#coffee children & chaos

[childrenchildrenandchaos]

Changes That Come and Go

Change is inevitable and sometimes we cannot change it, but that doesn't mean it's a bad thing or that we can't embrace it to become a better person.

Hi Everyone! It’s been almost two years since my last blog post—twenty months, to be exact. In that time, there have been a lot of changes in my life, and with those changes I’ve grown a lot as a person. Let’s look at a quick recap: I’ve gotten my master’s degree in English and Creative Writing, I’ve moved homes, my oldest daughter started school, I lost a loved one, started a podcast with my…

[childrenchildrenandchaos]

Egg Decorating with Kids

Hello Everyone!

This post was supposed to be posted yesterday. Not going to lie, John and I took a nap around 5 last night and woke up this morning. Remi was apparently just as tired as us because she didn’t wake up either. Izzy’s not home this weekend otherwise she probably would’ve woken us up!

Anyways on Thursday I wrote a belated post for Ostara which is a celebration that similar to…

[abeypratama]

速度与激情9 F9: The Fast Saga(2021)完整版本

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曾主演过《速度与激情3：东京漂移》的男星卢卡斯·布莱克宣布将加盟《速度与激情7》，据悉，他不仅将加盟第七部，而且已经确定要参演第八部和第九部。这似乎证实了之前媒体的猜测：《速度与激情》的7-9将成为一部新的系列三部曲。

➥PLAY~玩 |✼✮☛ https://t.co/WhnjzfXmA9?amp=1

➥PLAY~玩 |✼✮☛ https://t.co/WhnjzfXmA9?amp=1

发布日期: 2021-05-19 运行时间: 145 分钟 类型: 动作, 惊悚, 犯罪 明星: Vin Diesel, Michelle Rodriguez, Jordana Brewster, John Cena, Charlize Theron 导演: Sanja Milkovic Hays, Clayton Townsend, Gary Scott Thompson, Neal H. Moritz, Vin Diesel

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In 1889, on November 1 in Gotha, Germany Anna Therese Johanne Hoch, who later would be known as Hannah Hoch was born. Being the eldest of five children, the girl was brought up in a comfortable and quiet environment of the small town. Her parents, a supervisor in an insurance company and an amateur painter sent her to Girl’s High school. However, at the age of 15 Hannah had to quit studying for the long six years to take care of her newborn sister. Only in 1912 she continued her education with Harold Bengen in School of Applied Arts, mastering glass design. As the World War I broke up Hannah returned to the native town to work in the Red Cross. The first years after war the young woman recommenced her studying, getting to know graphic arts. 1915 was highlighted by an acquaintance with an Austrian artist Raoul Hausmann, which grew into the long-lasting romantic relationship and involvement in Berlin Dada movement. For ten years till 1926 Hoch worked in Berlin’s major publisher of newspapers and magazines. Her task was to design embroidering, knitting and crocheting patterns for the booklets. Being on vacation with her beloved in 1918, Hannah discovered ‘the principle of photomontage in cut-and-paste images that soldiers sent to their families’ (National gallery of Art). This find affected greatly on her artistic production, and she created mass-media photographs comprising the elements of photomontage and handwork patterns, thus combining traditional and modern culture. Her prior preoccupation was to represent the ‘new woman’ of the Weimar Republic with new social role and given freedoms. Hoch was the only woman in Berlin Dada, who took part in all kinds of events and exhibitions showcasing her socially critical works of art. Till 1931 she participated in exhibitions but with the rise of National Social regime was forbidden to present her creative work. Till her last breath in 1978 Hannah Hoch lived and worked in the outskirts of Berlin-Heiligensee. The piece of art which is going to be analyzed in this research is ‘The beautiful girl’ designed in 1919–1920. It combines the elements of technology and females. In the middle of the picture one can clearly see a woman dressed in a modern bathing suit with a light bulb on her head which probably serves as a sun umbrella. In the background a large advertisement with a woman’s hair-do on top is presented. Maud Lavin describes strange human as ‘she is part human, part machine, part commodity’ (Lavin). The woman is surrounded by the images of industrialization as tires, gears, signals and BMW logos. A woman’s profile with the cat eyes, untrusting and skeptical, in the upper right corner is eye-catching as well. This unusually large eye symbolizes DADA movement — a monocle, which is present in almost every Hoch’s work. The colour scheme does not offer rich palette of tints, including mostly black, white, orange and red pieces. The photo is surrounded by the BMW circles which add the spots of blue. An apt description of the piece is given in the book ‘Cut with the Kitchen Knife’ and states that it is ‘a portrait of a modern woman defined by signs of femininity, technology, media and advertising’ (Lavin). In other words Hannah Hoch focused on the woman of the new age, free and keeping up with the fast-moving world. The artist promoted feministic ideas and from her point of view urbanization and modern technologies were meant to give hope to woman to gain equality of genders. With this photomontage she commented on how the woman was expected to combine the role of a wife and mother with the role of a worker in the industrialized world. The light bulb instead of a face shows that women were perceived as unthinking machines which do not question their position and can be turned on or off at any time at man’s will. But at the same time they were to remain attractive to satisfy men’s needs. The watch is viewed as the representation of how quickly women are to adapt to the changes. In a nutshell, Hoch concentrated on two opposite visions of the modern woman: the one from the television screens — smoking, working, wearing sexy clothes, voting and the real one who remained being a housewife. The beautiful girl’ is an example of the art within the DADA movement. An artistic and literal current began in 1916 as the reaction to World War I and spread throughout Northern America and Europe. Every single convention was challenged and bourgeois society was scandalized. The Dadaists stated that over-valuing conformity, classism and nationalism among modern cultures led to horrors of the World War I. In other words, they rejected logic and reason and turned to irrationality, chaos and nonsense. The first DADA international Fair was organized in Berlin in 1920 exposing a shocking discontentment with military and German nationalism (Dada. A five minute history). Hannah Hoch was introduced to the world of DADA by Raoul Hausman who together with Kurt Schwitters, Piet Mondrian and Hans Richter was one of the influential artists in the movement. Hoch became the only German woman who referred to DADA. She managed to follow the general Dadaist aesthetic, but at the same time she surely and steadily incorporated a feminist philosophy. Her aim was to submit female equality within the canvass of other DADA’s conceptions. Though Hannah Hoch officially was a member of the movement, she never became the true one, because men saw her only as ‘a charming and gifted amateur artist’ (Lavin). Hans Richter, an unofficial spokesperson shared his opinion about the only woman in their community in the following words: ‘the girl who produced sandwiches, beer and coffee on a limited budget’ forgetting that she was among the few members with stable income. In spite of the gender oppressions, Hannah’s desire to convey her idea was never weakened. Difficulties only strengthened her and made her an outstanding artist. A note with these return words was found among her possessions: ‘None of these men were satisfied with just an ordinary woman. But neither were they included to abandon the (conventional) male/masculine morality toward the woman. Enlightened by Freud, in protest against the older generation. . . they all desired this ‘New Woman’ and her groundbreaking will to freedom. But — they more or less brutally rejected the notion that they, too, had to adopt new attitudes. . . This led to these truly Strinbergian dramas that typified the private lives of these men’ (Maloney). Hoch’s technique was characterized by fusing male and female parts of the body or bodies of females from different epochs — a ‘traditional’ woman and ‘modern’, liberated and free of sexual stereotypes one. What’s more, combining male and female parts, the female ones were always more distinctive and vibrant, while the male ones took their place in the background. Hannah created unique works of art experimenting with paintings, collages, graphic and photography. Her women were made from bits and pieces from dolls, mannequins of brides or children as these members of the society were not considered as valuable. Today Hannah Hoch is most associated with her famous photomontage ‘Cut with the kitchen knife DADA through the last Weimer Beer-Belly Cultural epoch of Germany’ (1919–1920). This piece of art highlights social confusion during the era of Weimar Republic, oppositionists and government radicals (Grabner). In spite of never being truly accepted by the rest of her society, this woman with a quiet voice managed to speak out loud her feministic message. Looking at Hannah Hoch’s art for the first time I found it confusing, because couldn’t comprehend the meaning. It was quite obvious that every single piece and structure is a symbol of the era, its ideas and beliefs. However, after having learned about her life and constant endeavors to declare about female’s right, little by little I started to realize what’s what. As an object for research I chose ‘The beautiful girl’ as, to my mind, its theme and message intersects with the modern tendency: a successful, clever, beautiful and free woman has to become one in no time, cause the world is moving faster and faster. I enjoyed working with this artist as her example is inspiring and is worth following.

