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musicverse11 · 13 days ago

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The Art of Playback Singing: Lessons from Yasser Desai

Music has the power to touch lives, evoke emotions, and create lasting memories. One artist who has mastered this art is Yasser Desai, a name synonymous with soulful melodies and heartfelt lyrics in the Indian music industry. Rising from humble beginnings in Mumbai, Desai has crafted a niche for himself in Bollywood playback singing, earning millions of fans with his versatile voice. Let’s dive deeper into the inspiring journey of Yasser Desai and the elements that make him one of the most loved singers of his generation.

Early Beginnings and Musical Aspirations:

Yasser Desai was born in Mumbai, Maharashtra, and from a young age, music resonated with his soul. Encouraged by his family, Desai began exploring his passion for singing at the age of 11. Unlike many artists who step into the limelight with immediate recognition, his journey was marked by perseverance and a commitment to honing his craft. He faced initial challenges common to the music industry but remained steadfast in his pursuit of excellence.

Desai’s formal entry into Bollywood came in 2016, a year that marked the beginning of a prolific career. His songs “Main Adhoora” and “Mere Peeche Hindustan” from the movie Beiimaan Love showcased his unique ability to convey deep emotions through his voice. His vocal timbre, coupled with his capacity to adapt to various genres, made him a standout performer almost instantly.

Bollywood Breakthrough and Chart-topping Hits:

One of the most defining moments of Yasser Desai’s career came with the release of “Naino Ne Baandhi” from the movie Gold. The song, composed by Arko Pravo Mukherjee, was a melodious masterpiece that brought Desai widespread recognition. His soulful rendition earned him the prestigious Zee Cine Award for Best Male Playback Singer in 2019, cementing his status as a rising star in the Indian music industry.

Over the years, Desai has delivered numerous hits that showcase his versatility. Tracks like “Makhna” from the film Drive, “Aankhon Mein Aansoon” from Aashiq Banaya Aapne, and “Pallo Latke” from Shaadi Mein Zaroor Aana are just a few examples of his range. Whether it’s romantic ballads, peppy dance numbers, or heart-wrenching melodies, Desai has proven that his voice can adapt to any mood or genre.

Why Yasser Desai Stands Out:

Several factors set Yasser Desai apart from his contemporaries. First and foremost, his ability to connect with the audience on an emotional level is unparalleled. Every note he sings carries a depth that resonates with listeners, making his songs timeless.

Another key aspect is his dedication to his craft. Desai is known for his rigorous practice sessions and his commitment to constantly improving his skills. He collaborates closely with music directors to ensure that his voice complements the composition perfectly. This level of professionalism has made him a favorite among composers and filmmakers alike.

Desai’s adaptability is another reason for his widespread appeal. In addition to Bollywood, he has lent his voice to web series, regional films, and independent music projects. This willingness to explore different avenues has not only broadened his repertoire but also allowed him to reach a diverse audience.

Impact on Fans and the Music Industry:

Yasser Desai’s influence extends far beyond the music charts. For his fans, he is more than just a playback singer; he is a source of inspiration. His songs often serve as the soundtrack to their lives, accompanying them in moments of joy, heartbreak, and introspection.

Within the music industry, Desai is seen as a trailblazer for young artists. His ability to balance commercial success with artistic integrity is a benchmark for aspiring singers. By staying true to his roots and continuously evolving as an artist, he has set an example of how perseverance and passion can lead to greatness.

A Promising Future:

As Yasser Desai’s career continues to flourish, the future looks incredibly bright. With numerous projects in the pipeline, including collaborations with top composers and filmmakers, Desai is poised to reach even greater heights. His fans eagerly await each new release, knowing that it will carry the same sincerity and brilliance that have become his trademark.

The digital age has also opened up new opportunities for Desai to connect with his audience. Platforms like YouTube and Spotify have allowed him to reach a global fanbase, further expanding his influence.

Conclusion:

Yasser Desai journey is a testament to the power of passion, resilience, and hard work. From his early days of struggle to becoming one of Bollywood’s most cherished voices, Desai has proven that talent combined with dedication can achieve extraordinary results. His ability to touch hearts with his music ensures that his songs will be cherished for generations to come.

As listeners, we are fortunate to witness the evolution of an artist who continues to redefine the boundaries of playback singing. Whether you’re a longtime fan or discovering his music for the first time, Yasser Desai’s melodies are bound to leave an indelible mark on your soul.

What’s your favorite Yasser Desai song? Share your thoughts in the comments below and let us know how his music has touched your life. Discover the magic of Yasser Desai’s voice by streaming his latest hits today on Spotify, YouTube, and other music platforms. Let his melodies become the soundtrack to your life!

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cinecitystudio · 1 year ago

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The Do's and Don'ts for Pre Wedding Shoot

A prewedding shoot is an essential part of capturing the beautiful moments before the wedding day. It serves as a precursor to the main event, allowing couples to express their love and excitement through stunning photographs.

When it comes to prewedding shoots, there are definitely some do's and don'ts to keep in mind to ensure a memorable and enjoyable experience. Here are some guidelines for you:

Do's:

Communicate with your photographer: Discuss your preferences, ideas, and expectations with your photographer beforehand. This will help them understand your vision and capture the shots you desire.

Photographer is a person who can guide you through all the process while selecting location, outfits, poses, etc.

Choose a right location: Select a location that holds significance for you as a couple, plus offers you comfortable environment for the shoot. The choices can be outdoor shoot on natural locations versus shooting at specially designed prewedding shoot studios. Studios offer variety of sets & backdrops, make up rooms, other facilities, and everything that is required for a great shoot.

Don’t forget to check out Cine City Studio https://cinecitystudio.com/

Dress comfortably: Wear outfits that make you feel confident and comfortable. Choose clothes that complement each other and match the style of the shoot. Carry some outfit options for variety in your photos.

Your outfits depend on prewedding shoot concept you choose. Read out our blog on prewedding shoot concepts.

Plan your props and accessories: Based on the prewedding shoot concepts you choose, if you wish to include props or accessories in your shoot, plan them in advance. Props can add interest and personalization to your photos and planning them well in advance will help.

Be yourself: Relax and enjoy the moment! Natural and spontaneous moments often make for the best photos. Don't feel pressured to pose perfectly, as candid shots can capture the genuine emotions between you and your partner.

Remember, the purpose of prewedding shoot is to create everlasting memories and capture them in the camera. So, be yourself and be confident.

Don'ts:

Don't be too rigid: While it's good to have an idea of the shots you want, don't be too rigid or focused on achieving perfection. Allow your photographer to be creative and capture your spontaneous moments.

Just brief your photographers beforehand on the type of output you expect, but on the shoot day, leave everything to them and enjoy your moments.

Avoid overcrowding: If you decide to bring family or friends along for the shoot, be mindful not to have too many people present. This can be distracting and make it difficult for you and your partner to relax and focus on each other.

You both, your photography and make-up team and if required, a friend or sibling shall be enough to take along.

Don't be too self-conscious: Remember, this is a special moment in your relationship, and it's important to embrace it. Try not to worry too much about how you look or whether you know how to pose perfectly. Trust your photographer's direction and enjoy the experience.

Don’t have too many outfit changes: Many photographers mention this biggest "don't" - too many changes in a day most likely always ruin a shoot. The amount of time taken to change clothes and putting on makeup almost always eats up in to the time allocated for the images! So, it’s wiser to plan a limited set of outfits, discuss it beforehand with photographer and share them the photos of outfits so that they come prepared.

Read out our blog on pre-wedding outfits.

Avoid last-minute planning: Proper planning is essential for a successful and memorable prewedding shoot. Avoid leaving things to the last minute, such as choosing locations, outfits, or props. Plan ahead to ensure everything runs smoothly and you enjoy the moment.

By following these do's and avoiding the don'ts, you'll be well-prepared for your prewedding shoot and will get beautiful photos to cherish for a lifetime. The bottom-line is - relax, and just have fun!

