#clash city rockers
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Carnival
#how we grew up#paul simonon#joe strummer#clash city rockers#notting hill#laylow ladbroke grove#grove#notting hill carnival
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1:11 AM EDT August 21, 2024:
The Clash - "Clash City Rockers" From the album The Clash (April 8, 1977)
Last song scrobbled from iTunes at Last.fm
File under: Bands who at one point or the other were the best in the world
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El Clash es también un lugar donde podemos ser nadie. No es un requisito, es una posibilidad como cualquier otra, solo que es una muy difícil de encontrar en otro lado. En casi cualquier lugar es requisito indispensable ser alguien o algo, en un mundo que nunca te garantiza que estará ahí para vos otro día. El Clash es un lugar donde podemos ser nadie, y va a seguir ahí la próxima noche que vayas. Porque está hecho de la materia oscura de la noche, nunca lo tocó un solo rayo de sol, su atmósfera está compuesta por el aliento de quienes lo habitamos. En madrugadas como esta lo describo, lo escribo y lo bebo celebrando ese poquito de whisky extra que a veces me dan cuando pido mis (des)medidas de siempre. El Clash es un lugar donde puedo ser nadie, y donde nadie más puede ser yo, o vos.
(esta foto la sacó Joe, que tiene la costumbre de no fallar jamás en eso de captar imágenes)
Acostumbradoalfindelmundolandia: linktr.ee/acostumbradoalfindelmundo
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The Clash - Clash City Rockers
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Clash t shirt though…
Bernard Edwards and Nile Rodgers of Chic, NYC, 1979
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don’t you want me like i want you?
clark kent x guitarist!reader
don’t you want me
like i want you baby?
sleep tonight but tonights going crazy
meet me at the��. APT.
⋆𐙚₊˚⊹♡ ⋆𐙚₊˚⊹♡ ⋆𐙚₊˚⊹♡ ⋆𐙚₊˚⊹♡ ⋆𐙚₊˚⊹♡ ⋆𐙚₊˚⊹♡ ⋆𐙚₊˚⊹♡
For some, music is a companion—a loyal shadow that lingers, a daily necessity. But for others, it’s more. It’s everything. They don’t just hear it; they see it in the shifting hues of the sky, feel it in the vibration of the earth, live it in every heartbeat. For them, music isn’t a sound; it’s a language, a lifeline, a mirror.
For y/n, it was all of that and more. It was a sanctuary, the only way to release the emotions she couldn’t quite speak aloud. Music was her escape—a getaway car racing through uncharted roads. Plug in the headphones, press play, and suddenly, the world became a little softer, a little brighter. It was like being handed a map to a place only she understood.
But sometimes, the search for new music felt like a hunt—a quest for the perfect sound that could stir her soul, rekindle a spark, or provide the soundtrack for a moment she hadn’t yet lived. For y/n, this hunt was eternal, an ache as familiar as the chords of her favorite songs.
She had arrived in Smallville just weeks ago, a town so quiet it seemed like it could have been plucked from the second verse of a Radiohead track—melancholic yet oddly serene, with beauty tucked between its stillness. It was a far cry from the electric heartbeat of New York City, where she’d spent most of her life.
Smallville felt like a genre she’d never chosen—like a punk rocker trying to write country ballads. You either adapted and found the rhythm, or you didn’t. Y/n wasn’t sure yet which way it would go.
New York had been loud, chaotic, a symphony of endless possibility. Smallville was... still. Too still. But in that stillness, y/n found space to think—a fact that scared her more than she cared to admit. Change was like hearing a song for the first time: jarring, unfamiliar. But sometimes, if you gave it a chance, the melody could surprise you.
Her first days in Smallville were spent wandering its streets, letting herself get lost, hoping to stumble upon something—a spark, a rhythm, a new favorite lyric in this quiet album of a town. High school loomed on the horizon, another challenge she wasn’t ready to face. Her only solace was her family: her parents and her older brother, Theodore.
