#claude/silver

[tieflingtryst]

Claude and Silver [Villain AU]

[*art by me, do not repost*]

[themisteriousentity]

"Golden Deer is boring though it's lackluster, the characters aren't as strong as the other paths there's less conflict-"

You fool. You absolute buffon. Golden Deer is perfectly designed. Not only does it feed into the whole "alliance" theme well by having the characters still work together despite their differences and feelings well before hitting those A supports, but it's ALSO the only route that actually puts the focus on YOU the player. Or, rather, Byleth themself

Black Eagle is about whether or not you can agree to Edelgard's ideals of acceptable sacrifice and perspective that there's only 1 way to do things. The branching happens when you decide whether or not you agree, but ultimately it just explores opposing or agreeing with Edelgard. Anything more than that is really just incidental to that main concept, whether it's Crimson Flower or Silver Snow, the entire time you're focused either on helping Edelgard achieve her goals or you're focused on showing her how wrong she is alongside the Black Eagles who think it's their duty to correct Edelgard's wrongs (and I have a whole separate thing in regards to how the cast acts in Crimson Flower verses Silver Snow). It works really well for characters designed around an empire, a domineering form of government where (usually) a singular ruler determines the course and focus

Blue Lions is focused entirely on working on past issues and learning to bring yourself into the present, but it's done almost entirely through the cast more than the player. The Blue Lions themselves all have their own traumas and deep-seated past issues that hinder or help progress. While both Blue Lions and Black Eagles have a lot in common when it comes to traumatized characters and ideology, the ideology is front and center, while in Boue Lions, their interpersonal conflicts are front and center. This shows especially in the final (non romance) scene, where Dimitri decides that his personal attachment to Edelgard and past memories still matter, and he reaches out a hand, despite her immediately trying to kill him. It's fitting for a route designed around a kingdom, which is usually built entirely on interpersonal dealings between the ruling class

Golden Deer, however, is designed very differently. Unlike the other 3 routes, the player, or more specifically Byleth, is put as the driving force instead of the Lord. And this is actually what makes Golden Deer such a good route and one with the best ending of all of them. Claude has ideals, but he isn't a person who wants to force others to follow his path like Edelgard. Claude has lived a life of strife where his past motivates him, but it doesn't chain him the same way it does Dimitri. Instead, he works on understanding everyone around him and working together towards agreed upon goals, while taking on stuff that isn't agreed upon onto himself. But more than that, while all the Lord's value your opinion, Claude is the only one who actually takes what Byleth wants (rather than just what they think about specific matters) into consideration for his plans. Repeatedly you tell Seteth in Silver Snow that you don't want to kill Edelgard, but he pushes that you have no choice. Pretty much the entire first half of Azure Moon is Dimitri ignoring you. And in Crimson Flower, you've all but completely submitted to Edelgard's will with a couple of exceptions (which actually proves my point because it's specifically in regards to the Golden Deer because you can fight the entirety of Crimson Flower while sparing all of them except for Judith). But in Verdant Wind, Claude doesn't hide that he has a problem with the church and wants Rhea gone. In Golden Wildfire, without Byleth, he's more than happy to just get rid of her without a second thought. But when Byleth is the protagonist, he goes out of his way to accommodate your wants into his plans and goals. When you express as the player that you want to reason with Edelgard and ponder if you can't walk the same path, Claude agrees with you and says he'll make it happen if he can, with the other Golden Deer mostly agreeing. When that,can't happen you both lament the fact that Edelgard gave you no choice together. He makes finding Rhea a priority, mostly because as curious as he is in general, he wants to help you find out answers only Rhea can give you. And all of the Golden Deer do this to some extent, with each other but also with you as the player. I think Hilda and Marianne's A supports with Byleth show this best personally, but that's a personal opinion. And it just works so well for a route designed around the idea of an alliance, people coming together and agreeing to work towards a goal bigger than themselves

And that's not to say the other routes aren't as good as Golden Deer, they're all equally well written, but it just makes me sad when I see people giving the Golden Deer route grief just because the characters aren't the same when it does its theme so beautifully

[ginnungagay]

[squeaky-potat]

Silver Snow Route featuring Claude von “F*ck you” and his big fluffy kitty boyfriend.

