to write something different from the norm, and I think that’s legitimate. I don’t think that makes a story inherently weird, and again, if you think it is, cool. I’m not holding a gun to your head. I have warnings and tags. AO3 can block stuff. Exit out. And I’m not going to be proud or vocal about anything I write, particularly— but although I’m writing this for fun, it can be pressing for me too. That’s why it takes me so long to update. This fic takes me, personally, to some bad places, and writing it helps me cope with those feelings. It’s not my goal to write something weird.

And then I was told “That doesn’t even make sense, it’s not more realistic for a TV show. Have you even seen how it plays out or you just heard of it. It’s not realistic for this.”

I sincerely hope that nobody reading this relates greatly to Katara, but I know people do. Yes, ATLA is a TV show, but that has nothing to do with the themes I write about. ATLA is full of whump fics, people analyzing imperialism in another world, and the fandom itself discussing the show from a meta angle. A lot of fandoms are just TV shows, but media— that includes fanworks and these shows— are inherently criticisms on the real world. ATLA is a TV show and Katara and Zuko are just characters that I am using to tell a story.

No, I have not personally witnessed this exact situation play out. Yes, I know and have heard from many people who have gone through situations. A lot of the themes resonate with me, which is why I am able to write this, but I owe it to nobody to extrapolate further on that.

If you believe this story— or any story— is not realistic, that is your perspective. The tag that I was using, ‘how a capture fic would actually end up’, implied that if a fourteen-year-old girl was captured as a war prisoner and left alone in solitude she could, indeed, lose her mind, suffer from PTSD, and disassociate. These are all outcomes much more probable than her falling completely in love with her captor. This is all fiction. Realism is all relative.

The last sentence was “You just wanted to make some weird gory fic” which says a lot because this fic contains absolutely no gore and contextualizes an unhealthy relationship. If you aren’t going to read a fic, quit it. Don’t tell the writer— who, with fic, often uses writing to work through their own personal experiences and trauma— that their fic is weird and simply something it is not.

To summarize, and to conclude, Violent Reflections is hard for me to write. It’s emotionally taxing. But it’s also important for me, which is why I am writing it.

I know plenty of people who are not reading it because the tags make them uncomfortable— I know people who are taking it step by stem— and I know people who find it intriguing. That’s all valid. At the end of the day, this is a story, a fictional story, and honestly? It’s just as valid as anything else I have posted, though it’s of a different theme. I write to explore myself, and this is one way how.

If you want to talk to me about themes in that fic or any other, please reach out to me. But please, I ask, if you don’t want to read, don’t. Look at the tags and go away. And don’t comment on how a story looks at a surface level, either. It’s usually deeper than is presented. Block me or blacklist me, I don’t care. Just please leave me alone.

#violent reflections #tw dissociation #tw ptsd #tw discourse #tw dark fic #i use the block button liberally

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blackjack-15 · 4 years ago

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Leavin’ on a Jet Pack — Thoughts on: The Haunting of Castle Malloy (HAU)

Previous Metas: SCK/SCK2, STFD, MHM, TRT, FIN, SSH, DOG, CAR, DDI, SHA, CUR, CLK, TRN, DAN, CRE, ICE, CRY, VEN

Hello and welcome to a Nancy Drew meta series! 30 metas, 30 Nancy Drew Games that I’m comfortable with doing meta about. Hot takes, cold takes, and just Takes will abound, but one thing’s for sure: they’ll all be longer than I mean them to be.

Each meta will have different distinct sections: an Introduction, an exploration of the Title, an explanation of the Mystery, a run-through of the Suspects. Then, I’ll tackle some of my favorite and least favorite things about the game, and finish it off with ideas on how to improve it. Like with all of the Odd Games, there will be a section between The Intro and The Title called The Weird Stuff, where I go into what makes this game stand out as a little strange.

If any game requires an extra section or two, they’ll be listed in the paragraph above, along with links to previous metas.

These metas are not spoiler free, though I’ll list any games/media that they might spoil here: HAU, mention of DAN.

The Intro:

Yup, this is the jetpack banshee game.

Honestly, that’s probably the best introduction to this game. It’s semi-famous among the fandom for just being balls-to-the-wall nuts, and for good reason; while HAU isn’t quite as confused as some of the other Odd games, it’s definitely less organized, and there’s very little story to tell here.

And the story that is there? Well, we’ll cover that in The Weird Stuff.

The Haunting of Castle Malloy falls near the end of the Odd Games, and honestly it more than deserves its place. Sure, we’re in a different, ‘exotic’ location like…well, most of the Odd Games, but it’s not like it really matters, as Nancy sees very little of Ireland. A car drive, a brief interlude outside of a pub, and the weirdest outside interface ever seen in a Nancy Drew game (even being reused in the next game briefly), and for all of that we might as well be in the Florida swamps.

Let’s not even mention the teetotaler pub. The less said about that, the less silly that this game comes off. Everyone in Ireland drinks a tall, frothy cup of Juice when they want to relax.

Sigh. Honestly, HER. Just skip the pub entirely.

HAU is also a game that tries to contextualize itself in Nancy’s past, but doesn’t do a very good job about it. It’s not inside reference-y like Secret of the Old Clock, but it’s also not grounded in character like…well, all of the Nancy games (ASH through SPY). It just springs in the ‘hey remember this character you’ve never heard about nor had referenced because we made her up whole cloth for this game’ little mechanic and tries to whisk the player away with it.

Consider me unwhisked.

And maybe that’s the biggest problem – or rather, the biggest signifier – of The Haunting of Castle Malloy: it relies on whirling the player away in the Sights and Sounds and Juices of Ye Olde Greene Eire, but instead…well, it doesn’t have the power to whirl the player. It doesn’t even have the body to muss the player’s hair when the wind comes around.

HAU is very little like its source material; in fact, really the only thing that the book and game have in common is that they’re both set in Ireland, and that the mystery involves Nancy’s friends. Sure, in the book it’s Bess and George, rather than an obscure, hitherto-unknown exchange student, but since there’s nothing else, we’ll give them points for it.

The majority of this meta (and the majority of this game) falls under the weird stuff designation, so let’s pop on over and talk about what makes HAU truly odd.

The Weird Stuff:

The entire premise of this game isn’t too far off the mark of normal – Nancy’s summoned to help a family friend, which is the case for quite a few Nancy Drew games (more than the opposite, I believe, at this point in the series) — but it does stand out a bit that she’s going to be in a wedding as a maid of honor.

While I could see it for Bess/George, Hannah (which would be fun) or Ned (which is my personal headcanon), it’s a bit odd that this is a character we’ve never heard of who considers Nancy her closest female acquaintance. You’re telling me Kyler got through elementary, middle, high, and University without making a single friend other than the weird little kid she knew while studying in River Heights?

That’s weird enough to get a section by itself, but it’s not even scraping the surface of this game.

Going deeper, our predominant theme/conflict/effery in this game is a convoluted love triangle between the bride, groom, and their best friend (who for some reason isn’t involved with like anything with the wedding, regardless of the fact that he should be doing at least as much as Nancy is doing, and possibly more since he’s an actual friend of the couple), with Kit still being in love with Kyler (for some unimaginable reason) yet friends with Matt. Kit, notably, doesn’t really do anything about it, but just having that plotline being our main thread is a super weird choice, honestly.

This is also a story about marriage troubles; sure, they haven’t officially tied the knot yet, but the fact that Kyler thinks that her fiancé disappearing the night before their wedding is a “classic Matt prank” and not either something deeply worrying or a sign that he’s too immature for a commitment is a Huge Yikes.

Best case scenario and he’s playing a prank…does he think people won’t take this as a bad sign, that early-arriving guests won’t freak out, that this won’t cause any problems?

And worst case, he’s been kidnapped (the truth of course being even dumber than that), and the first 48 hours after a kidnapping are the most crucial, meaning that Kyler’s inaction could result in a death that didn’t have to happen on her watch.

What I think HER really didn’t think about was the implications of this setup. Either way, it doesn’t just look bad for Matt and/or Kyler (to say nothing of Kit), it looks bad for their future.

We have no faith that these two are actually interested in each other, let alone in love and committed to this relationship. Nancy, famously deaf to emotions like this, doesn’t really make any comments about how this bodes ill, but the player is bound to think that something’s not quite right if these two people are so mismatched.

In a slightly less uncommon theme for the Nancy Drew series, this is also a game about unrequited love. Let’s face it, for the majority of the game the only suspect really is Kit, since Donal isn’t big enough to kidnap Matt, and it’s a Nancy Drew game, so Matt definitely isn’t out there playing a very poorly timed prank on his bride to be. Kit even has suspicious documents (the land drawings) and such that add up to him wanting Matt out of the way, even without his unrequited love schtick with Kyler.

Honestly, how two people were in love with that chick is just…it boggles the mind, honestly. What is appealing at all about Kyler? Her weird hair? The fact that it looks like she’s wearing a green dress the whole game only to have it be pants? Her bland personality? Awful voice? The way she looks in the weird photographs in the game?

Sorry for the digression, but I am struggling here.

The last section within this section will talk about the thing that’s by far the oddest conceptionally in this game – the banshee/jetpack storyline. Most of the time when it’s a folk/faerie story in these games, it turns out to be not true, and that’s still the case here. To have it not be a banshee, but instead be a senile, badly mentally damaged old woman flying around on a jetpack from World War II, on the other hand…that stretches the limits of believability to where it would have been better to just have it be a banshee.

Fiona and her backstory and her jetpack are pretty much the oddest pieces, with none of them actually fitting into the larger themes of the story. Our backstory in this game — WWII Ireland and its scientific achievements — isn’t integrated at all with the present day, dethroning previous WWII-focused backstory game Danger by Design for ‘least related backstory’ award, and it’s not justified at all within the story or characters either.

The Title:

As far as titles go, “The Haunting of Castle Malloy” isn’t bad at all; it’s fairly standard, slightly pulpy Nancy Drew fare, and certainly better than the title of its book inspiration (“The Bike Tour Mystery”, so named because Nancy et al go on a bike tour in the book). It tells you the “what” (haunting) and “where” (Castle Malloy), and is fairly evocative.

I really just have a problem with it being the title of this game. Not only is the Castle not really relevant — sure, it’s where the game takes place, but it’s not important to the game outside a conversation or two — within the story, but the game doesn’t really pull off the ‘haunting’ side either. It’s established pretty early on that there are weird lights and sounds, but that’s about it.

If you want to keep the location, “The Banshee of Castle Malloy” I feel like would have been a better choice, as it tells us right away we’re dealing with Irish mythology, and shows it’s supposed to be a Haunting game (no matter how poorly it pulls that off) without any excess fuss. It’s also a little more specific, which is generally a good move to make the title more interesting — like how “The Shadow in the Fog” is better than just “The Shadow” as a title.

