#cielo.�� | Explore Tumblr posts and blogs

aimfor-theheart · 19 days ago

Text

to break first

|| mel medarda x reader, jayce talis x reader, viktor x reader || E/18+ || messy dynamics/hurt/comfort || wc: 6k || ao3 ||

minors and ageless blogs dni, 18+

Your lovers are strange, demanding types.

a/n: idk man. but this revived my writing so. pls take it. dividers by @/cafekitsune

tags: messy dynamics, light smut/smut mentioned and implied, implied rough/hate sex, some hurt/comfort, ends on a hopeful note. not beta read/edited.

You've never liked Jayce much.

And you might just be the only person he doesn't like, either.

He plays nice, though, especially around Viktor. You think Jayce has teeth that he tries to hide, but you catch the flash of them from time to time. He smiles at you and it doesn't reach his eyes. It's just shy of contempt.

It makes your grin cheshire and sharp. You like watching him squirm. You like watching him wrestle with his distaste for you, try to keep his teeth hidden. Especially here, at this gala, all gold and sparkling and pristine, for all the world to see.

Bubbling rosé is bright and fruity on your tongue. You're shoulder to shoulder with Viktor, the two of you half-miserable together, stuffed into formal wear and ripped from your respective labs and studios. Which is why Jayce lingers; he's hovering in that annoying way of his. Bumbling a little. He's trying to make Viktor feel more at home but—

You have something Jayce doesn't.

Only you can do that.

You're Viktor's childhood friend, thick as thieves and twice as inseparable. You're an artist from the Undercity—a painter, a poet, a musician. An artistic genius, the world claims, an artistic savant. And one of the rare, lucky few who has been exalted and raised above your station to be paraded around Piltover like some trophy of success from their lowest. It's mostly Viktor's fault, you claim—the moment Heimerdinger found him, he also accidentally found you.

"Ah, if it isn't one of the most brilliant and groundbreaking artists of our generation." A smooth, easy voice floats through your thoughts. You turn your head to find Councilor Medarda, swathed in what could be a starry sky of silk and gold.

She's even more beautiful in person somehow; if you were to paint her, she'd be all easy, graceful lines, curved and long. A lily stem. The arch of a tiger.

"Just the person I was looking for." She muses.

"Me?" You balk, at the same time that Jayce gaps, "Them?!"

You swing your gaze to glare at him and even Viktor wrinkles his nose. Jayce tries to clear his throat, clear the mistake.

Councilor Medarda raises a brow at Jayce, but then her eyes flicker to you, honing in on you. Hazel and gold and reflective; a kaleidoscope of color. And with such—intensity. You feel it in her. Thrumming. "Yes, you." She says smoothly and she smiles in the elegant way of royalty; perfect and mysterious.

"Are you sure you have the right person, Councilor Medarda?" You joke, "you know I'm just—"

"I'm certain. And please—call me Mel. I'd love to commission you for several art pieces to be displayed in the council chambers."

Viktor whistles a little, impressed, though you can tell it's a little dry.

(He both rambles and rants about Councilor Medarda from time to time and you can never tell if he adores her or resents her.)

Jayce startles at this, but again, he tries to play it off. He places his hand on her lower back, "I didn't know the council chambers was looking to display art."

Mel allows his hand to remain, but she tilts her chin up and her eyes flash somewhat—quick, sharp. There's a silent conversation there that you can't decipher.

But you can tell there is something more than just coworkers happening between them.

"I'm looking to display art in the council chambers." Mel then says.

Jayce looks away, cowed somewhat, tail tucked between his legs in a way that makes you smile.

Mel drifts from Jayce's hands, offering her arm to you, "will you walk with me? I'd love to discuss what I have in mind."

If only to steal her away from Jayce, you finally peel yourself away from Viktor's side and the wall. Your shoulder, where it was touching his, goes cold. But Mel's arm is warm as you twine it around yours.

She draws you away from the scientists, into the fray of swirling, dazzling people.

You glance over your shoulder only once and catch Jayce's eyes, and let your smile curl into something a little smug, almost vicious; baring your teeth as if to gloat at his own, still tucked behind his lips.

***

"Mel's an artist." You say to Viktor, offhand. "A good one, too. You should see her paintings—"

Viktor sighs heavily, snatching one of the little tools that you'd been fiddling with out of your hands. "You sound like Jayce."

You wrinkle your face in disgust, reaching back for the tool and grappling with him a moment for it. You press all against each other, squabbling, before you win out and take it back from him. He stares at you, almost in some form of a glare and you stare back, watching his eyes, dark in the low light of the lab. He glances at the tool in your hands like he might try to take it back, and when he moves, you move faster, and hold it out of his reach.

"Are they together?" You ask.

He gives up on the tool.

Then, he lifts his shoulders in some form of a crooked shrug, eyes going skyward. "One can only assume."

"She's out of his league." You sigh, throwing your weight back in the chair in despair.

Viktor snorts at that, returning to his work, "I'm sure few are in league with Councilor Medarda."

His voice is dry. A little brittle.

"I don't know what you have against her." You then venture, speaking more to the ceiling, returning to fiddling with the tool. It twists in your fingers, the sound of metal whirling and softly grinding.

"I have nothing against Councilor Medarda." He says too evenly.

"You know, I've never been able to tell if it's contempt or adoration you have for her." You continue, as if he hadn't said anything to contradict you. "But either way, she gets under your skin."

"She does not—"

"Are you jealous? She took your big, dumb partner away?" You press, twisting and twisting away at the tool.

"No—" Viktor says sharply, but it rings with a note of truth. It's not quite that then.

You pause. And then.

You crack your eye open, "I think she likes me."

Viktor pauses now too, metal clinking quietly with the sudden stop of his work again. He knows that tone of your voice. His face pulls; distaste. Frustration.

(Jealousy.)

His speech is slow as he tries to parse through what to say, "Councilor Medarda is charming and—"

"She invited me to dinner." You say and now you're watching him carefully, "at her personal suite. Just us."

Viktor rounds on you, "you're going to get yourself into trouble."

You can't help but smile, slow and amused, "I feel like it's good for the art—fool around with a politician—"

"You know, I have always wondered if you would learn your lesson," Viktor continues over your monologuing about drama and passion and politics, "—maybe this time, you'll finally learn it."

