#comparison to what I was actually animating in photoshop what- why are we going so fast slow down sajfgakjf-

[benetnvsch]

girl help - the speed of gifs in photoshop, previewed in my files, and uploaded to Tumblr are all significantly different speeds why-

[scourgeofmyownbrain]

Good fucking day, Robot enjoyers! Gaze upon the updated semi-accurate height comparison of Bumblebee across the multiverse.

This is an updated version of a chart I made a few months ago. I had gotten some feedback and then TFOne came out and I kinda had to update it. I also added a Gen 1 Optimus Prime for scale, for fun... no other reason... (edit: slight adjustment made, just corrected a slight mistake in the order)

I am also working on at least two more character charts and one universe chart, so hopefully I can finish those soon (for some fucking genius reason I decided to do the characters that show up EVERY FUCKING UNIVERSE so I'm s u f f e r i n g)

*PST! Optimus, Megatron, Shockwave, Soundwave, Ratchet, and Ironhide ones are done now*

Master Post

Listed Heights, Explanations, and Justifications below the cut, bc you couldn't shut me up if you tried and I had shit to say.

Gen 1 - ~10 feet (TFwiki says greater than 3 meters so I rounded up to the first whole number because round)

Netflix Cybertron Trilogy - ~10 feet (He looks identical to Gen 1 so... the reason his photo looks weird is because I couldn't find a good full body photo with him standing straight up facing the camera so I put two images together to make the worst looking photoshop job you have ever seen)

Earth Spark - ~10 feet (There is no confirmed height yet, but using this screen shot (see below) of him standing in front of a barn door, I was able to make a reasonable guess, bc I'm so smart.)

One V1 - ~13 feet (I am well aware of what the TFWiki says: 26.429 feet. And I fully reject that number. A: These numbers are sourced from the Walmart Promotional AR Experience that came out before the movie. B: There are three decimal points, and that number does not convert into a whole number in meters (which is originally what I thought was weird about it). C: The director has said that this movie is both canon to the LA movies and its own separate canon, and Bumblebee in both sets of LA movies does not exceed 20 feet tall. Ever. So, for sanity's sake, I have used the KCV numbers as my baseline. Bee grows when he gets his t-cog so shrink this one down a few feet. Look, I'm working on the Optimus chart rn, and one of the numbers from Beast Wars on the wiki was very observably wrong, and if I can dispute numbers older than me, I can dispute numbers 2 decades younger than me from fucking Walmart. Also, yes, his picture is 3 images sandwiched together)

Animated - 13 feet 3 Inches (There is no actual given heights, but in the comments of the previous version, @phoenix-inanis told me that they had done their own analysis of TFA heights and, gonna be real with you, I am blown away by all of their work and how detailed it is. Go marvel at how much work they put in -> https://phoenix-inanis.notion.site/TFA-Height-Chart-f6ad2960ca8c4c5b859ee4958723aaa4?pvs=4 )

One V2 - ~15 Feet (Please see reasoning above. Since this is as tall as we see Bee get, he's the same height as KCV Bee. Sweet fuck, I have put way too much effort into this shit)

Knight/Capel-Verse - 15 feet (No actual numbers, but Mirage is stated to be 15 feet tall (TFWiki), and he and Bee are like the same height, so... Capel directed the ROTB movie if you're wondering why his name is there)

Bayverse V1 - 16 feet (TFWiki. This is like the first 3 movies minimum, I don't remember when he hits his growth spurt. Also mr bay is king, we have numbers for nearly every character in BV)

Cyberverse - 18 feet (I'm gonna be honest, the only info we have is from a really shitty screen shot of a magazine. SO if any one has a copy of this book from the video below, a high quality scan would be greatly appreciated and I will kiss the ground you walk upon. Yes I found the video where the screen shot comes from leave me alone)

Bayverse V2 - 18 feet (TFWiki. Movie 4-5 I can't remember which one, I'm not re-looking this up. I fucking love the bayverse tho, this is the only universe with concrete and consistent this-character-is-this-height info)

Aligned Cont. WF/FOC - 20 feet (TFWiki/Fandom. Video game info screens you godsend, kiss me sweetly)

Aligned Cont. TFP/RID15 - 21 feet (These two designs are canonically identical, like in ALC canon, Bee has not changed visually at all...Ok, yes I got this number from fandom and they give literally no source for where they got these numbers. But, I can fully believe these are accurate. Just by looking at these characters on the show I can verify these numbers in my mind. Here, let's Compare.

This is Sam compared to Bee from one of the BV movies, I'm too lazy to check which one. Sam is average size for a human and we know Bee is 16 feet tall in the first three movies. Checks out. Let's now look at a TFP Character who is also 16 feet tall.

Jack is average size for a human, and the size difference is about the same. Can you see why I can't question the Aligned heights, even if they don't have a source??!?! They specifically made this universe to be full of freakishly tall robots for some fucking reason.)

Not Pictured: Aligned Cont. Rescue Bots and Rescue Bots Academy Bumblebee - 21 Feet tall. Look, did you want to see all 5 versions of ALC Bee? No, you don't. They're all the same height anyway; the back row would have just been a wall of redundant yellow. 5 different fucking art styles in one universe, why is that one my favourite.

Here's the front row and the back row separated into their own jpgs. I know it's kind of hard to tell which Bumblebee is which when they're all together.

[metaldragoon]

hello! i love your gifs. how do you make them look so good? what settings do you use in photoshop? i'm a beginner when it comes to gifs and i could use some help!

How 'bout go fuck yaself, huh?!

Just kidding. Hello! Thank you for the message, I am easily swayed to do anything in the name of praise. Before I get started, although by the time you've read this I've already finished, feel free to IM me and I would be happy to very finely detail explicitly how I do things for anyone with the nose for knowledge in GIF making.

The first and most important thing is to capture whatever you can in as high as quality it comes in. 720p? Don't even waste my time. So anyways, you've got your crispy beautiful animation imported, it's time to resize it.

The two important things are to go slightly over the final canvas size you want (500px wide) and to adjust the resample to Bicubic Sharper (or Bicubic, I don't notice any difference). I'm sure it's not universally the best option to use Bicubic Sharper but I've never bothered double checking. Then adjust the canvas size, knock off at least 2 pixels to trim a pixel from the top, bottom, and sides of the GIF. Since GIFs are binary with their transparency, when you resize it the edges can get ugly-looking as some pixels are 100% opacity and some are 0% opacity, that's why I crop that extra pixel from each side. I happen to be using a pretty poor example with my Slam Dunk GIF I'm making since it's not a standard 16:9 ratio, so mine will actually be cropped to 500x268 instead of a standard 500x280. If you're working on something that's 4:3 which is like old school anime style, crop it before adjusting the image size so it's 1440x1080, then resize it and it should be 502x377, to which you would then crop it to 500x375. I actually often crop even wide screen things to a 4:3 ratio because it's usually just unnecessary space on the sides and it makes our focal point pop more!

This is less relevant with digital animation, it's much cleaner and doesn't have as much noise, but if we're in our hand-drawn era, frames be shakin' and grainy! We only have 256 colours so any non-vital frames should be removed so they're not hogging up our sharp colours. I have quite a small GIF here, 36 frames is no big deal, so the quality won't be necessarily important, but if you're doing something that's 200 frames it'll definitely losing a bit of colour and wasting a tonne of space.

Again, a tiny 36 frame gif isn't the best, but by picking out shaky frames or ones that have blips you can see a bit of a contrast difference specifically in the clouds in this example thanks to having those extra colours, and the start of the GIF doesn't shake as much. The first GIF is also twice the size (1.92 MB vs 954 KB) which means I could make a GIF twice as long with doing this before worrying about size issues. This is what my final timeline looks like:

Beyond that, I wouldn't really do anything. I specifically adjusted each frame to match the original speed just so they would sync up the same for my comparison but normally I would have just re-timed every frame to be 0.12 seconds and adjust it using my own personal eye test to see if I think anything needs to be sped up or can be cut out even further.

You can also add some overlay adjustments if you want, depending on the show I'll bother with that but usually it affects the quality, but dark scenes can sometimes need it. The only four I ever touch are brightness/contract, vibrance, hue/saturation, and colour balance. I don't have any specific numbers I use, I just slide them around until I'm happy with the result. Ultimately, I like to just keep shows as they were originally because my main goal is archival of things I like, but it can be nice to add some pop with brighter colours on shows with a dull palette. But yeah, feel free to message me in IM if you want more help. I'll help with a specific GIF so what I've said is maybe a little easier to understand how to apply things. There's lots of more other things you can do if you are more dedicated like blurs and sharpens but I don't really bother with that anymore.

[makenna-made-this]

Do longfowl get back pain?

Anon thank you for this absolutely CURSED rabbit hole that this question led me down. To answer you properly, we must first take into consideration the skeletal structure and anatomy of the Long Fowl. Since little is known about the inner workings of these magic and fantastical beasts, i am forced to use my educated judgment with what we know from better researched animals that are Formally Recognized By Science to come to a possible conclusion. So buckle up and let’s get into it.

My initial reaction would be, yes, Long Fowl would be susceptible to back pain, mainly from thinking about other domesticated animals known for their elongated proportions, like, say, the Corgi.

But upon further thought, I feel like this is not a good comparison. For one, although corgis are prone to back and hip problems, a lot of this also comes from the fact that their legs are so short in proportion to their long frames. Long Fowl generally have sturdy, normal sized limbs that are supporting their mass, so some of the strain would be taken away from their spine, and their lightweight bird bones would also need to be taken into consideration.

Two, Long Fowl are avian and would have different bones and muscle structures than those found in mammals. Which led me to my next base of comparison.

Snakes! Yes, if you are looking for Long animals then look no further than the Longest Danger Noodles themselves. Since birds are essentially just weird reptiles that have been microwaved to a toasty average body temp of around 105-107 degrees fahrenheit (40ish celsius), we’d have better luck looking towards their anatomy for answers.

But while our friends the snakes certainly have the Length going for them, we once again come to the problem of limbs. Besides the occasional tiny little vestigial limb numbs left behind, snakes are as Legless as Orlando Bloom in lord of the rings. Their skeletal structure is much more simple and uniform (ribs for DAYS babeeyy) and thus their method of locomotion and body movement is completely different from how a Long Fowl would move and hold itself throughout the day. Its spine would be supported by the ground and/or the incredibly strong musculature found in snakes. So we must look elsewhere. Which brings us to:

Lizard friends. Besides from actual birds, lizards are probably the closest we are going to get for how a real non-mammalian animal walking on 4 or more limbs to compare to a Long Fowl. Elongated spines, ribcage that doesn’t extend down the whole body, support from limbs, that special “jurassic park” sparkle in their eyes. But it still needs some tweaking. It’s missing something. Oh that’s right.

A KEEL.

Because why think of IMAGINARY bird anatomy when the real thing is already cursed enough. This nightmare bone attaches to the sternum and, besides for looking like the universe got it’s hands on an evolutionary photoshop for the first time and decided to copy/paste a shoulder blade onto a rib cage but at a perpendicular angle, its job is to anchor the wing muscles in all birds other than flightless ratites (who are giant and powerful and really don’t need any other advantages against the rest of the animal kingdom anyways, for our sake).

Since Long Fowl have fully formed wings that have been shown to get just as much lift and function as a regular chicken, then it’s safe to assume that a keel must be present, possibly for EACH limb. But how would this horror look skeletally? Would their be fully formed keels anchored to the skeleton throughout the body? Would this result in separate rib cages? Or perhaps they borrow a few tricks outa cousin snake’s book and just go All Ribs All the Time? Or are they perhaps just three chicken skeletons stacked on top of each other in a horizontal feathery trench coat? Hmm can we get a possible skeletal reconstruction pls?

GReAT. THANKs! I Hate it!! 1000% genuine Forbidden content right here. Out of my house.

TL;DR Long Fowl either have too much spine support or are absolutely far too Cursed™ for the consequences of evolution to come within even 30ft of them, so it is my formal decree that they suffer no more back pain than any other living thing with joints might. Thank you and Do Not Even BeGiN to ask me how their internal organs or muscles are supposed to work. Goodnight and also I'm sorry

[elizabethsharmon]

You know what, I really understand that they couldn’t make a season about other characters from the grew because they were blocked by NRK. But the thing is that this show doesn’t exist only on screen - that’s why it’s a transmedia show. They have another medium they could use to give us regular updates on the grew and show what is happening with them, to continue their story and give us more insights into their lives and their future. But they didn’t do it.

Throughout the season (episode 1 - clip 6 of episode 10) there have been 136 posts (not including 15 identical Black Lives Matter posts), 28 stories, and 25 texts published. 39 posts and 14 stories were posted by the characters from the old generation. That gives us 29% of all posts in the season and 50% of stories. Here is a list of all the posts from the grew:

Lucas: 3 posts - Halloween filter photo after wishing Daphne happy birthday at school, photo with the guys during the night out to hint that Eliott is at home alone, damage control photo from a professional photoshoot

Yann: 1 post - from Daphne’s birthday party

Basile: 5 posts - one photo of Daphne to wish her happy birthday, one photo from her birthday party, three food porn photos (that were hands down the only proper usage of transmedia storytelling in the season)

Arthur: 2 posts - one photo of him and Lucas at Daphne’s birthday party when they both smoke weed (and to think the way Arthur’s story could continue would be him realizing he’s addicted to weed and seeking out therapy) and a photo of him and Alexia studying (also posted as a story because why not)

Eliott: 10 posts - three film recommendations posts, one fragment of an old film, four photos about his film, two photos with Lucas including one damage control photo that was already published during the haitus

Daphne: 4 posts - two photos of the girl squad (one of them from her party), one screenshot from Buffy and a photo of a photo of her mother

Alexia: 4 posts - two photos of Daphne (one from her birthday party), one random photo, and one photo with Imane from bac study session

Imane: 5 posts - one post about Ramadan and one about Eid, one photo of her and Daphne to wish her happy birthday, one photo of her and Lucas after the clip with a script on the table, one photo from bac study session with Alexia and Emma

Emma: 4 posts - two posts about the bac, one photo of the girl squad from Daphne’s birthday party, one random post @ Manon

Manon: 1 post - photo of the grew from Daphne’s birthday party

When you take away all the 18 photos that were taken during the filming of the clips and posted around the clip times and 2 damage control photos that we’ve already seen before the season started that leaves us with only 19 posts with actual transmedia content from the grew which is 14% of all the instagram posts. In comparison the vd1pm bullying account has posted 16 photos of Lola and 8 posts of Tiff’s head being photoshopped onto different animals. That’s 24 posts and 18% of all the posts. 

They had to make a season about a new character but they didn’t have to completely let go of the old generation. They have a whole separate team to take care of the social media content (which is actually one of the problems here because good transmedia is possible only if one creative entity takes care of it) but they don’t do anything really because they have to “survive the impossibility of scheduling instagram posts and stories” when... it’s their job to do this? They could publish either a story or a post from the grew every other day, they could give us switched pov in the chats and show us what their groupchats look like so we would know how they’re doing and what’s happening with them now. They had all the resources right there. But they didn’t use them.

[purplesurveys]

1220

The person you had the strongest feelings for dies, do you care?  I imagine so, yeah. I’d check up on her family and help in any way I can, if it’s still welcomed.

Is there something you’re happy about at the moment?  I share this all the time in surveys at this point but I’m just really giddy that it’s a Friday evening hehe. Also, I’m seeing Angela, Hans, and (finally!!!) Reena later! We’ll be going to UP to shoot some photos since Angela and Reena are graduating this year and we wanna take pictures with the sunflowers in the campus before they die out. I also never got to take sunflower photos when I graduated last year, so it will be my chance to do so as well.

Do you want someone dead?  Wow, no.

Do you ever wonder what your ex is up to?  It almost never crosses my mind, honestly.

Have you ever fed or taken care of a stray animal?  I’ve fed many of them before, yup.

What is something you tend to worry about?  Pending deliverables at work, especially ones that are out of my control.

What is something you do that is unhealthy?  Be in front of a screen as soon as I’m awake until the second I turn in.

What is something you do that is good for you?  I’m no longer afraid to prioritize myself when necessary.

