#compulsive heteronormativity
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gay-aunt-jackie · 4 months ago
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To feel a SINGLE punch from your opponent and say… “nah, you gotta be a man” .. is mad funny to me. I’m sorry
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pyxilate · 4 months ago
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No but like they gave us Vol 1 and 2 with WR crumbs, then the creator of the show (who shipped them) died and then they rebounded in Vol 6, gave us a tiny crumb in Vol 7, then undid all that shiz in Vol 9 only to turn around and give us them goofy ah gays in RWBYxJL and the homoerotic RWBY IQ, and I’m all for it
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silliest-donkey · 4 months ago
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I'm so tired of people assuming ending up with a woman when you are a woman yourself is "downgrading" or "not the actual thing" I'm pissed.
"You need a man to provide" Bullshit. You need a woman to provide your self-esteem back. The whole heteronormative mentality of "men providing" is based on pure gibberish. Women have always been the ones providing, always been the ones considered to be the "givers" - the "givers" of care, the "givers" of affection, the "givers" of children, and the "givers" in the bedroom.
This is the norm, but it's not normal.
This society fucked us up so bad we are brainwashed into believing the only way for a woman to find satisfaction and meaning in her life is pleasing a man and that everything else no matter how productive it is or how fulfilled it makes her (for example focusing on her career, or being herself outside of the men gaze) "turns her away" from her "true purpose". In some countries it's a cultural reference to call single women past 30 "rotten fruit", divorced women "leftovers" and queer woman a "waste".
"It's such a shame you're a lesbian, you're too pretty to be gay" It's such a shame you have balls because I'm gonna kick them so hard you'll be flying to Neptune !
Also the idea that men who find out the girl they're interested in is a lesbian get their upset feelings validated - when lesbians who find out the girl they're interested in is straight get publicly shamed and called "perverts".
This is the norm, but it's not normal.
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outstanding-quotes · 3 months ago
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Sometimes she thought she was in love with him, waking up in the morning and looking blankly at the ceiling, remembering suddenly that she knew him, remembering suddenly his face shining with affection for her because of some gesture of affection on her part, before her sleepy emptiness had time to fill up with the realization of what time it was, what day, what she had to do, the soldier substance that made up one’s life. But the feeling bore no resemblance to what she had read about love. Love was supposed to be a kind of blissful insanity.
Patricia Highsmith, The Price of Salt
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encrucijada · 9 months ago
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3 new possible additions to my aroace girls cinematic universe (that needs a better name) 🫶
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maegalkarven · 1 year ago
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At least one Banite looked at Gortash and Durge and took notes.
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windows-in-the-night · 7 months ago
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one interesting thing that i've noticed about comphet is for women, it makes having a guy best friend into such a big deal whether ur straight or not. a big way of combatting comphet would be just treating your guy best friends like you would any other friends despite what society says. mixed-gender friendships aren't anything strange, and especially for queer women, it's important to have a diverse group to hang out with. for me personally, it just helps me feel like myself. having a diverse group of friends without any romantic pressure makes me incredibly happy.
examples of being a good friend to him (cishet edition):
ask about his interests! they might not be what you think they are, and you guys could have a lot of fun exploring them together (ex: kendrick lamar & drake feud, my friend and i have literally texted for hours upon hours about this)
offer him a hug if he looks like he needs one
ask him how his days are going! we tend to treat cishet men like they never fall or feel bad or sad, so giving dudes the opportunity to open up to you sometimes can be really good for their mental health and show them that you care.
find out what his favorite flowers are and surprise him with them on his birthday
send him tiktoks!
just show him lots of love because he deserves it, just like any other friend of yours would. gender doesn't matter when showing love platonically, but it's the thought and people behind it that do.