He snatches the tool from your hands and throws it down on his desk.

"I love learning." You chirp innocently and he shakes his head, face flushed with passion.

He looks at you again when he can, shakes his head some more, some of the irritation fading from his features. He never stays mad at you for long; doesn't have it in him. Besides, he causes his own trouble. Doesn't learn his own lessons. And when the dust settles, the two of you are still here, beside each other. The artist and the scientist, making messes, breaking things—all for some higher purpose only the two of you have ever understood.

(You've loved him your whole life. Sometimes, you think you carry half of the other's ribs inside one another. He must have twelve of yours, and you must have twelve of his—)

You lift your foot, nudging his calf beneath the desk with it, then up to place it in his lap. An olive branch, of some kind. Your affection is unsurprising to him and he sighs. He drops his hand to your ankle. He squeezes.

"She's going to eat you alive." Viktor finally warns.

"One can only hope."

A laugh startles out of him, rough and raspy, before it dissolves into coughing.

You lurch up to give him water, sitting near you, and bring the glass to his lips on reflex, like you used to as children. And on reflex, he drinks—he doesn't try to take the glass from your hands right away or push you away. Instinctively, you care for him, and instinctively, he lets you.

(You think you're the only one he'd ever allow to do this, born out of years of pressed side to side in the same bed, listening to him weather the nights. Born out of years of your love and stubborn care for him.)

After a moment, he lifts his hand and slowly replaces yours.

You hover over him. He sets the glass down. The water is almost gone. You'll replace it for him before you leave the lab.

He settles back into his chair, eyes returning to the pieces in front of him; all the odd metal scattered like little silver stars in front of him against a vast, dark sky. He picks up one, and then another, and tries to fit them together.

Then another. And another.

You watch him twist and turn, put the puzzle together.

He says, "Lately, I feel as if—" his fingers are careful, almost shaking, as he tries to create something of the scattered, broken pieces, "everything is quite fragile. And it's all just going to—" he presses a little too hard, and the metal all splinters apart, clattering back to the desk, "break. At any given moment."

After a moment, he looks up at you, still hovering over him, "I fear you're heading towards a breaking point."

You hum a little.

"What is it you scientists say?" You ask, running your fingers through his dark hair, thick and tousled. You twirl a strand around your finger, let it fall;

"It has to break first, before you can discover anything."

***

You'd say Mel Medarda is a wolf in sheep's clothing, but she doesn't feign anything so harmless or lost as a sheep.

You do think she's—

A little like Jayce, where she hides her teeth. But where Jayce irritates you because he's certainly trying to seem better than he is, or more harmless than he can be, Mel does so with intention. Mel hides her teeth to lure you closer. She doesn't pretend she doesn't have them; she waits until you're in range before you catch a glimpse of them.

And by then, well. It's too late.

You realize this over dinner, as she laments about what art she'd like from you and she's adamant about not censoring you.

(You're known for you controversy; whether in your physical art, your poetry, or music. Once pulled to the light of the Upper City, you refused to let them defang you. Where Jayce pretends he doesn't have teeth, you bare yours proudly, and sometimes wish you could tear the tender parts of Piltover open.

You strive to do it with your art. And while applauded in some vague capacity, you are also kept on a tight leash. Your patrons are warily supportive of you. Your commissions are strict. You're treated the way you think a wild animal is; with utmost care and fear and awe.)

In fact, her only rule for you, is to not hold back.

Which, given the growing tension between the Upper and Lower Cities, you realize this cannot only be from the goodness of her heart or for the integrity of art but—

You tilt your head and consider her.

"Am I a political move, Mel?"

She smiles in that enigmatic way of hers, her teeth flash, "isn't all art?"

You narrow your eyes, "perhaps. I wonder of it's effectiveness when it's employed by the people it often critiques." You lift your chin and pretend to be hurt—or perhaps, mask your hurt within dramatics to make it seem ironic, "and here I thought you really liked me—"

"I do." Mel assures, "I've admired you a great deal from afar. And getting to know you, your mind, it's—" she considers her words, "it's been nothing short of mesmerizing. Astonishing."

She sounds sincere. But you wonder if she always sounds that way.

She can tell she hasn't convinced you because you've never been able to mask your emotions well, so she leans forward and says, "unfortunately, everything I do is a political move, whether I'd like it to be or not. Both can be true—" she says, "I can adore you. And I can also need you to make a public point, wield you like my own elegant weapon."

"Artists make for disobedient weapons, usually." You say.

She laughs a little at that and agrees, "True." And then she lowers her voice, looks at you through the fan of her dark lashes in such a way that seizes you—arrests you, holds you right there, caught, in her heady gaze;

"But I don't need you to be obedient."

"I can never tell if you're trying to seduce me or persuade me." You blurt out, the words running from your mouth like a rabbit from a wolf. Your desire bursts from you like frightened birds taking to flight, like most of what you feel does, all of it spilling out of you in a gush of rawness.

She stands gracefully and again, you think of how you'd draw her—how you'd capture her in a poem or a song. The sharp curve of her waist, the predatory grace she carries effortlessly. You think her song is a croon from the deep part of your chest. You think her poem looks like an hourglass on the page and she slips from your fingers as easy as time does, too.

She rounds the small table to your side.

You look up at her. Your heart kicks up into a quick dance.

She brings the back of her knuckle to your jaw and gently—with all the carefulness in the world, strokes you.

(She touches you the way one does a bird, as if they know it's fragile. Perhaps as if they know it might fly away.

Or maybe she touches you the way one does an animal they're not sure of; will you bite? Will you lean into the touch?)

"Both can be true." She finally answers.

When she kisses you, it's fiercer than you're expecting; a lightning strike, a blow to the heart.

Your teeth come up against hers.

She gasps when you drag her further down to you, greedier than she's ever known, meeting her fierceness with your own, like the clashing of blades, or the destruction of stars.

And you think, if you don't want obedience, then I'll show you.

I'll show you.

***

"What are you playing at?"

Jayce's voice is a vicious little hush in the caverns of the council chambers. Mel has just left you after peaking over your shoulder to view the preliminary sketches.

You lift your head and blink up at Jayce slowly, dragging yourself from your sketch; from your world of art.

