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inparenth · 1 year ago
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Now Available: In Parentheses Magazine (Volume 8, Issue 1) Fall 2023
Watching / Belle Dougas / October 2023 Fall / Volume 8 / Issue 1 In Parentheses Magazine (Volume 8, Issue 1) Fall 2023 By In Parentheses in IP Volume 8 64 pages The October 2023 Edition of In Parentheses is now available on print and digital platforms! Click here to view the entire edition for free and compatible viewing at our MagCloud marketplace. You may choose to also purchase digital or…
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caveartfair · 6 years ago
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All of the Artists in the Venice Biennale
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The 57th Venice Biennale, 2017. Photo by Casey Kelbaugh for Artsy.
The 58th Venice Biennale opens to the public on May 11th and runs until November 24, 2019. Here, we share the artists who will be showing in Venice this year, from those who are included in the international exhibition to those who will represent countries in national pavilions in the Giardini, Arsenale, and across the city. (Editor’s note: This article will be updated as new details of the Venice Biennale presentations are announced.)
Artists Showing in National Pavilions at the Giardini
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The 57th Venice Biennale, 2017. Photo by Casey Kelbaugh for Artsy.
Australia
Angelica Mesiti
Curated by Juliana Engberg
Austria
Renate Bertlmann
Curated by Felicitas Thun-Hohenstein
Belgium
Jos de Gruyter & Harald Thys
Curated by Anne-Claire Schmitz
Brazil
Bárbara Wagner & Benjamin de Burca
Curated by Gabriel Pérez-Barreiro
Canada
Inuit artist collective Isuma (Zacharias Kunuk, Norman Cohn, Paul Apak, and Pauloosie Qulitalik)
Curated by Asinnajaq, Catherine Crowston, Barbara Fischer, Candice Hopkins, and Josée Drouin-Brisebois
Czech Republic and Slovakia
Stanislav Kolíbal
Curated by Dieter Bogner
Denmark
Larissa Sansour
Curated by Nat Muller
Egypt
Islam Abdullah, Ahmed Chiha, and Ahmed Abdel Karim
Curated by Ahmed Chiha
Finland
Miracle Workers Collective (Maryan Abdulkarim, Khadar Ahmed, Hassan Blasim, Giovanna Esposito Yussif, Sonya Lindfors, Bonaventure Soh Bejeng Ndikung, Leena Pukki, Lorenzo Sandoval, Martta Tuomaala, Christopher L. Thomas, Christopher Wessels, and Suvi West)
Curated by Giovanna Esposito Yussif, Bonaventure Soh Bejeng Ndikung, and Christopher Wessels
France
Laure Prouvost
Curated by Martha Kirszenbaum
Germany
Natascha Süder Happelmann (Natascha Sadr Haghighian)
Curated by Franciska Zólyom
Great Britain
Cathy Wilkes
Curated by Zoe Whitley
Greece
Panos Charalambous, Eva Stefani, and Zafos Xagoraris
Curated by Katerina Tselou
Hungary
Tamás Waliczky
Curated by Zsuzsanna Szegedy-Maszák
Israel
Aya Ben Ron
Curated by Avi Lubin
Japan
Motoyuki Shitamichi, Taro Yasuno, Toshiaki Ishikura, and Fuminori Nousaku
Curated by Hiroyuki Hattori
Korea
Hwayeon Nam, Siren Eun Young Jung, and Jane Jin Kaisen
Curated by Hyunjin Kim
The Netherlands
Remy Jungerman and Iris Kensmil, with works by Stanley Brouwn
Curated by Benno Tempel
Nordic Pavilion
Artist duo Maria Teeri & Janne Nabb, a.k.a. nabbteeri, from Finland; Ane Graff from Norway; and Ingela Ihrman from Sweden
Curated by Piia Oksanen and Leevi Haapala
Poland
Roman Stańczak
Curated by Łukasz Mojsak and Łukasz Ronduda
Romania
Belu-Simion Făinaru, Dan Mihălțianu, and Miklós Onucsán
Curated by Cristian Nae
Russia
Alexander Sokurov and Alexander Shishkin-Hokusai
Curated by Mikhail Piotrovsky, The State Hermitage Museum
Serbia
Djordje Ozbolt
Curated by Nicoletta Lambertucci
Spain
Itziar Okariz and Sergio Prego Curated by Peio Aguirre
Switzerland
Pauline Boudry & Renate Lorenz
Curated by Charlotte Laubard
United States
Martin Puryear
Curated by Brooke Kamin Rapaport
Uruguay
Yamandú Canosa
Curated by David Armengol and Patricia Bentancur
Venezuela (Bolivarian Republic of)
Natalie Rocha Capiello, Ricardo García, Gabriel López, and Nelson Rangelosky
Curated by Oscar Sottillo Meneses
Artists Showing in National Pavilions at the Arsenale
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Installation view of work by by Takesada Matsutani at the 57th Venice Biennale, 2017. Photo by Casey Kelbaugh for Artsy.