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gay-aunt-jackie · 9 months ago
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"She can't be a lesbian she loves sonic"
PLOT TWIST!! SHE JUST ADMIRES SONIC SO MUCH SHE TRICKED HERSELF INTO THINKING IT WAS A CRUSH AND THEN THE MORE SHE GOT TO KNOW HIM AS A PERSON SHE WAS LIKE "Oh wait- I like girls" AND HE IS 100% SUPPORTIVE
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dumpster-fire-deluxe · 10 months ago
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The urge to open my dating profile to men to see if I'm ✨ actually lesbian ✨
But I only ever attract men with bad intentions so what would the point be. No man has ever asked me out with good intentions so what am I expecting
It's literally a pattern: if they're into me, they're trash.
One guy straight up confessed that he wanted my friend but I seemed more approachable so his plan was to go through me
So what if I'm not actually lesbian but I got tired of attracting filth? Is the Sheev thing a sign? Would I really get different results now?
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fuck-comphet · 2 years ago
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i really dont know whether or not im attracted to men.
i know im attracted to women. theres never been any question in that, but with men... i mean i know when one is good looking or charming, and... i feel like i should feel the same way for them as i do for women
the idea of having a boyfriend or husband (who isnt an asshole) is really comforting for me. it makes me blush to think about but in reality i just struggle to feel anything for men. somwtimes when i see a goodlooking guy im overhwlmed by daydreams of being with him but if the situation actually presented itself i am so deterred
but i feel like i shouldnt be ....
is this just comphet? or am i just repressing my attraction?
Hello friend!
Look, I can’t tell you what you are feeling because only you can know that for yourself, but liking the idea of men (including the safety and comfort of straight-passing) is not the same as attraction in real life.
Before I finally admitted to myself that I am a lesbian, I wanted to cling to heterosexuality so bad, I couldn’t bear the idea of letting go of that safety net. And that’s what comphet does and why it’s so hard to work through: it’s the conditioning of thinking that being with men is the correct, good and only way to live a fulfilled life. You are using language like “I should be feeling”, which is what comphet tells you you should be feeling. Everyone wants a fulfilled and safe life! But comphet is a lie: if you are not attracted to men, to real men in real life outside of daydreams and fantasies, you will not be fulfilled or happy being with a man.
I would encourage you to ask yourself: why would you suppress your attraction to men and not your attraction to women, when it’s much safer and easier to date men and be straight-passing (even if you are sapphic)? I’m asking you this because when I still identified as bi, I fully minimized and suppressed my attraction to women and convinced myself that I was attracted to men because I thought considering men and being attracted to them was a mandatory experience, despite men leaving me indifferent. (Obviously I can only speak to my own experience and others may have just as valid experiences/perspective that differ from mine.)
Whatever label or identity you land on, the queer community loves and welcomes you ❤️🧡🤍💓
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sonatine · 1 year ago
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Sarahland // Sam Cohen
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mejomonster · 1 year ago
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I do like that Alex is a messy mean bitch
Like. Dang my dude. You yelled at the guy YOU kissed
You told your girlfriend "did you ever stop to think I liked someone else". My dude YOU cheated
Both of these bad decisions he yelled at, he got himself into this mess lmao? Like we love to see it In Fiction but damn Alex sir you're not handling this "teen realizes who he is in all facets of life" situation very well lmao (to be fair, plenty of teens handle it this messy)
This is also like. A case where if the story is ultimately "gay guy came out as bi first, then realized he was gay" id be totally okay with. That is the way it goes for some gay people. And in our heteronormative society I get it, everyone tell you "like this gender!" And so you figure whatever you feel (or dont) everyone else does. So you dont even realize you aren't straight. Then you get a crush on the same gender, wonder what that means. And have to go thru the process of figuring yourself out. Meanwhile if you're a teen, you're also going thru that process in Endless areas of your life just nonstop "but who the fuck AM I for real?"
