#chinline

[mihikavasant]

Five jawline exercises to develop a strong & defined jawline

In addition to its visual appeal, many men strive for a strong, well-defined jawline because of its practical advantages. It’s important to comprehend the jaw’s anatomy before beginning any jawline exercises. The masseter, buccinator, medial and lateral muscles, and temporalis muscles are major muscles that make up the jaw. Increasing the strength of these muscles results in a jawline that is more defined and muscular.

How To Get a Jawline?

Here are five jaw-shaping exercises that work well to get a jawline: 1. Neck extensions: To activate the neck extensor muscles, raise your chin, lie face down on a weight bench, and gaze off into the distance. Do this fifteen to twenty times.

2. Sitting and Bending Head Raise: Take a seat, tilt your back a little, and put your palm under your lower jaw. Press upward while using your jaw muscles to resist. Repeat under careful supervision.

3. Mewing: Press your tongue to the roof of your mouth to maintain proper tongue position. Hold for little intervals of time all day long.

4. Head Back: While lying on your back, tilt your head back a little. Then, open your lips wide and use your jaw muscles to fight backward movement.

5. Teeth Clenching: Squeeze your teeth firmly together, tensing up every jaw muscle after a brief period of holding, and release. Repeat many times.

A strong jawline has many advantages, including better facial aesthetics, a more youthful appearance, practical advantages like better digestion and chewing, increased attractiveness, favorable first impressions, better facial definition, better posture, and increased motivation for leading a healthier lifestyle.

In summary, having a distinct jawline has benefits for both appearance and use. You can have a strong jawline and enjoy the advantages it provides to your life by including these workouts in your regimen and leading a healthy lifestyle. For a more self-assured and energetic life, begin your journey toward a stronger jawline right now.

FOR MORE INFO VISIT: https://www.suryadentalcare.com/jawline-exercises-for-a-defined-muscular-jawline/

[sesiondemadrugada]

Flowers of Taipei: Taiwan New Cinema (Chinlin Hsieh, 2014).

[gifmovie]

[umfilmibom]

La historia del tiempo: Nuevo cine de Taiwán

光陰的故事－台灣新電影

Chinlin Hsieh

Taiwán

2014

[thenyac]

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[canonical-transformation]

A little character introduction I was poking around at a few months ago.

[The young man] disappears from existence. It takes a little over a second. First to go is his his gait. From one step to the next, the skittish footfalls become forgettably generic. His centre of gravity drops, and what once appeared a lanky frame is revealed to be much shorter than average. Next, his face. The muscles of his jaw uncoil, shattering the illusion of a chiseled chinline. He wipes at his brow, which loses all definition, and his sandy blonde hair takes on a dark brunette. When the hand comes away, his cheeks are round and childish, accentuated by matching moles beneath each eye. The shirt and slacks are the last to go, flipped inside out by some sleight of hand to become a little red sundress. The man no longer exists. He has been replaced with a kurogo, a stagehand, a thing that exists outside of the story, a thing the audience has been collectively trained to ignore. It is a great power, being able to step outside of the story, even if only for a moment. Seeing the shape of an oncoming plot point, nudging the pieces this way and that: creatures of Story can ripple through worlds as devastatingly as one of Lan's arrows. It is for this reason that Fictionologists and Masked Fools are reviled and feared across the known universe. The creature in the red sundress is not at the height of its power. But it is still dangerous, the way an ember is dangerous if it is actively seeking out the right powder keg to float onto. In keeping with this metaphor, seeing as the creature has no name, we will call it EMBER... ⟨Bzzt! What is this, an epilogue? Bad name. Try for less passive.⟩ ...in keeping with this metaphor, we will call it SPARKLE.

[killian-whump]

I'd put $20 on Rothberg guiding the animators like, "Could you make my cheekbones stand out more so people know I'm an Attractive Person? That's better. Now make my jawline super sharp. Give me a strong chin. Maybe a jawline AND a chinline, so people know I'm a Cool Guy. And can you make my devil's patch a bit sharper? I just want sharp lines everywhere, so people know I'm on the cutting edge of everything. Yeah, and give me some futuristic shades instead of eyes. Nobody needs to see my eyes. Eyes aren't important. I don't want anyone to be able to relate to my animated likeness, I just want them to know I'm a cool guy living in The Future. And a smirk! I need a smirk! The kind of smirk that makes people want to slap that thing right off my face, because I want people to know I'm sassy and I say whatever I want (except to Colin's fans because I'm not allowed to talk to them anymore). Oh, and make me pale. Not as pale as Rose, because I'm not a goth, but pale enough that people wonder if I'm trying to look like a vampire, because vampires are Cool and I need everyone to know I'm cool and I might be a vampire."

Meanwhile Colin was probably like, "Hey! Look at that! That's really great. You did such a good job there. Thanks so much."