HAU’s title seems to be solidly in the middle of Nancy Drew titles, so there’s not much more to say about it. Let’s move on to the mystery it somewhat, but not completely, speaks of.

The Mystery:

Nancy’s been summoned overseas again, but this time it’s for pleasure, rather than business. An exchange student that Nancy and Carson housed for a few months is getting married, and wants Nancy to be her maid of honor.

And no, I have no idea why Carson wasn’t invited. Way to snub the man who fed and housed you, but invite his daughter (who was 14 at the time Kyler knew her) to hold one of the most important places in the wedding.

Anyway, by the time Nancy arrives — the night before the wedding; bad form Nancy — the groom — Matt Simmons — is missing, which Kyler suspects is a practical joke (as Matt has a reputation for pulling pranks) and Donal, the caretaker of the Castle, thinks is a sign of being kidnapped by faeries for the crime of being English and marrying an Irishwoman.

Out of the many crimes of the English, I don’t think this one ranks enough with the Fae to merit a stepping-in, but hey, what do I know about crudely-drawn stereotypes in a HER game. I’m sure they did all of the possible research, talked to experts about Irish mythology, spent about 5 minutes on the Wikipedia article for “banshee”…at least one of those.

The only other person on the Castle grounds is Kit Foley, Matt and Kyler’s friend — and Kyler’s unrequited admirer. A land developer, he’s literally the most suspicious person at the castle by being the only one actually in the castle and by holding the (honestly reasonable) opinion that Matt just got cold feet and left.

Once Nancy finds Matt’s broken glasses and Kyler mentions that he’s blind without them, however, the race is on to find Matt — who definitely couldn’t have broken a spare/fake pair of glasses as part of the prank, shush you — before the wedding the next day. What should have been a grueling search takes an hour or so, and they find out that he accidentally fell in a secret passage and got trapped there, being fed carrots and potatoes by the resident crazy woman like he was a blind, helpless rabbit.

Yeah.

As a mystery…I mean, is this even a mystery??? What honestly went on in the pitch room that day? “We’re gonna write about fidelity, unrequited love, the stress of a wedding, a friendless woman who invites an 18-year-old because she never made any friends…and a crazy old woman with ties to World War II. And a jetpack.”

I don’t even know how I would begin to rate this mystery. Bad? Because that’s honestly the word that comes to mind. I’m never a fan of “oh it was all a Hilarious accident, ho ho ho” endings to mysteries, and this one is worse than most. Nothing follows, the backstory is such a non-entity it really doesn’t bear spelling out, and the characters aren’t even a little likable. This section could delve into each problem with the mystery but, honestly, that sounds exhausting and I’m gonna go over the bigger points below anyway, so let’s get to the clowns that make up this circus.

The Suspects:

Beginning with Kyler Mallory, our bride to be who, for some reason, has her hair and tiara done the night before the wedding — I guess she’s not planning on sleeping? — is searching for her prankster groom to “teach him a lesson” and so he knows that once they’re married, “no more pranks ever”.

Sounds like she loves him dearly and wouldn’t change a thing, huh. If that wasn’t worrying enough, she’s not super fussed that he’s disappeared the night before their wedding, and considers it a “Classic Matt” sort of thing to do.

As a culprit – man that would have been a dark turn, to have her kidnap/hide away Matt to teach him a lesson about not pulling pranks. It, of course, would have made a friendly acquaintance of Nancy’s into a bad guy, and that’s a huge No-No for HER, but it would have been kinda cool all the same.

Kyler’s groom is Matt Simmons, an Englishman who is decidedly unwelcome in Ireland (at least, according to Donal) and who has a strong reputation for being a little too heavy on the pranks — so much so that when he disappears, his own fiancée just thinks it’s another prank. To be fair to her, he did disappear while pulling a very sad little prank on her, so she wasn’t entirely off base.

As a culprit…how would that even work? That would be like FIN’s Maya kidnapping herself for no purpose whatsoever. Matt isn’t really given any character beats other than “prankster” and “fed like a rabbit”, so there’s really not much to speculate on here. I do wonder what Kyler sees in him…but then again, I also wonder what he (and Kit) see in Kyler, so we have that as well.

Next up is the couple’s friend Kit Foley, who’s sporting an enormous shiner to the wedding courtesy of a wayward branch (and a bit of karma) that smacked him while he and Matt were pranking Donal. He’s in love with Kyler (why????) but seems happy enough for his friends, and is of the opinion that Matt simply got cold feet and left.

Not sure why you’d be friends with someone who’d do that, but no one in this game has any character at all, so we’ll blow past it.

A land developer, Kit is basically the only suspect and yet a terrible suspect at the same time. Sure, he’s in love with Kyler (again, why???), but he also doesn’t really gain anything from them not getting married, just like he doesn’t gain anything from them getting married. I never thought I’d see the day where a brooding best friend is so…unaffected by the marriage of his long-time crush, but that just goes to show you how little depth even Kit — who somehow has the most depth of any character — really has.

Finally, Donal Delaney is the caretaker of Castle Malloy, and a firm believer in the Fae. He’s also really the only Irishman in the cast, which isn’t a great look for HER. He thinks that the Fae have taken Matt in return for being in Ireland and sleeping in the old nursery room in the castle, and is easily frightened.

Seriously, that’s his whole character.

As a culprit…as much as Donal is grumpy, he’s not really any sort of entity as a suspect. He hangs out at the pub, drinks fruit juice, and talks about the Fae, and that’s the extent of his involvement in the plot. The most importance he gets is inadvertently being the source of Kit’s black eye, and that’s so tertiary to the plot that it might as well not be there.

The Favorite:

Even though this game is, by all accounts, a ridiculous non-entity, there are a small amount of things that I do like.

I’m actually a fan of the opening sequence; it’s like a better version of CUR’s opening, has Nancy crashing her car (always fun) while telling Ned she’s not gonna crash (even more fun), and she doesn’t show up right away at the castle. Honestly, the first about 10 minutes of the game are actually solid, and more fun than the rest of the game as a whole. So that probably qualifies as my favorite moment in the game, spliced with the revelation that Matt has been subsisting on raw carrots and potatoes, which is just…honestly unimaginably funny.

My favorite puzzle is the seating chart for the wedding. Veterans of this meta series (all 5 of you) will know that my favorite types of puzzles are word and logic puzzles, and this is a great logic puzzle. I honestly could have done an hour of that puzzle and been happy as a clam. It really stands out as, well, the only fun I had during the majority of the game, but it was honest fun.

The Un-Favorite:

And then, on the other hand…

There’s a lot about this game that isn’t great, but almost none of it do I hate; there’s just not enough effort for me to hate it.

Except the background setting.

Having already done WWII as a backstory, HER really should have thought twice about returning to it only five games later. With Brendan Malloy developing fuel for armored vehicles, only stopped by it exploding in his (and everyone’s) faces in 1944…honestly, there’s no reason that this game’s backstory should take place in World War II, other than to have a reasonable chance of Fiona still being alive. It also makes it seem like ‘oh the War really didn’t touch Ireland that much hahahaha” which isn’t a great look either.

Honestly, HER’s treatment of Ireland is pretty ‘un-favorite’ here, but since HER never really does a good job handling any country (or most states outside the Pacific Northwest), it’d be fairly pointless to begin talking about it at length now.

My least favorite moment is probably the reveal of the culprit/mystery at the end; it’ so anti-climactic, honestly, and only comes after much struggle through two very stupid puzzles. It doesn’t give any meaning to the game, no one learns any lessons, and — probably unpopular opinion here — it probably would have been better for everyone involved (including Fiona) if Fiona would have died in that explosion 60+ years ago.

My least favorite puzzle would actually be the two puzzles at the very end — the chemicals and the rocket ship. The chemical puzzle is the worst offender, but both are pointless, do nothing for the story, and really feel like they’re there because Nancy Drew games have to have a puzzle at the very end. Putting something into a game because you ‘have’ to is never good, and this is a prime example of how annoying that obligation can truly be.

The Fix:

So how would I fix The Haunting of Castle Malloy?

The first thing I’d say is that, despite the games in the Nancy Drew series often containing one, I don’t really think the HAU needs a historical backstory. If you must give something to the Castle and the explosion, set it back in World War I, which would at least be something different.

But honestly, it’d be better to just get rid of it entirely. It’s old, it’s a castle, it’s in ruins, move on. The present has enough potential for drama without mucking up the past.

The second thing I would do is to take out Fiona entirely. Sure, still have the legend of the banshee going around the area, but it’s all things that are (mostly) easily explained, like in most haunting games. Figures in the fog? That’s just grounds crew who have been working for months to prep the site for the wedding. Strange lights? Well, yeah, the castle wouldn’t be wired for electricity if it’s been abandoned, so the workers have to bring in their own lights. Screaming noises? That’s just pre-marital jitters. Or something; you get my point.

As in all haunting games, have one or two unexplained things to suggest that the banshee actually was real, mourning the “death” of the last Malloy — because Kyler’s taking Matt’s name, or some other such nonsense. The sad thing is that it doesn’t really matter; anything that adds meat to the story would be an improvement on such a nothingburger of a game.

I would also bring in Alan, the best man, as more than a phone contact. Let’s face it, only having Kit and Donal as suspects (as Matt’s gone and Kyler doesn’t even pretend to count for a second) is really stupid, and this game needs some more detail and at least an hour more of playtime that doesn’t just involve getting lost in the bog.

Bring in Alan who is confused as to why he was chosen as best man, but suspects it’s because Kyler also has feelings for Kit and thus didn’t want Matt to choose him to be the Best Man (in other words, take out the weird social climbing angle). It would take a subtle hand, but I actually wouldn’t mind Alan having a bit of a thing for Matt himself, just to re-emphasize the “love is like an Egyptian painting; everyone is looking at the back of someone’s head” sort of theme we’ve got going on in this game.

The last thing I’d do is to bring Ned in, and have him be in the car with Nancy on their way. Think of it; usually wedding guests get a plus one; it would be a good excuse for Nancy to ask Ned out rather than leaving him behind as per usual, and Ned would probably be able to relate to Kit/Alan better than Nancy can, on account of Ned having actual emotional intelligence.

I wouldn’t say to have him be player-controlled, but I think Ned hanging around the castle, trying to help out with the emotional snarl that the guys have gotten themselves into (with Nancy focusing more on Donal and Kyler) would not only be in character, but would be a great way to make room for some emotional depth — something that Nancy herself, if not the games, usually skirts around or ignores entirely.

Would these changes fix the game completely and make it a winner? No, I don’t think so. I think the game is too structurally weak to really ever rise above mid-level, and possibly not even lower mid-level. But I think, along with some sprucing up of motivations and puzzles, these changes could help make HAU better than it is — and that’s worth it, no matter if it makes it into the Top 10 Nancy Drew Games list or not.