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redxx95 · 5 months ago
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Exploring Kurosawa's internalized homophobia and compulsive heteronormativity
oh yea baby we bustin out the Big Words for this one 😎
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This was supposed to be posted at the end of pride month but Life happened and it got delayed a lot 😩 So yea happy pride month (and happy birthday Kurosawa I guess ���)
(btw I think I've never mentioned this on any of my other posts but english is not my first language, so if anything I write ever sounds awkward, that's probably why 😅) (also I had to merge a bunch of images to get around the image limit, this post is really long, the word count is at 1930 words 💀)
Hope you guys enjoy the read! 💞
Spoilers for anything up to vol 11
Let me start this by saying that there's no actual textual evidence of Kurosawa being gay (rather than bi/pan), so this interpretation is definitely veering towards headcanon territory. I'm also not trying to establish this as the only Correct opinion and anyone is of course allowed to have their own sexuality headcanons, this is very healthy and valid 👍
Kurosawa's internalized homophobia
The first scene I want to put under a magnifying glass is this one.
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Let's examine what's going on here: Kurosawa has just tried to kiss Adachi, whose hesitation he perceived as disgust. Then he pretends it was disgusting for him too, because he thinks that is the average reaction anyone would have, extending this to Adachi as well. The way he says "who'd be into that?" is already lowkey homophobic, but the japanese line makes it even more evident: "普通嫌だよな" (= "Normally, you'd dislike that right?"). Keyword here being "普通" = "normal, ordinary", implying that anyone who would like that is abnormal. So what does that say about him then, who was so happy to get the chance to kiss another man? This is pretty much textbook internalized homophobia, where he has accepted what he perceives to be the general opinion on gay people and has made those values his own, hating himself for it (albeit only briefly here), which is why he internally apologizes to Adachi.
This is not the only instance of him feeling like that, although this next part is slightly more speculative than the more obvious example above.
So we all know that Kurosawa is a jealous, jealous man. It's one of his defining character traits and it's often the source of conflict and comedy alike. But he does not express his jealousy equally across genders. With men he has this strong rivalry where he needs to prove himself better and more worthy of Adachi's attention.
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But with women he has a different approach: gently coaxing them away from him, lest they realize what a catch Adachi really is.
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So, why this difference? The answer I have is that he doesn't actually believe he can compete with a woman. If Adachi wants to be close with a man, Kurosawa thinks it might as well be him, he's the best option after all. But if Adachi wants a woman, he cannot offer anything and is therefore the inferior option. He believes this even after he found out Adachi's not completely repulsed at the idea of being with a man. Even if Adachi's okay with men, he'll always prefer a woman.
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And whenever he imagines anyone else with Adachi, it's always a woman, specifically Fujisaki, which he believes is "his type".
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And he at least thinks he's very far away from that ideal. (He's not but that's a topic for a different essay.) If anyone's wondering why he even bothers at all then if he's so sure that a woman will out-compete him, I think the lyrics from the anime opening actually put it best, specifically the last verse:
I have these impatient feelings I doubt this love will come to fruition But still I can't give up this happiness There's a feeling here I can't resist A love like a castle in the sky
So basically, his plan is that he might as well ride the high of his first ever crush as far as it will go, intercepting where he can to prolong it just that little bit further, until it all inevitably comes to an end. (a castle in the sky = an unreachable dream) This plan kind of fluctuates throughout volumes 1-3 as Adachi gives him a bunch of mixed signals, but it holds true most of the time.
Adachi's side
Now I'd like to highlight the way Adachi actually thinks about their relationship, because it serves as a great contrast to Kurosawa's assumptions about him.
Throughout the first three volumes we see him grapple with his newfound feelings for Kurosawa, but he (almost) never puts his gender at the forefront of his musings. The manga makes it very clear that it's his lack of romantic experience and low self esteem that make it hard for him to accept Kurosawa's affections, and not the fact that he's a man.
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This second page here being his own little gay awakening, where he realizes that he is not, in fact, disgusted by intimacy with a man.