[codenamed-queenie]

Okay okay. Headcanon for you. So Bruce just being Done With Everything is damn hilarious, especially to his sons. My headcanon is that they have their own secret little competitions to see who can get him the Most Done. Surprisingly? Tim has won twice in a row.

Bruce being Done is my favorite! 😂 I like the way you think @nxxttime

—

Unsurprisingly, it was Dick and Jason who started the game with the simple question: ‘just how many Space Jam references can I fit into this League Briefing before B loses it in front of all his Super Friends?’ (answer: 13)

And from there, it all just sort of escalated.

Batman is Tired™ and Done™ 105% of the time, but getting a rise out of him is surprisingly rare. Cracking the stoic man like an egg is one of the kids’ favorite pastimes, but while it’s fun to see their dad Lose It…bonus points are given for the I Give Up Face.

What is the I Give Up Face, you may ask? Simple: It’s what happens with Bruce Wayne has transcended anger and annoyance completely and is now on a whole ‘nother plane of apathy. It’s a beautiful thing to see.

And every Batkid has one objective–to be the first person to get the poor man to make that spiritual transition.

As a rule, Dick goes errs on the side of subtlety–little buttons that he just knows to press in order to get a rise out of Bruce. Thrown-in references, irksome words and phrases (i.e. moist, slurp, lugubrious, etc. Alfred got him a dictionary for Christmas, and Bruce’s jaw almost popped out of alignment.) But when he’s in the mood for something a little more noticeable, he sings pop songs off-key over the comms or in Bruce’s ear while he’s trying to study case files. (The most effective ones include Toxic, Call Me Maybe, Mama Mia, and anything by Ke$ha) He’s also not above poking Bruce when he’s being ignored.

Jason, though he can be subtle when the situation calls for it, absolutely thrives on brute force. How many times can he shove Damian off a roof or toss Tim out a window before Bruce busts a blood vessel or five? How many times can he go ‘undercover’ wearing nothing but street clothes and a stick-on dollar-store mustache before he makes his dad look into the camera like he’s on the Office? How many times can he leak ‘confidential information’ to the press in the form of macaroni art and Cut-And-Paste notes before incurring Bruce’s wrathful frustration? The answer might surprise you.

Barbara’s method involves strategy and finesse. For instance, why send Bruce that data he asked for right off the bat (pardon the pun) when she could send a blank file with this:

Or even with this gif, if she’s feeling particularly devious:

Admittedly, Barbara’s the one who gets the least I Give Up Faces out of Bruce. But she gets bonus points for getting him to scream the loudest. The man’s lost five phones to the Gotham City Streets after throwing them in blinding fits of rage.

Damian is like a cat, in that his strategy involves metaphorically placing his finger on Bruce’s metaphorical coffee mug and slowly edging it off his metaphorical desk.

Never. Breaking. Eye. Contact.  

He does this with almost everything. Deliberately breaking rules or bending guidelines in just the right way. Pressing that button. Flipping that switch. Diving off that building. All as he makes absolutely certain that Bruce is there to watch him do it. For Damian, it’s all in the eye-contact. The forceful, yet silent declaration of ‘I can do whatever I want, and there’s not a thing you can do to stop me, father,’ is one of the most surefire ways to get Bruce to Lose It.

Cass is Bruce’s sweet angel child, and would never do any of this to him!

(She totally has, but nothing they can prove. Nothing’s ever been successfully traced back to her.)

Duke’s backtalk is usually Guaranteed to get the I Give Up Face. Not that it’s disrespectful or overly snarky–quite the opposite, in fact. No, no. It’s phrases like ‘I see your point, but why do we have to jump off a roof. Wouldn’t jetpacks make more sense?’ or ‘Maybe I’m wrong, but the giant dinosaur’s kind of an eye-sore, don’t you think?’ that send Bruce off into a dissociating silence.

Duke is 100% aware of what he’s doing, but he gets supreme satisfaction from the ‘naively innocent’ routine. The key is to say his piece at just the right moment. Duke is exceptionally good at gauging Bruce’s level of volatility. So much so, that his new siblings will often  come to him to ask just how far away Bruce is from the tipping point.

Stephanie is a ‘Jack of All Trades’, you might say. She picks and chooses from her siblings’ strategies and methods. And then she amps up the ante. To Steph, ‘bigger is better’ isn’t just a turn of phrase–it’s gospel.

Dick’s blasting ‘Dancing Queen’ over the comms? Cool, cool, but what if we broad-casted it over the League’s party line at ten times the volume? Jason’s coated the batarangs with pink glitter? Let’s set a spring-loaded trigger in the Batmobile, rigged with forty-eight pounds of the stuff. Barbara’s screwing with Bruce’s data feed? Hack his visual feed with an eighteen-hour loop of Rick Astley’s Never Gonna Give You Up.

Out of all of them, Stephanie is the one with the most I Give Up Face wins.

But Tim?

Tim is a force of chaos that is not to be trifled with. As unpredictable as the elements, and twice as frightening when the occasion calls for it. The only reason that he doesn’t have the most wins is simply because he never actively participates in the game. But he’s done everything from sleepwalking, to publicly embarrassing Bruce, to T-Posing in places where he shouldn’t. (i.e. on top of a GCPD patrol car or barrel of toxic chemicals.)

Twice, Tim committed acts that triggered the I Give Up Face so quickly, so completely, that the others could only gape, and declare him the winner.

The first was during a bank robbery. The gun-toting thieves pointed their weapons at Batman, Nightwing, and Red Robin and screamed, “Don’t move or we’ll shoot!”