#nancy drew #clue crew #nancy drew games #the haunting of castle malloy #HAU #nancy drew meta #my meta #long post

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pass-the-bechdel · 4 years ago

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Alias season one full review

How many episodes pass the Bechdel test?

Seventeen out of twenty-two (77.27%).

What is the average percentage per episode of female characters with names and lines?

25.08%

How many episodes have a cast that is at least 40% female?

Zero.

How many episodes have a cast that is less than 20% female?

Three: 1.09 – “Mea Culpa” (16.67%); 1.11 – “The Confession” (9.09%); and 1.14 – “The Coup” (17.65%)

How many female characters (with names and lines) are there?

Twenty-two. Sixteen who appeared in more than one episode, two who appeared in at least half the episodes, and one who appeared in every episode.

How many male characters (with names and lines) are there?

Eighty. Thirty-one who appeared in more than one episode, seven who appeared in at least half the episodes, and four who appeared in every episode.

Positive Content Status:

While it could have done much worse, it could have also done considerably better. The white male perspective shines through in ways that are often individually minor but collectively major (average rating of 2.86).

General Season Quality: Mindless fun, at least the first time around. However, once subjected to scrutiny, only the performances save what is in many ways a mess.

MORE INFO (and potential spoilers) under the cut:

Alias’ first season is often considered to be among the series’ best, and it’s not hard to see why: it’s the most confident (at least on the surface), it’s the one that is most distinct from other TV shows, and features level of extravagance that is not seen in many of the future seasons. It’s also the season most in control of its various elements: while not all of them are used to their best effect, we can at least understand why they are there, and they all have a role to play. This is very often not the case with this series.

And yet, I find that season one, which I had once considered my favorite, is actually the one that stands up least well to rewatching. With the twists and turns that define its narrative having long since lost their bite, there is very little about it that is engaging in the way future seasons are. While it features elements which I wish had been kept and not abandoned, the more I rewatch, the more it becomes clear that these elements were often just not used well.

Take Rambaldi. While a lot of the fandom would eventually lose patience with the device and blame it for the series’ flagging quality, it is clear, upon reconsideration, that it wasn’t a good idea from the start. Are Rambaldi missions marginally more interesting than those that don’t involve Rambaldi? Sure—but that’s not exactly hard. The problem with those early non-Rambaldi missions wasn’t the absence of a mystery box featuring a Leonardo Da Vinci knock-off, it was that there was absolutely no resonance to them. They did not tell us anything about characters. They did not feature interesting elements. They did not further the stories that existed outside of them. However, none of these are actually inherent qualities of the stories. Having non-Rambaldi stories that did not feel as if they mattered was a choice. Furthermore, none of these problems with the early missions are actually fixed by having Rambaldi in them. Rambaldi stories are often exactly as hollow as the others—they just happen to also include The Tease, which is by definition attention-grabbing and helps make it easier to ignore other crucial things—like, for example, how meaningless it all is.

“Meaningless,” sadly, is a word that can be used to describe many of the stories this season, which could accurately be described as a twenty-two episode version of the first three quarters of Star Wars: The Rise of Skywalker, also by J.J. Abrams—go to Place A to do Thing B, so you can then go to Place C and do Thing D, repeat ad nauseum. What does Rambaldi tell us about anything? What did Charlie tell us about Francie? What makes the C.I.A. fundamentally different from SD-6? What is the point of all this prophecy business? What’s the red ball about, and why should we care, when the series is not giving us any reason to beyond “you should care”? What is the series saying?

The closest thing the season has to a theme, as mentioned in previous reviews, is the idea that people have different faces, many of which we choose to or are forced to keep hidden for one reason or another. It’s…fine, as themes go (although it’s worth noting that Rambaldi contributes nothing to that conversation), but the season is, at best, ambivalent about it. Given how universal the thesis is, it feels very much like it should be applied to everyone, and yet this is very clearly not the case, with a very clear line between characters who get to be multifaceted and those who don’t. Additionally, a robust exploration of the theme would require a greater interest in people than the show has demonstrated; that the standard mission features the barest amount of human interaction feels like a serious misstep, and is one of the reasons why large parts of this season feel unmemorable. As crucial as Sydney’s costumes are for the series’ brand identity, the missions that facilitate them are also often the least interesting part of any given episode.

(On a related note, it’s worth noting once again that the series is also not at all interested in the various places it takes its characters to. All the jet-setting the series does exists largely to provide the barest amount of local color, and nothing else—the philosophy behind Sydney’s costumes, applied to scenery.)

One thing that is consistently interesting about season one, though, is the difference between the Sydney the writers thought they were writing and the Sydney they actually wrote. I’ve mentioned multiple times that there is a consistent sense that the writers were afraid of making Sydney a character that could be considered objectionable, in a way that led them to strip away every bit of complexity from her situation, and undermining the show’s very premise. Yes, she worked for a terrorist group for seven years, but Alias is not a redemption story—Sydney is never shown to have done anything that could be considered immoral. Yes, she’s actually still working for them now, but none of her missions actually require her to consider compromising her beliefs. Yes, her job requires her to dress much more sexily than she does when she’s not playing a role, but never that she have sex —spysex is bad. Yes, SD-6 is the most formative experience of her life as a young adult, but that doesn’t mean she’s in any way ambivalent about it or has seven years of history to recontextualize. No, she has no reason why to trust the government, but that doesn’t mean she is anything other than completely loyal to U.S. intelligence interests. A situation that is nothing but complicated edges—a woman who has turned against the institution that made her who she is because she realized it was evil and that she was facilitating that evil—is as toothless as Clifford the Big Red Ball.

(Making things worse still is that the writers don’t actually morally object to the things they contrive to prevent Sydney from doing. The scene where SpyDaddy tortures and kills Haladki is not meant to make viewers think worse of SpyDaddy—just the opposite, in fact. And this has very real implications: arguing that male characters like Jack or Sloane get to have edges and imperfections while female heroes only get to be worthwhile if they’re virginal is textbook sexism.)

This, however, isn’t to say that Sydney is flawless—but rather, that Alias, having decided to leave the natural implications of its premise unexplored, has to look elsewhere to provide imperfections. The first of these imperfections, which feels like the show’s version of the clumsy female YA protagonist trope, is that Sydney…is not smart. She’s very clever in the moment, but she is consistently very bad at long-term thinking, or at dealing with people (Alias does not care about people). While she sometimes gets called out on this—such as when she’s told her impulsive plan to quit SD-6 and still keep her normal life is impulsive and had no chance of working—it still feels exceedingly odd for a veteran spy to be thinking this way, and inexplicable in one that has been in the business for seven years and is supposedly very good at her job. That characters like SpyDaddy are, in turn, allowed to be competent in ways she isn’t make things even more baffling: if you know well enough to make your characters tactically smart, then why not allow your supposedly-smart main character to actually make tactically smart decisions?

Sydney’s lack of critical thinking mixes with the aforementioned fear of allowing her to be morally compromised in ways that further serve to undermine the character. A person who has no need to make moral compromises is much more likely to not understand the concept of compromise or moral complexity, which is very often how Sydney is written—she just loves that high horse—in a way that actively harms the series, because the series then has to warp its universe in order to fit the narrative. It makes no sense for Sydney to consider her mother to be evil for being a KGB assassin—not in light of Sydney’s own work for SD-6—unless one makes it so that her work for SD-6 was somehow not immoral or visibly harmful. Similarly, it makes no sense for Sydney to consider being lied to for large parts of her life as indefensible, given her life and how much of it is lying to others. And while Sydney is free to have feelings that are logically inconsistent or even hypocritical, the fact that she is never seriously called out on these inconsistencies strongly suggests that the writers have not spotted them either.

And so, we have a Sydney who can accurately be described as a Karen: someone who (often correctly) believes systems and rules and morals are only suggestions when they apply to her but unbreakable rules when used against those she doesn’t like, and who uses her relatively minor oppression as a way to ignore her considerable privilege, which she consistently uses for her own personal benefit. Not only is her “original” sin—telling Danny about SD-6—borne from this belief, we see it consistently in ways both major (her belief that the anti-SD-6 effort should follow her lead, even after she’d just learned that she knew nothing about the group; her attempts to secure Vaughn as her handler; her general belief that only she gets to determine who and who does not get forgiven) and minor (her blithe attempts to get an extension on classwork she didn’t do). While she’s far from the worst example of a Karen—she lacks, for example, the cruelty that characterizes those who call cops to kill Black people—she nevertheless fits the profile with shocking exactness.

And honestly, that’s fantastic.

One of the reasons I can still appreciate Alias, despite its multiple flaws, is because it’s part of a genre that is both fairly derivative and which gets a fair amount of play—the original Nikita (the 1990 Luc Besson film) begat La Femme Nikita (the 1997-2001 TV series) begat Alias (2001-2006) begat Nikita (the 2010-2013 series) and to a lesser extent Person of Interest (2011-2016)—which means that everything it’s done badly has probably been done well elsewhere. This, in turn, allows me to enjoy Alias on its own terms. I don’t really need to see Sydney the hypercompetent, empathetic super-spy—that’s what Nikita Mears is there for, and if Sydney were more like her, then she would not be nearly as memorable or fascinating.

(It helps immeasurably that Jennifer Garner is fantastic at making Sydney feel fundamentally likeable. Were it not for that, the series would have been unbearable.)

That said, that doesn’t mean that Sydney doesn’t present a problem for the show. As fascinating as Hypocritical Entitled Princess SpyBarbie is, she would be even more so as the main character in a world that reacts to her idiosyncrasies in a way that makes sense. That this is not the case is one of the season’s biggest problems. To go back to Sydney Doesn’t Kill, even if one could justify it in-universe, one would still need to explain why it goes on completely unremarked by anyone. The only explanation for that is to argue that SD-6 just has a general non-killing policy, which makes absolutely no sense. More generally, keeping the show’s version of Sydney viable means breaking the series’ moral parameters—SD-6 is terrible except when it isn’t—which further hinders the season or its attempts to say anything worthwhile.

On another note entirely, let’s talk about those Bechdel Test results. When I began working on this, I was honestly expecting this season to do far worse than it did, since I remembered the bulk of Sydney and Francie’s conversations being about the men in their lives. While this turned out to be not the whole truth, it is still largely accurate in ways that do not speak well of the season.

The Bechdel test presents, by design, a very low bar to clear. Passing is not hard to do, and it is even less hard when the main character of the work is female—you almost have to actively work at failing in order to consistently do so. And yet, this is what almost happens with Alias. Take away Francie from the main cast—which is actually shockingly easy to do, especially in the second half of the season—and the passing rate falls dramatically.