It's also worth mentioning that when he later introduces Kurosawa to his parents (ch 41), they are immediately welcoming of him, suggesting he grew up in a very tolerant environment.
And it's not like he's completely unaware of heteronormativity/homophobia either, especially after he does his research in vol 8, but he is slightly more defiant in responding to it.
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(I love how he just buys that bag he probably doesn't need that's supposed to come with all the wedding magazines, just as this very tiny act of rebellion.)
So now that we can see how different Kurosawa's thought patterns are compared to Adachi's, the next question we should ask ourselves is: Why is he like that?
Heteronormativity in Kurosawa's life
(yes we're finally getting to the comphet part of the essay 😂)
First let's look at the environment he grew up in. There are not many scenes with his family, but from those that we do have, we can at least make some assumptions about how he must've been raised.
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His mother is clearly the authority figure in his life, judging by how she's described as "strong" and how terrified he is at her merely setting down a teacup (while Adachi has a more mild reaction). Her reaction to the news of them dating and Kurosawa expecting his parents to go as far as disowning him for it would suggest that she might just be generally homophobic.
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But when they actually go meet her we see this slightly more nuanced perspective.
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She's not entirely against it, but she does believe they are making a mistake by choosing to be together, hence why she thinks they might "regret it". There's many hardships that gay couples in Japan face, some of which we even see discussed in the manga, so it's not hard to see why she would be concerned for her son. The way she talks about Kurosawa never causing any problems, but "changing" ever since he fell for Adachi further supports that conformity is what she believes will ultimately lead to a successful, happy life. And that's also why she accepts Adachi later, when he's made it abundantly clear in his speech that they are happier in this non-conforming relationship than they were without it.
To contrast, her other child Mari is shown to have a very progressive stance (see: her pep talk in ch 47) and it would not surprise me if that is the reason she's rarely in japan and is never seen together with her family, save for the one time they're all at the wedding. She might find the conforming environment too restrictive and preferring to keep her distance. (shoutout to naina for this bit 🙏)
So that's Kurosawa's family situation. Now let's check how his social circle holds up.
From what we see of his friends, they never even seem to consider him possibly being with a man.
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And his work environment seems rather toxic to say the least.
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It clearly dictates traditional gender roles as the ideal. Nobody except Fujisaki even clocks any of Kurosawa's advances on Adachi as romantic in nature, even though he seems to be quite obvious about it (see: ch 34.5). And it's not like dating in general is discouraged at Toyokawa either, as we can see from all the women constantly vying for Kurosawa's attention.
From all this we can conclude that Kurosawa's upbringing and social/work environment is painfully heteronormative and until he falls for Adachi it seems he never questioned the status quo either.
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The famous onsen scene, while funny, also reveals the sad truth that Kurosawa, in his 30 years of life, probably never even had the chance to explore his sexual orientation, rather focusing on being "perfect" in his straight relationships.
Speaking of those relationships...
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He apparently had a bunch of girlfriends, who all seem to have dumped him pretty early on. His mother's surprise at him expressing a willingness to commit also makes me think he's never brought anyone home either. He also only seems to have a surface level understanding of what a proper relationship is supposed to entail, if his idea of an ideal date is just "what the average person" thinks is romantic. So why were all of his relationships so short-lived? Before I answer that...
Intermission: Kurosawa's smiles
It has come to my attention that this is not common knowledge, so let me explain: There's a way to tell apart Kurosawa's fake smiles from his real ones, without any context clues, just purely visually.
Real smiles: (ch 23, 24, 37)
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Fake smiles: (ch 5, 13, 32)
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The difference being very simple: Blush = real, no blush = fake 👍 And before anyone mentions it: No he doesn't just blush when he's around Adachi, that last fake smile is actually directed at him. (ch 32)
Edit from the future: This holds true like 90% of the time, but as Toyota's art style becomes more detailed, this doesn't apply as much in the newer volumes. I think there's also new details added that I haven't quite figured out yet so take this bit with a grain of salt. (The images below are still from her early art style though.)