[morrigan-sims]

Felicity Roberts for @slothseasims Love Is Blind

Age: 24 Sexuality: Straight Occupation: Unemployed, but looking for a job.

Likes: Rom-coms, the color pink, fluffy blankets, flowers, painting her nails, doing her makeup, springtime. Dislikes: Working hard, self-absorbed people, the color red, spicy food, rainy weather.

Turn-Ons: Muscles, big romantic gestures, good chinlines, good kisser, good cook, compliments, gifts. Turn-Offs: Slobs, heavy facial hair, jealous partners, people who blast their music super loud in public spaces.

Background: Felicity is a hopeless romantic, without much experience with romance. She's only had 2 boyfriends in the past, and the longest of those relationships lasted 6 months.

Felicity absolutely believes in true love, and she isn't afraid of moving fast. She dreams of a whirlwind romance with the love of her life, a fairytale wedding, and living out her life with her soulmate. A couple of kids, etc.

Only a couple years out of college, Felicity is in the middle of looking for a job, and a husband. A bit naive, but with a good heart, she's fascinated by the idea of finding love on TV.

She's an only child, and has a great relationship with both of her parents. Coming from an upper-middle class family, she never had to work too hard at anything. But she's not entirely spoiled. Kind and caring, she's polite to everyone, if a bit too trusting.

Felicity is a hopeless romantic, without much experience with romance. She's only had 2 boyfriends in the past, and the longest of those relationships lasted 6 months.

Felicity absolutely believes in true love, and she isn't afraid of moving fast. She dreams of a whirlwind romance with the love of her life, a fairytale wedding, and living out her life with her soulmate. A couple of kids, etc.

[waste-it-on-something-useful]

“If you consider film as an art form, a film is like a classic. It’s value is not determined by the audience. It’s determined by time. Not of the moment, but over the long term. It’s there. Waiting for you to mature.”

Tsai Ming-liang in Flowers of Taipei: Taiwan New Cinema (Chinlin Hsieh, 2014)

[yingtingan]

CV / chronology

Blue for dance and creation

Purple for words, facilitation and research

2024 : second half : Co-founder and facilitator 2024 “Alternatives Denkmal für Deutschland”, project coordinator/communication 2023 “Zeroth Law” by Gamut Inc, Deutsche Oper, dancer 2023 [Good, night self-learning], research project supported by Dachverband Tanz Deutschland - an experiment on interactive and participatory facilitation practice.

2020-2023 "TOUCH" by Anouk van Dijk & Falk Richter, Münchner Kammerspiele, dancer/performer/co-creator

2022 "Time Traveller", Rundfunkchor, Shangchi Sun, Berlin, Germany, dancer

2019-2022 Inter-Actions Edan Gorlicki, Heidelberg, Germany, dancer/performer/co-creator - collabration with Edan Gorlicki since 2017. performed and co-created What Do We Do (2019), IMPACT (2020), RE-COVER (2020-2022), Lost Bodies (2022)

2022 EXPO Festival, English Theater Berlin, festival assistant 

2021 "The Very Eye" by Cie Tumbleweed, Danse Atelier, Rotterdam, Netherlands, dancer 

2021 Ventriloquism - Let me speak your language, research project supported by Dachverband Tanz Deutschland - interviewing and writing project focusing on dance and performing artists with migrant background

2019 twoo, New Choreographer Project, National Theater, Taipei, Taiwan, choreographer/dancer - a collabration with Robert Bridger focusing on improvisation and instant composition.

2019 "Médée" by David McVicar, Grand Théâtre de Genève, Geneva, Switzerland, dancer

2018-2019 "Story Water" by Emanuel Gat, Festival d'Avignon, Frankfurt Lab, dancer and co-creator

2017 "Mechanical Ecstasy" Club Guy and Roni, Groningen, Netherlands, dancer

2017 Joshua Monten Dance Company, Bern, Switzerland, dancer, performer and co-creator - performed pieces Doggy Style, JOY/Freude, and Concert dans le goût théâtral.

2016 Think Big, Staatsoper Hannover, Hannover, Germany, dancer

2016 "SPUR" by Shang Chi Sun, Uferstudio, Company Shangchi Sun, Berlin, Germany, dancer 

2015 Relocated in Berlin, Germany

2015 everyday.bodies - a nomadic journey of contemporary dancers, Impulstanz Festival, Vienna, Austria, research project supported by National Culture and Art Foundation Taiwan

2014 "If I Can Dance", Unframed, Stadttheater Heidelberg, choreographer

2013-2015 Stadttheater Heidelberg, soloist dancer

2013 Relocated in Heidelberg, Germany

2013 Meimage Dance, soloist performer

2012 Project Fulfill Art Space, assistant curator

2012-2013 National Science Council, assistant researcher 

2011 American Dance Festival, scholarship holder from Chinlin Foundation for Culture and Arts

2009-2011 Focus Dance Company, producer

Education: 

2006-2011 Taipei National University of the Arts, bachelor of arts 

[missiesharon]

Check out this listing I just added to my Poshmark closet: Gorgeous Pearl and Crystal necklace set!.