It’s also worth noting how few of the passes actually take place outside of Sydney’s domestic life. This is a serious problem! First of all, it means that the series is very often passing by the skin of its teeth, since Sydney’s domestic life is not often the focus of the series, especially as the season progresses. More importantly, it indicates that Sydney’s worlds outside the purely domestic realm are ones made up nearly entirely of men.

Now, it’s bad enough that Sydney is very nearly the only female intelligence operative in the world, in a world where even the desk jockeys are overwhelmingly male. But this goes beyond that. It’s not just that Sydney does not interact with female agents. It’s that she very rarely interacts with female scientists, female doctors, female party hosts, female corporate bigwigs (or, in college, with female professors). Why has the world of the show been set up this way?

Well, consider this: in a heteronormative world—which Alias very much is, no matter how much we all love Anna Espinosa and her no-heterosexual-explanation-for-this chemistry with Sydney—seduction is not a valid interaction between two women.

I’ve noted that Sydney’s aliases are almost never about adopting concrete personas, and instead about adopting particular aesthetics, which almost always accept the modifier “sexy”—sexy maid, sexy club-goer, sexy IT person—even when there’s no actual need for it, according to stated mission parameters. While this is, to a degree, about genre convention (sexy spies gotta sexy) there is something deeper going on here. Sydney’s aliases tend to be about being sexy because it’s Sydney’s chief interaction (whenever interaction is needed—it often is not, as mentioned earlier)—or at the very least, the use of feminine wiles is. This, in turn, is only possible because Sydney’s spy work takes place in a world largely devoid of women. It’s a vicious circle: Sydney’s missions don’t have women because sexy costumes are not needed to interact with women. Sexy costumes are needed because Sydney is always interacting with men, and the only valid interactions with them involve the possibility of sex.

Consider, in contrast, what happens with Dixon. Sydney dons costumes; Dixon adopts personas. Given that seduction is not an option for Dixon in a world with almost no women, his interactions get to be more complex—the rich person lording his privilege over the people who want his money; the cocky poker player. Heck, even Vaughn, with his limited screen time, gets to have fairly complex interactions. His alias in “The Solution” involves a more complex interaction than Sydney has ever had in the whole season, with the possible exception of…sigh…her brownface alias (which note, is also one where seduction is not available to her).

In short: Alias’ mission sequences are often so samey and uninspired because writers cannot conceive of a world in which Sydney interacts with women, or one when she can have non-sexual interactions with men. One could hardly find a better example of how sexism actively makes works worse and is inextricably linked with quality.

I’ve been fairly negative during this review so far, so it’s important to note that Alias is far from all bad. In fact, part of the reason why this season is so frustrating is because what we actually got, as disappointing as it is, is still generally so enjoyable, and makes me want the series to be its best self. So let’s talk about things I do like.

The first and foremost element in Alias’ plus column is its excellent cast, which does an incredible job of elevating writing that, as we’ve established, often does not do them any favors. Usually, bad writing results in unlikeable characters, but not here; this is actually a supremely engaging group of people, which makes the series surprisingly easy to get through. There’s no character whose presence will stop me from enjoying an episode because of the haaaaate, and that’s a rare blessing. Even Will, who has the audacity to both date his twenty-year-old intern and then very visibly not appreciate her, even when she’s great and looks like Sarah Shahi (whose Sarah Shahi-ness is 98% of the reason why the character is great; it certainly isn’t because of the way she’s written), is someone I really, really like, which is a bona fide miracle.

(Also, shout out to unproblematic favorites Dixon and Francie, who are wonderful and don’t get nearly the development they deserve.)

Something I also really enjoy about this season is its management of Sydney’s love life, which feels atypical for the genre in a way I appreciate. Both Will and Vaughn have really good chemistry with Sydney, and you could see her being happy with either. You can see why they all like each other. The pacing feels just right: neither Will nor Vaughn dither when it comes to expressing their feelings, and yet the evolution of said feelings and how they express them simmers at just the right speed. Will gets to have his feelings rebuffed and deal with them in exactly the right way (at least when it comes to his interactions with Sydney). None of their characters treat romance as the only worthwhile endgame of their relationships. It won’t last, but for now, this element of the series is very appreciated.

Finally, there is something about this season’s expansive approach to world-building, which is very appealing for reasons I can’t quite describe. As someone who’s a big fan of narratives featuring tangential storylines running in tandem, I really appreciate just how many different social circles the series establishes in a very short amount of time. It could have done better by pretty much all of them, but ultimately, I am interested and invested in the world the show has established.

In the end, though, season one’s chief asset may just be its ability to bluff, using the appearance of confidence, showmanship and excellent production values to make up for its various sins. It’s largely illusory, of course, but if you let yourself get caught up in the magicians’ misdirection, you end up with a propulsive fun experience that is also unlike anything that was going on at the time and which despite various imitators hasn’t quite been replicated since. It may not always be great, but it’s never a slog.

Alias season 1 is not the best season of the show; it’s not even among the better ones. Still, despite it significant and arguably fatal flaws, I can’t hate it—just the opposite, really. It’s a lot like Sydney Bristow that way.

#Alias #Alias Season One #Female Representation #Bechdel Test #MimeParadox

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blue-analytic · 4 years ago

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Project: Crossover

As soon as I’ve got some time, I’m going to work on my new project, which is a Crossover between the fandoms Harry Potter and Percy Jackson. The story will be centred around Nico di Angelo and his twofold mission:

1) collecting Death’s tools and giving them back to Thanatos as the latter no longer wants to be caught off guard by enemies 2) learning more about his family, a part of which seems to be connected to Death Eaters and Grindelwald. In so doing, he will understand their motives and forge his own path

Important characters:

Draco, Hermione

Minor characters whose POVs you will occasionnally see:

McGonagall, Snape, Lucius

Themes:

uncanny, grotesque, friendship, discrimination

General info / warnings:

(probably) no pairings, rate 16+, graphical descriptions / allusions to uncanny / grotesque elements

Autho’s Notes:

I’m not sure if people here or outside of this site are even interested in my ideas, but I guess it wouldn’t hurt to give a first impression and see if people are intriguied by it. Bear in mind, though, not much happens, and the first chapter is incomplete. It’s just a teaser, after all.

The Uncanny: The Man is a Portrait

His smile was straining, his eyes narrowed to slits. There was no hiding the sweat, nor the vein bulging out of his head. If people found him in this current state, news would spiral out of his control: How he no longer took care of his well-being. How he derived satisfaction from scaring people off with his stench and grimace. Or even more ludicrous: how he was turning into the next Bellatrix. The conclusion was obvious to even a troglodyte: The mighty had fallen from grace. That thought alone made his fist clenching and his stomach revolting. It only made him wish even more fervently he didn’t have breakfast this morning.

Yes, he was a tragic man in a tragic situation for sure. And it was all thanks to the pathetic excuse of wizard in front of him. If only he had a knife, he would gladly ram it into the man’s eye. Just to see if he was dealing with a puppet or a person with good poker-face. Any kind of reaction would be welcome if it meant he could explore the victim’s weakness to the fullest potential. But if there was one aspect of his life he abhorred more than losing control, then it would be becoming as savage and as mindless as a muggle. Which is precisely what resorting to barbaric means would lead to. And so, he resumed his silent fury and reflected.

Torturing the man in front of him wasn’t as easy as he thought. He didn’t like dirtying his hands, and he certainly didn’t like wasting his time for something any servant or maniac could have done. Especially the latter who loved nothing more than the pathetic whimpering and the grotesquely distorted faces of their victims. Those psychos bathed in their fun, always excited at the prospect of having found ways to unravel new emotions and prolong the torture session.

One person in particular was gifted in the art of mental affliction and always insisted everyone watch her treatment towards these sad excuses of a wizard. Why anyone would shower these traitors with attention was beyond him. Were it up to him, he would deal with this affair swiftly and efficiently. No need to make them feel worthy; they all deserved to be ignored, rotting alone like an old black widow in a broom closet. But of course, in their master’s absence, it was Bellatrix who called the shots, she whose eyes wandered over every member like a predator sorting their conspecifics from their prey. A beast, that was all what she was in his eyes, a savage beast.

Although she came from a prestigious family, her lack of any sense of decorum didn’t really surprise him. It was, however, unbecoming to lower yourself to the level of a muggle. Ever since the start of the First Wizarding War, her greasy hair was hideous to his nose, and her moments of sweet affection made his skin crawl. I am no toy to be played with, he didn’t say whenever she would put an arm on his shoulders, purring like a cat. Were he to push her away, she would dig her nails only deeper into his arm while making a pouting face. He would never give her the satisfaction of knowing how her very presence irritated him, and he certainly would never submit to her however hard it was to keep his emotions under control. But of course, he wasn’t a public figure for nothing. Luckily enough, he didn’t have to deal with her; she was where she belonged, in prison.

Lucius quickly shook his head, then turned his attention to the man, his nose wrinkling. The man’s curly hair had a dark glamour, likely from spending all his time in this shabby department. The shady lines made his grey hair stand out as if he were proud to show this unfortunate mess to the world. How unfortunate indeed. In France, nobles used to wear a wig in public. Whoever went against the dressing code was considered eccentric, a deviance that was simply outrageous. Because to expose your hair to the public eye was like revealing an intimate part of your body. If the man’s hair was in such a horrendous condition, he didn’t want to imagine how the rest of his body was. With no sense of shame, the man was just one step away from turning into a pig, ready to be slaughtered by those simple-minded muggles. At least, that was what they were good at, to dispose scum. If only the British wizards shared the same sense of decorum and fashion as the French ones did. But alas, he belonged to a small minority.

Lucius sighed. Then, he eyed the man’s robe. It was covered in fuzz and emitted an unpleasant scent of perspiration. What was most insulting were those sleepy eyes, showing no care in the world. They did not budge when he used crucio on the man after having paralysed him. It was most unusual. Did he not mean it enough? Preposterous! He was once prefect at one of the most prestigious school in the world, later one of lord Voldemort’s most useful acolytes, and then proud chairman of Hogwarts’ Board of Governors. Every resistance he met, he nipped it in bud—sooner or later, at least. How hard could it be to subjugate a person’s will, let alone a shabby one at that? Bellatrix always made it seem so easy. There was no way he was inferior to her. His spell had to work, it simply had to. He would certainly not lose his lord’s favour and made a mockery by her. The success of their campaign depended on him.

Unlike her, he could still move politically so long as no one suspected him of dubious actions. It was a great responsibility for sure, but his throat tightened and his heart grew heavy the more he thought about his situation. To this day, he could still recall that young girl, clutching a hand of what appeared to be her stepbrother, his body as motionless as her face. Lord Voldemort had made it his goal to erase out of existence any connection to muggles in the wizarding world, and he had started with the first pureblood family in his vicinity. As the girl didn’t have any choice who her family were, she had been left alone. Her father, on the other hand, had committed a great crime by marrying someone outside their community. In the name of justice, he, alongside his wife and stepson, had received the full brunt of the killing curse. Afterwards, it had been left to Bellatrix to disfigure their faces in order to make sure they were unrecognizable to the world. Not worthy to be remembered, she had argued, her smile a smug and her eyes shining like cat’s eyes at night.

