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rafimalikus-blog · 5 years ago

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VIRTUAL REALITY IN GAMES

Virtual Reality has gotten exceptionally well known off late. The innovation utilized in computer-generated reality has been utilized beneficially for some employments. Augmented reality procedures are utilized on a wide scale to devise engaging games for individuals.

For all intents and purposes, genuine stages help individuals to participate in circumstances which they ordinarily can't be a piece of.

For example, everyone doesn't have the opportunity, vitality, will or the desire to be a mountain climber, all things considered. However, you can without much of a stretch be a mountain climber in a situation that is for all intents and purposes genuine.

You may need to wear a couple of goggles to feel some portion of a mountaineering crew and to feel and see the snow-capped mountains around you. Computer-generated reality reproduces a domain, make an environment with the goal that you feel a piece of them.

You'll have the option to ascend rocks, scale mountains, and arrive at the pinnacle of the Everest through computer-generated simulation.

You'll have the option to jump a few miles under the ocean and maybe arrive at Mariana's Trench through computer-generated simulation. You can really feel the perils and the rushes present in a situation controlled by computer-generated reality.

On the off chance that you ever fall into the middle of the Pacific Ocean and swim out alive, you'll need to recollect that you simply had a chance of a lifetime, that on the off chance that you fall in again, you probably won't be alive any longer.

Be that as it may, you can fall into any sea while you're participating in an essentially reasonable game the same number of times as you need and make certain to stay solid consistently.

Virtual Reality Entertainment

Aside from games, for all intents and purposes, genuine innovation finds broad application in the travel industry. Visitors are much of the time taken to film lobbies where computer-generated reality as cinemania has appeared to them.

They need to sit in agreeable seats and lash themselves to the seats with safety belts as the seats start shaking when the goliath screen in front wakes up with energizing or terrifying scenes.

They are truly made to feel as if they're strolling through prisons or woodlands in these 'computer-generated simulation' prepared film lobbies. They can hear the shrieks of wild creatures and can even feel them brushing by their sides. Such cinemania edifices exist in Singapore, Rome, and other hot vacationer goals.

Virtual Reality Ever, Science and Crime

For all intents and purposes, genuine innovation has numerous applications other than 'fun and diversion' applications. This innovation is utilized to reproduce past occasions and destinations for recorded and logical examinations.

Information about individuals and spots are first assembled before similar information is nourished into programming and frameworks that establish for all intents and purposes genuine innovation.

The product and frameworks help to reproduce circumstances as they were unique. Students of history and researchers can visit old surrenders and feel how Stone Age men lived with the assistance of practically genuine innovation.

Wrongdoings scenes can be re-made to utilizing for all intents and purposes genuine innovation and this may help police and analysts to fathom violations and distinguish guilty parties in the wake of understanding offenders' developments as they had been in the spot of the wrongdoing, upon its re-creation utilizing computer-generated reality.

Practically genuine innovation is likewise used, all things considered, in the field of medication for remedial purposes and for treating individuals with different appendage and different issues.

The well known Santimamine Caves of the Stone Age have been reproduced utilizing basically genuine innovation. Existing logical, geological, land and other information have been coordinated with the computer-generated experience innovation to re-assemble the caverns as they initially were.

Santimamine Caves offers you a chance to see the re-made Santimamine Caves that were once occupied by the Neanderthal men.

Virtual Reality in Business and Industry

Practically genuine innovation finds various applications in the realm of business and industry as well. With the assistance of reproduction, which is a fundamental piece of this innovation, new models and items can be fabricated.

Computer-aided design, CAM, and other scientific and building methods, which have a place with the space of augmented reality, are generally utilized in the car, maritime, aviation and in other assembling ventures to empower the structure of vehicles, boats, planes, and machines.

Tasks investigate, scientific demonstrating, measurable strategies, advancement systems, choice tree strategies, and reproduction are a few methods that are ordinarily used to empower precise basic leadership.

These systems devise close genuine circumstances and look for the ideal arrangements in those close genuine circumstances so those arrangements might be applied truly for taking care of operational issues and facilitating bottlenecks.

The hypothesis of likelihood in Mathematics is a method for deciding when a specific activity can happen in reality. Many astonishing building accomplishments have been conceivable simply because engineers have utilized essentially genuine innovation.

Basically, genuine innovation subsequently finds practically boundless application in the mechanical world as it builds up machine abilities, improve sequential construction system tasks, and henceforth increase work environment productivity.

Virtual Reality in Web and Video Conferencing

Computer-generated reality is additionally a term that is utilized for web and video meetings. There are a few networks and video conferencing programming accessible in the market today that empower ongoing on the web joint effort.

Chiefs can lead gatherings economically utilizing this product as a few people all over the world can go to a web meeting simultaneously.