Theodore was her opposite in some ways but her twin in one crucial aspect—music. While she craved the melancholic poetry of The Smiths and the atmospheric pull of Fleetwood Mac, Theodore was all raw energy. His heroes were The Clash and the Sex Pistols, their messy rebellion plastered all over his bedroom walls.
Their playlists were mismatched, but their shared passion for sound connected them like two strings on the same guitar.
“You listen to sad music,” Theodore teased one night as she scribbled lyrics in her worn notebook.
“And you listen to angry music,” she shot back, smirking.
“Anger gets things done. What does sadness do?”
“It makes you feel,” she replied simply, her words trailing into the hum of a record spinning in the background.
It was during one of her aimless walks through Smallville that y/n saw it—a poster taped to a lamppost, its bold letters practically leaping off the page:
“LIVE MUSIC! TALON EVERY FRIDAY NIGHT!”
Her heart skipped, the words striking a chord in her chest. She’d passed the Talon a few times—a cozy coffee shop with an unassuming exterior—but now, it gleamed with possibility.
A smile crept across her face, bright and mischievous like the neon ink on the poster. Maybe this is it, she thought. A way to feel like herself again. To stop feeling like a background instrument in her own life.
She ran her fingers over the strap of her guitar case later that night, her mind racing. She hadn’t performed since New York—a string of open mics where she poured her heart out to strangers in dark rooms. But this felt different. This felt like the start of a new setlist.
Theodore didn’t take much convincing. Over dinner, she pitched the idea “Live music at this place called the Talon. Friday night. Let’s go.”
“You mean you should go,” he replied with a smirk. “With your brooding Smiths covers.”
“And you can bring your chaotic drum solos,” she countered, grinning. “Fine. But I get to pick one song,” theodore said, his grin mirroring hers.
🖤
As the days rolled by, the night of the Talon finally awrrived. y/n had been counting down to it, her excitement mingling with nervous energy.
The Talon wasn’t just any coffee shop—it was the place to be in Smallville. By day, it was a cozy corner where locals sipped lattes and caught up on homework. By night, it transformed into a buzzing hub for the town’s younger crowd, especially students from Smallville High.
Lana Lang, a fellow student, was the mastermind behind it all. Running the Talon was more than just a job for Lana—it was her dream, a vision she’d nurtured into reality. She’d given the shop a unique vibe, blending vintage cinema posters and retro lighting with warm, earthy tones that made it feel timeless. The Talon was Lana’s way of shaping the world around her, just like music shaped y/n’s.
For y/n, tonight was about sharing her heart through her guitar. But for Clark Kent, tonight was about surviving his friends’ enthusiasm.
Clark hadn’t planned on going. Events like this weren’t his thing—too loud, too crowded, and not exactly farm-boy friendly. But Chloe and Pete had been relentless.
“Come on, Clark!” Chloe said, practically dragging him along Main Street. “You can’t spend every Friday night doing farm stuff or staring at your ceiling. Live a little!” Yeah, man,” Pete added. “The Talon’s where it’s at. Music, coffee, and a crowd that’s actually, you know, alive. It’s way better than your barn.”
Clark sighed, his hands shoved deep into his jacket pockets. “I don’t even like these kinds of events. You guys know that.”
“That’s because you’ve never given them a chance,” Chloe said with a knowing smile. “And besides, Lana’s worked really hard to put this together. The least you can do is show up and support her.”
Clark glanced at her, raising an eyebrow. “So this is about Lana.”
“No,” Chloe replied quickly—too quickly. “It’s about live music. Supporting local talent. Being a good friend. And, okay, maybe it wouldn’t kill you to, you know, talk to her while you’re there.”
Pete laughed. “Clark Kent, master of subtlety. I bet he stands in the corner all night, sipping coffee and avoiding eye contact.”
Clark shook his head but couldn’t suppress a small smile. “Fine. I’ll go. But only for a little while.” Chloe and Pete exchanged victorious looks as they stepped into the Talon.