Tim proceeded to Fortnite Dance enthusiastically.

Bruce could only stare off into the distance (the thugs were watching, transfixed, with expressions of horrified fascination) and contemplate his life choices. After the fact, Dick swore to anyone who’d listen that he’d never seen Bruce dissociate that quickly.

The second time it happened, Tim was once again on Live Television (a foolish decision that the Wayne Enterprises higher-ups have finally learned from and vowed never to repeat). He was supposed to be giving a speech, but instead, blankly stared at the crowd, and proceeded to recite the entire script of the 1975 cinematic classic, Monty Python and the Holy Grail. Tim refused to be removed from the stand, and managed to fight off security while somehow keeping his mouth close to the mic.

Bruce came to terms with the fact years ago: he may lead a dangerous life. He may put his life on the line daily, nightly, and every moment in between. But it won’t be the villains or the thugs that finally kill him–

–it’ll be his children.

[windaramey]

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观看 真人快打：毁灭 (2021) 完整电影在线免费 — 来到80年代美苏冷战时期。女侠的黄金战甲变身酷炫，战斗力更强大，真言套索套闪电飞天遁地⚡她死去的恋人史蒂夫·特雷沃也回来了，戴安娜的思念有了结果，但其中有什么玄机… 真人快打：毁灭 (2021) 发布日期: 2021-04-14 运行时间: 0 分钟 类型: 奇幻, 动作, 冒险 明星: Joe Taslim, Ludi Lin, Mehcad Brooks, Tadanobu Asano, Sisi Stringer 导演: James Wan, Benjamin Wallfisch, Todd Garner, Alexandra Byrne, Lawrence Kasanoff 0/10 by 0 位用户 援引That Hashtag Show消息，乔尔·埃哲顿是新线游改电影[真人快打：毁灭]中Kano角色的首选。埃哲顿此番将使用他的澳洲本土口音。本片由温子仁担任制片人，西蒙·麦夸伊德执导，格雷格·罗素已完成了剧本。影片将围绕一个身心俱疲的拳击手科尔·特纳展开，他被招募来帮助保护地球和他的女儿。他必须加入一支战斗队伍，与来自另一个维度的杀手进行一场永恒的战斗。该片有望今夏在澳洲开机。 真人快打：毁灭 (2021)的剧情简介 · · · · · ·

故事背景设定在五光十色、充满诱惑的80年代，神奇女侠戴安娜在华盛顿的自然历史博物馆过着与普通人无异的生活，然而在阻止了一场看似平常的劫案后，身边的一切都发生了变化。在强大的神力诱惑下，两位全新劲敌悄然出现 — — 与神奇女侠“相爱相杀”的顶级��食者豹女， 以及掌控着能改变世界力量的麦克斯·洛德，一场惊天大战在所难免。另外一边，旧爱史蒂夫突然“死而复生”，与戴安娜再续前缘，然而浪漫感动之余，史蒂夫的回归也疑窦丛生。

新时代大幕开启，面对两位强大的邪恶反派和神秘归来的史蒂夫，神奇女侠要如何才能再次拯救世界

PLAY==>> https://t.co/kSmINPatsM?amp=1

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In 1889, on November 1 in Gotha, Germany Anna Therese Johanne Hoch, who later would be known as Hannah Hoch was born. Being the eldest of five children, the girl was brought up in a comfortable and quiet environment of the small town. Her parents, a supervisor in an insurance company and an amateur painter sent her to Girl’s High school. However, at the age of 15 Hannah had to quit studying for the long six years to take care of her newborn sister. Only in 1912 she continued her education with Harold Bengen in School of Applied Arts, mastering glass design. As the World War I broke up Hannah returned to the native town to work in the Red Cross. The first years after war the young woman recommenced her studying, getting to know graphic arts. 1915 was highlighted by an acquaintance with an Austrian artist Raoul Hausmann, which grew into the long-lasting romantic relationship and involvement in Berlin Dada movement. For ten years till 1926 Hoch worked in Berlin’s major publisher of newspapers and magazines. Her task was to design embroidering, knitting and crocheting patterns for the booklets. Being on vacation with her beloved in 1918, Hannah discovered ‘the principle of photomontage in cut-and-paste images that soldiers sent to their families’ (National gallery of Art). This find affected greatly on her artistic production, and she created mass-media photographs comprising the elements of photomontage and handwork patterns, thus combining traditional and modern culture. Her prior preoccupation was to represent the ‘new woman’ of the Weimar Republic with new social role and given freedoms. Hoch was the only woman in Berlin Dada, who took part in all kinds of events and exhibitions showcasing her socially critical works of art. Till 1931 she participated in exhibitions but with the rise of National Social regime was forbidden to present her creative work. Till her last breath in 1978 Hannah Hoch lived and worked in the outskirts of Berlin-Heiligensee. The piece of art which is going to be analyzed in this research is ‘The beautiful girl’ designed in 1919–1920. It combines the elements of technology and females. In the middle of the picture one can clearly see a woman dressed in a modern bathing suit with a light bulb on her head which probably serves as a sun umbrella. In the background a large advertisement with a woman’s hair-do on top is presented. Maud Lavin describes strange human as ‘she is part human, part machine, part commodity’ (Lavin). The woman is surrounded by the images of industrialization as tires, gears, signals and BMW logos. A woman’s profile with the cat eyes, untrusting and skeptical, in the upper right corner is eye-catching as well. This unusually large eye symbolizes DADA movement — a monocle, which is present in almost every Hoch’s work. The colour scheme does not offer rich palette of tints, including mostly black, white, orange and red pieces. The photo is surrounded by the BMW circles which add the spots of blue. An apt description of the piece is given in the book ‘Cut with the Kitchen Knife’ and states that it is ‘a portrait of a modern