#co working spaces in auckland

[generatornz]

Discover the Advantages of Joining a Coworking Space in Auckland

Are you a freelancer, entrepreneur, or remote worker in Auckland seeking an inspiring workspace? Let's introduce you to Co Working Space in Auckland.

These shared office spaces are perfect for enhancing your productivity and professional network with varied advantages.

Boosted Productivity: Compared to work from home and other spaces, co working space in Auckland provides a perfect and focused environment away from distractions, ensuring enhanced productivity through dedicated working space and advanced facilities.

Networking Opportunities: Co working space in Auckland is a perfect place to build networks with like minded professionals and budding business minds within Auckland's vibrant entrepreneurial community.

Cost-Effectiveness: No stress of fixed costs of maintaining an office as coworking space allows flexible memberships and includes facilities like high speed internet, gym, cafeteria and other communal resources.

Work-Life Balance: An office away from home improves mental well being, keeping the distractions away and offering structured work hours and a supportive community environment.

Location Convenience: Often located in bustling districts of Auckland, these co working spaces offer easy access to local amenities and public transport to maximise timely office reach.

Co working space in Auckland is not just about a desk, but embracing an environment and work culture that promotes creativity, growth and innovation. Elevate your professional journey and experience the advantages of coworking spaces in New Zealand's business capital.

[andromedasummer]

Hi! Can you explain more about what you told about Mitch Evans and NZ?

ive covered this like twice before? even posted screenshots of his meltdown which might still be around on my blog somewhere.

pretty much, during the height of covid in 2021 mitch evans went on an instagram rant about not being able to return home to new zealand for his grandmothers funeral.

mitch lives in monaco, because like many many racing drivers he loves tax evasion and parties. he was born in auckland, new zealand. when nz was briefly opened back up for travel at the start of lockdown so people abroad could come home, mitch chose not to reserve a spot to return to nz. nz was strict witn our covid rules because being strict fucking worked. we had one covid death in 2021, and that person actually died the same week mitch had his rant which was unfortunate timing for him to be sure.

he pretty much went on an insta story a tirade about how he couldn't get back in the country cos lockdown and how Jacinda Ardern (pm at the time) and the Labour party were ruining the country and nz should just open up again (rhetoric which went on to trigger a month long invasion of parliament grounds that i had to walk past/through every day to get to work. it also lead to ardern resigning from her prime minister role last year because people got militant and conspiratorial about our lockdown and it was genuinely bad for her safety and mental health.)

evans also retweeted anti-lockdown tweets by the twitter account for the ACT party, which at the time was our furthest far-right party in the country and which is now unfortunately in charge due to a coalition agreement from hell and christopher luxon not having a fucking spine. ACT (and NZ First, another right wing coalition party) got their votes by playing into anti-lockdown cooker crowds and now we've got two racist, transphobic, evil little men for deputy pms alongside a businessman who wanted to be pm for the title alone and is coming to the realization hes become a puppet for the two demons he signed a coalition agreement with.

I've little empathy for mitch evans. He had a solid month (and more, i recall months space between our 2020 and 2021 lockdowns) to return home and certainly had the money MANY nzers didn't to allocate himself a space in one of the hotels for the mandatory 2 week quarantine. It's awful he couldn't attend his grandmothers funeral but he had ample time to move back to nz for lockdown. i just cannot respect someone with the kind of audience and reach he has having the kind of meltdown where you repeat the complaints of sexist nutjobs about the prime minister on your insta and retweet the fucking ACT party. the fucking ACT party.

[itineraryblog]

Next Gen Auckland Domain: A Guide to the Future of Urban Living

What is the Next Gen Auckland Domain? The Next Gen Auckland Domain is an ambitious project aimed at transforming Auckland into a city that not only meets but exceeds the expectations of its residents. It encompasses a broad range of urban development initiatives that focus on sustainability, technology, community, and economic growth. The vision behind the Next Gen Auckland Domain is to create a vibrant, inclusive, and forward-thinking urban environment that serves as a model for other cities worldwide.

A Vision for the Future Imagine a city where green spaces are woven seamlessly into the urban fabric, where smart technology enhances daily life, and where communities thrive in harmony with nature. This is the vision for the Next Gen Auckland Domain — a city that is built for the future but deeply connected to its natural and cultural heritage.

Sustainability at Its Core One of the cornerstones of the Next Gen Auckland Domain is sustainability. This initiative prioritizes eco-friendly practices and designs that reduce environmental impact while improving quality of life.

Next Gen Auckland Domain Green Spaces and Parks Green spaces are not just aesthetic features; they are vital to the health and well-being of urban residents. The Next Gen Auckland Domain plans to expand and integrate parks, gardens, and green rooftops, creating a network of natural environments that offer both recreational and ecological benefits.

Eco-Friendly Architecture The future of Auckland’s architecture lies in sustainable building practices. This includes the use of renewable materials, energy-efficient designs, and buildings that minimize waste and maximize resource use. The Next Gen Auckland Domain will feature state-of-the-art, environmentally responsible structures that complement the city’s green ambitions.

Smart Technology Integration Technology is at the heart of the Next Gen Auckland Domain, enabling a more connected, efficient, and responsive city.

IoT and Smart Buildings The Internet of Things (IoT) will play a crucial role in the development of smart buildings within the Next Gen Auckland Domain. From smart lighting and climate control systems to energy monitoring and waste management, these buildings will be optimized for efficiency and sustainability.

Next Gen Auckland Domain Digital Infrastructure and Connectivity High-speed internet and 5G connectivity will ensure that the Next Gen Auckland Domain is a digitally connected hub. This is essential not only for residents and businesses but also for enhancing the overall smart city experience.

Transportation and Mobility Innovations Modern urban living demands innovative transportation solutions that reduce congestion and carbon emissions.

Electric Vehicles and Charging Stations The future of transportation is electric. The Next Gen Auckland Domain will promote the use of electric vehicles (EVs) by providing ample charging stations and incentives for EV owners, contributing to a cleaner, greener city.

Bike Lanes and Pedestrian-Friendly Zones Prioritizing people over cars, the city will feature extensive bike lanes, pedestrian-friendly zones, and public transport options that are both efficient and sustainable.

Residential and Commercial Developments The Next Gen Auckland Domain aims to create a balanced mix of residential, commercial, and recreational spaces that cater to a diverse population.

Modern Apartments and Homes From high-rise apartments to family-friendly homes, the residential offerings will be varied, modern, and sustainable, meeting the needs of Auckland’s growing population.

Co-Working Spaces and Offices In an era where remote and flexible work is the norm, the Next Gen Auckland Domain will provide state-of-the-art co-working spaces and offices that foster collaboration and innovation.

Community Engagement and Social Spaces A city is more than just buildings and roads — it’s about people and culture.

Public Art and Cultural Activities Art installations, cultural festivals, and public performances will be a regular feature, bringing vibrancy and diversity to the urban landscape.

Community Centers and Gathering Spots Community centers and gathering spots will serve as focal points for social interaction, fostering a sense of belonging among residents.

Economic Opportunities and Growth The Next Gen Auckland Domain will be a catalyst for economic growth, offering numerous opportunities for businesses and entrepreneurs.