The place was already packed, the buzz of conversation and laughter filling the air. Y/n and Theodore arrived early, her guitar slung over her shoulder and his drumsticks sticking out of his back pocket. Theodore had been grumbling about being dragged out of the house, but Y/n could see the glimmer of excitement in his eyes.
Clark, on the other hand, stuck close to Chloe and Pete, scanning the room. The warmth of the fairy lights and the smell of coffee filled the air, and despite himself, he felt a bit more at ease.
“See?” Chloe said, nudging him. “This isn’t so bad, is it?”
Clark shrugged but stayed quiet. His eyes wandered to the small stage at the far end of the shop, where musicians were setting up. He didn’t recognize anyone, but something about the electric energy in the air made him pause.
🖤
Meanwhile, Y/n was standing offstage, tuning her guitar and stealing glances at the growing crowd. Her nerves were starting to show, but Theodore gave her a reassuring nudge. “You’ve got this,” he said, tapping his drumsticks against his leg.
“Thanks,” she replied, trying to steady her breathing. This was it—the start of something new, in a place she was still trying to call home. And as the first chords echoed through the Talon, the crowd quieted, and all eyes turned to the stage.
y/n stood at the center of the small stage, her white guitar resting comfortably in her arms, as if it had always been there. Her outfit—a mix of rockstar glam and effortless charm—caught the light just enough to make her seem larger than life.
She looked like the kind of girl people might describe as a "rockstar’s girlfriend," but there was no mistaking her presence. She wasn’t anyone’s shadow; she was the main event. A free spirit with fire in her veins and a guitar that held all the words she couldn’t speak aloud.
Her style might have turned heads, but it was her eyes that truly shone under the purplish lights. They sparkled with the energy of someone who had something to say and wasn’t afraid to let the music do the talking.
The room buzzed softly with conversation as she stepped up to the mic. She leaned in, her lips curling into a playful grin. “Hi, everyone,” she began, her voice warm but laced with the sharpness of her New Yorker accent. “Hope you guys are ready for something a little... rocky tonight.” She chuckled, the sound carrying through the room like the first strum of a chord.
y/n scanned the small crowd of the Talon, her heart pounding. The faces staring back weren’t familiar, but that didn’t matter. She wasn’t performing for recognition. This was her way of speaking to the world, of sharing her stories—even if some of those stories were ones she’d only imagined.
Love, for instance. It wasn’t something she’d experienced firsthand, but it was a world she often visited in her mind. She’d written countless poems about it, pouring her thoughts into metaphors and melodies.
Tonight, she was ready to turn those words into something real, even if it was just for three minutes under the Talon’s lights. She glanced over her shoulder, locking eyes with Theodore. His drumsticks were poised in his hands, his posture relaxed but ready. She gave him a small nod, a signal to drop the bass and let the rhythm take over.
With that, Theodore struck the first note, a deep, vibrating pulse that seemed to ripple through the room. y/n felt the vibration in her chest, grounding her, reminding her why she loved this. The noise of the crowd softened as the music began to build, pulling everyone’s attention toward the siblings on stage.
y/n closed her eyes for a brief moment, feeling the weight of the guitar in her hands. Then she opened them, her fingers finding the strings instinctively. The first chord rang out clear and strong, cutting through the hum of the room like a declaration.
The song they were playing was called APT, a fun, energetic piece she had written inspired by a drinking game her friend from downtown, NYC had introduced her to.
It was a game called Apteu, and although it was just a silly tradition, it had given y/n the perfect material for a lighthearted, upbeat song. The track was full of energy and rhythm, designed to get people moving and feeling good—just the kind of vibe she wanted to set in this crowded room tonight.
She started to sing, her voice rising and falling with the melody, effortlessly weaving through the rhythm. Her eyes sparkled with passion, each word she sang carrying the weight of emotions she often kept hidden. When y/n sang, it was like she wasn’t just performing; she was living inside the song, letting every note and lyric become part of her. She embodied it, lost in the world of the music, letting it carry her to places she could only dream about.