Albania
Driant Zeneli
Curated by Alicia Knock
Argentina
Mariana Telleria
Curated by Florencia Battiti
Chile
Voluspa Jarpa
Curated by Agustín Pérez Rubio
China (People’s Republic of)
Chen Qi, Feijun, He Xiangyu, and Geng Xue
Curated by Wu Hongliang
Georgia
Anna K.E.
Curated by Margot Norton
Ghana
Felicia Abban, John Akomfrah, El Anatsui, Lynette Yiadom-Boakye, Ibrahim Mahama, and Selasi Awusi Sosu
Curated by Nana Oforiatta Ayim
India
Nandalal Bose, Atul Dodiya, GR Iranna, Rummana Hussain, Jitish Kallat, Shakuntala Kulkarni, and Ashim Purkayastha
Curated by Roobina Karode
Indonesia
Handiwirman Saputra and Syagini Ratna Wulan
Curated by Asmudjo Jono Irianto; co-curated by Yacobus Ari Respati
Ireland
Eva Rothschild
Curated by Mary Cremin
Italy
Enrico David, Chiara Fumai, and Liliana Moro
Curated by Milovan Farronato
Kosovo (Republic of)
Alban Muja
Curated by Vincent Honore
Latvia
Daiga Grantiņa
Curated by Valentinas Klimašauskas and Inga Lāce
Luxembourg
Marco Godinho
Curated by Kevin Muhlen
Madagascar
Joël Andrianomearisoa
Curated by Rina Ralay-Ranaivo and Emmanuel Daydé
Malta
Vince Briffa, Klitsa Antoniou, and Trevor Borg
Curated by Hesperia Iliadou Suppiej
Mexico
Pablo Vargas Lugo
Curated by Magalí Arriola
Peru
Christian Bendayán, Otto Michael, Manuel Rodríguez Lira, Segundo Candiño Rodríguez, and Anonymous popular artificer
Curated by Gustavo Buntinx
Philippines
Mark Justiniani
Curated by Tessa Maria Guazon
Saudi Arabia
Zahrah Al Ghamdi
Curated by Eiman Elgibreen
Singapore
Song-Ming Ang
Curated by Michelle Ho
Slovenia
Marko Peljhan
Curated by Igor Španjol
South Africa (Republic of)
Dineo Seshee Bopape, Tracey Rose, and Mawande Ka Zenzile
Curated by Nkule Mabaso and Nomusa Makhubu
Turkey
İnci Eviner
Curated by Zeynep Öz
Ukraine
Curated by Open Group (Yurii Biley, Pavlo Kovach, Stanislav Turina, and Anton Varga)
United Arab Emirates
Nujoom Alghanem
Curated by Sam Bardaouil and Till Fellrath
Artists Showing in National Pavilions across Venice
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Phantom Camp VIII, 2014. Kris Lemsalu Temnikova & Kasela
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Falling Upward, 2016. Saad Yagan Kiyan Art
Algeria
Rachida Azdaou, Hamza Bounoua, Amina Zoubir, Mourad Krinah, and Oussama Tabti
Curated by Hellal Mahmoud Zoubir, National Council of Arts and Letters Ministry of Culture
Andorra
Philippe Shangti
Curated by Ivan Sansa and Paolo De Grandis
Antigua and Barbuda
Timothy Payne, Sir Gerald Price, Joseph Seton, and Frank Walter; Intangible Cultural, Heritage Artisans, and Mas Troup
Curated by Barbara Paca with Nina Khrushcheva
Armenia
“ArtlabYerevan” Artistic Group (Gagik Charchyan, Hovhannes Margaryan, Arthur Petrosyan, and Vardan Jaloyan) and Narine Arakelian
