#clyde built radio

[gatheredinamber]

Alasdair’s radio show, themed around Elizabeth Stewart’s life, work, family and influence is now on Clyde Built Radio.

[orphicrose]

The Co-Host (Alastor x FemReader) VIII

< >

Summary: You are Alastors Co host in life, perhaps more. But are separated by a sudden death. When you are finally reunited in the under world, it is up to Alastor to figure out why you don’t remember him.

Warnings ! ! Mentions of Death and Bl00D

@cannibalcoyote @kahlan170 @sugxryratz @multifandom-superlover

--------------------------------------------------

Heart full of feelings that felt as if didn't belong to her. She felt like the shell of a person, not truly existing anymore. Having a constant out of body experience. 

While he, he grieved. Grieved a relationship that never had the chance to fully blossom. Grieved what could have been, grieved who he used to be or had the chance to be. Oh, what his mother must think of him now. He never even had a chance to think about what everyone still alive thought of him, his little secret having an audience to witness. Lose ends ruining his reputation as a beloved media presence, turning him into a notorious serial killer. He knew he belonged down here, he knew he deserved everything that came his way. But the question still begged, why was she down here. Was it because she sold her soul to th devil? Or was it for a reason far to unruly to share to the light. 

His hands sweat as the journal stay to close grip between his fingers. Never leaving his side. There was far more to read in a safer environment. His path was obstructed by a tall figure, appearing out of the thin air around him. 

"So we finally meet, Alastor" Satans demeanor cold, as usual, and his stance meaning one of business. Hands tucked neatly into his trouser pockets. 

"Satan, I assume?" Alastors smile gleamed in the light of the pentagram. Baring his sharp teeth like a predator. "How do i deserve this honor?"

Satan began to move towards the wendigo, towering over him. "As I'm sure you're aware, y/n works for me" He hummed, circling Alastor like he was going to attack at any second. "And you..." He paused to give out a deep laugh "Well, you are disrupting my line of production. You see, millions of sinners on Earth call my name daily. Wanting to make a deal. And the more souls I have, the more power I have. But y/n is the only one i trust far enough to have the duty of collecting said souls. and you" He leapt forward, holding Alastor's chin upwards with the tip of his cane. "You meddeling with her is distracting . You're costing me money, radio demon"

Eye contact was held strongly between the two, not wanting to fault to show weakness. "You want the closure of knowing your little pet isn't the saint you want to believe?" Alastor wanted to say no so badly, wanted to stay ignorant. Wanted to hold onto the belief that there was still hope for y/n to not be the same at him. He didn't want to be the Clyde to her Bonnie, he wanted to be the story she'd tell to friends in heaven. To her mother, or her father. 

"She's just like you" His voice taunted, leaning closer into his ear. The words he oh so desperately never wanted to hear. 

Y/n strolled through the lit up streets of hell, admiring the buildings towering over her. Something she had never really done before. Casual sinners in the streets cowering at the sight of her, leaving her a free path to walk in as they fled. Slamming doors behind them. What a skill to have, but how lonely it made her feel. 

She arrived at the doors of her place of work. At first, hesitating to open the doors. Afraid of what might wait on the other side this time. But when she did open them, she found nothing. Silence and isolation filled the chambers of the rooms. It was eerie. Usually tensions built with high stress levels as soon as she walked in, demons bouncing off each other as they run from room to room. But the haunting recent history of this workplace made it seemingly abandoned. Of course, they wouldn't get away with holiday for long, for as long as Satan breathed. But for now, she would revel in the periodic silence of the structure. 

Her office, the only untouched room in the building, brought her some comfort. Nothing having changed. Just as soon as she started to loosen up, her door flung open. The tall red demon appearing in front of her eyes. The same fear she felt the first time they encountered returning, sinking into her chair as he moved through the doorway and shut it behind him. "What do you want?" Her eyes showing a slowly boiling rage building up inside her. Seemingly, he was experiencing the same feeling. 

He took a seat opposite her, hands sat on the desk. "I want answers, miss l/n" She stood from her seat abruptly, moving backwards. His eyes turned from frustration to a saddened look. Confused as to her shift in temperament towards him. Had he missed something?

