#cjhienne
Explore tagged Tumblr posts
semioticapocalypse · 4 months ago
Photo
Tumblr media
Lola Álvarez Bravo. Frida Kahlo. Casa Azul, Mexico City. 1944
I Am Collective Memories   •    Follow me, — says Visual Ratatosk
712 notes · View notes
visualratatosk · 1 year ago
Text
Tumblr media
Collective memories VII, 5
Follow me, — says Visual Ratatosk
17 notes · View notes
semioticapocalypse · 6 months ago
Photo
Tumblr media
Gerhard Riebicke. Archer with Borzoi. 1930
I Am Collective Memories   •    Follow me, — says Visual Ratatosk
887 notes · View notes
semioticapocalypse · 5 months ago
Photo
Tumblr media
Peter Turnley. The Paris Metro
I Am Collective Memories   •    Follow me, — says Visual Ratatosk
491 notes · View notes
semioticapocalypse · 7 months ago
Photo
Tumblr media
Julie Higginbotham. Dog in car, Bondi. 1974
I Am Collective Memories   •    Follow me, — says Visual Ratatosk
106 notes · View notes
semioticapocalypse · 6 months ago
Photo
Tumblr media
Germaine Krull. Woman with dog. С. 1929
I Am Collective Memories   •    Follow me, — says Visual Ratatosk
73 notes · View notes
semioticapocalypse · 4 months ago
Photo
Tumblr media
Julie Higginbotham. Dog in car, Bondi. 1974
I Am Collective Memories   •    Follow me, — says Visual Ratatosk
40 notes · View notes
semioticapocalypse · 11 months ago
Text
Tumblr media
Mischa Pavlovsky. 2017
Follow my new AI-related project «Collective memories»
47 notes · View notes
semioticapocalypse · 9 months ago
Photo
Tumblr media
Spiros Loukopoulos. 2021
Follow my new AI-related project «Collective memories»
37 notes · View notes
semioticapocalypse · 11 months ago
Photo
Tumblr media
Elliott Erwitt. California. 1962
Follow my new AI-related project «Collective memories»
41 notes · View notes
semioticapocalypse · 10 months ago
Photo
Tumblr media
Tom Pirmantgen. The dogs would like to come in. New Bloomfield MO. 2023
Follow my new AI-related project «Collective memories»
34 notes · View notes
semioticapocalypse · 11 months ago
Photo
Tumblr media
Peter Dressler. S cyklu velký zájem. 1986
Follow my new AI-related project «Collective memories»
22 notes · View notes
visualratatosk · 11 months ago
Text
Tumblr media
Collective memories X, 7
Follow me, — says Visual Ratatosk
7 notes · View notes
visualratatosk · 4 months ago
Text
Tumblr media
Collective memories [animals; ambiguous and ungrammatical signs], 9
The term "collective memory" denotes the aggregate of memories, knowledge, and data that a social group holds, which is intrinsically linked to the group's identity. The term "collective memory" in English and its French counterpart "la mémoire collective" emerged in the latter half of the 19th century. Maurice Halbwachs, a philosopher and sociologist, further developed this concept in his 1925 work, «Les cadres sociaux de la mémoire». Both expansive and intimate social collectives can create, disseminate, and inherit collective memory.
Contrary to the term "collective memory," which is somewhat ambiguously defined yet generally accepted, the notion of "collective memories" is inherently problematic. Memories are the results of the individual acts of recollection, making the idea of "collective memories" paradoxical. Сontemporary diffusion models utilize vast amounts of often unidentified data, including historical and personal old photographs, vintage postcards, and other kinds of publicly circulating images. These models may be seen as involved in the prompts-driven singular acts of remembrance, producing images that paradoxically represent "collective memories," something otherwise unfeasible and ultimately, non-existent.
5 notes · View notes
visualratatosk · 4 months ago
Text
Tumblr media
Collective memories [animals; ambiguous and ungrammatical signs], 3
The term "collective memory" denotes the aggregate of memories, knowledge, and data that a social group holds, which is intrinsically linked to the group's identity. The term "collective memory" in English and its French counterpart "la mémoire collective" emerged in the latter half of the 19th century. Maurice Halbwachs, a philosopher and sociologist, further developed this concept in his 1925 work, «Les cadres sociaux de la mémoire». Both expansive and intimate social collectives can create, disseminate, and inherit collective memory.
Contrary to the term "collective memory," which is somewhat ambiguously defined yet generally accepted, the notion of "collective memories" is inherently problematic. Memories are the results of the individual acts of recollection, making the idea of "collective memories" paradoxical. Сontemporary diffusion models utilize vast amounts of often unidentified data, including historical and personal old photographs, vintage postcards, and other kinds of publicly circulating images. These models may be seen as involved in the prompts-driven singular acts of remembrance, producing images that paradoxically represent "collective memories," something otherwise unfeasible and ultimately, non-existent.
2 notes · View notes
visualratatosk · 4 months ago
Text
Tumblr media
Collective memories [animals; ambiguous and ungrammatical signs], 1
The term "collective memory" denotes the aggregate of memories, knowledge, and data that a social group holds, which is intrinsically linked to the group's identity. The term "collective memory" in English and its French counterpart "la mémoire collective" emerged in the latter half of the 19th century. Maurice Halbwachs, a philosopher and sociologist, further developed this concept in his 1925 work, «Les cadres sociaux de la mémoire». Both expansive and intimate social collectives can create, disseminate, and inherit collective memory.
Contrary to the term "collective memory," which is somewhat ambiguously defined yet generally accepted, the notion of "collective memories" is inherently problematic. Memories are the results of the individual acts of recollection, making the idea of "collective memories" paradoxical. Сontemporary diffusion models utilize vast amounts of often unidentified data, including historical and personal old photographs, vintage postcards, and other kinds of publicly circulating images. These models may be seen as involved in the prompts-driven singular acts of remembrance, producing images that paradoxically represent "collective memories," something otherwise unfeasible and ultimately, non-existent.
2 notes · View notes