#compound bows look silly and are cheating

[hopefullygoodrpgideas]

The reason elves are so good at archery is they invented compound bows. The reason nobody likes elves is that they use compound bows.

[mittensmorgul]

As Above, So Below

I’m still trying to pinpoint exactly why the focus on “heaven is fixed and actually a paradise now!” is just so deeply unsatisfying to me. And I think I need to preface this with a bit of backstory about me, because I think that gives the rest of this essay some relevant context.

I know this isn’t relevant to my main point here, but this is a metatextual and thematically identical example of the exact thing I’m gonna lay out, because context is always helpful. So please forgive this seemingly irrelevant detour, because I promise it will be relevant by the end.

(plus, would it really be an Essay By Mittens™ without at least one baffling tangent? no, it would not!)

Tangent time!

I think everyone that follows me knows how skeptical I was... or should I say how WARY I was of the way Eileen was returned to the narrative this season. We were warned in the PREVIOUS EPISODE how much Chuck was attempting to interfere in their lives. I was accused of some very nasty things, of hating the ship, or hating the character of Eileen, or of hating Sam and not wanting them to be happy. No amount of pointing at obvious warning signs in the text, no amount of yelling about Sam’s God Wound or the absolute klaxon warning that the wound had become “quiet” and his Chuck-O-Vision Nightmares had apparently stopped seemed to matter. I was declared “wrong” and told to shut up.

And then 15.09 happened, and basically everything I’d been wary of was shown to be what actually happened, but there were still unresolved issues. Eileen doubted her own feelings and walked away. She doubted what was actually real. And at the time, I said many times that I would be thrilled to see those issues resolved by the end of the season, and for her to truly know that what she’d felt growing between her and Sam was real. And by the end of the season, despite my personal horror at her previous situation (and having that personal horror compounded by the fandom literally gaslighting me and attempting to bully me into ignoring this basic actual plot detail of this specific growth process which... in the context of what my personal objection was to accepting her return at face value in the first place having been personal trauma associated with gaslighting and manipulation...) by the time 15.18 aired, I was 100% convinced that Sam and Eileen had fully chosen each other, and felt the traumatic pain Sam suffered during that text conversation with her during the snap. She NEEDED to come back, because she had been set up to be part of Sam’s Win. They were clearly each other’s future.

The show literally put in all the work to make even *me* feel this to be True and Right and Good. And then after that point we never even hear Eileen’s name again. We never were told that she was even returned at the end of 15.19. Sam, who had been so entirely devastated by her disappearance in the previous episode that he couldn’t even process it was apparently hit with an amnesia hammer and just... never even thought about her again through a long greyscale life with a blurry baby Dean factory vaguely in the background of a single scene of his life. I can’t credit or justify how after an entire year invested in making us all truly care about Sam and Eileen and the happiness they found in each other if only the cosmos would allow them to choose each other in the end would just... erase all of that in the series finale.

Which brings me to the second tangent, which is specifically about *me,* and how I feel about the cosmic order in the television show Supernatural. Because I feel a lot about it. Probably more than most people ever did. And this is also important to understanding the main underlying point I need to make here.

Something I’ve been most looking forward to, for YEARS, about Supernatural eventually ending someday was writing a book, or a thesis, or even just organizing and compiling all my observations into a cohesive narrative specifically about the cosmology of the Supernatural universe. I’ve been cobbling together my observations and realizations about the nature of heaven, hell, purgatory, the empty, the alternate universes we’ve seen, and yes, even the cosmic function of the mundane level of the story as told by events that transpired on Earth. So of everyone watching this dumb show for the last 15 years, I don’t actually know anyone who cared more that I did about finding a satisfactory resolution and transformation of every plane of existence-- the mortal world AND the “afterlife realms” we’ve experienced on this show. And in the wake of the finale, I feel cheated out of that. Because in the end, it wasn’t about the triumph of free will and a flip of the script, it was just more of the same.