Job Creation and Innovation Hubs With the establishment of innovation hubs and research centers, the city will attract talent from around the globe, driving job creation and economic development.

Small Businesses and Local Entrepreneurs Support for small businesses and local entrepreneurs will be a key focus, ensuring a thriving local economy that benefits all.

Educational and Research Facilities Knowledge and education are central to the development of any great city.

Schools and Universities World-class schools and universities will be integral to the Next Gen Auckland Domain, providing quality education and fostering the next generation of thinkers and leaders.

Research Institutes and Laboratories Research institutes and laboratories will encourage scientific discovery and technological advancement, contributing to Auckland’s reputation as a hub for innovation.

Recreation and Leisure Options A balanced lifestyle requires access to quality recreational and leisure options.

Sports and Fitness Centers From sports arenas to fitness centers, the Next Gen Auckland Domain will cater to a wide range of interests, promoting physical activity and well-being.

Cafes, Restaurants, and Shopping Areas A variety of cafes, restaurants, and shopping areas will offer residents and visitors unique experiences that reflect Auckland’s multicultural vibe.

Health and Wellness Initiatives A healthy city is a happy city. Health and wellness will be prioritized within the Next Gen Auckland Domain.

Hospitals and Clinics State-of-the-art hospitals and clinics will provide top-notch healthcare services to residents.

Wellness Programs and Green Spaces Wellness programs and green spaces will promote a healthy lifestyle, making Auckland not just a place to live, but a place to thrive.

The Impact on Auckland’s Real Estate Market The development of the Next Gen Auckland Domain will likely have a significant impact on the local real estate market, driving up demand for properties in this new urban hub.

Challenges and Considerations While the vision for the Next Gen Auckland Domain is promising, it is not without challenges. Ensuring affordability, maintaining environmental standards, and managing urban growth are all critical considerations.

Conclusion The Next Gen Auckland Domain is more than just a development project — it’s a bold vision for the future of Auckland. With its focus on sustainability, smart technology, community engagement, and economic growth, it has the potential to redefine urban living in New Zealand. As we look forward to this exciting transformation, the possibilities are truly endless.

[qnewsau]

Why Melbourne should bid for - and win - the 2026 Gay Games

New Post has been published on https://qnews.com.au/why-melbourne-should-bid-for-and-win-the-2026-gay-games/

Why Melbourne should bid for - and win - the 2026 Gay Games

A Victorian LGBTQIA+ sports inclusion advocate has set the record straight on why Melbourne should win its bid to host the Gay Games in 2026.

Every four years since 1982, the Gay Games has drawn thousands of athletes and spectators to host cities around the world for a celebration of inclusive sport.

Last month, Gay Games organisers announced the exciting news that Perth and Melbourne were on a shortlist of seven cities in the running to host the 2030 event.

The shortlist also includes Auckland, Cape Town, Denver, Taipei in Taiwan and Edmonton in Canada.

Last weekend, Victorian sports minister Steve Dimopolous threw his support behind the event. But at the time he also copped a misinformed political backlash in the wake of the state government’s costly axing of the Commonwealth Games.

Proud2Play community development officer Kade Matthews has set the record straight, telling JOY 94.9 that the Gay Games bid is led by community, not government, and conflating the two events isn’t accurate.

“The Gay Games and Commonwealth Games are very, very different events,” he explained to the radio station.

While the Commonwealth Games are about elite competition, Kade said the Gay Games focus on “participation and celebrating community”.

Each Gay Games event offers a space “where we can all come together as a worldwide event and celebrate ourselves and have people feel comfortable in sport,” he said.

“All of the Gay Games events in Victoria [would use] existing venues. We’re not building things like athlete villages and so on,” he said.

“The bid itself isn’t led by the government. It’s led by community. A community of people from various organisations and sporting backgrounds are leading the Melbourne bid.

“It’s a very different beast to something like the Commonwealth Games.”

Melbourne is a perfect host city for 2030 Gay Games

Each Gay Games typically attracts around 10,000 athletes and many more spectators to the host city. Australia last hosted the Gay Games in Sydney in 2002.

“I think Melbourne’s in a really good place to host the Gay Games,” Kade Matthews said.

“We’ve got over 30 queer sporting clubs in Melbourne. [Proud2Play is] also doing a lot of work with the sporting sector and leisure facilities.

“Venues like Melbourne Sports and Aquatic Centre, climbing gyms, stadiums and spaces all around Melbourne are all involved in inclusion programs.

“With the equality unit at the Victorian government and spaces like the Pride Centre, we’ve got a really good base in community that can support this work.

“In my opinion, I think we’re really light years ahead of a lot of places in Australia to deliver these programs for our community and make sport a safe space.”

Shortlisted cities will present Gay Games bids next month

Meanwhile, Pride WA is leading Perth’s bid and they’ve said their city is excited and ready to host the Gay Games in 2030.

In late August, the Federation of Gay Games confirmed each shortlisted city had submitted “bid books” outlining their preliminary hosting proposal.

Soon, representatives from the cities will formally present their bids in-person at the Federation’s AGM in Washington DC in October.

The FGG will announce three finalist cities in December 2024. The host city will be announced in November 2025.

Hong Kong and Guadalajara, Mexico co-hosted the last Gay Games in November 2023. Sydney was the last Australian city to host in 2002.

The next Gay Games will be held in Valencia, Spain in 2026.

Read more:

WA sports clubs get behind Perth’s bid for 2030 Gay Games

Queensland athletes tell us about their 2023 Gay Games experience

Spanish city of Valencia is the perfect city for 2026 Gay Games

Brisbane Hustlers win bid to host 2026 Bingham Cup

For the latest LGBTIQA+ Sister Girl and Brother Boy news, entertainment, community stories in Australia, visit qnews.com.au. Check out our latest magazines or find us on Facebook, Twitter, Instagram and YouTube.

[megan-loves-surveys]

#38.

1) What is your favorite room of your living space? Why? My room, cos all my stuff is in it.

2) What do you wear when you are lounging at home? Depends on the time of the year - in summer I wear shorts and tank tops, in winter comfy pants and a sweatshirt or hoodie.

3) Do you sleep with one blanket or many blankets? I have a duvet and that's it, anything more and I'd sweat to death no matter what time of year it is.

4) Slippers or socks? I get super cold feet so I always have big fluffy winter socks and ugg boots on in the colder weather. Sometimes (like right now) even that's not enough and they're still cold :/

5) What do you do right before you go to sleep? I set my Pokémon Sleep app to sleep mode to track it xD

6) Do you fall asleep right away, or do you need something to help you sleep? like music, drugs, sex….: It has to be quiet, if I can hear people talking or music somewhere I won't be able to fall asleep. And it has to be not too warm, I sleep far better in winter than in the summer.

7) What is the FIRST thing you do when you wake up? Look at what time it is.

8) Breakfast or no breakfast? Depends.

9) What do you usually have for breakfast, if you do at all? Toast or cereal/muesli.

10) Do you watch t.v. in the morning? Cartoons or news? No, I'll usually just put on a YouTube video of some sort.