"When were you going to tell me we knew each other?" Her question caught him of guard, looking up to her and waiting for more. She relived the memory, him covered in blood. "What is this?" She slammed down the leaflet on the desk. Alastor let out a loud sigh, he must have forgotten to put it away yesterday. She spoke loudly, halfway to shouting at him. Tears welling and dropping slowly to the floor in a rhythmic pattern. 

"Are you the reason I'm down here? Did you murder me?"

"No!" His tone enraged by the accusation, rising to his feet to share her eyeline. "I think you'll find you're the reason I'm here, y/n"

She stood in silence, tears picking up there pace as they dampen her cheeks and collar. 

"When you left, I struggled. I lost myself along with you. I turned into someone I regret heavily" Alastor's voice cracked, dropping any radio sound effect he may have had. Struggling to maintain an effortless smile. "But it seems you weren't so much of a saint either"

"What? What do you mean?"

"You still don't remember?" 

The two stared at each other. Not truly understanding the wants or intentions of the other. 

"I- Only a small fragment. I remember coming back to Earth to see you. That's how i got this" She calmed herself down, seeing that miscommunication between the two would make the situation worse. "We were close?"

"Very"

"And I did something to hurt you?"

"You died, y/n" Alastor rubbed his temple, suppressing any tears that dared to gloss his eyes. "I don't care, as to why you're here. We both did terrible things. Things that you may or may not ever remember. But..." A deep breath was taken to help steady his shaky words. "But for you to go to the lengths to forget everything, it must mean I was never held as dear to you as you were to me"

Alastor knelt to pick up the microphone left astray on the floor, brushing off his tie when he came back to his feet. Then turning to leave. 

"I made myself forget because it hurt" She shouted, desperately wanting him to stay. "The pain of losing everything was to hard to deal with. I'm down here because of my own actions, that's on me. But I never excepted anyone I care about to follow me here"

She moved closer to him, needing more answers. Or some sort of closure. "What if i remembered everything? Then what? We continue where we left off?"

"No!" He turned "If you remembered me, and then realized what I am, you wouldn't even want to look at me" His face solemn. "I'd rather you only remembered one version of me, not both"

"So what do you want from me?"

He looked down to his feet. "Closure"

[scotianostra]

The Pirate station, Radio Scotland began broadcasting in the dying embers of Hogmanay, 1965.

Radio Scotland was a Scottish pirate radio station which broadcast at various points off the Scottish coast between 1965 and 1967, with a mix of pop music and programmes of Scottish interest. It was conceived of and run by publicity and advertising executive Tommy Shields onboard a former Irish lightship, built on the Clyde, named The Comet. Radio Scotland's first broadcast was at 11:50pm on Hogmanay, 31st December 1965, on 1241 kilohertz, 242 metres.

After refitting for her new role in the Channel Islands she had been towed to a position four miles off Dunbar, in the Firth of Forth. Because of delays during the journey north, the ship didn't arrive at the anchorage until early on 30th December, giving the engineers only a few hours to set up the equipment. It was a frantic race against time but the station just made it on air before midnight, albeit at reduced power and with no opportunity to run tests. The first voice on the new station belonged to DJ Paul Young a former presenter of Scottish Television's Roundup programme who welcomed the listeners. He introduced the managing director Tommy Shields, who went on to detail their plans. Radio Scotland was on the air and open for business. The station also broadcast from water near Troon and Northern Ireland over its one-and-a-half years.

While navigating and planting the boat, crew had to be careful to avoid territorial waters, primarily due to the strict laws imposed on the pirate stations by the government of the day. Featuring everything from “modern” rock’n’roll to ceilidh favourites, the station soon became a sensation across Scotland as well as Ireland and northern England, where the signal was also picked up.

With its audience of one million listeners a week in its prime, Radio Scotland was very close to realising Shield’s dream of becoming a successful independent Scottish station.

Joining English stations such as Radio Caroline, Radio Scotland was the only pirate radio station to be formed north of the Border, and soon took its place amongst the big six pirate stations.

People could join the membership of the station and become Radio Scotland “Clan Members”. As a reward, the Clan had their own show every Saturday where they could send in requests, which, alongside Jack McLaughlin’s ceilidh slot, was one of the most popular programmes broadcast.

The station even had its own fanzine called “242” – named after its frequency. The 242 magazine featured interviews with the biggest stars of the day, including The Beatles, the Rolling Stones and Tina Turner, but station managers never quite tempted any of the stars on board the infamous boat.