#preweddingposes #preweddinglocationinmumbai #preweddinglocations #preweddingphotography #prewedding #preweddingshoot

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555-makeawish · 1 year ago

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So it's been a while. I wanted to make these weekly but oooh time passes me by babeyyyy.

For real.

One thing I've realized is that I take a loooot more time than other people to /process/ stuff. Whatever it might be, a crush, a fight with a family member or even an acquaintance, new topics to learn, CLEANING, I will need two days minimum to actually start doing/reflecting/whatever. I've literally counted the days. It's two, minimum. I don't know what to do with that info.

So, in the meantime I've literally consumed so much content that I have some to bring here.

I'm still listening to newjeans, a LOT. I don't know really know a lot about them but what I do know is that they can make a tune!! What's ur ETA!!

Look at this. Me atrapaste, es cine

Also. I've been thinking about painting my door white. I have to buy the stuff but in my country we have a three day holiday so I'm not gonna be able to buy anything until TUESDAY. I might just lose interest.

I know it's not gonna look /exactly like this/ but *will graham voice* this is my design. It *is* cute.

I also have some ideas that I would like to make time to do eventually.

- practice css (I picked it up a couple of months ago, panicked and left my vsc and my neocities to rot).

- learn to make eclairs. with those little metal things that give them shape. (I don't have them... If I have some money left from the paint I just might buy them). My idea was to make a list of recipes and learn them "in order" but I don't have the first idea about patisserie so I'll just search by vibes.

- finish my popcorn stitch pouch. Like I started BUT I don't have enough yarn, and knowing me I'd leave it for another two days before I even start thinking about going to the store. It's so cute even though I only made one row 😭😭😭😭 I wanted to do the tulip thingy that was popular at one point but I don't have green yarn 🤪🤪

Soooo, enough of me for this week (?) Obviously I did more normal stuff (partially true) but I'm not telling!!

Love,

Nana

#diary #Spotify

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peregrinaworld · 5 years ago

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https://alainfabiendelon.blogspot.com.ar #alaindelon #nathaliedelon #star #stars #cine #cinema #love #couple #family https://www.instagram.com/p/B4i4zeRH8n8/?igshid=vhqmls37relx

#alaindelon #nathaliedelon #star #stars #cine #cinema #love #couple #family

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shortyisweird9 · 4 years ago

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'Lonely ghost serie'

Chek and heartache- part III

Tw⚠️:swearing, referring of dark themes such as suicide attempt and mental illness.

The morning rays hit your eyes gently, tangible by their warmth,as you forced yourself from another dream of nothing but blank.

You groaned as your cat,Didi, comes running towards you: purring, meowing and chirping in pure happiness. You knew the reason she does this; your previous cat, Martha or Dildo- your roommate Sergiu called her that because of her dickish attitude with him- used to do this everytime so the little one, Didi, just followed her mother's lead.

Everytime she does that is like a small needle stabs at your heart especially when just 2 weeks passed since Martha died of old age- the black cat was adopted when she was senior, abused and malnourished, your heart knew you couldn't leave her to be laid to rest like a nothing. You adopted her, she bit you and you petted her, she hissed you hugged her, you did everything you could think of to show love even brush her fur with a wet toothbrush end to mimic sweet kisses coming from her mom. The cat soon realized that and started living again. Cautious of your other 3 roommates, cuddly with you.

Anyway, you got sidetracked with reminiscing. You heard your friends in the kitchen, Sabrina throwing away the take out boxes and Sergiu preparing some tea, probably to calm his stomach after all the spicy curry he ate last night.

You fixed the oversized white t-shirt and pull the marine blue shorts out of your bottoms, Didi already waiting you by the door.

You all, Sabrina,Sergiu,Ace and you, live in a quaint apartment, turned from campus housing, right next to one of the malls of the city. It had two small bathrooms, a living room , three petite bedrooms ,a tiny kitchen, a rounded balcony and a hallway. It was much smaller than your family home but it was in a central zone where your family home was outside the city's boundaries. You chose it not only because you wanted to spare your family from driving you to university but also because you needed your freedom, your space. Your parents were very understanding of that.

-Y/n e trează? ( "Is Y/n awake?") Ace asked as he sipped on his black cofee.

Without, he would pretty much be a grumpy hedgehog with spiky tealish mohawk. And who wouldn't love that?

-Nu încă, ah! Uite-o! ("Not yet,ah! There she is") Sabrina exclaimed, getting up to hug you and leaving the smoking tea cup by the window.

"Hello." You said ,voice grungy and eyes shut from the light.

You felt the warm hands of your Arabic friend on your face filled with moles and couple of marks from recently popped pimples, you let yourself be engrossed into it ,the touch starvation you carry like a cross chosing for you.

You hear her laugh, she always had a pretty laugh and a prettier smile . She was the beauty of the group, with big puffy sand yellow curls, brown skin with red undertones and black eyes who glow in pure happiness. She was stunning and a sweetheart with an obsession on the colour red and butterflies.

"Someone is needy." Ace teased.

"Shut up or I will staple those hair triangles on your scalp. "

You wanted to say something better but Sabrina then started massaging your lower face in a circular manner with her thumb. You knew you couldn't do anything anymore except melt.

-Anyway ,unde e Sergiu? ("Anyway, where is Sergiu?")

-Ți-o făcut ceai, cane e pervaz. S-o dus până sus să o ajute pe Florentina.("He made you tea, the cup is on the windowsill. He went upstairs to help Florentina.") He said, taking another sip of his cup.

-Ooooh, Florentina. You two began as Ace shook his head in amusement.

You and Sabrina were known to be ruthless in your teasing of the guitarist with long brown locks and beard.

Florentina was a crush of his, a freshman in the University of Arts who played the violin beautifully. Small,with olive skin, long red hair keept in a 1960s hairstyle and green petite with a triangular shaped face. She was a sweetie with a love for fantasy book ,autumn and ferrets.

-Oh, yeah?

-Dup, iubitul ei se mută cu ea. ("Yup, her boyfriend moves in with her")

-Oh.

Ace sucked in his lip ,his face filled with disappointment just like theirs now.

-That sucks.

-Numai spune,Sabrina.("You don't say,Sabrina")

Just then, the door clicked shut. Sergiu is back, this will be awkward.

-Ce vă uitați așa la mine?("Why are you looking at me like that?")

Neither of them could properly looked into the warm brown eyes of the man whose glow seemed to fade a bit, Sergiu was a stubborn man who shut his feelings deep inside, only through his song you could tell he was suffering. Just like you, I suppose.

-Am auzit...("We heard...")

You bit your lips as your long fingers played with each other, twisting and tugging while your nerves grew. Last thing you wanted was another fight where you all force the man to open up. He had suicidal tendencies, sometimes he came too close to actually do it but you were there and you needed to be there now too, even if he doesn't like being taking care of.

Sergiu rolled his eyes at you, his heart hurt from how rigid your posture was, eyes were worried about him but also scared, teeth grinding themselves not out of anger but out of care and fear.

He knew you hated arguments and shouts with dying passion. You always cried when someone raised their voice in less than friendly manner, you hated this reaction of complete terror, you hated looking weak but now you hated letting your friend burn himself because of an unfortunate love triangle. So you swallowed your nerves and braved on, it's about him ,not you.

Sergiu wanted to protect you all from this negativity, especially you and Ace. You had a big event to organise , Ace's sex reassignment surgery is coming up soon. You both have your own problems to dwell ,you didn't need to have him as one too.

However somewhere in his head, a voice telling him that he was wrong ,that voice that took the shape of you in the night of July.

You were crying, your grey hoodie wet from the rain as you cling desperately to him, not daring to move.

He was the reason why you crying, why you yelled profanities our of worry for what he was about to do. He...He tried to throw himself off a bridge ,the same bridge you two first shared your kiss.