11) Shower or bath? Shower

12) Do you make the bed every morning, or just leave it? I make it cos I have loads of plushies that I need to set up on it xD

13) What helps you get going in the morning? Just getting out of bed and getting ready.

14) Do you set an alarm or wake up another way? Alarm, but most of the time I wake up naturally before it even goes off. The only time it actually wakes me up is when I've been super tired.

15) Do you have any rituals you perform before you leave your home for the day? Not really.

name: Megan. birthdate: July 13. birthplace: Auckland. current location: Auckland. hair color/eye color: Blue & purple / green. height: 5'3". boyfriend/girlfriend?: Yep, together for 2 years. siblings?: None. living arrangements: I live with my Mum, but my boyfriend and I live on the same street xD pets: None.

[ <> * % # CURRENTLY <> * % # ]

date: June 28, 2024. time: 3:39pm. hair: It's just down. listening to: Ayumi Hamasaki - I am... (Acoustic Orchestra Version) on tv: It's on downstairs but I dunno what's on. talking to: My Mum, she's in the hallway nearby cleaning the cupboard, lol. # of people on buddylist: - cd in player: I'm shuffling a playlist. people in your house: 2. makeup: None.

1. What is your Name: Megan.

2. What color pants are you wearing right now? Black.

3. What are you listening to right now? The above Ayu song, it has 1:30 left to go cos it's 5:42 lol.

4. Do you wear pajamas to bed? Yes, when it's cold.

5. What was the last thing you ate: Yoghurt.

6. If you were a crayon what color would you be: Purple.

7. How is the weather right now: It was sunny before, but the sun is gone now, it's dull. It's also quite cold.

8. Last person you talked to on the phone? Someone at work.

9. The first thing you notice about the opposite sex? Their face.

10. Do you like the person who sent this to you: -

11. How are you today: I'm good, it's a public holiday so no work.

12. Favorite Drink: Water or Starbucks frappe.

13. Favorite Alcoholic drink: Jim Beam or Malibu.

14. Favorite Sport(s): Wrestling.

15. Hair Color: Blue & purple.

16. Eye Color: Green.

17. Do you wear contacts: No, I have glasses.

18. Siblings: None.

19. Favorite Month: July.

20. Favorite Food? Mac & cheese.

21. Last Movie you Watched: Hmm... not sure.

22. Favorite Day of the Year: Christmas Day.

23. Are You too shy to ask someone out: Depends.

24. Summer or Winter: Summer.

25. Hugs or Kisses: Both.

26. Chocolate or Vanilla: Chocolate.

27. Something nice about the person who sent this: -

[ Infos ] Name: Megan. Do you like it?: Not really. Nicknames: Mox Girl, MG, Mox, Moxxy/Moxie, Shorty, Meg. Age: 36. Birthday: July 13. Sign: Cancer. Location: NZ. Status: Taken. Crush: My boyfriend and Jon Moxley lol. Virgin?: No. Natural hair color: Blonde. Current hair color: Blue & purple. Eye color: Green. Height: 5'3". Birthplace: NZ. Shoe size: 5. Bra size: 16D lol.

[ Family ] Parents: Margaret & Mike. Siblings: None. Live with: My Mum. Favorite relative: My Mum & Dad equally.

[ Favorites ] Number: 13. Color: Purple. Day: Saturday. Month: July. Song: Right now it's Angelina Mango - La Noia. Movie(s): Hmm. Food: Mac & cheese. Band: Five or Blue. Season: Summer. Sport(s): Wrestling. Class: Computers/IT. Teacher: - Drink(s): Water & Starbucks frappes. Veggie: Potatoes. TV Show: Raw, Smackdown, Dynamite, Big Bang Theory etc. Radio Station: - Store: Converse outlet store. Word: Online, it's probably "lol" or "lmao" xD Animal: Cats. Flower: Tulips. State: NY.

[ This Or That ] Me/You: You, cos you're saying that so that means me lol. Coke/pepsi: Coke. Day/night: Night. Aol/aim: This survey was made like 20 years ago, wasn't it? LOL. Cd/cassette: CD. Dvd/vhs: DVD. Jeans/khakis: Jeans. Car/truck: Car. Tall/short: Tall for guys, short for me. Lunch/dinner: Both. NSYNC/BSB: BSB, but I like *NSYNC too. Britney/Christina: Britney, but Christina is great too. Gap/Old Navy: Old Navy. Lipstick/Lipgloss: Lipgloss. Silver/Gold: Silver. Alcohol/Weed: Alcohol, I don't smoke weed.

[ Love and Relationships ] Do you have a bf/gf?: Yes. Do you have a crush?: Yes. How long have you liked him/her?: Years. If you're single…why are you single?: - How long was your longest relationship?: Over 2 years. How long was your shortest relationship?: 9 months. Who was your first love?: My boyfriend. What do you miss about them?: He's still with me xD

[ The Past ] What is the one thing you would change about your life: I wish I had money to travel and go to wrestling events. What is the biggest mistake you've made in your life?: Hmm. Last thing you heard: A song starting. Last thing you saw: Discord. Last thing you said: "Oh" to my Mum, cos she was saying something about looking for something and it was right in front of her lol. Who is the last person you saw?: My Mum. Who is the last person you kissed?: My boyfriend. Who is the last person you hugged?: My boyfriend. Who is the last person you fought with?: Not sure, prob some random at work. What is the last song you heard?: Atomic Kitten - Nothing In The World

[ The Present ] What are you wearing?: Black yoga pants and a purple Seth Rollins sweatshirt. Oh, and winter fluffy socks and ugg boots. What are you doing?: This survey, listening to music and posting on Discord. Who are you talking to?: Nobody at the moment cos my Mum went back downstairs lol. What song are you listening to?: 愛し子よ- ルルティア Where are you?: In my room. Who are you with?: My Mum is downstairs. Are you online?: Of course. How are you feeling?: Alright. Are you in a chatroom?: No.

[ Future ] What day is it tomorrow?: Saturday. What are you going to do after this?: Prob go play something on Steam. Who are you going to talk to?: Depends. Where are you going to go?: I might go see my boyfriend later. How old will you be when you graduate?: I already did, years ago. What do you wanna be?: Hmm. What is one of your dreams?: To travel. Where will you be in 25 years?: Who knows.

[ Have You Ever ] Drank?: Yes. Smoked?: Cigarettes, yes. Weed, no. Had sex?: Of course. Stolen?: No. Done anything illegal?: Probably. Wanted to die?: No. Hit someone?: Jokingly, yes lol.

[ Other ] Do you write in cursive or print?: No clue. Are you a lefty or a righty?: Lefty. What is your sexual preference?: Bi. What piercings do you have?: None. Do you drive?: I have my learner's, but that's about it. Do you have glasses or braces?: Glasses. Did you like this survey?: Sure.

[ Physical Appearance ] What do you most like about your body?: My hair and my boobs. And least?: My stomach. How many fillings do you have?: None. Do you think you're good looking?: I'm average. Do other people often tell you that you're good-looking?: Not often, but it happens lol. Do you look like any celebrities?: Not really.