Curated by Susanna Gyulamiryan
Azerbaijan (Republic of)
Zeigam Azizov, Orkhan Mammadov, Zarnishan Yusifova, Kanan Aliyev, and Ulviyya Aliyeva
Curated by Giovanni Mercurio and Emin Mammadov
Bangladesh (People’s Republic of)
Bishwajit Goswami, Dilara Begum Jolly, Heidi Fosli, Nafis Ahmed Gazi, Franco Marrocco, Domenico Pellegrino, Preema Nazia Andaleeb, Ra Kajol, and Uttam Kumar
Curated by Mokhlesur Rahman and Viviana Vannucci
Belarus (Republic of)
Konstantin Selikhanov
Curated by Olga Rybchinskaya
Bosnia and Herzegovina
Danica Dakić
Curated by Anja Bogojević, Amila Puzić, and Claudia Zini
Bulgaria
Rada Boukova and Lazar Lyutakov
Curated by Vera Mlechevska
Catalonia
David Bestué, Marcel Borràs, Albert Garcia-Alzórriz, Tiziano Schürch, and Dolors Magallón
Curated by Pedro Azara
Croatia
Igor Grubić
Curated by Katerina Gregos
Cuba
Alejandro Campins, Alex Hérnandez, Ariamna Contino, and Eugenio Tibaldi
Curated by Margarita Sanchez Prieto
Cyprus
Christoforos Savva (1924–1968)
Curated by Jacopo Crivelli Visconti
Dominican (Republic)
Dario Oleaga, Ezequiel Taveras, Hulda Guzmán, Julio Valdez, Miguel Ramirez, Rita Bertrecchi, Nicola Pica, and Marraffa & Casciotti
Curated by Marianne de Tolentino, Simone Pieralice, and Giovanni Verza
Estonia
Kris Lemsalu
Curated by Andrew Berardini, Irene Campolmi, Sarah Lucas, and Tamara Luuk
Grenada
Amy Cannestra, Billy Gerard Frank, Dave Lewis, Shervone Neckles, Franco Rota Candiani, Roberto Miniati, and CRS avant-garde (Carlo Caldara, Paolo Rossetto, and Giovanni Scagnoli)
Curated by Daniele Radini Tedeschi
Guatemala
Elsie Wunderlich and Marco Manzo
Curated by Stefania Pieralice
Haiti
Jean Ulrick Désert
Curated by Giscard Bouchotte
Hong Kong
Shirley Tse
Curated by Christina Li
Iceland
Shoplifter (Hrafnhildur Arnardóttir)
Curated by Birta Guðjónsdóttir
Iran (Islamic Republic of)
Reza Lavassani, Samira Alikhanzadeh, and Ali Meer Azimi
Curated by Ali Bakhtiari
Iraq
Serwan Baran
Curated by Tamara Chalabi and Paolo Colombo
Ivory Coast
Ernest Dükü, Ananias Leki Dago, Valérie Oka, and Tong Yanrunan
Curated by Massimo Scaringella
Kiribati
Kaeka Michael Betero, Daniela Danica Tepes, Kairaken Betio Group; Teroloang Borouea, Neneia Takoikoi, Tineta Timirau, Teeti Aaloa, Kenneth Ioane, Kaumai Kaoma, Runita Rabwaa, Obeta Taia, Tiribo Kobaua, Tamuera Tebebe, Rairauea Rue, Teuea Kabunare, Tokintekai Ekentetake, Katanuti Francis, Mikaere Tebwebwe, Terita Itinikarawa, Kaeua Kobaua, Raatu Tiuteke, Kaeriti Baanga, Ioanna Francis, Temarewe Banaan, Aanamaria Toom, Einako Temewi, Nimei Itinikarawa, Teniteiti Mikaere, Aanibo Bwatanita, and Arin Tikiraua
Curated by Kautu Tabaka and Nina Tepes
Lithuania
Rugilė Barzdžiukaitė, Vaiva Grainyte, and Lina Lapelyte
Curated by Lucia Pietroiusti
Malaysia
