#clotilde mollet

[erstwhile-punk-guerito]

[detournementsmineurs]

“Paris Police 1905 (Saison 2)” série créé par Fabien Nury (2022) - suite de “Paris Police 1900” (2021) - avec Jérémie Laheurte, Évelyne Brochu, François Raison, Thibaut Evrard, Alexandre Trocki, Eugénie Derouand, Marc Barbé, Mathilde Weil, Christian Hecq, Vincent Debost, Mikaël Halimi, Caroline Darchen, Nicolas Bouchaud, Clotilde Mollet, la jeune Amélia Lacquemant et la participation de Marie-Armelle Deguy, octobre 2024.

[agendaculturaldelima]

#ProyeccionDeVida

🎬 “AMÉLIE” [Le fabuleux destin d'Amélie Poulain] 🙎🏻‍♀️🍒

🔎 Género: Comedia / Drama / Película de culto

⏰ Duración: 120 minutos

✍️ Guión: Guillaume Laurant y Jean-Pierre Jeunet.

🎼 Música: Yann Tiersen

📷 Fotografía: Bruno Delbonnel

🗯 Argumento: Amelie no es una chica como las demás, ha visto a su pez de colores deslizarse hacia las alcantarillas municipales, a su madre morir en la plaza de Nôtre-Dame y a su padre dedicar todo su afecto a un gnomo de jardín. De repente, a los veintidós años, descubre que su objetivo en la vida es arreglar la vida de los demás. A partir de entonces, inventa toda clase de estrategias para intervenir en los asuntos de su portera, que se pasa los días bebiendo vino de Oporto; Georgette, una estanquera hipocondríaca, o el hombre de cristal, un vecino que sólo ve el mundo a través de la reproducción de un cuadro de Renoir.

👥 Reparto: Audrey Tautou, Mathieu Kassovitz, Rufus Magloire, Lorella Cravotta, Serge Merlin, Jamel Debbouze, Claire Maurier, Clotilde Mollet, Isabelle Nanty, Dominique Pinon, Artus de Penguern, Yolande Moreau, Urbain Cancelier y Maurice Bénichou.

📢 Dirección: Jean-Pierre Jeunet

© Productora: Claudie Ossard & UGC Images.

🌏 País: Francia

📅 Año: 2001

▶️ Video Promocional:��https://www.youtube.com/watch?v=JMPOXWSL_PY

📽 Proyección:

📆 Jueves 22 de Agosto

🕗 8:00pm.

🎦 Cine Caleta (calle Aurelio de Souza 225 - Barranco)

🚶‍♀️🚶‍♂️ Ingreso libre

🙂 A tener en cuenta: Prohibido el ingreso de bebidas y comidas. 🌳💚🌻🌛

[movies-to-add-to-your-tbw]

Title: Amélie

Rating: R

Director: Jean-Pierre Jeunet

Cast: Audrey Tautou, Mathieu Kassovitz, Rufus, Lorella Cravotta, Serge Merlin, Jamel Debbouze, Clotilde Mollet, Claire Maurier, Isabelle Nanty, Dominique Pinon, Artus de Penguern, Yolande Moreau, Urbain Cancelier, Maurice Bénichou, Michel Robin

Release year: 2001

Genres: romance, comedy

Blurb: At a tiny Parisian café, the adorable-yet-painfully-shy Amélie accidentally discovers a gift for helping others. Soon, Amélie is spending her days as a matchmaker, guardian angel, and all-around do-gooder...but when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story?

[romaniaroxme]

When people are blessings...

Starring: Francois Cluzet, Omar Sy, Audrey Fleurot, Anne Le Ny, Clotilde Mollet Directed By: Eric Toledano, Olivier Nakache Genre: Comedy-Drama “My best friend is the one who brings out the best in me.” Henry Ford There are certain people who act as a blessing in one’s life because they kind of leave an impression on the people they came into contact with. Those impressions might be in the…

[jgriera]

Intocable

Tràiler:

Títol: Intocable

Any: 2011

Directors: Olivier Nakache, Eric Toledano,

Personatges: François Cluzet, Omar Sy, Anne Le Ny, Audrey Fleurot, Clotilde Mollet, Joséphine de Meaux, Alba Gaïa Bellugi, Cyril Mendy, Christian Ameri, Marie-Laure Descoureaux, Gregoire Oestermann

Un resum de l’argument: 