If her victims’ groans and contorted faces elicited feelings of thrill and desire from her—a desire for more painful reactions—, then this dehumanising process only managed to raise his eyebrows. It was simply revolting, an unnecessary display of barbarity he had quickly wanted to get away from, lest she might have forced him to partake in her follies. However, no matter how much he had tried to push the incident into the darkest corner of his mind, he still couldn’t help but recall from time to time what had been left of the stepbrother’s face: There weren’t any traces of eyes and mouth as if they had all been molten away. Where the nose should have been, only nose hair remained, trenched in blood. Bellatrix had been gaggling in light of these events as if proud of her art d’œuvre, but he, on the other hand, could only shake at the insult to his eyes.

When he had spotted the blond hair, the same colour that his son had, and taken notice of his size, he was now reminded of Draco and the gravity of the situation he found himself in. If he failed, he did not want to imagine the kind of punishment lord Voldemort would reserve for him and how his very absence would impact his family—a family he didn’t count Bellatrix in, he grimaced. That love-sick fool was utterly loyal to the dark lord and would not hesitate to abandon her own blood if it were to please him. Lucius was quite sure she would try to disgrace him to the best of her abilities.

Then, there was her savageness and persistence which would overwhelm his wife and encourage his son’s rash behaviour. Already, Draco’s promotion to prefect required a lot of responsibility. Gone were the days where he had stormed into his office, demanding a new broom for his team like some monkey on tantrum and without coming up with a strategy in the first place. Such alacrity to back up his comrades, but also such foolishness and recklessness to not expect any resistance in his endeavour. Had he not realised how important it was to be able to adapt to any scenario if he wanted to succeed? Now that Draco was a bit older and, hopefully, more mature, Lucius only hoped his son was ready for the school’s position so that he could prove his readiness for more important missions. After all, it was only a matter of time until he was forced into his father’s business, for the dark lord demanded proof of loyalty from everyone.

Until then, Lucius had to keep reminding his son of their family’s duty to lord Voldemort and giving him some small tasks that would groom him into a strong and respectable person, worthy of his name, just like his father. Most importantly, however, he had to keep him away from any silly lessons Bellatrix might impose on him as soon as she got out of prison. But first, Lucius had to deal with the man.

The sight of him drained his energy, left him with a headache. It still boggled his mind how well the man could resist his spells. The imperius curse that Lucius had used on the man in his last visit didn’t seem to work anymore. He couldn’t find any traces of outside influences that might have helped to dispel the curse. It was as if the man had never been hit by the spell to begin with. Did the man really manage to break it on his own? But as soon as the thought crossed Lucius’ mind, he dismissed it. There was no time to entertain some delusional ideas. Don’t be ridiculous. He would have been in danger if that were the case; the man would have notified the head of the Department of Mysteries or the security—if such a thing existed here at all.

Lucius turned around to take a good look at his surroundings, assuring himself no unauthorized parties were observing him. While he carefully examined the place, his eyes were soon drawn towards the wall. It was adorned with bronze mural paintings, glowing eerily in the dark corridor. In one of them, a corpse was trapped between two boats and exposed to the sun. From all sides of the boats, ants, ticks, and leeches were crawling towards the body while flies and wasps were descending on the face. There were so many of them, he could barely make out the facial features, just the empty eye sockets and the small mouth, open as if crying and from which insects were rising.

Crying, when was the last time he had cried? He had felt immense joy at Narcissa’s smile the moment she had accepted his marriage proposal, then a sense of achievement when he had held their child in his arm, deeply breathing in the sweet air of their garden and enjoying the tranquillity. However, pitying an unknown person who more than likely had committed a crime? That was such a foreign concept, it was almost ludicrous. Right here, right now, he shouldn’t let his emotions run free in his mission; in fact, getting Potter’s prophecy was of utmost importance. For the sake of his family and for the betterment of the wizarding world, he had to get a hold of himself.

But then, his eyes fell on the jelly, bubbling with thousands of eggs and worms. He shuddered. There was no mercy for the victim, and there would be no mercy for him the longer he remained in this place. Wherever he looked, each illustration showed a cruel scene: a woman sewn into a sack and torn apart by a monkey, rooster, snake, and wolf while drowning in the sea. Then, there was what seemed to be a big straw voodoo doll, hiding under a bed and clutching the head of a crying boy with its long fingers as if sucking his blood dry. Over him was a bleak image; it looked like as if a child was running away from a pale skinned man with eyeballs in the palms of his wrinkled hands. A look of utter horror appeared on the boy’s face when he was tripping over the remnants of newborn children. A few seconds later, his arm was ripped off like some feathers of a chicken, never to be seen again.

Lucius startled. As his heart was racing, a sense of foreboding overcame him. For a moment, he felt like a child, intruding on a private session he wasn’t privy to and about to face severe consequences. His mind was telling him again and again to run away. If he was caught, he didn’t want to imagine the kind of pain being inflicted on him and the grief his absence would cause to his family. It all reminded him of the Triwizard Tournament where Cedric Diggory just happened to die at the wrong time and at the wrong place. Did Lucius want to share a similar fate as him? He had already seen the devastating face of Amos Diggory, the red eyes and the shaking arms as if in shock or denial. While he did not approve of his friendship with Mr. Weasley, he, at least, understood why a parent would mourn the loss of an heir, no matter how foolish Cedric had been to help Harry Potter. After all, there weren’t many pureblood families left, and sons were prone to foolish acts. Lucius should know; he had a son quick to anger, after all. No doubt an unfortunate trait of his father as his wife loved to remind him. Hence why he was glad for Snape and her taking care of Draco and disciplining him in his absence.

Lucius sighed. All his planning and political dealings left him little time for his family. When was the last time he had enjoyed a cup of tea with Narcissa? When was the last time he had played chess with their son, lecturing him on the importance of planning moves in advance? He could have it all again. Yes, he could see himself passing through the exit and leaving behind that dreadful place of Ministry, then buying some fancy jewellery to please his wife and a new broom for his son to calm him down. It would be a good start to make it up to them. The most logical thing to do was to never bother the Unspeakable again and go home, fulfilling his duty as a husband and a father. There was no need to risk his life if the horrendous paintings here were anything to go by.

At the mention of immediate danger, he stopped, his eyebrows raising. He was no Gryffindor, true, but he had been once accepted into the great house of Salazar. Slytherins were not easily cowered when promised a high reward. Any threats they faced, they solved it with the cunning of a chess player. The grotesque drawings on the wall, however, they were just that, scaring people with splatter and cries. How utterly barbaric. How very, and here Lucius paused before spitting, muggle like. Didn’t they keep strange souvenirs at home: dead skulls of animals and people to boast of their cruel deeds and some creepy masks born straight out from a dark fairy tale? He still remembered from one of the forced muggle lessons at Hogwarts: a werewolf in disguise of a human simpleton, indulging itself in fornication with a sick grandmother. Then, as if it wasn’t scandalous enough, it even seduced some virgin before devouring her. Or was it her who wanted to explore her carnal needs? Mad. They were all mad.

Lucius could only shake his head. He had never understood the value of muggle studies. They merely filled heads with moths, just like how the scribbles at the wall tricked people into a false sense of fear when there was nothing to worry about. What did it matter if the owner of the paintings had a morbid sense of cruelty? They were just inanimate objects; they couldn’t do anything to him or report to their master. He snorted. Master? More like a weebie obsessing over satanism.

Now that he thought about it, he couldn’t believe how poorly he had reacted to the pictures. It was illogical to expect any threat from them; it was downright ridiculous. There was nothing that might have excused his inappropriate reaction. He had been a fool if he was honest to himself. No, he thought. It was more like he had been played a fool. Under no circumstances would he have done any foolish acts. That might have been acceptable and even expected from a child like Draco; however, he had long since grown out of this phase. There had to be some kind of spell on the paintings to ward off any intruders, there simply had to be.

Unfortunately enough, he didn’t have the expertise to detect any traces of magical defence mechanisms to appease his mind. On the other hand, he didn’t want to activate any traps. Who knew what mad ideas some employees of this department might have come up with to trick people like him. For what else could it be than the work of a sad bogeyman if the paintings were any indication? Those punishments and cries, it was Bellatrix all over again. Except, even she was not mad enough to satisfy her hunger and thirst in a way these misshapen figures did. One of them was slurping in a child’s head as if it was some cup of tea while the other one used fork and knife to eat some legs of a crying baby on a plate. The civilized manner with which these mindless beasts enjoyed their dinner and drink simply bewildered him, gave him goose-bumps. It was almost enough to vomit. Almost.

#fanfiction #Harry Potter #Percy Jackson #Nico di Angelo #crossover

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oceanmotioned · 5 years ago

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Headcanon Games

About The Games

With current events being what they are, we are all in need of some serious distraction. In the interest of something to do, I’ve come up with some weekly headcanon challenges that people can participate in as actively or casually as they please.

The dates themselves are more like guidelines than rules - this is not meant to add pressure or stress to anyone’s day but provide a fun exercise to keep the dash busy and alive throughout the course of a tough time.

There are no rules to how many challenges you need to complete per week and nothing stopping you from completing week one during week four or, if you’re just not feeling a week’s theme, doing another week entirely. It’s all up to you to have fun at your pace!

For multimuses, you can answer with a different character each day, or run a death march round and try and do something each week for each character! I would not recommend trying to do everything for every character, since there’s no trophy for it but hey - you do you!

Please reblog this challenge so that others can see it and participate in it, or link to it somewhere in your headcanon. The more this spreads ( especially in smaller communities ) the more activity it will hopefully inspire!

Due to how — unintentionally long this turned out to be, I am using a read more to spare everyone a mile long adventure! There are two others in this series as well, if you want a more fandom flair to it!

Criminal Minds Version

Harry Potter Version

Week 1

[ April 07 - April 18 ]

This week will be longer than the others in order to compensate for time spent spreading this around and for the fact the idea didn’t come to me on a Sunday. This week’s theme is origins and first experiences.

April 07 - Describe your character’s earliest memory.

April 08 - How was your character raised, and by whom? How did these early influences impact them?

April 09 - What was the first skillset your character picked up? ( Reading, cooking, running around like a sheer hooligan --- )

April 10 - How did your character get educated? Are they self taught, home schooled, tutored, private or publicly schooled? What were their best and worst subjects?

April 11 - What were the things your character most wanted to learn, and were those topics covered or did they have to research them independently?