They escaped Fódlan then lived happily ever after :3

[slytherin-gemini-mystery]

[dudadrawings17]

Maleficent: I just hope these little goblins inside of me decide to be born very soon! I can't take this pregnancy any longer! Ursula: enjoy while you can, darling! After your babies are born, THEN you'll wish you'd still be pregnant! Cruella: at least you have Chernabog doing everything for you. Ursula: who would guess the Disney version of Satan would be such a soft papa, right? Maleficent: why, just because we have horns, like black and green colors, and we're both related to evil and Hell, we can't be good parents?? Wow, rude!

— x — x — x — x — x —

Frollo: you know... You remind me of someone... Gothel: oh yeah? Who? Frollo: your raven hair, your emerald eyes... Are you single, my dear? Gothel: I'm a single mother. Is that a problem to you. Frollo: not at all. I'm a single father too.

— x — x — x — x — x —

Cruella: say it again, darling! Clayton: I ~kill~ animals. Cruella: oooohh yeah, babe! What else? Clayton: I ~sell~ them for riches. Cruella: oooh you evil man! Clayton: now tell me, my darling. What animal you desire the most? A coat made of leopard fur? Shoes made of crocodile skin? An elephant head to decorate your living room? Say it, and I shall have whatever pleases you! Cruella: I want... A ~dalmatian~ coat! Clayton: ... Say what?

— x — x — x — x — x —

Silver: are you sure about this, James? Hook: about what, John? Silver: I don't know... It's the very first time we're leaving Pietra alone with mr. Smee... Hook: oh, don't worry, my dear. Smee knows he better take good care of our daughter if he doesn't want his ass to be kicked.

— x — x — x — x — x —

Jafar: (on the cellphone) Hades, where are you? Hades: I left earlier, Jaffar. I'm tired. Jafar: what?? Where are you going?? Hades: home. Jafar: are you kidding me?? Get your ass back here! You drunk too much! Hades: relax, will you? I took a cab! Jafar: WE WERE DRINKING IN YOUR HOME, YOU ANIMAL! Hades: ... Then where am I going??

[theactioneer]

Timecop (Peter Hyams, 1994)

[stergeon]

Premise: Seventy years after the events of Silver Snow, Byleth and Claude reunite on a farm in Almyra.

Rating: Teen and Up (old man angst; language; Tense Situations)

Chapters: 4 of 7 (6 with an epilogue)

Words: 16k (53k cumulative)

Chapter Summary: In the wake of an assassination attempt on his son, the King of Almyra, Khalid does his best to keep up morale and maintain an air of normalcy. But between fears of a potential attack on the farm and the unrelenting rains that threaten to cause disaster for the nearby village, he's got his work cut out for him.

That's not to mention all of the strange happenings surrounding the professor recently. It makes sense that people would start asking questions when memories conflict with reality, or when age-old afflictions suddenly abate. Although they aren't demanding them yet, they'll want answers soon, but how can Khalid tell them the truth when he doesn't know it himself?

The professor is changing, too, and as much as Khalid hates to admit it, he's growing afraid of who she's becoming—or whatever it is she's been this whole time.

[who-canceled-roger-rabbit]

Jabba the Hutt, Claude Frollo, the Child Catcher, and the Lady of the Green Kirtle are all in that category of villains who creeped you out as kids and creep you out in a whole other way when you revisit it as an adult

[karatekels]

I just remembered the conversation I had with @pinkspidxr last year about KK3-era TIG being perfect for Gaston:

I mean COME ON.

As well as TIG currently being perfect for playing Claude Frollo in a live action adaptation of Hunchback of Notre Dame that will definitely never happen:

... just imagine his villainy AND voice being put to good use I can't handle it!