(It sets his teeth to grinding because Viktor makes that same look, when he's so deep into his work and Jayce disturbs him. It's a face he finds endearing on both of you, unfortunately. He imagines your minds are in heaven and he's selfish enough to drag you both back down to earth.)

"What do you mean? For the art piece?" You ask, glancing down at your lap, at the series of gestures and lines that you've been lost in. Maybe you're feigning innocence a little. But you want him to say it, if he's going to pick this fight.

Jayce's eyes flash like the too-hot part of the flame.

You have to bite back a smile.

Come on, you think wildly, say it. Let's fight. Here in the chambers, where you try so hard to be their golden boy.

"What are you trying to get out of Mel?" He asks and it makes you laugh outright, because he's dancing around what he really wants to ask.

Your laugh echoes in the hall, bouncing off all this marble and gold. It's out of place here, too loud, too free.

"The better question is what she's trying to get out of me." You say, "do you think I have it in me to manipulate the Mel Medarda?"

He goes quiet at that.

"Are you doing this to get back at me?" He asks after a moment and it's so close to what he wants to ask, so close to what he really wants to talk about.

"She kissed me first." You answer. "Have you had this conversation with her?"

You can tell by the shadow of uncertainty that passes over his face that he hasn't. You stand, easily setting your sketches and pencils aside, and drift nearer to him.

"Oh," you hum, "you didn't know. She didn't mention some plan of seduction to you? Maybe she really does like me."

He rounds on you so sharply that you are genuinely surprised. You gasp when your back hits the wall and he's got you caged in, a snarl on his lips and you finally get to see those teeth of his—

"You just always have to push me, don't you? In all the years I've known you, you've only ever tried to get under my skin. I tried so hard, for so long, for Viktor's sake to get along with you." He says lowly and distantly, you think, does he cage in Mel like this? With his big arms and broad chest? Or does she have him on a tight leash, underneath her?

"This time, I didn't mean it. Surely, you understand—" you say slyly, "when she comes onto you like that, all honey-voiced and half-lidded. She's hard to resist, isn't she?"

The grip he has on your biceps tightens to a point of pain—he'll bruise you. You'll be tender there, where his big hands gripped you, and it only makes you smile.

"Stop it." He snaps.

But you can't help yourself now, because once you've got something between your teeth, you've never been able to let it go;

"I just want to know if she kisses me the same way she kisses you? Does she play nice with you? She's quite fierce with me—"

When Jayce kisses you, it's a crush of aggression.

You laugh into his mouth wildly as he shoves you harder against the wall, teeth mean in the tender part of your bottom lip so that your laughter melts into a groan of pain. Of pleasure.

You claw at his back and wonder if Mel does, too.

You fight and hiss and snarl, show him your teeth when he sinks his into the fluttering pulse at your throat. You try to draw blood. You think he tries to bruise.

And well, you always wanted to see his teeth—

Just never thought you'd end up with a ring of their mark on your neck.

***

You're not really sleeping—nights are long. Days are longer. You're in the studio too much. This art piece is strangling you, wrestling with you and you're losing. Your lovers are strange, demanding types. Jayce comes to you at his lowest, and Mel at her highest. She licks the wounds Jayce leaves on you, purrs about how good you're being for her, goads you into putting up more of a fight that she likes to quell. She asks, have I stolen your bite? Are you going soft on me? Until you try to wrestle with her, too.

Mel subdues you the way snakes do—constricts and tightens and puts all that pressure on you until you just burst.

Until you go slack in her grip.

Jayce takes his anger out on you and he's not so cunning or delicate as her. You think Jayce struggles with you the way he must with his hammers, with high heat and all his strength.

Your art is starting to look like pieces of them; brutal and brilliant and cunning and beautiful. Tricky to capture, even more difficult to mesh together.

You're covered in paint when Viktor comes to visit you, frustrated with the canvas in front of you, which you think you'll end up scrapping again.

(This is the fourth one. You've been trying to fit all the components and pieces together but none of it's working, all of it's a mess. Splintered apart on the canvas. It looks like a disaster on the page.)

"Have you eaten?" Viktor asks as he comes to stand behind you. He gazes at the canvas n front of you.

You sigh heavily. "Have you?" You return.

He snorts at that, "No. I'm coming from the lab and thought I'd check on you—Mel mentioned you were here."

He pauses and then, "that you'd been here. For awhile now."

You hear the layers in his voice; the worry, but then the—

Irritation? Disdain?

"Are you asking me to dinner?" You say instead, dashing the canvas with a sudden great, horrible X. It's your meager attempt at some sort of joke or flirting, but your voice is perhaps too thin for it. You stare at your canvas, now dripping with that great X, the paint slipping down and marring it further.

When you turn to look at Viktor, he regards you warily. He glances at the canvas you've just ruined, and then back to your face.

He takes in your appearance; your disheveled hair and the paint all over your clothes and skin. And then his eyes skip down to your throat, to your arms. All marked up and bruised, unhidden and worn proudly here, in the safety of your art studio.

"Should I be concerned?" Viktor asks instead and you've always loved his bluntness. His lack of tact is like coming home. It's a relief, when you're constantly with Mel and Jayce lately, who talk in riddles and niceties and flowered language that hides their intentions or feelings.

There is a bitterness in Viktor's voice that you know well, too.

"About?" You prod.

"I'm no fool." Viktor answers, "I know you're sleeping with Councilor Medarda."

"Is that all you know?" You return, tilting your head.

"Is there more to know?" Viktor asks, eyeing you.

"Jayce hasn't said anything?"

You watch a strange shadow pass over Viktor's face as he slowly comes to the natural conclusion that you've lead him to. He's right, he is no fool. And then you watch his eyes catch fire, catch jealousy.

"I warned you—" he starts, suddenly.

"And I told you, it's good for the art—" You joke.

"Obviously it isn't!" He snaps, gesturing to the canvas behind you, ruined and glaring at your back. And then he heaves out a rough, agitated breath, dragging a hand through his hair. "Do you ever think of consequences?" He demands.

"Sure," You say, "I'm exactly where I want to be."

"You know, they are my colleagues. What am I supposed to do if—?!"

You laugh at that, enough that it startles him out of his beginning tirade. He comes up short and his shoulders bunch with tension as he glares at you.