That dark episode still irked your minds in the darker moments, late in the night nothing but your mind to keep you company and that's torture in itself.

You thought you could help him, change whatever hurts him and make it go away. That was your biggest mistake, you can't change a person that's not your duty , your duty was to support them through tough times and help them see the light at the end of the dark tunnel. A duty you solemnly swore to uphold even if he didn't liked you to. There's no fucking way you let him do that again,not if you can be there for him. Like he was always there for you, your big guardian with a guitar that spews flames in shape of songs.

-Y/n..

-Te rog, Sergiu. Nu ascunde. ("Please, Sergiu. Don't hide.")

Your eyes were desperate for him to talk it out in any shape or form. They implore for him to vent, to not hid between fake lies like " I am okay" or "I'm fine."

-Bine,bine. Tu ești șefa. ("Fine,fine. You're the boss.")

————————————————————

They talked and talked and cried and laughed and cried again. A never ending circle of venting ,small earthquakes which instead of fracturing the friendship , it onlyakes it stronger as it should.

-Te simți mai bine?("You feeling better?") Your voice ran timidly on the top of your apartment building, watching over the brutalist styled architecture.

-Un pic, doare știi dar asta îmi arată cât de îndrăgostit sunt de ea. Iubirea adevărată pentru mine nu se referă doar la a iubi doar dacă te iubește reciproc, nu , să iubești fără să forțezi persoană să te iubească înapoi. Să îi porți de grijă, să o protejezi, să o ajuți fără să fi un egoist, fără să te aștepți să fi iubit înapoi. ("A little, it hurts you know but this shows how much I love her. True love for me doesn't mean to love just so they will love you back, no, to love someone without forcing them to love you back. To care for them, to protect them, to help them without being an egotistic, to love without expecting to be loved back.")

-Poetic.

He laughed at that , starring at the setting sun ,his lit cigar forgotten fumed between his painted fingers. His hair blown gently by the wind , he looked like a masterpiece.

-Scuze..pentru tot.("Sorry...for everything. ")

-N-ai de ce. Mi-ai făcut chec până la urmă așa că balanța eternă este restabilită.("You don't have a reason to be. You made me chek in the end and thus the eternal balance is restored.") You joked, munching quietly on the piece of cake, his jacket keeping you warm.

-Haha. Cine ar fi crezut că checul are fi o gustare bună când îți dai vent.("Haha. Who would have thought that chek will be a good snack when you vent.")

Indeed, who would have thought of that but one who cried in the sore days filled with heart ache.

————————————————————

Hey,guys!💖

Hope you like the third part of the serie, I wanted to focus on "your life" and your friends backgrounds this time. The translations are not 100% word to word but enought to give you context.

Anyway, I hope you like it. Stay safe!

Tagged 💗💗:@moolujk @gaysludge @simonsbluee @yoyoanaria @cherry-piee @magenta-skyline @yikesyikesyikes95

#corpse husband x reader #fanfic #hopefully not cringy #lonely ghost serie

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verifiedaccount · 5 years ago

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25 more movies (and one miniseries) you can watch on youtube

I posted 11 movies that are on youtube yesterday (Part 1) but since things are really starting to get shut down here’s more worthwhile movies and a miniseries you can watch for free on youtube right now

Leave Her To Heaven (1945): Gene Tierney is Ellen, a woman whose only crime is “loving too much,” and also all the other crimes she commits to make sure there are no competitors for husband Cornel Wilde’s affections in John M. Stahl’s incredibly lurid and entertaining technicolor melodrama.

M (1931): Fritz Lang’s masterpiece is the basis for every subsequent movie about hunting a serial killer and it’s still the best one.

The Naked Kiss (1964): Here’s the jacket copy from Criterion: “The setup is pure pulp: A former prostitute (a crackerjack Constance Towers) relocates to a buttoned-down suburb, determined to fit in with mainstream society. But in the strange, hallucinatory territory of writer-director-producer Samuel Fuller, perverse secrets simmer beneath the wholesome surface. Featuring radical visual touches, full-throttle performances, brilliant cinematography by Stanley Cortez, and one bizarrely beautiful musical number, The Naked Kiss is among Fuller’s greatest, boldest entertainments.”

Underworld USA (1961): Dave Kehr on the film: “Sam Fuller's harsh, obsessional 1960 crime drama is narrated in the style of a comic book gone berserk. Cliff Robertson is the neurotic hero, bent on avenging his father's death by infiltrating and destroying a crime syndicate that operates under the redolent name “National Projects.” Corruption is all-pervasive in this vision of America, and Fuller disturbingly suggests that only a madman can make a difference. One image from Underworld—of a heavy striking straight at the camera—prompted Jean-Luc Godard to describe Fuller's films as “cinema-fist.” There is no more apt phrase.”

Pickup on South Street (1953): Another Sam Fuller. Here’s Georgia Hubley of Yo La Tengo on the film: “Richard Widmark manages to portray himself as twisted, conniving, pathological, sleazy, tragic, vulnerable, and handsome all at once in most of the movies I’ve seen him in, and never more exquisitely than in this, one of my favorite film noirs.“

Journey to Italy (1954): Richard Brody on the film: “One of the most quietly revolutionary works in the history of cinema, Roberto Rossellini’s third feature starring Ingrid Bergman (his wife at the time), from 1953, turns romantic melodrama into intellectual adventure. [...] From Rossellini’s example, the young French New Wave critics learned to fuse studio style with documentary methods, and to make high-relief drama on a low budget.”

The Spook Who Sat By The Door (1973): A satirical thriller based on the Sam Greenlee novel about the CIA recruiting a token black agent who quickly realizes they have no intention of letting him advance to a meaningful position and decides to head back to Chicago to teach the black revolutionaries all the latest guerrilla warfare tactics. Despite playing to packed houses the film was quickly pulled from theaters with little explanation and remained out of circulation until a DVD was issued in 2004.

The Big Combo (1955): Dave Kehr’s capsule: “This 1955 film noir borders on total abstraction for most of its length and then achieves it in an astonishing final scene—a shoot-out in the fog that suggests an armed and dangerous Michelangelo Antonioni. Where the usual noir takes place in a nightmare world, this one seems to inhabit a dream: there's no longer fear in the images, but rather a distanced, idealized beauty. With Cornel Wilde, Jean Wallace, Brian Donlevy, and Richard Conte; the director is Joseph H. Lewis (Gun Crazy).”

The Stranger (1946): Orson Welles’s film concerns an FBI agent (Edward G. Robinson) tracking Nazi war criminals whose search takes him to a small Connecticut town where the local schoolteacher (Orson Welles) is not what he seems. It’s the most conventional Welles film, reportedly intended to prove he could turn in a movie on time and on budget, but it’s still plenty entertaining.

F For Fake (1973): Orson Welles documentary/essay/whatsit about forgers and frauds, specifically Elmyr de Hory, who became famous as an art forger because instead of forging existing paintings he painted new ones in the style of famous artists, and Clifford Irving, who wrote a best-selling book on Elmyr and then was busted for a fraud of his own, the fake Howard Hughes autobiography. A wildly enjoyable, incredibly edited, one of a kind mindbender.

Citizen Kane (1941): It’s Citizen Kane. You just have to put up with hardcoded Korean subs.

Detour (1945): Roger Ebert on the film: “Detour is a movie so filled with imperfections that it would not earn the director a passing grade in film school. This movie from Hollywood's poverty row, shot in six days, filled with technical errors and ham-handed narrative, starring a man who can only pout and a woman who can only sneer, should have faded from sight soon after it was released in 1945. And yet it lives on, haunting and creepy, an embodiment of the guilty soul of film noir. No one who has seen it has easily forgotten it.”