The pirate station’s theme song was a jaunty wee number sung by folk band The Carrick Folk Four. Finishing off the upbeat ditty were the lines: “Oh Radio Scotland’s playing just for you/So beat the ban, and join the Clan, on station 242.”

Although they received many a plaudit, Radio Scotland was plagued with troubles from the very beginning. A poor signal and periods off-air led to a steep decline in advertising revenue and a frustrated fanbase, while fires on board the vessel and the hazardous North Sea conditions did little to help ease its problems.

In a piece in the Edinburgh Weekly just days after the station was laid to rest, Tony Mark wrote: “The death penalty in this country is supposed to have been abolished, yet here we are mourning the execution of what was surely the sound sensation of both 66’ and 67’ as far as Scotland is concerned.”

Although the station had a short life, as is often the case with such ventures, and was taken off the air in the 60s, Radio Scotland inspired a tribute station, which began broadcasting in the mid 70s.

Radio Scotland International, an independently run pirate station broadcasting to Europe from its base in Holland, started in 1975 and has been going ever since.

http://www.radioscotland.nl/

For around 20 months his modest little boat made huge waves and pulled Scotland into the "swinging sixties".

The first pic is Tommy Shields unveiling his pirate ship , the last is the stations first DJ Paul Young then, and as "Shug" in the BBC's Still Game

[bordercommunity]

Listen again to James Holden in conversation with Andrew Thomson on Clyde Built Radio.

[fucktheglorydays]

NEW MIX OUT NOW / Andy Piacentini x Mixino#62 x Fuck The Glory Days

Nel Regno Unito,Glasgow è la capitale del vinile. Non è un caso che proprio in questa città viva Andy Piacentini. Nel gennaio del 2021 fu nostro ospite per il 50esimo episodio. Oggi il dj italo-scozzese torna con un nuovo set. I suoi mixati per Radio Buena Vida, Clyde Built Radio e nel suo programma Run4Cover (Radio Magnetic) sorprendono sempre. Andy anche in questo caso non delude. Le sonorità disco, funk, italo sono messe da parte. Questa volta il mix mostra un lato meno conosciuto del suo background musicale, tracce uk garage 90s dei suoi primi anni in consolle, mescolate a texture deep house del presente e del passato. Ed è così che questo set è nato – registrato dal vivo durante una serata in un club di Glasgow, adesso in streaming per voi.

Glasgow is the UK’s vinyl capital. So it's no surprise that it's where Andy Piacentini lives. We hosted him one year ago for the 50th instalment, now, the italo-scottish dj is back with a new one. He always surprises with his well selected mixes on Radio Buena Vida, Clyde Built Radio and on his own show Run4Cover (Radio Magnetic). This time is no different: Andy takes you some serious heat. Disco, funk, italo grooves are on ice. This is a mix which shows a lesser known side of his musical background. He found himself pulling out his early stage ukg favourites from the 90s, dropping them into his sets of tracky and deep house old and new. And that’s how this set was born - a recording from a live club gig in Glasgow now shared with you.

[runningwildthroughthenight]

This is mixed by the guy from Huntleys and Palmers, the first label that SOPHIE released music on. this one feels really personal, the stories he tells feel so close to me and so affirming to hear. starting with So Much More To Say which is a demo ive never heard before and continuing with different versions of some songs ive never heard before 

[cordycepsspore]

(Clyde Built Radio) A show that myself (Psychic Tensions) recorded for my hometown, Glasgow, Scotland based independent, DIY station Clyde Built Radio on the 28th June, 2020.

[ahauntingclub]

Forgive the mixing mix-ups we were a little distracted.

[gynoid74]

(Clyde Built Radio)

[buildanddestroy]

(Clyde Built Radio)

[gatheredinamber]

Hopefully the audio from this will appear in a bit on Clyde Built Radio’s listen again page, but in the meantime here’s the playlist from the show that Alasdair curated, themed around the life and song of Elizabeth Stewart, and here are a few brief details.