"Is something funny?" He hisses.

"Your colleagues?" You repeat, "that's all they are to you?"

"Well—yes, technically." He stumbles on his words here.

"Are you jealous, Viktor?" You ask. "You don't have to be."

"I'm not jealous—" He refutes, even as his cheeks grow ruddy. And for a moment, you could be twelve with him again, his face flush as he looks at you after you'd kissed him for the first time because he'd never kissed anyone before. Or twenty-two and drunk, kissing one night under the stars when you felt so lost and disorientated in the Upper City—just wanted to feel like yourself again.

Or now, at thirty-two, staring at the man you've loved your entire life and whatever mess you've made out of everything.

You reach out and touch his cheek, glowing with color, and at first he winces away, but when you persist, he relaxes. He presses his cheek to your open palm and looks at you; raw and frank and so Viktor that you can't help the faint smile that touches your lips. Even as he frowns at you.

"What are you meddling with?" Viktor murmurs, turning his face into your cupped hand. You feel the faint brush of his lips, a little dry, and soft. Warm.

"Apparently our political landscape." You respond and that at least gets a laugh from him. You feel it against you and some spark shimmers through you, shudders and opens itself to you.

(Your desire for Viktor is something always with you, ambient, perhaps dormant, that always resurfaces like the great fins of some horrible, huge monster in dark waters. Your desire for Viktor is a symptom of your love. You've never know what to call it except that, except his.)

"Have I upset you?" You ask now as his laughter fades, and with it his amusement.

He sighs deeply and you feel his breath against your skin. You draw nearer. He leans back onto his crutch only slightly, only for a moment, before he allows you further into his space.

"I don't—" He struggles for the words before admitting, "yes, somewhat. For some reason."

"Are you feeling neglected?" You ask and try very hard to keep your amusement out of your voice, lest you irritate him further. He's always had a jealous streak in him, even as kids. If you made another friend, he would pout until you draped yourself over him and showered him in your attention again.

Even your previous relationships had bred some sort of jealousy in him; he's never liked any of your partners.

(It's so endearing to you that you have to tuck your teeth into your own lip and hum a little.)

You lean towards him, ducking your head so that your nose dips to brush against the line of his jaw. You feel his body shudder more than you see it. His breath goes tight. Your eyes flicker, a flash in the sun-spun light of your art studio;

"Do you want me to kiss you the way Jayce kisses me?" You murmur, your lips hovering over his. You watch his face gutter, lashes fluttering against his cheeks. His breath goes shallow.

"Or would you prefer Mel?" You murmur, just before you close the distance and kiss him with a certain fierceness, a meanness that you don't usually have with him. He stumbles back a little with the force of it and your hand that had been holding his cheek, slips into the hair at the nape of his neck.

A groan startles out of him when you tighten your hand into a fist and pull.

You part from the kiss, panting a little, and he looks down at you, eyes molten gold and burning.

You're about to kiss him again, when he murmurs, "I want—" he swallows hard, "I want you to kiss me the way you do—I want—"

You press back into him instantly, suddenly overwhelmed with the thought, with the notion that his desire, his jealousy—

You kiss him like you always have, overeager and desperate and messy. You urge him backwards, towards your workbench, all cluttered with paints. His crutch clatters against the ground uselessly as you grab for each other. You knock over a jar of brushes half-haphazardly placed on the floor.

You're overwhelmed with the thought that his jealousy might've been for you, too.

When he braces his hand against your work bench, he knocks over a cup of paint. You laugh into his mouth as you paw at his stupid, perfectly buttoned vest. When he touches you again, he stains you blue—and later red and violet. Burnished gold and paint so silver it makes the stars look dull.

A mess, he tsks, impossibly fond, as he looks at you and himself and the work space.

At all that you'd done.

***

"You've been pulling strings," Mel says as you lay in her lap, letting her pet and stroke you. Her fingers dance over the ridge of your brow.

You blink up at her slowly, eyes fluttering. "Shouldn't that be my line?" You ask.

"I'm not naive to the way you've been pulling our strings." She muses, fingers tumbling into your hair. She's gentle here, careful as she cards her way through your hair, her fingers nimble.

"Pulling strings is a far too sophisticated thing to call it." You snort and lean into her touch like a cat, preening a little.

"What would you call it?" Mel asks and the smile she wears is less of a mystery to you now, and you can tell there's a fondness to it.

(She does really like you—she is really being sincere, you've learned.)

You think about this for a long moment; you toy with saying a fucking mess. Or digging my own grave. But neither feel quite so full—while true, in many ways, there leaves little room for—

Well, this.

The way she holds you. The cat's curl of her smile, pleased and mischievous. Her fingers, gentle and coaxing, urging you to unfurl and bloom.

Or Viktor's rasping laugh that you can pull out of him. The fondness you hold for him like a pearl held inside a clam, growing and glowing. The way you drape yourself all over him, and he accepts it as easy as the day accepts the sun, or the night accepts the moon into its skies.

And even Jayce and the strangled back-and-forth that the two of you dance; it's still yours. It's still his. And the way he cups your cheek admist the violence or how he let's no one speak ill of you in front of him.

(Or the way Jayce and Viktor's minds work together, or how tactical Jayce and Mel can be; sharpened like daggers and twice as pretty. Or the creativity you pull out of Mel, allowing her to see the world like a boundless piece of art. Or the way Viktor's science influences your art; how your art influences his science. The fierceness you bring out in Jayce—the passion he brings out in you.)

It doesn't quite account for all the parts that make you burn and grow and shake out your great, big wings to fly.

Finally, you say, "it feels like I'm trying to find the melodies and harmonies and how they mesh—or the composition of a painting, or the feeling of a poem, but some of the words are still missing. It feels like when I chase art and try to break it open, to reveal what it wants me to learn—or show me."

"Have you figured it out yet?" She asks and she's genuinely curious, almost quiet in her desire to know.

At that, the door creaks open and there are several hushed whispers before Jayce suddenly strides into the room with all the false confidence in the world. Viktor looks sheepish behind him.

You sit up sharply, trying to detangle yourself from Mel.

"I told you they were here—" Viktor hisses to him, "and we shouldn't—we shouldn't be here."

