#comparison to her character for me.

[anthromimicry]

STATISTICAL CHARACTER ANALYSIS: take the linked quiz from the perspective of your character, then select 5 - 10 results from the ' complete matches ' list that you feel resonate with your character the most.

1. raymond reddington, from the blacklist

2. mia wallace, from pulp fiction

3. lady macbeth, from macbeth

4. berlin, from money heist

5. amy elliott dunne, from gone girl

6. carolyn martens, from killing eve

tagged by: @batcaller

tagging: anyone who wants to do it!!

[elitesheepi]

No, Zuko did not lead Katara down a "Dark Path" in The Southern Raiders

Watching Southern Raiders again, and it's bizarre to me that people read that episode as, "Zuko leading Katara down a dark path." Zuko just wants her forgiveness. He fucked up with her severely and to a level that's different from the others. She feels betrayed by him--she was betrayed by him. She trusted him and he all but spat that back in her face so yeah, she's mad. Is it selfish using her desire for justice, closure, maybe revenge to get her to stop being mad at him? Idk perhaps, if you read it that way.

But the way I read it, I read it as him using his resources to give her what she wants most, and that's her mother's killer. Since he was the face of the enemy, since he lost her trust, let him earn that trust back by taking her to the real face of her enemy.

It's the literal least he can do.

Then he steps back. Zuko let's Katara lead the mission, let's her defend herself against Aang and sadly Sokka too while only playing support. Zuko got a comment in there or two, but for the most part it's Katara doing all the talking.

Also something important people forget is that, neither Katara nor Zuko brought up revenge, that was all Aang accusing them(meant to type her, but saying them fits more) of seeking revenge. Maybe that was her unconscious motivation, but Aang was the one who brought it to the forefront of their minds. Zuko states that this is about Justice and closure, Aang was the one who made this about revenge.

After all that back and forth is said and done, Zuko is largely quiet the rest of the episode save for like 3 lines, none of them involving him telling Katara what to do or what she should do.

Katara leads the mission, Katara makes the choice to bloodbend even when Zuko was already facing the SR general on the boat. He didn't tell her to do that, he wasn't in a pinch so she would've needed to do that, hell she didn't even have to do any of that at all considering there was still water on the ground.

These were all Katara's decisions, all Zuko did was stand by her side.

This isn't me trying to say that Katara's making bad decisions. Far from it actually, I heavily agree with Katara's decisions. This isn't even a "supporting woman's wrongs" scenario either. Katara's completely in the right in my mind.

This is a mission involving finding the man who killed her mother. Not kidnapped like Appa (comparison courtesy of Aang), not whatever the hell the comics are doing with Ursa, murdered. Kya is never coming back and it's because of Yon Ra. Little Katara had to see her mother's dead body after the act was done and has to live with the pain and guilt of it all knowing Kya died to protect her. She's traumatized, she's hurt, so she's very much justified in wanting revenge and it's disquieting how so many people make this about Zuko leading her down some dark path for saying "I want to find the man who killed my mother and took her away from me." Bryke included.

Again, Zuko stands back, adds support in the fight when needed, but ultimately is there as her backup and sources.

And yet, people see all of this as Zuko leading her down a dark path. Because he dared to stand back and not talk Katara down from wanting to merc the man who took her mother away from her. What a villain, she said sarcastically.

Realistically, why would he stop her?

If anything, the fact that Zuko was the only one in her corner for this says a lot because of everyone there, he gets it. Sokka should've gotten it too, but that's a separate point for separate post.

He too lost his mother to the Fire Nation. Whether she's dead or missing, the Fire Nation and, namely his Father to put a face to it, took his mother away from him. He lost her and he believed that she was never coming back. Katara and Zuko are the same in that regard. Something he verbally empathizes with her in the Crossroads of Destiny episode.

He knows she needs this because he's been there, is there, and very much wants to have done that. If facing the Fire Lord wasnt Aang's destiny (and this wasn't a kids show, along with other in meta perspective) it doesn't feel to far to say Zuko probably would've killed Ozai.

Revenge for his mother is a side goal, but it's out of reach as of this moment. He has no information on what happened to her or where she is, so he can't do a thing. He sees Katara, someone who badly wants to regain trust with, with a similar goal and mindset and he actually has the means of helping her. Of course he takes it, but this is her mission, not his. He just provides the information and helps her getting there. That's all, everything after the fact comes down to Katara's choices.

When the moment of revenge happens and Katara decides to not kill him, does Zuko say anything? Does he asks her "what are you doing? He's right there, get revenge!" No. He doesn't say anything. He lets her leave, stares down Yon Ra for a second and follows after her in silence. You cant apply headcannon like "maybe he tried to convince her after the fact," because that can easily be countered with the head canon of him comforting her telling her she did the right thing. Going soley off what we saw in canon, on screen, Zuko watches Katara spare him from skewering the man with ice.

He does have a shocked expression in the background but that can either be read as "wow she didn't do it," or "holy shit she probably could've killed me 10 times over." Again, nothing verbal from him, only expressions, so it's hard to say firmly what he's thinking.