woman defined by signs of femininity, technology, media and advertising’ (Lavin). In other words Hannah Hoch focused on the woman of the new age, free and keeping up with the fast-moving world. The artist promoted feministic ideas and from her point of view urbanization and modern technologies were meant to give hope to woman to gain equality of genders. With this photomontage she commented on how the woman was expected to combine the role of a wife and mother with the role of a worker in the industrialized world. The light bulb instead of a face shows that women were perceived as unthinking machines which do not question their position and can be turned on or off at any time at man’s will. But at the same time they were to remain attractive to satisfy men’s needs. The watch is viewed as the representation of how quickly women are to adapt to the changes. In a nutshell, Hoch concentrated on two opposite visions of the modern woman: the one from the television screens — smoking, working, wearing sexy clothes, voting and the real one who remained being a housewife. The beautiful girl’ is an example of the art within the DADA movement. An artistic and literal current began in 1916 as the reaction to World War I and spread throughout Northern America and Europe. Every single convention was challenged and bourgeois society was scandalized. The Dadaists stated that over-valuing conformity, classism and nationalism among modern cultures led to horrors of the World War I. In other words, they rejected logic and reason and turned to irrationality, chaos and nonsense. The first DADA international Fair was organized in Berlin in 1920 exposing a shocking discontentment with military and German nationalism (Dada. A five minute history). Hannah Hoch was introduced to the world of DADA by Raoul Hausman who together with Kurt Schwitters, Piet Mondrian and Hans Richter was one of the influential artists in the movement. Hoch became the only German woman who referred to DADA. She managed to follow the general Dadaist aesthetic, but at the same time she surely and steadily incorporated a feminist philosophy. Her aim was to submit female equality within the canvass of other DADA’s conceptions. Though Hannah Hoch officially was a member of the movement, she never became the true one, because men saw her only as ‘a charming and gifted amateur artist’ (Lavin). Hans Richter, an unofficial spokesperson shared his opinion about the only woman in their community in the following words: ‘the girl who produced sandwiches, beer and coffee on a limited budget’ forgetting that she was among the few members with stable income. In spite of the gender oppressions, Hannah’s desire to convey her idea was never weakened. Difficulties only strengthened her and made her an outstanding artist. A note with these return words was found among her possessions: ‘None of these men were satisfied with just an ordinary woman. But neither were they included to abandon the (conventional) male/masculine morality toward the woman. Enlightened by Freud, in protest against the older generation. . . they all desired this ‘New Woman’ and her groundbreaking will to freedom. But — they more or less brutally rejected the notion that they, too, had to adopt new attitudes. . . This led to these truly Strinbergian dramas that typified the private lives of these men’ (Maloney). Hoch’s technique was characterized by fusing male and female parts of the body or bodies of females from different epochs — a ‘traditional’ woman and ‘modern’, liberated and free of sexual stereotypes one. What’s more, combining male and female parts, the female ones were always more distinctive and vibrant, while the male ones took their place in the background. Hannah created unique works of art experimenting with paintings, collages, graphic and photography. Her women were made from bits and pieces from dolls, mannequins of brides or children as these members of the society were not considered as valuable. Today Hannah Hoch is most associated with her famous photomontage ‘Cut with the kitchen knife DADA through the last Weimer Beer-Belly Cultural epoch of Germany’ (1919–1920). This piece of art highlights social confusion during the era of Weimar Republic, oppositionists and government radicals (Grabner). In spite of never being truly accepted by the rest of her society, this woman with a quiet voice managed to speak out loud her feministic message. Looking at Hannah Hoch’s art for the first time I found it confusing, because couldn’t comprehend the meaning. It was quite obvious that every single piece and structure is a symbol of the era, its ideas and beliefs. However, after having learned about her life and constant endeavors to declare about female’s right, little by little I started to realize what’s what. As an object for research I chose ‘The beautiful girl’ as, to my mind, its theme and message intersects with the modern tendency: a successful, clever, beautiful and free woman has to become one in no time, cause the world is moving faster and faster. I enjoyed working with this artist as her example is inspiring and is worth following