Anurendra Jegadeva, H.H.Lim, Ivan Lam, and Zulkifli Yusoff
Curated by Lim Wei-Ling Esme
Mongolia
Jantsankhorol Erdenebayar, traditional Mongolian throat singers, and Carsten Nicolai
Curated by Gantuya Badamgarav
Montenegro
Vesko Gagović
Curated by Petrica Duletić
Mozambique (Republic of)
Gonçalo Mabunda, Mauro Pinto, and Filipe Branquinho
Curated by Lidija K. Khachatourian
New Zealand
Dane Mitchell
Curated by Zara Stanhope and Chris Sharp
North Macedonia (Republic of)
Nada Prlja
Curated by Jovanka Popova
Pakistan
Naiza Khan
Curated by Zahra Khan
Portugal
Leonor Antunes
Curated by João Ribas
San Marino (Republic of)
Gisella Battistini, Martina Conti, Gabriele Gambuti, Giovanna Fra, Thea Tini, Chen Chengwei, Li Geng, Dario Ortiz, Tang Shuangning, Jens W. Beyrich, Xing Junqin, Xu de Qi, and Sebastián
Curated by Vincenzo Sanfo
Scotland
Charlotte Prodger
Curated by Linsey Young with Cove Park (artist residency)
Seychelles (Republic of)
George Camille and Daniel Dodin
Curated by Martin Kennedy
Syrian Arab (Republic)
Abdalah Abouassali, Giacomo Braglia, Ibrahim Al Hamid, Chen Huasha, Saed Salloum, Xie Tian, Saad Yagan, Primo Vanadia, and Giuseppe Biasio
Curated by Emad Kashout
Taiwan
Shu Lea Cheang
Curated by Paul B. Preciado
Thailand
Somsak Chowtadapong, Panya Vijinthanasarn, and Krit Ngamsom
Curated by Tawatchai Somkong
Wales
Sean Edwards
Curated by Marie-Anne McQuay
Zimbabwe (Republic of)
Raphael Chikukwa
Curated by Georgina Maxim, Neville Starling, Cosmos Shiridzinomwa, and Kudzanai Violet Hwami
“May You Live In Interesting Times”
These artists are featured in “May You Live In Interesting Times,” the 58th Venice Biennale’s International Art Exhibition at the Giardini and the Arsenale, curated by Ralph Rugoff.
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The 57th Venice Biennale, 2017. Photo by Casey Kelbaugh for Artsy.
Lawrence Abu Hamdan, b. 1985, Jordan. Lives and works in Beirut.
Njideka Akunyili Crosby, b. 1983, Nigeria. Lives and works in Los Angeles.
Halil Altındere, b. 1971, Turkey. Lives and works in Istanbul.
Michael Armitage, b. 1984, Kenya. Lives and works in London and Nairobi.
Korakrit Arunanondchai, b. 1986, Thailand. Lives and works in New York and Bangkok.
Alex Gvojic, b. 1984, United States. Lives and works in New York.
Ed Atkins, b. 1982, United Kingdom. Lives and works in Berlin and Copenhagen.
Tarek Atoui, b. 1980, Lebanon. Lives and works in Paris.
Darren Bader, b. 1978, United States. Lives and works in New York and elsewhere.
Nairy Baghramian, b. 1971, Iran. Lives and works in Berlin.
Neïl Beloufa, b. 1985, France. Lives and works in Paris.
Alexandra Bircken, b. 1967 Germany. Lives and works in Berlin.
Carol Bove, b. 1971, Switzerland. Lives and works in New York.