What last caused you to force a smile?  Ooh I’m not sure. I haven’t had to do that in a while, which is a good thing. What was the last video game you played? Was it fun?  Probably Mario Kart on the Switch, but it’s been a WHIIIIIIIIIIIIIILE. Yeah it’s one of my favorite series for a reason.

What is something not many people know about you?  The fact that I’m obsessed with anything classic Hollywood and I’m a big Audrey Hepburn fan. The topic never gets brought up so I don’t really get the chance to say anything about that interest of mine.

What word describes your basic style?  Casual, laidback. I’m more than happy with just a simple t-shirt and denim jeans these days and I think I’m over my jumpsuit/romper phase haha.

Have you ever been told you were going to Hell?  It was referred to/threatened to me, but not directly with these words.

Have you ever wanted to kill yourself?  It was a regular occurrence before.

If yes, what convinced you not to go through with it?  I think overall I was just scared of fucking it up and fucking up my brain for life as a consequence. Also I knew no one was going to take care of Kimi as well as I do, and I would never leave him behind.

Have you ever rejected a guy, only to have him push the issue by asking “why?” and insisting that you just need to get to know him better?  Nope.

Is there something that you believe everyone should do and you can’t believe that some people don’t do it (e.g., recycle or go to the dentist regularly)?  It’s definitely an Asian thing but it will sometimes hurt my chest when I see people wear shoes in their homes.

Regarding the last good choice (healthy choice, kind choice, selfless choice, etc.) you made, what was your real motivation behind it?  I wanted to be kind to myself and finally let go of what had been keeping me from starting to be happy and pleased with where I am and have.

What is something that you have had to practice at to get the hang of it? If you can’t think of anything, that’s okay, what’s something you are currently practicing at and trying to master?  This is such a shallow answer lol but I’ve recently gotten into this rhythm game called Rhythm Hive that I found impossible to master at first, but after weeks of practicing I now breeze through all the songs at their hardest level.

Have you ever gone to the store to buy something, like a video game, when it came out at midnight?  I haven’t done that, but I’ve watched a movie premiere at midnight - for both times the Breaking Dawn movies came out.

Regarding the last novel you read, was there a romance included? If so, was it central to the plot?  Yes and yes.

Have you ever done relaxation meditations or listened to relaxation guides or positive-thinking/healing recordings?  Nope, they don’t really work on me. I have my own outlets that help me relax.

Do you have any interests that are also often shared by children?  Coloring is one. Also animated movies; I never grew out of those.

Is there something that could be a solitary activity but you really only like to do it with other people (e.g., watching movies, playing video games, etc.)? Definitely eating out. I’ve done it a couple of times before by myself and it does feel nice, but I also always can’t help but think it would be a lot more fun and that I would be much happier if I was sharing the experience with someone else.

Are you satisfied with the interior design or decoration in your home? Or do you think it needs a total home makeover?  Ugh god I need to rearrange and upgrade my room STAT. My K-Pop merch are starting to pile up but they’re all currently in just lazy heaps scattered around in my room since I don’t have any shelves or anything to properly display them on.

Is there something that you’d like to own but you can’t find it anywhere? If not, can you a remember a time when you wanted something? Did you ever end up finding it or did you eventually stop wanting it? This is always me with BTS merch...

Who makes you smile the most?  My friends.

What piercings do you want/have?  Just one on each earlobe. I’m not looking to have any more.

What's your favorite website?  Twitter.

Do you own a fish tank with fish?  We never had one, no.

Do you like the movie 300?  I’ve never seen it and will probably never have plans to. It’s not my cup of tea.

Do you pop your knuckles?  When I feel stressed or when my knuckles feel strained, yes.

Do you have Photoshop?  Nope, I have no use for it.

Do you use tinypic or photobucket?  Way back in the day. I’m not even sure if those websites still exist.

What’s your favourite song from the 1980s?  Heaven Is A Place On Earth.

How about the 1990s?  I’m not sure I have one.

Have you won anything recently?  Yeah we played this online game over Google Meets with my co-workers just this afternoon, before clocking out. My team won twice.

How often do you make Excel tables? What for?  Oh everyday. I work on a handful of sheets every single day at work, but I also like making spreadsheets for personal use haha. Right now the one I’m currently super invested in is my tracker for all the merch I’ve been buying so I can keep note of my pending payments and which ones I should already be asking for updates on.

What was the last baby animal you saw in the wild?  Not sure, I’m barely outdoors.

Are you always available or online?  Yup.

Do you have dietary restrictions? Or do you just eat what you like?  No allergies or restrictions.

Do you prefer gold, silver or steel jewelry? Or no jewelry at all? Silver.

Have you been binge-watching any shows lately? If so, what?  Not really. I’ve stopped watching Hwarang for now, but I do have plans to come back to it someday. I guess I just haven’t been in a K-drama binge-watching mood lately.

If you dye your hair, do you do it yourself or go to a salon?  I’ve never had my hair dyed.

If you have any, do you like your in-laws? I don’t have any. < Same.

Would it bother you, if your partner had cut contact with their parents?  It depends on the story behind it, but mostly no. How close they are with their family isn’t a priority matter for me.

Have you ever wondered whether you were adopted? All the time, especially as a teenager who wasn’t getting any emotional support at home.

What’s the best physical feeling in the entire universe?  When you work on something and expect mediocre results and feedback, but it ends up getting praised instead and you feel all the hard work pay off.

Have you ever grown a berry bush?  Nope.

Have you done something new to your hair recently?  It’s been untouched since the very start of the pandemic. My sister actually suggested that since I had it cut right when the pandemic started, I should wait out till the end of it and see how long it’ll reach. It sounded intriguing enough so now I’m indefinitely growing it out hahaha.

Do you have bad anxiety? If so, do you take any kind of medication for it? I’m sure I have it, I’ve just never been diagnosed before.

One thing you’ve experienced that you thought you never would have?  Managing to get over a rough breakup quicker than I ever expected to.

What was the last thing someone said to you that kept repeating over & over in your head?  It was when I was leaving Angela’s house yesterday and an “I love you” to her parents rolled out of my tongue so naturally I almost didn’t notice it; and when they said it back in a heartbeat. It’s when I realized that her parents are really like my second parents and that her house is a second home at this point. My heart was filled the entire drive home.

How often do you have late nights out?  Never because we still have a curfew.

If you could, would you work from home? Do you think that would make you more or less productive?  I don’t have a choice; it’s the set-up we’re required to live in. I’m pretty productive here at home but then again I don’t have a point of comparison considering I got my first job already in the midst of the pandemic.

If you had the ability to change the weather, what would you change it to right now?  I would like to bring snow to the Philippines.

Is there something that you really need to do, but can’t seem to get motivated to do it?  Upgrade my room and invest in shelves and other home decor/interior design stuff that would make the space more comfy and homey. Right now it just looks like a warehouse with my merch piled up in scattered places.

Most disturbing movie you have ever seen?  Eraserhead or I’m Thinking of Ending Things.

Has a life goal or dream ever come true for you yet? If yes, what is it? If no, do you think you’ll achieve it?  I have multiple life goals - some of them I’ve achieved, like getting into my dream university and simply getting employed, and some of them I’m still working my way towards, like getting a promotion. Yeah I feel like I’ll achieve my goals someday. I don’t like losing LOL so when I want something I usually put it above everything else.

Have you ever had food poisoning?  Yup.

What are you listening to?  Blue & Grey by BTS.

Do you think there will be a WWIII? I find it inevitable at some point down humanity's future. People are too hateful for it not to eventually. < Yeah, let’s go with this too.

Has anyone ever asked you if you were emo?  No.

Has someone ever liked you that you never thought would?  Yes. Tbh I never expect anyone to like me so I’ve always been surprised when I hear about someone who does.

In all honesty, can a person be too nice?  Yes, especially if they’re starting to be taken advantage of.

Has one of your friend’s boyfriends ever tried to cheat on them with you?  No.

Is mental abuse really as bad as physical abuse?  Any abuse is bad. :/

Do you shop at Sephora for make-up?  Nope.

Zelda: Twilight Princess or Ocarina of Time?  Twilight Princess only because I grew up with it and never got to play Ocarina of Time.

Do you own a rosary?  I did - I went to Catholic school. But I lost mine all the time because I didn’t really care for them lol I always had to buy new ones at the school bookstore.

If you were homeless, how would you cope? I don’t know.

[invertedfate]

Random Ask Dump - Anniversary Edition (50+ REALLY OLD ASKS!)

Going through OLD AND CRUSTY ASKS to try and chip away at the inbox. HERE WE GOOOO...

That’s an interesting idea, and I could run it by Cake, but I think it would honestly be a LOT to track from a programming perspective. Especially ‘cause killing Sans is gonna result in a “bad ending,” so to speak.

An attempt was made by Undyne to have all three hang out at the same time. Papyrus was SUPER EAGER. ...but one thing led to another and there were many messy explosions of chemicals and lots of smoke. Alphys had to step in before things got out of hand. It was all very daunting for her. Pap and Undyne are VERY LOUD, VERY AMBITIOUS PEOPLE.

I actually have some ideas of some side comics I may do at some point! :o It’s just that right now there’s a lot going on.

I need to poke Carni about that at some point. He’s just been very busy with other projects!

Clearly he’s standing on the “out to lunch” sign.

I wanna say that it’s very possible in theory. :o It probably affects them differently since monsters’ emotional state affects their magic and their physical state.

I do like little easter eggs like that, though I’m not sure where I’d fit it in atm just ‘cause I already showed Pap’s room, haha.

I made the chase theme for Mad Dummy as well as Mad Mew Mew’s battle theme. @pinewsun​ made the battle theme for Mad Dummy, and @thomasthepencil​ made the Season Dude battle theme and MD’s overworld theme. :o

That’s a really fascinating conundrum! You’re absolutely right- if IF was a standalone game, then from a writing standpoint, having more subtle implications would make sense! The reason I chose a different approach for IF is because it’s set after Flowey’s already known to be evil and I like to give different POVs rather than stick to just Frisk’s.

That’s an interesting thing, actually- both fights lean heavily on the fourth wall. Both are treated as climaxes for their given routes. It’s funny because Asriel’s fight is a lot more straightforward and less meta by comparison.

I agree! The thing with Papyrus is that he’s extremely powerful- he just doesn’t want to kill. But it’s a deliberate choice not to kill- he’s able to force his attacks to do next to no damage. He’s also pretty darn crafty, as he made the Gauntlet himself. It really is just a case of Undyne’s personal biases and concern for him.

That was a deliberate choice. :O Papyrus is very influential toward Frisk. He is best skeleboi.

Papybot loves you, anon! He just wants to feed you WHOLESOME SPAGHETTI!!!

It is possible to whistle through teeth. ...alternatively, magic. As for the music, Undertale implies that the music is heard! Maybe it’s just... a thing that exists in this world. Or it’s just meant to be a silly meta joke. I try to keep it somewhat ambiguous other than occasional nods to it. Chara’s pants are lighter because I just... felt like it, I guess? Haha. I wanted their feet and pants to stand out more from each other, so they have khaki pants. As for the Undyne fight being animated, well, this ask is old by now, but Sparks was the one who was down for it.

Well, the teaser’s been out for a long time now, but that’s the idea! It’s also why this has been in production for so long. The Determinator has some really over the top attacks (that weren’t even shown in the teaser), and Sparks animated in Photoshop. That’s how hardcore he is.

Shhhhh. Don’t give me ideas. I’m already slacking on Tem Village. :P

Sometimes I do have slumps and burnouts (see Antipode’s lengthy hiatus), but breaks lead to me being refreshed and coming back with even more enthusiasm than before!

Oh, there are a lot of these throughout the comic. For instance...

Flowey appears in a few background shots in the Ruins!

When Sans says “or maybe...” he looks at the empty flower pot. This was one of the earliest bits of foreshadowing about who created Flowey, and nobody noticed it at the time!

The MTT vending machines initially look like this but have helpful items.

And then they look like this, with an angry face and pose- Mad Dummy has possessed them!

As of Part 38, it’s been revealed that he did first meet Asgore as “Santa.” As for whether or not he knows the truth, time will tell. :o

Oh, these are excellent suggestions for calls! I’ll try to keep these in mind.

So, I believe Glyde uses the Mysterious Door motif. Jerry uses the motif in its battle theme- I believe it’s a mix of original motif and Wrong Number song?

Sans is a master of power napping. He probably gets a decent amount of sleep, though.

There are a lot of ways to interpret Pap’s lack of sleep! In IF, he can get by without it, but he also has a lot of reasons to avoid sleeping. Some reasons include productivity but also due to a looooot of heavy baggage. More on that later.

I think sleep can definitely make monsters healthier. Rest = better mental health as well as physical health, and with how important mental and emotional help is for monsters, that’s very important!

They just really like socks. Socks are warm. Socks are slinky. And googly eyes are the best. So they took on the form of a really eccentric sock puppet and sock collector. Scandalous.

It also has Alphys’ motif, as the two are the leaders of the royal guard!

I would say the lack of Asgore as an influence has left Undyne slightly less grounded? Like, she had Toriel and Gerson in her life, but her relationship with Toriel is... definitely not quite as close? Like, Toriel by that point kept people at an arm’s length due to losing multiple children (including one from old age). So, while they were on friendly terms until the aftermath of the DT experiments and the tapes’ release, it was more like mutual respect and a sorta professional relationship with Undyne admiring Toriel and wanting to spare her from more heartache.

That is a really interesting idea. While that didn’t happen, I do need to maybe revisit the grumpy dog at some point or another. He’s still a lil’ salty.

I think in terms of layout it won’t change much, but there will be new/different content for sure. :O

Mad Dummy’s base design is mostly original, but she has a wig + headband from DIO from Jojo Part 3! Fun fact: While MTT has Kamina shades, Papyrus’ goggles are loosely based on Simon from Tengen Toppa Gurren Lagann in terms of color. :O

So basically, when Asriel defeated Frisk, he had the power over the timeline to reset it as he pleased- in theory. However, that power was overwhelming for him, and due his lack of understanding OF said power and one last ditch attempt at resisting from Chara, things went wrong.

There is a track that takes some inspiration from Rage Awakened. It’s not released, and it’s not exact, but it won’t be released for a WHILE. Like until the part comes out.

I think it’s just the fact that tacos are so random. Like, my biggest beef in that regard was that OG Underswap had a lot of arbitrary replacements for things in UT and not all of them made sense. Like, if Sans was to make a foreign food, ramen would’ve made more sense due to Alphys being weeb trash, haha.

Okay, so the rough timeline iiiis... Falling: - Cyan - Green - Orange - Blue - Purple - Yellow Dying: - Cyan - Orange - Blue - Purple - Yellow - Green

You know, it’s funny because this ask is super old, but that’s basically sorta what happened. :O It became a beach-themed resort.

Never forget MTT fangirl Temmie’s pool escapades.

I think Forgespring for me because I had to make the tileset myself (it took a few months, I think?), but Aquarius was definitely in the works for a while. But once I had the tileset from Fours, the rooms were very easy to design!

That woulda been pretty rad! Maybe I can find another spot for it one day, haha.

I think for Dohj, I’d have to check with Fours, but I’m certainly not opposed at some point? Right now, the following chars can take questions: - Frisk - Papyrus - Sans - Undyne - Alphys - Napstablook - Mettaton - Asgore - Chara - Flowey

Cyan appears in Part 45! :O No answer about orange for now, tho.

I do have vague ideas for Tem village. I just haven’t had time to go back and do it.

Stay tuned and you may find out! :O

Hmmmm... I had a lot of fun with MTT SPIRAL and the Determinator, tbh. They were both very time consuming, but I love how they came out! Also, buff Jerry.

Turnabout Storm. :)

It’s a really awesome fan crossover that works way better than it should. :P

None taken! We know that with headcanons, everyone is gonna have their own interpretations. These are just the voices we liked for Fireglobe Production, but everyone has their right to their favored interpretations!

Yeah, Knight Knight is one of the coolest CORE mercs in the original game. It was fun to repurpose them for Inverted Fate as royal guards. :o It made room for unique encounters in the CORE in the form of them robots- as Undyne would rather use machines than other monsters to do her work.

Personally, I see it as an Asriel motif, but I also acknowledge that at one point it WAS gonna be an Asgore motif. Toby has a habit of just using whatever music works for a scene (see sans. at the snail farm.)