So now that we have this additional knowledge, let's take a look at every instance Kurosawa is paired with a woman.
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He's smiling in all of these. Not a single one has a real smile in it though.
I think he's never actually had his heart in any of his relationships, and the girls probably noticed it and that's why they dumped him.
And, of course, the first time he actually falls in love...
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... just so happens to be with a man.
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Even his friends comment on this, who have known him since high school.
It's almost funny how perfectly this aligns with real life gay people. Having numerous, short-lived relationships with people of the "wrong" gender is one of the more common traits of compulsive heteronormativity. (source: me oof) (but also shoutout to the "Am I a lesbian?" masterdoc, google it if you don't know, it's truly eye-opening)
After dating Adachi
So we have already established that he's far happier when he does finally get to date Adachi, but do any of his other thought patterns change?
Honestly it seems like he throws every single reservation about being seen as gay out the window.
He starts bragging like crazy about his new relationship to anyone willing (and unwilling) to listen, he has no qualms about PDA, he marks Adachi up and down so everyone knows he's taken and the only thing stopping him from proclaiming his love for Adachi to the whole world is the still very much existing societal homophobia. But he is a lot more easy-going about it now than he ever was before.
And I think the best way to describe this mental shift is, hear me out, the date song from volume 4...
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... specifically the last 2 verses as a whole, and this section in particular:
"I won't let anyone divide our fraction! You couldn't pry this thrill from my hands when they're cold and dead!"
Horrible lyrics aside, this perfectly encapsulates how Kurosawa simply couldn't care less anymore now that he finally has what he's wanted for more than a year, maybe even his whole life. All the societal pressure pales in comparison to the sheer euphoria he feels at finally having someone that he loves and who loves him back just as strongly, feeling cared for and seen like no one else ever did.
And, you know, just happens to be a man. 🏳️‍🌈
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felicity-worthington · 3 days ago
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Why is “Doctor Odyssey” a television show that very cleverly shows the depth of the human condition?
So, I have seen some people say that Doctor Odyssey is fun (especially because of Ody3) but also just a superficial show with no plot and I have to politely disagree. I think this show is the opposite, it's just supposed to look silly and superficial at first glance, as you can see when they repeat the phrase "we constructed a paradise" in the weekly recaps.
It is supposed to look like that, it is the idea of a cruise itself, for a week you escape the real world, you enter a new constructed one, which is supposed to be paradise without problems. But here's the thing, here is why there's a doctor and two nurses on this ship: it's just an idea, it's not real.
We especially see this in the episodes "I Always Cry at Weddings" and "Quackers" and of course in the main storyline of Max, Tristan and Avery navigating their relationship and their constant struggle with what they really want in life.
Let's start with "I always cry at weddings" to deconstruct the idea of superficiality with the weekly funny themes and the show only being silly because it's quite obvious here I think. I mean, a man commits suicide in this episode because he's deeply conflicted about what he really wants out of life and how he thinks there is an incurable darkness within him. And we see him, his bride and his best man as an example of how this construction, this idea of heteronormative happiness is just that for a lot of people: just an idea that doesn't guarantee you happiness, but actually destroys lives (not everyone's, of course). And we start this episode superficially, with a couple about to get married on a cruise, the perfect wedding in perfect paradise. But as the episode progresses, we see the cracks and then it gets very real. The scenes with the groom breaking down in the infirmary, the bride talking to Avery and Max after the suicide and her mother's confession are all absolute tearjerkers in the best way. I mean, watch that scene and then tell me again that this show is just a silly Riverdale for adults:
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This is actually one of my favorite scenes of the show because the delivery of the line "we need to help this boy" is just perfect, the actress did an amazing job. Also, the character herself says "she pretended her fears away", which underlines the show's idea that this is a paradise where people should just forget their worries, but actually real life catches up with you no matter where you are, you cannot hide from it.