[ Fashion ] Do you wear a watch?: I have a FitBit if that counts. How many coats and jackets do you own?: No coats, but I own a leather jacket and a bunch of hoodies. Favorite pants/skirt color?: Black, blue or purple. Most expensive item of clothing: If shoes count, then my Converse collection. I have almost 20 pairs xD Most treasured?: Of my clothes? Again, Converse if shoes count. Otherwise, my entire wrestling shirt collection cos a lot of them you can't buy anymore. What kind of shoes do you wear?: Converse lol - the only time I don't wear them is at work where I wear heels and when it's super hot, cos then I'll break out the flip flops instead xD Describe your style in one word: Casual.

[aangussca]

Art Studio 1 Lecture and 24th Biennale Gallery visit (Chau Chak Wing Museum) (22.3.24)

Lecture: Artist-run Spaces (by Alex Gawronski)

Artist-run Spaces (or ARIs - Artist-run Initiatives) are:

Spaces directed and organised by artists (collectives, studios, shows/exhibitions, festivals, workshops, etc.).

Dedicated to showcasing experimental contemporary art.

Usually running on a 'not-for-profit' basis (although art may occasionally be sold).

An international phenomenon (found everywhere)

Below are some examples (Australia):

Firstdraft (Sydney, Australia)

107 Projects (Sydney, Australia)

Airspace Projects (Sydney, Australia)

Gertrude (Melbourne, Australia)

Blindside (Melbourne, Australia)

Outer Space (Brisbane, Australia)

Sawtooth ARI (Launceston, Australia)

FeltSpace (Adelaide, Australia)

Watch This Space Gallery (Alice Springs, Australia)

Below are some examples (international):

Studio 1.1. (London, England) and its other galleries: Studio 1.2. (Haarlem, Netherlands), Studio 1.3. (Poços de Caldas, Brazil) and Studio 1.4. (Susak, Croatia)

PrintSpace (Brooklyn, US)

Transmission Gallery (Glasgow, Scotland)

VideoArt Center Tokyo (Tokyo, Japan)

EST Art Foundation (Leiden, Netherlands)

M1 Singapore Fringe Festival (Singapore)

OpenArt (Örebro, Sweden)

SPAO Photographic Arts Centre (Ottawa, Canada)

Mothermother (Auckland, New Zealand)

Artist-run Spaces run on different models in funding and exhibitions.

Funding:

Government funded (ie. The Australia Council etc. Other State funding bodies).

Self-funding as a co-op (members of the directorship pool their own financial resources to pay for gallery rent and exhibition costs).

Exhibitor funded (gallery is paid for on a not-for-profit basis, by a rental fee paid by exhibiting artists.

Auctions and Fundraisers organized by ARI directors. A combination of the above.

Exhibition models:

Typically Government funded Als must, as a part of their agreement, accept outside proposals. That means the gallery directorship collectively decide which proposals they want to exhibit.

Self-funded co-ops can choose to accept proposals, but the onus will be determined by the co-operative.

Exhibitor-funded ARI models may accept proposals or may curate 'in-house' (ie. The directorship) actively curate the exhibition program without accepting proposals. Some of these are 'spaces for hire. That means they accept outside proposals for the primary purpose of covering the venue rent. They are often expensive and have less credibility within the art world (ALTHOUGH if you can afford it, they can be useful places to experiment if you're starting out).

There are many benefits to founding, directing or being involved in an Artist-run Space - including but not limited to:

Greater creative freedom in both the works you like to exhibit and the artists you'd like to work with

Greater freedom from limitations within institutional/commercial galleries

While another means of income may be needed, you don't have to deal with the pressure of selling your work

Collaboration opportunities, which can help you to form personal and professional connections

Gallery visit: 24th Sydney Biennale (Chau Chak Wing)

Citra Sasmita's Timur Merah Project X: Bedtime Story (2023, acrylic on traditional Kamasan canvas and oak dowels) and Timur Merah Project IV: Tales of Nowhere (2020, acrylic on traditional Kamasan canvas and oak dowels)

Description: "Citra Sasmita began researching patriarchal roots of modern Bali by looking to the literary and artistic canon of Indonesia, which broadly narrates male heroism and depicts women as romantic decorations. Through her Timur Merah Project, Sasmita creates counter-narratives that depict women as powerful and resistant actors who push back against a male gaze informed by colonial ideology. Following the fall of the last Balinese kingdom in 1908, the Dutch administration introduced the policy of Baliseering. A strategy of cultural diplomacy intended to establish an 'authentic' Bali, the policy obliged the Balinese community to carry out their cultural practices under Dutch supervision. Javanese nationalists argued that the policy kept Bali as a living museum' that appealed to colonial aesthetics of the noble and exotic while obliterating any Balinese self-determination. Balinese women, who for centuries were trafficked by the Dutch as particularly beautiful slaves, were often depicted in naturalistic portraits by colonial painters. In Timur Merah Project X: Bedtime Story and Timur Merah Project IV: Tales of Nowhere, Sasmita uses traditional Kamasan painting to reclaim the female figure as an active de-colonial agent challenging the exotic aesthetic heritage of Baliseering."

Cho Ka Fai's Exodus (2024, short film (18 mins 52 secs))

Description: "Gathered around the campfire one hot Javanese night in the 1930s, a contingent of Dutch soldiers drunkenly sang and danced while a group of Indonesian farmers watched from afar, mimicking the men's strange, rhythmic movements. And so, Dolalak was born. Something of a cultural constellation, Dolalak performers cosplay in Dutch military regalia for trance-like performances of traditional Javanese dance, melodic Islamic poems and songs of ancestral spirits. Popular among young Indonesian TikTok influencers who dance Dolalak to the tunes of Indonesian pop music (Dangdut Koplo), the ritual sits within a deeply layered history. The same rich source resulted in an Indonesian band being hailed as the greatest live act in mid-century Europe some 20 years after the development of Dolalak. Following the Dutch failure to re-invade Indonesia after the Second World War, a number of Dutch-speaking Indonesian musicians, primarily from the Maluku Islands, were exiled to the Netherlands. In the same way that Dolalak rose from a colonial clash of cultures, Indo-Rock emerged in the 1950s/1960s when these musicians began to meld Western, Indonesian and Kroncong music, a specific genre in Indonesia played on Portuguese-introduced instruments. This fusion gave rise to leading bands like the Tielman Brothers, who reached stardom as icons of Dutch and West German rock 'n' roll. In Exodus, the Dewi Arum Girls (TikTok stars) dance Dolalak to a remix of the Tielman Brothers, meditating on the colonial resonances that linger. They dance like spirits, in the reverberations of Dolalak, Indo-Rock and contemporary digital culture."

Diane Burns' Alphabet City Serenade (1988, short film (1 min 57 secs))

Description: "Chemehuevi and Anishinaabe poet Diane Burns walks the streets of New York's Lower East Side (Loisaida colloquially) reciting her poem Alphabet City Serenade in this powerful footage. An indictment of the gentrification of Loisaida and the treatment of First Nations Americans, Alphabet City Serenade paints the cracked windows and littered streets of Loisaida with a vivid and loving brush. The serenade also threads Burns into the fabric of the cityscape, with its crumbling tenements and narrow stretches of blue sky. A prolific personality and artist, Burns read her work at Bowery Poetry Club, the Nuyorican Poets Cafe, and the Poetry Project at St. Mark's Church as well as joining the likes of writers Allen Ginsberg, Joy Harjo, and Pedro Pietri in Nicaragua for the Ruben Dario Poetry Festival. Yet by the late 1980s, Loisaida, a counter-culture hub for creative, immigrant, and queer circles, was at risk of losing itself to rising rents, drugs, and the HIV epidemic. Before long, the community which had sustained Burns would dissipate, coming together again in 2006 on the event of her death. Over a career defined by an immutable spirit, Alphabet City Serenade captures the writer's sardonic, yet penetrating, insight..."