Philippe, un aristòcrata milionari que s'ha quedat tetraplègic a causa d'un accident de parapent, contracta com a cuidador a domicili a Driss, un immigrant d'un barri marginal recentment sortit de la presó. Encara que, a primera vista, no sembla la persona més indicada, els dos acaben aconseguint que convisquin Vivaldi i Earth Wind and Fire, l'eloqüència i la hilaritat, els vestits d'etiqueta i el xandall. Dos mons enfrontats que, a poc a poc, congenien fins a forjar una amistat tan absurda, divertida i sòlida com a inesperada, una relació única en la seva espècie de la qual salten espurnes

[gregor-samsung]

Pupille [In safe hands] (Jeanne Herry - 2018)

[leighlim]

Is there really a foot cream that is also a shampoo?

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(Hopefully by this point you’ve finished all 112 minutes of ‘Intouchables’, the kind of person who isn’t bothered by spoilers, or are just deciding if you still want to keep watching.)

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It was quite interesting to watch this film after #TimesUp became more prominent.

PS: If you’re fluent in French...let me know if there’s a better translation than what came with the subtitles.

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HIGHLIGHT:

INT. PHILIPPE'S MANSION (SPARE BEDROOM - ENSUITE) - DAY

DRISS is working on PHILIPPE’s hair. Or maybe doing some sort of a head massage?

PHILIPPE Do you want white gloves or what? Scrub away!

DRISS The shampoo's weird, it won't lather.

MARCELLE pops her head in.

MARCELLE How's it going?

DRISS It won't lather.

MARCELLE gives him a look.

MARCELLE What?

She glances at PHILIPPE's feet abounding with suds.

MARCELLE I don't believe it...

She steps into the bathroom and points it out to DRISS.

MARCELLE That's his foot cream.

DRISS sighs and compares the two tubes.

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My verdict of the film: 7/10

Link to the timestamp commentary: Unfortunately...none

A Formal Review: Link up...hopefully within the week.

More of my comments about the film: None

[danbenzvi]

Just watched: “The Intouchables”

Starring Francois Cluzet, Omar Sy, Anne Le Ny, Audrey Fleurot, Clotilde Mollet, Alba Gaia Bellugi, Cyril Mendy, Salimata Kamate, Absa Diatou Toure, Gregoire Oestermann, Christian Ameri, Thomas Soliveres and Dorothee Briere Meritte.

[beautifulactres]

Clotilde Mollet

[scenesandscreens]

Amélie (2001) Director - Jean-Pierre Jeunet, Cinematography - Bruno Delbonnel "Life's funny. To a kid, time always drags. Suddenly you're fifty. All that's left of your childhood... fits in a rusty little box."

[detournementsmineurs]

Évelyne Brochu et Clotilde Mollet dans "Paris Police 1905 (Saison 2)" série créé par Fabien Nury (2022) - suite de “Paris Police 1900” (2021) - octobre 2024.

[cinematic-art]

“Sometimes you have to reach into someone else's world to find what is missing in your own.”

— The Intouchables (2011) Dir. Olivier Nakache & Éric Toledano

[grande-caps]

Sceencaps || Amelie  GALLERY LINK : [x] Quality : BluRay Screencaptures Amount : 2781 files Resolution : 1920x800px

-Please like/reblog if taking! -Please credit grande_caps/kissthemgoodbye!

[365days365movies]

February 25, 2021: Amélie (Review)

Magnifique!

I love this movie. No, no, I adore this movie. J’adore, J’aime, all that.

It’s a beautiful film, it’s quirky as hell, and I genuinely love it. I should watch more French movies, and I will this year! But, being one of the first big ones I’ve seen, this is a great start! So, let’s go into the Review, huh? I’m just excited to get into it! Check out the Recap here and here!

Review

Cast and Acting: 9/10

What else is there to say, except that Audrey Tautou is insanely charming, and genuinely one of my favorite leading ladies this month. I initially thought that Amélie was gonna be a manic pixie dreamgirl with little else to her as a character, but I was VERY pleasantly surprised. Quirky, yes. Cares about helping others over herself? Sort of. But her character was such dimension, that she’s genuinely loveable, and Tautou plays this, just...mmmmmmmmmWAH chef’skiss.