April 12 - Describe your character’s first encounter with injustice and how it impacted or changed their worldview. If it wasn’t the first encounter that caused a significant paradigm shift, detail one that did. ( And maybe cover why the first one didn’t cause any shifts! )

April 13 - The first time your character performed a selfless act - did it come naturally, or under a sense of internal or external pressure? Was it the start of a trend in consistent selflessness, or avid avoidance of needing to be selfless?

April 14 - The first time your character broke a rule - what were the consequences and how did this shape their view of responsibility?

April 15 - The first time your character lost someone important to them, how did they cope and who did they turn to? How did the aftermath shape their view of loss and recovery?

April 16 - The first time your character displayed proficiency at something naturally, indicating their potential to be great, were they proud or nervous? How did the response of others impact their view of the budding skill? Did they become great? If so, how do they feel about it now, after those earlier experiences of expectation?

April 17 - The first time that your character encountered something they couldn’t explain, how did they handle it? Did they investigate, pretend they hadn’t seen it, ask someone for help? Is this normally how they handle situations that confuse them now, or have they evolved to display other responses over time?

April 18 - What was your characters first fear? Are they still afraid of it?

Week 2

[ April 19 - April 25 ]

This week’s theme is seemingly insignificant details that other characters might pick up on and maybe use in threads as a way of demonstrating how well they know your character!

April 19 - What are their go to foods? Their go to drinks? What small things do they do to modify things ( lemon with their tea? just honey on their toast? won’t eat berries without a small sprinkle of sugar? ) that other people might pick up on, and learn to prepare for them.

April 20 - What scents are most associated to your character? Are they always chewing peppermint gum? Do they carry a satchel full of fragrant herbs? Is there a perfume profile they cultivate? Do they smoke? Wear a lot of leather? Work with oils ( masseuse, mechanic, boatswain, all very different smells there ) Drink a ton of coffee or alcohol? Have pets? Ride horses? All thoughts to consider ( and tons more ) to develop what your character smells like.

April 21 - When your character dresses in the morning, do they have any signature items that might be notable? Always a gun holster or sword sheathe on the left side, forever finding a way to incorporate a particular color into an ensemble, notoriously missing the top button on their shirt, a family ring? If there isn’t a specific thing, what about your character’s style is memorable - how would you describe what they wear? Are they always formal, buttoned up and prim, or do they prefer a casual, even rumpled look? If someone were to see a Certain Profile on the street to immediately think of your muse, what would the profile be?

April 22 - Let’s talk signs of stress - what are your character’s tells? Do they move their hands more or less? Do they become physically agitated or seemingly lethargic? Talk faster, talk less? How would their friends and colleagues know something isn’t right?

April 23 - Personal passion or hyperfocus your character has that they know a lot about and are always happy to talk about that someone could bring up as a means of distracting your character in a stressful or emotional situation?

April 24 - Something your character never has enough of or is constantly misplacing ( pens, hair ties, etc ) that a Good Buddy™ should keep spares of to offer up in times of need?

April 25 - Secret Santa time! What gifts are always sure to please your character, or at least show that Santa has some observational skills.

Week 3

[ April 26 - May 02 ]

For this week, lets explore the psychological profile of your character by digging into all the things that really make them tick.

April 26 - Is your character ruled by their heart or by their mind? Do they respond emotionally to situations or do they take time to think things through analytically before taking action?

April 27 - What are their pressure points? ( Things that set them off ) What techniques do they use to cope with stress and trauma?

April 28 - Three moments that they would alter if they could. ( A great way to invite AU opportunities through threading those moments differently later! )

April 29 - What are your characters core values? The things that guide their behavior and decisions.

April 30 - What books, authors, quotes, films, plays or other influential mediums hold a significant impact on them? Why do they enjoy those things, what is their overall significance on their lives? Are these the things they turn to in order to cope, nostalgic pieces they hold on to, or things that helped shape a world view?

May 01 - When making risks assessments, what to they weigh in? When do they throw in the towel and go all in, what to them is a safe gamble verses what is low risk for high gain and vice versa?

May 02 - Do they have any idols or heroes that they look up to and aspire to be like? What does their best self look like?

Week 4

[ May 03 - May 09 ]

Jumping into lighter topics, for this week we’re going to look at happy memories to remind ourselves that no matter what hell canon ( or lets face it, we writers! ) has put our character through, they have had good times too.

May 03 - What is your character’s happiest memory?

May 04 - When thinking of happy memories, who features most often in them? Is there a particular place or person that recurs most often when your character thinks on the good times?

May 05 - If someone else were to think of your character at their happiest, how old was your character and why was that time so joyful?

May 06 - Happiest memory involving an animal? Be it their pet, someone else’s pet, a zoo moment - something that sparked joy and had animals involved.

May 07 - Talk about the best prank they ever took part in, or remember observing.

May 08 - Describe a time when your character went out of their way to make someone else happy, and how it worked out.

May 09 - When they are feeling down, what things do they do to cheer up? Are any of these things related to happy memories or nostalgia?

Week 5

[ May 10 - May 16 ]

Bouncing off our happy memory high, characters who may be more withdrawn, depressed, grumpy or just plain unsociable might be feeling confident enough to give us a look into their accomplishments, goals, and insecurities - so let’s dig in while they’re still malleable!

May 10 - What would your character claim as their greatest accomplishment? Would others agree, or say something different?

May 11 - Detail a time your character was undermined and how that impacted them. Do they no longer try, or do they just try harder?

May 12 - If they could choose what they were known for in the world, what would they want their legacy to be?

May 13 - What motivates them to keep going when things get difficult?

May 14 - Talk about a time when your character let their insecurities get the best of them. Did they learn anything, or did it only exacerbate the problem?

May 15 - Are they proud of where they are today or are they still fighting toward a goal?

May 16 - Everyone has weaker subjects - does your character experience ridicule for their struggles, internally or externally? What areas do they struggle most in?

Week 6

[ May 17 - May 23 ]

For this week, we’re going to take a look at the relationships that impacted and molded our character into who they are today!

May 17 - Who comes to mind first when your character is asked who is most important to them? Why does that person stand out so much?

May 18 - Discuss someone who brought out the darkest sides of your character and how those feelings impact your character now.

May 19 - Discuss someone who changed, influenced, or significantly impacted your characters views on religion, karma & luck.

May 20 - Discuss someone who changed, influenced, or significantly impacted your character’s views on justice & vigilantism.

May 21 - Who comes to mind first when asked who shaped your character? This person doesn’t have to be the most important to them, so much as someone who molded their perspectives in some way - be it a teacher, a family member, a lover or even an enemy.

May 22 - Who does your character rely on the most? Are there others they could rely on? If so, why is that the person ( or people ) they go to?

May 23 - Who challenges your character the most? Who makes them take on difficulties and forces them to grow most often? Are they friends or rivals - a bit of both, or neither?

Week 7

[ May 24 - May 31 ]

This week’s theme is wishes and dreams, which is an opportunity for muns to stick bait on a hook and fling it onto the dash for some more fun interactions!

May 24 - A character you would most like to have yours interact with, and three ideas for start up interactions.

May 25 - 3 to 5 songs that you would love to build a thread around in some way, be it inspired by the vibes or the lyrics.

May 26 - Due to a series of unfortunate events, your character is stuck on an island with (1) other person. Who do you think would be the most challenging and entertaining for your character to be stuck with? Feel free to list multiple options!

May 27 - Make a list of 5 - 10 sentences guaranteed to get a visceral response from your character and invite your followers to send them in.

May 28 - That very particular idea that you don’t know if anyone is interested in? Today’s the day you’re going to post it. Yes, that idea. Even if you’re not sure how to formulate it into something concrete - post it as a poem, a drabble, a stream of consciousness - do it for the catharsis of breathing life into it, however brief. Who knows, maybe you’ll get a bite!

May 29 - 3 to 5 obscure / rare characters you would like to see and maybe a bit on why you think they would be interesting - a little blurb that might inspire another to pick them up!

May 30 - 3 to 5 genres, aesthetics or concepts that you would love to explore with your character. Make them as big or as contained as you like - remember, this is bait, so make it juicy!

May 31 - Tag 5 people — I’m kidding. Take today off for self care, or post how your character self cares and pat yourself on the back for even reading this far! And absolutely treat yourself if you did even one of these <3 I hope this was at least a little fun for folks!

#headcanon prompts #headcanon memes #writing prompts #roleplay meme

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masterbeta29 · 5 years ago

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My review of Pokemon SwSh!!!! (or just Shield, cuz it was the version I play, LOL)

Finally, after finishing the game (including the Post game) and fully exploring the region, I think it’s time for me to say what I think of this 8 gen…

I know it’s obvious, but I mention it just in case: This is MY OPINION!!!, if someone disagrees with me its totally valid, I just ask for respect.

ALSO, English is not my first language so I might have certain lack/erros of spelling out there, or I repeat many words, hehe.

It is important to clarify that this review is based on SwSh base, everything that refers to DLC will NOT be included here, my opinion of the game is already done, the rest is extra content.

I wanted to give this review a more ‘’silly’’ tone, since giving negative opinions on the internet can be quite delicate and I wanted to relax the mood. Do not take this seriously, I still have my CONS with the game, but it is still genuinely enjoyable, which for me is the most important thing in a game. I will talk about everything in general, so I will try to summarize certain points.

LET’S GO!!!

NEW FEATURES

Poke Camp, Curry Dex, Boxes and more

It’s like a dream come true for me, visiting other camps, seeing my whole party next to each other in the screen playing, discussing, running, is something really magical helps, me connect with them and know their personalities better, although I admit that I miss petting them lol and the minigames like in Gen 6. I also really liked the concept of curry as an alternative way to cure your Pokémon maybe I just wish there was a simpler way to know how to create new recipes (ALSO TMs).

Access to boxes anywhere is wonderful especially when you are breeding, just like, changing the name of trade Pokémon and the move reminder.

Rotomphone

It is not used as much as a phone, more than in the post Game (I can be wrong tho) but it serves as Dex and that’s what’s important really, the new feature is that now it includes the bicycle, that can ride both on land and water and in my opinion it is a degradation of what the concept of “Poke Ride” was, but as I said before, it fulfill the function it should.

Trainer Cards

The concept of being able to share and customize them with other players is super entertaining, although it is a bit annoying that you always have to make a new code for each small modification. As for the cards of the main characters of the game, I will talk with a little more detail later.

Dynamax

At the beginning it was fun and exciting, but in the end it just became a gimmick that sometimes I had to use by obligation in raids. It is not as epic as the Megas and does not have the weight of the lore and cultural/regional connection like the Z-moves.

The Giga forms, although some are great, and I am happy that they gave Pokémon like Garbodor love, I also think that there were many missed opportunities, starting with the starters of the region or in giving forms to Pokémon that in previous generations already had like Gengar and Charizard.