Mangala Bai Maravi's Baiga Godna Indian Tribe (2024, ink on paper)

Description: "The women of the Baiga community in central India (primarily in the state of Madhya Pradesh) begin receiving tattoos from as young as age nine, starting with their forehead before covering their back, legs and chest. The designs, known as Godna, are a record of life and culture, and are known to hold healing properties when applied correctly. Among some of the earliest communities in South Asia, in recent times the Baiga people have been displaced by deforestation and government policy. In turn, the tradition of Godna is fading because (unlike jewellery or written records) the history that is encapsulated in these tattoos disappears with those who wear them. Mangala Bai Maravi, one of the few remaining Badnin (women tattoo artists) in her community, has committed her life to preserving and sharing this tradition. Documenting the symbols and stories of her people, across not only bodies but also canvas and paper, Maravi's practice can be understood as an act of cultural preservation and healing."

[studiodb]

5 Innovative Commercial Interior Design Concepts to Consider

Whether you're a business owner looking to create a new ambience for your establishment or a designer seeking fresh inspiration, the world of commercial interior design is ripe with innovative concepts that can transform any space. From avant-garde office environments to chic retail settings, the possibilities for commercial interior design Auckland are endless. 

In this blog post, we'll explore five cutting-edge concepts that are revolutionising the way we think about designing commercial spaces.

Biophilic Design: Embracing the Natural World

Biophilic design encompasses a deep respect for the natural world by integrating elements such as natural light, greenery, and sustainable materials into commercial spaces. This innovative concept aims to create environments that are not only aesthetically pleasing but also promote the well-being of occupants. By incorporating elements inspired by nature, such as living walls, large windows offering views of greenery, and natural textures, businesses can foster a sense of connection to the outdoors within their interior spaces.

Adaptive Reuse: Transforming Heritage into Opportunity

In the realm of commercial interior design, adaptive reuse has gained traction as a sustainable and innovative approach to breathing new life into existing structures. This concept involves repurposing old or underutilised buildings and spaces for new commercial uses, retaining their historic charm while infusing them with modern functionality. Adaptive reuse allows for the preservation of architectural heritage while simultaneously embracing the creativity of repurposing spaces for new and exciting commercial ventures.

Interactive Technology: Enhancing Customer Experience

The integration of interactive technology has become a game-changer in the realm of commercial interior design. From interactive digital displays and immersive experiences to smart lighting and augmented reality elements, businesses are leveraging technology to create captivating and dynamic environments for their customers.

Through the strategic placement of interactive elements, commercial spaces can engage and delight visitors, elevating the overall customer experience and setting new standards for innovative design.

Wellness-Centric Spaces: Prioritising Health and Comfort

With an increasing focus on holistic well-being, commercial interior design Auckland is shifting towards creating wellness-centric spaces that prioritise the physical and mental health of occupants. Features such as meditation rooms, ergonomic workstations, and enhanced air quality systems are becoming integral components of modern commercial design. By nurturing a healthier and more comfortable environment, businesses can not only enhance the well-being of their employees and clientele but also demonstrate a commitment to overall wellness.

Multi-Purpose Flexibility: Adapting to Diverse Needs

The concept of multi-purpose flexibility in commercial interior design revolves around creating adaptable spaces that can cater to a diverse range of functions and activities. Whether it's a dynamic co-working space that transforms into an event venue or a retail store with modular displays that evolve based on product launches, the versatility of multi-purpose design enhances the practicality and longevity of commercial spaces. This concept acknowledges the evolving nature of businesses and the need for spaces that can seamlessly accommodate various requirements over time.

Conclusion

In conclusion, the world of commercial interior design Auckland is undergoing a transformative evolution, embracing innovative concepts that go beyond mere aesthetics to enrich the functionality, sustainability, and human experience within commercial spaces. By integrating these cutting-edge concepts, businesses can not only stay ahead of the curve but also craft environments that resonate with the evolving needs and expectations of their clientele. 

So, whether you're embarking on a new design project or seeking inspiration for your existing commercial space, these innovative concepts are sure to spark your creativity and elevate your vision for the future of commercial interior design.

[grad604chloeharrington]

Week 10 - Chosen creatives

Leta Soberiajski

Leta, a freelance designer and art director based in New York City, creates viscerally stunning tableaus by fusing traditional graphic design elements with photography, art, and styling. Her multi-media practice explores visual journeys. Wade and Leta, who make up the other half of the creative team, have dubbed their style "Music To Your Eyes," where speculative design converges with vibrant mediums to create a recognisable personality in all of their work. She credits Gins, whose work "their work has made us consider the physical effect of the work that we make and has even encouraged us to create our own work philosophies such as "design as performance," to give a greater understanding of the physical activity we strive for in the work we create, whether through a brand, a sculpture, or an ad." as one of the visionaries she draws inspiration from.

She attended Purchase College to study graphic design, and she has been working on her own since 2013. Adobe, Bloomberg Businessweek, D.S. & Durga, Google, Gucci, IBM, The New York Times, Refinery 29, Renault, Süddeutsche Zeitung Magazin, Target, Tate Modern, and UNIQLO are just a few of the many companies she has as clients. She teaches at the School of Visual Arts as an adjunct professor as well. For its annual New Visual Artists Review, which chose 20 international designers under the age of 30, Print Magazine has recognised her.

Catherine Griffiths

Catherine Griffiths is a designer, typographer, artist, writer, feminist, and activist from Aotearoa New Zealand. Her practise, which combines graphic design, self-publishing, writing about design, and commissioned art installations in public and private spaces, depends heavily on improvisation. Notable projects include her ongoing Vowel series, TypeSHED11, Wellington (2009), the curation and co-organization of TypeSHED11, Wellington (2002, 2004), and the Wellington Writers Walk, a series of large-scale concrete text sculptures.

Catherine has been involved with Parlour: women, equity, architecture since its inception and is active in the global design community. She launched the platform Designers Speak (Up), created the Directory of Women Designers, organised a poster project and exhibition titled hkoi, Present Tense: Whine Toi Aotearoa, and protested against gender inequality in design in 2018.

Seachange Studio

Tim Donaldson and Amanda Gaskin, the company's co-founders and creative directors, are in charge of Seachange.

Before relocating to New Zealand to launch Seachange, Amanda and Tim spent more than a decade perfecting their skill at prestigious creative companies in London. They brought a vast amount of expertise with them. Their exposure to many cultures has given them a unique global viewpoint that sets them apart from their contemporaries.

They frequently serve on international judging panels, most recently for D&AD, New York Young Guns, and locally for the New Zealand Best Design Awards, and their work has been praised in esteemed design journals.