I actually want to see more of her relationship with Nino, as I also quite like Mathieu Kassovitz in this movie. I don’t think there’s a lot of him, but there isn’t really supposed to be. Still, I buy his curiosity and connection with Amélie, and he’s still an interesting guy. But the biggest thing I have to give this movie is the supporting characters, basically all of whom are memorable. The acting’s not always perfect, but the characters are great. But who specifically? Well, you’ve got Rufus, Clotilde Mollet, Claire Maurier, Isabelle Nanty, Dominique Pinon, Yolande Moreau, Urbain Cancelier, Jamel Debbouze, and Maurice Benichou. And ALL OF THEM are memorable, in one way or another. Proof? They play, respectively, Dad, the waitress, the café owner, the hypochondriac, the possessive asshole, the lonely widow, the cruel grocer, the grocer’s assistant, and the estranged grandfather. And I can remember multiple character moments from EACH of them. And THAT ISN’T EVEN INCLUDING THE BEST SUPPORTING CHARACTER OF ALL

Serge Merlin as the Glass Man is absolutely lovely. He’s such a supporting guy, although he’s also very gruff and grumpy in his way. His obsession with viewing the unreachable outside world through videotape, and with filmmaking in general; his paintings, and repeating said painting for years on end; and his sage advice despite a lack of experience in the outside world...I love it, and Serge Merlin is perfect in delivering it.

Plot and Writing: 9/10

French. That is the best way I can describe this writing. I can’t claim that I’ve seen many French film, because I really haven’t, but this film just felt...SO goddamn French. Which, to be clear, isn’t good or bad, it’s just the feeling that this film gave me from the very opening lines. And those opening lines were great! Yeah, the weird quirks added to the fascinatingly good narration just give this movie (and the world of this movie) such life, that it’s hard to fully describe. This film’s screenplay, written by Guillaume Laurant, is just fantastically written and executed, and I genuinely adore all of it. So why the one point off? I mean, for an original screenplay, the plot isn’t exactly groundbreaking. Not that every plot needs to be, but it is a fairly standard structure. Y’know, girl meets boy, shenanigans, happy ending. I know that’s an unfair breakdown, considering, but it’s just what comes to mind.

Directing and Cinematography: 10/10

Brilliant. Jean-Pierre Jeunet is amazing, Bruno Delbonnel is amazing, and this movie is shot spectacularly. Now, editing takes a good chunk here, too, but the cinematography is what pushed this category to perfect. This film is shot marvelously, and I don’t even have much else to say. It’s just a good looking movie. Of course, that’s also dependent on...

Production and Art Design: 9/10

...which is also fantastic. So, in developing this blog and my movie tastes, I’ve come to a realization about how I judge this category, personally. If you can show me a random shot from a film, and I can recognize it from that shot, then the production and art design teams have done their job. Now, that doesn’t always work, but some movies I can see that working very well. This one is one of them, mostly because of the lighting chosen and some of the other iconic features, from costumes to certain set elements. But it isn’t perfect. I wouldn’t recognize it from shots of the city, for example. Even a shot of certain locations, I think, would give me some trouble. But the odds are high that I’d figure it out from only a few shots. So, high marks!

Music and Editing: 9/10

Again, in terms of the music anyway: Française. Pure and unyielding French. And again, there is nothing wrong with that whatsoever. Yann Tiersen constructed a beautiful score, and one that is recognizable. Real talk, if you’re looking for a good lo-fi music score to film study to, this isn’t the worst choice for some tracks. Here, check it out! But OK, what about the editing? PHENOMENAL. The enacting of the screenplay was flawless, and captures the quirky tone of this film perfectly. Much credit given to Hervé Schneid for it, because it’s amazing.

Quatre-vingt-douze pour cent! That’s, uh, 92%.

And a deserved 92%, if you ask me! I adore this movie, and it’s one that I’ll be watching again. I actually think the GF would like this movie; seems up her alley.

But OK, that’s a big one off my list. It’s considered one of the best French films of the 2000s, as well still being the highest-grossing French film in the USA. Didn’t win any awards over here (unfortunately), but it did win two BAFTAs, for Original Screenplay (deserved) and Production Design (also deserved). I don’t know much about the BAFTAs as compared to the Oscars, but I should check them out one of these days. I’ll be bringing them up more, at any rate.

Next, let’s go back to the USA, for a love story. Literally.

February 26, 2021: Love Story (1970)

[gregor-samsung]

Pupille [In safe hands] (Jeanne Herry - 2018)