[crossbackpoke-check]

Dysprosium, Mary Soon Lee

dysprosium, AN 66, is a silvery-white rare earth metal. its name is derived from the greek dysprositos, meaning “hard to get at”, owing to the difficulty in separating and isolating this rare earth element. dysprosium is used to measure neutron flux, to fuel reactors, and to activate phosphors. terfenol-d is a magnetorestrictive alloy, meaning that it changes shape when a magnetic field is applied, and is used to manufacture underwater acoustic systems.

jason “robo” robertson, dallas stars #21 for @simmyfrobby’s nhl periodic table poems <3

[moltz23]

Did a Potential Overhaul in the Post-Timeskip Cutscenes mess up with 3H's Development? - Development Mystery/Theory

Back in 2021, Nintendo released a video called Fire Emblem : Vol 1 to celebrate the franchise's 30th anniversary. And around 30:35, the video shows the 3H Movie "Rematch", used for Chapter 17 of the Azure Moon and Verdant Wind routes.

With a catch.

It's not the same one that ended up on the final game:

A glimpse into an alternate reality?

People went wild back when they noticed Edelgard and Claude in this version are using the outfits of their Emperor & Barbsrossa classes rather than the Armored Lord and Wyvern Master ones seen in the game we got, leading to much speculation surrounding what this meant for Three Houses. And it goes without saying that, while unseen, fans suspect that Dimitri uses his Great Lord outfit rather than the High Lord's in this version. So... The heck is up with this movie???

Well, as uncovered by VincentASM from sereneforest.net, it's highly likely this take of the movie shown in the promotional Nintendo/FE video is from an early build of the game. A build so early, that Edelgard skin and eyes were more saturated, and characters still didn't use unique palettes when using generic classes (which was incidentally used in February's JP Nintendo Direct of 2019).

Your call as for which version looks better.

It doesn't just end there though; if Three Houses' datamine is anything to go by - namely, the internal order the classes have in the code - we can find evidence that can answer why the endgame lord classes were used in this variation rather than the "middle ones" early on: simply put, Armored Lord, High Lord, and Wyvern Master did not exist during most of 3H' development. In turn, this explains why the Flame Emperor Class - Edelgard's enemy-only class for Part 1 - is internally, a model swap of her Emperor class rather than Armored Lord's: the latter didn't exist during development of Part 1, so Emperor was used as a base instead.

With this evidence uncovered and the answer giving resolution to the promotional footage shown, hopes waned down for the future of 3H, and everyone moved on.

This raises two questions I haven’t seen anyone point out before, though.

How much (if any) did this change mess up the post-timeskip movies? Is it the reason why the Silver Snow Theorem happened?

To explain these inquiries further, I'll go into greater detail about each one:

1. Two Types of Animated Movies.

Corporate needs you to find the differences between these two pictures.

Three Houses uses 2 types of animated movies for important scenes. The first one (see the one on the left), was done in-house by KT through pre-rendering shenanigans with the 3H engine. Meanwhile, the second one (on the right) was outsourced to SANZIGEN.

The distinction between both is relevant because the movie showcased in the FE Castle Conversations video - as well its final version - belong to the former category. Meaning that, should the character designs get tweaked during development, in the best case scenario, as far IS & KT were concerned, swapping models should be enough to keep things up to date, which might as well be what happened with the "Rematch" movie once the House Leader's main post-timeskip designs were swapped.

But what about tweaking the other type of movies, though? The ones commissioned to the animation studio? I can't imagine the whole process being cheap in their case, more so given that 8 out of the 11 movies commissioned to SANZIGEN feature the 3H lords post-timeskip:

What's important here is that ☆ = Doesn't feature any 3H lord in any capacity.

Granted, the smartest course of action in this instance would've been to simply commission the post-timeskip movies near the end of development to avoid consistency/revision issues, for which there is a plausible chance that’s the case. After all, in the E3 2018 trailer for the game - which was the first instance we ever saw footage of it - the only animated movie outsourced seen was the one from the intro.

But... What if that’s not the case?

Call me paranoid if you want, but I raise this worry for a reason-

2. "The Theorem of What?????"

Love this banner so much.