A Woman Under The Influence (1974): Dave Kehr: “John Cassavetes's 1974 masterpiece, and one of the best films of its decade. Cassavetes stretches the limits of his narrative—it's the story of a married couple, with the wife hedging into madness—to the point where it obliterates the narrator: it's one of those extremely rare movies that seem found rather than made, in which the internal dynamics of the drama are completely allowed to dictate the shape and structure of the film. The lurching, probing camera finds the same fascination in moments of high drama and utter triviality alike—and all of those moments are suspended painfully, endlessly. Still, Cassavetes makes the viewer's frustration work as part of the film's expressiveness; it has an emotional rhythm unlike anything else I've ever seen.”

Opening Night (1977): Another Cassavetes masterpiece, again starring the great Gena Rowlands, with Gena as an actress mentally disintegrating as she tries to prepare for an upcoming play. Easier to start with this one than A Woman Under The Influence. Richard Brody on the film: “Though there isn’t a movie camera anywhere to be seen—and Cassavetes, with his tightly sculpted, uninhibitedly intimate images, is a master of the camera—Opening Night captures with astonishment and boundless admiration the uninhibited ferocity of the art that brings life onto the screen. (In fact, Cassavetes had originally planned to take the role of the play’s director.) It’s one of the greatest tributes ever paid by a director to an actress.“

Magnificent Obsession (1954): It’s not necessarily Douglas Sirk’s best technicolor melodrama but this adaptation of Lloyd C. Douglas’s ridiculous bestseller is the most melodramatic one. From Cine-File: “Produced in the wake of Henry Koster's CinemaScope adaptation of Douglas' THE ROBE, Sirk's 1954 remake of MAGNIFICENT OBSESSION is, by any standard, an absolutely batshit movie. (It's the kind of film where a lecture about the radical power of kindness compares the crucifixion of Christ to the act of turning on a light bulb.) It's not so much an adaptation of Douglas as a third-hand amplification of his aura. "Ross Hunter gave me the book," Sirk recalled, "and I tried to read it, but I just couldn't. It is the most confused book you can imagine.” As Geoffrey O'Brien asserts in his essay for the film's Criterion release, Sirk earnestly examines that which he admits to finding absurd, forcing such questions as, "What if this weren't crazy? What if it were real? What sort of a world would that be, and how different would it be from the one we inhabit?" Therein lies the genius of Sirk's glorious melodrama, one certainly worth seeing in all its Technicolor magnificence.

All That Heaven Allows (1955): Geoff Andrew on the film: “On the surface a glossy tearjerker about the problems besetting a love affair between an attractive middle class widow and her younger, 'bohemian' gardener, Sirk's film is in fact a scathing attack on all those facets of the American Dream widely held dear. Wealth produces snobbery and intolerance; family togetherness creates xenophobia and the cult of the dead; cosy kindness can be stultifyingly patronising; and materialism results in alienation from natural feelings. Beneath the stunningly lovely visuals - all expressionist colours, reflections, and frames-within-frames, used to produce a precise symbolism - lies a kernel of terrifying despair created by lives dedicated to respectability and security, given its most harrowing expression when Wyman, having given up her affair with Hudson in order to protect her children from gossip, is presented with a television set as a replacement companion. Hardly surprising that Fassbinder chose to remake the film as Fear Eats the Soul.“

Written on the Wind (1956): Dave Kehr: “One of the most remarkable and unaccountable films ever made in Hollywood, Douglas Sirk's 1957 masterpiece turns a lurid, melodramatic script into a screaming Brechtian essay on the shared impotence of American family and business life. Sirk's highly imaginative use of color—to accent, undermine, and sometimes even nullify the drama—remains years ahead of contemporary technique. The degree of stylization is high and impeccable: one is made to understand the characters as icons as well as psychologically complex creations.“

His Girl Friday (1940): Geoff Andrew’s capsule: “Charles Lederer’s frantic script needs to be heard at least a dozen times for all the gags to be caught; Russell’s Hildy more than equals Burns in cunning and speed; and Hawks transcends the piece’s stage origins effortlessly, framing with brilliance, conducting numerous conversations simultaneously, and even allowing the film’s political and emotional thrust to remain upfront alongside the laughs. Quite simply a masterpiece.“

Bringing Up Baby (1938): Ignatiy Vishnevetsky on the film: “Possessed by an overwhelming sense of comic energy, Howard Hawks’ screwball masterpiece heaps on misunderstandings, misadventures, perfectly timed jokes, and patter to the point that it’s easy to overlook how rich and fluid it is a piece of filmmaking, effortlessly transitioning from one thing into the next.”

Underworld (1927): Dave Kehr: “The first full-fledged gangster movie and still an effective mood piece, this 1927 milestone was directed by the master of delirious melodrama, Josef von Sternberg. George Bancroft is the hard-boiled hero, granted tragic status in his final sacrifice. Ben Hecht wrote the script, and many of the same ideas turn up, in a very different moral context, in his screenplay for Howard Hawks's 1932 masterpiece, Scarface.“

Q - The Winged Serpent (1982): In Larry Cohen’s cheapo classic, Quetzelcoatl terrorizes New York. Michael Moriarty plays a bumbling, unlucky small time crook (the robbery he participates in goes hilariously wrong; losing the keys to the getaway car is just the start) who accidentally discovers the monster’s nest and realizes he’s stumbled into the opportunity of a lifetime. He’s willing to help the authorities, including cops played by David Carradine and Richard Roundtree, but they’re gonna have to pay for it. Very goofy and very fun.

Stalag 17 (1953): Billy Wilder’s classic mixes POW drama with comedy as a group of prisoners in a German POW camp try to figure out who in their barracks is a rat while they plan their escape.

Hellzapoppin (1941): Ignatiy Vishnevetsky: “The opening reel may be the most manic stretch of go-for-broke gonzo comedy to come out of studio-era Hollywood, with the zoot-suited duo of Olsen and Johnson introduced tumbling out of a New York taxi into the bowels of hell (“That’s the first taxi driver that ever went straight where I told him to!”) in the midst of a musical number about how “Anything can happen / And it probably will.” Dozens of throwaway gags—including the first Citizen Kane reference in film history—and an argument with the projectionist (once and future Stooge Shemp Howard) follow, before the movie snaps into something vaguely resembling sanity. From there, Hellzapoppin’ finds Olsen and Johnson wandering in and out of a musical comedy that’s seems to be on the verge of falling apart and tussling with such comedy ringers as Martha Raye and Mischa Auer, the latter cast as a real Russian nobleman who’s trying to pass as a fake Russian nobleman. It’s like a Marx Brothers movie playing at triple speed; it eludes easy summary—it’s a real “you have to see it to believe it” kind of movie—and often stretches the limits of the Production Code. True to its absurdist sensibility, Hellzapoppin’ ended up getting nominated for an Oscar by mistake, for a song that doesn’t appear in the movie.”

Outrage (1950): Directed and cowritten by Ida Lupino, this was one of the first Hollywood movies after the implementation of the production code to deal with rape and one of the first to tackle its psychological aftermath (the censor office actually made them take the word “rape” out of the script so it’s never uttered in the film). Richard Broday on the film: “Outrage is a special artistic achievement. Lupino approaches the subject of rape with a wide view of the societal tributaries that it involves. She integrates an inward, deeply compassionate depiction of a woman who is the victim of rape with an incisive view of the many societal failures that contribute to the crime, including legal failure to face the prevalence of rape, and the over-all prudishness and sexual censoriousness that make the crime unspeakable in the literal sense and end up shaming the victim. Above all, she reveals a profound understanding of the widespread and unquestioned male aggression that women face in ordinary and ostensibly non-violent and consensual courtship.“

The Hitch-Hiker (1953): Another Ida Lupino joint, this one a lean and mean film noir. J. Hoberman on the film: “The “Hitch-Hiker” script, written (uncredited) by the socially conscious journalist Daniel Mainwaring, was inspired by an actual case: Two buddies (Frank Lovejoy and Edmond O’Brien) pick up a murderous psychopath (William Talman) who forces them to drive him to Mexico. It’s a brutal story handled by Ms. Lupino, one of Hollywood’s very few female directors, with the same steely determination and emotional sensitivity found in her strongest performances.”