Jayce isn't listening, though, and he's clearly inflating himself to get out, "I've come on important business of the council."

Mel raises her brows and throws you a sideways glance. She then says, "then come in, Councilor, since it's so important that you've come to my personal quarters. Unannounced."

Jayce at least has the good sense to look a little sheepish now, too. You can't help the laugh that springs out of you.

He throws you a dark look before clearing his throat.

"Councilor Haskel and Salo are seeking to strike down the art deal." Jayce announces and your heart drops a little, sinks in your chest.

You look at Mel. She purposefully keeps her face a mask of coolness. She rolls her shoulder briefly, which is your only tell of irritation or concern.

"Come in, Jayce." Mel finally says, "and you, too, Viktor. Shut the door behind you."

Both wander into the space and it's such a surreal moment, all four of you, for once, in the same room, that you can't help but laugh again.

Mel sighs in a way as if to say, I suppose this would happen eventually.

Jayce and Viktor can't quite look anyone in the eye and they both take uneasy seats int he living room.

Again, you feel like laughing—you're not sure what all the trepidation is for. Each of them have you seen you naked; you have seen them naked.

"What's their angle?" Mel asks, ignoring both Jayce and Viktor's shyness.

Jayce clears his throat, "they don't think it's worthwhile to support an artist from the Undercity at this time."

You wince and Jayce adds, "their words, not mine."

"Well, that won't do." Mel tsks and she suddenly moves to stand, graceful as ever, her robes trailing in a wave of silk and the smell of lillies. She likes to pace when she's thinking, and she pads over the window, to look out at the city.

Eventually, she says, "we'll need a grander plan. Something they can't refuse."

"What are you thinking?" Jayce asks.

She turns and all around her, she's doused in gold light, glowing in the evening sun as if she was born to it. "Perhaps combining some science with it." Now she looks at Viktor, "something symbolic to the current advancements with Hextech, perhaps."

Viktor looks at you, then back at Mel, "I can do that."

"Jayce, I need you to talk to the other Councilors and be sure they're not swayed by Haskel or Salo." She then adds, "and I want more publicity around it—and around our artist and scientist."

Our artist.

Our scientist.

"Ah—" Viktor starts, "I don't want to be in the public eye."

Our, our, our.

"It'll put pressure on Haskel and Salo if the people are behind you both, too." Mel presses gently, though her gaze has softened on him; she's sympathetic to his desires.

To assure him, you chirp, "I can do all the talking."

"Not sure that's our best idea." Jayce remarks.

"I am certain I can name several worse ideas of ours." You quip without thinking, and then you toss one of Mel's throw pillows at him; the beautifully embroidered one that's likely far too expensive and made from the rarest threads.

It hits him with a dull thud. And for a moment, he's shocked. The room is silent.

Still, your heart sings our, our, our.

But then Viktor snorts, before breaking out into his low, soft chuckle. And then the twinkle of Mel's giggles, coupled with your own laughter that bursts from your chest like a bird taking to flight.

And Jayce watches a moment, all of you laugh and smile, and if you could paint him in this moment, you would—

A little awe-struck. Tender around the edges, burnished gold. Breath stolen from him.

(Oh, he does really like you, too. All of you.)

But then laughter rumbles from him, too. And the tension slips from all of you, drains from your bodies with each bubbling sound.

And all of them together—finally together—are the melody you've been looking for, the words you couldn't place. The color on the canvas that finally brings it all together.

It's all the broken pieces like a mosaic, finally put together to create something whole.

And it's all ours, you think, the sun a flare of light and beauty bursting through the room, bathing all of your favorite people in it's gold and glory;

It's all ours.

#jayce talis x reader #mel medarda x reader #viktor x reader #meljayvik x reader #arcane x reader #cielo writes!#cielo's writing!

753 notes · View notes

rush-the-stars · 5 months ago

Text

Dogfight

pairing: nicholas d. wolfwood x reader, vash the stampede x reader, vashwood x reader

wc: 4k what the actual hell lol

cw: jealousy, mild smut/suggestive content, fighting, blood, biting, marking, possessiveness. the boys are jealous of each other sorta but then get on the same page. minors dni, 18+ only

a/n: this is for an anon that asked me about jealous vashwood and then i spent days working on this and it got too big so i made an Official Fic Post rather than just answering the ask bc im insane and unwell lol this is also probs more 98 vash and wolfwood than stampede! i hope you enjoy!! banner from @/cafekitsune

∘₊✧───────────────────✧₊∘

The first time they meet you, its through a shower of gunfire. Your wild smile is all that’s left when the smoke clears.

Wolfwood thinks he hasn’t seen anyone so damn beautiful in his entire life—streaked with blood and eyes lit up like a flame, twirling a twin pair of pistols like fucking ribbons.

And Vash thinks maybe he’s in love? And then he shakes his head and tries to clear it, tries to clear you from his vision, and at least the smoke disappears some. And the chaos stills. But you smile all crooked at them, tilting your head a little in greeting and he feels wobbly all over again.

“Happy to save your asses,” you say, “buy me a drink?”

Vash hears wedding bells.

(It’s just church bells tolling in the distance.)

“Happy to—happ—“ Vash trips over all his words.

“Shit, I’ll buy you dinner, too.” Wolfwood says.

Vash looks at him, Wolfwood looks back. And then they’re stumbling over themselves to get up, clambering and clawing and falling over each other and they must look like foolish, scrapping dogs in the dirt at your feet.

You laugh, though, warm and amused.

“Settle down, boys. bar’s still standing—you can both buy me a drink.”

And they’re left to watch you walk away and talk to Meryl, whose shaking her head and rolling her eyes at them. You introduce yourself to her.

And they both scramble after your heels, right on the tails of your skirts.

***

You sleep with Wolfwood first—

He’s surprisingly gentlemanly with you, even if you can feel the desperation and hunger that he tries to keep so far from the surface. He’s all bravado, all honeyed words and little growled praises as he squeezes the fat of your hips.

He gets you so wet it’s almost embarrassing, except that he also makes you come so hard that you forget about it almost immediately. He adores being between your legs, adores tasting and taking—being on his knees for you.

Wolfwood is a worshipful man. Devoted. Adoring. With a little grit and bite when you need it.