The other example I was thinking of is the latest episode with the Quackers community, which is super silly in a lot of ways and I love that, don't get me wrong.
And then you have this older couple, the leaders (?) of this community, who seem extremely superficial and silly, I mean, going on cruises to go on a quack treasure hunt? So silly. BUT then the cracks start to show again as one of them, the husband (I don't know what his name was, so I'll just call him the husband and her the wife), shows a serious condition, the compulsive urge to swallow objects. When confronted, the wife literally denies it, unable to face the ugly truth. In her world everything is perfect, she and her husband are on a never-ending treasure hunt on paradise cruises, and when something real, something problematic threatens that, she can't accept it at first. And we see that again later in the episode when she refuses to leave the ship:
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She wants to stay in paradise, in denial, on the surface. But that's not possible, you can't ignore real life:
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But this is her and her husband's dream, an endless paradise in search of ducks, and it's hard to let go and take a deeper look at life and accept that floating through life is a nice idea and might work for a while, but it can't go on forever:
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regarding her husbands condition:
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Once again the theme of what we want (superficial) and what is really going on (what is behind the construction of paradise) is mentioned.
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All of this, and all of the recurring themes I mentioned, are also at play with the three main characters and their constant struggle with what they really want out of life. In a way, their calling to help people is fulfilled by their professions, but then they keep asking themselves, "Is this enough? Is this what I really want out of life, taking one cruise after another?
The theme of constructed ideas versus what is actually going on is also seen in their throuple situation. Max and Tristan have probably always seen themselves as straight, and now they are getting a deeper look at who they are and what they really want out of life. And that is scary, and it often takes years to deconstruct habits and self-image.
But there is no unnecessary weird teenage drama in this show, it is very real. It is supposed to look superficial, you only have to look a little closer to see that it is not.
So once you deconstruct the idea that this is all superficial, you will see that yes, it is silly, so is life and we need those silly and funny moments in life and in this show, but it is also very, very deeply human in many tragic but also good ways.
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witsserviceablesubstitute · 10 months ago
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The more I think about Anharion and Sarcean the more I'm convinced they are an allegory for queer trauma and Will will have to embrace, accept, and forgive himself in order change his narrative.
In which case I don't think the collar is compulsion but something else. James - once Anharion in a past life and a former novitiate in this one (he knows all the stories) - did say it wasn't. "All the stories are lies" and "the collar was working but he felt no compulsion", as well as his speculation the collar became tawdry wishful thinking by those who objectified him.
In many ways James has already accepted himself and embraced Anharion, and in so doing made himself a villain to the Light, polite society, and a self righteous religious order. Everything he does is repellent to them but they're also obsessed with him. He is unmentionable but always present. He is condemned for killing the Stewards but they're surprised when reminded they've been trying to kill him since he was 11. Of course he needed to die, he's an abomination. The Stewards were doing the Lor– Lady's work by killing such a corrupt creature.
If Sarcean and Anharion are queer allegory then there is definitely more to their relationship and perceived villainy than what we've been told.
I'm especially struck by how the Light always calls the Lady Sarcean's former love – using language that describes a tragic romance. All the while they dismiss Anharion as a perverse sexual fixation when it's clear in Sarcean's POV that it's Anharion who was the love of Sarcean's life. That Sarcean had loved him long before the Lady. That Sarcean chases pieces of Anharion throughout all his chosen lovers. That it's Anharion he bound to him across time and space. It mirrors how often queer relationships are belittled, the acceptable heteronormative relationship romanticized.
Will/James and Sarcean/Anharion's kinky preferences play into that too. There's a pressure for them to conform and never give into what they want to indulge.
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liulith · 8 months ago
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Sir Pentious & Alastor: an underrated dynamic
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"Show yourself, Alastor! Come and face--! Oh, there you are. FACE MY WRATH!"