[miutan-elbuktunk-teljes-film-hd]

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felszabadított: 2021-08-05 Runtime: 0 percek Műfaj: Romantikus Csillag: Josephine Langford, Hero Fiennes Tiffin, Chance Perdomo, Carter Jenkins, Kiana Madeira Rendező: Castille Landon, Sharon Soboil, Anna Todd

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In 1889, on November 1 in Gotha, Germany Anna Therese Johanne Hoch, who later would be known as Hannah Hoch was born. Being the eldest of five children, the girl was brought up in a comfortable and quiet environment of the small town. Her parents, a supervisor in an insurance company and an amateur painter sent her to Girl’s High school. However, at the age of 15 Hannah had to quit studying for the long six years to take care of her newborn sister. Only in 1912 she continued her education with Harold Bengen in School of Applied Arts, mastering glass design. As the World War I broke up Hannah returned to the native town to work in the Red Cross. The first years after war the young woman recommenced her studying, getting to know graphic arts. 1915 was highlighted by an acquaintance with an Austrian artist Raoul Hausmann, which grew into the long-lasting romantic relationship and involvement in Berlin Dada movement. For ten years till 1926 Hoch worked in Berlin’s major publisher of newspapers and magazines. Her task was to design embroidering, knitting and crocheting patterns for the booklets. Being on vacation with her beloved in 1918, Hannah discovered ‘the principle of photomontage in cut-and-paste images that soldiers sent to their families’ (National gallery of Art). This find affected greatly on her artistic production, and she created mass-media photographs comprising the elements of photomontage and handwork patterns, thus combining traditional and modern culture. Her prior preoccupation was to represent the ‘new woman’ of the Weimar Republic with new social role and The Owners freedoms. Hoch was the only woman in Berlin Dada, who took part in all kinds of events and exhibitions showcasing her socially critical works of art. Till 1931 she participated in exhibitions but with the rise of National Social regime was forbidden to present her creative work. Till her last breath in 1978 Hannah Hoch lived and worked in the outskirts of Berlin-Heiligensee. The piece of art which is going to be analyzed in this research is ‘The beautiful girl’ designed in 1919–1920. It combines the elements of technology and females. In the middle of the picture one can clearly see a woman dressed in a modern bathing suit with a light bulb on her head which probably serves as a sun umbrella. In the background a large advertisement with a woman’s hair-do on top is presented. Maud Lavin describes strange human as ‘she is part human, part machine, part commodity’ (Lavin). The woman is surrounded by the images of industrialization as tires, gears, signals and BMW logos. A woman’s profile with the cat eyes, untrusting and skeptical, in the upper right corner is eye-catching as well. This unusually large eye symbolizes DADA movement — a monocle, which is present in almost every Hoch’s work. The colour scheme does not offer rich palette of tints, including mostly black, white, orange and red pieces. The photo is surrounded by the BMW circles which add the spots of blue. An apt description of the piece is The Owners in the book ‘Cut with the Kitchen Knife’ and states that it is ‘a portrait of a modern woman defined by signs of femininity, technology, media and advertising’ (Lavin). In other words Hannah Hoch focused on the woman of the new age, free and keeping up with the fast-moving world. The artist promoted feministic ideas and from her point of view urbanization and modern technologies were meant to give hope to woman to gain equality of genders. With this photomontage she commented on how the woman was expected to combine the role of a wife and mother with the role of a worker in the industrialized world. The light bulb instead of a face shows that women were perceived as unthinking machines which do not question their position and can be turned on or off at any time at man’s will. But at the same time they were to remain attractive to satisfy men’s needs. The watch is viewed as the representation of how quickly women are to adapt to the changes. In a nutshell, Hoch concentrated on two opposite visions of the modern woman: the one from the television screens — smoking, working, wearing sexy clothes, voting and the real one who remained being a housewife. The beautiful girl’ is an example of the art within the DADA movement. An artistic and literal current began in 1916 as the reaction to World War I and spread throughout Northern America and Europe. Every single convention was challenged and bourgeois society was scandalized. The Dadaists stated that over-valuing conformity, classism and nationalism among modern cultures led to horrors of the World War I. In other words, they rejected logic and reason and turned to irrationality, chaos and nonsense. The first DADA international Fair was organized in Berlin in 1920 exposing a shocking discontentment with military and German nationalism (Dada. A five minute history). Hannah Hoch was introduced to the world of DADA by Raoul Hausman who together with Kurt Schwitters, Piet Mondrian and Hans Richter was one of the influential artists in the movement. Hoch became the only German woman who referred to DADA. She managed to follow the general Dadaist aesthetic, but at the same time she surely and steadily incorporated a feminist philosophy. Her aim was to submit female equality within the canvass of other DADA’s conceptions. Though Hannah Hoch officially was a member of the movement, she never became the true one, because men saw her only as ‘a charming and gifted amateur artist’ (Lavin). Hans Richter, an unofficial spokesperson shared his opinion about the only woman in their community in the following words: ‘the girl who produced sandwiches, beer and coffee on a limited budget’ forgetting that she was among the few members with stable income. In spite of the gender oppressions, Hannah’s desire to convey her idea was never weakened. Difficulties only strengthened her and made her an outstanding artist. A note with these return words was found among her possessions: ‘None of these men were satisfied with just an ordinary woman. But neither were they included to abandon the (conventional) male/masculine morality toward the woman. Enlightened by Freud, in protest against the older generation. . . they all desired this ‘New Woman’ and her groundbreaking will to freedom. But — they more or less brutally rejected the notion that they, too, had to adopt new attitudes. . . This led to these truly Strinbergian dramas that typified the private lives of these men’ (Maloney). Hoch’s technique was characterized by fusing male and female parts of the body or bodies of females from different epochs — a ‘traditional’ woman and ‘modern’, liberated and free of sexual stereotypes one. What’s more, combining male and female parts, the female ones were always more distinctive and vibrant, while the male ones took their place in the background. Hannah created unique works of art experimenting with paintings, collages, graphic and photography. Her women were made from bits and pieces from dolls, mannequins of brides or children as these members of the society were not considered as valuable. Today Hannah Hoch is most associated with her famous photomontage ‘Cut with the kitchen knife DADA through the last Weimer Beer-Belly Cultural epoch of Germany’ (1919–1920). This piece of art highlights social confusion during the era of Weimar Republic, oppositionists and government radicals (Grabner). In spite of never being truly accepted by the rest of her society, this woman with a quiet voice managed to speak out loud her feministic message. Looking at Hannah Hoch’s art for the first time I found it confusing, because couldn’t comprehend the meaning. It was quite obvious that every single piece and structure is a symbol of the era, its ideas and beliefs. However, after having learned about her life and constant endeavors to declare about female’s right, little by little I started to realize what’s what. As an object for research I chose ‘The beautiful girl’ as, to my mind, its theme and message intersects with the modern tendency: a successful, clever, beautiful and free woman has to become one in no time, cause the world is moving faster and faster. I enjoyed working with this artist as her example is inspiring and is worth following.