He leaves a mark or two. Around your collar bones or neck. One on your hip. He can’t help himself.

He takes good care of you in that brutishly charming way of his—fucks deep and hard, carves his way through you and makes you toss your head back into the pillow and pull at his hair. He loves to please, loves to be told what to do or what you want. Take what you need, pretty girl. He hums to you, groaning when you tell him how good he feels.

Rarely impatient except when you rile him up, Wolfwood makes a good lover. Fun and obedient and affectionate.

You adore him.

***

Wolfwood and Vash get testy with each other.

Tensions are high—Vash is surprisingly sharp with him, in a way that makes you a little wary, treating him like a bit of a ticking time bomb.

Wolfwood doesn’t help. He’s an instigator and if there’s one thing he loves, it’s to get under someone’s skin. Especially someone like Vash, whose usually easy and cheerful and kind.

“Would you leave it?” Vash snaps at Wolfwood, shoving the man’s hand off his shoulder. He bares his teeth a little and in the dim light you see the knife-sharp flash of his pointed canines.

“I was just trying to be friendly,” Wolfwood drawls in a way that indicates he most certainly wasn’t just trying to be friendly.

“Something the matter?” You ask and when Vash’s eyes land on you, he immediately softens. He looks guilty. Hangs his head a little and looks at the ground.

“No,” he says, “sorry—“

But Wolfwood says, “Blondie’s got his panties in a bunch about something and I was just trying to see what was wrong—“

Vash’s eyes flash.

“Nick,” you snap. Short and sharp, like reprimanding a dog.

He looks at you. You look back. Then you jerk your head to tell him to get lost, “take a hike.”

“And who made you the boss?” He snarks.

You level him with a more serious look, hand on your hip, “I’ll find you later.”

“You can’t just order me—“

“I wanna talk to Vash.” You respond firmly, “and you’re being a jackass.”

He stares at you for another long moment. You don’t back down, in fact you tip your chin up a little, meeting his eyes with a flash of authority.

He looks at Vash, who quickly glances away.

He scoffs, “whatever. You’re both a pain in my ass.” But he listens to you and skulks off.

You turn to Vash when he’s out of ear shot, “you okay?” You ask.

Vash can’t look at you. “Yeah, I’m sorry about that—“

“Not your fault. He can be a pest. Walk with me?” You ask and now you hold up the crook of your elbow.

Vash eyes you uncertainly for a moment, before he lets go of a small breath, and siddles up to your side. He loops his arm through yours and you begin to guide him through this little, nowhere town. The sun is setting. The dusk sky is smoky and golden, like a quartz glittering, shadowed and shining.

“You seem—“ You choose your words carefully, “troubled lately.” And then you amend, “more troubled than usual.”

“I’m sorry to worry you but everything’s fine.” Vash shakes his head.

“Vash,” you implore gently, shaking his arm a little. “I can tell something’s bothering you. Won’t you tell me?”

“Ah,” Vash says weakly, “it’s alright.” And he looks ahead, out at the horizon. You follow his gaze. There's nothing out there but the line of land in the distance.

“Thanks for standing up for me tonight but you should—you should go find him. He’ll be waiting for you.”

And then Vash drops your arm and walks away, his head down, a little furrow to his brows. And you watch him go, dumbfounded.

When you return to Wolfwood, he’s waiting for you on the porch of the little inn you're staying at, smoking a cigarette.

“What the hell was that all about?” He gruffs, blowing the smoke from the corner of his mouth.

You don’t answer him at first. You slip into his lap easily. He raises his eyebrows in slight surprise, but immediately adjusts, one hand around your waist, the other holding his cigarette away from you.

“You need to leave him be.” You say, sighing as you sink into his embrace.

He pauses for a moment, looks at you—really looks at you.

Then he says, “he wants you, you know.”

“Is that what this is about? Are you jealous? Is that why you’re pestering him?” You rub your knuckle against his stubbly jaw, pet him a little. He leans into the touch, nudging himself against your hand.

"You like him?" He asks instead.

"Course I like Vash." You hush, fingers moving to card through his hair.

He takes a slow drag from his cigarette before he leans away to blow the smoke away from you. It lingers in the air around him and for a moment, you look at him through the haze. The smell of it reminds you so thoroughly of him nowadays that you almost crave it when its not around.

"No," Wolfwood corrects, "do you like him the way you like me?"

"You think I like you?" You tease, but he doesn't take kindly to that and jostles you in his lap a little and even goes so far as to jerk his head away from your touch.

"Woah, take it easy," you say, realizing he really didn't like that joke, "I was only playin' with you. I'm in your lap, aren't I?"

He softens a little. Lets go of a breath. He squeezes your waist, maybe in apology. To soothe the ache, you lean forward and press a kiss to his jaw, pepper them lightly down his neck.

"You didn't answer the question." He mumbles and you feel more than you see him flick his cigarette down and crush it with the heel of his shoe. He pulls you closer now that his other hand is free, slots you tight against him, and leans back to give you more room at his neck.

"Would you be mad if I said yes?" You murmur, carefully kissing at the pulse in his neck. You hide there.

"If i was?"

"You aren't good at sharing?" You coo, nudging your nose against his jaw, up to catch him in a quick kiss. He nips a little in answer.

"Not usually," he finally says.

"Not even with Vash?" You ask, because you know him better than he'd like to admit. And now you pull away to look at him.

To really look at him.

His eyes flick away, maybe bashfully, "yeah, well—I don't think I'm the one you have to worry about."

"What do you mean?" You ask.

He shrugs a little, "you think cause he puts up the goody-two-shoes act that it makes him good with sharing?" He asks, "why do you think he's gotten so pissed with me lately?"

You hum in acknowledgement. "Have you been rubbing it in?" You ask.

"Not intentionally." He says. And then when you look at him more pointedly, he admits, "not intentionally most of the time."

"Well, we'll see if Vash can share." You finally say and lean again to kiss him.

But in a sudden move, he grabs your chin, forces you still. Forces you to look at him.

"Only Vash, you hear me?" He says. His eyes are dark suns, all encompassing and imploring and fiery, "anyone else and I'll lose it."

You can't tell if it's a warning with the slight waver in his voice or a threat, with the growl behind the end of it. And then you remember scared dogs bite.

"Only Vash." You swear, "only you."