Christoph Büchel, b. 1966, Switzerland. Lives and works in Reykjavik and Basel.
Ludovica Carbotta, b. 1982, Italy. Lives and works in Barcelona.
Antoine Catala, b. 1975, France. Lives and works in New York.
Ian Cheng, b. 1984, United States. Lives and works in New York.
George Condo, b. 1957, United States. Lives and works in New York.
Alex Da Corte, b. 1980, United States. Lives and works in Philadelphia.
Jesse Darling, b. 1981 United Kingdom. Lives and works in London and Berlin.
Stan Douglas, b. 1960, Canada. Lives and works in Vancouver.
Jimmie Durham, b. 1940, United States. Lives and works in Berlin.
Nicole Eisenman, b. 1965, France. Lives and works in New York.
Haris Epaminonda, b. 1980, Republic of Cyprus. Lives and works in Berlin.
Lara Favaretto, b. 1973, Italy. Lives and works in Turin.
Cyprien Gaillard, b. 1980, France. Lives and works in Berlin.
Gauri Gill, b. 1970, India. Lives and works in New Delhi.
Dominique Gonzalez-Foerster, b. 1965, France. Lives and works in Paris.
Joi Bittle, b. 1975, United States. Lives and works in New York.
Shilpa Gupta, b. 1976, India. Lives and works in Mumbai.
Soham Gupta, b. 1988, India. Lives and works in Kolkata.
Martine Gutierrez, b. 1989, United States. Lives and works in New York.
Rula Halawani, b. 1964, Palestine. Lives and works in Jerusalem.
Anthea Hamilton, b. 1978, United Kingdom. Lives and works in London.
Jeppe Hein, b. 1974, Denmark. Lives and works in Berlin.
Anthony Hernandez, b. 1947, United States. Lives and works in Los Angeles and Idaho.
Tsuyoshi Hisakado, b. 1981, Japan. Lives and works in Kyoto.
Ryoji Ikeda, b. 1966, Japan. Lives and works in Paris and Kyoto.
Arthur Jafa, b. 1960, United States. Lives and works in Los Angeles.
Cameron Jamie, b. 1969, United States. Lives and works in Paris and Cologne.
Kahlil Joseph, b. 1981, United States. Lives and works in Los Angeles.
Zhanna Kadyrova, b. 1981, Ukraine. Lives and works in Kyiv.
Suki Seokyeong Kang, b. 1977, Republic of Korea. Lives and works in Seoul.
Mari Katayama, b. 1987, Japan. Lives and works in Gunma.
Lee Bul, b. 1964, Republic of Korea. Lives and works in Seoul.
Liu Wei , b. 1972, People’s Republic of China. Lives and works in Beijing.
Maria Loboda, b. 1979, Poland. Lives and works in Berlin.
Andreas Lolis, b. 1970, Albania. Lives and works in Athens.
Christian Marclay, b. 1955, United States. Lives and works in London.
Teresa Margolles, b. 1963, Mexico. Lives and works in Mexico City and Madrid.
Julie Mehretu, b. 1970, Ethiopia. Lives and works in New York.
Ad Minoliti, b. 1980, Argentina. Lives and works in Buenos Aires.
Jean-Luc Moulène, b. 1955, France. Lives and works in Paris.
Zanele Muholi, b. 1972, Republic of South Africa. Lives and works in Johannesburg, Durban, and Cape Town.
Jill Mulleady, b. 1980, Uruguay. Lives and works in Los Angeles.
Ulrike Müller, b. 1971, Austria. Lives and works in New York.
Nabuqi, b. 1984, People’s Republic of China. Lives and works in Beijing.
Otobong Nkanga, b. 1974, Nigeria. Lives and works in Antwerp.
Khyentse Norbu, b. 1961, Bhutan. Lives and works in India and Bhutan.
Frida Orupabo, b. 1986, Norway. Lives and works in Oslo.
Jon Rafman, b. 1981, Canada. Lives and works in Montreal.
Gabriel Rico, b. 1980, Mexico. Lives and works in Guadalajara.
Handiwirman Saputra, b. 1975, Indonesia. Lives and works in Yogyakarta.