And now that I have those two preliminaries out of the way, I’ll finally get to the point. :’D

(hooray, it didn’t even take 1k words to get there for once!)

The “main stage” of Supernatural has always been Earth. It’s always been “Humanity.” At the very start, we meet two men whose lives had always been dictated to them by higher powers. At first, that “higher power” was their father who raised them in his vengeance mission, who trained them to hunt the supernatural. It was the inciting incident of the entire series, after all, their realization that forces outside of their control had irrevocably altered the course of their lives. It had forever torn down what they’d trusted in family, in personal safety, and would become something they couldn’t outrun or fight back against for long before another wave of cosmic discord would settle over them once more.

We watched this story play out in ever increasing spheres of cosmic significance, until Gabriel laid it out on the table for them in the simplest possible terms (in 5.08).

GABRIEL: You do not know my family. What you guys call the apocalypse, I used to call Sunday dinner. That's why there's no stopping this, because this isn't about a war. It's about two brothers that loved each other and betrayed each other. You'd think you'd be able to relate. SAM: What are you talking about? GABRIEL: You sorry sons of bitches. Why do you think you two are the vessels? Think about it. Michael, the big brother, loyal to an absent father, and Lucifer, the little brother, rebellious of Daddy's plan. You were born to this, boys. It's your destiny! It was always you! As it is in heaven, so it must be on earth. One brother has to kill the other. DEAN: What the hell are you saying? GABRIEL: Why do you think I've always taken such an interest in you? Because from the moment Dad flipped on the lights around here, we knew it was all gonna end with you. Always. A long pause. SAM and DEAN look down, then at each other. DEAN: No. That's not gonna happen. GABRIEL: I'm sorry. But it is. GABRIEL sighs. GABRIEL: Guys. I wish this were a TV show. Easy answers, endings wrapped up in a bow...but this is real, and it's gonna end bloody for all of us. That's just how it's gotta be. ***

And isn’t that all even 1000x more painfully ironic that it all still happened even 10 years later? It was always going to end with them. And lol, “I wish this were a TV show” because if it was then it wouldn’t have to end bloody.

But this… was a Major Acknowledgement that the meta level of this story was consistent, and was telling us something important. It demonstrated that the Cosmic Structure Itself was the cause for Sam and Dean’s “destiny” in this story. But that’s not what the point of this story has ever been.

Nobody (including me, who is literally obsessed with this aspect of the story) has ever invested themselves in the narrative of Supernatural because they cared about the fate of the cosmic order over and above the fate of the characters who had committed to overthrowing it all, to “tearing up the pages” and writing their own destinies. I mean, we became invested because Sam, Dean, and Cas as characters took us by the hand and invited us to come along with them as they battled against fate for the good of EARTH and HUMANITY.

And certainly, Heaven being a horrific sort of eternal replay of the “highlights” of individual souls greatest hits, where free will didn’t apply as everyone was just boxed away into their individual holodecks to serve as some sort of giant Heaven Battery powering the furtherance of this narrative, this “cosmic order” that had become so powerful it dictated the events and manipulated the lives of people who still existed in the ostensible realm of free will and human life on Earth… that couldn’t stand in the end. But what the narrative (and people I’ve seen attempting to justify the finale as narratively sensible) seems to have forgotten was that all of that was Chuck’s construct to begin with. That without Chuck holding his kingdom in Heaven together, the walls of all those soul cubicles ceased to even be relevant.

After spending their entire lives to this point constantly fighting their way to the absolute pinnacle of the As Above, So Below narrative and pulling the plug on the original creator himself, Humanity should’ve triumphed. And I’d argue that it DID, through Jack restoring the missing essential “humanity” to the divine condition. And, silly me, I thought they’d achieved the promise of “paradise” heralded by Jack’s birth at last, and truly “flipped the entire script of the narrative.”