Her voice was a perfect blend of sweetness and edge, like honey with a kick of spice.
“Don't you want me like I want you, baby?
Don’t you want me like I need you now?
Sleep tomorrow, but tonight, go crazy. All you gotta do is just meet me at the…”
Her voice echoed through the Talon, drawing the crowd into her spell.
Clark, who had been standing in the back, arms folded and quietly observing, found himself completely captivated. His eyes followed y/n as she moved, completely lost in the song, and suddenly, he realized he was too. It wasn’t just the music—it was the way she poured herself into every note, the way she made it feel like her voice was something raw and real, like it had never been rehearsed, only lived.
His friends, Chloe and Pete, were watching him, but Clark couldn’t tear his eyes away. The entire room seemed to pulse with the beat, and y/n was at the center of it, effortlessly drawing everyone into her orbit. He wasn’t sure if it was the way the song felt so alive, or the way y/n seemed so in tune with every word she sang, but there was something about it—something about her—that hit him harder than he expected.
“She’s good,” Chloe whispered, nudging him. ,,Better than good, actually.”
Pete grinned. “I told you. This is way better than farm chores.”
Clark barely heard them. His focus was entirely on y/n, who was lost in the music. Her eyes glinted with emotion, her whole body swaying in time with the rhythm, and Clark felt that strange spark again, like the first crack of lightning on a stormy night. He was drawn to her in a way he didn’t understand, but the more she sang, the more he couldn’t look away.
y/n smiled briefly as she sang, her gaze briefly meeting Clark’s across the room. It was a fleeting moment, just long enough for him to feel something—a connection he couldn’t name, but he couldn’t ignore.
As she finished the song with a flourish, the crowd cheered, and y/n’s face lit up, glowing with the warmth of the applause. But for a brief second, Clark was still caught in the aftershocks of that look, a smile that was just for him—or at least, that’s how it felt.
The crowd cheered, some shouting their praise while others lingered at the edge of the stage, chatting and laughing. y/n was swarmed by a few people who complimented her performance, but she stayed humble, thanking them with a bright smile and an easy laugh. Theodore hung back, his arms crossed over his chest, watching her with a quiet pride.
As the buzz of conversation filled the air, y/n and her brother moved off the stage, standing near the side of the room to catch their breath. Clark, still lost in the aftershock of her performance, was snapped back to reality when Chloe grabbed his arm, pulling him forward.
“Come on, Clark, let’s go say hi! You can't just stand there looking like you’re stuck in a trance,” she teased, her eyes glinting with mischief.
Pete followed, still grinning. “Yeah, man. She’s great, huh? Let’s go talk to her.”
🖤
They walked toward the area where Y/N and Theodore stood, and for a moment, Clark hesitated. His heart was still pounding, and his mind was a little lost in the world he’d just experienced. It was just a song, just a girl—yet, something about the way she’d sung had gotten under his skin. But as they got closer, he found himself caught in the whirl of people milling around, all eager to meet the new musician, all laughing and talking.
“Hey, I just wanted to say you did an amazing job,” Chloe said, reaching Y/N and flashing her a wide smile.
Y/N returned her smile, her eyes still alight from the performance. “Thanks! Glad you liked it. It’s always a little nerve-wracking to play for people you’ve never met.”
“Well, you nailed it,” Pete chimed in. “You’ve got a real gift. And that song—APT—man, that was infectious. You had everyone in here dancing with you.”
Y/N laughed, her voice warm and sincere. “I’m just glad it got people vibing. It’s one of those silly songs, you know? You gotta embrace the fun in it.”
Theodore stood silently beside her, occasionally nodding when someone complimented his drumming, but for the most part, he seemed content to watch his sister shine in the spotlight.