A few months ago I did a breakdown on how 3H distributes it's movies across routes, and if there's anything that stood up a ton besides the predictable stuff, is that the game followed a clear pattern which determined which routes would get the most movies, versus which ones would get screwed instead. In my breakdown, I coined this pattern "The Silver Snow Theorem" which proposes the following:

"The amount of movies and fullscreen CGs present in a route’s main story by Part 2, is directly and inversely proportional respectively, to how much the narrative follows Silver Snow’s story beats."

And as a refresher, Silver Snow matters to the development of Three Houses because: A. That's the first route the developers worked on; and B. was used as the basis for the other 3:

Which route specifically did you create in the beginning to establish the world-building? Kusakihara: It was one of the two paths in the Empire route—the one fans refer to as the “church route”: “Silver Snow” [...] afterwards, we had Koei Tecmo’s scripting team start work on the nitty-gritty of the other house leaders and the story of their respective routes.

While Silver Snow having this much influence over the Part 2 movies is noticeable in hindsight, truth be told, I did initially brush it off as just a side effect of being used as a template for development. Looking back now though, a part of me now wonders if the Part 2 movies were first commissioned once Silver Snow was late into development and AM and VW had been already decided to borrow a ton from the route’s first half. Because if that’s the case, then there might have been cutscenes outsourced to SANZIGEN that did feature Edelgard, Dimitri and Claude with their second post-timeskip lord classes rather than one ones fans are most familiar with.

But then, it was decided during development that the house leaders would rather use different outfits instead. And this might have caused problems with budget since changing those outsourced cutscenes ain’t an easy task compared to the ones KT made in-house.

Like, seriously.

Goes without saying that all this is merely conjecture. But I feel it’s worth making the question because, to reiterate, the Silver Snow Theorem highlights that the more a route follows Silver Snow’s story beats to a tee, the more animated cutscenes (and less CGs) it gets. And given evidence points out the lord’s main post-timeskip classes fans are familiar with were a late addition… I guess y’all know where I’m going by now.

I usually don’t make threads focusing on fan theories and stuff, but this has been in my mind for a long while so I wanted to see what you guys think about it. Do you think more movies with the lord’s 2nd classes got made before the outfit swap was made? Or perhaps the issue the devs ran with that caused the Silver Snow Threorem might be due to something else entirely…? Also, what's y'all's opinion on SANZIGEN's movies compared to the ones done by KT?

[raven-at-the-writing-desk]

hemlo

idk if you know black butler, Yana Toboso's other popular work, but you dont really need to know it other than its anime adaptation

Specifically, I'm curious if Trey was inspired by Claude Faustus, the second demon butler that is only canon to the anime of season 2

all i have to back this up is how they both wear glasses and have vibrant yellow eyes but even with those two basic features whenever i think of Claude in the back of my mind i keep seeing Trey

I used to be super into Black Butler, but I stopped reading it years ago 😔 I actually don't really like watching shows that much (it's way too time consuming and inefficient; I could power through entire volumes in the 20ish minute time span of one episode), so I never looked into the Black Butler anime.

I would hesitate to call any character truly 'inspired' by another one based on just looks?? Like, I really doubt that Yana sat down and referenced an image of Claude while putting together a cast for TWST. (There are many yellow eyed anime men with glasses outside of Claude, and that doesn't make those men 'inspired' by Trey.) It's the same character designer for both BB and TWST, so of course there will be a lot of physical overlap even if it's at a subconscious level. However, each character is still unique in their own way (personality and history-wise)!

There's been plenty of BB-TWST look-alikes fans have pointed out over the years: Riddle and Ciel, Jade and Sebastian although I personally think Jade's facial features appear more Lau-like than Sebastian-like at times, Azul and Ronald Knox, Idia and the Undertaker and Gregory Violet, Sebek and Herman Greenhill, Silver and Snake, Fairy Gala Ortho and Doll, Kalim and Agni... Yana just has a certain aesthetic and design taste that is prominent across her works!

[forcedfemme-me]

Claude Montana Fall, 1994

[vintagewarhol]

[justatiredcookiemonster]

I'm catching up on Glorious Masquerade and can I just say that it's HILARIOUS!!!

I mean at every minor event (e.g. the discovery of foreign food) there is Hell Fire playing in the background 😂

I mean...chill...