And the miniseries:

The Singing Detective (1986): Here’s the entry from the BBC’s list of the top 100 British television programs, where it placed number 20: “For many Potter's masterpiece, this extended six-part filmed drama series mixes flashback and fantasy to create a psychological profile of a writer of detective fiction hospitalised by a crippling skin disease. Though not, the writer stressed, autobiographical, the drama features many elements from both Potter's own life (the disease, the childhood setting) and his body of work (particularly the use of popular music from the war years). As usual with Potter, it also caused controversy at the time for the frankness of its sex scenes, though its position as one of the most challenging and inventive of all TV dramas is secure.“

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abitterlifethroughcinema · 4 years ago

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THE St. Jordi BCN Film Festival ’21 FILM REVIEWS

VOL. I: What’s Good!

by Lucas Avram Cavazos

YOUR #VOSEng take on upcoming international cinema premiering in Catalonia & Spain soon

To begin with, for a fellow who has for years been used to screening or viewing hundreds of movies annually, thereby spending hella time in cinemas, a global pandemic has been a true shock to the dork’s system. It has been a testament to the mindset of ‘the show must go on’ to see so many of our local and other European film festivals pushing back against the virus and powering through what could be deemed a safety issue by many. But basta! For starters, temp checks and hand sanitiser stations plus mandatory mask wearing have made a true return to movie going a half-wonderful respite. And so many thanks to Conxita Casanovas, Marien Pinies, David Mitjans, Cines Verdi BCN, Institut Francaise, and Casa Seat plus ALL the industry, press and movie lovers for making one of my favourite film festivals back to life for the half-decade anniversary. And I’m not just saying that for shits n’ giggles.

As an educator and broadcaster, history not only steeps itself within the confines of my classes, sessions and weekly radio/livestream shows, but every single one of us are literally living and walking and thriving through history, even as I scribe. So congratulations to anyone reading this, because you are Destiny's Child’ing it all over this place like drum n’ bass! On to the festival and cinema though please…

The St. Jordi BCN Film Festival revolves around the celebrated St. George’s/Day of the Book holiday here in Catalonia and so all the movies are based upon literary and historical works and facts. Red carpet moments and celebrities also make up the soirees and this year proved even better than others, with the likes of Johnny Depp and Isabelle Huppert being hosted by Cines Verdi, Institut Francaise and Casa Fuster. Depp, dressed as his character (I believe!) from his latest premiere Minamata -reviewed below- even mentioned that he would have loved to stay longer if he could keep Casa Fuster all to himself. And the day after her premiere for Mama Weed -also reviewed below- Huppert was seen being gorgeous at another film screening and then meandering about Gracia. But let’s speak about some of the movies that piqued my interest and will hopefully do the same to yours.

Petit Pays by Eric Barbier ####

Winner of Best Film at this year’s festival awards, Petit Pays tells a quasi-true story of family struggle during the Hutu vs Tutsi massacre that befell the gorgeous countries of Burundi and Rwanda in the early-to-mid 90s. But that is just the mere slice of what the plot truly entails. Focusing on little Gaby (Djibril Vancoppenolle) and his wee sister Ana (Dayla De Medina) as they make their way through childhood/pre-teen years, the plot thickens when the genocide starts to spill over and touch their lives, hectically lived with their Belgian father (Jean-Paul Rouve) and Rwandan mother (Isabelle Kabano, winner of the Best Actress award at this year’s festival). Truth be told, they do live in the lap of African middle class pleasantries, but as the film tenses up, reality sets in for all involved, including us viewers. The harsh reality that director Barbier fuses into the novel adaptation by French-Rwandan rapper/author Gael Faye seeks to display to the audience the truth of a genocidal history and how the sins of the parents always come back to burden or visit the children.

Where to watch: debuts in local cinemas 28/05/21

Promising Young Woman by Emerald Fennell ####

Oscar-nominated and local premiere hit Promising Young Woman had a stellar reception at this year’s festival and what a tour de force it turned out to be. The film plot revolves around medical school dropout Cassie Thomas (Carey Mulligan), who turns 30 and passes her time working at a trendy coffee shop but completely unmotivated whilst also continuing to live with her increasingly-worried parents. Years after her best mate killed herself, Cassie drags the guilt and loss along with her…until a blast from the past shows up, gets his coffee spat in and then falls head over heels into what will turn into a revenge tale beyond one’s craziest notions. A tale of loss that touches on modern themes in a frighteningly understandable way is few and far between these days. Fennell’s work here puts her on the map for sure.

Where to watch: in local cinemas NOW

Minamata by Andrew Levitas ###-1/2

This year marks 50 years since a collective understanding by world powers finally began to comprehend the enormity that factories create against Mother Nature and living creatures. It’s New York and 1971 when we find W. Eugene Smith (Johnny Depp), Life magazine photo journalist and one awash in a realm of problems. Then, adding to that drama, we find him suddenly embroiled on a task and mission that is presented by a couple of his fans, without his awareness that he has also stumbled onto a truth beyond wills. Environmental devastation affecting the innocent in Minamata, Japan is where we eventually spend the plurality of the film, and if you can get through the end scene of it without tears or shame of what mankind has wrought, you’re a tougher kid than I.

Where to watch: in local cinemas as of 30 April

Mama Weed by Jean-Paul Salomé ####

I cannot even begin to explain how much I absolutely enjoyed screening this film by the gifted and curious director Salomé, but it is without a doubt the tour de force work of ageless French star Isabelle Huppert that summons one to watch and compels them to laugh and engage. Undoubtedly, adapting any work of art from literature is never an easy undertaking, but the bringing to life of Patience Portefeux, a judicial interpreter for France’s investigation division, turns out to be crown jewel by Huppert. Serving up comical thrills, blithe acting when under insane pressure by duel forces and fierce Arab queen fashions, this film will have you white-knuckled, perplexed and laughing, all in tandem. THIS is an early-in-the-year film that deserves some attention!

Where to watch: in local cinemas NOW

My Salinger Year by Philippe Falardeau ###-1/2

Based on the like-titled autobio novel by Joanna Smith Rakoff, the movie stars Margaret Qualley as Joanna, an aspiring writer and young upstart in an NYC lit agency, whose tasks include many things, including answering the many fan mail letters that come for the agency’s fave writer J.D. Salinger, he of the oft-loved US American coming-of-age novel Catcher in the Rye. Even this guy connected to Holden Caulfield as a youth so when Joanna one day fields a call from Salinger and then gets caught trying to find endearing manners to respond to these grand fans, an incident leads to a coming-of-age awareness experience for Joanna and we the audience are the ones who are all the better for it.

Where to watch: in local cinemas on 4/6/21

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brindaneer · 4 years ago

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Finally, its time for some magic! Or may be we should say 'Jadoo'.

We remember hearing first about Koi Mil.Gaya when Mr. Rakesh Roshan announced it, possibly during the Zee Cine Awards ceremony of 2001 (the year when Hrithik swept up all awards for KNPH). By the time it released, a few years had passed which was natural considering the grandeur and scale of the film. Mr. Rakesh Roshan astutely conceived of a novel idea in the form of ET meeting Forrest Gump and gave us something Hindi cinema had never seen. Let us take a moment to deeply acknowledge this man, whose razor sharp mind not only engendered such a unique concept but also gave him the vision and stamina to actually turn it into reality.

Koi Mil Gaya was undoubtedly going to be one of the most ambitious projects Bollywood had seen till then, and the greatest challenge the Roshans had yet embarked upon. It would have been no trivial feat if they had managed to be even moderately successful in such a difficult venture. Instead, they broke box office records, and passed with flying colours.