Tomás Saraceno, b. 1973, Argentina. Lives and works in Berlin.
Augustas Serapinas, b. 1990, Lithuania. Lives and works in Vilnius.
Avery Singer, b. 1987, United States. Lives and works in New York.
Slavs and Tatars, Founded in 2006. Based in Berlin.
Michael E. Smith, b. 1977, United States. Lives and works in Providence.
Hito Steyerl, b. 1966, Germany. Lives and works in Berlin.
Tavares Strachan, b. 1979, The Bahamas. Lives and works in New York.
Sun Yuan & Peng Yu, b. 1972, People’s Republic of China; B. 1974, People’s Republic of China. Both live and work in Beijing.
Henry Taylor, b. 1958, United States. Lives and works in Los Angeles.
Rosemarie Trockel, b. 1952, Germany. Lives and works in Cologne.
Kaari Upson, b. 1972, United States. Lives and works in Los Angeles.
Andra Ursuţa, b. 1979, Romania. Lives and works in New York.
Danh Vō, b. 1975, Vietnam. Lives and works in Mexico City
Kemang Wa Lehulere, b. 1984, Republic of South Africa. Lives and works in Cape Town.
Apichatpong Weerasethakul, b. 1970, Thailand. Lives and works in Chiang Mai.
Christine Wertheim & Margaret Wertheim, b. 1958, Australia; b. 1958, Australia. Both live and work in Los Angeles.
Anicka Yi, b. 1971, Republic of Korea. Lives and works in New York.
Yin Xiuzhen, b. 1963, People’s Republic of China. Lives and works in Beijing.
Yu Ji, b. 1985, People’s Republic of China. Lives and works in Shanghai and Vienna.
from Artsy News
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joannrochaus · 6 years ago
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What the Oscars teach us about significance
In a surprise, Green Book won last night’s Academy Award for Best Picture. Rami Malek and Olivia Colman won for Best Actor and Best Actress in a Leading Role; Mahershala Ali and Regina King won for Best Actor and Best Actress in a Supporting Role.
For everyone who won an Oscar, last night’s ceremony was a pinnacle moment that will stay with them for the rest of their lives.  
For the rest of us, however, the transience of awards like last night’s Oscars is noteworthy. Who won last year for Best Actor? Best Actress? Best Picture? Who won the year before that?
We’ve already had the Golden Globes, the Screen Actors Guild Awards, the Critics’ Choice Awards, and the Grammys. Do you remember who won what? We could ask the same question about past winners of the Super Bowl, the World Series, the Stanley Cup, and so on.
There’s a reason our culture pays so much attention to short-lived successes.
“Wealthy, successful and miserable”
Richard Rorty was one of America’s most influential thinkers. The longtime Princeton and Stanford professor was a leading voice for the relativism that has captured our culture. He claimed: “There is nothing deep down inside us except what we have put there ourselves.” He added that “truth is what your contemporaries let you get away with.”
If we reject the supernatural, the only prism by which to see the world is the natural. And the natural cannot see beyond itself. Like rose-colored glasses that turn everything rose-colored, we assume that all we see is all that exists.
As a result, many live for the moment, for the accolades of the present, because, to them, that’s all there is. But this materialistic, secularistic way of living is not sufficient for our souls.
Nine previous Oscar winners later committed suicide. Robert Kraft, the owner of the Super Bowl champion New England Patriots, stands accused of soliciting prostitution in Florida. Jussie Smollett’s character has been cut from this season’s final two episodes of Empire.
Writing for the New York Times Magazine, Harvard MBA graduate Charles Duhigg notes that many of his fellow graduates are “wealthy, successful and miserable.” One told him, “If you spend 12 hours a day doing work you hate, at some point it doesn’t matter what your paycheck says.” Many have “an underlying sense that their work isn’t worth the grueling effort they’re putting into it.”
Speaking of the Fall, C. S. Lewis observed: “What Satan put into the heads of our remote ancestors was the idea that they could ‘be like gods’—could set up on their own as if they had created themselves—be their own masters—invent some sort of happiness for themselves outside God, apart from God. And out of that hopeless attempt has come nearly all that we call human history—money, poverty, ambition, war, prostitution, classes, empires, slavery—the long terrible story of man trying to find something other than God which will make him happy.”