Clark hung back, not sure if he should join the conversation. His mind was still racing with thoughts of Y/N, of how she seemed so at ease on stage, and how her smile had made him feel like they were the only two people in the room. But he didn’t speak up. Instead, he found himself standing just out of reach, watching quietly, unsure of what to say.
After a few moments, the conversation began to drift away from the music, and people started to break off into smaller groups, chatting about other things. Clark felt the opportunity slipping away.
“I guess we should get going,” Chloe said after a while, her tone casual, but there was a hint of something in her voice, like she could tell Clark was still lost in the night’s events. “It’s getting late, and we don’t want to leave our fearless leader to fend for himself.”
“Yeah, yeah,” Pete agreed, giving Clark a playful nudge.
Y/N’s eyes caught Clark’s again as they turned to leave. Their gazes met, and for a heartbeat, it felt like the world paused. But before Clark could say anything—before he could find the courage to step forward and introduce himself—she turned back to talk to someone else, lost in the group.
Clark hesitated, and the moment passed.
“Well, that was… interesting,” Pete said with a grin as they headed toward the door. “You seemed like you were a million miles away, man. You’re telling me you didn’t feel that? She’s something else, huh?”
Chloe gave him a teasing look. “Clark’s not the type to swoon over a girl in a coffee shop, Pete. Let him off the hook.”
Clark didn’t answer. His thoughts were elsewhere, stuck on the look they’d shared. He thought, maybe, there could have been something. But as they walked out of the Talon and into the cool night air, the excitement of the night began to fade, and he couldn’t help but think—he’d probably never see her again.
Y/N looked behind, her gaze following Clark as he walked out of the shop. Her eyes lingered on his tall figure and dark hair—he looked like a soft song, something out of Fleetwood Mac's Dreams or maybe Tears for Fears' Head Over Heels.
Her heart was pounding, maybe from the adrenaline still coursing through her after the performance. Or maybe it was the memory of those ocean-blue eyes.
🖤
The weekend passed, and Monday arrived all too quickly. For some students, it was just another Monday. Clark hadn’t expected to see Y/N again. Hell, he didn’t even know her name or who she was, but a part of him felt like he’d known her forever. Maybe it was the music that surrounded her—the way it made her seem like someone whose story everyone somehow already knew.
He’d thought about her all weekend.
Her song was stuck in his head, just like the memory of those purple lights that seemed to reflect her presence.
But another thought kept creeping in—he’d probably never see her again. She sounded like she came from New York; maybe it had been just a visit. What kind of girl like that would live in Smallville? She seemed like she belonged in a vinyl shop, or in some city where she was constantly surrounded by music.
Yet, as he walked down the hallway of Smallville High, he saw her.
Y/N was leaning against a locker, laughing and talking with Theodore. Her bright smile seemed to light up the entire hallway, and for a moment, Clark felt the world slow down.
He didn’t know what was happening to him. Sure, he’d been shy around Lana earlier that school year, but this was different. He didn’t even know Y/N—he’d only met her eyes across a crowded room. And yet, here he was, feeling… weird.
When their eyes met again, Y/N smiled, a mix of recognition and curiosity. She nudged Theodore and pointed in Clark’s direction.
“That’s the guy from the other two people who congratulated us—Friday night!” she said.
Theodore glanced over his shoulder, his tone dripping with sarcasm. “Sis, a lot of people talked to us that night. I barely even remember the girl who gave me her number.”
Y/N rolled her eyes and walked away from her brother, heading straight toward Clark. His steps slowed, but his heart raced faster with every second.
“Hey, aren’t you the guy from the Talon—Friday night?” she asked with a warm smile as she approached him.
Clark blinked, caught off guard. “Uh, yeah. Clark. Clark Kent.”
“Y/N,” she said, extending her hand. Her handshake was firm, confident. “So, do you go to every show, or was Friday just a lucky coincidence?”
“I don’t usually go to shows,” he admitted, a shy smile tugging at the corners of his mouth. “But maybe… I’ll consider going to more.”