I do have a few ideas, though I won’t say for what yet. :o

He’s likely made blueprints for that train. :P

It probably would just have different flavor text/progression!

So basically, I treat the starting motif for BAaTH/Power of NEO is just a “true hero” motif.

MTT is definitely major in IF! As for whether or not he’ll have a hangout, time will tell. There’s definitely more to resolve with him, though.

I’m gonna remake at least a few of the older tracks, including Regret. My goal is just to bring the OST to a similar standard of quality.

So, animated parts coming up: Part 47, Part 49, Part 50. There may be some other parts, but we’re gonna wanna scale things back for a little bit for the sake of all our sanities.

I go with both. ;)

Honestly, probably fairly similar to the bully fight in the Ruins- which is why I ultimately decided not to do one. Both fill similar archetypes, though I think if I did do a battle, I woulda still had Flowey interrupt at the end and scare them off.

It’s a very emotional scene. Far more tragic than her geno death, IMO.

Well, the main goal in that regard is the remasters (Part 9 is in progress). Otherwise, I do think these hiatuses are good for working ahead. I’ve still gotta do more work, though, because my buffer this time around is a lot smaller from the trial-hiatus buffer. Alas!

Honestly, the website is the best thing to happen to IF. It’s allowed us to do so much with the comic’s presentation that would be impossible with imgur. NORIX IS THE BEST...

[same-side]

hiiii! i just wanna say, i adore your art. second, im teaching myself to draw and while i can draw simple basics (mouths and sometimes eyes if im lucky), im still a beginner. ive watched many art videos and im still a bit confused on wtf im doing. so i just came here to ask if you had any words of wisdom for beginners? could be anything from what tablets to buy to simple mistakes to avoid. ive read some of the other posts here and have found it all extremely helpful so far! Thx for all you do!!

Hey there! Thank you so much!

I would put a read more but tumblr is broken. I’m trying to cover a lot of varied thoughts in little points, so if there’s anything you would like me to elaborate on or otherwise have questions on, feel free to shoot me an ask or dm me!

General

I think the biggest thing to remember is not to compare yourself extensively to others. A little bit of comparison is healthy... But too much will destroy your confidence, motivation, and take the fun out of art. Particularly if you are comparing yourself to someone older than you (life experience and coordination come into play here) or that has been drawing much longer (practice). 

Additionally... If you’re not having fun (and you’re not getting paid to do it), don’t force yourself. If you find yourself being frustrated or bored with art, don’t force yourself to do it. That’s how you burn out and get art block! This applies to parts of a peice, too! If you don’t feel like drawing a face or a hand today? don’t force yourself to finish it. Come back to it later when you aren’t as frustrated or are getting better results. Even if its a week or a month from now. Honestly, at any given time I have probably ten headless bodies in my drafts. That’s okay! I just come back to them when I’m ready to do the face. And don’t be afraid to abandon something if it doesn’t feel right!

Something that also doesn’t get said enough.... take care of your body! I never knew when I started art, but artists are supposed to do warmup sketches and stretches and muscle exercises! I didn’t do any of this, and i went through a period of a few months where I was drawing for 5ish hours every single day. I developed carpal tunnel from it! So remember to take care of yourself. Take breaks, stretch, remember to eat.

Practice

Practice!!!! Even if its just for fifteen minutes every day. Or twice a week. But if art is something you really want to get good at, you have to put in the time and effort!! You can’t expect to draw an hour per month and be on the same level as someone who draws an hour a day!

I know I say this a lot but I think the biggest thing is just reference! If you don’t know what something looks like, look at a picture of it when you draw it! To go hand in hand with that, though, don’t just copy what you see! Learn from it and apply it! So take, for example, a shoe! pay attention to the way the heel is shaped, the location of the eyelets for the laces... how large the toe is, how steep the top! While you’re at it, look at other styles of shoes as well, and compare them! See what makes it look like a boot versus a trainer! And then the next time you draw it, hopefully you’ll remember all the things you learned the first time around!

I do lots of studies that serve no purpose other than to teach me things! I use referencing/studies to learn about color theory, shapes, and anatomy in a real environment. For example, hands or fabric folds! Oftentimes I’ll do them timed (20 or 45 minutes) so that I don’t fixate on perfecting things, just on the process itself and what I can learn from it. This also helps with getting better acclimated to your software and more coordinated with what you’re doing. Repetitive learning, like with playing sports. 

I’ve realized a lot of people don’t quite understand what a study is? Basically you just look at a photo and try to replicate it so that you can learn about lighting or color theory or textures or anatomy or whatnot. So here’s an example of a timed study.

Additionally, don’t avoid!! We, as humans, have a tendency to avoid things that make us uncomfortable or are difficult. But it will make you a better artist in then end. When I first started, I absolutely hated doing fabric. I felt like I wasn’t good at it. So instead of avoiding drawing clothing, I sat down and did studies and sketches of different kinds of fabric. By the end of this learning period, I became comfortable with it and grew to enjoy it. These days, I adore sketching clothes, and it’s why my pants and shirts and things tend to be detailed instead of stylized in line art. If you don’t like drawing hands because you feel like you aren’t good at it? Sit down, look at a bunch of pictures of different hands, and practice it. By the end, you’ll be more comfortable, you’ll have learned something. Even if you feel like the drawings you ended up with aren’t good, you’ll still have learned, and that’s what matters!

Style

I worked on basics before I tried to develop a style. I made sure to start with a very realistic method at first, so that I could be sure I understood how fabric folds, anatomy, and realistic expressions worked before I tried to stylize them. I think in the long run this approach really paid off for me. It also allowed me to be conscientious of what elements I was absorbing into my artwork. I hear from so many artists that they started drawing when they were younger and into anime or cartoons or things like that, and tried to emulate it. Because those styles became so ingrained into their artistic skillset, it becomes near impossible to iron out those influences and get rid of them later. So starting with realism is a way to ingrain proper anatomy and other good practice into your artwork.

One way to develop style is to take a look at the artwork of someone you admire, and try to list out the things you like form their style - perhaps the thickness of their lines, or the way they do eyes. Do this with several artists, take all those little details you like and try them out! See if you enjoy using them in your own drawing process! Think of it like a grab bag or a pick-n-mix, sprinkling in the elements you like here and there to create something new and your own - not just copying another artists style word for word.

Don’t worry too much about it though; don’t allow yourself to become anxious or fixated on “achieving a style”. Its a natural ever evolving process that comes with time and practice. I know a lot of people get hung up on style, but just take it one day at a time!

Also try to keep in mind what style you’re going for as you begin drawing. And I don’t mean that like sailor moon vs. ghibli. I mean that as in, is this piece going to be a painting, a lineart, a lined painting, cell shading...? It will help you in the longrun if you narrow down the broad kind of style you use, and refine from there. 

Workflow

My workflow for paintings is very different from my workflow for lineart and cell shading. A full tutorial on how I do paintings can be found here! A process video for how I cell shade can be found here!

Everyone is going to have a different method that works for them! You just have to experiment and find out how you like to draw! For me, personally, I use color blocking for painting (see the tutorial above) and a spine method for lineart. How the spine method works is that I will draw lines that represent the legs, arms, back, etc. so that I can determine the placement, length, and composition. From there, I’ll add a dark outline that actually shows the shapes of the body. Then, I’ll use thinner lines to add details. This is the method I’ve found that works for me. Another commonly used method that I’m sure you’ve seen is representing body parts with cylinders and cubes. There are lots of good tutorials out there on breaking down bodies into shapes like this!

Something that I do is if I’m not quite happy with a part of a drawing, I don’t just erase it. I duplicate the layer so that I always have the original copy, and then I make changes from there. Sometimes I can end up with five or six different versions of the same arm or face that i’ve made minor changes to. And then I compare and pick the one I like best, or condense all the parts I like from each version to make a “best” version.

Tools

Currently I use Procreate and the standard Ipad with Apple Pencil. Prior to March I was using a Wacom Bamboo Touch and Photoshop Elements 2008. I find its harder for me to do full paintings in procreate, but its made my life a million times easier for lineart and cell shading. The pen pressure is phenomenal, and I also adore that its wireless / active screen instead of plug in like the wacom. The programme itself is intuitive and easy to get the hang of; it simply lacks a lot of the neat tricks that photoshop has, like rendering (lens flares, for example), gradients, and gradient maps. Try testing out different trials of programmes... firealpaca, photoshop, autodesk, whatever it may be! What works for me may not work for you!

[smallmediumproblems]

Sic Transit

Summary: Jon wants to take a shortcut.

The excitement of the night’s activities was doing a decent job of keeping Jon awake. It also involved a lot more walking than he was used to. It occurred to him that he didn’t remember the last time he’d slept. He wasn’t even considering a full night’s sleep, that was well out of the realm of possibility. He’d struck an uneasy truce with the process, timing his work around when it might be most convenient for him to pass out at his desk for an indeterminate amount of time. His instinct was not to say anything now that sleep was catching up with him. When he found the tailors over an hour away, though, something broke inside him.

“We’re taking a detour,” he told the group. An odd look was passed around, but no one argued when he led them just a couple intersections away and started squinting around for what he’d been looking for. They should have been right on top of it, but were instead sandwiched between a closed segway rental shop and store pronouncing itself as ACME Water Slides. “There's sort of a tram system in this section. There should be cars somewhere? I don’t think it’s on a rail.”

“Like a funicular,” Nick suggested.

“Yes, exactly,” said Jon.

“Would this funicular happen to be ferret-based,” Nick asked very seriously.

“I literally cannot imagine how or why that w-” Jon started to say, stopping himself short with a sigh when Nick pointed towards the ceiling.

Two thick metal cables ran the length of the Arcade parallel to the hallway, criss-crossing at each junction like an enormous loom. As if on cue, something four-legged and furry and approximately the length of a VW bus bounded down one of the cables away from them, moving quickly but surprisingly quietly. Jon could just barely make out a vehicle cabin harnessed to its back.

“Of course,” said Jon, who was about ready to take his rock and go home right then and there. “At least it’s not spiders. What now?”

“We could try to lure one down,” said Morgan. She inspected the contents of her Joann’s bag thoughtfully. “Ferrets eat meat right?”

“Awww, come on,” said Static Man, leaping immediately to whatever conclusion she had reached. “I liked those ones.”

“I told you, they’re already going stale,” said Morgan. She pulled out what looked at first like a very large chew toy, but which Jon realized with horror was a human tibia covered in blunt, decorative spikes. As she did so, she jogged over to the nearest intersection to wave it at something she spotted in the distance. A massive ferret slowed to a stop in front of her, arching its back to sniff at the offering. After a brief appraisal, it slunk to the floor and wiggled expectantly.

“Thank you, Morgan,” Static Man commented with mock sincerity as they piled into the cabin. “Hey, we should get one of these.”

“I’ll look into it,” said Nick, and sounded like he meant it. “The food wouldn’t be cheap, but imagine the cuddles.”

The cabin was, not surprisingly at this point, bigger on the inside. They had to duck past the door, but the ceiling extended up several feet into the space the ferret should have been occupying. There was a booth with six cushy seats across from a screen of scrolling pink text.

“Uhh,” Nick hovered by the screen, poking it experimentally. The text was packed so incomprehensibly tightly that it was impossible to read while it was in motion. “You guys might want to get comfortable.”

“Here,” said Jon. He touched something that looked like a scroll bar on the side of the display, dragged it to a very precise point, and selected one of the items. The screen darkened to make way for an animation of some cartoon leaves, revealing a minimalist logo that read Birch & Co. Jon gave Nick a supportive pat on the shoulder before settling himself into the booth.

“Hey,” Static Man whispered loudly to Nick, “We should get one of those, too.”

Jon stifled a laugh as he relaxed back into his seat. “You’ve already got the food budget sorted. But I’d prefer we stay clear of any snuggle-related services.”

"You're not even in the same ballpark of how cuddly a giant ferret would be," Static Man reassured him.

The interior was cozy, in a touristy sort of way. It looked like someone had transplanted a pub booth into a ferris wheel compartment. There was a dizzying moment when the ferret wriggled back up onto its cables, inexplicably not rotating the cabin at all, but soon enough they were headed at a swift pace towards their final stop in the Arcade.

“I thought we were in for another rest stop,” said Morgan, peering out of the window. “Maybe hang out in a bookstore for a while. This is way better.”

Jon shuddered. “I really don’t want to see what kind of books this place has to offer.”

“Really?” Nick said, not hiding his surprise. “I figured you’d be kind of a bookworm.”

“In a general sense,” said Jon. “I’m not fond of titles with special effects. Have you heard of Jurgen Leitner?”

Nick tilted his head thoughtfully. “It sounds familiar. I’ve probably seen some of his stuff, but I wouldn’t recognize it.”

“Like the band Kiss,” Static Man added helpfully.

“He had a book collection,” said Jon, deciding to ignore this comparison. “It got loose several years ago, and its constituents have been making themselves a nuisance ever since.”

“Again, like Kiss,” said Static Man.

“You’ve-” Jon was about to say to Morgan, when he realized that she hadn’t actually told him about her encounter with a Leitner. Judging by the panicked look on her face, she also hadn’t told Nick or Static Man. “You’ve not heard of him, either, I take it.”

Morgan relaxed. “Doesn’t ring a bell,” she shrugged.

“Count yourselves lucky, then,” said Jon.

“I’m not so sure,” said Nick. That recognition on his face was resolving into a suspicious look that made Jon’s hair stand on end. Nick unsaddled his bag and started to rifle through it. “Could you identify something for me? I know we’re behind a statement, but I’m sure we could work out some-”

“Nicholas, what I want most in this world right now is a nap and a granola bar,” Jon said tersely. “Show me the book.”

Nick retrieved a slim brown paper bag closed at the top with painter's tape. It looked for all the world like he'd gotten a postcard from a gift shop. Inside was a travel brochure decorated with badly photoshopped pictures of planes and buses, with text that asked boldly "WHERE WILL YOU GO?" It took Jon a second to notice that the text was in Arabic. Judging by the lurid colors and the way the vehicles seemed to judder and shift, Jon guessed it was something to do with the Spiral. The side of the brochure was also taped shut. Nick made no motion to remove the restraints.

"Where did you get this?" asked Jon.

"The same place I got you," Nick said reluctantly. "I found it right next to the ritual that summoned you. I haven’t tried it yet, it’s… sort of a beta tester. Any good vendor has a few in the back. Most will cut you a deal if you’re willing to take a chance on one. They’re more dangerous, since what comes out the other end is purely theoretical, but potentially very valuable.”

The supposed Leitner seemed well secured, so Jon decided to stop and address this new detail of his situation.

“Are you saying you found me in a discount bin?” he asked.

Nick opened and closed his mouth, trying to find a way not to answer the question. “Technically, they are paying me.”

“Good lord,” Jon muttered.

“Wait, this wasn’t tested?” asked Morgan, “Nick, you said it was safe.”

“It is. He is,” Nick insisted tiredly. “The guy’s scared of spiders, for Christ’s sake.”

“You had no way of knowing,” Morgan exclaimed.

“Were you, like, not there when he lobotomized half a dozen swamp monsters?” said Static Man. He made an apologetic gesture to Jon. “No offense, dude.”

“No, that’s exactly what I mean,” said Jon. “You’re only putting yourself in danger dealing with these powers. Some of the others would have hurt you quite badly by now.”

“What’s this ‘others’? Are you dangerous, or not?” Nick drawled. He gave Morgan and Static Man a dissatisfied look. “I did plan for that. You two at least should know better.”

“This isn’t about me,” Jon started to argue.

“Then we’re having two different conversations,” Nick said sharply, cutting him off. “I trust the untested rituals exactly as much as I trust the tested ones, which is not at all. That works both ways. I can’t trust things like you until I’ve stared down their throat and gotten a good, long look at what makes them tick. I’m sure you think you’ve been very gracious this whole time. But you’re not the only one who’s pulling punches to get through this a little more comfortably. I can assure you, Archivist, that this would have been a very different experience for you if I’d wanted it to be.”

Jon caught the edge of the thoughts Nick was dancing around, and was in no mood to respect that privacy anymore. Nick’s very first statement had risen to the front of his mind again, the one he thought he’d had the decency not to touch. He unfolded a memory of heartbreak, of trust and hope that had been broken beyond all reason or repair. He could have pulled the whole thing from him like a stray thread from the hem of a jacket.