[whenyourfavouritedies]

[ID: A photograph of 3 rabbits sat together on a sofa, Kiwi is large and brown, Dusty is small and white and pure fluffball with black eyeliner-like markings, Toffee is small and silky black with a cream chinline and eyeliner-like markings. Writing in the corner reads: "2023 year of the rabbit". The 0 of 2023 is shaped like a bunny head /End ID]

Kiwi, Dusty, and Toffee wish everyone who celebrates the lunar new year a Happy New Year 💜🐇✨

[chibimyumi]

Hi Chibi!!! I love your analyses SO SO much! Even though I don’t have a tumblr, I google your blog almost every other day to see if you have updated. I figured it was about time I sent in my first ask by now. Sorry to be a bother if this has been asked before: could you please explain the recurring AGO joke by AbaHanks throughout the musicals? Thanks!! ⭐️〰️⭐️

Dear Anon,

Thank you SO SO much for your compliments and your frequent visits! And your ask is very welcome in my inbox!

Ah yes, the “AGO” joke... well... this is the story. Once upon a time, in a far, far away land (depending on where you are), there was a man named Ise Naohiro. Ise Naohiro was cast as the first Aberline of the first Kuromyu, “That Butler, Friendship”, 2009.

The musicals made a creative choice of turning Inspector Aberline into a comic relief, and therewith cast a comedic type actor. Aberline is a very mediocre inspector, so his performance nor presence make an impression on people. In the musical, Ise took a glorious initiative of turning his name into a joke.

And so the unmemorable “Aberline” was constantly misnamed, called “Underline”, “Deadline”, “Landline”. It became the running gag within the 2009 musical.

Then comes “The Most Beautiful Death in the World” (2010) which introduced the musical-only character, Sharp Hanks. Aberline introduced himself to Sharp Hanks, but the latter misheard his name, and called him “Inspector Chin-line” (Ago no Line. “Ago” = chin in Japanese). And then Aberline was so hurt because not only was misnamed AGAIN, it addressed an insecurity of his (please note how the actor Ise’s chin is quite unpronounced). When Aberline expressed his anger and self-consciousness, Hanks immediately shared that he understands that feeling, for he’s been bullied for having a butt-chin.

Hanks comforted Aberline saying: “Don’t worry, my name is “Sharp”, so you and I together form a great team! You shall be “chin-line” and with me it is “sharp”. Together we’ll have a sharp chin-line! (Sharp chin-lines are the conventional beauty standard in Japan). As the two inspectors united in their misery, a formidable team was born. And so the Kuromyu legacy was born.

Then comes the second generation Aberline, Takagi Shun. Takagi is a comedian with quite a pronounced chin himself. His large chin is also one of his most iconic features in the entertainment world. In this tweet of his he posted a portrait of himself with the caption:

“Left is Mamo (Miyano Mamoru) that I drew. Right is me drawn by Mamo. I am not going to say anything anymore (laughs).

And like an absolute pro, large-chin Takagi OWNED the “Inspector Chinline” sketch like no other.

Takagi’s Aberline is also very self-conscious about his mediocrity at work, so when Hanks did not immediately recognise his name, Aberline said: “you have not heard of my name, but surely my face of fame you recognise?” And Hanks said: “Oh right! Inspector Chin-line!!!” And thus the love-hate friendship was born between Aberline and Hanks.

And then the “Inspector Chinline” was immortalised.

[kerinrealty]

Chin line coming backkkkkkkk. 2019 lol . . #thankyoucrunch #chinline #thinface #almostthere #almostsexy #dadbod #2019 #KerinRealty #beachsoon #summertime #workouteveryday #eathealty well sort of 😆 #sweettooth (at KerinRealty Realtor) https://www.instagram.com/p/BvFTCSelzMG/?utm_source=ig_tumblr_share&igshid=iuzlnqws71xk

[notesonfilm1]

Thinking Aloud About Film: Hou Hsiao-hsien 4 - The Sandwich Man (1983)

Thinking Aloud About Film: Hou Hsiao-hsien 4 – The Sandwich Man (1983)

A discussion of The Sandwich Man, an omnibus film based on the short stories of Hwang Chun-ming, with episodes from Hou Hsiao-hsien (The Sandwich Man), , Tseng Shuan-hsiang (Hsiao-ch’i’s Hat) and Wan Jen (The Taste of Apples), that is said to have helped launch New Taiwanese Cinema. We talk about the three different episodes, how so many New Waves incorporated omnibus or portmanteau films as a…

[soldicriism]