There is no compelling reason to sort out expand gatherings, no compelling reason to burn through cash on booking scenes, on paying the airfares of a few meeting participants, on paying the convenience charges of out-station meeting participants.

Web and video conferencing improve worker profitability as it limits representative vacation, for example, working hours spent in voyaging.

Amazing Virtual Reality Software

At long last, the idea of computer-generated reality incorporates into its bailiwick, certain shrewd business and meeting programming, for example, Meeting Diary.

Meeting Diary is a virtual occasion supervisor and a virtual organizer that plans gatherings and meetings for your sake. Meeting Diary is an activity situated programming.

It drives you to rebuild your musings and realign your activities, streamline your undertakings and think imaginatively. It affects you to release your full potential in a restrained, methodical and objective arranged way.

It empowers you to arrange and consistently be one of the leaders in a quick-paced condition. It urges you to be a piece of the vanguard, any place you go.

Meeting Diary's an application that comes sans any sticker price. In spite of the fact that virtual and impalpable, it's a reality more strong than the PC or workstation you're utilizing, than the squares of the structure you're sitting in. It causes you to satisfy your aspirations and understand every one of your points, flawlessly.

Damien Ghosh is a productive author of articles that attention on innovation, places, and individuals. Damien has worked in various ventures, for example, the data innovation industry, the movement, and the travel industry and the retail business.

He has worked in a few ventures for blue-chip organizations, that are a piece of the IT, travel and the travel industry and retail enterprises. His work and his enthusiasm for voyaging have made his adventure all throughout the world.

He has driven huge work-groups to achieve business objectives effectively. His rich experience without a doubt causes him to compose widely. Damien composes for magazines, the web and for papers. His articles have gotten bunches of awards from pundits and perusers.

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fridaynightbordercrossing · 6 years ago

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IN LOVING MEMORY: OCTAVIO HERNANDEZ (1959 - 2015)

I was shocked when the phone ringed and got the call that told me the news of the death of the journalist, promoter, chronicler and music lover Octavio Hernández, a crucial character in this city on the rock music scene, as well as in cultural stances. Memories come to life again. . .

At that time, I began to listen to local radio programs, i was highly impressed by Octavio Hernández's incendiary verb in his nightly weekly radio show, El Arca de Neón, especially after the tragic suspension of a Maldita Vecindad show in the Palenque del Hipódromo.

Octavio from a young age decided his way through rock and after completing the academic part, he nourished himself with knowledge collaborating on Melod��a 10 Años, then newspaper Uno Más Uno, until he reached Signore, the Mexicanized version of Playboy, where he became famous for an incident with a music promoter at a festival in Acapulco who clocked him blindsided. At the reedition of the Avandaro Festival in 2006, I remember that when I greeted Octavio, he told me: "Do you believe what just happened?, this motherfucker thinks I forgot what he did to me in Acapulco and now he is even hugging me!".

His love for music and reasons of affection took him to the south of the American continent, where he saw the future of rock in our language and in Portuguese too. So, he came with a vision, and it was common that he inevitably spoke of the big bands like Soda Stereo, Enanitos Verdes, Os Titas, and Caetano Veloso, as well as his beloved Radio Futura and other sparkling artists. He arrived in Tijuana and began the take-off of the Arca de Neón which was a guide of the present and future through the frequency of Estereo Frontera 102. 5, until crossing the border, where he started with El Acordeón, the first rock publication in Spanish in the USA.

Contests and shows like Duelo De Rebeldes and La Frontera Aquí, the first visits from Maldita Vecindad, Santa Sabina, Social Security, Los Fabulosos Cadillacs and others, we promoted by him. His pen set fire to the pages of El Precipicio in Diario 29 and continued to connect to his land via Ciudad Rock En Español, La Jornada and other newspapers and magazines.

In 1994, when I published my first fanzine, I began to frequent the Punto de Vista magazine office, where I went and collaborated for three years with great friends. One day (already in 95) on Madero Avenue, I ran into Octavio, I introduced myself to him and he responded as always, in the way he spoke to everyone, with that characteristic adrenaline and his mouth overflowing words that sounded like wisdom to me. Months later alongside another unforgettable friend, Ricardo Alarcón, we were working details of what would be the Tianguis of Rock and Culture. Coincided that Octavio was his friend, so, consequently, we coexisted in this place and we begin to have more approach. The day of the tianguis, I remember him very happy, hugging everyone, eating his sandwich and chatting. I remember him saying to me: "I'm going to see if, in those that follow, I'll bring the old demos I have from bands like Fobia, La Maldita and others".