I got away from my main point for a second, but I'm coming back to it to say, none of this is Zuko's doing. Zuko didn't lead Katara down any path, he didn't encourage her to enact a bloody revenge, what Katara does was all her own actions, all he did was point in the right direction. Kinda shit how by making it seem like Zuko's manipulating her, it takes away from Katara's agency in the situation. She made her decisions and no man influenced her.

The only who actively tried to was her brother and Aang into forgiving their mother's murderer for some insane reason that I still can't fathom. Maybe from doing something she'd regret, possibly, but the in canon reason we get is, "don't do it. It's a dark path, you should forgive him for your own sake. Insert the Appa comparison" I bring that up again, because Appa was kidnapped, and then found again and they were all reunited. Yet Aang compared that to Kya being murdered and left for her daughter and husband to find. There's a stark difference.

Aang's pain in that regard is understandable and dare I say more supported by the fandom and show, while Katara is pratically being told by everyone save for Zuko to sit down and forgive for some inane reason that rings hollow, feels insensitive at the absolute best and takes away her agency by turning it all on Zuko as him making her choices for her.

It's shit, and an absolute misread of what the episode showed us, something Bryke somehow missed too.

I'm gonna conclude this with a quick summary of the end of the episode. Katara doesn't forgive Yon Ra, yet spares his life because he's just pathetic. Aang's weirdly giddy telling her that he's glad she forgave Yon Ra, and Katara having to shut that shit down and tell him that no, she didn't forgive her mother's killer, she never will, and she's conflicted on letting him live. Then Katara gets a soft look and smile for the first time in a good long while in the episode as she tells Zuko that she does forgive him. We get a Zutara hug (iconic) and the episode ends on a happy-ish, bittersweet note for her. Zuko does tell Aang that he's right and violence isn't what she needed (an admittedly weird line considering seconds before she just said she doesn't know if she was too weak to kill him or too strong too, implying she probably would've gone through with killing him, but whatever) but that's when Katara is out of earshot.

Zuko didn't lead her down any dark path, he left himself be lead by her and was willing to let it happen. It being whatever Katara's decision was going to be. Good, bad, middle, whatever would have happened would have all been Katara's decision and her agency shouldn't be ignored because of a bad-take misread of a pretty clear cut episode with very little ambiguity.

[nattikay]

OC lineup! All the characters that currently exist in this "story"

[yippee-optimistically]

mods r asleep post humanized 4x

finished catching up on tpot it was peakkkkkk but i am so scared of one. also working on little clay and felt dolls of 4 x and 2

[mangotelevision]

season 2 katelyn oh how i miss you

[jilyandbambi]

we talk a lot about Shauna being ruthless and violent and resentful, and not to say she isn't those things but also--

Shauna, who risks burning alive to save Van.

Shauna, who pauses to comfort the reunited Tai & Van after the latter is found safe

Shauna, who consoles and looks after Javi all through season 1 while his older brother is busy being misogynistic and getting fucked

Shauna, who takes on the job of butcher despite not necessarily wanting or enjoying it and never complains or slacks off even when the task becomes traumatizing

Shauna, who tries to get Jackie to eat, to keep going, when everyone else has given up on her by that point.

Shauna, who has to be goaded, essentially given permission before she becomes violent

Shauna, who loved her baby in spite of the stress her pregnancy added to an already precarious situation, who spoke to him and cradled him and futily tried to keep him alive, who buried him away from the others to keep him safe in death

Shauna, who kept her daughter's favorite childhood toy in her car long after she'd outgrown it, to always keep a piece of her close by

Shauna, who sees Tai struggling and invites her to stay over, so that Tai won't be afraid to sleep

Shauna, who goes along with Jeff's boring, milqtoast furniture salesman fantasies because while she doesn't love him the way she did Jackie, she does care about him and wants to make him happy

Shauna, who was the only one of the group to show up to Misty's how to get away with murder seminar and thank Misty for going to the trouble

Shauna, who is soft-spoken where Jackie is loud, conciliatory where Jackie is pushy, helpful where Jackie is lackadaisical, proactive where Jackie sulks.

Shauna, who's not a perfect friend or mother or wife but who's still quietly one of the nicest, most empathetic of the Yellowjackets and yet because she got drafted into being the group's butcher, wrote bitchy journal entries, and did one fucked up thing behind her best friend's back (which she immediately regretted and agonized over) gets rebranded by fandom as caustic, overly-snarky and quick tempered when it takes her 10 episodes to get pissed off enough to raise her voice

[randomminty]

Yeahlow

[fictionadventurer]

I have a germ of a theory that good Christian fiction has stories that are less about shaving down your personality to meet some specific mold of what a good Christian looks like, and more about "how gloriously different are all the saints."