Instead, he awoke several minutes later in a darkened room.

“Heyyyy, discount bin,” said a shifting assortment of shapes at the edge of his vision. “How many fingers am I holding up?”

“Gbvfhnh,” said Jon. While this wasn’t what he’d intended to say, it conveyed vital information about how the inside of his skull was melting all over his brain.

“Cool, cool,” said the shapes. “FYI, we’re at the place. Doing the thing. And now we’re in the waiting room, cause it has niiiice comfy couches.”

“I was not aware that you had fingers,” Jon told the shapes, which sounded an awful lot like Static Man.

“Yeah, ‘fingers’ is kind of a strong word,” Static Man agreed. “What’s like, appendages, but for your appendages? Appendageages.”

“Digits,” Jon whimpered. The noise - any noise - made his blood pound distressingly, forcing his skull up against the other, more tender parts of his head. There was a distinct gray ache in his stomach that told him it was well past time he asked after that statement he was owed. He managed to move a hand up to his temples and started poking around to see if he could massage the pain away. “Wh… What happened?”

“Beats me, man. You guys had a psychic fight or something and you passed the fuck out,” Static Man failed to explain. “Nick said you were poking around in his head. That true?”

Jon let his hand settle over his eyes. “Yes. That was… An extremely poor decision.”

“...yeahhhh.”

Even if he’d been able to see Static Man’s face, it wasn’t likely that Jon could have read his expression. Judging from the length of the silence that followed, it was not a favorable one.

“Morgan was pissed,” Static Man spoke up again. “She thought you were dead for a second.”

“That’s kind of her to be concerned,” Jon muttered. “Where are they now?”

“Inside. They left me out here to guard the door, and our ride home.” A certain energy had drained from Static Man’s voice, as well as a good amount of volume.

Beyond him, Jon could hear faint sounds of nature. Water flowed over rocks, and something small rustled through foliage. Jon painstakingly adjusted to a sitting position and got a good look at their final stop. It didn’t look like a forest had invaded an expensive spa, so much as the two environments had grown up in tandem and arranged a business partnership along the way. Hardwood flooring snaked a path through beds of dark, loamy earth. Plants of varying size but uniformly good health spilled out over the dirt. It was hard to see the walls or the ceiling through the tree canopy, a problem that was not helped by the tastefully dimmed lighting.

Jon looked up to see Static Man lounging against a tree by the end of the bench (which was in fact very comfy) that had housed his head. He attempted an excruciatingly awkward smile.

“I hope you’re not still worried that I’ll run off,” said Jon.

“Honestly, dude, I don’t know what to worry about you,” Static Man commented. “You just attacked my best friend.”

“I am sorry about that, and I intend to tell him as much when he comes back,” said Jon. There was a tight sort of helplessness in his chest, and it trickled down into his gut as a deep, queasy feeling of disappointment. He’d had all the means in the world to get this right, and he had still managed to make himself hated and feared. Perhaps that was really all the Archivist was good for.

“Hey, you know what happens when I apologize?” Static Man replied, “After I attack someone?”

Jon stared at him hopefully.

“Usually, they’re still dead,” Static Man told him.

Jon glanced down again. Someone had laid his tape recorder discreetly on the floor, next to where the group’s belongings were piled at the head of the bench. A very small corn snake was observing him from atop it. It declined to skitter into the underbrush when they made eye contact. It also declined to put a good word in on his behalf.

“Would you believe I was scared?” he asked very quietly.

Static Man laughed. “That’s what you’re going for? You’re the scary one. That’s literally your whole thing.”

“Not really,” said Jon. “If anything, it’s my job to be scared. A passive observer to things that frighten and disturb. Everything else is rather ornamental.”

“That’s… Yeah, okay, that sucks,” Static Man said, shifting uncomfortably, “Still not getting why the hell you think it’s okay for you to act like this.”

“Because you’re good people, and it scared me to think of you getting hurt,” said Jon. “I’ve seen so many people die because of things like me, and the powers that made me what I am. Hearing him talk about it like it’s some kind of tool, another magic trick to add to his collection, I just… I panicked. No one encounters these forces without a price. The kind of people who go after them voluntarily tend to get someone else to pay on their behalf.”

“Oh, fuck you,” Static Man spat. “You don’t know a goddamn thing about Nick.”

“I know he’s not like that,” Jon shot back, “Which leaves the alternative: he has no idea what he’s getting into. There’s no coming back if he finds out the hard way.”

They both looked away sharply at the sound of the front door opening. Jon’s heart sank to see a familiar woman with a brown hemp apron and a face full of piercings taking in the interior with a polite, disinterested smile. She wandered to the empty front desk, and made a show of pretending to notice Jon and Static Man only as soon as she neared the benches.

“Am I interrupting something?” she asked, “Please. Don’t stop on my account.”

“What do you want?” Jon snapped at her. The pierced woman looked surprised, almost offended.

“Just taking a walk,” she said breezily. “I needed some time to think about our conversation. I thought maybe you did too. You’re about done here, right? Do you have a minute to circle back, rethink my offer?”

“I think I made it very clear that I’m not interested,” said Jon.

“I don’t think that’s what you said,” she told him. “You said, you made a deal with these people. And you implied pretty heavily that, when they’re gone, you’ll be free to go.”

“You wouldn’t dare,” said Jon. He leaned down to pick up the tape recorder before standing beside Static Man.

“I definitely wouldn’t warn you ahead of time,” said the pierced woman. “What I would do is wait for a dramatically appropriate moment to drop in and let you know that all hope is lost, and your friends are surely dead by now.”

An extremely sad mechanical noise came from the other end of the room. Morgan stood in the doorway to the rest of the store, clutching a bloody hunk of fabric to her shoulder with one hand, and her weaponized instrument in the other. The bottom half of the instrument was a splintered mess. She looked between the three of them. Her eyes settled on Static Man.

“Go,” she said hoarsely, “Get Nick.”

Static Man barreled past her into the room beyond with a roar like a passing semi truck. Morgan limped over to Jon, who reached out quickly to steady her.

“Guess he decided not to eat you,” she said.

“I am your ride home,” Jon pointed out. Morgan smiled.

“He’s pulled worse stunts,” she said. “I’m glad you’re not dead.”

“So I heard,” said Jon. He helped her onto the sofa to secure her makeshift bandage, and tried not to look too closely at the messy gouge that it was covering. “That’s better than I usually get.”

“Are you two finished yet?” said the pierced woman irritably. “I’ve got some murders to commit, and I’d like to get started.”

Morgan glanced over at her with an almost palpable disdain before returning her gaze to Jon. She stretched to hook a shopping bag with her foot from the pile next to the bench. “Think you can get this one? Just need to catch my breath.”

“You want his help?” said the pierced woman with a laugh. “Sorry to break it to you, but the only thing he’s well-equipped to hurt is himself.”

“That’s a bit harsh,” said Jon. “Speaking of hurting yourself, why don’t you tell me about some of your jewelry?”

The pierced woman winced, and gave him an annoyed look. “We both know that’s not going to work on me, Archivist.”

“Perhaps not in your own little nest,” Jon argued. He stretched the limits of his focus on her, drawing on the growing, insistent hunger that was tying his insides to knots. “You said yourself that this is neutral territory, Ms… Daria, that was it. You wanted to talk, Daria. Let’s talk. Let’s hear about your last love, before the spiders. The sweet taste of poison on your lips. The holes driven through your body, your mind, your very being, by small and loathsome creatures you called friends. Tell me, Daria, did the spiders ever fill that space inside you after they collected what was left? Or is metal all you have to show for it?”

“You’re only slowing the inevitable, Archivist,” Daria said quickly. She shook very slightly, as though trying and failing to get away.

“How dare you threaten me with longing for my home,” Jon continued, “When you still dream of the hive? A love fermented into acid so sharp and vile that you’ll never taste anything so strong again. Not til the day your own corpse begins to rot around your tongue.”

“Ugh, Jesus,” Morgan exclaimed quietly next to him, but the words weren’t coming from inside Jon anymore, and he could not turn to look at her face. Every part of him was enraptured by drawing out whatever dark memories would keep Daria at bay. A noise like a tuning fork began to ring out from somewhere near Morgan’s voice. He wouldn’t have to hold her much longer.

“Mine will come for me,” said Daria. Tears were streaming down her face, leaving deep, steaming gouges in her skin. “And they’ll come for you, too. You’ve lost already. It doesn’t matter what you do to me.”

“Oh, I didn’t think it would,” Jon agreed, “But I’m pretty sure it’ll make me feel better to watch.”

Unfortunately, when Morgan cleaved Daria’s head from her shoulders with a red-hot violin bow, Jon felt no such thing.

[steve0discusses]

Yugioh S4 Ep7: Mai Gets a Day Job (Killing People For Sport)

So, I looked at the calendar and realized, if  I don’t get this post up this week then you’ll only have one update from me for the whole of November since I’m leaving for over a week again. :/ So I’m just gonna get right to the good stuff because it has taken just a crazy amount of time to get to episode 7.  How great would it be if I also got to episode 8. Real great, right?

So lets do this, I can do this, I can write a recap without getting insanely distracted, watch me do it: This episode starts with Tristan sticking to the fatal flaw of his character sheet and seeing listed at the very top “low key toilet obsession.”

Ah Tristan.

And when you think “well, OK, they’re stuck by some historic Mesas, this is fine,” suddenly they are beset by the world’s most random biker gang of like 20 full grown adults/biker assassins.

And it’s not super clear if their driver died out there in the Arizona desert, or if he just put on a different outfit and joined this gang, but it won’t matter because like...it’s a filler arc in Yugioh so there’s gonna be some deaths.

This season seems to change genre like every 10 minutes, and so for right now we are in a Mad Max post-apocalyptic territory and PS every one of these bikers uses a lead pipe?

I feel like this is way more violent than a gun???

(read more under the cut)

And so, out the horizon comes another biker, like a masked cowboy on horseback, except she shoots these things instead of bullets.

These are trained assassins, by the way, just completely incapacitated by paper.

I just love the marketing team working alongside of this show that’s like “and what else can Yugioh cards do? destroy biker gangs. That’s right, one single card will absolutely destroy a biker!” and the writing staff was like “yeah, we can work that in. That totally works in universe, you don't even know.”

It’s Mai! Back from murdering the hell out of Pegasus, I guess she decided to ninja these 20 bikers, and did it so devastatingly, that they somehow blew up a motorcycle next to a live fuel tank? Like we’re talking Oliver Queen precision throwing here and like...

...Mai’s only been gone like a year right???

And so, seeing that this card is a harpy, which I dunno...doesn’t seem like it’s all that rare in comparison to a Blue Eyes or a God Card or I dunno any of the other signature cards we’ve heard about, Joey immediately recognizes Mai. Despite the fact that everything she is doing right now is completely out of character, and despite the fact that they are in freakin California.

RIP to all 20 of the people in that gang of bikers, because no one followed this limo away from the scene--everyone was, I assume, hella dead.

Youknow, I never expected Mai to kill more people than Bakura. I would have predicted Joey before Mai. I would have predicted Rebecca before Mai. Literally anyone else on this show before Mai.

Seto, crawling out of this oversized castle that I guess...is back on the real estate market now...decides that the irresistible pull of dragons printed on paper cards is stronger than listening to his brother’s needs to put down the damn cards and make a contractually obligated theme park.

I mean Mokuba kept him off the cards for nearly a whole year. What a healthy year that was for Seto.

Back in Arizona, apparently they didn’t make it more than a mile before Tristan busted the car. Not really clear why or how this happened, but they’ve decided to argue with eachother about it despite the fact one of them is clearly magical and does not really need to eat or drink or even maybe sleep?

Like we’ve seen Bakura basically survive off of one plate of tacos and 2 pints of blood, so just make Pharaoh push the car all the way back to California. Or just make Pharaoh use his millennium AIM to call up His tomb keepers and be like “Marik, we need a lift.” or maybe summon a very real monster because that’s a thing now?

Course this would rely on Pharaoh remembering that he has superpowers, which, somehow after 4 seasons, he always forgets how to use the moment he uses them. It’s like reverse Sailor Moon--Usagi tends to level up her Super powers, Pharaoh kind of tosses them out of the window and goes “oops” and becomes more and more mortal every single season.

So instead of magic they will just use Tea.

Amazing how none of them are really willing to date Tea seriously but they will acknowledge, out of the four of them, Tea is the best looking. So their strategy, bear with me, wasn’t to use the fact they’re children to get help from adults driving by, instead, the boys hid behind a rock so they could really make sure they were getting a hella pervy truck driver that would only stop for a single teenage girl stuck in the desert.

Only this group of kids would be like “Hey lets make sure the guy who picks us up is statistically most likely to be a serial killer” and then, weirdly enough, this horndog pedo truck driver ended up being the only person who didn’t try to kill them this entire episode.

So, lets go back to SF but coming from the north side...which makes no sense...but then again, they put Mesas in Napa County.

So last episode I assumed Rex and Weevil were dropped off in Oakland, but Rex informs us this episode that they are in “the worst part of town”

Where they get robbed twice, only to be saved by Duke Devlin, who I guess just lives here now because maybe it’s the only place he can afford in this expensive as hell city? Maybe he isn’t bothered by the crime-rate after that week he spent on Kaiba’s blimp/Seaquest mmo adventure?

Anyway, for some reason Duke--who is a game shop owner/developer by day--is wandering around the Tenderloin as a vigilante and saving people by throwing dice at them as some sort of side hustle and this is never discussed at all.

I would watch that spinoff series. Religiously.

Fun fact, there is definitely sketchy and bad parts of the Tenderloin you will know not to go to (you can smell it actually), but like a third of it is part of the best shopping district in the city and we used to just shop there unsupervised when I was a kid. It has an Anthropologie.

Not saying the parts that are bad aren’t bad. Whenever I drive through the non-shopping parts, I see at least one super sketch thing making me thankful I’m in the car. But I just don't know how Rex and Weevil managed to get robbed twice in one day. Just go five blocks in literally any direction.

Bro and I were like...HOW did this shot happened from this angle on the freeway...and then I only just now realized it. Something I forgot about because it’s from my parent’s generation...maybe the animators weren’t aware that the Embarcadero fell down after Loma Prieta?

So this was the SF landscape before the quake of 89′ (Which I have no memory of since I was a baby when this happened)

and after 89.

Like maybe the animators they had on this team remembered an SF from their youth that had a huge iconic raised street wrapping all the way around one part of it and just...never got the memo that an Earthquake made the entire thing fall down?

Either way, Duke is either driving these two directly out of SF, or he is driving them into 1988 and is taking a lovely drive on the Old Embarcadero, an experience which does not exist anymore, and which makes a lot more sense since Duke has to be somewhat near downtown, going by the skyscrapers and the vicinity to the Tenderloin.

Man. In the Yugioh Universe, Loma Preita just never actually happened. How is that factoid alone not the weirdest part of this episode?

(I am so glad Serenity is not here now that Duke’s back)

Welcome back to the show Duke, glad you’re bringing...Rex and Weevil...

To be fair, Duke has absolutely no idea who is and isn’t Yugi’s friends. Duke just kind of shows up and pretends like he’s part of the gang, and the gang has lost so much brain matter from all the cards and all the dark magic, they just assume he’s been here the whole time.

So at first I was like “this has to be a pun on Industrial Light and Magic” since there’s virtually no other film studios in the city--but ILM moved to SF 3-4 years after this season came out. So it’s just a weird coincidence, I guess. Or maybe it’s just a really uninspired name?

And so Mai, who I guess has been just waiting on this ledge for 8 hours decides to drop in.

Mai has evolved a lot since S1.

But, although Mai is just...straight up evil now, at least we get to see it taken out on Pegasus who, as far as this show is concerned, is a pretty evil bastard.

A pretty evil bastard who took like 3-4 episodes to beat in S1 but Mai could just do it off-screen.

It’s just funny that the entire time on the island Pegasus was probably pretty sure everyone there was trying to kill him EXCEPT for Mai and then the moment his back is turned he’s like “oh whaaaat?”

Like Bandit Keith is already in America. But rather than use Bandit Keith for this, lets use Mai to give Joey something to angst about. We can’t put her in a coma again--so lets instead get her vaguely possessed. Although seriously, if someone I liked did this to me I think I’d be over that crush really fast.