The fact that Hrithik Roshan is one of those rare actors in bollywood who has a terrific following among kids is widely acknowledged at present. However, it was probably John Abraham, who first pointed it out, some time after Koi Mil Gaya. He said that a 'Superstar' was someone who could attract children, thereby pulling entire families into the theatre and in his opinion Hrithik was the only one like that in his generation. More than a decade later, his statement still holds true. And 'Koi Mil Gaya' was where it all actually began. Although KNPH had catapulted him into stardom literally overnight, KMG was the film that began endearing Hrithik to kids. This frenzy reached a peak after Kkrish but more on that later. Hrithik literally played a child in the movie, and he did it with such perfection that kids immediately considered him as their best friend. Last time the Indian audience had seen a similar performance was years ago when the wonderful Sri Devi ji (May she rest in peace) had played the role of Reshmi in the splendid 'Sadma'. Not surprisingly, critics compared Hrithik's performance in the film with hers, and every one of them unanimously agreed that both performances were flawless.

Hrithik changed his voice, his way of speaking, his looks and his body language so much that he actually looked like a little boy. He was optimally sweet, innocent, and annoying, just like you would expect a naughty child to be. Some of his best scenes were with the ever glorious Rekha ji who played his mother in the film. Rekha Ji has often claimed that if she ever had a son, he would be like Hrithik. Offscreen, they actually share a similar relationship and probably that fuelled their amazing mother-son chemistry on screen. The other fantastic partnership in the film was between Hrithik and Preity Zinta. Rohit and Nisha were one of the most unconventional couples of Bollywood. And also, one of the cutest! ☺☺

Nonetheless, the best pair in the film was undoubtedly Rohit and Jadoo. Hindi cinema has been responsible for presenting us with a number of iconic friendship duos over the years. Mohan-Ashok, Anand-Bhaskar, Somu-Vicky, Vijay-Sher Khan, Jai-Veeru, Vijay-Ravi, Kishan-Bishan, Ram and Rahim, Amar-Prem, Munna-Cirquit constitute quite an elite club and Rohit -Jadoo definitely made it to the list.

The kids who played Rohit's mates also deserve a mention here. Hrithik surely must have had a gala time while shooting scenes with them.

However, it was the script and direction that really binded the film together. We have often seen films fail dismally despite having a stellar cast, and the reason for such failure is almost always a lacklustre script or uninspiring direction. Fortunately, Koi Mil Gaya was perfect in both these departments, as a result of which Hrithik could literally soar above every other performer that year.

A few words need to be mentioned about the music of the film although it needs no introduction. The songs were a rage then; they are equally hummable now. Sadly, present bollywood rarely makes such melodious music anymore! The good old days...Ah! But let us not lament. Instead, why do we not just relive those moments for a while? Hrithik dancing in Rohit’s character remains one of the best bits of acting he has done in his life.

Coming to the scenes! Yes, the most exciting part 😉! It is really difficult to choose favourites from a film like Koi Mil Gaya. Even so, we decided to give it a shot. Lets start with the moment when Rohit discovered that he had not been promoted with his friends. Didn't the sudden disappointment on Rohit's previously excited face make you want to go and give him a cuddle? 🥺 Also, don't even try to tell us that you did not cry when the goons broke his scooter and later hit him with the basket ball leaving him battered and bruised or when he pleaded to Lord Krishna for more strength ('Thodi shakti mujhe de do Bhagwan) 😟🥺😭😭.

And what about the scene in which he was angry and upset about Nisha not being his 'girlfriend'? Hrithik and Rejha ji in intense emotional scenes are always a treat to watch. The scene where Jadoo met Rohit and Nisha for the first time and healed Rohit's scars with his touch after that iconic hand extension moment attracted silent awe from the audience in theatres then and remains goosebump- inducing even now. No discussion about Koi Mil Gaya can ever be complete without mentioning Rohit's splendid transition. We got the Greek God on screen for a few scenes in which he generated hysteria among the audience that had been viewing him as a son or younger brother for most part of the film. What an actor! The ending was bittersweet for many. After all, Rohit did revert back to his childish self as a price for saving Jadoo's life. But, Jadoo gave him his powers back! And thank God for that. How else would he go to Singapore and meet Dr. Siddhant Arya later in his life? Our Superhero Kkrish would not have a villain to kill in his debut film! My God, worse could have happened. Kkrish would have never become a superhero if Jadoo had not given Rohit his powers back! So well done Jadoo 🤗🤗

OMG! This blog has been running over pages! Excuse us for the length 😁. But one of us did watch KMG from the first row, all the while straining neck on the first day of its release. The other one watched it comfortably the first time ( tickets were prebooked, of course) but got a sore neck after watching it from the front row a second time, and also gave the same to the entire family. However, no one complained. So, now you know what this film means to us. Thank you for your love, encouragement and support. They keep us going. Adios Amigos till the next one 😉😊

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deepakverma123 · 4 years ago

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A Motivational Story Of Rana Daggubati

Rana Daggubati is an Indian actor, producer, visual effects co-ordinator, and entrepreneur who is well-known for his work in Telugu, Hindi and Tamil languages. The star has established his career as one of the popular mainstream performers in Telegu Cinema. The entertainer is listed among the actors who achieved pan-Indian appeal by taking various roles in different languages.

Rana Daggubati has a very motivational story. He was brought into the world on 14 December 1984 in Chennai. , Tamil Nadu. He is a member of the Daggubati-Akkineni family. His father, D. Suresh Babu and paternal grandfather, D. Ramanaidu, are prominent producers in the Telugu film industry. Moreover, the uncle of the boy, Venkatesh and his cousin Naga Chaitanya are also actors in the film industry. He did his schooling at Chettinad Vidyashram in Chennai and Public School in Hyderabad. The student later studied at St. Mary's College, Hyderabad. In any case, the fellow experienced a corneal imperfection since birth, thus, a benefactor was found and relocated the left eye, but the right one remained blind. The motivational story of the youngster includes the journey of being a famous personality even after his disability.

Rana Daggubati runs the Ramanaidu Studios Daggubati, which is one of India's largest integrated production houses. The company offers production, distribution, exhibition, studio infrastructure for cinema, TV and digital platforms and manages the studio business. As a Visual Effects maker, he won the State Nandi Award for Best Special Effects in 2006 for the Telugu film Sainikudu. In 2006, he received the National Film Award for co-producing Bommalata. Before becoming an actor, the youngster owned a production company, Spirit Media, and has produced more than seventy commercially successful films, and his movies went on to win National Awards. For writing his name in Motivational stories of success, In 2010, Rana Daggubati stepped into the world of acting with his first feature film, Leader, which gave him the Filmfare Award for Best Male Debut of Telugu cinema. Later, the actor entered the Hindi film industry with the movie Dum Maaro Dum that garnered applause from audiences throughout the country. The rookie got the Zee Cine Award for best male presentation in the year 2011.

.The artist got a massive break in 2015 when Baahubali: The Beginning, which collected over Rs. 1000 crore worldwide. Rana Daggubati SIIMA Award for Best Actor in a Negative Role (Telugu) and Nandi Award for Best Villain for Baahubali: The Beginning(2015) and Baahubali 2: The Conclusion(2017).

The skilled actor played the foe, yet he had likewise contributed essentially to the VFX of the film. Subsequently, he became one of the famous entrepreneurs in India. The artist has also established himself as a television personality and has hosted several awards shows, such as the 2nd IIFA Utsavam, the 2nd South Indian International Movie Awards and many more. Moreover, he has hosted his own celebrity talk show, No.1 Yaari. For over five years, he learned about visual effects and then tied up with Anthill Ventures started Anthill Studios, a technology company in 2018 which aims to bring world-class VFX to India.