One day, he invited me to collaborate on an event he was promoting, and we had a previous talk at the Rubén Hood, that little bar in the parking lot of Arena Tijuana 72. I accompanied him and another friend of his. We talked about a lot of stuff in music, but the most interesting thing was his painful story of the day of the tragic earthquake of 85, which changed his life completely, of his pain for those he lost. At that time, I had a social life, I moved everywhere as I pleased and coincided with my friends. He was a vital and necessary presence in events, for all of us. I remember the Festival of Alternative Culture, where he shouted to me "get off the stage" or his crazy turns with a bottle in hand in his beloved stage at Mexitlan while Los Enemigos took the stage. I'm sure that my writing style copied (or stole) his words, his ways of writing and even the way he always nervously walked around in events, as I saw when he brought legends like Pappo Napolitano, Ratones Paranoicos and Voodoo Glow Skulls, among others. And I forgot, he connected me to be interviewed for a documentary about the border scene for French television, I have never seen that show.

He offered two workshops related to the culture of rock in the CECUT, one by himself, and another with journalist Delia M, I remember that one when my good friend Humberto Huerta and me finished at her house in the Zona Norte at the end of the workshop. Octavio later crossed the street only when Estéreo Frontera took El Arca off the air abruptly, so he was offered to move to Stereo Amistad 99.7 in what I consider one of the best times for rock radio on the border, as they listened to their audience and took local rock music and was part of the daily rotation. I constantly called the show on the air, which was transmitted on a small table with a green tablecloth. Over time, Octavio was given control of the nights at the station and Corazón Eléctrico was born, the first attempt to have an independent alternative radio station, but, the new management ended the project due to "lack of rating and sales", as the new manager of the radio group commented directly to me on a phone call, when I innocently called to complain.

Octavio's path took him to La Banda Elástica Magazine, where he excelled covering all the ways of rock on the border. California and Tijuana were as one, opening the gates to bands of both sides...until one day at the Cecut announced his departure from the magazine, which, put some harsh distance between both sides, which was manifested in subsequent numbers related to rock history in Tijuana and USA on LBE. He wrote some essays about that in Perdidos En La Linea, Lumbre and others, until he landed a spot on Retila Magazine, where he was set up as the editor and assembled his dream team, I was included, the greatest honor for me, alongside with some of the best writers ever, but, the dream was short as the magazine ended after the economic crisis derived from an event that the magazine organized and was a disaster. we only work three numbers, but was incredible.

It was the stage where we hang out the most and had great mutual respect. He interviewed me for one of his most famous articles, Tijuana Mesopotamia, which was the title of his first chronicle book, where the text also appeared, previously published in La Jornada. I got the book and I appear in the acknowledgments. His pen appeared in a trendy magazine called Lumbre, which was a pretext to coincide in a night where we had an incredible gathering together with another dear friend, Ejival and other friends. He also wrote in No Cover, but only for the first edition.

Many of the stories that he wrote, I will reveal that they were versions, let's say, light, of how the events he wrote about happened, but his use of vocabulary to make the stories enjoyable is what I take away from...it's going to hurt remembering when he would stare at me and touch my head and tell me "pinche Rincon, you are quite a character" or his traditional "how are you, maestro?". He continued to collaborate with media such as Circulo MixUp, Cinemania and alongside his beloved friend Charly Alberti on yeyeye.com.

Suddenly, life changed. I remember he had a serious health problem, and after that, we met again when Roy Villela from Oxigeno Rock Shop called us to a magazine project. We met outside the Box Underground venue, and that day, there was a show featuring a band from Ensenada called Blue Mind. Suddenly, Octavio asks me if the man who was standing at the door was Raúl Ramírez, the famous and legendary Mexican tennis player, I say yes. Immediately he got up and went to greet Mr. Ramirez, who was accompanied by his wife, Miss Universe 77 Maritza Sayalero. Octavio reminded Ramirez of the wonderful afternoons with his usual dynamic, citing his legendary rivals as Jimmy Connors and Vitas Gerulaitis, but above all, his vibrant triumphs against the elite before a Ramírez who listened to him with pleasure and surprise. He went back to radio, at the now Fusion 102.5 for two more stints of El Arca De Neon, being the second the lengthiest one, finally, after all these years I went a couple of times, as that was something I put on the bucket list.

In recent times, he spoke more of the past than of the present, very little of the current market. He spoke of seeking to bring veteran artists of blues and old school rock to perform around here. He brought for shows bands like Santa Sabina (their last show before the passing of singer Rita Guerrero), La Barranca and Rubén Albarran from Cafe Tacuba. Worked a lot with the Interzona Festival and was featured on Canal 12 Televisa Tijuana on the Fusión TV show. We returned to coincide by mutual friends when he launched the Tijua Neo magazine alongside the journalist Fernando Del Monte, but issues made Del Monte leave the project. Later, he would leave El Arca show forever in harsh circumstances, however, he was able to return later to the show and others on the same station as a guest. I was invited to write for Tijua Neo in some issues, but then, for a series of stuff, we stopped talking for about three years. We never had any difference openly, but when we saw each other, I know there was some small tension, we agreed that it was already past and that we should start over.