And then, speaking of Bandit Keith, we get to have a Greek Chorus this duel from the minibosses. Valon and the other guy with the handlebar-muttonchops.

I looked up “where does Valon’s accent come from” and literally there is no consensus, as far as I know.

And that’s where this episode ends.

Now I’m gonna go out of town for a week and then will need another week to make more of these so I’ll be on another hiatus. Holding out if I’ll maybe bring a laptop or something to where I’m going so I can type out recaps when I’m bored.

The problem is having the uhhhhh photoshop to do the caps. I can’t bear to do this in MS Paint because hell will freeze over before I lose all of my actions and hotkeys I made specifically to reduce the time it takes to make these. But we shall see.

anyway, if you want to see these from the beginning, click here.

[mysticsparklewings]

The Dream Crosser

Surprise! NaPoWriMo didn't kill me (and I'm not abandoning dA because of the incoming Eclipse update either, more on that situation here), I just needed a week off to recuperate...and obsessively play Animal Crossing: New Horizons... Admittedly, I actually drew this well over a month ago (and wrote up the majority of the description!), not just before NaPoWriMo but before I actually had New Horizons in my grasp. The plan was to post it the day I got the game. Which was supposed to be much closer to the game's launch (March 20th). That ended up not happening and the day I got the game was the first day of NaPoWriMo, but 1. I messed up with the non-uniform prompts and spent all of the day trying to catch up so I couldn't even play the game yet, and 2. As a side effect, I ended up having two posts that day and a lot of work to do to catch up the second, and I hardly had time to think about posting this. And even if I had posted it, it would've been drowned in the incoming NaPoWriMo posts. And so, here we are. Really, really, I do have to mention that I truly feel for anyone else still waiting on the game for whatever reason. You have my deepest sympathy and I'm so sorry I can't just give you the game right now and make it better.  I know the wait was hard enough for me, being this is the one game I highly anticipated in over a year and I essentially had the rug yanked out from under me. But I'll save that story for after I talk about the art itself since I'm sure that's what most people are here for and not my pre-order frustrations. So in case you don't know or couldn't tell, this is the lovely Luna from AC: New Leaf's Dream Suite. From what we've seen of New Horizons since it's release, the Dream Suite's functions and purpose have been mostly absolved into the Airport and Dodo Codes, and so I'm very doubtful Luna will actually be in the game in any capacity, which makes me sad. A typical player (including me) wouldn't even necessarily interact with Luna that much in New Leaf unless you really enjoy visiting other towns using Dream Codes, so I'm not sure what it is, but for some reason I just really like her. That's why I picked her to draw to celebrate. I very nearly drew her a long time ago when I was on an Animal Crossing kick in 2018, but at the time I didn't like the idea of pressuring myself into drawing all and/or multiple AC characters just because I wanted to be "fair" to them all (much the same reason I don't draw Pokemon very often), so I ended up drawing One Little Spark, a crossover of the Disney character Figment drawn in the New Leaf style, instead. So in a way, she's had this coming for quite a while. At the time I started working on her, (way back in early March, because I was hoping beyond hope my pre-order would arrive to me actually on launch day, but ha ha ha look who's got egg on her face for that ) I was running a bit dry on artistic motivation, and so while I tried to draw her in my usual manner: Making a sketch, transferring the sketch onto different paper with finalized lines, then picking whichever coloring method I was most into at the time), I was struggling with the sketch. I've had days where I have to work on a sketch for a really long time before I can get something I'm happy with, but this day I was just so not into the whole sketching process. I wanted to create, but I wanted it to be quick and easy and simple. I didn't want to have to poke at it for hours and hours and then still maybe not be happy when I was done. So when I got discouraged enough, I broke away from trying to draw Luna and just drew mandalas instead. (As had become my art-block crutch for a little while.) Somewhere in me, as I worked on other things, I kept going back and forth on what to do about Luna, though. I did still want to draw her, but my usual formula just wasn't working for me. Not for her. I even tried briefly to draw her linelessly, digitally, as what was supposed to be a quick and simple experiment, but that went downhill even faster than sketching did. Although, for some reason, the lineless idea wouldn't leave me alone after that. Finally, I decided to try something completely different. I was going to try and free-handedly draw her, without lines, traditionally. With, primarily, alcohol markers. Honestly, the thought minorly horrifies me now just as much as it did before I started. And yet, here we are and I actually like how it turned out. Allow me to explain how this came together: So, since I wasn't sure how this was going to turn out once I decided to try it, I opted to use my not-so-great mixed media paper so I wouldn't feel guilty about wasting better paper if I ended up hating it. Naturally, this did lead to some notable limitations, but not enough to discourage me from trying. I dove right in with the dark brown for her head and body, focusing on getting the general shapes down. I'd noticed some glaring mistakes in my mostly unproductive sketching when it came to Luna's body proportions, so I tried to keep those things in mind and adjust accordingly as I went. It was scary because there is no erasing this way short of using white paint and because this paper feathers pretty noticeably with markers. Then once I got to a certain point, I had to switch and bring in some pink and off-white markers to draw in parts of her dress so I knew where to put her other arm and her legs. And here is where I technically cheated; I did use my "clear" Stardust Gelly Roll pen to do most of the outlines for her dress. I needed some kind of guideline, but pencil tends to get yucky when you put markers on top and at the time I couldn't really think of a better option. (The joke was kind of on me because somehow I still got a nasty gray line that looked like pencil under her bust that I had to gently edit out later in Photoshop, but I digress.) As I went with the markers, I was also doing some light shading. Not too much, because this paper is really fussy with layers and blending, but enough that I felt like it didn't look completely flat and I could tell where one shape ended and another started. Though, for her nose (trunk? I believe Luna is supposed to be a Tapir) and her raised arm, I had to get a little creative and I used a white brush pen meant for glass/ceramics to put in the lines so you could actually see them. And later I would use the same pen in 3-4 layers to add the white back in for her eyes. With the base for her body, dress, and the bun part of her hair done though, then I had the task of figuring out what to do for her shoes and the details of her face. (Without having to mix and use specific paint for those tiny details.) In the end, I opted to mostly use my classic red Gelly Roll pen for her shoes, and a little bit of a dark red alcohol marker for shading. And then I got to experiment with mixing the classic red and one of the Moonlight Gelly Rolls for her lips so that the color would be visible and not just a dark lip-shaped "what is this." This was because the classic Gelly Rolls don't show up super well on dark surfaces and the Moonlight ones do, but I didn't have the right color straight out of a Moonlight pen. It did take 2-3 careful layers, but I think I managed well enough in the end. I used just one black pen, a Prismacolor brush-tip fine liner, for her eyes, though in-person the white base underneath makes her pupils look about a shade or two lighter from certain angles, which was a very unintentional nice touch. My answer to everything else ended up being gouache, although I did try to come up with pen colors for her eye shadow and the blue dots on her cheeks before admitting defeat that I just didn't have the colors I needed. Originally, I had actually been thinking of trying a lineless art piece with gouache, as I think it would work particularly well for that look, but I wasn't ready to fully commit to the idea, mostly because I seem to be even worse at mixing a non-excessive amount of a specific color with gouache than I am with acrylics, and that sounds like a fantastic way to waste a bunch of palette space because I mixed too much but it's gouache so it can be re-wet and re-use it and I don't want to just throw it away...  (Although I suppose this could be half-way solved by getting a bigger palette specifically for mixing gouache, but I also don't want to have to buy yet another palette when I have some perfectly good ones...If I could just use up all the paint in them already...) Anyway. Point: This is kind of a step between a full lineless gouache piece and not doing one at all. Baby steps, yes? I knew from fairly early on that I was probably going to have to use gouache for the front part of her hair/bangs, since I did not thoroughly plan ahead enough and didn't leave a gap there to do it with markers. Fortunately, I didn't have to do much mixing since my gouache already has a nice yellow ochre color included, and I could use a bit of the other two browns and one I had some leftover mixed already from Roses in Your Eyes for shading. (White for the flowers, too, thank goodness.) And I actually ended up going over most of her bun with gouache too since, by comparison, the marker didn't look like it had much shading and it was bothering me. I did have to mix my own blue and pinky-purple for her makeup, and I ended up with a lot of leftover pinky-purple. But it's kind of okay because by itself it's such a pretty color I'm sure I'll find an excuse to use that one. After that, I just had to do some minor tweaks where the gouache had gotten a bit away from me and then I went ham on the shading for the dress based on my reference photo. Then I realized I wanted some kind of background because this seemed awfully boring without one. And, naturally, I hadn't really planned ahead for that, me being me and being in habit of doing the background last... At first, I wanted to do something hot pink, since her official Amiibo card has a hot pink background, but then I thought that might be a little too loud and I wasn't really sure the best way to apply one without potentially messing her up. And also, this isn't watercolor or paper thicker than 140 lb, which immediately threw watercolor out the window unless I wanted a very uneven paper when I was finished. I'd already pushed my luck with the gouache and been very careful about not using much water with it; I decided it was best not to push my luck any farther. Also, I couldn't use my pink PanPastel, despite that being maybe my best option, because it is still perpetually screwed onto the little Pan Pastel stack with no hope of getting unstuck anytime soon. (One of these days I swear, I will order either another set like the one I have or an individual Pink one to solve this problem, but until then, I am going to bring it up every single time as a caution to others to please be very careful when screwing and unscrewing your own Pan Pastels if you store them screwed together.) And I didn't feel like dragging out some of my drawing pastels and/or makeup that's too expired to use on my face and very slowly building up color and hoping it'll do what the Pan Pastels do. With no better ideas coming to me, I decided I'd leave the drawing for the night and come back to it the next day. After yet more brainstorming the next day, I finally settled on doing a glittery rounded rectangle and filling it with washi tape stripes. This plan did change a little as I figured out which tapes I wanted to use (a purple-y, champagne gold, and light pink ones, the latter two of which look more different in-person than they do on the scan) and as I actually started applying the lines. Partially because this tape is a bit thin and partially because I'm not used to cutting tape around very specific shapes, it took a very long time to both place strips of the tape and then get them cut to fit right up to Luna without looking strange. Once I got to a certain point going in one direction, I realized my next couple of cuts were just going to be too hard for me to stand. I had a choice: Ditch the tape, or figure something else out. Taking a risk, I decided to try and salvage it by doing an almost-plaid/checkerboard with the tape, specifically leaving out certain areas where I knew it would be too tricky to cut the tape. This also turned out to be a good way to use up some of the pieces of tape I'd already cut off that were too small to be used the other way. It's still not the greatest background solution I've ever come up with, but it does the job of making it look less empty, and that's really all I wanted anyway. And you know, compared to official images her proportions look wonky, but by herself (meaning, without comparing the two) I think Luna looks pretty good, actually. (Though, I admit I did have to tweak her right ear in Photoshop because it came out entirely too long and there wasn't really a good way for me to fix it by hand.) To think, this piece started out as such a mess. Or rather, I was such a mess when I started. And yet, here we are, and it looks kinda okay. Okay enough that I finished it and am posting it, at least.   I have no idea if I'll be returning to this style/method for art-making in the future, but even if I don't it was a nice experiment to try, and that's what art is really all about isn't it? Experimenting, trying new things? Speaking of experimenting though, about those pre-order frustrations I mentioned now that I've covered everything about the art itself...(in small text for those that don't care to easily skip over) Back in February I tried twice to pre-order New Horizons from Target, since they were running an ad where if you pre-ordered the game you'd also get an AC themed journal with it, and that combined with my family member's employee discount made it the cheapest/best value way for us to buy the game. As I said, I tried to order it twice. Both times, it was sold out. My family member had even tried to go to the store and have them order it before then, to no avail. After the second time, which was the day after Target sent out the sale paper with the new ad in it, while I was still frustratedly wondering how on earth do you sell out of a pre-order?? I kept refreshing the page every so often just to see if by some fluke it would miraculously not be sold out. I got very lucky around 3 in the afternoon and we managed to get the order in before it sold out again. Now, we're a relatively cheap family, so we didn't pay for the "express shipping" or whatever. Although, this was a $60 game and we were ordering it three whole weeks (on March 2nd) before release. If you ask me, the least they could do is have it shipped out either on launch day (March 20th) or the day after. Especially if I can pre-order a book on Amazon with three days' notice and they can still get it to me on release day. But, okay, I could live with waiting an extra day or up to maybe three if I had to. (And, to be fair, this was all before a certain virus exploded into chaos here in the US.) Much to my dismay, a week before NH release day, I checked the order status with Target only to be told I wouldn't get it until the 26th. A week later. That was pretty disappointing at the time, but it didn't really bother me until the day before and the day of launch when some people were getting their pre-orders early from places like Amazon and Best Buy (and some of them didn't even pay for the express shipping option from their selected source). If those two companies could plan around virus constraints to do that, why in the heck couldn't Target? But, okay, fine. Maybe the virus had something to do with it and they were really doing the best they could. Whatever. A week. Fine. I'll wait a week. A few days later though, we got an email saying: Surprise! Don't expect your dumb video game until April 3rd because we couldn't get our act together! (Okay, that's not what it really said, but that's what it felt like.) And I know, I promise I so know there are much more serious issues going on in the world right now and a video game about talking animals isn't exactly a priority shipment. I know. But it was still massively upsetting after I'd already waited so long. And, honestly, I feel like they had plenty of time and notice to take care of the game before everything else exploded and messed it all up. Again, especially if other companies already had time to even ship orders early and/or get the games to people on launch day. Or the day after. TWO WEEKS after launch, and you don't tell me about the secondary delay until the week I started expecting the game to already be in the mail on it's way to me? The only tiny silver lining is that as I was checking the order to make sure it didn't miraculously get pushed back to sometime in 2021 (because I really had no faith in Target's time estimates at this point) is that it did get bumped back up to April 1st. Although, I did think that it would be the absolute least funny April Fools' Day Joke ever if the day came and it was late because screw me.  But it did arrive to me on April 1st as promised; I just had a million other things to do before I could play it. ) And I will say, I know I could've just canceled the pre-order and bought the game digitally, but it was enough of a hassle to order it in the first place, and if I did that I'd also lose my pre-order bonus. And all that aside, I specifically wanted a physical copy to begin with. I always prefer that when it's possible. So people on the internet that want to eat me alive for not canceling when the shipping got screwed up, there are my reasons. Take 'em or leave 'em. (Seriously, I've seen some people be really rude about this just because they didn't like hearing people upset that they didn't have the game yet...when they already had it themselves or didn't care about AC in the first place...) Moral of the story: Don't pre-order from Target. Or, at least, don't expect the item to actually get to you right around release day. Account for at least two additional weeks of not having the thing. ...Seriously though, how do you sell out of a pre-order?? At least, when it's a highly anticipated game and you're a big company and not some small indie company with limited resources! Sheesh! Anyway. I have the game now, I've been playing it as much as possible and enjoying it. I still have a ways to go before my island is "complete" per se, but it's coming along nicely and I feel more comfortable now taking some more time away from it to get back into the swing of making art and things like that. So hopefully I'll be getting back into a regular posting schedule and you'll have that to look forward to. 

____ Artwork © me, MysticSparkleWings ____ Where to find me & my artwork: My Website | Commission Info + Prices | Ko-Fi | dA Print Shop | RedBubble |   Twitter | Tumblr | Instagram

[xexilia]

I notice when you do your comics, it applies a certain level of toner. I ended up deciding on the route of using paint brush india ink, and charcoal for toner instead. Does this aesthetic difference change the marketability of graphic novel, compared to just using toner? In the context of the prologue in this web comic, it is used to denote a fog atmosphere. In the upcoming chapter, I might use it for graveyard fog.

I think first I need to establish that what you mean by “toner” is “shading”?

I do use tones, but tonER is the stuff used in and by physical printers. Print tones refer to the dots, lines, etc. that are present in the majority of my work and that Roy Lichtenstein emulated in his paintings. Tones are dots because that’s how printers print; Thousands of dots. The closer together, the more solid the shade or color is. I’m not trying to correct you on terms, but knowing this difference will help you later because I promise, if you buy toner online and expect to get tones, you’ll be disappointed by what arrives in the mail!