Y/N grinned, her expression easy and relaxed. Something about her grounded him, helping him find his footing. She was tilting her head slightly as if studying him. “You don’t seem like the ‘crowded coffee shop’ type. What pulled you in? Was it the music, or did someone drag you there?”
Clark chuckled softly, rubbing the back of his neck. “Chloe and Pete—they kind of insisted. Said I needed to ‘get out more.’”
“Sounds like good friends,” she said with a laugh. “It were the two that I talked to— right?”
“Yeah—- they loved it seriously,” Clark admitted. “And I… well, I couldn’t stop thinking about it.” His words came out more honest than he’d intended, and he quickly added, “The music, I mean. You were amazing up there.”
Her expression softened, a touch of surprise flickering in her eyes. “Thanks. That means a lot.” She paused, glancing at him curiously. “So, what do you do? Besides getting dragged to coffee shops by your friends, I mean.”
“Mostly farm stuff,” he replied, his voice carrying a hint of shyness. “My family has a farm just outside of town.”
“That explains the whole ‘rugged, mysterious’ thing you’ve got going on,” Y/N teased, crossing her arms as she leaned against a nearby locker.
Clark laughed, a little flustered. “I don’t think anyone’s ever called me mysterious before.”
“Well, there’s a first for everything,” she said with a playful shrug. Then her tone shifted, becoming more sincere.
Clark smiled and looks at her. ,,And— the guy with the drums was your boyfriend or..?” he said curiously— of course he didn’t want to build up some hopes but, why not asking right?
Her smile widened, and she glanced back toward Theodore, who was still leaning against the lockers, pretending not to listen.
“Well— definitely not. His name is Theodore and he is my older brother. He shares the same passion like me— he is more into sex pistols and I am more into the smiths. But music’s always been my thing. It’s… kind of like home, no matter where I am.” she started to ramble— she was quite a talker.
Clark nodded and found that adorable of how she got into a conversation flow. “That makes sense. You looked like you belonged up there.”
Y/N looked at him for a moment, her gaze softening. “Thanks, Clark. Really.” Then, with a mischievous glint in her eye, she added, “So, are you going to stick with the ‘guy who never goes to shows’ routine, or are you thinking about breaking that streak?”
He smiled, shifting his weight slightly. “I guess that depends. Are you playing again soon?”
“Maybe,” she said, clearly enjoying the game. “Guess you’ll have to keep an eye out.”
Clark nodded, his shyness melting away as her energy pulled him in. “I’ll do that.”
“Good,” she said with a soft smile. “See you around, Clark Kent.”
And with that, she turned back to Theodore, leaving Clark standing in the middle of the hallway, feeling like the world had shifted just slightly under his feet.
As he watched her walk away, Pete and Chloe appeared at his side, both smirking.
“Smooth, Clark,” Pete teased. “Real smooth.”
Chloe grinned. “So, is this where we start dragging you to more coffee shop gigs?”
Clark didn’t answer. His gaze was still fixed on Y/N, a small, thoughtful smile tugging at his lips.
“Yeah,” he said quietly, almost to himself. “Maybe you should.”
🖤 i hope u guys enjoyed! and stream APT by my girl rosé
#clark kent smallville x reader#clark kent smallville#clark kent#tom welling#smallvilleclark#smallville x reader#tom welling x reader#clark kent ffs#clark kent fics#smallville#apt.#apt rosé#clark kent x guitarist!reader#clark kent x fem!reader#clark kent smallville fics
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Mick Jones during his Big Audio Dynamite era, here posing in London with MCA (Adam Yauch) & Mike D (Mike Diamond) of the Beastie Boys plus photographer & common friend Josh Cheuse in an early '86 photo probably shot by Ad-Rock (Adam Horovitz).