We met in person in January of 2015, we greet in my frustrated birthday event at the TJ Arte y Rock Cafe, and we said goodbye with a hug, as always. He told me that he knew we were going to work on something soon. The last contact we had was by a Facebook message, he invited me as a judge to the TIM band contest, but my time did not coincide because of the workshop I was working on at the time, so I declined...I did not think that he would die, I never imagined that. I knew his pain for his partner Rosalba and her health problems, but he was motivated by love, beer and for culture. It is worth mentioning that in his recent messages, he asks us to support local rock always.

Never assume that what we see today, will be tomorrow. Octavio, I admire you, I respect you and I love you, I remain with your direct and indirect teachings, with your words of appreciation, with your influence.

Thanks and see you soon, very soon, I hope not to be late.

(Text originally published on the AudioTijuana blog in Prenser and republished in the electronic magazine En Tijuana).

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I also would share the text in relation to an event-tribute that took place in 2014. He asked me to wrote it, since he tought i was the only one that knew more about his work. This was featured on El Mexicano newspaper :

ARCABUZ: A Tribute to Octavio Hernández, The Border Rider of Rock.

Octavio manifested his love for music from a very young age. His contact with rock was being notorious, being astounding with the live performances of bands that made history and are now legends, that marked him to get involved in journalism in his native Mexico City, where after from his beginnings, he learned the art of chronicling and musical criticism alongside respected characters like Víctor Roura in the pages of Melodía: Ten Years Later, Uno Mas Uno and at the beginning of La Jornada, then he would put his talents to work for Signore (the first Playboy Mexico magazine) and other publications would give him a unique and special place in national journalism.

Along with his first wife Rosvita he traveled to South America. In Brazil. he saw the jubilant scene of emerging artists, while on the streets of Argentina, he learned where the future of Latin American rock would come, from groups like Soda Stereo, but his life destination would change, as he arrived in 1988 in Tijuana, where he saw the enormous potential that the city had to be considered the spearhead of a musical movement, but also, he discovered that California was another hotbed for bands and media, so, he stayed here.

He made history by being a great influence on the radio through the Arca De Neon show in its various stages at Estereo Frontera 102.5, Stereo Amistad 97.7 and Fusion 102.5, and also, crossed the border to team with Dave Stampone - from the university radio station in San Diego ( KCR) - to make a prodigious binational simulcast. In Stereo Amistad, he promoted one of the first commercial radio projects dedicated to rock music called Corazón Eléctrico, something that deserved better luck. In Los Angeles, together with Enrique Blanc and Omar Márquez, he edited the first publication dedicated to rock in the Spanish language called El Acordion, it became a vital part of the roots of La Banda Elastica Magazine, where he was featured later.

With his pen, he later became editor of Retila Magazine ("the rival" of La Banda Elastic in Los Angeles) and discovered the new cyber ways alongside YeYeYe.com and also collaborated in prestigious publications here and there such as Circulo Mix Up, Pulse Latino, Lumbre, La Olla Express, Bitácora, LA Weekly, La Opinión, No Cover in Spanish, Identidad and Guitar Player, among others.

As a promoter of concerts, he provoked electrical miracles such as the contest Duelo De Rebeldes (binational rock contest, thanks to which the new Tijuana music appeared on the cover of the San Diego Union-Tribune) and the first appearances in the city of Maldita Vecindad, Santa Sabina, Los Fabulosos Cadillacs (whose debut was in Tijuana and not in Mexico City), Seguridad Social, La Lupita, Pappo Napolitano, Ratones Paranoicos, VooDoo Glow Skulls, La Barranca and others. From then on, he never stopped opening roads.

His chronicles and articles have been published in two amazing books, Tijuana-Mesopotamia, Crónicas y Otros Latidos and Cornucopia, Periodismo Sonoro y Anexas. On television, he appeared with his music section in the cultural program Fusion for Televisa Tijuana and is the director and editor of the cultural magazine TijuaNeo, where he demonstrates that his passion for rock is not at odds with his vast general culture. These stages, he lived them with all the same intensity that his heart had for his life partner Rosalba.

He has been found on the road those who are legends and those who could be. With nocturnal adventures accompanied by the inevitable cold beer, or the sun to the fullest, he always talks anecdotes and stories that seem fantasy and those, written, take a much more mystical dimension. He is one of the most transcendental characters of our border.

#Tijuana #radio #journalism #culture #rock

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