So, I think you’re falling into a common trap webcomic artists make in the beginning, which is focusing on the wrong parts of the project. You asked me if this changes marketability; But you didn’t tell me:

What medium do you want to publish in? Do you want to ONLY have your comics online, or do you want to print them?

Who is your target audience and age group?

Do you want to sell or profit off your webcomic?

The first question is important because far too often, webcomic artists design for the web/screens first, foremost, and only; Later, they decide to print a book, and this is when all hell breaks loose. Lots of media (Charcole, watercolors, etc.—media is the art term for materials) can look both better OR WORSE on a screen—this is where technology comes into play, like the scanner you have, the DPI (dots per inch) its able to scan things in at, and the size of scannable area. A lot of my favorite media and mediums (I like pencil on paper), are really delicate drawings—and like a lot of artists who favor these materials, scanners just never seem to do them justice. Lots of fine artists I talk to admit that they feel their work looks best in person, and no matter how high the quality scanner, small, delicate details get lost. Part of it can be a cheap scanner, the wrong DPI setting, but the other part can be the wrong medium (That’s the term for things like canvas or paper), or the wrong SIZE medium.

Size matters; Both in terms of the scanner surface area AND the size of your medium. A lot of people (And I did this myself for a lot of the first book), work on standard size paper—8.5 by 11 inches; But professional artists, print or not, are always better off to work at a LARGER size than the end result will be. When I printed my book, I didn’t come out too terribly for the size I worked in, because manga book page sizes are smaller than their American counter parts. I also knew I planned to print from the first page onward, so everything was designed for print first and web second—this is much easier and less time consuming to do than the reverse, because a lot of print errors can occur that don’t appear on screens—and literally can’t—and can take hours, days, weeks or more to fix, depending on how bad and common the issue is and how many of your pages have this problem. A big one is called moire, which DOES NOT show up on screens; This happens when an artist applies on tone directly over another. Because most of us work digitally these days, it’s even easier for artists to start doing this and not realize the consequence until you print a book. . .and discover all places where tones overlap create this weird square pattern within them—which is called moire. This is why it’s critical to use separate tones for different shades and such, because unlike solid color printing, you cannot overlay tones like you would layers in Photoshop or other such programs. Ignore this at your peril!

My first suggestion before you go to far is; Of you want to ever, EVER print this, print out a copy of a page at home. Even if you’re happy with it, consider how you may be printing or mass producing these things; If you’re going to make them via a copier at Kinko’s, take a page down to a copier at Kinko’s and see what quality you get. If you don’t like it at full size to the ratio you worked in (In other words, printing on the same size paper you created it on), you can get some improvement by using smaller pages—but going UP in page size will cause quality to drop. I now work on paper—digital or not—that’s always 11 by 17 inches AT LEAST. For anything I make, I try to work in a size 3 to 4 times larger than the end result will be.

When I first began, I made my comics with a copier at Kinko’s, and discovered while my ink wash method looked good, it looked better with color printing; Color printing is ALWAYS more expensive, hence why when digital comic creation tools (Like Clip Studio) got invented, I was an instant convert! It saved a lot of time and money (Tones and such are all expensive), the environment (No trees died for my drawings), effort (Tones are REALLY tricky to work with by hand), and it’s no wonder that manga artists now are nearly ALL working digitally.

Also, for the disabled (Like me), digital allows us to work from beds, at home, etc. instead of in front of a desk, all hunched over. I don’t accidentally smudge ink, my cat doesn’t drink my ink (Yes, it’s a thing cats do!), and if I mess up, the power of Undo/Redo/Copy/Paste/Transform CANNOT be understated. I’ve mentioned it before, but I believe in working smarter, NOT harder. This is why I draw out a lot of backgrounds (Which you can’t see on the free copies online, but you can if you buy a physical copy or the Amazon eBook), separately, and I can just drag and drop them around as I need. That way, I can focus on drawing the characters and not on drawing a giant cathedral for every damn appearance it makes or scene change I do.

As for marketability; A lot of this depends on your target audience and age group. Even so, people tend to grow to like something even if it may be atypical of the general stuff they like. I’m generally not a fan of shoujo-ai—but many of my favorite anime and manga ARE in this genre! Turns out, if the story is good, I don’t care about the sexuality of the characters!

A lot of people expect or want color comics these days though, which is odd to me, since the manga produced in Japan is in black and white (Color printing is expensive—even for a major publishing company!) People still read it, and those who expect an artist to make a free webcomic with color pages and update several times a week or month aren’t aware of the time, effort, or consequences. Generally; No, they will NOT buy a book they’ve read for free online (As much as people love to say to support us creators, they rarely actually do), and they damn sure won’t pay for the extra cost of color printing. If you want to see the difference, check out Ka-Blam comic printers and do a price comparison between printing pages in color versus black and white.

Yes, there are people who do a Kickstarter and such and get these funds up front; They are exceptions, not the rules. Consider them—and most artists who make comics or art they make of their own choosing (Not commissions, but only originals), the same as you might someone who plays a sport and decides that they are GOING to play professionally for some orginazation or team—which is, they are counting on being in this LESS THAN 1% of their field. Yes, some people pull it off; The vast majority don’t—and skill isn’t the biggest factor in the end. Just like an athlete with all the promise in the world can have their career ended before it’s begun by an injury that never heals right, art itself is a career path with MANY hidden pitfalls and problems—and health is a major one. Too many of us don’t eat right, don’t exercise our bodies and minds, and so on; It adds up. I personally really recommend a diet with a caloric/carb intake ratio that works within your activity levels; In other words, if you’re determined not to work out (Which—don’t make this mistake), you can’t eat as much as you’d like—not only will you gain weight, but it impacts your health health, your blood sugar—it can be a recipe for an early, but preventable, grave or a LOT of suffering that could be avoided. I try to jog at least two miles a day, meditate daily, and really put my health as the main focus in my life—even before my art. I can’t draw anything or write more stories if I’m dead, after all, and I can’t produce my best work if I’m not in the best condition I can manage. With an autoimmune disease, there’s only so much I can do or control and I’m often still very sick and in a lot of pain; But I still do all I can to run or walk two miles—at least, and even if it takes me an hour or more—and to keep my heart rate at 120 beats per min. when I do. There’s a lot of days where this is about the ONLY thing I can manage and where my pain is so bad I cry and cry—because right now I don’t have a lot of means of relief; This doesn’t happen to everyone, but it means that health—no matter what you do in life—can make or break you at times. Audiences aren’t always understanding of these circumstances and yes, ones career can dry up as a result. Just because someone manages to play for the sports team of their dreams doesn’t mean their health can’t or won’t turn on them, or a serious injury will end their career; We do not live in a world where people will continue to support you because of a series of or singular unfortunate event.

This brings me to the last point, which is if you plan to sell or profit off your work; We all want to, but often making sales can come at the cost of producing something that we, as the creators, really love or are passionate about. I decided from the jump that, while profiting was nice, I’d much rather make the title I wanted to make rather than the one that sells the most copies; If I were concerned with it, trust me, Eternity Concepts would be a wildly different story, with different art, etc. I’d have written a formulaic story that was entirely predictable and changed so many aspects, you’d never recognize it; Manga fans tend to be teens, so I’d have made the cast all teenagers! It’d be set in school! Someone might magically transform to fight evil or some such thing.

I didn’t want that; If you do, there’s no shame in that, but audiences will keep buying and reading what we keep producing, and if we’re too afraid to take a risk on a chance that our story won’t make a dime—because making a dime is the most important part for you—then we can’t be surprised when it’s what people keep buying—because we aren’t even attempting to sell anything else.

Publishing houses (With novels and such) can be really guilty of pushing for changes based on market research; The thing is, the research is often based off past sales of what’s already in the market. Plenty of novels that became classics and best sellers got rejected for years and years until a publishing company was willing to take a chance and discovered that people can, will, and do enjoy new and different things. They might also do market focus group testing—but these are small sample sizes of average people—and your audience may NOT be average people.

All creative pursuits involve risks, at the end of the day; You just have to decide what rewards you want or are willing to sacrifice if you take them.

As for aesthetics, there’s no accounting for taste and I’ve seen plenty of paintings I hated sell for insane amounts of money, plenty of art styles I hated become popular titles, etc.

I will say this; When I, PERSONALLY, see a comic with tones or color, usually that’s digitally produced (It cuts out the need for a scanner!), it looks to me like it’s professionally made—by someone who is on their way or already at such a level.

While a lot of newer artists try to make do with other materials, again, the world is not a kind place and making do is just that—making do. Yes, there are a million and one reasons why one can’t get their hands on better or more professional materials—but sadly, people don’t want to hear excuses, and many successful artists got their tools by working jobs they hated, saving up, living in their cars—making major sacrifices to get to where they are now. There’s no easy road or shortcuts to the end; Yes, I do, sadly, think the mixed media approach you’re trying won’t be favorable towards your marketability—but I could always be wrong (Look at how many MS Paint comics made it big!) There’s a first time for everything.

Comics, though, is also about production speed, and traditional materials can come at the cost of working quicker. I’m a big fan of suggesting people save and wait and invest (And it IS an investment) in serious materials and tools if they wish to be seen and taken as seriously; This means making sacrifices and at the end of the day, plenty of people still won’t like what you make, no matter what tools you have or plot you employ. The person who NEEDS to like it most? . . .Is only you.

You cannot please all of the people all of the time, and the faster you accept that, the happier you’ll be with what you make.

[slothcritic]

Dragon Ball Z Abridged - Episode 9 Review

Consistently funny. The weak points do not drag this episode down.

The Set Up begins with a great cold open. Piccolo is drop-dead unconscious on the ground, Gohan is desperately trying to wake him up, and Krillin is anxiously awaiting for Goku to show up. After all, he’s their friend who would never let them down right? Meanwhile... Goku is busy eating at Jadoshin's palace. Even as a departure from the original series, I like the idea that the two of them made up and are friends now. Jadoshin, however, has to remind Goku about the Saiyans. Goku then runs out in a panic.

[Title Sequence]

Piccolo isn't getting up and Nappa needs a new toy. He chooses Gohan seemingly at random from the two remaining, and floors him in one kick.

"Wooo! Not me!"

When Krillin isn't being the resident Milhouse, he's the rimshot comedian. The joy doesn't last for much longer though, as Gohan stays down.

Nappa is about to tear Krillin a new one, when the bald monk suddenly screams out that it's his turn. And for some glorious reason, this actually works on Nappa. This is some straight up Looney Tunes, "Duck Season, Fire!" type tomfoolery.

Vegeta does not handle Nappa's stupidity very well, and in his anger does a fourth wall break where he references a timestamp in the video. This is kind of clever and a bit of a break from the other fourth wall jokes that they've done so far, but I feel like it could lose its charm if it's done more than once. As for the timestamp itself, which is at 9:18 in the video... we'll get to that later.

Krillin decides to use the Destructo-Kienzan, and Vegeta shouts a warning to Nappa that it's a trick.

"But Vegeta... tricks are for kids."

The tense background music just completely stops here, but you can still hear the vibrations of the kienzan in the background. Great sound design. The long pause afterwards is also well timed, and Vegeta takes up the "fuck it, you wanna die, then die." mentality with Nappa. This skit is succinct, well paced and well editied.

Nappa receives a deep cut to the face for his troubles, as it just nearly takes his head off. Nappa laments his modeling career, and the scene cuts to a photoshopped rendition of Nappa on Vogue magazine. The bald, beautiful Saiyan, and his 10 tips on being a better lover!

This might have been a joke before its time, or perhaps the intention was different while writing this in 2009, but Nappa shows us all what a "nice guy" he was trying to be during all of this, and now decides "okay, full ultra-violence it is!" and fades Krillin with a white sparkly angel dust attack. I'm sure it has an actual cool sounding name (Like "Galaxy Breaker" or something) but I'm going to keep calling it the white sparkly angel dust attack. The owned counter ticks up to 8 here, but it doesn't feel deserved.

Piccolo jumps up with an "I'm back" and shoots Nappa... in the back. He sees what you did there. Just as Piccolo and Nappa are about to throw down, Gohan appears out of nowhere and roundhouse kicks him through a boulder. More indication that Gohan has some incredible hidden power inside of him. This surprises Piccolo, and Gohan is initially apologetic, but Piccolo begs for him to stay angry before Nappa just as quickly hops back to his feet.

It turns out Gohan hit Nappa so hard that he turned Italian. Seems a little out of left field, but why not. The "I'm a firing my laser" reference is perhaps the most dated thing I've seen since Episode 1. Would this even count as a meme? Wasn't "Firin Mah Laser" something that came out before the word meme even became popular as a way of describing internet fads, jokes, templates and trends? Back when Demotivational Posters and I Can Haz Cheeseburger ruled the internet? Truthfully, I loved this joke when it came out, but now all it does is remind me of the proto-internet days. And part of me feels weird for being nostalgic about that, because I just know someone in their 30's is going to read this and roll their eyes saying "Oh God, I'm getting old", in much the same way I'll feel horrified when people start to become nostalgic for Fortnite in the next 10 or 20 years.

Back to the episode, Piccolo's sacrifice happens right about here, and the scene does a good job of pointing out a plot contrivance in the source material. Piccolo could have just grabbed Gohan and moved out of the way. Though the scene plays up the amount of time Piccolo had to work with, there was still nothing stopping him from just grabbing him and chucking him like a bag of potatoes out of the way, even in the original. However, if Piccolo doesn't die, there's no real reason to go to Namek. What I think might be a more practical reason is that, this is a turning point for Piccolo as a character where he starts thinking emotionally. It's no real secret across both the canon and the abridged material that Piccolo is actually a pretty decent parent. So this right here is the idea of Piccolo more or less abandoning rational thought and considered only protecting Gohan. That contrasts a little with the ruthless, methodical, cunning, intelligent character he's been shown to be, just to throw that all away to save him, but the contrivance definitely becomes less egregious when you consider these factors.

However you want to address it, then end result is that Piccolo sacrifices himself to protect Gohan. In the original this is capped off with Piccolo comparing Gohan to his son, which is what Gohan begins to explain before Piccolo calls him a nerd. In this series however, Piccolo laments one final time:

"Why... didn't you... DODGE!!!"

Bleh. And with Piccolo's death, Kami is soon to follow. He explains the Namekian Dragon Balls to Mr Popo, and the long (very long) journey that must be undertook in order to revive everyone, but Mr Popo outright refuses and simply reminds Kami of the pecking order. Kami dies, and thus the Dragon Balls become inert.

Back at the battlefield, Vegeta was busy reading an issue of that very same Vogue magazine with Nappa on the cover and thus didn't see him kill Piccolo, like a mother three sangria's deep at her kid's soccer practice.

I've never much cared for Gohan's exasperated expletives in this or any scene in DBZA. This one in particular doesn't sit well with me simply because they went to the effort of being purposefully verbose but then still chose to use the word "condom" over "contraceptive" - A condom is made of latex, whereas a contraceptive is any kind of device at all that prevents pregnancy. As an example, some of the first contraceptives in history were made from linen and animal intestines, while the condom itself wasn't invented until 1855. Gohan specifically saying he's going to use Nappa's intestines as a condom serves the same purpose either way, but “contraceptive” would’ve been more technically accurate, in a bit of dialogue that is purposefully trying to be technically accurate. I wouldn't be picking on the semantics so much if that weren't the express purpose of this entire scene. Also it has more syllables and therefore sounds more smarterer.

Nappa gives this scene the backhand and the "bitch please" it deserves and we're done with that.

"Everyone important to you is dead." "Hey I'm still alive--" "EVERYONE important." "...Damn it."

See, this is where the Krillin Owned count should have gone up.

After Nappa doesn't smash, Goku appears on the battlefield. His reaction to showing up too late and everyone being dead is uncharacteristically deadpan, and it's hilarious. He asks where Chiaotzu is, and Krillin gives him the Achmed the Dead Terrorist explanation. Over there, over there, and up there. I'm not actually sure if this episode predates Jeff Dunham or not, but I enjoy both, both used the same joke at least once, and both make me laugh so I'm drawing the comparison anyways.

Goku asks why everyone is dead and Nappa immediately and without hesitation calls dibs. This leads into one of most famous and iconic scenes, if only for meme reasons, in all of DBZ.

"Vegeta, what does the scouter say about his power level?" "It's... 1006." "Wha-- Really?" "Yeah. Kick his ass, Nappa!"