Not that the Christian life doesn't involve fighting against our own sinful nature and conforming ourselves to Christ-like behavior, but I think it makes for better, more realistic, and more universal stories when you also recognize that people have different gifts and flaws and they're going to be called to use their unique personalities to serve the kingdom of God in their own unique way, instead of assuming everyone has to conform themselves to a very specific (often secular-culturally based) image of good behavior. It makes for a much more vibrant story.

[whamss]

Every now and then I think I'm kind of sleeping on classpect analysis, but also what you have to understand about me is that I'm way less enchanted by the act of defining classes and aspects and way moreso by how individual Characters contextualize their relationship with their aspects and assign meaning to it based on their experiences

Something that I always found striking about late Act 6 Kanaya was the way she recontextualizes her relationship with her aspect as something so specific to her and her own experiences. Something about the juxtaposition between Alt Calliope mapping out hard rules about her classpect, saying "This is what it means to be a Space player" "This is what it means to be X" while Kanaya talks about how her experiences formulated her own relationship with her classpect. It's a fascinating difference between them where I never think that the story tries to say that either of them are Wrong about how they view Space. But there's such an underappreciated depth there where Calliope is demonstrated to be somebody who's obsessed with rules, strict categorization, while Kanaya says "this is what my experiences have told me, this is what Space means to Me." And Alt Calliope saying things like Space players are inseparably tied to loneliness are interesting claims, but also putting these beliefs in context with each other you can just as easily see how Alt Calliope's views of space can be formulated by her lifelong (deathlong) experience with isolation.

I think a big reason that I always found it hard to engage with a lot of classpect analysis is that there's this insistence that classpects must have strict categories that define people, when throughout the comic we consistently see how things like aspects and classes mean different things to different people. The way that Kanaya, Calliope, and Jade all see Space and their relationship to it is so so different, I sort of wonder if they'd have any common ground if they actually discussed it between each other (or wrote their thoughts down and passed it around, as Calliope would undoubtedly dominate that conversation lol). The same goes for Rose and Vriska with Light, the Time players... I don't know, it's striking to me. I can understand why the rumored Hussie Classpect doc is supposedly only a sentence or so per classpect because what do you even say? When the variety of experiences is so broad among them, it's impossible to define Classpects cohesively. Alternatively, aspects are something strictly defined by the meaning that people (characters) assign to them

[five-crows-in-a-trenchcoat]

fucked up that dreamer folly is normal person height, the top of her horns should come up to my shoulder at BEST. so she is now 1cm tall

[meowsticmarvels]

sorry okay i've ranted about this on twt before but phi's role in ztd is just... odd to me. the reveal with her being related to delta (and also sigma and diana) is placed as one of the biggest ones like literally one of the reveals that delta says during final decision is phi's status as a double clone. and i do like her having a fucked up existence being a living paradox and being not meant to exist and all that. its fukcing interesting and i love it and talk about it a lot. but it's also just. for someone who's positioned as one of the most important characters to the plot as to WHY a lot of things happen she's also.... barely in the game? she's basically just in the game to be dead or To Be Born which is like. okay. something could be said about her lack of agency in everything but it ISNT said so like? and plus her not being there for that much of it takes away a bit of the weight of the reveal imo. like it's not as powerful if she had a bit more development/screentime to justify it and have a good payoff in my opinion i think. clearly im abnormal about phi so it was crazy for ME but it's just. i don't know. even for me it doesnt feel strong without that. from a writing perspective it makes a bit more sense to put the weight of a reveal as great as that on a character who already got substantial development or buildup to justify it. the most i CAN say is the existence of the fire fragment because that part is genuinely one of my favorite parts of the game (and also the flashback with phi and diana @ dcom) but it jsut. i don't know!

i've always thought and interpreted from her dialogue in both games that she's got a really weird sense of identity (calls herself "not a normal human being" in ztd, compares herself to a variable or an x-factor in vlr, also seems to believe diana and sigma's lives are worth more than hers) which could be interesting!!! and how her existing situation with her parents is when combined with the NEW information - did they keep the fact that she was an experiment as an infant from her for her entire life? like it couldve been INTERESTING. and still kinda is imo but it's just a weird writing decision to write her out of so much of the plot while ALSO wanitng her to be important at the same time. id ont know if this makes any sense to anyone but its just like. Okay? Sure?

[me-beef]

GOGO GADGET POST UNFINISHED WIPS

realizing if I wait to post my art until it’s “finished” I’ll just. never post anything

so have some half-cooked character art from my personal project

[miraneko19]

Realized this while playing Birushana. Tomomori. You know.

[danothan]

WHY IS THIS MY FIRST TIME HEARING ABT THIS

[beedreamscape]

I hope Suvi does get over the Citadel's influence but I hope that by the end of it, she's still an ass because why can't a woman be a little unlikeable ffs

[silusvesuius]

n*loth not being able to bag anyone over the (human term) age of 25-30 at most is the only logical and real conclusion to me because it can be just explained away as him wanting to prove and control everything and anyone (Cus he's a man!) but being stuck in that demographic because his unbearable and vile personality is a force that nobody can look past once they've outgrown the possible fear and idolization period of anyone but also n*loth in particular.