He settles a little, leans back again, and this time, when you kiss him, it's harder. More a claiming than a kiss — more a damning than a passion. He gives it back tenfold.

He litters you in little marks, in his scent, and drops his blazer around your shoulders in the morning. At breakfast, right in front of Vash, he catches you in a sharp, burn of a kiss.

More of a claiming. More of a damning.

***

When you sleep with Vash for the first time, it’s after a near-death experience. You were being reckless. The room is charged.

And Vash kisses you not like it’s the first time, but like it could be the last. He's the heat of a falling star, searing you, devouring you. He's all desperation. All starvation.

You'd thought with how sweet he usually was, that he'd be even more well behaved than Wolfwood, but that is far from the truth. He's a little untamed, untrained and clumsy and ferocious.

He whines as he takes you apart and you think he'd probably take praise well if you could teach him but right now he's just so— raw. So yearning and famished with it all.

You've no choice but to try and give everything you can in hopes of soothing him in some way. Filling the emptiness in him. And even still, you're aching and sore and torn-up after all is said in done.

Vash is bashful and a little remorseful about it come morning.

But you twine your arms around him and kiss him hard in reassurance. In encouragement.

He's passionate and all-encompassing. He's all your world in this moment.

You adore him.

Later, when Wolfwood sees the marks he left on you, he curses.

"Is he a fucking vampire?" He asks, tilting your head to the side to see the dark bruise in the side of your neck. But then he realizes how tender you are still, how aching, and he coos all soft.

Tells you he'll lick the wounds Vash gave you.

Says. I told you it wasn't me you had to worry about.

Vash avoids you and Wolfwood for nearly two days.

On the third, he finally breaks.

And when he does, he bundles you in his red coat after a long day, fists his hands in the collar of it to pull you towards him, and kisses you hard in front of Wolfwood, underneath the dark heavens above. He says he'll be back later.

Your lip throbs from the nip of his teeth.

(When Wolfwood kisses you shortly after, pushing Vash's coat from your shoulders, he soothes the sting with his tongue.)

***

For awhile, all the boys do is fight when they're around each other. It's getting to a point where Meryl is avoiding them at all costs—and you're just short of joining her.

The worst of it is on one of the hottest days in a long time.

Wolfwood says something he shouldn't—asks Vash if he could smell his cologne on you. Asks if he likes it.

It's too far. Usually, they bicker and fight over unrelated, stupid shit.

But that strikes a nerve.

And it's so fast that you don't even catch it, and suddenly Vash has Wolfwood pinned against the wall, hands fisted in the front of his shirt.

You always thought, maybe just on height and weight alone, that Wolfwood was stronger. But looking at Vash now, easily pinning him, you aren't quite sure.

"Oh, you wanna finally fight?" Wolfwood asks, baring his teeth, too.

And really, it's like when dogs fight.

It's fast and vicious. It sounds worse than it is—snarling and growling and wrestling with each other. It's artless. You've seen them both in a fight and this isn't—this isn't that. It's better, maybe, on Wolfwood's end. He's not trying to kill Vash. But maybe it's also worse, more personal, more brutal.

You hear Vash yelp—Wolfwood curses. More fighting.

You yell at them, the way you shout at fighting dogs, grab hold of Wolfwood around the collar and pull hard enough that he stops from his place over Vash, panting.

His mouth is bloody and it drips down onto Vash, his teeth still bared and crimson.

For a moment, they look at each other.

(And Vash thinks wildly, looking up at Wolfwood, sorry about the blood in your mouth. I think I wish it was mine. He tastes blood himself and wonders if it is Wolfwood's. If he really did bite him.

Wolfwood thinks, hit me again. If that's all you'll give me now, I'll take it. Wolfwood looks down at Vash, feels his heaving chest beneath him, and thinks, if I can only have you this close in a fight, I'll take that, too.)

You're cursing them both out, hauling Wolfwood off of him. You're furious and shaking and you're scolding them both.

You're fussing over them both, too, angrily wiping at their mouths and inspecting their wounds.

And they both think, maybe I should pick more fights, to see you like this, too, flustered and livid and worried. Doting. Adoring.

You shake your head at the both of them but—

You adore them.

***

It takes another man sniffing around you for them both to finally get on the same page.

And if it's one thing about Vash and Wolfwood, for all their bickering and differences, they know when to shut up and work together.

The moment another man starts chatting you up at the bar, they both go still and silent.

"You see what I'm seeing?" Wolfwood asks.

"Yeah," Vash says, eyes narrowing behind his glasses as the man manages to make you laugh. He leans all close to you. Vash has a near visceral reaction to jerk up from his seat beside Wolfwood.

Wolfwood grabs his arm.

"You thinkin' what I'm thinkin' then?" He asks.

Vash spares him only a glance—his eyes are trained on you and the man at your side. He grimaces. "Probably not. I don't wanna kill him."

Wolfwood barks out a laugh as Vash adds, "but I don't want him here, either."

"You wanna chase him off?" He asks. "Or you want me to be the bad guy?"

Vash swallows.

"She'll get mad at me for being an asshole. She'll be all pleased with you for being so good." He says and there's a dryness to his tone, a certain resignation or—

"Why would you do that?" Vash asks and he finally peels his eyes away long enough to look at Wolfwood.

To really look at him.

He shrugs, "I don't mind being in the dog house."

Vash eyes him.

Wolfwood smiles a little, "and I think she's hot when she's mad."

Vash frowns at that, a little twitch of his lips, almost in a pout. "Besides that—I meant—why would you do that for me?"

Wolfwood looks back over at the man at the bar, whose gotten even closer to you, his shoulder almost brushing yours. You're smiling and playing nice. Wolfwood's hackles rise. He bristles. He finally stands, too.

He never feels this way when he sees you with Vash. He never feels this way on the nights when Vash has you. In fact, the idea of it is—it's—

Kissing you after Vash. Knowing he'd just kissed you. Sinking his teeth into the ridges of marks Vash leaves on you, like he's trying to get his own taste. Or compare his teeth to Vash's. Maybe he growls and snaps at him and bares his teeth the next day, too, but he never feels like this.

Scared and mean and angry and—

"What, are you gonna make me fuckin' say it?" Wolfwood snaps.