Not gonna lie, this genuinely made me burst into laughter the first time I saw it. I don't know if it was just shock value or what, but it doesn't have the same effect now that I know it's coming every time I rewatch this episode. I just love the idea of the scouter being upside-down and Vegeta not questioning it. An even better headcanon is that the scouter was never upside-down, Vegeta was just getting tired of Nappa's bullshit and just decided to send him into an ass-kicking anyways.

We're treated to a solid 15 seconds of Nappa getting completely curbstomped while the various characters look on in shock and awe, until Nappa gets dumped at Vegeta's feet.

It's also here that Vegeta finally learns that Piccolo's life is directly intertwined with the Dragon Balls. I believe this was already established in the original series, but no such conversation ever occurred here. Vegeta has quite simply lost his chance at immortality and it’s all because of Nappa.

I actually wonder how an immortal Saiyan would work. They receive a Zenkai boost, which makes them stronger when they almost die, but if you can't ever die, you can't ever “almost” die either, so you wouldn't get the Zenkai boost and your power wouldn't increase that way. Then again, most expectations of logic or consistency within Dragon Ball are pretty much always doomed.

Speaking of doomed, remember that timestamp at 9:18 that Vegeta referenced earlier? Because Vegeta certainly does, and with both the camel’s and Nappa's back having officially been broken, Nappa is sent to the shadow realm in a blinding flash of light and a massive explosion.

Vegeta's smirk is all we needed to close out this episode. There is no stinger.

Conclusion

Really good episode, actually. I wouldn't consider it as strong as Episode 7, but it definitely holds the same energy throughout. There are more high quality comedic moments in this episode than I could count on both hands. At worst some of the dialogue was uninteresting, pointless or overproduced, but the average pace of this episode rests rather highly compared to its valleys.

Microphone quality and sound mixing on some pieces of dialogue is still meh. Krillin's first line in this episode peaks the audio or something similar, because it takes me out for a hot second just because it's so sudden and emphatic.

We also see a slight evolution in the dynamic between Vegeta and Nappa which keeps things fresh. This is becoming less of a deadpan snarker and over the top clown, treads more into the ticking time bomb territory which is great for slowly building tension, and not unjustly as it has a satisfying payoff.

Plot holes in the original are addressed and lampooned here, creative jokes such as the Vogue Nappa and “1006″ are present and accounted for, and on the whole there's a lot of very on the mark humor, and only some of it is overdone. The story for this episode also holds significant weight and momentum, and it all blends together quite well with an above-average script and some great visual and audio edits.

Score: 77

Passing Thoughts

"Riiiiiicola!" - Oh hey, it's this again.

"Oh and I totally killed that guy. Oh well, at least we still had fun getting here, right Vegeta? Vegeta? Remember the bug planet? Vegeta? Vegeta? Vegeta? Vegeta? Vegeta? Vegeta? Vege-- AAAAAAAAHHHHHHHHHH!!"

[the-desolated-quill]

Okay, Enough With The Live Action/CGI Hybrids - Quill’s Scribbles

So the trailer for the upcoming Sonic The Hedgehog movie came out...

Do I really need to say it? Everyone and their mums have already said it. Hell, you’re probably saying it right now.

Sigh. Okay. Fuck it. I’ll say it.

Who the fuck thought this was a good idea?!?!

The trailer itself is shockingly bad. It looks bland and generic with almost nothing in common with the games. The jokes are forced and painfully unfunny (why are the people in the airport more concerned that the ‘child’ in the bag isn’t James Marsden’s rather than that there’s a fucking child in the bag in the first place?!), Jim Carrey is being his usual obnoxious self and is plain and simply a terrible choice for Doctor Eggman (isn’t the whole point of Doctor Eggman that he’s supposed to, you know, look like an egg?), and the soundtrack is utterly cringeworthy (Gangsta’s Paradise? Really?!?!). But that all pales in comparison to by far and away the biggest problem with the trailer. And I think you can all guess what that is. 

Yes I’m of course referring to the noticeable absence of Team Chaotix. An artistic decision so despicable, it’s practically a hate crime. For shame! Everyone knows that Charmy Bee is the best character in the franchise and yet they don’t have the guts to put him in the movie! Fucking philistines!

...

Oh yeah, and Sonic the Hedgehog looks like a monstrous abomination concocted from the fever dreams of Doctor Frankenstein and Walt Disney.

It’s hard to know where to start when talking about just how grotesque and disgusting this CGI Sonic is. He looks like what your computer would produce if it caught pneumonia. What I especially don’t understand is why they veered away so heavily from the original, iconic design. I mean...

I don’t know about you, but I’d honestly have no problem if the movie just kept this look from the games. Hell, I think even giving him realistic fur would be pushing it. This is perfectly fine. I could totally see this design working in a movie. Instead we get the secret love child of Gollum and Papa Smurf.

He just looks so weird with human proportions. The leg muscles, the two eyes, the human looking teeth. Apparently the filmmakers wanted this Sonic to look as realistic as possible. Because when I pay to see a movie about an anthropomorphic blue hedgehog that can run at supersonic speeds, that’s my first thought. ‘Is it realistic?’

... Jesus Christ.

But of course the main problem with this live action Sonic movie is that it exists in the first place. When it was first announced, I assumed in my naivety that it would be an animated movie. Because that would make sense, right? There have been movie and TV adaptations before and they were all animated. Imagine a big budget computer animated Sonic movie. That would be really cool. But it was not to be. In Hollywood’s infinite wisdom, they decided to go the live action route because... Actually why did they choose to go the live action route? Well that’s what I hope to address in this very Scribble.

Live action adaptations and remakes are nothing new of course. Disney had tried it a few times in the past with movies like 101 Dalmations, there have been other live action versions of animated or illustrated characters such as the Grinch and the Cat In The Hat, Garfield, the Smurfs and Alvin and the Chipmunks, and there was of course the infamous Super Mario Bros movie, which answered the question of what it would be like if the Mushroom Kingdom took place in the same universe as Judge Dredd. But this is the first time live action/CGI hybrids have been huge money spinners. Disney struck gold back in 2010 when Tim Burton’s version of Alice In Wonderland made a billion dollars at the box office and now the company is mining through their back catalogue of Disney classics and giving all their movies the live action treatment. Initially I was okay with this because in the case of Alice In Wonderland and Maleficent they were at least trying to reinterpret the original films and put a new spin on them, but now they just seem to be copying the movies verbatim. Making live action remakes just for the sake of making live action remakes.

Now other studios are trying their hand at, the most notable being Pokemon: Detective Pikachu. Here’s a picture of the original Pikachu:

Cute, right?

Now here’s a picture of the live action Pikachu:

Can you see the problem here?

(also why the hell is Ryan Reynolds the voice of Pikachu? I honestly can’t think of anyone more inappropriate for the role. It’s like casting Samuel L. Jackson as a Powerpuff Girl)

The fact of the matter is some things just don’t work in live action. Sonic the Hedgehog and Pokemon work in their respective universes because they’re animated creatures in an animated world, and their anatomy and design fit that world. In the real world, it just doesn’t work. Pikachu looks strange and kind of creepy in the real world. The same is true of the other Pokemon. Jigglypuff looks utterly adorable in the games and animated show with its spherical body and cartoon eyes and you just want to take one to bed with you and cuddle them like a teddy bear, but in the real world it looks fucking scary!

I wouldn’t want to cuddle that thing! It looks like it would go for my throat given the opportunity!

The same is true of Sonic. Paramount’s attempts to make him look more ‘realistic’ just makes him look incredibly alien and out of place.

Another example I like to bring up is the film Christopher Robin. Now we all know Winnie the Pooh. Silly ol’ bear. Charming, cuddly and endearing, right? Just look at him.

How can you not fall in love with him?

Now here’s the live action version:

When I first saw the trailer, I was utterly creeped out. He looks like something out of a horror movie. Add to that that they got the original voice actor from the Disney cartoons to reprise the role, and Winnie the Pooh pretty much became the source of all my nightmares for the next couple of weeks. That lovable voice should not be coming out of that... thing.

It’s a pattern that repeats itself over and over again. Look:

Charming and lovable.

Weird and unsettling.

Creative and fun.

Photoshop disaster.

Sweet and likeable.

Fetch my crucifix and holy water.

Emotional and expressive.

So ‘realistic’ to the point where he looks like he has the emotional range of a teaspoon.

Now I recognise this largely comes down to subjective opinion. If you like these CGI redesigns, that’s great. More power to you. But I know for a fact I’m not the only one getting increasingly weirded out by these computer generated demons from Hell.

So why does Hollywood keep making these films. Well obviously in the case of Disney it’s because they’ve ran out of original ideas and want to make a quick buck by exploiting their audience’s nostalgia. (the same can be said of the Star Wars sequel trilogy). But what about other studios? Yes they’re financially motivated too, but there’s got to be more to it than that.

I think it’s largely down to the stigma of animated movies. Animation has become synonymous with children. When you hear the term ‘animated movie’, you automatically associate it with ‘kid’s film’. And ‘kid’s film’ is often used in a negative context. Like it’s somehow lesser than quote/unquote ‘proper’ movies. Live action suggests a certain pedigree. A sense of prestige. But that’s obviously bollocks. The quality of a film isn’t dictated by whether it’s live action or animated. It’s determined by the writing, directing and acting. There have been live action films made for kids and animated films made for adults. And I’m not talking about Sausage Party. I’m talking about Finding Nemo.

Now I know what you’re thinking. Finding Nemo? Isn’t that a kid’s film? No. It’s a family film. And that right there is the problem. You heard me say Finding Nemo, an animated film about talking fish, and you automatically associated it with a kids film. But the thing is Finding Nemo deals with some very dark and adult themes and its moral message of not being overprotective and allowing children to take risks is intended for the parents, not the kids. Obviously kids can still watch and enjoy Finding Nemo, but it’s the parents who are clearly the target here. The same is true of Toy Story 3. Children can still watch and enjoy it, but the film is clearly intended for people who watched the original Toy Story when they were a kid and are now grown up. When you stop and think about it, it’s really sad that family movies are associated with kids movies. Not that there’s anything wrong with kids movies obviously. But why do people assume that family movies are meant for kids? Why can’t they be adult stories that are also accessible to children? Books have done it. The Artemis Fowl series is kid friendly, but its tone, themes and style suggest the author has an older and more sophisticated target audience in mind. A Series Of Unfortunate Events is popular with kids, but it’s adults that get the full experience because of the way Lemony Snicket uses postmodern and meta-textual elements in the books, which would sail clean over the head of a kid reading it. The idea that a live action remake is somehow more ‘grown-up’ than an animated movie is just absurd. The original Lion King was very grown up, thank you very much. There are lots of bright colours and fun songs for the kids, but it also doesn’t sugarcoat the darker themes such as death, betrayal, corruption and abuse of power. Mufaser’s death isn’t going to be made any more impactful in live action. The animated version was more than heartbreaking.

Shifting the conversation back to Sonic, this is also intrinsically linked with another problem with Hollywood at the moment. Movie adaptations of video games. And again, it’s a similar problem. People, especially critics, view video games as being lesser than movies. Roger Ebert famously said that video games will never be considered art. But that’s nonsense. There have been loads of video games that could be and have been considered art. BioShock, for instance, which scrutinises and criticises both objectivism and capitalism. There’s the Mass Effect trilogy, which is often described as this generation’s Star Wars. The Last Of Us is widely considered to be a masterpiece by gamers and literacy scholars alike. Hell, the fact that Hollywood wants to make movie adaptations of video games at all suggests that games do in fact have some inherent artistic value after all. And it’s not as if I’m wholly against making movies based on video games. There are some games that could translate really well to films, Sonic being one of them. (I personally loved the Ratchet & Clank movie, for example. It’s just a shame nobody else fucking watched it due to the almost non-existent marketing). However there’s an inherent problem with translating video games to movies as opposed to, say, translating books to movies. In book to movies adaptations, studios are adding something. Visuals, sound, performance, etc. In video game to movie adaptations, they have to take things away. The most obvious is interactivity. Unlike movies where nothing is required of the audience other than to just dumbly stare at the screen, video games require the audience to actively control the story. Move the character, kill baddies, solve problems and stay alive. You are an active participant in the narrative. As a result, the emotional connection you feel with both the plot and the characters is often stronger than that in a movie because you have direct influence over what happens. 

Also video games have the luxury of being able to tell their stories over the course of eight to thirty to even a hundred hours of gameplay. There’s no way you could condense something like The Last Of Us down to a two and a half hour movie. There would just be too much lost. Important character moments and plot points that would have to be chucked in the bin. Yes things get lost in book to movie adaptations, but nowhere near at the scale of a game to movie adaptation. A possible workaround would be to make game to TV adaptations instead, but then we’re back to the interactivity problem again. And don’t get me wrong, I’m not saying that movies are better than books or that video games are better than movies. I’m just saying they’re each individually suited to tell their own kinds of stories in their own unique ways, therefore translating from one medium to the other is often difficult. The Last Of Us would never make a good movie, and that’s okay. The game is still amazing and the story is still amazing. Its artistic merit isn’t lessened because it can’t be translated to films, in the same way the merits of a bike aren’t lessened because it can’t fly. It’s just not designed to do that.

I guess the point I’m making is there’s no one way to tell a good story. There are an infinite number of ways it can be done. So lets stop Hollywood’s obsession with pigeonholing everything into one format and actually explore the possibilities, shall we?

[sims2shrine]

“This soulless game isn’t really ‘The Sims’ for me”

I am starting off this blog with a review for The Sims 3 from Amazon.com user Valentinegirl. Why The Sims 3 on a blog dedicated to The Sims 2, you ask? Because this review details just about everything about The Sims 2 that makes it so special and endearing. Whenever I come back to playing The Sims 2 after a long break, I like to re-read this review because it always excites and inspires me to play this game that I am so passionate about. Note that the opinions expressed in this review do not necessarily correlate with my own -- I do enjoy all of PC versions for the most part. I just believe that The Sims 2 is far superior to the others, hence why this blog was born.