Raids

They are incredibly fun, it is an activity that you can spend hours and hours enjoying, especially with friends but if we talk about NPCs… OOF, I understand that the purpose of Pokemon is that we all make friends and work as a team, but DAMN, if it is stressful when you lose a raid with 3 friends and an NPC, because the Pokémon only killed the NPC, it is almost impossible to defeat a 5 star raid with only NPCs, and as I said before I understand why they do them weaker, but there are some that are completely useless, I see you Martin Solrock lol.

Poke Jobs and Rotom Rally

I will be honest, I have not used these features enough to have a solid judgment on these lol.

CHARACTERS

Magnolia

OK, I need to get this off my chest: I am incredibly disappointed and sad with this character, especially since she is/was our first old female professor, to be simply pulled into forgettable land.

It started pretty well, but then it just disappeared until almost the end of the game to give the role of professor to Sonia … REALLY ?! I hate to say this, but she felt more like a device to give character development to Sonia, when she could have been used in scenes with Rose or repeatedly going into further detail about Dynamax for the MC (you know because she’s an expert about that topic…), before give the paper to Sonia. At least I am grateful that I had a little more screen time in the post game, although not even as a professor.

Sonia

Thank you Sonia, for allowing us to discover and know the story with you, honestly she was the one who saved mostly my interest in the story.

But speaking of the character, I like her, I like her dedication to get out of the shadow of Leon’s achievement and to show her grandmother that she is capable, which she finally manages to fulfill, she still has certain insecurities, but that makes her more human, she’s the real professor (I’m still salty for Magnolia tho)

Leon

Everyone knows from the posts on my PT on Twitter that I constantly bullying the character, but I really like him a lot, he is an excellent guide/brother through the game, charismatic, EXTRA, but very involved in his role as champion, in the sense that he is always aware of what is going on and helping in the process, in addition to being strong (one of the most difficult battles in the game). Definitely among my fav champions with Cynthia, Steven and Kukui (I count him as champion, SU!)

Gym Leaders

I love them, their designs, personalities, the animations, they are all incredibly memorable, my favorites are Opal, Kabu and Piers.

But even so, I wish I had more to go on besides the lore on the back of their cards and their battle animations, I would have liked to see them more integrated in the story, and I feel that it lack a little more interaction with some of them, especially Allister and Melony in my case, but at least the trainer cards were a good addition to know them a little more, outside of being a Gym Leader.

RIVALS

OK, I’m prepared for everyone to hate me, *sigh*:

I… I DONT LIKE BEDE AND MARNIE THAT MUCH?… I mean, I don’t hate them, and they are both far from being the worst rivals, but I did expect a little more from both…

Bede

I am one of the few of the fandom that does not like rivals flat jerks, because for me, that is not a character but rather a trait.

But I wanted to give it a try, and when I was just beginning to gain interest in him, they force his backstory in my face… And as I said, I like trainer cards…but more in characters, like G.leaders because these are characters that we don’t see much around the trip, but in the case of rivals, that appear several times and develop in the story, I personally like to get to know them little by little, discover their story and understand them in the course, here I felt it more as an excuse for me, to feel bad for him, especially at the moment he gives you his card.

His relationship with Rose is not explored enough imo.

And a complete turn-around that happens offscreen, like no joke, the MC literally didn’t see any of it, he just disappears after the Opal scene (but to give him credit, that scene is one of my favorites in the game).

But you know, I understood that he was just a lost boy, and I’m happy that he found a better place, and I admire his effort to want to change, so in the end I ended up liking him a little more.

Marnie

Marnie is interesting, because although I agree with many people that she would have benefited from having more screen time, I consider that a good character does not need all the screen time in the world, is about what but what they do with it, and the problem I have with her is that her time was not well spent.

I like her dream and I really like her relationship with her brother, however there was no moment when I really connected with her. I feel partly, that I don’t know her character, like her various personality facets.

Untapped opportunities: fight with her more times or with her…would have helped the character a lot imo.

Hop

Hop is the best rival of the three hands down, his trainer card contains the right and necessary information to make us have an interest in the character, but also the story lets us know him more: a competitive boy, but who has insecurities, fears of failure, that is reflected not only by the dialogue but also in his Pokemon team (no really, it broke my heart when I realized that he didn’t have his Wooloo in his team), that he is frustrated and suffers, but he gets up, discovers other tastes and with these finds a new path, ugh perfect, I adore him.

Forcing the player to defeat him is torture, it is like defeating Hau in USUM and Wally in ORAS breaks my heart.

Rose

In short: ok character, decent /meh antagonist, and a horrible villain.

Like the climax of the story, Rose is forced in the end to be the villain, when he worked best as an antagonist, his plan makes no sense, his battle is disappointing, although his battle theme is awesome, but it just does not fit the character, the plan, nor the situation at all.

But the character has a certain charisma, especially in his ‘’suit especially in his incognito suit.”

Oleana

Interesting character, with a potential backstory, with motives and characterization, who is underused in the story * sigh *… I LIKE HER THO

Overall, I would have liked to see much more of the relationship between Rose, Oleana and Bede, I think it would have benefited the 3 characters…

Team Yell

They are … ok, it is cool to have a team that is not villain, that bother the player from time to time even for good reasons, I admire his dedication and loyalty.

THE REGION

The region is aesthetically beautiful, the details, the structure, the contrast for example between Hammerlocke and Ballonlea, and despite not living in the UK or having had the opportunity to travel to the destination, according to my friends the region in which the games are based is very well related, which I think is excellent. However, despite the visual beauty, when it comes to routes and exploration it feels a bit limited, there are really some towns, where the most interesting thing to do is complete the Gym, there are almost no reasons to return to the previous town after having passed them…

But, what I missed the most was the lack of exploration, discovery, the charm of the NPCs…

Many have told me: what about the Wild Area? Because of the ability to explore in an open area, it is probably the best in the franchise! and yes, the Wild Area is a very attractive part of these games (I will talk a little bit about this, later), but as I said, everything that is considered part of the capacity of the new console, I will not take it into account, it is unfair, because a portable console can NOT stand a concept such as the Wild Area although the developers had the idea before, not at least at SwSh scale.

And as I said before and again, the T.Cards are an incredible idea, but for me NOTHING compares to getting to know the characters through the world, dialogue, interaction… I’m going to use pokemon Moon as an example to make me understand better: (because it was the last main pokemon game I played before SwSh and that’s why I have it more fresh lol) Where you can enter Olivia’s shop, buy jewelry and visit her room and discover that she is a desperate single woman, or enter Gladion’s room and talk to the receptionist and that she tells you part of his story, that kind of things…

Let’s see for example Melony, we know she has more children besides Gordie, but only for concept art, and yes, probably do unique models would take a while, but I honestly wouldn’t have be bothered if they use generic NPCS, they did it with Lana’s sisters, then the anime can dedicated to giving them unique designs.

Speaking of NPCs (mainly of those inside the houses), many lost the charm and authenticity they had… I mean, where is the lady who told us the story of her husband’s accident or the men of the coffee shop, who every time he prepares us a drink told us the story of where such a drink came from, ect… the NPCS on that side are boring…

EXCEPT BALL GUY, he / she is awesome!

I know this look like extra or unimportant things, but these little details really give life to the region, personality to characters that are secondary, it makes everything feel more united and also makes the main characters feel more inside the world, and honestly that is why on this hand, some cities felt empty for me…

But the other hand, I really liked what they did with the NPCs fans, see how the number increasing every time the MC wins a gym battle, makes the trip to become a champion feel more rewarding, It really helps you feel like a true champion when you got it.

Other examples like the girl NPC who is going to support you in the Gyms while their pokemon is evolving, or how the NPCS react and change their dialogue corresponding to what is happening… beautiful, for this part the worldbulding is 10/10.

The wild Area

Probably the closest we have for now of an open space area in a Pokemon game, I have to admit that I get lost at least 1 half an hour trying to find the next destination (I understand you Leon), it was hilarious lol, at the beginning of the game it turns out to be a fairly limited area, and you really can enjoy it in its entirety when you finish the main story, but I don’t see so much trouble with that, since it’s partly the point, for balance. In general, it is a fantastic idea although I feel that it is necessary to polish it in certain parts, and NO, I don’t mean THE TREE, but I don’t want to be so hard on GF at this moment, because is the first time they experiment with such concept…

Pokemon and Music

I put these two together because they both share a very curious characteristic: EXPERIMENTAL.

The pokedex is super solid, I love how these last generations, GF is doing its homework and is striving to make the pokemon belong to the region, as for animals, myths, culture…muah I LOVE IT, BRAVO.

For me a good OST movie or video game not only has to be for the piece n yes, but how it is composed to accompany the events that occur on the screen, how it adapts and fits a certain scene of the story or character, and although I admit that in general it is not my favorite compared to other gens, there are tracks that have become part of my favorites:

The crowd, the screams, the build up as you gradually approach the last pokemon, ugh. Dynamax is cool and everything, but THIS is the basis for me, of why these battles feel so energetic and exciting.

That mystical atmosphere that catches you, is beautiful but at the same time mysterious, and perhaps many disagree with me, but the addition of the howls of the legendaries… I love it.

STORY

I think the game started extremely well, the introduction to the characters, the exploration, the introduction to the starters, the mystery of the legendary, everything is on track to me to enjoy this adventure to the fullest, but later I felt like it began to fall.

I understand that this is Pokémon and sometimes Pokémon does not need a complex story to make it enjoyable, as long as it makes sense and is entertaining, the problem I have mainly with the story is how they constantly get you out of it. I understand the concept they wanted to do: to take a more realistic point of view, in which adults take responsibility or in this case the champion and that later when you become champion you now can do what the champion did, and I like this concept, but the phrase of “you focus on the gym, we take care of the problems ” they say and they repeat it several times in the game like, I understood the first time!!!

Indirectly I felt like they were trying to took me out, and in consequence I lost interest in the story of the game, if it hadn’t been because Sonia bothered to explain to me the lore and a little of what was happening.

It’s more like “tell us” and not “show us”

and that’s the risk of this concept: you play as a main character, because you want to be a main character or share the role.

The climax feels incredibly forced and confusing, I felt that there was no build out, almost no foreshadowing for what was happening at the moment, everything comes out of nowhere, and thats why, I started making Okami jokes with Eternatus, because I don’t felt that emotion of the ‘’Climax’’.

Definitely in the part where the game shine was in the gym Challenge, as I said before, the gyms, the leaders, the atmosphere within them, the scale, the music that changing every time, until reaching the final pokémon, the challenges that we have to do before, the fans, becoming the champion, all this really is the identity of the game.