A talented collection of creatives with a love (bordering on obsession) for what they do make up the Seachange team.

They expertise is in creating brands from scratch, but we also relish the challenge of revitalising legacy businesses from a new angle.

Although the studio is situated in Auckland, New Zealand's Tmaki Makaurau, it serves clients all around the world.

Emma Kaniuk

Designer and art director Emma Kaniuk is based in Tmaki Makaurau, Auckland. She is one half of Studio Akin, one of the few creative businesses owned by women. She recently founded her own not-for-profit organisation called Tradespeople because "I wanted to be part of the changing the standard." Akin is a branding agency with offices in Tmaki Makaurau, Auckland, and Naarm, Melbourne. It collaborates with forward-thinking individuals to create brand worlds at the nexus of creativity, culture, and technology.

Emma has worked on projects in the arts, aviation, education, finance, fashion, FMCG, hospitality, infrastructure, and social good initiatives in her previous positions at Special Group and Designworks. Her work has won accolades both nationally and internationally, including the purple pin of distinction for graphic design from the Designers Institute of New Zealand Best Design Awards. It has also been highlighted in publications like Creative Review, Communication Arts, Monocle, and numerous websites.

It's safe to say that Emma's practise now heavily emphasises collaboration. Her presentation will be a sort of love letter to all the alphabets and logotypes she and Akin have created individually as well as with other people as she looks back on a number of her projects.

[busineesau]

Innovative Architecture in New Developments: Shaping Tomorrow's Skylines

When we think about the future of our cities, it's impossible to ignore the significant role that new developments play in shaping their skylines. These modern architectural wonders provide much-needed space for the growing population and set the stage for innovative design and sustainable living. In this blog post, we'll explore how innovative architecture is making its mark in Auckland new developments and transforming how we live and interact with urban spaces.

Sustainability Takes Centre Stage

One of the most remarkable aspects of new developments is the increasing emphasis on sustainability. Architects and developers are keen on minimising the environmental footprint of these projects. From energy-efficient buildings to green spaces and renewable energy sources, sustainability is integrated into the very core of these developments. Green roofs that reduce heat absorption and improve air quality, solar panels adorning the facades, and rainwater harvesting systems are standard features in many new developments. These innovations benefit the environment and contribute to long-term cost savings for residents and property owners.

Mixed-Use Spaces: More Than Just Living Quarters

Gone are the days when Auckland new developments consisted solely of residential towers. Today, mixed-use spaces are becoming increasingly popular. These developments combine residential, commercial, and recreational areas, creating vibrant, self-sustaining communities. Imagine living in a building that houses your apartment, your favourite grocery store, a trendy coffee shop, a fitness centre, and a co-working space—all under one roof! New developments are redefining convenience and accessibility, making city living more appealing.

Iconic Architecture That Inspires

Architectural innovation is not just about sustainability and functionality; it's also about creating iconic structures that leave a lasting impression. New developments are becoming known for their breathtaking and distinctive designs. These architectural marvels challenge the norms and push the boundaries of what's possible.

From twisting skyscrapers to buildings that resemble works of art, these new developments serve as a testament to human creativity and engineering prowess. They add character and a unique identity to the cities they inhabit, attracting tourists and residents alike.

Smart Technology Enhancing Daily Life

In today's digital age, it's no surprise that new developments embrace innovative technology. These buildings are equipped with state-of-the-art security systems, energy management solutions, and connectivity features that enhance the quality of life for their residents. Imagine controlling your home's lighting, temperature, and security from your smartphone or having a package delivered directly to your smart locker. Such conveniences are becoming standard in new developments, making urban living more comfortable and secure.

A Greener and Healthier Future

Innovative architecture in new developments is not just about aesthetics; it's about creating a greener and healthier future for urban dwellers. Green spaces, parks, and pedestrian-friendly designs promote physical activity and mental well-being. These developments encourage a sense of community and connection with nature amid the bustling city.’ Final Thoughts In conclusion, the world of Auckland new developments is dynamic and exciting. These projects are more than just buildings; they embody our aspirations for sustainable, connected, and aesthetically pleasing urban living. As architects and developers continue to push the boundaries of what's possible, we can only look forward to the innovative architecture that will shape tomorrow's skylines. So, the next time you gaze at the cityscape, take a moment to appreciate the remarkable new developments that are redefining our urban experience, one groundbreaking design at a time. Read the full article

[bee-capstone-blog]

Blog no.11 11/09/23

Te Kitenga phase guiding questions (from Auckland Co-Design Lab)

What tohu are you seeing in the system?

There is an existing use of crafting (particularly quilting) and also zines for the expression of queer identity and creating a space where queer identity can be celebrated.

What is the landscape?

I don't have a very large scope for what I can achieve in this project, I am restrained by time, and mostly being a team of one person. If I develop workshops I can prototype them to a certain extent but there will be many assumptions that I will have to make.

What is the context?

Within workplaces, empathy and creative endeavours unrelated to work are not that common, so creating a space for these could foster connection, agency and widening perspectives. There are existing employee networks that organise workshops, talks and activities.

What are the opportunities?

There is an opportunity to take the power of craft, especially in a group, to help build empathy and form connections between people. The existing employee networks are a great touch point for my design solution to access workplaces.

What tohu are you seeing that can lead toward compelling alternative to the status quo?

Allyship is easier when you connect with a person from the group you are allying for; from the current us and their narrative that can be othering, coming together in a safe space can connect people to each other's humanity and lived experience.

[grad604-macytaylor]

The List

Over the course of the semester so far, i have been making a list of designers & agencies I like. Click below to see my connection so far!

The List

NZ DESIGNERS

Kyra Clarke https://ngaaho.maori.nz/memberProfile.php?mid=293 

Jungie Choi jungie@altgroup.net 

Fiona Grieve https://academics.aut.ac.nz/fiona.grieve

Stephen James Hart https://www.stephenjameshart.com/

Hope McConnell https://www.hopemcconnell.com/ 

Tyrone Ohia https://www.tyroneohia.com/ 

Dean Poole https://semipermanent.com/profiles/dean-poole 

Ashleigh Sun https://www.ashleighsun.work/

Ella Shepherd https://ellashepherd.com/

Sam Stutchbury https://samstuchbury.com/ 

Cathy Veniga cathy.veninga@dinz.org.nz

Catherine Griffiths https://www.catherinegriffiths.co.nz/

fox & co.

studio nine

NZ ARTISTS

Kate Van Der Drift http://www.katevanderdrift.com/

NZ AGENCIES’