Ever since they thwarted the original apocalypse, I had hope that they would continue to achieve the same result right up the ladder. Metatron trying to fill the role of Chuck Junior hit his own narrative wall in TFW, while Dean’s battle with the Mark of Cain, and Cain telling him he was “living my life in reverse” and would succumb to destiny by killing his loved ones in the “reverse order” to Cain’s own path to downfall cemented this for me. Dean not only failed to kill any of his loved ones (you didn’t kill your own brother. why?), he SAVED them. He didn’t fulfil the prophecy in reverse, he subverted it. He UNMADE it.

Perhaps I was thinking on too grand a scale, that the ultimate inversion wouldn’t be “God is overthrown and replaced by more of the same,” but “God is overthrown and the entire order of the universe is restructured from the bottom up rather than the top down.

I’d hoped against hope that the conclusion of the narrative would be “As below, so above,” with the fundamental power of human love becoming the new foundation of the cosmic order. It never even occurred to me that “taking back the narrative to rewrite it for ourselves” was not the ultimate goal of Team Free Will, or the ultimate expression of their biggest win.

This whole “well heaven really needed to be rebuilt, there was still work to be done!” seems… irrelevant to me if they’d truly won free of the cosmic narrative. The entire structure of the universe-- including Heaven and Hell-- should’ve defaulted to the paradise state that Jack was literally born to bring to fruition. Wasn’t that the point of his entire role in the story, ultimately?

And if that wasn’t the case in the end, why did we never learn the fate of Hell? Was it just… irrelevant and unchanged after this? Or just… abandoned as a concept entirely? It’s just strange to me to put such a focus on heaven being the sole sphere of import in the end that it undercuts the essential humanity of the narrative for me.

The story itself had kept Heaven on a back burner for years, only occasionally mentioning that the structure of the place was falling further and further into disrepair with a dwindling force of angels struggling to keep the walls in place at all, that it seems like it could’ve been an afterthought at the end of the series rather than a focus so large it required the death of both main characters to make sure we all understood that Heaven Had Changed Now. Because TFW had never been fighting to make Heaven right. They’d been fighting to save the world itself, for humanity to all have a chance to live their lives as their own.

And we didn’t need to see that in the final hope they might get their own lives on Earth to explore. In the end, the fundamental narrative that Life On Earth was dictated by the cosmic structure of creation was never fully subverted. And for me, that’s the main reason I just… can’t accept the finale. It wasn’t a victory of free will and humanity, in the end it was just more of the same.

I appreciate the attempts to take the essential bones of the story we did get and apply a different polish to the surface of the skeleton, but to me it still feels like we’re looking at completely different beasts in the end. Like… to me this was as jarring a revelation as those drawing of modern animals reimagined as dinosaurs entirely based on their skeletons. Like, all along the narrative told me I was looking at a swan. They told me this skeleton they’re building out from is definitely a swan, without a doubt.  I know what a swan looks like-- a graceful feather-covered bird with magnificent wings. I trusted that in the end it would be at least remotely swan-looking. And then the finale ended up looking like this

and I just don’t even know where everything went so wrong. Or maybe all along I just assumed they actually knew what a swan looked like, but weren’t sure they could actually pull it off and settled for whatever the heck this is instead. Either way, I’m actually kinda grateful to the finale for being so entirely disappointing on every level, because otherwise I probably would’ve tried to adopt the monstrosity of it anyway. And I’m really, really glad I don’t have to.

[ranma-rewatch]

Episode 13: A Tear in a Girl-Delinquent's Eye? The End of the Martial Arts Rhythmic Gymnastics Challenge!

Welcome back! It’s once again that time for me to watch some more Ranma 1/2, in doing so looking at it with fresh eyes and a different perspective from when I was younger. We’re already up to episode 13, and with it the end of Kodachi Kuno’s introductory arc. I’m guessing this is going to be almost a full episode of fighting, but how good that fighting will be, I don’t recall. But by next paragraph, I’ll have rewatched the episode, and I can talk about it just a bit better. See you then!