Sir Pentious has been in Hell for much longer than Alastor. That means he was there when the Radio Demon appeared, and he's been trying to overthrow Alastor for decades! We know what Alastor is capable of, and what he could do if he truly wanted Sir Pentious to stop. He obviously doesn't register Sir Pentious as a threat, but that doesn't mean he's not annoying (like when he interrupts his song in the pilot and destroys a wall in ep2). Yet in all those decades, Alastor always let him go with the equivalent of a slap on the wrist, considering what he's done to other sinners in his broadcasts.
And why is that? Why, he must find Sir Pentious very entertaining, of course! Even though he calls Sir Pentious forgettable (to rile him up), there's no way a narcissist like him doesn't LOVE being the main focus of Pentious' "evil plans", as pathetic as they are. Not only does he give him the attention he deserves (like Vox), he's a true "architect of evil" who constantly reinvents himself to try and get the upper hand on Alastor. To Alastor, Pentious is like a sillier, weaker, more immature version of Vox with close to ZERO survival instincts but twice the creativity. Even Vox, who made a whole diss track about Al, wouldn't dare speak to him the way Sir Pentious does if they were face to face.
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"SILENCE! Now cower! For when I've ssslain you, the almighty Vees will finally acknowledge me as their equal."
He does have some "oh shit" moments when he sees he crossed a line/is about to get Team Rocket-ed, but he still gets back up and attacks him again with all the unearned confidence of a man who has no idea how easy Alastor goes on him.
Just like Alastor, Pentious is attached to the aesthetics and technology of the time period he knew when he was alive, and still manages to innovate with those limitations. I think Alastor could respect that.
"You whores have no class! In war, the side remembered is the side with the most style!"
It's also funny that to Pentious, Alastor is the young, modern one. Some phrases Alastor uses are "young people slang" to him!
Pentious asking Alastor questions on his "modern" radio technology...
Alastor is one sarcastic bastard, and Sir Pent is one of the most naive characters in the show. He takes a lot of things way too literally (#autism?). That's just PERFECT for comedic misunderstandings between these two!
Before s1 was released there were quite a lot of ace!Pentious headcanons. I think we could still make a case for closeted ace-adjacent!Pentious in canon! Possibility even aroace!Pentious, if we interpret his crush on Cherri as compulsive heteronormativity (he loves her creative genius and is fascinated by her explosive contraptions; surely that means she's the one, right?)
Ace4Ace Alastor & Pentious would be a fun duo in my opinion. They could bond over their shared experience
On the topic of bonding... ("I have feelings for you" (Narrator voice: the feeling was friendship, but he had ever experienced it before)
Seriously, imagine Sir Pentious spending more and more time around Alastor because of the hotel, taking his sarcastic and mocking remarks literally and thinking they're becoming closer... And then being like. WAIT. Do I have feelings for him?? and trying to seduce him like he does with Cherri Bomb. The absolute shenanigans... Rizzlord Pentious strikes again.
Accidental fake dating scenario that only exists in Vox's head, where Vox, being the stalker that he is, spies in the two of them bonding and reaches all the wrong conclusions
Once Sir Pentious dies for the second time and ascends to Heaven, he could meet Alastor's mom 👀
EDIT: OH and How could I forget the Egg Boiz?? Egg Boiz babysitter!Alastor is canon and he definitely babysat them multiple times in the few months Sir Pentious spent at the hotel. Joint custody :3
AND let's not forget the important information that Frank the Egg Boy reported to Sir Pentious lol. The one Charlie made a deal with Alastor for. I can imagine Alastor considering killing the Egg Boiz/ Sir Pentious after learning Frank didn't keep quiet (Imagine Sir Pentious trying to engage in a conversation w/ Alastor and telling him what Frank told him as a joke akfkkd), spending a whole afternoon trailing after them and making plans, only to realise that the Egg Boiz say insane shit all the time and Sir Pentious was in fact NOT playing 4D chess by telling him he knew (and probably already forgot all about it)
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