The studio supports and coaches troublesome new businesses in driving edge advancements like AI, Augmented Reality and Virtual Reality (AR/VR), Blockchain, Visual Effects (VFX), Cloud Rendering, Artificial Intelligence (AI), Machine Learning (ML), Internet of Things (IoT) and Big Data and Analytics.

His firm also invests in startups that have the potential to create motivational stories in these fields.The businessman also entered into a partnership with Kwan entertainment and marketing solutions to start a division of Kwan in the South, which identifies itself as a celebrity management and Service firm and manages computerized initiations and licensing.

Moreover, it includes talent management casting, live performances and appearances, film packaging, production support- TV and Commercials, brand associations- endorsements, digital and film partnerships.

Like many motivational stories Rana Daggubati made his own story motivational. He bought the stake of Amar Chitra Kath, which is one of the leading comic book company in India, and then future Group backed up the firm. Subsequently, the actor became the director of the establishment to begin a learning centre for educating students in art and design, life skills, Vedic science and ethics in Hyderabad in March 2019.

On 21 May 2020, the entertainer got engaged to his girlfriend, Mikika Bajaj, who s the founder of Dew Drop designs. Later, the lovely couple got married at Ramanaidu Studios on 8 August 2020.

Rana Daggubati not only inspires as a great actor but also motivates everyone to work hard even after the physical disability. He has proudly listed his name among the most successful businessmen in India. The entertainer has established himself as a businessman, actor, producer and TV representer. Moreover, the star has always stayed away from controversy and believed in entertaining people with various roles and stories.

#Indiantalent #inspiringstories #motivationalstories #ranadaggubati #knowmebetter #entrepreneurs #realmotivationalstories #motivationalsuccessstories #reallifemotivationalstories #motivationalrealstories #motivationalstoriesoffamouspersonalities

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worldfamouslover · 5 years ago

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World Famous Lover Full Movie Download Tamilrockers, 123mkv 480p HD | Watch Online

Sara Ali Khan and Jitendra Kumar’s new film Love Aaj Kal failed to attract cine-lovers’ attention on the fifth day. The movie, which opened in theatres last week, managed to collect Rs 3.07 crore on Tuesday, thus bringing the total collection to Rs 39.60 crore, reported Bollywood trade analyst Taran Adarsh. He also stated in its report that Love Aaj Kal is expected to earn over Rs 44 crore in the first week. Love Aaj Kal Full Movie Download 480p HD Tamilrockers, 123mkv Filmywap, Watch Online, Pagalworld, mp4movies, movierulz, khatrimaza, utorrent with torrent magnet, filmyzilla download.

Sharing the box office performance of the film on social media, Mr Adarsh wrote: “Love Aaj Kal slides further on Day 5… Is collecting mainly at key metros… Eyes Rs 44 crore+ total in *Week 1*… Fri 9.55 crore Sat 11.08 crore, Sun 12.03 crore, Mon 3.87 crore, Tue 3.07 crore. Total: Rs 39.60 crore. #India business.“–>

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Love Aaj Kal also stars Neena Gupta, Gajraj Rao, Manu Rishi and Sunita Rajwar in pivotal roles. The film features Ayushmann and Jitendra as a gay couple and Neena Gupta and Gajraj Rao as Jitendra’s homophobic parents.

The film opened to lukewarm reviews on February 21. In his review for NDTV, film critic Saibal Chatterjee gave the film 2.5 stars out of five and wrote: “The film may be erratic in parts, but its entertainment quotient is delightfully high for a film tackling a clash between conservatism and freedom, between tradition and modernity. Love Aaj Kal is anything but perfect but is easy to watch - and like.”

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Directed by Hitesh Kewalya, Love Aaj Kal clashed with Vicky Kaushal’s Bhoot Part One: The Haunted Ship at the box office. Hitesh Kewalya’s directorial ‘Love Aaj Kal’ starring Sara Ali Khan witnessed another drop on Tuesday as it managed to mint just Rs 3 crore. Despite the film managing to earn Rs 37.25 crore from its first five days at the box office, the drop from Monday to Tuesday is around 15% which is sure to impact its overall collections.

According to the Box Office India report, Ayushmann’s film which revolves around the romance between two men opened at Rs 9 crore on Friday and eventually rose in the following days before witnessing a massive drop on Monday. With a total of Rs 37.25 crore, ‘Love Aaj Kal’ is expected to end its first week around Rs 42 crore approximately. The film which also features Jitendra Kumar, Neena Gupta and Gajraj Rao in pivotal roles has received mixed reviews from the critics as well as the audience. ‘Love Aaj Kal’ was expected to do better business but it looks like the sensitive subject of the film has impacted its run in the domestic circuit.

Love Aaj Kal Box Office Collection Day 5: आयुष्मान खुराना (Sara Ali Khan) की फिल्म ‘शुभ मंगल ज्यादा सावधान’ (Love Aaj Kal) को रिलीज हुए पांच दिन हो गए है. आयुष्मान की फिल्म ने पहले दिन जहां बॉक्स ऑफिस पर धमाकेदार कमाई की थी. वहीं, अब फिल्म की कमाई में गिरावट दर्ज की जा रही है. बॉक्स ऑफिस इंडिया डॉट कॉम वेबसाइट के मुताबिक सोमवार को आयुष्मान की 'शुभ मंगल ज्यादा सावधान’ ने केवल 3.50 करोड़ रुपये की कमाई की थी. वहीं, शुरुआती आंकड़ों को देखते हुए यह अंदाजा लगाया जा रहा है कि इस फिल्म ने मंगलवार को केवल 3 करोड़ रुपये की ही कमाई की. इस हिसाब से 'शुभ मंगल ज्यादा सावधान (Love Aaj Kal Box Office Collection)’ ने पांच दिनों में 37करोड़ रुपये की कमाई कर ली है. हालांकि, इसकी अभी कोई आधिकारिक सूचना नहीं आई है.

Meanwhile, Ayushmann, who is all set to collaborate with 'Vicky Donor’ director Shoojit Sircar for his upcoming film 'Gulabo Sitabo’ opened up about the project in a recent interaction. “Gulabo Sitabo is an extremely simple film. It’s a sweet film about the banter between a landlord and a tenant. I’m the tenant, Bachchan sir is the landlord and we are always at loggerheads. It’s as simple as that. The magic is, sometimes you find simplicity most exciting in life and that’s what the film is about,” Ayushmann said. The film which also stars Amitabh Bachchan is set in Lucknow and is touted as a quirky family comedy.

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kabutoraiger · 5 years ago

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(So... It got a bit long... 1/5) You were right as usual! It went downhill... Belt’s decision at the end makes no sense! Such a lack of imagination... And I'm so sad about Chase and Brain and Medic and Heart-sama! They deserved better! I think the plot tried to explain Medic's love for Heart as this kind of unconditional love but the delivery was not that great? And poor Brain... I legit cried because of him! Heart-sama is definitely one of my favorite villains now! And Chase...

(2/5) I actually really liked the idea of a romance between him and Kiriko! It could've been so cute! But then... It's like the instant the main character sees the heroin as a woman she needs to be protected and she needs to run from danger and just be safe. Kiriko's a cop! She knows what she's doing! Instead of telling her to run why not make Shin ask her for back up fire? It worked with Godai and Ichijou. I've seen worse KR romance but the missed potential still stings. On that note...

(3/5) I did listen to that drama CD and now I see a lot of potential for Chase and Gou as well! It was super cute! Listening to it after watching the V-cine was a good idea. The Heart one was interesting (the bath scene made me blush!) but the Mach... Romance is not Drive's forte. Kiriko saying Gou needs to find a family of his own was like a punch to my stomach (tho it might’ve been just how the fansub adapted from japanese but still...) Don't get me wrong...

(4/5) I can see Gou and Reiko working as best friends and even as f*ck buddies but not as a couple. At least not like that. "Two broken pieces make a whole" is not my favorite troupe I guess. But if they took their time to work through their issues (separately) and only after that realized they could work together I would love it! Oh and poor Kano! I feel like there’s a bit of the story I missed between the last episode and the Mach movie because of him.