"Say what?!"

Wolfwood slugs his arm hard. The flesh one, so he doesn't damn near break his knuckles doing it. And Vash yelps all high and Wolfwood wants to shake him and he also sorta wants to hit him again. And maybe he wants to kiss him stupid, too—

"I don't—" Wolfwood swallows hard, "I don't mind sharing. With you. With only you."

Wolfwood looks at him.

Really looks at him.

And then Vash turns the deepest shade of red.

Wolfwood's face gets hot all over, too. "Oh, Christ, blondie—did you really not know?"

"I don't know what I thought!" Vash says and his voice gets sorta high.

"Well—" Wolfwood shifts, uncharacteristically nervous, "what about—I mean, do you—are you okay sharing...with me?"

"At first, I thought I wasn't." Vash admits, "and I was jealous of—" he swallows, "I was jealous of both of you, if I think about it. You're just—you push my buttons more than she does—so. I took it out on you, mostly."

"Ah," Wolfwood says, "you took it out on her, too. Just in a different way."

Vash cheeks somehow get darker with color and Wolfwood laughs, realizing that he's—it's relief. He feels relieved, finally, as he laughs.

"You're a dumbass." He says to Vash.

And Vash smiles at him, crooked and boyish and stupidly handsome. That smile that Wolfwood has always liked.

Wolfwood then turns his gaze back to you, back to the man at the bar whose leaning in all close. He sees you tip away, adjusting your space. And he says;

"Now let's go get our girl."

The moment Wolfwood comes up behind you, you know there will be trouble unless this man doesn't leave quick — what you aren't expecting, is Vash to come up on the other side of the man. You tilt your head.

You feel a broad hand on your lower back, "he botherin' you?" Wolfwood asks, leaning all into your space.

The man sizes up Wolfwood, weighing his chances still and you can nearly feel Wolfwood stiffen and bristle behind you. He doesn't like being challenged.

"He was just seeing if I wanted a drink."

Vash, on the other side of the man says, "maybe he'd like it if I bought him a drink instead!" And though it's said brightly, it's almost a little too bright.

Vash's eyes gleam like the cold edge of bright moons.

You look between them for a moment as the man says, "alright, what the hell is this? You her boyfriend or something?"

"Or something." Wolfwood agrees casually.

"And whose this guy?" He snarks to Vash, "her other boyfriend?"

"Or something." Vash says, still smiling, and that really pisses the guy off.

"Would you back up?" He snaps and he shoves at Vash enough that he stumbles away a few steps. And before he can do something stupid, you put yourself between Wolfwood and the man.

"Leave him," you say lowly to Wolfwood, whose hackles are raised.

Wolfwood isn't looking at you, he's looking at the man behind you and his eyes are hard and cold and mean looking.

"Nick," you say, "I don't want a bar fight."

"Worried he can't handle me?" The man asks, "no wonder you were letting me chat you up."

Wolfwood jerks a little in your hold and Vash speaks up, laughing a little, "no reason to fight! Wouldn't want to clean you up off the floor."

Well, that does it.

The man swings on Vash, who yelps a little, but easily evades him. When he ducks, the man connects with another person behind Vash.

Damn it all.

The bar breaks out in pandemonium. Wolfwood shoves you beneath him and Vash works on ducking and diving out of the way of the first few swings sent his way. Shouting and glass shattering, raining down from above, makes you curse.

Wolfwood dodges the first punch thrown his way and he shoves you out of the way, before he takes a swing himself. When he connects, it's a nasty punch. Blood erupts.

Food is getting thrown. Alcohol sailing overhead, soaking the fighting crowd and angering them further. The poor bartender is hiding, ducking behind the counter and shivering.

You clamber atop the bar to get a look and—it's a wild crush of people, fighting and wrestling and breaking glass over each other's heads.

You put your fingers to your mouth and whistle—the loud, piercing kind that usually gets everyone's attention. This time, there's so much noise and shouting, that not a soul stops their fighting.

You pull out one of your pistols.

The shot thunders in the bar, makes your ears ring.

Everyone gasps and yells in surprise, instinctively ducking, covering their heads. But they all finally turn to look at you.

"Everyone out!" You shout, "take your fighting elsewhere!"

Grumbles erupt. But you hold up your pistol and shout again, with more force and fire, "out!"

The bar begins to stir, all the patrons dislodging and shifting about, detangling themselves from their fights. They meander in knots of people, twisting out the door slowly.

When Vash and Wolfwood appear again, they look disheveled and Vash's lip is busted. Wolfwood's sunglasses are shattered. You put your hands on your hips as you look down at them.

"What the hell am I supposed to do with you two?" You snap.

Wolfwood reaches up to lift you right off the bar and back onto the ground in front of him. He shrouds you, "nurse our wounds?" He asks.

"You're a pain in the ass. I told you I didn't want a bar fight."

"He didn't throw the first punch, in his defense." Vash speaks up, but he's talking sorta funny because of his lip, which is swelling even now.

You sigh, "let me see."

Vash siddles up to you, a little sheepish, with that puppy-dog look on his face. He bends down a little, so you can get a better look at his face, dipping his head down in a show of submission.

Woflwood, behind you, whistles. "That's a good one, blondie."

"Hurts." Vash says as you carefully inspect it, debating if he'll need stitches or not.

"You gonna kiss it better?" Wolfwood asks.

"Why don't you?" You snark back, "since you two are finally working together it seems."

Vash smiles a little, which makes him wince, which makes you scold him. Wolfwood laughs, cooing a little, before he says, "alright, alright—lets get him patched up."

And you walk out with them at your skirts, hovering around you, dogging your steps. They follow you all the way back into your little room at an inn on the edge of the world.

And they settle in like they both own the damn place.

Wolfwood is tormenting Vash a little, whose whining and coming to your side for aid. But they're both—getting along, at least. And they're both demanding all your attention and taking up space in your room and—

And you adore them. You adore both of them, even with all their damn dogfights.

#nicholas d. wolfwood x reader #wolfwood x reader #vash the stampede x reader #vash x reader #vashwood x reader #nicholas d. wolfwood x you #wolfwood x you #vash the stampede x you #vash x you #trigun x reader #trigun stampede x reader #cielo's writing!#cielo writes!

497 notes · View notes