When secularization begins
Living for the present to the exclusion of the eternal is a temptation for God’s people as well.
Jesus’ disciples saved their lives by forsaking their Lord in the Garden of Gethsemane. Ananias and Sapphira lied about their charitable gifts to gain the acclaim of their community (Acts 5:1–11). Peter bowed to the Judaizers when he sided against Gentile Christians in Antioch (Galatians 2:11–14).
Francis Schaeffer: “I believe that pluralistic secularism, in the long run, is a more deadly poison than straightforward persecution.”
When we seek to serve the world more than our Lord, we fail to serve either. We lose what is distinctive about our faith and appealing to many in our lost culture.
Historian Christopher Henry Dawson: “The process of secularization arises not from the loss of faith but from the loss of social interest in the world of faith. It begins the moment men feel that religion is irrelevant to the common way of life and that society as such has nothing to do with the truths of faith.”
“Jesus Plus Nothing Equals Everything”
Temporal success does not guarantee significance. Job’s so-called friends judged his character by his circumstances (cf. Job 22) and faced the wrath of God as a result (Job 42:7–9).
Long life does not guarantee significance. Joseph lived a shorter life than any of his brothers (Genesis 50:26), but whose life was more significant?
Popularity does not guarantee significance. When Jesus cast a demon from a man, his critics claimed: “He casts out demons by Beelzebul, the prince of demons” (Luke 11:15).
What, then, guarantees significance?
John Maisel is a former football star, Purple Heart-decorated Vietnam War veteran, and successful businessman. He founded East-West Ministries in 1993 to reach the most unreached people in the world. East-West has now planted more than 171,000 churches in nearly fifty countries. John has been one of the most significant mentors in my life over the last three decades.
Dr. Mac Pier’s terrific new book about John captures his surrendered heart: All In: Jesus Plus Nothing Equals Everything. I was invited to take part in a luncheon last Friday that was planned to premiere the book by honoring John’s long ministry.
However, the guest of honor intervened. He insisted to me and to everyone who had a role in the luncheon that the focus was not to be on him, but on Jesus. He told our gathering: “Yesterday is history; tomorrow is mystery; today is all there is.” Then he challenged us to go “all in” for Jesus today.
Are you “all in”?
The post What the Oscars teach us about significance appeared first on Denison Forum.
source https://www.denisonforum.org/columns/daily-article/what-the-oscars-teach-us-about-significance/ source https://denisonforum.tumblr.com/post/183046446617
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denisonforum · 6 years ago
Text
What the Oscars teach us about significance
In a surprise, Green Book won last night’s Academy Award for Best Picture. Rami Malek and Olivia Colman won for Best Actor and Best Actress in a Leading Role; Mahershala Ali and Regina King won for Best Actor and Best Actress in a Supporting Role.
For everyone who won an Oscar, last night’s ceremony was a pinnacle moment that will stay with them for the rest of their lives.  
For the rest of us, however, the transience of awards like last night’s Oscars is noteworthy. Who won last year for Best Actor? Best Actress? Best Picture? Who won the year before that?
We’ve already had the Golden Globes, the Screen Actors Guild Awards, the Critics’ Choice Awards, and the Grammys. Do you remember who won what? We could ask the same question about past winners of the Super Bowl, the World Series, the Stanley Cup, and so on.
There’s a reason our culture pays so much attention to short-lived successes.
“Wealthy, successful and miserable”
Richard Rorty was one of America’s most influential thinkers. The longtime Princeton and Stanford professor was a leading voice for the relativism that has captured our culture. He claimed: “There is nothing deep down inside us except what we have put there ourselves.” He added that “truth is what your contemporaries let you get away with.”
If we reject the supernatural, the only prism by which to see the world is the natural. And the natural cannot see beyond itself. Like rose-colored glasses that turn everything rose-colored, we assume that all we see is all that exists.