[nasa]

Going the Distance... In Space

On April 17, NASA's New Horizons crossed a rare deep-space milestone – 50 astronomical units from the Sun, or 50 times farther from the Sun than Earth is. New Horizons is just the fifth spacecraft to reach this great distance, following the legendary Voyagers 1 and 2 and Pioneers 10 and 11. It’s almost 5 billion miles (7.5 billion kilometers) away; a remote region where a signal radioed from NASA's largest antennas on Earth, even traveling at the speed of light, needs seven hours to reach the far-flung spacecraft.

To celebrate reaching 50 AU, the New Horizons team compiled a list of 50 facts about the mission. Here are just a few of them; you'll find the full collection at: http://pluto.jhuapl.edu/News-Center/Fifty-Facts.php.

New Horizons is the first – and so far, only – spacecraft to visit Pluto. New Horizons sped through the Pluto system on July 14, 2015, providing a history-making close-up view of the dwarf planet and its family of five moons.

New Horizons is carrying some of the ashes of Pluto’s discoverer, Clyde Tombaugh. In 1930, the amateur astronomer spotted Pluto in a series of telescope images at Lowell Observatory in Arizona, making him the first American to discover a planet.

The “Pluto Not Yet Explored” U.S. stamp that New Horizons carries holds the Guinness World Record for the farthest traveled postage stamp. The stamp was part of a series created in 1991, when Pluto was the last unexplored planet in the solar system.

Dispatched at 36,400 miles per hour (58, 500 kilometers per hour) on January 19, 2006, New Horizons is still the fastest human-made object ever launched from Earth.

As the spacecraft flew by Jupiter’s moon Io, in February 2007, New Horizons captured the first detailed movie of a volcano erupting anywhere in the solar system except Earth.

New Horizons’ radioisotope thermoelectric generator (RTG) – its nuclear battery – will provide enough power to keep the spacecraft operating until the late-2030s.

Measurements of the universe’s darkness using New Horizons data found that the universe is twice as bright as predicted – a major extragalactic astronomy discovery!

New Horizons’ Venetia Burney Student Dust Counter is the first student-built instrument on any NASA planetary mission – and is providing unprecedented insight into the dust environment in the outer solar system.

New Horizons is so far away, that even the positons of the stars look different than what we see from Earth. This view of an "alien sky" allowed scientists to make stereo images of the nearest stars against the background of the galaxy.

Arrokoth – the official name the mission team proposed for the Kuiper Belt object New Horizons explored in January 2019 – is a Native American term that means “sky” in the Powhatan/Algonquin language.

Stay tuned in to the latest New Horizons updates on the mission website and follow NASA Solar System on Twitter and Facebook.

Make sure to follow us on Tumblr for your regular dose of space: http://nasa.tumblr.com.

[scotianostra]

 The Pirate station,  Radio Scotland began broadcasting in the dying embers of  Hogmanay, 1965.

Radio Scotland was a Scottish pirate radio station which broadcast at various points off the Scottish coast between 1965 and 1967, with a mix of pop music and programmes of Scottish interest. It was conceived of and run by publicity and advertising executive Tommy Shields onboard  a former Irish lightship, built on the Clyde, named The Comet.  Radio Scotland's first broadcast was at 11:50pm on Hogmanay, 31st December 1965, on 1241 kilohertz, 242 metres.

After refitting for her new role in the Channel Islands  she had been towed to a position four miles off Dunbar, in the Firth of Forth. Because of delays during the journey north, the ship didn't arrive at the anchorage until early on 30th December, giving the engineers only a few hours to set up the equipment. It was a frantic race against time but the station just made it on air before midnight, albeit at reduced power and with no opportunity to run tests. The first voice on the new station belonged to DJ Paul Young  a former presenter of Scottish Television's Roundup programme who welcomed the listeners, Young became an actor later in his life. He introduced the managing director  Tommy Shields, who went on to detail their plans. Radio Scotland was on the air and open for business. The station also broadcast from  water near Troon and Northern Ireland over its one-and-a-half years.

Paul Young as a pirate DJ, and as "Shug" in the BBC's Still Game

While navigating and planting the boat, crew had to be careful to avoid territorial waters, primarily due to the strict laws imposed on the pirate stations by the government of the day. Featuring everything from “modern” rock’n’roll to ceilidh favourites, the station soon became a sensation across Scotland as well as Ireland and northern England, where the signal was also picked up.