Here's a excerpt from an AD-Rock interview on The Guardian in which he recalls how MCA re-taught Mick Jones how to play 'Clash City Rockers’ during their visit at Mick's house while surprise guests keep ringing his doorbell:
"We’re in London for a few days to “work”. Our friend from New York, photographer Josh Cheuse, was friends with Mick Jones from the Clash. He worked with them a little bit and hooked it up for us to go hang out with him one night. AT HIS FUCKIN’ HOUSE! And by the way, he is one of the nicest people in the world. We meet, hang out, have a little tea, a couple beers, and then he shows us his studio in the basement. Not a practice space, but a nice little studio, with all kinds of equipment. While Mick Jones is showing us a guitar of his, Yauch asks him to play Clash City Rockers. I don’t know what possessed him to do that but, I mean, fuck yeah, I wanted that to happen. He kind of laughed and said that he forgot how to play it, and so Yauch took the guitar and taught Mick Jones how to play the song. Yes! Mick Jones from the fucking Clash. Oh wait… Someone’s at the door. Yup. It’s Joe fucking Strummer! Our new close friend Mick Jones had said some people were coming over; Now Joe Strummer’s here and the doorbell rings again… It’s fucking Johnny fucking Rotten! He’s with this cool-ass German lady and we are now officially drunk, and freaking out. In Mick Jones’s living room. We’re getting ready to go see a movie, and one more person shows up on our way out. Take a guess… could be any-fuckin’-body, right? It is one of the coolest people in the world. Ever. Paul Simonon. Picture yourself with your two best friends… real tipsy. Driving around the streets of London at night in two cabs with, basically, the fucking Clash and Johnny Rotten. Stopping at red lights, laughing, screaming, and throwing things at each other out the windows. I mean… just a few years ago, these people made music that changed our lives. We absolutely and totally fucking love them. And now we’re getting drunk with them and we’re on our way to go see a slasher movie together. IN LONDON!!!".
(via)
#mick jones#the clash#beastie boys#mca#ad rock#mike d#joe strummer#paul simonon#johnnny rotten#london#1986#punk#punk rock#hip hop#big audio dynamite#people
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Released 46 years ago
Clash City Rockers, a single by the punk rock band The Clash
Here on January 1978
#punkrockhistory
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As loathe as I am to make heroes of mere men, Joe Strummer comes closest to being my genuine hero. Know your rights y’all
joe strummer
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I was tagged by @devilishugly for top 5 favorite songs so hell yes!!!
1)"The End"- The Doors (not a Doors fan either)
2)"Watch Me Die"- Underoath
3)"Carousel" Blink 182
4) "When the Levee Breaks" Led Zeppelin (FAVORITE BAND)
5)"Paint It Black" The Rolling Stones
Honorable mentions- "Crack City Rockers"- Leftover Crack, "White Man in Hammersmith Palais"- The Clash
tagging the users below bc I feel like they either have great music taste and I wanna know their favorites, or I don't know their music taste and I'm curious about it. I don't wanna tag too many people, so I'll only tag a handful, but if anyone of my followers/mutuals do this, please tag me cause I'd love to know your favorite songs!!!! @desertangels70s, @andvaka, @zmbiefood @rocketsaurus @soundofwatersworld @bitchhpuddingg @blazed-bitch @dzdndcnfsd @tessamercury @baratheonbastard @corruptvisage @emwheezie @daves-england
#favorite songs#led zeppelin#blink 182#the doors#underoath#the rolling stones#leftover crack#the clash
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The Clash - The Clash (1977/1979)
Forty-five years ago today, on July 26, 1979, the eponymous album by The Clash was released in the US. While the Clash’s debut album was released in the UK in 1977, it was deemed “not radio friendly” by CBS America and was only available in the states as an import. Despite the record being the highest selling import of the year, it would take over two years for the album to see a US release. By the time the record was released in 1979, the band had already released their second album, Give ‘Em Enough Rope, so The Clash was the second of the band’s albums to be released in the US. However, the US version of the album was radically different. With a wealth of material to choose from, CBS excised five songs from the UK version and added six, among them the singles: "Clash City Rockers,” "Complete Control,” "(White Man) In Hammersmith Palais,” and "I Fought the Law". So, the US version, the version most Americans know, was a very different experience, but still astonishingly good.