That certainly was almost a single fight for the entire episode. Now, unlike the full episode fight against Ryoga, my summary is going to be a lot shorter. There’s a lot fewer moving parts here, and I feel like going blow by bow would be boring.

In general, the idea of the fight is that the combatants lose if they go outside the ring, and they get a foul (though the exact penalty isn’t made clear) if they hit each other directly without using tools or weapons. Besides that, there are no rules. Kodachi and Ranma both have new items thrown to them when they need it, but Kodachi is obviously the one who stretches the rules the most. Most of the fight is her pulling new insane things out of nowhere that Ranma has to work around.

When it comes to actual plot stuff, the first big thing is when Kodachi mouths off again about how much she loves Ranma and can’t wait to date him and stuff. Ranma gets annoyed, and Kodachi interprets this as Ranma loving, well, Ranma too. Kuno jumps into the ring at that (By which I mean Tatewaki Kuno. I know they both have that last name, but when I say ‘Kuno’, assume I just mean him), and demands to know if this is true. Instead of denying it or playing into the idea, Ranma takes a third option and says something that’s technically true, that he and Ranma are one in body and mind, because of destiny.

Of course, the two rich folks immediately interpret that in some serious ways, though exactly what they think that means isn’t spelled out. Do they think Ranma and Ranma bang or something? Anyway, a little after that, Genma shows up looking like a panda in the stands, carrying a kettle of hot water. Whether that’s for him when he decides he’s done being a panda or for Ranma to use after the fight, I don’t know.

The problem is, by this point, Ranma and Kodachi have entered the stage in the fight where they’re using their ribbons to grab stuff from outside the ring and hurl it as each other. Kodachi takes the kettle, and notices immediately how scared Ranma and P-chan are. Oh, yeah, Ryoga is still chained to Ranma, and he does what he can to try and make Ranma lose every so often.

Kodachi uses a pretty clever trick of slicing the kettle in mid-air to soak Ranma and Ryoga, and they change back in mid-air. Luckily for them, Akane saw that coming, and enters back into the gym carrying a fire hose, with water cold enough to turn them back into their cursed forms. It also means Ranma has to swim for dear life to stop from getting knocked out of the ring, but it works.

A bit later on, the show cuts to a group of teenage girls somewhere dark, and we get a nice little break from the fight as they chat amongst themselves. But when it gets back to the fight, Ranma is able to finally knock Kodachi flying, far outside the ring’s boundaries. But all she has to do is whistle, and the ring gets up and moves across the gym so she still lands inside it. Ranma quickly puts together what’s going on, and destroys the floor of the ring, exposing the girls we saw before, who run away.

Now there’s no place to stand except the four corners and the ropes, but Ranma is fine with that, pointing out that he has an advantage in aerial fights. Too bad that he forgot Ryoga is still attached to him, and his rival goes extra far in trying to shake him off. The chain is broken, but Ranma doesn’t have any tools left to fight with. So instead of getting a foul by just getting Kodachi, he kicks the post she’s standing on, sending her sprawling to the ground for a win.

After the match, she tearfully agrees to abandon her ‘present’ love for Ranma Saotome, and everything seems to have worked out great. At least, that is until later, when Ranma and Ryoga are taking a hot bath together. Ranma complains about Ryoga’s attempts to sabotage the fight, which he defends with a reminder that he wants Akane himself. Then he uses cold water to be P-chan just as Akane calls for him, leading to another case of Ranma running into Akane’s room and getting assumed a pervert as he chases Ryoga.

After that, Ranma gets back to back flowers from each Kuno sibling. He sees Tatewaki uncursed, and Kodachi cursed, so each gives the bouquet to deliver to the Ranma that they love. Leaving Ranma holding a bunch of flowers and having to contend with the fact that he now has two Kuno’s to worry about, long-term. Kodachi defends her continued pursuit of Ranma by saying she abandoned her ‘present’ love and developed a new one.