“Like many of the other reviewers here, I have been a HUGE fan of The Sims franchises, losing many pleasant hours to The Sims 1 and its wonderful sequel The Sims 2. Even before The Sims came out I was a Maxis fan, playing games like Sim City and Sim Tower with pleasure. I can't say that The Sims 3 has ‘disappointed’ me because the more I heard about the new game over its development period the more I thought to myself ‘why are they including this feature or dropping that feature? It sounds like they are tampering with the heart of the things I enjoy about The Sims’. But I bought the game anyway in good faith. Needless to say I am now back to playing The Sims 2. The Sims 3 has no interest for me at all in comparison. Despite all the ‘improvements’ - and I admit there are some surface ones - the heart and soul of what The Sims means to me is absent from this game. Unlike other reviewers here, my negative review of this game is not due to any technical difficulties. Perhaps I haven't played long enough to experience any, and at any rate - every hard-core Sims fan has learned to live with the bugs shipped with the game and love it anyway. The modding community has always done a sterling job of cleaning up our games and making them more playable and enjoyable. So my negative rating is not due to bugs or crashes - it is purely based on my perception of the game's enjoyment factor, especially when compared to The Sims 2. To be fair, I will sum up what to me are improvements to the game compared to The Sims 2: - the ‘open neighbourhood’ - the ability to go from one place to the other without a loading screen is a fine idea and works well in principal. But I found that it really didn't impact my playing habits as much as you might think at first. While playing a large, busy family there would be very little time to go rushing off to the park or elsewhere and I found I was ‘household’ focussed in my game playing just as much as in The Sims 2. I actually prefer in some ways the way community lots worked in The Sims 2. If you could organise your sims enough to go off to a community lot, time would actually stand still in the meantime, taking the pressure off your enjoyment of this change in pace for your sims. - No doubt about it, the ‘Create a Style’ colour wheel/pattern maker is the one thing that is far superior to recolouring in The Sims 2. It's great fun and so easy to go through and match up clothing, furniture, wallpaper, etc in an obsessive fashion that suits my type of playing down to the ground. But even here is a caveat - there is no Body Shop type program to truly customise textures. You can recolour only which is hardly satisfying in a creative way compared to being able to extract a texture and import it into Photoshop, thereby putting your own personal stamp on the texture. For example, in The Sims 2 you could export a dress texture and by pasting on a texture of your own you could make the outfit appear to be a cardigan and skirt instead. I am sure custom content creators in time will come up with ways of importing new meshes/textures into The Sims 3, but it is obvious that EA is trying to limit this type of thing to the ‘regular’ user right from the beginning by eliminating a ‘Bodyshop’ program from their development tools. - The ease of angle rotation is an unmixed blessing in this game - something that I wish had happened in The Sims 2 - The outdoor scenery in The Sims 3 is gorgeous from the beach, the shimmering water, to the parks, rolling hills etc. But the limitations put on being able to make this neighbourhood your own again shows up the inflexibility built into this game. Whereas in The Sims 2 you could completely customise your neighbourhood, building it up from a terrain created in Sim City, to decorating it and laying out your lots etc, in this game, EA gives you this beautiful scenery and then severely limits your ability to customise it. You cannot create your own terrain, the community lot buildings are the same everywhere and are not even properly functional, and there are a limited number of lots for your houses. It feels like a ‘dumbed down’ version of a neighbourhood to me that even the ‘open plan’ of the game cannot make up for. - There are a lot more surface details to gameplay in The Sims 3 by the way of person and object interactions and the little missions/opportunities that pop up. I do appreciate the amount of thought that has gone into a lot of these things, like adding depth to the career paths and making such things as painting a picture personal to every different type of sim. But again, when playing a busy family (six kids!) I found that I would just click the opportunities away as an annoyance without even reading them. There was no way my busy mother or father could go running off to the town park for a chess tournament when they were caring for screaming toddlers at home! - The lighting of the new game is a nice update and beautiful. It is also flexible if you have the time or inclination to mess around with the many options provided So even the improvements included in The Sims 3 are mostly mixed blessings for me! Here are the things that have decided me against the game: - The sims themselves. Try as I might, I cannot bond with these weird looking people and that bond between the player and their ‘Simmies’ is the major factor that holds many Sims fans in thrall. For a start, these creations just don't look like sims to me. It is laughable that the creators of this game are claiming that the sculpting tools given to create a sim are more flexible and customisable than in The Sims 2! In fact the sliders are very limited in their scope and have less points of difference than those provided in ‘Bodyshop’. That round-faced, chinless look that we all noticed and wondered at in preview pictures of this game is there for the very specific reason that you can't provide your sim with a proper chin and all of them look blobby and quite fat in the face. The noses look like they are just stuck on anyhow and look very unfortunate in profile. And the empty-looking eyes roll in a very disconcerting and unappealing alien manner. The sims toddlers and children - one of my prime delights in The Sims 2 - all look very ugly and all look exactly the same. One couple I played had six children, just to check out the genetics and all of them looked like peas in a pod until they got to their adult years, and even then the differences were minimal. It was very unsatisfying spending so much time and energy raising these unappealing little clones! - Obviously, I have had trouble creating sims I like to look at. That wouldn't matter as much if I could love the way these sims act and interact. If you think back to The Sims 1 and The Sims 2 what charmed fans of these games was how cute, quirky, funny, unexpected and unique all these characters seemed to the player. I don't accept the criticism the developers of this new game kept stating that ‘all previous sims games had sims who were all the same and all they wanted to do all the time was go to the toilet!’ Well really - do they think The Sims 1 and 2 would have been such world-wide successes if this were actually true?? Of course not! Our sims charmed us, made us laugh, surprised us and often took their own little lives in their own hands and pulled the game in a direction all their own. The two things promised by The Sims 3 creators about how the new sims would behave were 1) There would be a lot more time to attend to the sims' lives and less need to run around after them caring for their basic ‘needs’ - such as sending them to the toilet or to bed; and 2) the new ‘traits’ system would ensure truly unique behaviour from the sims and open up entirely new vistas of personalities and interactions for sims fans to enjoy. I'm sorry to say, but I have to rebut both of these stated improvements. 1)I think every Sims 3 player, no matter how dedicated a fan they are will admit that you spend more time waiting for your sims to fulfil needs than ever before. You spend ages just watching them sleep every night. They seem to have bladder and hunger needs that are never satiated, and you spend more boring time staring at their work building while they are off at work. So between taking them to work, watching them sleep, fulfilling their needs and trying to skill up, there is actually zero time left in a sims' busy day to take them to the park, the beach or visit a neighbour! How is this the ‘new balance’ of life over needs that the developers were so proudly proclaiming?? 2) As for the ‘traits’ system - that has to be the biggest disappointment of all. Sure, picking different traits for your sims will give them some very superficial differences, such as different interaction possibilities with other sims, or different animations. but at a deeper level, each and every sim seems the same over and over again. I think the main reason I say this is if you watch a household full of sims who all supposedly have a unique set of traits, you don't see them acting differently unless you tell them to. In fact they barely interact with one another at all if you don't tell them to. They ignore one another and spend their time being boring - fulfilling the endless needs or perhaps using a skill object. They don't care to interact with one another at all! It is quite possible to have two sims living in the same house forever and they remain total strangers to one another. You have to force them to interact which I find really annoying - I had hoped that they might work out their own relationships as they did in The Sims 2. Another annoying thing is the lack of familial affection between sims. Unlike The Sims 2, you never see a parent hug, kiss or play with a child unless you tell them to. You just don't feel that these sims love/care about one another at all, and I remember that feeling that ‘love is real’ between sims being the primary and most striking point that charmed me when The Sims 2 came out. I am sorry to say, if I compare the depth of personality of a houseful of Sims 2 and 3 sims, the Sims 2 sims would win hands down. In Sims 2, they would take one another in like or dislike, be attracted to some and repulsed by others. The parents would hug their kids when they got home from work, and kiss them goodnight. Husbands and wives would find a quiet corner and canoodle in a very romantic way. In Sims 3 they all coldly ignore one another and act in boring and one-dimensional ways, totally uninfluenced by their so-called ‘unique traits’. This lack of true feeling for my sims and between the sims themselves is my primary reason for calling this latest instalment ‘soulless’. How can you feel attached to these ugly, alien-like people who all look and act the same? - I do not care for one of the key selling points of The Sims 3 - the so-called ‘story progression’. Which sim fan really wants to leave their playable family for a little while only to come back and find they've moved out of the neighbourhood, or had a family while you're not looking with kids you didn't get to name? Where is the appeal in that? Most sims fans love to micro-manage their sim's lives - who they love, marry, have kids with, what they name their kids, where they choose to live, etc. Even more frustrating, the ability to turn story progression off is broken!! Good one, EA!! Another one of my criticisms is that EA has written out some of the most enjoyable and endearing elements of The Sims 2. Eliminating these things really proves to me how little the developers of the game understood the things that true Sims fans love about their games. Here are some as an example: - Story mode is gone. Yes I know there is a camera and yes I know they have all this fancy equipment that enables you to easily upload stories and movies onto the web to share. But I bet 90% of Sims players are not all that interested in sharing stories on the world wide web. The Sims has always been a highly personal game - a fantasy world unique to each sims player, and making up and sharing sims stories is not the driving reason to play the game for most. It is to get lost in your own little self-created kingdom and fall in love with the little pixels that people it. In Sims 1 & 2, using the camera as I played and building up an album for each little family became a mainstay of my playing style over the years. Most of the time I would not even add text to the pictures. They would be safely stored in each family's little album and every once in a while I would choose to browse through this visual record of my sims' little lives and enjoy again the sentimental, surprising, funny little incidents that marked the passage of that family's life. I would record the unexpected or charming little things that made my sims seem unique, like when my prim little sim teenager fell in love with the neighbourhood ‘bad boy’ all on her own and against any of my expectations. Or when my shy, nerdy sim who lived with a party animal room-mate spent all her time in her room reading on the bed or, of all things - washing the windows! whenever her room-mate threw one of her wild parties! Not having this record at hand of the family's little story in Sims 3 is definitely a contributing factor to the feeling of the game having little forward progression - every day seems like the one before. - Eliminating memories from the Sims is another way EA has wiped out the sense you might have of the family's story and history. I know memories caused all sorts of trouble in The Sims 2 if you moved sims indiscriminately from one neighbourhood to the next, but I think for many of us, having that sim's little milestones recorded in their memories really gave the sim a feel of individuality and personal growth. After not playing a particular family for a long time the first thing I would do would be to flip through the family's album and check their memories. This would put me back in touch with where the family was in their own particular life story. - Another charming Sims 2 feature that was wiped out was the attraction system. I know the original Sims 2 game did not ship with this, but it was added early on in one of the expansion packs and I am sure every Sims 2 fan absolutely loved it. It was another way to differentiate sims from one another. You could create down to the finest detail two sims who you thought would be ‘perfect’ for each other, only to find they couldn't stand each other! Then two of the unlikeliest sims would get together all of their own accord, making you feel that these little people had minds and hearts of their own. I loved this feature so much that my playing style was to resolutely let each sim choose his or her own mate with no help from me. There are other reasons for me not to like this highly polished, highly superficial instalment of The Sims franchise. But in the end, it came down to these basic feelings about the game - I don't care how gorgeous it is to look at if the gameplay is shallow and boring - I feel like EA is really dumbing down long-time sims fans by trying to eliminate custom content, charging like a wounded bull for their sub-standard stuff and doing their best to stifle the creativity of the custom content community - The sims are cookie-cutter clones of one another, and have no charm either of physical appearance or personality. The life and soul has been sucked out of these pixel-people - There is no sense of story, no unexpected interactions, no story mode or memories to record the sims lives. They no longer care about one another at all - parents, children, lovers, room-mates, friends - it doesn't matter what relationship the sims have to one another, there is no desire for these people to interact or develop their relationships unless you force it. I am mad at EA for ‘missing the boat’ on this franchise upgrade. In fact, it no longer feels like The Sims at all to me. All the charm and spontaneity has gone out of the game. I suppose it's not surprising I feel this way - Will Wright and his unique Maxis team of developers are long gone and EA has taken over. EA have no idea, and do not care what made The Sims beloved of fans the world over and instead are forcing something on them that has only a surface relationship to previous games. Much in the same way they ‘improved’ Sim City out of all recognition of the original game (’Sim City Societies’), they have done this to The Sims and that, I think is unforgivable. Fortunately, The Sims 2 will always be here and I am gladly getting back to my cute, funny, irreverent, surprising little sims with the huge added bonus of all the expansion packs and custom content I have built up over the years. I doubt if I will ever come back to The Sims 3 even if they bring out boatloads of expansion packs. If the game has no soul, it cannot be loved.

This review was written on July 27th, 2009. Source: Amazon.com. Link to original review: https://www.amazon.com/gp/customer-reviews/RCEHMW5QIIA7B/ref=cm_cr_getr_d_rvw_ttl?ie=UTF8&ASIN=B00166N6SA

[fullysowerewolf]

Why the C-Virus is one of the worst viruses in RE: A Rant

To make things short, it’s because it’s trying too hard to appeal to everyone who plays RE, the monsters are uncreative and uninspired, and also the mutations are nonsense.

Long version under the break

When I say the C-Virus is “doing too much”, I am referring to all of the creatures spawned from it in relation to the game. Capcom wanted to mix all the aspects of RE fans love into one game, and made the C-Virus match this impossibility. 

“We got to have zombies in the game because fans have been clamoring for zombies to come back, but the T-Virus is too played out.” “I know, let’s make this new virus create zombies!’

“Oh, but, we need to have intelligent enemies that can shoot weapons like in 4 and 5. So let’s add them too.”

“Oh wait, also we need strange weird monsters for players to fight.” “But since we’re lazy, let’s just make most of them all giant animals with a reskin.”

“Fuck, we need an antagonist for Jake’s campaign! I know, let’s make the virus create its own Nemesis monster!”

“Wait, people really liked the Chainsaw guy the first time and kinda liked it the second time, so let’s add another chainsaw guy!” 

“And the last two games had a huge giant enemy, so we gotta have that too!”

“But what do we do for the bosses? We’ve already spent a shit load of time on everything else! Well, let’s just make another virus strain connected to this one, in the same game,and have one boss turn into a bunch of reskinned animals with what feels like a billion forms. And have the other two infected by this strain just turn into a regular J’avo looking bloke and a bukkake monster. Why? Beats me.” 

There’s just too much. Instead of focusing on one cohesive theme for the virus, they threw everything and the kitchen sink. Making most of the monsters not very memorable. And a lot of them are just aping off of previous monsters that are far more memorable and were done better, so that 6′s versions end up looking like shallow copycats in comparison.  

The monsters in RE6 (specifically the J’avo), really are just a bunch of people with animal parts stuck on them. That is really lazy in comparison to the monsters and enemies in previous games. Hell, I could make most, if not all of them through Photoshop. See watch:

Mine.

Capcom’s

You get the point here? It’s really uninspired and looks lame. Even other animal based viruses like T -Veronica and T-Abyss were never this brick to the face obvious.

These three mutations are insect inspired, but they aren’t directly just taken from an insect and had parts stuck on them. It was a lot more subtle and generalized in the insect theme, which worked to its favor and didn’t make them look stupid. 

Had Code Veronica been styled like RE6, Alexia would have just turned into a giant dragonfly or Steve would have had a literal ant head or a ant abdomen sticking behind him. The C-virus is way too on the nose and blunt with it’s mutations. Yes, it has insect genes in it, but did you really need to stick actual bee stingers, moth wings, or a spider body on a person to make that clear?

Another thing is how most of them are just animals. Like the Napads and Strelats, which are literally just gorillas and a frilled lizard. Or the Mesac (a bird). Or the most egregious, the Illuzia, Brzak, and the Gnezdo. A giant snake, a shark with hands, and a swarm of bees. This leads to the next complaint.

The mutations, whether it’s regular C-Virus or the Enhanced strain, are fucking stupid and make no sense.

How the fuck does a person go from a human to a giant snake? A giant snake completely similar to Yawn, who started out as a regular snake?!

Or how a person turns into a giant mutated shark? Why did they need to be human based?! It makes no sense. If you showed the Iluzija or the Brzak to anyone who didn’t read the files about them, they’d think they were just mutated animals, that’s how much they resemble regular animals. There was no reason for them to be human based BOWs. They look nothing like humans to give the impression they were human. What is the point then?! People give RE0 shit for having most of its bosses be giant animals, but at least that game didn’t try to make you believe that the giant animals were once people. 

And then there’s this bullshit:

RE asks me to suspend my disbelief at a lot of things, but can not allow or buy is a Human Goddamn Being turning into a swarm of BEES!

How does one individual just turn into a collective of creatures?! Nothing like that has ever been shown in the rest of the series, so how does this make any sense at all! A swarm of bees.

Just Literal Fucking Bees!

Why do these creatures who resemble regular animals need to have once been humans? Just make them mutated animals!

On another note, how does the Ubistvo’s heart just get relocated to its arm? The process of trying to figure out the science of that hurts my brain. Why even is there a creature that creates a chainsaw of its own body anyway? How is that connected to either the G-Virus or the T-Veronica virus? The real reason is because they want to push that 4 and 5 money train, but in those games it made sense to have a chainsaw enemy. Those ones were using the same bioweapon (the plaga), so the connections to it worked. Along with them both being just parasite controlled humans wielding a tool like the rest, just deadlier due to the weapon of choice. 

Speaking of which, how is it even capable of creating zombies anyway, if it’s created from G and T-V? T-V doesn’t even create zombies and neither does G (outside of scrapped concept art for the latter). 

And I don’t even have to go into full detail about how Simmons transformations are the stupidest mutations and the worst boss fights in the series. It’s just so dumb. Transformeresque changes, the fucking T-Rex, the centaur thing that can just backhand a train somehow, the fucking T-Rex, the giant fly form that’s the size of a building despite there not being nowhere near enough biomass around to even possibly justify it getting that large, 

this whole shit:

The fucking T-Rex,

Fuck this boss and the game it comes from. 

The Good Parts

The zombie aspect, despite how much they’re clearly aping off Left 4 Dead in their subspecies and how there are even zombies to begin, are probably the best part of the C-Virus’ monsters. Creatures like the Lepotica and the Rasklapanje are the best basic monsters, with them both being suitably creepy. And Carla and Deborah’s mutated forms are the best in the game, with Carla having the best boss fight. 

But overall, yeah, the C-Virus sucks.