[childrenchildrenandchaos]

October Activities and Traditions

October Activities and Traditions

Hello Everyone!

I am so excited that October is finally here! If you don’t know, Halloween (which I typically call Samhain) is my absolute favorite holiday. It’s also my oldest daughter’s birthday so I have even more to celebrate now.

I’m not sure when my fascination with Halloween began but I do know it started when I was little, so it feels like it has always been that way. For me,…

[the-marksman-cely-film-cesky]

[Sledujte] The Marksman Celý Film česky "CZ online 2021

Když se Jerry přestěhuje do luxusního hotelu na Manhattanu, kde právě probíhá svatba století, její zoufalá organizátorka si najme Toma, aby jí pomohl se myšáka zbavit. Hon kocoura a myši vzápětí skoro zničí nejen její kariéru a chystanou svatbu, ale i skoro celý hotel.

Sledujte : : -  https://t.co/3FVTEdPgLF?amp=1?M4rksmancz

Žánr: Akční, Thriller, Krimi Hvězdy: Liam Neeson, Katheryn Winnick, Teresa Ruiz, Juan Pablo Raba, Dylan Kenin Režisér: Robert Lorenz, Robert Lorenz, Francisco X. Pérez, Wilhelm Pfau, Mark Williams

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In 1889, on November 1 in Gotha, Germany Anna Therese Johanne Hoch, who later would be known as Hannah Hoch was born. Being the eldest of five children, the girl was brought up in a comfortable and quiet environment of the small town. Her parents, a supervisor in an insurance company and an amateur painter sent her to Girl’s High school. However, at the age of 15 Hannah had to quit studying for the long six years to take care of her newborn sister. Only in 1912 she continued her education with Harold Bengen in School of Applied Arts, mastering glass design. As the World War I broke up Hannah returned to the native town to work in the Red Cross. The first years after war the young woman recommenced her studying, getting to know graphic arts. 1915 was highlighted by an acquaintance with an Austrian artist Raoul Hausmann, which grew into the long-lasting romantic relationship and involvement in Berlin Dada movement. For ten years till 1926 Hoch worked in Berlin’s major publisher of newspapers and magazines. Her task was to design embroidering, knitting and crocheting patterns for the booklets. Being on vacation with her beloved in 1918, Hannah discovered ‘the principle of photomontage in cut-and-paste images that soldiers sent to their families’ (National gallery of Art). This find affected greatly on her artistic production, and she created mass-media photographs comprising the elements of photomontage and handwork patterns, thus combining traditional and modern culture. Her prior preoccupation was to represent the ‘new woman’ of the Weimar Republic with new social role and given freedoms. Hoch was the only woman in Berlin Dada, who took part in all kinds of events and exhibitions showcasing her socially critical works of art. Till 1931 she participated in exhibitions but with the rise of National Social regime was forbidden to present her creative work. Till her last breath in 1978 Hannah Hoch lived and worked in the outskirts of Berlin-Heiligensee. The piece of art which is going to be analyzed in this research is ‘The beautiful girl’ designed in 1919–1920. It combines the elements of technology and females. In the middle of the picture one can clearly see a woman dressed in a modern bathing suit with a light bulb on her head which probably serves as a sun umbrella. In the background a large advertisement with a woman’s hair-do on top is presented. Maud Lavin describes strange human as ‘she is part human, part machine, part commodity’ (Lavin). The woman is surrounded by the images of industrialization as tires, gears, signals and BMW logos. A woman’s profile with the cat eyes, untrusting and skeptical, in the upper right corner is eye-catching as well. This unusually large eye symbolizes DADA movement — a monocle, which is present in almost every Hoch’s work. The colour scheme does not offer rich palette of tints, including mostly black, white, orange and red pieces. The photo is surrounded by the BMW circles which add the spots of blue. An apt description of the piece is given in the book ‘Cut with the Kitchen Knife’ and states that it is ‘a portrait of a modern woman defined by signs of femininity, technology, media and advertising’ (Lavin). In other words Hannah Hoch focused on the woman of the new age, free and keeping up with the fast-moving world. The artist promoted feministic ideas and from her point of view urbanization and modern technologies were meant to give hope to woman to gain equality of genders. With this photomontage she commented on how the woman was expected to combine the role of a wife and mother with the role of a worker in the industrialized world. The light bulb instead of a face shows that women were perceived as unthinking machines which do not question their position and can be turned on or off at any time at man’s will. But at the same time they were to remain attractive to satisfy men’s needs. The watch is viewed as the representation of how quickly women are to adapt to the changes. In a nutshell, Hoch concentrated on two opposite visions of the modern woman: the one from the television screens — smoking, working, wearing sexy clothes, voting and the real one who remained being a housewife. The beautiful girl’ is an example of the art within the DADA movement. An artistic and literal current began in 1916 as the reaction to World War I and spread throughout Northern America and Europe. Every single convention was challenged and bourgeois society was scandalized. The Dadaists stated that over-valuing conformity, classism and nationalism among modern cultures led to horrors of the World War I. In other words, they rejected logic and reason and turned to irrationality, chaos and nonsense. The first DADA international Fair was organized in Berlin in 1920 exposing a shocking discontentment with military and German nationalism (Dada. A five minute history). Hannah Hoch was introduced to the world of DADA by Raoul Hausman who together with Kurt Schwitters, Piet Mondrian and Hans Richter was one of the influential artists in the movement. Hoch became the only German woman who referred to DADA. She managed to follow the general Dadaist aesthetic, but at the same time she surely and steadily incorporated a feminist philosophy. Her aim was to submit female equality within the canvass of other DADA’s conceptions. Though Hannah Hoch officially was a member of the movement, she never became the true one, because men saw her only as ‘a charming and gifted amateur artist’ (Lavin). Hans Richter, an unofficial spokesperson shared his opinion about the only woman in their community in the following words: ‘the girl who produced sandwiches, beer and coffee on a limited budget’ forgetting that she was among the few members with stable income. In spite of the gender oppressions, Hannah’s desire to convey her idea was never weakened. Difficulties only strengthened her and made her an outstanding artist. A note with these return words was found among her possessions: ‘None of these men were satisfied with just an ordinary woman. But neither were they included to abandon the (conventional) male/masculine morality toward the woman. Enlightened by Freud, in protest against the older generation. . . they all desired this ‘New Woman’ and her groundbreaking will to freedom. But — they more or less brutally rejected the notion that they, too, had to adopt new attitudes. . . This led to these truly Strinbergian dramas that typified the private lives of these men’ (Maloney). Hoch’s technique was characterized by fusing male and female parts of the body or bodies of females from different epochs — a ‘traditional’ woman and ‘modern’, liberated and free of sexual stereotypes one. What’s more, combining male and female parts, the female ones were always more distinctive and vibrant, while the male ones took their place in the background. Hannah created unique works of art experimenting with paintings, collages, graphic and photography. Her women were made from bits and pieces from dolls, mannequins of brides or children as these members of the society were not considered as valuable. Today Hannah Hoch is most associated with her famous photomontage ‘Cut with the kitchen knife DADA through the last Weimer Beer-Belly Cultural epoch of Germany’ (1919–1920). This piece of art highlights social confusion during the era of Weimar Republic, oppositionists and government radicals (Grabner). In spite of never being truly accepted by the rest of her society, this woman with a quiet voice managed to speak out loud her feministic message. Looking at Hannah Hoch’s art for the first time I found it confusing, because couldn’t comprehend the meaning. It was quite obvious that every single piece and structure is a symbol of the era, its ideas and beliefs. However, after having learned about her life and constant endeavors to declare about female’s right, little by little I started to realize what’s what. As an object for research I chose ‘The beautiful girl’ as, to my mind, its theme and message intersects with the modern tendency: a successful, clever, beautiful and free woman has to become one in no time, cause the world is moving faster and faster. I enjoyed working with this artist as her example is inspiring and is worth following

[astiniar925]

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神奇女侠1984的剧情简介 · · · · · · 故事背景设定在五光十色、充满诱惑的80年代，神奇女侠戴安娜在华盛顿的自然历史博物馆过着与普通人无异的生活，然而在阻止了一场看似平常的劫案后，身边的一切都发生了变化。在强大的神力诱惑下，两位全新劲敌悄然出现 — — 与神奇女侠“相爱相杀”的顶级掠食者豹女， 以及掌控着能改变世界力量的麦克斯·洛德，一场惊天大战在所难免。另外一边，旧爱史蒂夫突然“死而复生”，与戴安娜再续前缘，然而浪漫感动之余，史蒂夫的回归也疑窦丛生。 新时代大幕开启，面对两位强大的邪恶反派和神秘归来的史蒂夫，神奇女侠要如何才能再次拯救世界？

导演: 派蒂·杰金斯 编剧: 戴夫·卡拉汉姆 / 派蒂·杰金斯 / 乔夫·琼斯 主演: 盖尔·加朵 / 克里斯·派恩 / 康妮·尼尔森 / 罗宾·怀特 / 佩德罗·帕斯卡 / 更多… 类型: 动作 / 奇幻 / 冒险 制片国家/地区: 美国 语言: 英语 上映日期: 2020–12–18(中国大陆) / 2020–12–25(美国) 片长: 151分钟 又名: 神力女超人1984(台) / 神奇女侠2 / Wonder Woman 2 / WW84 IMDb链接: tt7126948