Auckland

Akin https://studioakin.com/ 

Alt Group http://altgroup.net/

Blink https://www.blinkltd.co.nz/ 

Curative https://curative.co.nz/ 

Curious https://www.curious.co.nz/

Designworks. https://designworks.com/ 

Extended Whanau https://extendedwhanau.com/ 

FCB https://fcb.co.nz/ 

Foundation Design https://foundationdesign.co.nz/ 

Hot Mustard https://www.hotmustard.co.nz/about/ 

In House Design https://inhousedesign.co.nz

Marx Design https://marxdesign.co.nz/

Motion Sickness https://motionsickness.co.nz/ contact@motionsickness.co.nz

Ogilvy https://www.ogilvy.com/#work 

Previously Unavailable https://www.previously.co/ 

Seachange https://www.seachange.studio/

Special https://design.specialgroup.com/

Studio South https://www.studiosouth.co.nz/about

White Rabbit https://whiterabbit.nz/ 

Yea Boey https://yeaboey.co.nz/ 

Wellington 

Psychoactive https://www.psychoactive.co.nz/ 

Christchurch

McCarthy https://www.mccarthy.studio/

NZ CREATIVE SPACES/ ARCHIVES

Best Awards https://bestawards.co.nz/

Black Creatives Aotearoa https://www.blackcreativesaotearoa.com/ 

Creative Mornings https://creativemornings.com/cities/AKL 

Design Assembly https://designassembly.org.nz/

Designers Speak Up https://designersspeakup.nz/

DINZ https://designersinstitute.nz/

Directory of Women Designers https://designersspeakup.nz/directory-of-women-designers/

Katoitoi https://www.katoitoi.org.nz/

Nga Aho https://ngaaho.maori.nz/

Objectspace https://www.objectspace.org.nz/about/

Threaded Magazine http://www.threaded.co.nz/ 

NZ PRINTERS

Logick https://logick.co.nz/  

BJ Ball https://www.bjball.co.nz/ 

Porter Packaging https://porterpackaging.com/

TYPE FOUNDRIES

ABC Dinamo https://abcdinamo.com/ 

Commercial Type https://commercialtype.com/ 

Colophon https://www.colophon-foundry.org/ 

Dalton Mag https://www.daltonmaag.com/

Klim https://klim.co.nz/ 

Muir McNeil https://muirmcneil.com/ 

TypeType https://typetype.org/ 

https://www.fontfabric.com/ 

https://www.neogrey.com/fonts/

https://typedepot.com/

https://typetype.org/freefonts/

https://www.theleagueofmoveabletype.com/ 

https://www.losttype.com/ 

https://www.fontfreak.com/ 

https://www.abstractfonts.com/ 

https://www.urbanfonts.com/

https://fontstruct.com/

https://www.glukfonts.pl/fonts.php?l=en

https://www.fontsquirrel.com/

AUS DESIGNERS

AUS ARTISTS

AUS AGENCIES

Chep Network- Morphosis https://chepnetwork.com/pathway-program.html 

Clemenger BBDO https://www.clemengerbbdo.co.nz/

AUS CREATIVE SPACES/ ARCHIVES

Mate Act Now https://mateactnow.com/gallery 

WW DESIGNERS

Riccardo Agostinelli https://richprjcts.com/

Ching Fa Lung https://www.chingfalung.com/info/ 

Lance Wyman https://lancewyman.com/ 

WW ARTISTS

WW AGENCIES

IDEO https://cantwait.ideo.com/ - San Fran, US

Pentagram https://www.pentagram.com/ - WW Locations

Formafantasma https://formafantasma.com/ - Milan, Italy

DesignStudio https://design.studio/ - WW Locations

Collins https://www.wearecollins.com/ - SF + New York, US

Dirty Line Studio https://dirtylinestudio.com/ - Indonesia

WW CREATIVE SPACES/ ARCHIVES

Design Kids https://thedesignkids.org/ 

Current Obsession https://current-obsession.com/

Under Consideration https://www.underconsideration.com/brandnew/

International Council of Design https://www.theicod.org/en

World Design Organisation https://wdo.org/about/

Cambio https://formafantasma.com/work/cambio 

[generatornz]

How to Save Money on Venue Hire in Auckland: Budget-Friendly Tips and Tricks

Organizing an event can be both thrilling and daunting, particularly when it comes to locating the ideal venue hire in Auckland without going over your budget. The expense of a location may rapidly mount up, regardless of whether you're planning a birthday party, corporate event, or wedding. Don't worry, though! You may secure the desired and perfect location for your special occasion while saving money on venue hire in Auckland by using a few innovative ideas and methods. Here's how to accomplish it.

Opt for Smaller, More Intimate Venues

The venue size might have a big effect on your total expenses. Consider reducing the number of guest and choosing a smaller, more intimate venue hirein Auckland instead of a larger one, as bigger venue tend to be more expensive. In addition to saving you money, this will make your guests feel more at ease and appreciated.

Book in Advance for the Best Deals

Getting desired reservation in advance is one of the easiest way to save money on Auckland venue rental. Advance reservations frequently result in discounts from venues, particularly if your event is scheduled during off-peak hours. To ensure you obtain the greatest bargain, early preparation also offers you more opportunity to evaluate pricing and negotiate rates.

Negotiate with the Venue Manager

If your event takes place on a day when there are less people, many venue managers are amenable to talks and could be prepared to modify their prices. Be kind but forceful while negotiating, and don't be afraid to request more benefits or discounts.

Choose an Off-Peak Date

When it comes to saving money on venue hire in Auckland, timing is crucial. Booking a venue is typically most expensive on weekends and holidays. Alternatively, think about holding your event during the off-season or on a weekday. During these slower times, a lot of locations provide substantial discounts, which might significantly impact your spending plan.

Use Your Own Decorations and Catering

Venues frequently impose additional fees like cuisine and décor. Consider using an outside caterer or providing your own decorations to save money. With this method, you have greater control over your spending and may design a distinctive event layout that expresses your personal style.

Conclusion

Finding a desired and perfect venue rental in Auckland does not have to be difficult. Making bookings ahead of time, selecting off-peak times, researching all-inclusive packages, choosing smaller venues, bargaining with venue managers, and providing your own catering and decorations can all help you save money without losing the quality of your event.

[grad604-gracemacd]

Curators of the Pohewa Pāhewa: a Māori design kaupapa Exhibition at Objectspace, 2023.  

Desna Whaanga-Schollum:

Desna is Mātauranga Māori and has many specialties having graduated University of Otago with a Masters in Science Communication, making contributions towards indigenous design and art. Currently, she is the director of DWS Creative Ltd, a communications Advisor in  Māori for the Sustainable Seas Challenge and the chairman of Ngaaho.

Tyrone Ohia:

Tyrone Ohia is the creative director and founder of Extended Whānau in Auckland. Ohia was born in Tauranga, but brought up in Whanganui. Examples of Ohio's design in Auckland include ‘Works on Paper’ series and Toi Tū Toi Ora: Contemporary Māori Art exhibition for Auckland Art Gallery. 

Graham Tipene:

Graham Tipene has developed a speciality towards design in urban landscape making sure to place te ao Māori as an important pillar in the project. I noticed this quote Tipene has said, "I thought it wasn’t good enough and we needed to do better for our kids who don’t see themselves in their environment” which I agree is extremely important for our youth and wider community. 

Johnson Witehira: 

Artist, Designer, Researcher of Māori and Pākehā descent. Received a Masters in Graphic Design (2007) and Doctorate in Māori Visual Arts (2013) and became an AUT Lecturer - Communication Design in 2016. Witehira’s thoughts and knowledge of Māori design have been published in books over the world, from The Graphic Design Reader (Bloomsbury), AIGA Eye on Design (US), Monocle (London) and Visible Language (University of Cincinnati). Witehira co-founded Indigenous Design and Innovation Aotearoa (IDIA) in 2017 (and Waahi Wairua). Developed Āpōpō, an Indigenous Creative Tech Hub to support Māori within the design and technology industries. 