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Nos superan en número. El ejército de quienes ganan (dominan, imponen) está unido, con todo a favor, y en terreno alto. Lxs derrotadxs estamos fuera de su reino, de sus horarios, de sus reglas dentro de reglas, destilando en el Clash. Afuera nos atrapan de a unx con redes burocráticas, es una masacre. Algunxs aún resistimos. Afuera somos diáspora y ellxs siempre tienen territorio. En el Clash es al revés. El Clash sobrevive, se adapta: hay tantos Clash como voces dentro de tu cabeza, hay un Clash para cada cual. Miles de Clash. Siempre vos, siempre yo, siempre Clash. He visto miles de Clash, más veces de las que fui a bailar, escribir, chupar, tomar. El Clash saquea el tiempo, se queda con lo mejor de cada eternidad, trafica segundos, contrabandea minutos, hace copias ilegales de las horas, las multiplica por cien o por mil, y las regala más o menos a eso de las 2 a.m.. Por eso una noche en el Clash son mil y una noches. Podes ir todas las semanas y pasarla genial, o una vez y luego volver dos mil años después y la vas a pasar bien igual. Por eso lxs ganadorxs no encuentran el Clash, se pierden en su tiempo porque el ejército de la victoria tiene cada minuto minuciosamente organizado para ser más productivxs que felices. Nosotrxs ya vivimos en paz en nuestra derrota, perdimos muchas veces, escapamos, nos atraparon, volvimos a escapar. No importa el laberinto que nos propongan, siempre encontramos el Clash para tomarnos una y descansar de cada batalla que ni siquiera quisimos pelear. Por el contrario, el ejército de la victoria no podrá vivir en paz con su desastre, porque se derrumbará por sí solo, colapsará su losa radiante y no sabr��n cómo caminar con sus pies congelados. A diferencia de nosotrxs no tendrán donde vivir su derrota. Tan habituadxs a organizar su tiempo, a hacer rendir cada segundo, aún no se dieron cuenta de que el cáncer que los vencerá se alimenta de las horas contadas.
Acostumbradoalfindelmundolandia: linktr.ee/acostumbradoalfindelmundo
#acostumbrado al fin del mundo#clash#clash city rockers#destilar#horarios#reglas#diaspora#territorio#tiempo#segundos#minutos#horas#eternidad#noche#madrugada
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hii clash city rockers, i made a mick archive account on insta! it's called @beyondtheapplecart <3
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Omega Radio for January 23, 2013; #7.
Buzzcocks, The “What Do I Get?”
Fall, The “Rouche Rumble” (live)
Donna’s, The “I’m Gonna Make Him Mine (Tonight)”
Career Suicide “Ruin And Wreck”
Formaldehyde Junkies “PCP Fun Time”
Negative FX “I Know Better”
Regulations “Destroy”
Direct Control “Like It Fast”
Clash, The “Clash City Rockers”
Joy Division “Interzone”
Mars “Puerto Rican Ghost”
James Chance & The Contortions “Bedroom Athelete”
G-Jupitter Larsen & The Haters “Hermaphrodite Liberation”
Meat Beat Manifesto “Kneel & Buzz”
Harry Pussy “Showroom Dummies”
Ice “The Flood”
Great Falls “Another Starving Excuse”
Goes Cube “The Only Daughter”
Caspar Brotzmann & Page Hamilton “Head Hunter”
Public Image Ltd. “Seattle”
Marquee, classic punk, more punk, and noise rock.
#omega#music#playlists#mixtapes#punk#classic#noise rock#no wave#Public Image Ltd.#Harry Pussy#Mars#Joy Division#Clash#The Fall#Buzzcocks
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