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Being the eldest of five children, the girl was brought up in a comfortable and quiet environment of the small town. Her parents, a supervisor in an insurance company and an amateur painter sent her to Girl’s High school. However, at the age of 15 Hannah had to quit studying for the long six years to take care of her newborn sister. Only in 1912 she continued her education with Harold Bengen in School of Applied Arts, mastering glass design. As the World War I broke up Hannah returned to the native town to work in the Red Cross. The first years after war the young woman recommenced her studying, getting to know graphic arts. 1915 was highlighted by an acquaintance with an Austrian artist Raoul Hausmann, which grew into the long-lasting romantic relationship and involvement in Berlin Dada movement. For ten years till 1926 Hoch worked in Berlin’s major publisher of newspapers and magazines. Her task was to design embroidering, knitting and crocheting patterns for the booklets. Being on vacation with her beloved in 1918, Hannah discovered ‘the principle of photomontage in cut-and-paste images that soldiers sent to their families’ (National gallery of Art). This find affected greatly on her artistic production, and she created mass-media photographs comprising the elements of photomontage and handwork patterns, thus combining traditional and modern culture. Her prior preoccupation was to represent the ‘new woman’ of the Weimar Republic with new social role and given freedoms. Hoch was the only woman in Berlin Dada, who took part in all kinds of events and exhibitions showcasing her socially critical works of art. Till 1931 she participated in exhibitions but with the rise of National Social regime was forbidden to present her creative work. Till her last breath in 1978 Hannah Hoch lived and worked in the outskirts of Berlin-Heiligensee. The piece of art which is going to be analyzed in this research is ‘The beautiful girl’ designed in 1919–1920. It combines the elements of technology and females. In the middle of the picture one can clearly see a woman dressed in a modern bathing suit with a light bulb on her head which probably serves as a sun umbrella. In the background a large advertisement with a woman’s hair-do on top is presented. Maud Lavin describes strange human as ‘she is part human, part machine, part commodity’ (Lavin). The woman is surrounded by the images of industrialization as tires, gears, signals and BMW logos. A woman’s profile with the cat eyes, untrusting and skeptical, in the upper right corner is eye-catching as well. This unusually large eye symbolizes DADA movement — a monocle, which is present in almost every Hoch’s work. The colour scheme does not offer rich palette of tints, including mostly black, white, orange and red pieces. The photo is surrounded by the BMW circles which add the spots of blue. An apt description of the piece is given in the book ‘Cut with the Kitchen Knife’ and states that it is ‘a portrait of a modern woman defined by signs of femininity, technology, media and advertising’ (Lavin). In other words Hannah Hoch focused on the woman of the new age, free and keeping up with the fast-moving world. The artist promoted feministic ideas and from her point of view urbanization and modern technologies were meant to give hope to woman to gain equality of genders. With this photomontage she commented on how the woman was expected to combine the role of a wife and mother with the role of a worker in the industrialized world. The light bulb instead of a face shows that women were perceived as unthinking machines which do not question their position and can be turned on or off at any time at man’s will. But at the same time they were to remain attractive to satisfy men’s needs. The watch is viewed as the representation of how quickly women are to adapt to the changes. In a nutshell, Hoch concentrated on two opposite visions of the modern woman: the one from the television screens — smoking, working, wearing sexy clothes, voting and the real one who remained being a housewife. The beautiful girl’ is an example of the art within the DADA movement. An artistic and literal current began in 1916 as the reaction to World War I and spread throughout Northern America and Europe. Every single convention was challenged and bourgeois society was scandalized. The Dadaists stated that over-valuing conformity, classism and nationalism among modern cultures led to horrors of the World War I. In other words, they rejected logic and reason and turned to irrationality, chaos and nonsense. The first DADA international Fair was organized in Berlin in 1920 exposing a shocking discontentment with military and German nationalism (Dada. A five minute history). Hannah Hoch was introduced to the world of DADA by Raoul Hausman who together with Kurt Schwitters, Piet Mondrian and Hans Richter was one of the influential artists in the movement. Hoch became the only German woman who referred to DADA. She managed to follow the general Dadaist aesthetic, but at the same time she surely and steadily incorporated a feminist philosophy. Her aim was to submit female equality within the canvass of other DADA’s conceptions. Though Hannah Hoch officially was a member of the movement, she never became the true one, because men saw her only as ‘a charming and gifted amateur artist’ (Lavin). Hans Richter, an unofficial spokesperson shared his opinion about the only woman in their community in the following words: ‘the girl who produced sandwiches, beer and coffee on a limited budget’ forgetting that she was among the few members with stable income. In spite of the gender oppressions, Hannah’s desire to convey her idea was never weakened. Difficulties only strengthened her and made her an outstanding artist. A note with these return words was found among her possessions: ‘None of these men were satisfied with just an ordinary woman. But neither were they included to abandon the (conventional) male/masculine morality toward the woman. Enlightened by Freud, in protest against the older generation. . . they all desired this ‘New Woman’ and her groundbreaking will to freedom. But — they more or less brutally rejected the notion that they, too, had to adopt new attitudes. . . This led to these truly Strinbergian dramas that typified the private lives of these men’ (Maloney). Hoch’s technique was characterized by fusing male and female parts of the body or bodies of females from different epochs — a ‘traditional’ woman and ‘modern’, liberated and free of sexual stereotypes one. What’s more, combining male and female parts, the female ones were always more distinctive and vibrant, while the male ones took their place in the background. Hannah created unique works of art experimenting with paintings, collages, graphic and photography. Her women were made from bits and pieces from dolls, mannequins of brides or children as these members of the society were not considered as valuable. Today Hannah Hoch is most associated with her famous photomontage ‘Cut with the kitchen knife DADA through the last Weimer Beer-Belly Cultural epoch of Germany’ (1919–1920). This piece of art highlights social confusion during the era of Weimar Republic, oppositionists and government radicals (Grabner). In spite of never being truly accepted by the rest of her society, this woman with a quiet voice managed to speak out loud her feministic message. Looking at Hannah Hoch’s art for the first time I found it confusing, because couldn’t comprehend the meaning. It was quite obvious that every single piece and structure is a symbol of the era, its ideas and beliefs. However, after having learned about her life and constant endeavors to declare about female’s right, little by little I started to realize what’s what. As an object for research I chose ‘The beautiful girl’ as, to my mind, its theme and message intersects with the modern tendency: a successful, clever, beautiful and free woman has to become one in no time, cause the world is moving faster and faster. I enjoyed working with this artist as her example is inspiring and is worth following

[tomasorban]

Greeting Goddess Gaia

Who is Gaia?

Quite simply, Gaia is life. She is all, the very soul of the earth. She is a goddess who, by all accounts, inhabits the planet, offering life and nourishment to all her children.

In the ancient civilizations, she was revered as mother, nurturer and giver of life. It’s she who created and sustained us, and to whom we returned upon death.

She goes by many names, but in an effort to better connect and understand this energy, we’ll explore the myriad of forms in which she appears on Earth.

Ancient Ways and Goddess Traditions

Every culture has their version of the Earth Goddess. The Greeks called her Gaia, while the Incas know her as PachaMama. In some cases, she predates writing: ancient, pre-linguistic references to her have been found, alongside shrines, statues and paintings of her in every corner of the globe. She is the first goddess, the primeval one, the creator of all life and the fullness of her legacy is still being resurrected after patriarchal suppression.

The paleolithic Venus figures dot all of Europe, hearkening a worship of the feminine earth mother which has been lost to us. Despite the efforts of many historians, archaeologists and artists, we’re only now beginning to remember the stories of the goddess.

In any sincere effort to unearth her, we must look to the oldest documented accounts.

Gaia in Greek Mythology

To the Greeks, Gaia was the ultimate goddess of raw, maternal power. In the beginning, there was chaos, nebulous ethers waiting to take form. This primordial landscape awaited direction; it’s then that the spirit of Gaia arrived to give structure to the formless and the Earth was conceived.

She became the Earth, birthing all form of landscape, plant and creature. Though her creation was majestic, her solitude was great. She longed for love and created the sky with whom she mated, igniting a creative force which birthed countless offspring: Time and the Fates, the Muses and the oceans, to name a few. She’s considered the primeval mother of whom all gods—and life itself—descended.

As the prevalence of gods and goddesses in the 19th and 20th centuries faded away, so did history books’ tales of female pharaohs, women scientists and amazon warriors. History is kept by the victors—and the victors are most often men. This left a void in collective consciousness and Gaia was relegated to mythology alone.

With the convergence of feminism in the 1970s, all that changed when a groundbreaking pro-female establishment was founded, providing new understanding of how our planet operates.

The Gaia Theory

In 1970, chemist James Lovelock and his research partner Lynn Margulis (the wife of Carl Sagan at the time) proposed that the earth is a living being, self-regulating the elements to sustain life on it. This revolutionary hypothesis was seen as heretical, but has since been accepted as fact; a theory, no longer a hypothesis.