Pokémon returned to its roots, where this story is the story of us again, and becoming the champion here is everything, it is one of the most exciting and most satisfying Gym challenge in all generations with gyms.

ADDITIONAL

Here I want to give opinions according to the experiences I had with certain things within the game, which I think are quite PERSONAL, because each person plays different Pokémon, by the team of Pokémon, because he decided to level up more or stay at a lower level or how you decided to follow the story of the game.

Difficulty

Decent, by the standards of Pokemon of course, I try not to leveling to much, and if I do, there are maximum 3 levels and only one pokemon… So, gyms were easy in general, perhaps a pair that were difficult (Allister and Melony), but I never did black screen as in other games, but definitely the most difficult battle in the game is Leon, which I think is appropriate.

Online

Its horrible lol, There were not only once but several times in which I lasted like 1 hour trying to connect with a person, it is ridiculous.The signal falling every so often. But in general the biggest problem I have is connecting with very specific people, not even with the infamous Festival Plaza had so many problems.

Gameplay / Pacing

It is normal the same as always which is fine, some drop of frames out there in certain scenes but nothing serious, some cuts and lack of scenarios / designs that if you should in when they took me a little at the time, but absolutely nothing compared as the haters make it look, the game is still incredibly enjoyable, and it can be played perfectly.

The pacing started pretty well/decently, but from the fourth gym onwards, everything became very very fast, and not to mention the climax and the Pokemon League, honestly all this last arc felt super stuck….

So my opinion in general is: I enjoy the game like any other Pokémon game, it has its entity, it has new and interesting things that I would like it to expand more in future generations and it has personality. Is it my favorite game or my favorite generation? No, I definitely enjoyed other generations more, there were many missed opportunities that they could take more advantage, and I feel bad for GF for making them release this game for this year and these dates, because unfortunately some cuts are very noticeable. But the generation just starting ,so we will have to wait and see what we have for the future. For now, Thanks Pokémon SwSh, for another adventure…

#pokemon #pokemon sword and shield #pokemon swsh #swsh spoilers #my op #my post #review #I probably forgot something and I also have a lot of types cuz im trash lol

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mia-cooper · 5 years ago

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2019 fanfiction in review

I usually put more effort into pimping my favourite fics of the year, boosting a few new writers in my fandoms, etc. This year, however, I have not, for reasons both within and beyond my control. Which is pretty much my excuse for not Doing Better with writing for the past month or so, but hey. At least there’s this.

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1. Best fic(s) you read all year, and why?

How can I even begin to list all the beautiful, shocking, feel-good, feel-terrible-but-in-a-good-way, envy-inducing, page-turning, soul-destroying, fluffy, hilarious, infuriating and horny fics I’ve read this year? I can’t. So I will instead list three that come immediately to mind.

@curator-on-ao3 – The Dismissed Protocol (rated T, VOY, TNG, Janeway & Crusher)

This fic made me angry. So angry that I left a ranty and incoherent comment, slammed down the lid on my laptop and stormed around the house for a bit. Why was I so pissed, you ask? Because this fic hit a good few of my personal triggers around bodily autonomy and the right to make informed choices, and because although the fic ends triumphantly, it’s somewhat of a pyrrhic victory and it left a really bad taste in my mouth. Which, considering this is fiction, is the mark of some really good writing. When it comes to tackling difficult topics with a fresh and thought-provoking perspective, and without opting for the easy answers, Curator never disappoints. This story is just one of many examples of that in her work.

@love-in-the-time-of-kolinahr – it will take place without witnesses (rated E, DSC, Pike/Number One)

Okay so let me start by saying it was the author’s fucking EXCELLENT pun of a pseudonym that made me read this in the first place. Then it was the poem they quoted (Discovery by Wislawa Szymborska, which is like a portentous rocket in the guts). Then it was Una’s scales-off-the-eyes, we-are-true-equals, don’t-bullshit-me-lover candidness in the way she sees, talks to, knows Chris Pike. I adore Pike in his laconic-space-cowboy-with-a-heart Disco incarnation, I like him a lot as the CoolDad in AOS, but this fic? This fic gives me smart, forthright, deeply tender Number One, and Pike as the fractured and very human hero I hope like hell we’ll see more of because they are definitely making a Pike series RIGHT? It is written. Anyway… this fic is beautiful and harsh and deft and real and sexy and poetic and at its core it’s about love, and who doesn’t love love?

@captacorn – Stars in a Ruined Sky (rated M, VOY, Paris/Torres)

It took me a while to read this one because CaptAcorn was posting it at the same time I was writing my epic, and I had no brain space to maintain a hold on someone else’s dark and compelling plot. But when I picked this one up, I couldn’t put it down. It is AMAZING. A Timeless AU, set in a universe where Voyager crashed and most of the crew survived, this goes where no other 100k+ epic I’ve read before has dared to tread, and it does so without flinching. The details are what make this unforgettable – there’s no magic reset button, so when something bad happens to the crew, there are actual lasting consequences – but it’s the humanity of the characters (if I can use that word to describe a crew that includes aliens) that makes it unputdownable (fuck off, my nana said that’s a word). This is not an AU I want to think happened, but CaptAcorn makes it one that rings true. And I’ll definitely read this again when I have the emotional fortitude for it.

Wow, there’s no Janeway/Chakotay in my top three. What? So here’s a bonus:

Northernexposure’s trilogy – Soft Light, Aftershocks and Resolution (rated E, VOY, Janeway/Chakotay) – three for the price of one! I mean, when northernexposure posts a new fic I race to read it no matter what, but smut! Beautifully written, true to character, sexy sexy smut from one of my all time favourite authors! How could I turn that down?

2. Best fic(s) you published all year, and why?

Mmmyeah to be honest I kinda feel as though my writing peaked in 2017, but here we go.

Desperate Measures (rated E, VOY, Janeway/Chakotay and other pairings) – because there’s angst and smut and the plot is twisty as fuck and I feel like there’s a pretty satisfying payoff. And it’s really long and relies on the reader engaging with my OCs which people seem to have done, which makes me think that if I ever do want to go write another original novel, maybe I won’t want to burn it as soon as I’m done.

This Is The Moment (rated M, DSC, Pike/Tyler) – because these two have exhausting chemistry and I couldn’t not write this but it was hard to make it come out of my brain the way I wanted it. But I’m really happy with it.

And I have a soft spot for First Officer’s Log (rated T, VOY, Chakotay & Tuvok, implied Janeway/Paris), because I just really love Threshold, okay? And while the episode is wack on so many levels there are really dark and heavy themes to explore there which I feel have gone very unexplored and I hope my fic struck that same balance between moral philosophy and holywhatthefuckery.

3. Favourite opening line(s) in a fic you published in 2019:

From Bad Maquis (rated M, VOY, Janeway/Chakotay):

The only thing more restrictive – and bosomy – than this outfit, Kathryn mused as she stared at her reflection, was her holodeck governess costume.  

Still, at least she didn’t have to leave her quarters wearing this getup, and thank goodness for small mercies. Because she was on the verge of backing down from this challenge as it was, and Kathryn Janeway did not chicken out. Ever.

I mean, it sets the scene, doesn’t it? Who doesn’t love Janeway in leather.

4. Favourite closing line(s):

This is maybe cheating a little bit because this fic isn’t finished, but this first chapter can stand alone and I won’t be continuing it for some time (first, I have to finish the two prequels, haha). Anyway, these are the closing lines from Inertia (rated T so far, VOY, Janeway/Paris and others):

When the daze clears and Tom looks up to discover that his hovercar is parked in front of an address he’s never visited but has nonetheless memorised, maybe he should feel a little bit surprised.  

He doesn’t. No matter how far he tries to go or how long he stays away from her, turning up at Kathryn Janeway’s door is inevitable.

Why do I like it? Well, I have an everlasting appreciation for Janeway/Paris, for one thing. For another, if you read the rest of the story and understand what Tom has just learned, you’ll want to know what happens next. I hope. I sure want to know.

5. The fic that was best received, and your favourite comment(s) on it:

That would be Desperate Measures again. It’s my longest fic by far and I was absolutely bowled over by the response to it, but one of my favourite comments on it is this one:

It actually looks like Janeway is saying gimme and it cracks me up.

Honestly though… the depth and kindness of comments on that fic in particular, the time and thought and effort that people have put into their reviews … it made up for every moment I wanted to chuck it in and never look at that fic again, or any other.

6. The fic you wish had gotten more love:

Honestly, I was surprised there was so little response to my @voyagermirrormarch fic trilogy, Heaven in the Shape of Hell. I really thought they’d be crowd pleasers, but it shows what I know, lol. I haven’t even finished the third one because the lack of interest made me wonder if they were just really shite, but I’m not so butthurt about it anymore and I will come back to it someday.

7. How many fandoms you wrote for in 2019, and which inspired you most:

Does Star Trek in all its incarnations count as one fandom? If so, I wrote for two (Trek and Marvel). If all the different versions of Trek count separately, I wrote for seven (MCU, AOS (that’s Trek Alternate Original Series, not Agents of SHIELD), Disco, Mirror, Enterprise, DS9 and Voyager).

Anyway, I guess I’ll never stop being inspired by Voyager, so even if Disco season 3 and the Picard show do nothing for me, I’ll always have that.

8. Your favourite pairing(s) to write for:

I mean, Janeway x Chakotay, for sure. But I’m deeply, deeply invested in Janeway x Paris at the moment.

9. What you’re writing now/next:

I’m struggling through the second part of what was supposed to be my contribution to @25daysofvoyager. I’m actually going to post the first part once I’m done with this quiz in the hope it’ll kick my ass into gear. I’m also on semi-hiatus from Kinetic Friction, but I’ll be going back to it as soon as I’m done with my 25 Days fic. At some point after Kinetic there’ll be the sequel, and then the rest of Inertia. I’m also contemplating something for Threshold Day, possibly throwing something into @voytalentchallenge (don’t count on that one), and I have an idea for a pre-Enterprise D, pre-Voyager meeting between Picard and Janeway (with smut, obvs), plus all the other fics I’m definitely going to write …

And of course there’s my meat raffle. Time to pimp that one again. Donate to AO3 and if I draw your name out of the hat of randomness I’ll write you a fic to your specifications (roughly).

10. Writing goals for 2020 (word count? new fandoms/pairings? anything?):

Look, I’d just really like to actually write to some of the prompts I’ve had sitting in my ridiculously complex filing system without getting sidetracked by the newest shiny thing to catch my eye. In terms of fandoms, I hope I’ll write more for Discovery, I’m looking forward to Picard, and I would like to branch out from Trek a bit. More MCU, definitely, and maybe others if I get inspired. The main thing I want out of writing fanfiction at the moment is for it to continue making me happy, though, so I just hope I keep having fun with it.

#miamemes #miawrites #2019 fanfiction in review

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