So, what is there to say about that episode? Well, a lot, actually. It didn’t necessarily blow me away, but I do think it was a stronger fight than the last time a whole episode was centered on a battle, since this one doesn't have nearly as many cutaways to unnecessary plot points. There was a short scene of just listening to the announcer describe the fight while we just saw outside the school, which felt a bit chief, but on the other hand I really liked the little bit we got with the gymnasts under the mat. Those minor characters got more definition than they necessarily needed, and it made the coming cheat more fun than the others.

This is also kind of a big first for the series. Namely, it’s the first time Ranma has fought someone who practices a strange, ultra-specific kind of martial art and did so while following all of that school’s rules. Sure, Tatewaki Kuno fights with a wooden sword, but those were all basically street matches, as was Ranma’s fight with Ryoga. But this is an official match, and Ranma obeys all the rules wherein and still wins.

That is something that will be incredibly common from here on out, in manga-adapted stories and anime-original stories. I’ve yet to see it mentioned in-series, and I can’t recall it doing so later on, but it’s generally accepted as canon by fans that this is for a reason. Ranma and Akane’s school, Anything Goes Martial Arts, isn’t called that for no reason. They are supposed to fight other styles, learn from them, and take what’s useful to use themselves. It’s a great way to add more moves to the protagonists’ repertoire, and get them into fights with silly fighters.

This specific fight was...okay. Actually, I feel like I’m a bit of a grump for saying that, it was good. There were some neat moves, lots of back and forth with stuff, it was enjoyable to see. It wasn’t anywhere near what I think this series can do at its best, but it was a good way to end this mini-arc. I do feel like Kodachi, as a character, doesn’t get the same level of badassery even her brother does from the story, and that feels kind of lame. It seems like, in general, Ranma 1/2 saves all the cool stuff for the guys.

To continue what I was talking about with Kodachi last week, I do think it’s really interesting how different she is in each language. It’s a strange case of part-translation and part-acting, but the english version of the character definitely hits different, and not in a good way. It’s actually making me reevaluate her a little, just because the version in the original Japanese is so much better. It feels a lot less like “she’s crazy!” and more “she’s a highly driven and amoral rich girl!”

This was a good episode. I am once again pleasantly surprised by this arc, and it’s raising my hopes that further stories will be better than I recall. As for where to put it in my rankings exactly, I actually think I’ll put it one step above the last single episode of just fighting, and right below that emotional episode about Akane’s feelings for Dr. Tofu. What can I say? I like the feels. That puts the current ranking at:

Episode 7: Enter Ryoga, the Eternal ‘Lost Boy’

Episode 12: A Woman's Love is War! The Martial Arts Rhythmic Gymnastics Challenge!

Episode 9: True Confessions! A Girl's Hair is Her Life!

Episode 2: School is No Place for Horsing Around

Episode 6: Akane's Lost Love... These Things Happen, You Know

Episode 13: A Tear in a Girl-Delinquent's Eye? The End of the Martial Arts Rhythmic Gymnastics Challenge!

Episode 8: School is a Battlefield! Ranma vs. Ryoga

Episode 11: Ranma Meets Love Head-On! Enter the Delinquent Juvenile Gymnast!

Episode 4: Ranma and...Ranma? If It’s Not One Thing, It’s Another

Episode 5: Love Me to the Bone! The Compound Fracture of Akane's Heart

Episode 1: Here’s Ranma

Episode 3: A Sudden Storm of Love

Episode 10: P-P-P-Chan! He's Good For Nothin'

Now, if you’re watching this series on Hulu like I am, you might think the next episode is the first part of the Martial Arts Figure Skating arc. And while, wow, I sure wish it was, that is actually wrong. I don’t know why, but some of the arcs are in the wrong order on Hulu, but I’m watching the series in the actual order. Which means, instead of watching one of my favorite arcs in the series, the next episode is actually “Pelvic Fortune-Telling? Ranma is the No. One Bride in Japan”. My hopes...are not high. See you all...then...I suppose...