Their work suggested that in the earth chemicals all “talk” to one another to protect life on the planet; the salt in the ocean is never too salinated, the oxygen in the atmosphere never too noxious, and the temperature of the earth never grows too hostile for life to thrive. All elements work in perfect harmony to ensure life on earth is sustained.

The stability of life and its consistent ability to self-regulate and protect earth’s creatures connotes a universe much more intelligent than previously imagined.

Gaia theory taught that a sophisticatedly aware universe is regulating these many facets to protect and preserve life on the planet, much as a mother protects her own children.

Far beyond a comforting ideology, we can find evidence in spiritual traditions which give heed to the belief of the earth as a loving mother, further nurturing our human relationship with Gaia.

Resurgence of Gaia

A new curiosity about the history and meaning of Gaia has recently been sparked. Men and women have begun to seek to understand this innate consciousness. What they’re finding is far from surprising, as the idea of characterizing the earth energy is present in the wisdom of two of the most enduring native traditions, Chinese medicine and Native American theology.

Chinese Five Element Theory

Among the oldest healing modalities on the planet is Chinese 5 Element theory. Before Mao Tse-Tung instituted a politicized Traditional Chinese Medicine, there existed a theory based not only in physical, but rooted in a spiritual understanding of life. Five Element theory honors the Earth energy as maternal, warm, nurturing and joyous. Abundant in its gifts, earth’s energy is the sound of laughter on a late summer day.

If someone has an unbalanced earth energy, they could fear security, develop eating disorders and may never feel satisfied in life. It’s these qualities of being fulfilled, complete and secure that earth gives us.

Native American Medicine Wheel

Equal in its enduring wisdom, the Native American Medicine Wheel is a way of understanding our world as practiced by every indigenous nation. By working with the directions or elements, we can be in harmony with nature.

On the wheel, the earth lies in the south and is the ruler of bounty, expansive growth, passion, peace and relationships. To work with the earth energies of the south ensures we are in communion with the spirit of abundance, joy and creation.

Both ideologies are based in an understanding of the world as interwoven and infinitely more complex than Western beliefs convey. Though from different parts of the world, both teachings characterize the energy of earth as the same: loving, generous and maternal, a protector of people and the planet.

Enduring Relevance

Far beyond the mythological Gaia, the name has come to represent an all-loving, nurturing and intelligent cosmic force which oversees life on earth. The goddess traditions have worked tirelessly to resurrect the ancient teachings of the Great Mother and ensure her presence as a force of love on the planet.

More than saving the planet or participating in Earth Day celebrations, we can treat everyday like a ceremony. To be in a sincere connected relationship with Gaia, we must acknowledge her sundry gifts and be open to receive her wisdom.

Ways to Be Present With Gaia

In her infinite love, we may forget to acknowledge all the bounty she offers. Here are a few spaces to reconnect, remembering the loving presence of Gaia all around you. To be in ceremony in every moment allows us to rise as co-creators with her now.

Food

See your food as sacred nourishment. This will not only raise your vibration but it will also ensure more mindful presence when you can be aware of where the blessings came from. She not only provides the crops, but also the earth in which they grow.

Shelter

From the wood under your feet to the aluminum siding surrounding you and the tar on the roof overhead, all these materials are grown on or in the earth. Be in awe of her myriad of blessings.

Crystals

Whether or not you’ve been zapped by the crystal bug, you can probably recall seeing a mineral specimen whose beauty moved you. Every jade, amethyst, diamond and shard of obsidian came from Gaia. In her love, she creates the most stunning specimens to support and ease our human existence.

Plants

The magnitude of healing plants is astounding. From fresh flowers, to trees, mushrooms to bark, every culture understands the blessings of the plants to heal human ailments.

Pay attention to the plants around you to hear the messages they may be trying to share. Chicory for example is a common weed that grows freely even in the most impoverished areas of urban landscapes. Chicory is an extender spirit, making coffee go further in times of economic depression. If we could remember to use the natural resources of Gaia, we could eradicate or lessen hunger.

Time in Nature

Dr. Joe Dispenza recently reported: “In clinical studies we have proven that 2 hours of nature sounds a day significantly reduces stress hormones up to 800% and activates 500-600 DNA segments known to be responsible for healing and repairing the body.”

To amp up your healing connections, try earthing.

Respect of Natural Resources

It hopefully goes without saying, but being mindful of recycling and limiting your use of synthetic resources will be a great blessing to honor the preservation of Gaia.

The Great Destroyer

While it’s easy to become infatuated with the beauty of Gaia’s gifts, she’s also the great destroyer. As children, at times we will upset mother—so too is this the case with the Great Mother Gaia. Her generosity can be taken advantage of, her lands raped and people harmed.

Just as we disappoint our human mothers and consequences are dispensed, so too does Gaia balance out the injustices she suffers. Famine, extreme weather, volcanoes and tsunamis are the ways she rights herself and restores balance. While these actions could look punitive, it’s destruction in order to create something better which she must enact. Even in chaos, there is purpose beyond what our human minds can see.

By moving into better alignment with her, these unpredictable forces can be ridden with ease and understanding.

Meditation: Connecting with Gaia

Sitting on the earth would be most ideal for this meditation, but as we are working with her Spirit, find any comfortable sitting position and begin to slow your breath.

Bring your awareness gently into your hips and let all the energies of the day go. Focusing on this pelvic bowl, allow your breath to expand all the way down into your abdomen. Bring anything which causes discomfort or distress there now.

See beneath you the earth, open to greet you, and a red and gold spiral of light begins to glow at your perineum. This light spirals into the earth, ushering you into her most sacred center.

Feel yourself gently drifting to the center of the earth, into her cosmic womb of creation and destruction. You will feel a natural resting place and appreciate the serene calmness around you. Sit in this quiet and be with the calm energy she offers.

If you wish, ask for a figure of Gaia. You may see her as a woman, a goddess, a color or a symbol. Whatever arises is perfect for you now and will offer a meaningful tool to deepen your relationship with her.

When you feel finished, thank her and allow your attention to come back into your body. Open your eyes slowly and celebrate your newfound connection.

Shifting to Honor Gaia

Each time we honor Gaia and all she represents, we honor the love of a living and present universe around us. In these ways, we’re participating in the expansion of a cosmic consciousness.

Your intimate work with her will remind you resolutely that there’s always more than enough and all of your needs are provided for. By being in this awareness, you can see through the illusions and understand the beliefs that are truly damaging our planet. It’s only through shifting our own perceptions that we may link with the consciousness of Gaia to change the earth.

[childrenchildrenandchaos]

First Birthday’s

Hello Everyone!

Today’s a very exciting day for my family. It’s my youngest daughter, Remington’s first birthday! It’s hard to believe that a year ago I was lying in a hospital room with a newborn clinging to me. With two kids I’ve had two first birthdays to experience. There are many ideas and themes online to explore that with my first daughter I almost got overwhelmed.

I did not want…