As a result, many live for the moment, for the accolades of the present, because, to them, that’s all there is. But this materialistic, secularistic way of living is not sufficient for our souls.
Nine previous Oscar winners later committed suicide. Robert Kraft, the owner of the Super Bowl champion New England Patriots, stands accused of soliciting prostitution in Florida. Jussie Smollett’s character has been cut from this season’s final two episodes of Empire.
Writing for the New York Times Magazine, Harvard MBA graduate Charles Duhigg notes that many of his fellow graduates are “wealthy, successful and miserable.” One told him, “If you spend 12 hours a day doing work you hate, at some point it doesn’t matter what your paycheck says.” Many have “an underlying sense that their work isn’t worth the grueling effort they’re putting into it.”
Speaking of the Fall, C. S. Lewis observed: “What Satan put into the heads of our remote ancestors was the idea that they could ‘be like gods’—could set up on their own as if they had created themselves—be their own masters—invent some sort of happiness for themselves outside God, apart from God. And out of that hopeless attempt has come nearly all that we call human history—money, poverty, ambition, war, prostitution, classes, empires, slavery—the long terrible story of man trying to find something other than God which will make him happy.”
When secularization begins
Living for the present to the exclusion of the eternal is a temptation for God’s people as well.
Jesus’ disciples saved their lives by forsaking their Lord in the Garden of Gethsemane. Ananias and Sapphira lied about their charitable gifts to gain the acclaim of their community (Acts 5:1–11). Peter bowed to the Judaizers when he sided against Gentile Christians in Antioch (Galatians 2:11–14).
Francis Schaeffer: “I believe that pluralistic secularism, in the long run, is a more deadly poison than straightforward persecution.”
When we seek to serve the world more than our Lord, we fail to serve either. We lose what is distinctive about our faith and appealing to many in our lost culture.
Historian Christopher Henry Dawson: “The process of secularization arises not from the loss of faith but from the loss of social interest in the world of faith. It begins the moment men feel that religion is irrelevant to the common way of life and that society as such has nothing to do with the truths of faith.”
“Jesus Plus Nothing Equals Everything”
Temporal success does not guarantee significance. Job’s so-called friends judged his character by his circumstances (cf. Job 22) and faced the wrath of God as a result (Job 42:7–9).
Long life does not guarantee significance. Joseph lived a shorter life than any of his brothers (Genesis 50:26), but whose life was more significant?
Popularity does not guarantee significance. When Jesus cast a demon from a man, his critics claimed: “He casts out demons by Beelzebul, the prince of demons” (Luke 11:15).
What, then, guarantees significance?
John Maisel is a former football star, Purple Heart-decorated Vietnam War veteran, and successful businessman. He founded East-West Ministries in 1993 to reach the most unreached people in the world. East-West has now planted more than 171,000 churches in nearly fifty countries. John has been one of the most significant mentors in my life over the last three decades.
Dr. Mac Pier’s terrific new book about John captures his surrendered heart: All In: Jesus Plus Nothing Equals Everything. I was invited to take part in a luncheon last Friday that was planned to premiere the book by honoring John’s long ministry.
However, the guest of honor intervened. He insisted to me and to everyone who had a role in the luncheon that the focus was not to be on him, but on Jesus. He told our gathering: “Yesterday is history; tomorrow is mystery; today is all there is.” Then he challenged us to go “all in” for Jesus today.
Are you “all in”?
The post What the Oscars teach us about significance appeared first on Denison Forum.
source https://www.denisonforum.org/columns/daily-article/what-the-oscars-teach-us-about-significance/
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inparenth · 5 years ago
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The Cat's Kingdom by C. Ananias
The Cat’s Kingdom by C. Ananias
His name is Christopher J. Ananias. He lives in Kokomo, Indiana. The story is called, The Cat’s Kingdom (733). The work is original and unpublished -according to him.
A dubious cat thinks he’s the boss, and maybe he is?
Artwork by Kiwana Semambya.
The Cat’s Kingdom
Sally French a shapely woman, with stunning blue eyes and mocha freckled skin, was tucked in bed. Milo her…
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