Zoe Black: 

Has immense experience in the curating space over the past eight years, specifically focusing on community and advocating for the under-represented craft and object art forms. She has recently been made the deputy director of Object Space made in Aotearoa, NZ. 

[bamsuriyasenee-grad604]

5 creators influences my work

Present, Alive artist

#1 Susan Murie

Cyanotype is one of the techniques that I enjoy doing for my design. It creates an organic mood & tone of how we can apply the photography to the print. The way that she layout the object and bring nature into her work and the colour that she adds to the print. It makes her work stand out and unique. She brings aliveness to the cyanotype. These are the thing that she inspires me in her works.

#2 Jerry Takigawa

'Flase Food'

He brings his cultural identity and family background into his work. One of his projects I like the most is called “False Food”. This project is about the collection of plastic and waste that he collects in the ocean to convey people to take action against it. His work is considerate of the awareness that happens in our world.

The way he takes a photograph of the object and layout in his work can communicate clearly to the audience what he wants to convey without words. It is the thing that inspires the most of his works.

#3 Robert Kushner (Painting)

The way he layered the illustration, geometric patterns and floral elements in his work inspires me the most. It is interesting and unique. Also, the combination of the colour used in his work is very eye-catching and stand out. 

NZ Artist

#4 Dean Poole

Dean Poole is a famous graphic designer in Auckland. He is a part of Alt group as a co-founder and a creative director. One of the projects that I am very interested in is the project that he designed a logo for the Auckland art gallery. The design is simple and impactful. The negative space used in his work and the colours brought a cultural identity. Also, the logo has strong communication with the audience and can use in many different path forms. I found it very interesting and inspiring me.

Historical, Dead Artist

#5 Vicent van Gogh

The atmosphere of his artworks gives a sense of warmth. I feel relatable to his painting style. When I look at his painting, I observe heart-warming and calm. His work very comforts me just by looking at it. That is the point why his work inspires me. I want to design something that can support the audience’s emotions.

[03rkmz]

Week 4 Blog

Previous phase;

I was at Whakarite (preparation) phase where I slowly started being more productive, reflecting on my proposal from DES300, doing further research, adding on scopes and creating a draft timeline (which is still a work in progress); essentially, putting together existing research onto Miro.

fig 1. Miro board

Current phase:

My mood has been downgrading as I lose confidence in my vision after seeing other people’s plans. Before submitting my slides, my laptop started to crash; hence my presentation slides were underdeveloped, so I feel like I didn’t present enough relevant information and graphics to my peers. I felt an immense sense of shame, so I neglected my research, feeling like being back to Te Rapunga (venturing the unknown) phase, where I was lost and felt underdeveloped in my research.

fig 2. DES301 presentation slides

Although I may have struggled with productivity, I can relate to the Hautū Waka framework, which looks into a level of certainty of where my capstone is going. I aim to go to Te Kitenga (sighting) slowly, a phase where I can develop further research to validate my plans.

Next phase;

Despite the lack of productivity and seeing what my peers have done, I plan on further expanding my scope, creating mood boards for each idea, and discussing with the stream leader whether that is executable.

fig 3. Plans and scope on Miro

If I am honest, I am leaning towards Plan B. Plan B looks into speculative and critical design, where I am designing an exhibition space to provoke controversy and discussion. Hence, I have questions that I would like to ask before considering my options regarding the following:

Consent from performers and the audience regarding being filmed 

Whether its possible to book a space temporarily so simulate a mock exhibition.

Overall, it is slowly moving towards the next phase of the Hautū Waka.

fig 4. The lab team. (2022). Practice Foundations: Hautū Waka. The Auckland Co-design Lab.

[grad604-melody-tan]

SDL: Pohewa Pāhewa: a Māori design kaupapa

Desna Whaanga-Schollum

MĀTAURANGA MĀORI / SCIENCE COMMUNICATION / INDIGENOUS DESIGN & ART

The way Desna's work approaches and discusses national identity ties it together. She works on projects with people from many different communities, business and design professionals, artists, and academics to get results that improve people, practises, and places. Desna is involved in Mori identity design, discourse, and stakeholder involvement in Aotearoa through design consulting, study, exhibitions, wnanga, speaking engagements, and governance roles.

Tyrone Ohia

Tyrone Ohia is a designer working out of Tmaki Makaurau. He is of the Ngti Pkenga and Ngi Te Rangi iwi. He grew up in Whanganui but was born in Tauranga, and now he runs the award-winning design business Extended Whnau out of Tmaki Makaurau. The studio is motivated by the desire to elevate and promote all parts of Te Ao Mori through design and, as such, works on a wide variety of projects with a wide variety of collaborators.

Graham Tipene

“I grew up in Auckland at a time when the only place to see Māori representation in art was in the museum or the statue in downtown,” he says, referring to Molly Macalister’s 1967 bronze sculpture A Māori Figure in a Kaitaka Cloak. "I thought it wasn’t good enough and we needed to do better for our kids who don’t see themselves in their environment.”

Graham Tipene's art can be seen all over Tmaki Makaurau, from the impressive concrete panels in the Waterview Tunnel and the beautiful Tirohanga Whnui walking and cycle bridge in Albany to the Central City Library and the Te Ao Mrama (South Atrium) at the Auckland War Memorial Museum Tmaki Paenga Hira.

The carving behind him shows Kane Nepu Paora, the grandmother, and Mere Paea Tipene, the granddaughter, coming together in a hongi. This shows the tuakana-teina bond between the two women.

Below them are two manaia who live in the water on either side of the Tmaki Isthmus. Their names are Kaiwhare and Horotiu. They show an old, intangible link between each river and the value of the two waterways for getting from east to west. They are guardians, or kaitiaki, who keep us safe and help us understand their job through stories.

Johnson Witehira

Johnson Witehira is of Tamahaki and Ngi T-te-auru origin. He is an artist, a designer, and a professor. He helped start both Waahi Wairua and Indigenous Design and Innovation Aotearoa (IDIA).

Since he got his PhD in Mori Visual Art in 2013, Johnson has been on a journey to bring Mori culture into every part of life in New Zealand. He was responsible for developing Mori designs for the Auckland City Council, TVNZ, the Auckland International Airport, and Waka Kotahi, the New Zealand Transport Authority. Other essential design projects include making the first set of Mori alphabet blocks, co-designing the PAKU gardening tools for kids, and making the first usable Mori-specific typeface.

Zoe Black

Zoe Black is the deputy head of Objectspace in Auckland, Aotearoa, New Zealand. She is Ngpuhi, Ngti Hine, and Pkeh. Since 2008, she has been working in art spaces. Her organising work has been mostly about building up communities and speaking up for craft and object art forms that don't get enough attention. She is the director in residence at Norwegian Crafts (2020–2022), where she works on projects that bring together the ways that Indigenous people in Aotearoa and Sápmi make things. Zoe Black helped put together the Embodied Knowledge issue of The Vessel, which was the third issue.