With its audience of one million listeners a week in its prime, Radio Scotland was very close to realising Shield’s dream of becoming a successful independent Scottish station.

Joining English stations such as Radio Caroline, Radio Scotland was the only pirate radio station to be formed north of the Border, and soon took its place amongst the big six pirate stations.

Tommy Shields unveiling his pirate ship

People could join the membership of the station and become Radio Scotland “Clan Members”. As a reward, the Clan had their own show every Saturday where they could send in requests, which, alongside Jack McLaughlin’s ceilidh slot, was one of the most popular programmes broadcast.

The station even had its own fanzine called “242” – named after its frequency. The 242 magazine featured interviews with the biggest stars of the day, including The Beatles, the Rolling Stones and Tina Turner, but station managers never quite tempted any of the stars on board the infamous boat.

The pirate station’s theme song was a jaunty wee number sung by folk band The Carrick Folk Four. Finishing off the upbeat ditty were the lines: “Oh Radio Scotland’s playing just for you/So beat the ban, and join the Clan, on station 242.”

Although they received many a plaudit, Radio Scotland was plagued with troubles from the very beginning. A poor signal and periods off-air led to a steep decline in advertising revenue and a frustrated fanbase, while fires on board the vessel and the hazardous North Sea conditions did little to help ease its problems.

In a piece in the Edinburgh Weekly just days after the station was laid to rest, Tony Mark wrote: “The death penalty in this country is supposed to have been abolished, yet here we are mourning the execution of what was surely the sound sensation of both 66’ and 67’ as far as Scotland is concerned.”

Although the station had a short life, as is often the case with such ventures, and was taken off the air in the 60s, Radio Scotland inspired a tribute station, which began broadcasting in the mid 70s.   Radio Scotland International, an independently run pirate station broadcasting to Europe from its base in Holland, started in 1975 and has been going ever since.

 http://www.radioscotland.nl/

For around  20 months Tommy Shields modest little boat made huge waves and pulled Scotland into the "swinging sixties".

[lurkingintheforest]

Opened in 1925, the Hotel Grim became an iconic symbol of downtown Texarkana, Texas. The hotel was built at a cost of $600,000 and featured 8 stories with 250 rooms. The elegant hotel was designed by architects George Mann and Eugene Stern of Little Rock.

The unique name of the hotel was in honor of William Rhodes Grim. Grim and a group of prominent businessmen planned the project to serve train passengers. Grim was the president of Texarkana National Bank and a member of the board of directors for the Kansas City Southern Railroad. Sadly, Grim died during the planning stages of the hotel and the other developers named the building in his honor.

The massive complex is built in a “V” shape to fit the irregular triangular lot it occupies. The exterior is built of stone, brick and stucco and features an Imperial Spanish tile roof. The ornately decorated lobby featured stone walls and marble wainscoting with a Black Belgian marble base and White Alabama marble floor. The Palm Court reflected a Spanish influence in the design. The Mezzanine level spotlighted by wrought bronze railings included several local businesses including a beauty parlor, barber shop, drug store, coffee shop and private dining room. An elegant roof top garden offered an expansive and breathtaking view of the city. The garden could quickly be converted to a rooftop ballroom. No expense was spared during construction.

The Hotel Grim was the epicenter of booming Texarkana in the 1920s and 1930s. Built during the heyday of the Jazz Age, visitors can almost hear the long forgotten music emanating from what must have been a glorious hotel. The hotel sat on the Texas side of the bustling downtown district and in 1934 local radio station KCMC established a broadcasting studio inside the hotel. Notorious outlaws, Bonnie and Clyde were rumored to have stopped by the hotel on their way to Louisiana where they died in a gunfight with police. The legendary Glen Miller band and other popular big bands of the day performed at the hotel.

Sadly, as the passenger train travel declined so did the Hotel Grim. In 1976 scenes from the movie “The Town That Dreaded Sundown” were shot there. The movie was based on Texarkana’s Phantom Killer. The Hotel Grim closed her doors in 1990.

Now, she looms over the down town district with her blank broken windows and boarded up doors. Even abandoned, the hotel is awe inspiring. Structurally, the old girl remains in good condition, waiting for the world to rediscover her again.

[666-buzz]

Bᖇ𝘂h b𝗹🅰︎ 😾📁

[cordycepsspore]

(Clyde Built Radio)