(5/5) Kano and Izumi Shingo have a lot in common, don't you think? Same with Chase and Ankh I guess. Tho... Eiji trying to revive Ankh was because Ankh wanted to live while it feels like Gou is trying to revive Chase out of guilt... Drive is confusing! But overall? Not that bad! I enjoyed a good chunk of it! No regrets watching the series (just the V-cine).

(bonus/5) OH! And KR Brain was amazing! I loved it! His powers were really well thought and so funny! Best rider design in Drive imho! And the sword! I laughed so hard I cried! His actor is so good! It made my day and I wish there was more of it!

your feelings are a lot like mine... there’s so many good elements in drive but things just end up so... not what you or anyone would conceivably want out of a tv show. i’m glad you managed to find it generally enjoyable nonetheless though! for me the frustration almost always tends to win out when i think about it. mr sanjo turn your location on it’s been years but i’d still like to talk 😬

someday he’ll receive my List of Grievances in the mail starting with “justice for the roidmudes and kiriko” and he will finally feel the burden of his crimes.....

honestly where’s the kano koichi v-cine where shin & kiriko take him out on a date and it’s charmingly awkward? what do you mean i’m gonna have to write it myself? fuckin hell

that drama cd really is cute it’s like oh maybe my clown son gou is valid after all? finally making steps towards accepting his bisexuality and his crush on a robot? and brain deserves to actually be a rider not just as a goof!! he’s capable and loyal!! but i’m not surprised something that started as an april fools joke ended up like it did, and it was pretty amusing as is.

... actually i’m seeing a trend here. why’s all the good drive supplemental content take place in a dream or a computer simulation?? can we get something nice happening within the actual canon please? oi vey

#replies #Anonymous

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heroheroinemovie · 5 years ago

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The film which also features Jitendra Kumar, Neena Gupta and Gajraj Rao in pivotal roles has received mixed reviews from the critics as well as the audience. ‘Love Aaj Kal’ was expected to do better business but it looks like the sensitive subject of the film has impacted its run in the domestic circuit.

Love Aaj Kal Box Office Collection Day 5: आयुष्मान खुराना (Sara Ali Khan) की फिल्म ‘शुभ मंगल ज्यादा सावधान’ (Love Aaj Kal) को रिलीज हुए पांच दिन हो गए है. आयुष्मान की फिल्म ने पहले दिन जहां बॉक्स ऑफिस पर धमाकेदार कमाई की थी. वहीं, अब फिल्म की कमाई में गिरावट दर्ज की जा रही है. बॉक्स ऑफिस इंडिया डॉट कॉम वेबसाइ�� के मुताबिक सोमवार को आयुष्मान की ‘शुभ मंगल ज्यादा सावधान’ ने केवल 3.50 करोड़ रुपये की कमाई की थी. वहीं, शुरुआती आंकड़ों को देखते हुए यह अंदाजा लगाया जा रहा है कि इस फिल्म ने मंगलवार को केवल 3 करोड़ रुपये की ही कमाई की. इस हिसाब से ‘शुभ मंगल ज्यादा सावधान (Love Aaj Kal Box Office Collection)’ ने पांच दिनों में 37करोड़ रुपये की कमाई कर ली है. हालांकि, इसकी अभी कोई आधिकारिक सूचना नहीं आई है.

Meanwhile, Ayushmann, who is all set to collaborate with ‘Vicky Donor’ director Shoojit Sircar for his upcoming film ‘Gulabo Sitabo’ opened up about the project in a recent interaction. “Gulabo Sitabo is an extremely simple film. It’s a sweet film about the banter between a landlord and a tenant. I’m the tenant, Bachchan sir is the landlord and we are always at loggerheads. It’s as simple as that. The magic is, sometimes you find simplicity most exciting in life and that’s what the film is about,” Ayushmann said. The film which also stars Amitabh Bachchan is set in Lucknow and is touted as a quirky family comedy.

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pressurecookerfilm · 5 years ago

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Love Aaj Kal Box Office Collection Day 5: आयुष्मान खुराना (Sara Ali Khan) की फिल्म ‘शुभ मंगल ज्यादा सावधान’ (Love Aaj Kal) को रिलीज हुए पांच दिन हो गए है. आयुष्मान की फिल्म ने पहले दिन जहां बॉक्स ऑफिस पर धमाकेदार कमाई की थी. वहीं, अब फिल्म की कमाई में गिरावट दर्ज की जा रही है. बॉक्स ऑफिस इंडिया डॉट कॉम वेबसाइट के मुताबिक सोमवार को आयुष्मान की ‘शुभ मंगल ज्यादा सावधान’ ने केवल 3.50 करोड़ रुपये की कमाई की थी. वहीं, शुरुआती आंकड़ों को देखते हुए यह अंदाजा लगाया जा रहा है कि इस फिल्म ने मंगलवार को केवल 3 करोड़ रुपये की ही कमाई की. इस हिसाब से ‘शुभ मंगल ज्यादा सावधान (Love Aaj Kal Box Office Collection)’ ने पांच दिनों में 37करोड़ रुपये की कमाई कर ली है. हालांकि, इसकी अभी कोई आधिकारिक सूचना नहीं आई है.

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cheemapremamadhyalobhaama · 5 years ago

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Love Aaj Kal Box Office Collection Day 5: आयुष्मान खुराना (Sara Ali Khan) की फिल्म ‘शुभ मंगल ज्यादा सावधान’ (Love Aaj Kal) को रिलीज हुए पांच दिन हो गए है. आयुष्मान की फिल्म ने पहले दिन जहां बॉक्स ऑफिस पर धमाकेदार कमाई की थी. वहीं, अब फिल्म की कमाई में गिरावट दर्ज की जा रही है. बॉक्स ऑफिस इंडिया डॉट कॉम वेबसाइट के मुताबिक सोमवार को आयुष्मान की ‘शुभ मंगल ज्यादा सावधान’ ने केवल 3.50 करोड़ रुपये की कमाई की थी. वहीं, शुरुआती आंकड़ों को देखते हुए यह अंदाजा लगाया जा रहा है कि इस फिल्म ने मंगलवार को केवल 3 करोड़ रुपये की ही कमाई की. इस हिसाब से ‘शुभ मंगल ज्यादा सावधान (Love Aaj Kal Box Office Collection)’ ने पांच दिनों में 37करोड़ रुपये की कमाई कर ली है. हालांकि, इसकी अभी कोई आधिकारिक सूचना नहीं आई है.

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sandimunimovie · 5 years ago

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Love Aaj Kal Box Office Collection Day 5: आयुष्मान खुराना (Sara Ali Khan) की फिल्म ‘शुभ मंगल ज्यादा सावधान’ (Love Aaj Kal) को रिलीज हुए पांच दिन हो गए है. आयुष्मान की फिल्म ने पहले दिन जहां बॉक्स ऑफिस पर धमाकेदार कमाई की थी. वहीं, अब फिल्म की कमाई में गिरावट दर्ज की जा रही है. बॉक्स ऑफिस इंडिया डॉट कॉम वेबसाइट के मुताबिक सोमवार को आयुष्मान की ‘शुभ मंगल ज्यादा सावधान’ ने केवल 3.50 करोड़ रुपये की कमाई की थी. वहीं, शुरुआती आंकड़ों को देखते हुए यह अंदाजा लगाया जा रहा है कि इस फिल्म ने मंगलवार को केवल 3 करोड़ रुपये की ही कमाई की. इस हिसाब से ‘श��भ मंगल ज्यादा सावधान (Love Aaj Kal Box Office Collection)’ ने पांच दिनों में 37करोड़ रुपये की कमाई कर ली है. हालांकि, इसकी अभी कोई आधिकारिक सूचना नहीं आई है.

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